#what's really funny is that there's this One Specific Picture of that scene that i can perfectly image but it doesn’t exist on google

[mercymermaid]

see cj's cover of night goes really hard bc for some unknown reason the instrumental break with that nice-sounding synth reminds me of russian fairytales or kids songs

idk why and idk what i could even compare the synth to to prove my point but all i can think of is fairytales (particularly russian but only bc i grew up with many many of those)

AND SPECIFICALLY "СЕРЕБРЯНОЕ КОПЫТЦЕ" (thanks for the font change, tumblr) ("Silver Hoof")

and not the story itself, but this one goddamn scene from this one goddamn story

just hear me out.

[augustinewrites]

“itadori, please respect his personal space—”

“kugisaki! stop hitting him—”

“megumi, don’t you dare bring that elephant out in my classroom—”

peace and quiet is short-lived whenever the first years are around.

you manage to quiet them down with the threat of assigning an essay, allowing you a moment’s respite to massage your temples and lean back in your seat, glancing at your phone to check just how many minutes you have left with them.

a notification pops up as you do, bringing on a whole new headache.

[satoru]: send nudes?

you quickly turn your phone over so it’s screen-down, face burning as you look around to make sure no one had seen.

peace and quiet is also short-lived whenever satoru calls out sick. because the strongest sorcerer of your time…currently has a cold.

he is, predictably, very dramatic whenever he’s sick. a mild fever means he puts himself on bedrest. a sore throat means he needs to be spoon fed a very specific homemade soup.

but the worst…oh, the worst is when he has a cold.

when satoru’s sinuses are clogged, he’s an absolute menace to deal with. his sneezes shake the apartment and his whines about sinus pressure are all you hear at the dinner table.

luckily, the students have resorted to quietly bothering each other, so you slowly turn your phone back around to deal with the man child who is likely littering the living room floor with tissues.

he’s stuck at home, which means he’s got nothing to do but annoy you.

[satoru]: haha jk

[satoru]: unless…?

huffing, you quickly type back a response.

[you]: NOT funny. i’m at work.

[satoru]: so what you’re saying is you’ll send them during lunch right ;)

“miss!” itadori shouts, his arm raised. “can fushiguro come to the arcade with us after class?”

“of course,” you say. “but please don’t forget to finish your essays on cursed technique origins. it’s due on monday.”

yuuji’s practically bouncing in his seat as he grabs megumi’s arm. hear that, fushiguro? you hear as you pick up your phone. your mom said yes!

megumi, who usually comes home on the weekends, still looks to you for approval. you assure him with a small nod and smile.

sometimes you just want to wrap him up in your arms and never let go. he may have been another couple’s blessing, but ultimately he’s yours and gojo’s pride and joy. possibly the only one you have left, as it stands.

thought you’re a little sad that he won’t be home for dinner tonight, you remind yourself that he’s growing up. for as long as you’ve known him, he’s always been a sort of lone wolf. but a lone wolf is still a wolf, and a wolf needs a pack.

he’s finally found friends he’s comfortable with, and it’s good that he wants to spend time with them and vice versa.

your phone buzzes insistently in your hand.

[satoru]: pleeeeeaaaase?

[satoru]: i think it’ll really help with my recovery…

[satoru]: if this cold kills me the last thing i want to see is a picture of you

oh, that’s actually kind of—

[satoru]: nude, preferably

maybe it’s a good thing megumi won’t be home tonight. you don’t need any witnesses to the crime you’re about to commit.

[you]: what’ll help with your recovery is a visit to the infirmary.

there’s a short pause, then you watch the little bubble appear and disappear about six times.

[satoru]: shit

[satoru]: is this a scene?

you roll your eyes, waving at the kids as they head out to catch the train.

[you]: i hate you

he doesn’t answer, so you get up to hurry over to your office, shutting and locking the door behind you.

you wait a moment, opening the camera on your phone as you do so.

once the sound of footsteps echoing through the hall disappears, you start unbuttoning the first few buttons of your shirt—

you scream when a loud sneeze startles you, satoru suddenly appearing at your side.

he doesn’t miss a beat, plucking a tissue from your desk and blowing his nose loudly. he throws it in the general direction of the bin before slapping his palm onto your desk.

you can tell he’s attempting to be some sort of seductive, but it’s dampened bu the way he sniffles loudly, his face a little red.

“hello, doctor,” he says, a lazy grin spread across his face. “i’m here for my physical.”

“honey,” you laugh, gently cupping the sides of his face. “you need to rest.”

“but ‘m not tired,” he pouts, leaning in to nose at your neck. his skin is warm against yours, much too warm for your liking.

you tangle your fingers in his hair, scratching lightly at his scalp. “since i’m your doctor, i’m prescribing a nap.”

“a nap does sound kind of nice…”

he gets up, taking your hand and dragging you over to the couch with him. he locks you within his embrace, sighing contentedly as he presses you to his chest.

“wait, satoru i have to supervise the second years’ training—”

it’s too late. he’s already asleep, snoring loudly in your ear.

so you take out your phone and text nanami, asking if he can cover for you this afternoon.

because a sick satoru is a needy satoru, and you won’t be leaving this couch for a while.

[corkinavoid]

DPxDC Demon Children Are Multiplying

This idea is still stuck in my head, and I might even end up writing something out of it, but for now, I just thought of something equally really, really stupid and really, really funny.

What if I combine that idea with Al Ghul Twins. I don't know how. Maybe Talia was cautious about Ra's not wanting to keep two kids for a position of Heir, or maybe she staged Danny's death, or maybe something else entirely happened. But anyway, Danny is Damian's twin.

Then, Dani is the same age as Danny in this AU. And Dan is de-aged to be the same age as both of them.

Now behold an absolute train wreck of a situation where Bruce attends a Gala hosted by Vladimir Masters. Together with Damian, of course, and maybe other batkids are there too. They all part their ways to make their rounds or whatnot. And they all keep seeing Damian wherever they go. Just everywhere.

Dick is talking to someone, and Damian walks past him, not paying him any attention. Which is not surprising, but a little rude, and, wait, wasn't he wearing a red tie? When did he change it to green one?

Tim is just going on the top floor to greet a lady he recognizes from some other event, and Damian all but storms in the opposite direction, only letting Tim catch a glimpse of his face. But when Tim turns around, he is really confused: the person running down the stairs is clearly a girl, albeit she is wearing a suit. Her long hair is up in a complicated braid. Why did he even mistake her for Damian?

But the ultimate confusion happens when Bruce is talking to Vladimir Masters, and a very familiar voice calls, "Father". Because both he and Vladimir turn to face the boy and ask, "Yes?" at the same time.

Damian is standing there, looking between Bruce and Vlad. He looks a little off somehow, but before Bruce can figure out why, the boy blinks and focuses on Vlad.

"We've been looking for you," he tells the man, and, wait, when was Damian looking for Masters? Furthermore, who is we?

But then another child comes closer. And-

That's Damian.

That's two Damians.

Wait, no, none of them are Damians.

"What is it?" Vladimir raises an eyebrow, not paying too much attention to Bruce's blanched expression.

A third child comes towards them, and this one also looks like Damian, only this one is a girl.

"Template's duplicate is here," she says, and Vlad frowns, turning to the Damian lookalike in the middle.

"Have you had another incident that I don't know of?"

Whatever answer the boy wanted to give is cut off by a n o t h e r child who looks like- no, this is real Damian, thank God, Bruce had started to wonder if the champagne was spiked with hallucinogens.

"Father-" he stops in his tracks as the three other children turn to him, and the four of them just stare at each other for a long moment. Then the one in the middle takes a sharp breath in and stage-whispers:

"Quick, do the meme!"

And all three not-Damians start pointing at each other.

Bruce is going to have an aneurysm. Judging by Vladimir's face, he is also not far from one.

Just my ramblings under the cut

I think you all know what meme I'm talking about, but I'm still gonna add it

This is so fucking hilarious to me, I'm sorry, I just can't

Danny is not missing this opportunity of a lifetime, even though Vlad specifically asked all three of them not to cause a scene. And yes, they all call Vlad "father" just for the spite of it or for shits and giggles. I'm going with Bad Fentons idea here, although I'm not sure to which degree they are bad, but anyway, Vlad is their legal guardian, and he is redeemed.

Yes, Dick took a picture. Yes, it's already in the group chat. Yes, other batkids are going wild.

Damian is greatly confused because, first, he thought there was a clone of him at the gala, but apparently, there were three of them, and second, why are they pointing at each other? Should he join them? He is under the assumption his brother is dead (he's not exactly wrong on that account), or he doesn't even know he existed.

This is as far as I got now, feel free to add anything!

[overly-distressed-mouse]

Okay I'm now home from watching the Barbie movie, so I have to bestow some knowledge upon you fuckers (aka me infodumping actual Barbie lore because there were a lot of references there).

So, first and foremost, in one scene, we see "Earring Ken" and "Growing up Skipper" (very short scene, don't worry if you missed it). But these were actual Barbie dolls released by Mattel way back whenever (See pictures below)

So, "Earring Ken" was actually "Earring Magic Ken". His whole thing was Mattel wanted to be cool and hip with the kids or whatever, so they created him. Except their idea of going out and finding inspiration and information as to what was "hip with the kids", was gay bars. And raves. As you can imagine, Earring Magic Ken did not stay on shelves too long (about 6 months) (though he did sell actually really well and I believe is still one of their most sold despite only being available for such a short time). I'm pretty sure his necklace charm could be swapped out too and also worn as actual earrings. HOWEVER, the part about Earring Magic Ken that kills me, is that because they went to gay bars, not only did they give him a mesh shirt and shit (as seen above), but the charm on his necklace? Is a cock ring. Did Mattel realize this? Probably the fuck not, but that's what it was💕

Growing up Skipper was also an actual doll, and just like in the movie, if you twisted her arm, she grew boobs. She also grew like an inch taller or something. I'm pretty sure she also was not on the shelf long, but she was introduced in the 1970s. So that's fun

Next up, Midge and Allan (who both play slightly bigger roles in the film but here's pictures anyways)

So Midge was Barbie's best friend, and was released specifically because Mattel found themselves faced with high demand for a pregnant Barbie doll. But of course, Barbie can never get married or be pregnant or have kids, because it ages her, and obviously seeming a little older means Barbie is suddenly worthless and unappealing (Woo patriarchy!). So their solution was Midge, who, ironically, ended up being everything Barbie couldn't (which is kind of funny since she's supposed to be able to be any and everything ever). So, them making her only personality trait in the movie her pregnancy, is kind of spot on. She did have actual dolls initially but then seemed to disappear for a while, having been replaced with other "Barbie's best friend!"'s. Actually they also replaced Barbie's siblings several times but that's another post. Midge did eventually return though in Life in the Dreamhouse (See below)

One thing they never mentioned in the movie, however, is that Allan was actually Midge's boyfriend. I don't have too much on him besides that but I think it's worth mentioning.

Anywho, there's my rant on some of the characters in the Barbie movie, if you made it this far, thanks :))

[daenysx]

Hey darling, just wondering if i could make a request about modern!aemond? it can be just some drabble about his wife(reader) telling him about her pregnancy, or them finding out their gender💘

hi, i'm a bit self conscious about this but i hope you enjoy! thank you for requesting <333

modern!aemond targaryen x pregnant!fem!reader , fluff

aemond started counting down the days since you told him the date of your appointment with the doctor.

he tries to be cool about it because the most important thing for your baby is to be healthy, he didn't really think about gender. he keeps calling the baby 'baby' , nothing specific, and to be honest he doesn't picture a girl or a boy in his arms when he imagines of the moment he finally gets to meet with the baby.

now, though, when you said you can find out about the gender at your appointment, a sudden chill runs through him. it's a funny feeling and no matter how calm he tries to be, he realizes he's excited beyond the words.

he wakes up earlier than you on the day of appointment, gives your cheek and the baby sleepy kisses. your hand goes to stroke his hair when he presses his lips on your belly but he's quick to not fall for your tricks. you always wanna stay in bed longer and somehow convince him to accompany you. this morning, he will not fall for that. he has things to do like finding out the gender of his baby.

you've been craving savory stuff for breakfast lately, and aemond took that as a challenge to find new options for you to eat. he's preparing the eggs when you walk next to him in kitchen, you kiss his cheek soundly before leaving for bathroom. it's all part of a routine and luckily you have more time to spend with him today since he got the day off.

"so, do you have any guesses?" you ask, after both of you settle down for breakfast.

"i feel like it'll be a girl." aemond says as he puts some olives on your plate. he gets some for himself too. "it doesn't matter if it's a boy or a girl, of course. i'll be happy either way."

"i think it's a boy." you smile. a little boy who looks exactly like your husband is one of the nicest dreams. "and, boy or girl, they will definitely have your hair."

aemond laughs at that. you take a sip from your tea. "i get so excited every time they make us listen the baby's heartbeat. it all becomes real. hard to imagine a baby growing in me otherwise."

you look really beautiful pregnant and aemond makes sure you know that. like you really know that. he finds himself staring at the changes he can spot on your body most of the time, especially in the mornings when he wakes up before you. your skin has a new type of glow, your belly grows bigger, and you have a sore back but it's all been okay until now.

the drive to hospital is filled with your favorite songs. aemond has a small smile on his lips and he doesn't try to hide it. his hand finds yours easily, leading the way to the doctor's room. it's like living a moment that has been there before. he thinks he's watching a movie scene, you're the actors, and now the doctor says her lines.

he can only focus on the sound of his baby's heartbeat. the room is silent. aemond doesn't necessarily believe in miracles but surely this must be some kind of a miracle. a part of both of you, alive and has a heartbeat. it's so beautiful. you can't help your tears, let them roll down on your cheek freely.

"are you ready to find out about the gender?" your doctor asks with a smile. again, it's like a movie scene. aemond holds your hand, you give the doctor a tiny nod. she keeps looking at the screen, her eyes squinting just a bit. aemond feels like his heart will stop.

"okay." she says, her finger pointing something on the screen. "here, can you see that? that's your girl, right there."

a girl? it fits right in to every dream aemond has. no, because what can be more beautiful than having a baby girl who looks like you? he imagines her tiny face, chubby cheeks and softness only she can offer, and he's never dramatic but it's enough to die as a happy man.

"it's a girl?" you ask, crying. "aemond."

he kisses your hair. you're happier, more than you thought you would be when you find out. the doctor says she's healthy and everything looks good, which is a huge relief. you give her nods as she talks about what will happen in the next weeks. aemond can remember those parts from the pregnancy book he read before.

the movie scene stops when you're back in car. it's the reality now. you will have a girl. a silver haired baby, maybe, with your eyes. aemond's smile is bigger now and he never lets go of your hand. now that the baby can have name options, it all becomes more- real.

"i can't wait to meet her." you say. aemond agrees. he can't wait to be a girl dad.

[pagannatural]

2.11 Playthings 👭👬

-episode of my life. If you only ever watch one episode of supernatural let it be this one. Creepy dolls creepy dollhouse creepy little girls a lonely Connecticut inn a desperate drunken tousle between the incest brothers. It doesn’t get any better than this.

-Dean gives Sam a hard time about suggesting a case after they’ve been looking for Ava for a month. Dean doesn’t even know Ava, but he’s spent the last month looking for her because it was important to Sam. When Sam doesn’t respond to Dean’s teasing, he backs right off. Dean is controlling and possessive but he is also respectful and considerate because he thinks the world of Sam.

-Dean says Sam’s attitude “is just way too healthy for me, I’m officially uncomfortable now” which is funny because it’s not true that Sam’s attitude is healthy and he will get drunk and misbehave about it, but it checks out that Dean is uncomfortable with healthy dynamics.

-Sam smirks at Dean’s joke in this really cute way. It shows that he still looks up to Dean, even though he wouldn’t admit it.

-the innkeeper mistakes them for a gay couple and assumes they’ll want a king sized bed and Sam says “what? No—no two singles. We’re just brothers.”

Spot the difference between these two pictures

That mighty flustered, genuinely panicky “just brothers” sounds exactly like a “we’re just friends” moment between a will they/won’t they couple and it’s so weird that he says it that way. A normal answer would be “oh this is my brother” and then everybody moves on. But this is a tv show and there’s a reason for this scene to be included in this episode. It highlights that the nature of their relationship as brothers is more layered, and this messy denial tells the viewer that there is a romantic/sexual layer.

Back in Asylum in s1, Dean was mistaken for Sam’s boss specifically to make it clear to the viewer that Dean had more authority in their dynamic at the time, which played into Sam’s anger at Dean. This is a similar way for an outsider’s interpretation of the relationship to shed light on it. Their individual reactions to the assumption that they’re a romantic couple are meaningfully different—Sam is embarrassed and nervous like he’s been caught. Dean is feeling some kind of way.

He looks guilty, like he’s doing something wrong. He played along with people thinking he and Sam were a couple in Bugs and went as far as to slap Sam’s ass and call him honey. He seems pretty comfortable with his sexuality and with people being gay in general, like the joke he made about the only real thing about him being his boobs or the time he sarcastically told a scowling male store owner that his smile really lights up a room. He’s playful, he’s not weird about it (until season 8 but that’s another post). So something else is going on here.

His attitude toward this kind of mistake has changed since season 1. A lot has happened, but I think the point at which things shifted for Dean was that moment in Croatoan when he decided that he was going to stay with and protect Sam when they thought he was infected. The episode was a major turning point for Dean. That’s what pushed him to finally tell Sam what John said, and it was the first time Dean really thought Sam was going to die. It also paralleled the scene from Provenance in which Sam almost puts his feelings for Dean into words. Back then, Dean was able to take control of the situation to avoid Sam’s feelings and his own. In Croatoan, he’s the one forced to consider his feelings and why he would live and die and kill for Sam, and Sam alone. It’s no longer possible for him to ignore the feelings between them. He knows or suspects strongly that Sam has feelings for him, and now he can’t deny that he does too. It’s one of his major conflicts moving forward.

-Dean asks Sam why people always assume they’re gay, saying it’s a “troubling question,” and Sam says “you are kind of butch. They probably think you’re overcompensating” which Dean takes in as though it’s an equally troubling revelation. They look like a couple, and therefore they look queer, from the outside: Sam with his shy demeanor, soft voice, longish hair, deference to Dean in most situations (Dean goes to the front desk, Sam hangs back a little, his body mostly facing Dean), and just general feminine-coding throughout the show. Dean with his cropped hair, gravelly voice, overconfidence, and constant womanizing.

Queer people have this shared experience of never feeling like they’re doing masculinity or femininity correctly, and knowing or realizing that other people can tell they don’t fit in, but not really being able to name what they’re doing wrong. Sam is too feminine and Dean is too masculine and when they’re together they read as a gay couple.

Croatoan drew attention to this too, but again, it’s not really about coding them as lgbt, it’s about coding them as queer and incestuous in a gothic, monstrous way. They are Other and it’s in their blood just like the monsters they hunt.

-Dean has Sam pretend to love dolls, to further underscore his feminine role in their relationship for the viewer. It would be so cute if Sam really did love dolls as a kid.

-Dean tells Sam not to look at porn in their room, apropos of nothing.

-someone else dies. Shot of Sam, damsel, gazing out the window of his tower as the body is carried out and Dean talks to the innkeeper.

Dean goes into their room, where Sam is sitting facing away from the open door in a way that feels foreboding, like something is wrong. It’s similar to the shot of Rose a little later in the episode, with her in her chair facing away from the door.

Sam is drunk because he couldn’t save the guy who died, and “the more people I save the more I can change.” He’s afraid of becoming corrupted and at least some part of him believes that he will (that he already is) and needs to make up for it.

Sam says Dean has to watch out for him “and if I ever turn into something that I’m not you have to kill me.” He argues that John said Dean has to and Dean says “Yeah well dad’s an ass” which is a very bold thing for Dean to say about the dead father he once idolized. He obeyed John to keep Sam safe, and he’s finally letting himself be angry with John.

Sam says even now everyone around him dies. He says “please, Dean, you’re the only one who can do it. Promise.”

So Sam is drunk and in crisis over believing that he will become evil, in this episode that makes sure to emphasize the sexual undertones in his relationship with his brother, in an interaction that looks charged and erotic. He’s begging his brother to kill him rather than let him fall, holding onto Dean’s shirt and pulling him down toward him, his eyes locked on Dean’s.

Dean says “Don’t ask that of me” but Sam gives him the puppiest tear-filled eyes so Dean lies, he says “I promise.” At this point Sam is sitting on his bed and Dean is leaning over him, Sam grasping his shirt to keep him close and keep his attention.

Sam looks at Dean’s lips, says “thank you,” inhales, and grabs Dean’s face in both his hands, his thumb near the corner of Dean’s lip. It looks like he’s trying to kiss Dean. The fact that he inhaled rather than exhaled also just makes it feel more like a lead-up to something rather than a conclusion.

Dean pushes Sam away, closing his eyes as if conflicted, Sam still holding onto his face. It’s a little aggressive. Dean has to shove Sam off of him forcefully.

Dean pushes Sam onto his back on the bed, where he watches him turn to his stomach and nestle into the mattress, arching his lower back with his face in the pillow. Dean puts a hand over his mouth and traces his lips, his eyes dragging over Sam’s body.

Just describing the basic mechanics of this scene makes its eroticism clear. Dean touches his lips after Sam looks at them in a gesture loaded with restraint and tension. It’s another of those scenes that usually happen between romantic leads: the woman gets drunk and confesses something and/or needs to be taken care of and the man treats her respectfully but not so respectfully that he isn’t a little seduced. Dean could have let Sam kiss him (or do whatever he was going to do), but he has so many reasons not to: fear of hurting him, of Sam leaving him, of betraying his role as his savior and protector. Dean’s self worth comes from loving Sam, so if he loves Sam Wrong he feels worthless.

And that’s to say nothing of the fact that Sam is begging Dean to take ultimate control over his body by deciding whether he lives, and deciding whether he’s good or bad. His fears are soothed by the idea that whatever happens he can be Dean’s, he can belong to his brother. He’s okay with dying only if it’s by Dean’s hand. His whole life he’s felt something was wrong with him, so if it’s true and Dean confirms it, he is the only one who can kill it. The corruption in Sam (in both of them) has already been heavily linked to blood and their relationship and now Sam is verbalizing it—No! We’re just brothers. Why does everyone assume we’re gay? Sam holding Dean’s face, drunk, saying there is something wrong with me and it’s your responsibility. Please, you’re the only one who can do it.

-Sam is throwing up the next morning. Dean says something gross about a sandwich in an ashtray that makes Sam gag and say “I hate you” and Dean says “I know you do.” The way Dean says this sounds like he really thinks Sam hates him, which came up in Asylum as well. After last night, this has to have something to do with Sam’s feelings for him and the fact that Sam thinks Dean is the only one who should kill him. He thinks it’s tied to Sam hating him and his self-hatred for loving Sam wrong.

-Maggie tells Tyler “I can’t leave this haunted house and you can’t leave me.” Sam and Dean can’t leave the haunted house that is their life because they can’t leave each other.

-Maggie tells Rose “you’d do that for me?” which Sam has basically said to Dean, and “you kept me away for so long I thought you didn’t love me any more” which fits both of them at different times. Rose is the little sister choosing to die so that Maggie doesn’t have to spend eternity alone, and saving Tyler. It’s a creepy, haunting ending that parallels Sam and Dean. The sisters play together forever in a haunted house and the brothers drive off to hunt together out of the haunted houses and motels and backroads they were raised in.

[rollerska8er]

This is kinda old news at this point but I can't stress enough how weird people were about Aabria Iyengar in the first season of Misfits and Magic.

To wit: There is a scene, which was made into a YouTube Shorts clip, in which Brennan Lee Mulligan's player character, Evan Kelmp, is overheard by another character who says "Hey, I can hear you!" Brennan, as Evan, responds "No, no you didn't." To which Aabria, in character as the NPC, responds "You know what we aren't gonna do? I'll whoop your ass. You're not gonna gaslight me." It's a funny scene and played off well by Brennan who is clearly blindsided by Aabria's response (which, again, is in-character).

There is no way to describe the reaction to this moment other than "bizarrely racist". The comments on the YouTube Short paint a picture of Aabria as a crazy person who is unnecessarily aggressive to poor sweet Brennan, just because he said no, the poor lamb. These people read Aabria's in-character reaction to Brennan's joking, in-character refusal to yes-and as an actual accusation of gaslighting from Aabria to Brennan.

People then go on to be outraged that she refused Brennan a deception check (which he did not ask for, and also isn't really possible in the narrative-driven system they're playing because guess what, not all TTRPGs are D&D). The implication is that Aabria is a nasty, unnecessarily aggressive GM who creates an uncomfortable, abusive and oppressive atmosphere around her table.

Except, of course, this isn't what is happening in the clip at all. Aabria is smiling throughout, as is Brennan. Nobody is visibly uncomfortable. Brennan's character becomes flustered by the interaction, but he is supposed to be socially awkward. Did any of these armchair critics bother to learn the context for the scene before making a snap judgement about the GM? Of course not.

Why do I make the racism accusation? Well, because Brennan has also been known to react to PCs goofing around with the same kind of stern, in-character finger-wagging. See Emily Axford-as-Fig's interactions with Goldenhoard and other authority figures, for example.

Were the roles reversed, and Aabria tried to blatantly lie her way out of an interaction with one of Brennan's NPCs only to be told, in-character, "You're not gonna lie to me", I have a feeling the reaction would not be quite as strongly negative.

It is impossible to read the reactions casual viewers had to this moment as anything but specifically racist and misogynist. These people saw a black woman even in roleplay assert a boundary and concluded that she was being aggressive to a white male player for no reason.

I'm just thinking about this now as the second season of Misfits and Magic is currently being released. Of course, it's clear that Brennan and Aabria are good friends and have GMed for each other on and off camera. But I just keep thinking about how fucking uncharitable people were to Aabria two years ago and it does really concern me how normalised this is in TTRPG spaces.

I hope the production team are taking steps to care for their talent because honestly, a small but vocal minority of D20 fans and quite a lot of wider casual actual play fans can be really fucking horrible at times.

[steveharrington]

can you elaborate more on steve being abandoned by the narrative?

yes <3 so i think there are two very unfortunate circumstances surrounding steve's character that have led to the current state of his plotline: 1. after not killing him in s1 like they originally planned, the duffers have never really had a plan for steve and 2. they are extremely influenced by audiences. when they were conceptualizing steve to fit in among the ensemble cast, the duffers were picturing him as a douchey boyfriend who unceremoniously dies. lonnie was originally going to come back to the byers house to save jonathan and nancy. there was no need to picture where he'd be 4 seasons down the road, so they just didn't account for that. then joe keery charmed them so hard that they literally couldn't bear to kill him, so steve ends season one still somehow alive.

but we've already established the nancy/jonathan plotline, because jonathan was once the duffers' self-insert who must defeat the evil jock and win over the girl. they couldn't just backpedal on that right away, so they needed to give nancy and jonathan a plotline alone, away from steve. but steve only ever functioned as an extension of nancy until this point, so what do we do with steve now? in an accidental stroke of genius that the duffers have admitted was a last second decision, they pair him with the children and make him into a babysitter. it almost instantly boosts steve into being tied with hopper and el for most popular character from the show, potentially even beats them both out. in 2017 when s2 aired, you could not escape mom steve jokes. it was everywhere, steve was everywhere, joe was everywhere, it was arguably the second coming of #justice for barb, which, in netflix business-y terms, was the exact viral meme type situation that the show wanted and needed to sell merch and remain relevant and say "see we still got it!!!"

you know who has the 2nd most lines in the entirety of season three? directly behind hopper? ahead of winona ryder? steve. think for a second about how absolutely insane that is. the character who was written specifically to die in season one. joe keery's name wasn't even in the season one credits, because he wasn't considered a series regular. and now he has the 2nd most spoken lines in the big blockbuster season because he rocketed up in popularity so intensely. season three marketing features the mall so heavily, creates a literal physical shrine to 80s nostalgia, and when the very first promo is released an entire year before the season airs, who's the star of that teaser trailer? and who, pray tell, is featured in the main brand sponsorship ad that plays in movie theaters worldwide? thats right its america's little darling steve harrington.

but here is the issue. the duffers look at what made steve popular and they see: funny exasperated babysitter, heartthrob action hero. they're like oh okay so we should keep putting him directly in the center of the action, bang him up every season to give him his classic bloodied aesthetic, but. he still needs to be funny. we can almost kill him, but we can't actually kill him because he's profitable. we can let him get horrifically injured because it's badass, but we still gotta let him crack jokes. it creates this very weird tone to steve's role in the story starting in season 3 because he's both the action hero and the comedic relief and protected by plot armor, so we get scenes where he's being literally tortured until he's begging for his life and gasping for breath but the tone is still.......fun? comedic? light and goofy? i think the duffers also forgot he's supposed to be a teenager.

now this is partially me making educated guesses but i feel pretty confident about this: once again, like gollum, joe keery uses his big shiny eyes and manages to evade death again in season four by being so likable and charming and marketable that netflix execs or shawn levy or maybe even the duffers themselves were like oh fuck we just can't do it. they were obviously tossing around the idea of taking mom steve all the way by letting him die sacrificially for dustin, so in season four they make eddie, transfer steve's relationship with dustin directly onto him, ctrl f steve's name in the death scene and just type in eddie instead, and once again steve is alive but he's directionless.

so what does he have now, in season four? i think the duffers have a whiteboard somewhere with steve's name and around it are little circles that say "funny" "cool" "DO NOT KILL" and steve is now stuck in this endless cycle of getting beaten up, popping back up somehow unharmed like a looney tune, saying something cute and oblivious, rinse and repeat. because that's what worked, that's what made him popular all the way back in season two. that's what the duffers are obviously keeping in mind when they're writing steve: popularity. not realism, not depth, not growth, just literally how to continue making him popular. meanwhile, other characters get to be part of the actual story. other characters get to serve a purpose other than selling merch. when el is bitten by a monster, she gets to actually feel pain and need help because that's realistically what any human would need. when hopper is tortured, he gets to suffer and ponder his existence and reflect on the relationships in his life. steve never gets any of that, because the writers just don't see steve as the 19 year old boy on his 4th straight year of traumatic events that he actually is.

they literally just see him as a money maker, there for cool viral moments and witty lines and maybe the occasional emotion experienced but only if it's about his romantic prospects. and the narrative that other characters get to have and be apart of just kinda runs parallel to steve. he's there, technically, but he's not really in the story. and it's like actually crazy because you'd think after all the funko pops he sold, he'd have earned an actual storyline!!!

[bookishdiplodocus]

A longread on writing comedy

This is what I do to research writing comedy:

What helped me most was analyzing a lot of jokes: "It's funny. Why is it funny? How does this joke work?" Usually it's something that subverses the expectations in a specific way or an unexpected collision of two things. (Like a pun is a collision of sound and meaning.) For my analysis, I wonder: "What is the expectation after the set-up? Why do I have this expectation? How does the pay-off subverse the expectation? Why does it still make sense in relation to the set-up?"

For example: I unleashed this kind of analysis on the movie George of the Jungle. It has a surprisingly high hit rate, I think around three jokes per minute in the first one third of the movie, and it still manages to get the story going and the characters introduced. I’ve mentioned this before, but I don’t think I gave examples, and you know I’m all about the teaching.

I found at least 17 types. Heads up, this is going to be a longread.

Type 1: Puns

Narrator: “When they finally beheld the mighty Ape Mountain…” [They see a mountain shaped like a gorilla head.] Narrator, cont’d: “… they reacted with awe.” All: “Aww.” Narrator: “I said ‘awe”. A-W-E.” All: “Ooh!” Narrator: “That’s better.”

Explanation:

The pun lies in the fact that “awe” and “aww” sound the same.

There is a visual type of comedy as well that we can’t effectively reproduce in writing: the mountain is shaped like a gorilla head.

BTW: the narrator defies genre expectations by interacting with the characters, and the characters defy genre expectations by being able to hear the narrator.

Type 2: Tone of voice

Narrator, about the main characters: “Scraped and boo-booed, they searched high and low.

Explanation:

“Boo-booed” is a children’s word, not the tone you would use for a hero. Compare “tummy” and “stomach”.

Type 3: Defying genre expectations

[The guide falls off a rope bridge into a deep chasm.] Narrator: “Don’t worry—nobody dies in this story. They just get really big boo-boos.”

Explanation:

The narrator is breaking the fourth wall.

Again: tone of voice with the “boo-boos”.

Contrast between the boo-boo and the injuries one usually suffers after falling into a deep chasm.

Type 4: Not defying genre expectations

[A lion appears from the bushes. A baby monkey makes a sound like “uh-oh”.] [The baby monkey does the Tarzan call and bangs its chest.] [The lion flees.] [The monkey giggles.] [The monkey gives George a thumbs up.] [From the bushes, the lion winks at George. George winks back.]

Explanation:

Expectation: the lion is a danger to the baby monkey and George will need to fight it to save the monkey.

Defying expectations: the monkey and the lion are in on the plan.

Not defying genre expectations: George of the Jungle is clearly based on Tarzan. George doesn’t refer to that fact, but the monkey does, by doing the Tarzan call and banging its chest.

Improbable: monkeys who giggle and give thumbs up.

Impossible: lions who wink.

Type 5: Contrast

Narrator: “Meanwhile, 43 vines away, George’s kingdom is being threatened by a terrifying intruder.” [We see the adorable Leslie Mann, who plays Ursula, smiling and talking to the camera.] Ursula: “Hi! It’s me again!”

Explanation:

Contrast between what the narrator says and what we see.

The narrator isn’t lying. He refers to Lyle and the poachers who will be introduced in this scene.

There’s also humor in the phrase “43 vines away”, because of the overt specificity and because a vine is not a measure of distance.

Type 6: Oblivious character

[Lyle takes a Polaroid picture of one of the guides.] Lyle: “Do you like it? Magic picture. Yet another gift from America. Here you go. You’re welcome.” [The guide replies in Swahili. There is no translation in the subtitles.] [All the guides laugh.] [The guide continues in Swahili. Only the last few words are in English: “35 mm.” The guide takes his own camera and snaps a picture of Lyle.] [All the guides and Ursula laugh.] Lyle, not amused: “Translation, please.” Other guide: “He says he likes your magic pictures, but he prefers the resolution of the Leica 35 mm transparencies.” [Everyone but Lyle laughs.] Other guide, cont'd: “He also says your lens is dirty, but he has the equipment to clean it for you.”

Explanation:

Lyle doesn’t understand Swahili, while the guides understand everything Lyle says to them in English.

The fact that Ursula, Lyle's fianceé, understands Swahili and laughs along with the guides, is adds contrast to his obliviousness.

Lyle is the butt of the joke. He humiliates the guides and now he’s humiliated on his own turf while the guides don’t stoop down to his level.

This joke is threefold: 1. The set-up: Lyle is the arrogant asshole who thinks he’ll show the locals about technological development. 2. The guide is not only not impressed, he knows Polaroid and has a camera of his own, and is knowledgeable. 3. And he demonstrates his superiority in a (more or less) polite way.

Type 7: Slapstick

[George is swinging on the vines.] Narrator: “He is swift. He is strong. He is sure. He is smart.” [George hits a tree and falls.] Narrator, deadpan: “He is unconscious.”

Explanation:

Slapstick is another type of humor that barely translates to written fiction, when the actors behave silly, for example by falling over, hurting themselves, or others. It's often over the top. Laurel & Hardy is a well-known example of slapstick.

Type 8: Alliteration

Narrator: “The tired trekkers trudged on feverish footsies over perilous paths.”

Explanation:

If several words in each other’s vicinity start with the same letter, it’s called alliteration.

Note that "footsies" is another example of a contrast in tone of voice—it’s another children’s word.

Type 9: Improbable things

[George spins a lion over his head.] George: “George not even trying hard.”

Explanation:

While not impossible, spinning an actual lion over one’s head is improbable and thus goes against real-world expectations.

Type 10: Impossible things

[A gorilla called Ape enters George’s tree house and scares Ursula.] Ursula: “What does it want? What does it want?” Ape: [points at a big book] “It wants its Physician’s Desk Reference, if you don’t mind, unless you’d rather die of dengue fever, of course.” [Ursula faints again.]

Explanation:

Gorillas can’t talk, can’t read, and aren’t usually well-versed in curing tropical diseases.

Type 11: Breaking social norms

[Ursula is unconscious. George licks her face, clearly meaning well.]

Explanation:

In our society, it is not only considered impolite but also gross to lick the face of a stranger. The fact that George does this anyway, clearly not realizing he does something wrong, is a subversion of what we’d expect of social norms and behavior.

Type 12 and 13: Hyperbole and understatement

[Earlier, Ursula fainted when she saw Ape talk and do human things.] [Ape is reading when he sees Ursula look at him. He panics, throws the book away, starts grunting, and bangs his chest.] [Ursula faints again.] Ape: “Eh.”

Explanation:

Ursula fainting again is a hyperbole: a reaction that is stronger than expected.

Ape saying “Eh.” is an understatement: a reaction less strong than expected.

Type 14: Obvious repetitions

Ursula: “… And I didn’t want my fianc—Um, this guy I was with, to worry.” Narrator, a few moments later: “George and Ursula set out on a desperate search to find her fianc—Uh, that guy she was with.”

Type 15: Stating the obvious

[We see the guide’s hand, pointing at a really big footprint in the mud.] Narrator: “Meanwhile, back at the really big footprint in the mud, (...)”

Explanation:

Stating the obvious can be funny because the audience doesn’t expect you to do or say this because it is so very obvious.

Type 16: Adult humor

[George watches Ursula sleep.] George: “George having stirrings of special feelings right now.” Ape, drily: “I see.” George: “Good thing she same species, huh?”

Explanation:

Ape’s reply, “I see”, could be an innuendo, but it doesn’t come across as a joke (to me at least). Maybe it’s downplayed because it’s a children’s movie.

If this is an innuendo, it’s a play on words. “I see”, figuratively, for “I understand”, or literally for “Yes, I can tell from your erection.”

“Good thing she same species” because George shouldn’t have stirrings of special feelings for animals.

Type 17: Rhyme

[George is swinging on a vine.] George: “Look, like this!” Song: “He flies through the air with the greatest ease.” Song, cont’d: “Our daring young man on the flying trapeze.” [George hangs upside down from a vine.] George: “Look, no hands.” Song, cont’d: “His movements so grateful, all girls he could please.” Song, cont’d: “And with love he is swinging away…” [On the ground, gorillas frantically run back and forth with a safety net.] Song, cont’d: “He flies through the air with the greatest of ease.” Ursula: “George, watch out for that—” Song, cont’d while George yelps: “Our daring young man on the—” [Song stops abruptly.] [Thud] [George grunts.] Ursula: “… tree.”

Explanation:

When words end in the same sounds, we call it rhyme.

It’s physically impossible to hang from a vine with no hands.

The gorillas with the safety net imply that they expect George to fall.

Also, it’s improbable that gorillas would do this.

Slapstick: George hitting the tree.

Comedic timing: Ursula being just too late to warn George about the tree.

Song + Ursula: “Our daring young man on the—tree.” Because by then he is literally stuck to the tree.

Or throw everything at the audience, whatever.

[George has a pet elephant, Shep, who behaves like a happy doggy.] [Shep is chewing a humongous bone.] Narrator: “Later, they rested, while the tired tusker teethed on a… Wait a second, the dog bone is too much. Lose it.” [The dog bone disappears.] Narrator: “That’s better.” [Shep whines.]

Explanation:

Improbable: Pet elephant who behaves like a doggy.

Alliteration: “tired tusker teethed”

Fourth wall: the narrator comments on the story while it is going on, and edits it.

*** Here are some other funny situations from the movie. Try to analyze what’s going on. Usually you can spot several types.

Situation 1

Narrator: “Meanwhile, at a very big and expensive waterfall set, Ursula was amazed that she was lost in the wilderness with a jungle man.” Ursula: “And here I am, lost in the wilderness with a jungle man.”

Situation 2

Narrator: “The guides came dangerously close—” Narrator: “That is, dangerously close to shove a coconut up in Kyle’s—” Narrator: “Sleeping bag.”

Situation 3

Lyle: “I am the richest, handsomest, smartest guy here, so I get to go first!” [Lyle pushes past everyone, trips over a tree stump and lands face first in a steaming pile of elephant poop.] Lyle: “There’s an elephant here.” Guide, while looking straight into the camera: “Bad guy falls into poop. Classical element of physical comedy.” Guide, cont’d: “Now comes the element where we throw our heads back and laugh.” Guide, cont’d: “Ready?” Other guides, while also looking straight into the camera: “Ready!” [All the guides throw their heads back and laugh.] [Monkey laughs and points at Lyle.] [Off-screen, other animals make laughing sounds.] Lyle, spitting out poop: “Those are nowhere near properly digested.” Lyle, cont’d: “In case anyone is wondering, I’m okay.”

Situation 4

[Cliffhanger: it looks like Lyle has shot George from up close.] Narrator: “Whew! Okay kids, let’s settle down and review the important information. Lyle is a big doofus. Poor George was actually shot but can’t die because, let’s face it, he’s the hero. So, the naturally concerned and preternaturally wealthy Ursula Stanhope whisked George away on a private jet bound for the country of his birth—” [George has a tiny band-aid on his forehead.] Narrator, cont’d: “—where he’s gonna get the finest medical treatment available!” Ursula: “I’m gonna get you the finest medical treatment available.”

Situation 5

Narrator: “Well, Ursula […] could use a best friend now.” Best friend: “Hi!” Ursula: “He’s in the shower.” Best friend, distracted: “Not anymore.” George, naked: “Bad waterfall. First, water get hot—” [A sexy saxophone plays] George, cont’d: “Then George slips on this strange yellow rock.” [Perspective: the camera looks at the two women, seen from between George’s legs. They are clearly ogling his crotch.] [Ursula swoons.] George, noticing the friend: “Hi! George of jungle.” Friend, eager: “Charmed, I’m sure.” [Ursula hands George objects that barely cover his crotch. The camera switches back to a frontal view of George. The friend is still ogling George.] Best friend, mumbling appreciatively: “I see why they made him king of the jungle.” *** I hope this was helpful. Don’t hesitate to ask me any questions, and happy writing!

Follow me for more writing advice, or check out my other writing tips here. New topics to write advice about are also always appreciated.

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[braveasnouns]

ANIMAL ARMY BACKGROUND MEMBERS!!

this is not an exhaustive list and some of them i’m not sure of the names but i tried :D! all are up to interpretation as they are not listed on IMDB, credits or any official source as far as i can tell!

and this is really only focused on scenes from S1 as nobody apart from Bear, Tiger and Pony are shown very clearly past that (or shown uhh.. alive, anyways...)

in no particular order:

Flamingo! very prevalent and recognizable in and out of costume for their bright pink hair

Bluejay! they could be a different type of blue bird but they do look like a bluejay and i love that name! you can see them wearing denim on denim as a way to represent the blue even out of animal costume! very cool

and standing next to Bluejay in the main scenes is Leopard! shown clearly quite a bit compared to some others and i really love the commitment to this outfit its very awesome

Gazelle. they show up very briefly (only in this one shot clearly) but their look is one of my favorites for sure!! So cool and unique

a red bird, while most people connect the image of a red bird with Robins and Cardinals which it very well could be, with the darker red and dark beak i could also see them trying to be Tanager, Finch or Apapane bird. there's really no way to know if they were even given a specific bird type in production but those would be my guesses!

Elephant!! Im guessing it was just from using whatever resources around them but i really love how their ears look weathered, like an elephant who has been through battles as they have

i like to think this is Vulture!! and that’s so cool to me as a name and persona! it just started in my mind because they stand next to each other but i like to think that Vulture and Elephant are siblings and found the animal army together :))

Panda! the most prominently shown other than the main four, you see them in the very first shot of the animal army and they have watch over Jepp when he is tied up. it all makes me think they were a member earlier on and very trusted

Raccoon (left) and “Red” panda (right). Since we already know that there's for sure someone named just panda i would assume this character goes by red as a nickname even if their animal army name is officially Red Panda. I also thought it was funny how in the same scene Raccoon kept appearing and disappearing from the background on the tree ledge, im sure it was just a filming thing but so on brand of them tbh

i think this would be Orangutan! that name is seen one of the walls. they are one of the ones holding back daisys chains and are seen in the very first scene of the animal army as well.

I believe this is Bison! From what i could tell they are only shown in this shot in the background until they zoom over to Panda and i didnt see them in any scenes after that clearly. there is writing on one of the walls that says Bison and thats the only reason i don’t say Cow or Bull, still could be though! I wish we got to see more of them because its very cool

This should be Porcupine! They are hardly shown and it was hard to get a real picture of them. kinda interesting that we do have a porcupine hybrid child later on too, Porcupine you probably would have loved to meet Otto

i just started calling this Bird because i can’t figure out what type they are, and i think its kinda fun to think they were the first bird member (after flamingo) and just like birds generally :)

Zebra! shown prominently in the main scenes and one of the people given the responsibility of opening daisys containers doors. kinda terrifying outfit so good job Zebra

I think this is Peacock! they are quite literally shown for less than 2 seconds in all lol

slightly perplexing...Otter, Weasel, even Vole, Mink or Loris? lots of possibilities and im so not sure

Armadillo i'm pretty certain of! They are one of the ones holding daisy’s chains and I couldn't really figure out who they were in other scenes when they are not in their full outfit since their face is mostly covered 

I believe this is Hyena but its quite hard to say for certain, but it does say “heyena (do you see what i did there)” on the animal wall so i could totally see this being them! they also hold daisys chains

Rabbit! they're cool i'm very curious as to the materiel of their mask

Bobcat?

Falcon I like to think, also holding daisys chains

i am saying this is Crow because i really want it to be

thats pretty much all for S1 but there are also things on the walls like "killawhale" and a lion drawing which is probably from canon members not shown in their full animal army outfits as well!

[star-dust-shark]

do you have any funny will solace headcanons to share?

IM SO GLAD YOU ASKED!!!

. Will named his guitar Gary ( Gary Guitar ) and so he'll randomly be like "yeah I'm gonna go play with Gary" and people get confused because he has a boyfriend

. he wears crocs with socks and has croc charms that say the cheesiest shit with inpirational quotes, your mom jokes, song lyrics and bisexual pride stuff

. he's got like a million pickup lines that he'll randomly spring on Nico ( bonus: he does finger guns and clicks his tongue afterwards usually following with a horribly done wink )

. he gets obsessed with people sometimes ( almost like a hyperfixation but with something real ) and will start droning on about how beautiful Nico is

. a stim of his is to excitedly fan himself but he always plays it off that he's fanning himself bc he's so hot

. you can't find a picture of him making a normal face it's not possible

. he gets the words marshmellow and mushroom mixed up so he'll acccidentally tell people that he went marshmellow picking or that he wants marshmellows on his pizza

. he gets those really annoying shirts with horrible slogans like "I'm a master baiter" with a fish on it, "I <3 HOT DADS" , and "if you can read my shirt good job you're reading my shirt"

. when he plays a A minor chord every fucking time he'll either say "a minoooooooor" ( like from not like us ) or he'll say "haha guys look I'm fingering a minor"

. he has like twenty thousand pieces of rocky horror picture show merch and he spends like all of his money on said merch

. he'll listen to a song and pick out the most romantic parts and tell Nico that it reminds him of him but Will really likes Alex G and Corbon Amodio and Cavetown so it's sweet and weirdly sad at the same time

. he can do really really good star wars character impressions ( specifically darth vader, chewbaka, and yoda ) and he'll scare the shit out of people by randomly making the yoda vs dooku noise ( if you're a real one you'll know what I mean by that )

. sometimes he'll talk to ananimate objects and make them talk back to him and one day Nico walks in on him talking to a pen that's stuck in his pencil case and Will yells: "OH MY GODS JUST COME OUT" and then he laughs to himself and does a highpitched voice for the pen and says "I...I'm gay"

. he'll say something flirtatious to Nico and then be like "shit autocorrect" DURING A VERBAL CONVERSATION.

. copes with humour so he'll randomly start playing blackbird by the beatles on guitar in a horrible voice and be like "haha get it because I have trauma with birds"

. jokingly says he's transphobic because he's from Texas so out of nowhere he'll be like "eeEEwwww TRaNs pEoPLe TheY'Re So GroSSSsssSs"

. calls Nico gay as an insult and Nico will be like "Will we've been dating for months"

. says no homo after like hot make out sessions with Nico ( scene: Nico and Will sitting in a bed shirts off with hickeys all over eachother and Will just out of no where "haha no homo though" end scene )

. uses gen alpha slang a ton ( like too much ) so he'll randomly yell "GYAT" at Nico or say that something's sigma

. has braces but eats popcorn and then spends hours trying to get bits out

. MAKES SO MANY 69 JOKES ITS HORRIFYING

I have more too

[a-a-a-anon]

appreciation post for Lise Mayer!! she co-wrote The Young Ones (and The Bachelor Boys book, additional material like when they did Comic Relief, etc), which is well known. but she also wrote for other things in the alternative comedy scene like Rik Mayall and Ben Elton's comedy tour (source: BBC Breakfast Time interview)! and, something I didn't know until recently: she co-wrote/wrote for Kevin Turvey! she's not credited in his television appearances, but see below for sources.

i really loved the podcast episode she did with Alexei Sayle about TYO, you gain a lot of insight into her perspective! she also mentions misogynistic treatment like being asked to go make tea when they were doing script readings, not getting invited to a big BBC party because it was presumed she'd be Rik's plus-one, and getting groped at the BBC bar. it pissed me off on her behalf and partly prompted this post.

some specific accolades/accreditation/fun facts:

Rik crediting her with writing/conceiving the Kevin Turvey non-joke "All right, biting political satire: What do Lech Walesea and Menachem Begin have in common? They’ve both got foreign names! What do you mean it’s not funny?" (x)

Alexei Sayle in Thatcher Stole My Trousers crediting Lise with co-writing Turvey: "Lise was, like Linda for mine, a vital part of Rik’s career, co-writing both The Young Ones and Rik’s character Kevin Turvey..."

a 1987 source for Lise co-writing Turvey: "The assumption that women do not write comedy scripts was one with which Lise Mayer, co-writer of The Young Ones television series, has also had to contend. She started writing for Rik Mayall’s Kevin Turvey in the television series A Kick Up the Eighties..." (x)

Rowland Rivron (comedian who toured with The Comic Strip gang and lived with Rik and Lise) in What the f*** did I do last night?: "[Lise] also had the unenviable job of standing at the side of the stage when Rik was performing, and jotting down anything he said that was unscripted. If it got a laugh, it would be woven into the next night’s routine."

the only time i've ever seen a Rik Mayall/Ade Edmondson/Lise Mayer writing credit: for a poem called Distance which was collected in this anthology! Rik and Ade seem to have acted it out (or at least a version of it) in this 20th Century Coyote performance

Rik on Lise writing TYO: "‘She discovers different things: the comedy of embarrassment and awkwardness – she draws out the cheating and stealing that goes on in the house.’" (x) (Lise also says her "favorite comedy was always the comedy of embarrassment" in the Alexei Sayle podcast)

Rik: "... Lise Mayer wrote this great scene where I find a tampon in a handbag and it's my birthday party and I think it's a present because my character is Rick, who is such a git, he didn't know." (x)

Helen Lederer in Not That I'm Bitter, writing about being on The Young Ones: "[Lise] was known to be the brains behind it all, particularly the more surreal elements…"

she and Rik chose the bands (x)

Lise: “We’d have a table read at which point we’d discover that the script ran over an hour long, and then I’d have a sleepless night editing it.” Alexei: “You did that?” Lise: “Usually me, yeah…” (she later explains they'd present the script Monday and rehearsals were Tuesday, Wednesday-so she literally had one night to edit!) (x)

facts from the blu-ray commentary tracks:

Rick's yellow dungarees in Interesting were based off a picture of Lise in a similar pair

Lise wrote an essay about the tampon joke in Interesting so that the BBC didn't cut the scene (though they still edited it)

Paul Jackson (producer) credits Lise with arguing "you are seriously telling me that we cannot refer on television to something that happens to 50% of the population for about 30 years of their life? and we're not allowed to even refer to it" to make an executive back off about the tampon joke in a meeting

Lise came up with Neil's flowerpot covering in Nasty

Vyvyan/Vivian's name comes from Lise having lived in Vyvyan Terrace, Bristol

Lise thought of the cast switching costumes in Bambi (one of my favorite moments!!) (/end of commentary track facts)

this is guesswork, but i've seen Ben Elton and Rik Mayall's handwriting and i'm pretty sure the editing/handwriting on the bottom left on this script must be Lise's, which gives insight into what/how she wrote: (x)

i feel like it's easy for people to overlook or minimize Lise's impact, something that happens to female creators far too often. i hate when women's identities are framed around their association to a man-girlfriend to Rik in this case-which was the norm whenever i saw Lise discussed in articles/books/online discussions about TYO. it's important to know she was a writer and co-creator with her own identity and (underappreciated) contributions. The Young Ones (and Kevin Turvey, and things we don't even know she goes uncredited for) would not have been the same—or wouldn't have even existed—without her!

[lizardkingeliot]

rewatching iwtv with one of my partners, and they also love these trainwrecks—but we just finished season 1, and rewatching that scene when Lestat grabs Claudia off the train... I think that may be the cruelest he ever is to her, which is saying a LOT. Do you think we're gonna get extra context about that scene in season 3, or would you bet it's just one of those "yeah Lestat can be Like That" moments? Because it seems pretty hard to square with his ~everything~ in the season 2 finale

Ohhhhh boy I'm so glad you brought this up because @tothevines and I are rewatching right now and when we got to that part my immediate reaction was holy shit Lestat HAS to die now. Like??? Yeah. That was it. The cruelty was truly unmatched. Not only forcing her to go back home but waving her trauma in her face like that... oof.

Lestat is complicated tho!! I do absolutely think we're supposed to take that moment at face value. The reason Lestat works so well for me as a character is because he IS capable of such cruelty. Especially cruelty driven by his deep need for love. Cruelty driven by his need to not be abandoned. The one thing Lestat needed more than anything in that moment was for Louis to not be sad anymore, for him to not fall into the state he was when Claudia left the first time. He knew it would be even worse this time around. He simply couldn't risk it...

I guess in order to square it you have to look at the whole picture of who Lestat is as a character. Which Rolin has said recently we've seen, like... 80% of on screen. He's a lot!!! I don't consider Lestat at his worst to be the full Lestat any more than I consider that sad man in the tattered robe eating rats in a cottage in the finale to be the full Lestat. He is cruel he is a monster he is a big crying baby who needs everyone to look at him and pay attention to him RIGHT NOW he is a lover he is a hopeless romantic he is on his knees begging Louis for just one kiss he's tender he's giving he's a monster who takes great lustful joy in the art of killing...

What's funny is if you asked me to compare Lestat to one real life person I know... I would say my father. At least a few very particular aspects of his personality. I absolutely hate my father. My father is a monster. I haven't talked to him in 20 years and will gladly dance on his grave when he's gone for the things he did to me. I relate to Claudia so much in this sense. But Lestat is also my favorite character on the show. Possibly my favorite character ever at this point??? I love him so much it's insane. And I guess it's because he's fake and my father is very much not that I'm able to feel that way. But that might also be a big reason why I find his cruelty and his most monstrous moments to be so cathartic to watch...

Anyway. Not the point of this ask. The point is HE REALLY IS A LOT!! He is everything. All the good and all the bad. The best and the worst any creature could ever be. He is fully driven by instinct and emotion and LOVE and the need to never be abandoned. And more specifically, to never be abandoned by Louis, the one he loves more than he's ever loved anyone.

[cosalphonse]

i recently was gifted some 03 merch that i haven’t seen online and wanted to share! the two artworks on the left are somewhat transparent, i’m not sure what they’re intended to be but they are super cute! and i’m going to share some photos of the character collection below the cut - this will be a little long and photo-heavy! and disclaimer, i don’t have a scanner nor can i read japanese, so i’m just going to be sharing the pages most visually / conceptually interesting to me

our boy ed gets several pages dedicated to him, no surprise, but i really like this little collage of images with the episode numbers displayed. it also includes the iconic “love is love” thumbs up which is funny to me

al similarly gets a lot of pages dedicated to him, but this one stuck out to me as a cute comedic page - i wonder if the little red and yellow text bubbles under ed and al in the middle of the page are what they say in the scene or something original?

i really loved this collage in winry’s section! it highlights her outfits and, just like ed’s, gives us screenshots with episode numbers behind her

riza’s section has an entire page on her relationship with black hayate, which i just found delightful. i love that they include the crude sketch of him as the little thumbnail for the section lol

interestingly, hughes' section ends with this all-red page focused entirely on his death. this made me wonder, what do the book creators consider spoilers? they don't exactly shy away from the more spoilery characters later on and they pretty much document nina's story in its entirety, yet at the same time we don't get a lot of information about hoenheim, envy, or ANYTHING about the other side of the gate. so what's the cutoff here? the last ten episodes? either way, i just found it interesting

my girl sheska gets two whole pages dedicated to her! that's more than breda, havoc, maria ross, and most of the homunculi. good for her.

while i can't read what this says, i found it interesting that they put dante and lyra's pages together. i don't know if they give away the twist, but either way, they clearly knew what they were doing - even if the excuse is that they put lyra with dante since she studies under her

scar gets two whole pages!! DESERVED!! i love that they include so much of his story, especially his relationship with his brother and lust

speaking of, lust is the only homunculus to get a two page spread! they even gave us some scarlust crumbs....

just wanted to include pictures of the 03-original homunculi, it's interesting that they were put together! and once again, this brings up my questions of "what is considered spoilers"

rose also gets a two page spread!

and possibly most baffling is... CLARA gets a two page spread too? for a character who only shows up in one episode this is mind boggling to me. a lot of the 03 original characters get small highlights - archer, the tringhams, etc - but clara gets the largest spot. maybe her episode was more popular while this was being made, or the creators just really liked her, idk

well, those are all of the points of interest i wanted to highlight! if anyone has any suggestions on what they want me to share - specific characters, index information, or anything else - feel free to send me an ask! i'll put all the information under the tag #03 character collection

[batmanfruitloops]

Happy 1st Anniversary to the Batmanfruitloops!!! 🎉

Whoo! This is such an achievement, but also it's such a crazy thought that it's been a WHOLE YEAR??? It means a lot that so many other people like our au as much as we do, and even more that we've been able to make friends; we want to thank all of you new and old for joining us here to have fun and enjoy the journey of our au!

With that said, I'd like to share some old art that's "behind the scenes" stuff from out time since we started our au.

also if you've been here since these were the profile picture and banner, you're a real one;

Fun fact, I (Sarsee) don't like fruit loops, but it was the first thing I thought of to name the blog, plus it was memorable. The au name being "Batman: A New Gotham" came later! Double plus, the abbreviation is BANG and I find that coincidence just delightful.

One of favorite changes that happened out of nowhere was John's eyes changing from more round to almond. He used to look a lot more like the Telltale Joker, but I feel like his current eyes fit better with his personality in our au. This also isn't going to show up because it's file names, but I had originally wanted to call the Joker "Jbird" like Batman calls him in the Lego Batman movie. (for context, it's the scene where Joker is tied to a bunch of balloons - you know the one - and side note, I want to redraw a screenshot from that with our Joker eventually) I don't have any pictures with a "Jbird" design because I never got the idea to work, I just thought it could have been interesting considering Joker works with Batman in our au and that would put him on theme with the Batfam being flying mammals/avians.

Most of the other original designs aren't too drastic either - or at least it doesn't feel like it to me. Scarecrow and Riddler have changed a lot though. And I think the changes that came about with Fluffy joining on board were much needed (Scarecrow's costume was always done by Fluffy, but I designed him out of costume originally -I was originally making the au myself, but that didn't last long when we started yapping about ideas to one another and never stopped) She also couldn't understand how I stylized his hair, so it became puffy and unruly instead of curly and gelled back. Ed can still gel his hair if he wanted to, just for special occasions.

Some old sillies as well from Fluffy;

we find the contrast between Batman vs. Scarecrow and Joker vs. Riddler very funny because it's so drastically different. The Joker and Riddler never really try to hurt each other, they just like to play into the dramatics and vibe while still on their separate sides. Batman and Scarecrow want to tear one another's throats out and watch them suffer for it because they have no idea what's going on in their heads.

with the villain!joker timeline, there's an alternate version of the Goon squad (Dork Squad + Joker) where it's Harvey instead of the Joker. Or as well, there can be all five of them. Harvey is the only person who can scruff Jo like the gremlin he very much is and he'll just let it happen.

I don't know if this will show up in the comic anymore, but at one point the Joker was going to refer to Scarecrow and the Riddler as Samhain and a leprechaun because they're both partially Irish - couldn't really be that specific with voice claims, and they'd be offended

and lastly, Ed gets cranky when he's tired

Batman and Riddler are the only two to get digital references at the time and man, do I much prefer how streamlined the final ones look. I mean, what was the dingy brown I had behind Batman? For a split second, Ed's coat was almost purple, but thankfully, Fluffy convinced me otherwise and suggested his shoes be purple. This is also before his vest, and now there's an in story reason for why he doesn't have it in the beginning. Also look at how skinny and tall Ed looked!! (he was still short, he's not allowed to be tall in our au)

That's all I have for now, we'd love to hear any thoughts/memories/etc. in the comments!

Love, Sarsee and Fluffy, your batmanfruitloops creatures

[kaeyachi]

So...I finished the Arlecchino story quest...

Spoilers below!

TW: Mentions of Suicide, Child Experimentation, Child Abuse, and Murder/Death

This is, by far, the best story quest I have ever done!

First of all, CHILDE?! CHILDE ESCAPING HIS PERSONAL AMBULANCE TO SNEZHNAYA JUST TO COME BACK TO FONTAINE TO ASK SKIRK A QUESTION? Bro is so funny, please-

please save him.

Wait, actually, yeah please do save him. Pulcinella and Pantalone are both plotting in the background, and they got Childe involved...

I also loved the children! Look at how terrifying they are! They're my absolute faves!!

Lyney cementing the reason as to why Arlecchino chose him as the next King is wonderful to see as well. For some time, I thought Freminet and Lynette had a shot, even with reading their lore. What I have failed to realize is that Lyney really is the inspiration for all of the people in the House of the Hearth. His frustrated and disappointed spiel about Freminet not trusting him with Clervie struck me to the heart. This is an older brother at work here people!

Also if I had a nickel every time a cryo younger brother hid a dangerous secret from his pyro older brother which got them into an argument once the truth came out, I'd have 2 nickels ✌️ (somehow gave me war flashbacks to a scene that doesn't even exist lmao)

LYNETTE IS THE FUNNIEST SIBLING BTW. SHE'S MY QUEEN FOR THIS.

Clervie! Our dearest! I'm not fully sure what part in her design did it, but she barely looks like an NPC somehow. Like, yes, this is still an NPC base model, but... is it perhaps the hair? And the extra lashes??

Also, her calling Arlecchino "Perrie" made me sob. I wasn't ready to hear nicknames!!

The mention of Snezhnayan auroras also made me sob again as well. You know what? This entire thing made me sob.

Clervie's dread and horror at the thought of her own mother, her unrelenting spirit that kept her going in her fight for her fellow peers freedom despite the abuse that she will receive, and her unfulfilled dreams repeatedly being mentioned throughout this quest was heartbreaking.

I do have to say- the animations they released for Arlecchino helped a lot with the emotions we are supposed to feel for this quest. Not only was that good Advertising and promotion for the Arlecchino banner, it also set up the plot that would have not been well presented ingame had they chose to do that instead.

Crucabena and Clervie part of this quest were not the only ones mentioned in this quest, but also that damn dude that she killed with her heels! I personally like the way they released all those animations because the quest feels more emotional and alive now, and we could follow with the story better than before (and it effectively increased the hype)

Speaking of more alive, the facial expressions have definitely improved! This quest had them utilizing various expressions well, specifically for the playable characters, so, again, this really helped with the feel of the quest.

Additionally, adding a picture to scenes also set the tone really well. It's not that pictures have never been included in quests before, but the way these were framed(?) made it look way better than the ones before.

By the way...is it just me? Or did Paimon's voice somewhat mellow out for this quest? I had recently played some other story and world quests, and Paimon's EN voice is admittedly high-pitched and painful to hear in those, but for this quest, it's as if her voice was toned down (like Mondstadt Paimon, but with current Paimon energy). I'm hoping this was them taking the criticism from past and adjusting their instructions to Paimon's VA accordingly, because I loved Paimon's voice in this quest (that or I'm delulu)

Quick lore tidbits before I go back to gushing about this quest:

1. Arlecchino confirmed not from Fontaine (like I legit thought she may be Khaenri'ahn due to the blood moon thing she has going for her, but it's nice to confirm her non-Fontainian status)

2. Crucabena was the one who had a deal with Dottore on sending members of the HotH to him for experimentation. Anyone who was physically impaired or left alive after a duel to death are automatically sent to him. Clervie has described this as a fate worse than death... Peruere rejected Dottore's partnership offer once she became the next knave. Also, Crucabena used Clervie as an "example" for those who wish to escape, meaning Clervie received the most abuse (which apparently worsened as the years went by). Clervie lost hope sometime along the way and was basically suicidal as well by the time she and Arlecchino had their duel... Her mindset by that time is that the only hope for freedom to her is death. The popular theory of Clervie letting Arlecchino kill her is proven in a horrifying way with this discovery... (yes, she wanted Arlecchino to be the king, but at the same time, she took this situation as a chance to hit 2 birds with 1 stone)

3. Project Stuzha is apparently something highly dangerous, and Pulcinella and Pantalone are trying to get Childe and Arlecchino involved (Childe was told to aide the project by Pulcinella, while Arlecchino says she doesnt want the HotH to be involved in it)

4. Here is me reannouncing that I am in fact taking the L on the Freminet and Crucabena situation. Basically, the timeline is that at age 16, Clervie dies, and we are left with a 1 year time period for a 6 year old Freminet to enter under Crucabena (I'm guessing this is either a retcon or a means to hide the Arlecchino plot by not having them directly say mother in Freminet's character story 4). After that said 1 year, Peruere kills Crucabena and has spent several months in Snezhnaya before reviving the House of the Hearth and adopting Lyney and Lynette (perhaps the children of Crucabena's HotH simply stuck together during that time)

Basically, yes, Arlecchino is in her mid-20s. Not my personal cup of tea, but hey, genshin ages are confusing most days (Ayato is older than her, and Ayaka may actually be older than her as well... ugh I need a moment please... I MAY BE THE SAME AGE AS HER. NO-)

5. Freminet used to also call Lyney "brother". What changed that, I'm not sure (and if I had a nickel...), but the thought of baby Freminet following around big bro Lyney and big sis Lynette makes my heart melt. Freminet actually cried after Lyney basically told him how important Fremi is to him, so whoever made Freminet think otherwise... 😡 they better square up because we ride at dawn

ok back to me gushing

THE BOSS FIGHT? IT WAS SO COOL! It was beautifully animated, and the fact that they added this at the end?

The fear on the traveler's eyes upon realization of what true power Arlecchino held was amazing imo. We canonically cannot defeat Arlecchino in her boss fight! She will be a weekly boss that we can defeat, but in actuality, we really cannot beat the number 4 of the Fatui Harbringers.

We now have actual proof that harbringers 1-4 are not within our capabilities to challenge, and to add to that horror, this is us fighting Arlecchino with Lyney, Lynette, and Freminet. This is also actual proof that we, the traveler, cannot defeat a ton of other characters as well! (were cooked if we never get a power boost and plot armor✌️)

Also let me sneak in this picture:

Cunty as fck. Powerpuff girls energy. They're the Heathers, and we, the traveler, are Veronica.

And finally, the last part of my commentary that cemented this quest as my top 1:

Everything Arlecchino has done for the House of the Hearth, it was all thanks to Clervie and her dreams.

Arlecchino has shaped the HotH into a more honest relationship between her as the father and them as her children. Everything Clervie hated about the old HotH is now nonexistent in this version.

The children could be set free.

Duels are not to death.

They will not be sent to their doom if they lose.

This is everything that Clervie dreamed of, and this is everything Clervie tragically never got to see and experience because she lost all hope.

Clervie's story ended in tragedy, but Peruere lived and breathed Clervie's dreams for her anyway. Seeing the aurora was the start of Peruere finding the goal of living Clervie's dream, and now, Arlecchino strives to do her best to see those dreams come to fruition.

And the qualities that Peruere admired in Clervie are the same qualities that made her want Lyney to become the next king. Hopeful, caring, protective, passionate, and full of conviction. Lyney will take the mantle and live and breathe for Clervie's and Peruere's dreams someday.

Honestly, I have more to say, but I think this is a good place to stop for now. The dynamics of all these characters have made this experience worthwhile, and I hope that genshin continues with this sort of style in the future. Here's to more amazing stories from genshin!

Bonus screenshot while we are still here: