i think the reasons the spn fandom got 6 episodes of mick davies & immediately paired him off with cas are many & complex & include:
mick literally took one (1) look at cas & said out loud i reckon you could finish me off without breaking a sweat & then gave him his number
mick's character plays out one of the earlier planned arcs for castiel: getting killed for breaking from the ranks. mick is prime tfw material. we were robbed.
cas deserves good things
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artists flirting like wow you have such a nice side profile...the tip of your nose makes such an interesting shape where it connects to the bridge...
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my very specific prediction for the upcoming AITA video: he'll open by explaining that last week on the gaming channel he had an 'AITA' moment himself [insert clips from the dan eye incident here]
then he'll lead into the vid by saying something like "and that inspired me to ask you all for your 'am I the hole' moments", and only then will he bring up that this time, he asked for specifically dating/love-related stories, leaving us to piece together that the intro is a dating/love related story via the maxim of relevance
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i need to. start uploading these in fours/twos instead of threes bc. having the sizing on the images be so unbalanced rlly bothers me hGDHFH
anyway c: more 3h portrait reference things yada yada,, this time featuring school faculty!! Almost did Seteth instead of Jeritza but I'd rather include him with Flayn/Rhea so yk
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i’ve stopped expecting interesting animation from bones. the star and stripe fight is cool but like every other fight/moment in mha, it’s only cool bc the source material itself is cool; bones does nothing to elevate the manga
they rarely try to experiment with colour and style. i saw so many colourings of the moment star and stripe made a giant version of herself out of the air; people made her look like a cosmos, like it reflected and bent the sky around her, doing so many inventive things and for the anime to just make her an outline against that godforsaken sky? i’m disappointed
but people will take me saying i’m disappointed and spin it to me saying the fight was bad. it wasn’t, just like most fights and moments in the anime aren’t bad but that’s all bc horikoshi knows how to draw. they never do anything beyond that; they never try and adapt it. whether it’s bc of time, direction, budget, or what have you, they will never do something truly inventive with their colouring
i’ve said this before and i’ll say it again, it’s not just that the sky is blue; it’s what the blue sky represents and that is an unwillingness to broaden their colour palette or atmosphere to support the changes in the tone of the story. the story isn’t just “will midoriya get into his dream high school and achieve his dream job?” it’s child abuse and societal systems and their dysfunctions, it’s racism and morality and is it right to try and save someone who’s determined to destroy the world just bc they are also a victim?
look at the finale of atla, a show that mirrors the narrative tone of mha; it starts out bright and colourful and vibrant to match the happy and small stakes nature of the story and as the tone of the story changes, the environment changes to reflect that. the siege of the north pole? everything goes blood red when the moon spirit is threatened, then goes completely desaturated when it is killed with only fire bending having any colour. the day of black sun? uses a solar eclipse to change the lighting. the entire sozin’s comet fight? has red skies and lighting to show the threat
bones abject refusal to change anything about the art itself is a detriment to horikoshi’s complex narrative
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If TARDISes were real and I was like. Chilling inside of a TARDIS I think I would give It little treats or beverages or shiny little trinkets. Both as a friendly gesture and as in the way I would leave offerings on my altars, or for the spirits in my house. Will maybe elaborate on this later.
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