#what's his face doesn't exist at this point

[zoe-oneesama]

1. I really just don’t like how you shit on Chloe in your Au considering that she is technically the Main character now because of her having the ladybug earrings.

2. As for unlikable characters exist. Yeah they do but they usually don’t have a really good back story.

Thomas give her a sad backstory, took that away and made her worse ??? It makes no sense. Especially if it was supposed to be a unlikable character. her backstory isn’t an excuse for her actions but yall hate her for the actions and at the same time don’t want her to change.

(Not only that but he ended replacing her with a very boring and rushed character like Zoé.)

Basically what I’m saying it’s just weird for yall to hate a character that much.

I think it's really weird for y'all to be so defensive of a fictional person, yet here we are.

Perhaps you were mislead because her "hero" form was the title of the AU, but uh, Scarlet Lady was never about Chloe. That's why she didn't, like, grow or anything and why we left her several times to focus on Adrien and Marinette. Having the Ladybug Earrings does not automatically make someone the main character, she's the tritagonist at best. And canonically, she's just a side character with too much screen time.

But even if she was the main character, so what? Scarlet Lady's tone is comical, it was never going to go deep (except in the Finale, kinda) and Chloe was never going to get the 5 Hour Youtube Essay Deep Cut in Comic Form about the Wonderful Person She Had the Potential to Become that viewers like you seem to be craving so badly.

And we fundamentally disagree about Chloe's backstory. It's not a good backstory, it's pretty basic, not even entirely unique to Chloe in the very story it's stuck in, and removing it changes nothing about her or her personality and motivations in the long run. It's used as a weak excuse that's only brought up at random to the point where even canon doesn't buy it anymore.

Though I'm not sure why you think that unlikeable characters can't have sympathetic backstories, the point is usually that despite going through the worst and despite the fact that it's entirely possible if things were different for them that the character could've been someone entirely different (and therefore "likeable"), none of those things erase the things they've done or make them more likeable. It just makes them kinda sad on top of it.

But that doesn't really apply to Chloe since taking out her garbage birth giver still leaves her with Andre who did a good job ruining her all on his own.

Anyway, sorry for the rant, but to wrap it up, sorry you don't like how I do things around here, no one's keeping you here if you don't wanna be faced with it or whatever.

[ninyard]

no but really. riko's "lessons" on grief crumbling the second kevin finds out about riko's death though!!!! all of that suppression, all of the buried feelings, all of the time spent avoiding and hiding and concealing left to rise to the surface the second riko is dead!!!

i am convinced kevin freaks out in a way he's never freaked out before, in a way that sincerely shocks anyone who witnesses it, once he finds out riko is gone. in a way that subtly begs the question about inpatient care and an extended leave of absence and rehab. in a way that nobody else really understands because it was riko of all people to trigger this meltdown, but in a way that is genuinely terrifying

that codependency, even if undercut by relief that the abuse is over, does not go away without a freak out!!

-childhood in the nest anon

oh that's such a good point. Especially if Riko was successful in not letting Kevin mourn, if Kevin never really grieved his mother because Riko said, "You have me."

Like, what if the whole basis of Kevin's avoidance of grieving his mom was based on Riko saying, "So long as I'm here, you don't have to worry about her." Imagine every time he almost cried, every time he almost said I miss my mom out loud, Riko would grip his arm or his hand or his face and say something to the effect of, "Your grief is a waste of time and the only thing that matters is me, is us, is exy."

And then Riko's dead? And oh, he remembers this feeling that he'd only felt in vague bursts before, buried so deep he couldn't even be sure he felt it at all. The words, "Riko is dead," sound like "Your mom is dead". They found her body this morning. They found his body last night. There's nothing they could've done to save her. He was dead when the ambulance arrived.

It's like this doubled grief, all the things he'd never been allowed to feel for his mom suddenly coming back up, and like, these are feelings that Kevin thought he was too young to have felt. He thought he was too young to remember, he thought he was too young to understand but now he's reminded that, no, you felt it. You understood. You just weren't allowed to feel the monumental loss that you'd faced. You weren't allowed to work through this gnawing icy pain in your heart. And now that Riko's dead, you're allowed. You're free.

But now Riko's dead. Now Riko is dead, and his mom is dead, and fuck Riko for making him feel both of their deaths at the same time because he shouldn't exist in the same world that his mother does. The pain he feels for them both should be incomparable.

I like to imagine that for just a few moments after Kevin is told, he goes into shock, completely and utterly unable to function with the knowledge that Riko is dead.

"Riko killed himself last night," David says, and Abby is by his side for backup, for protection, for Kevin's safety. Betsy is on speed dial. "They won't tell me much, but they think it happened fast."

Maybe Abby nudges him because nothing he says will be okay, or good enough, or soft enough so as to not destroy Kevin. And he hears the words. He knew they were coming. They had to come, this was always going to happen. This was always how it was going to end. But his brain goes quiet and his hands go numb and he smiles a weak smile. He doesn't feel those words at all.

"Okay," He nods, like he's just been told that it's raining outside or he's wearing odd socks. "Thank you, Coach."

"Kevin, did you..." Abby's voice is soft as she reaches out. "Did you hear what David said?"

His eyes are empty, someplace far away, but his voice does not shake as he says, "I did."

For a while, maybe, they don't let him leave the room. He's quiet, disassociating, but not yet crying. Not yet throwing things around the room like David expected. Not yet begging for a bottle of vodka.

Does Renee come to the door first, or Neil? Does Abby answer the door because David asked her to, and what snaps him out of it? Is it Renee saying, "I called Jean. I told him to avoid the news," or is it Neil saying, "Have you told him yet?" that snaps him back into the real world, back to reality, to Jean can't find out, to Jean is alone, to Neil knows, to oh my god to this is real to Riko's dead and Riko's dead and Riko's dead.

Everything is familiar and nothing is the same. His body tells him he’s allowed to mourn his mom now, but he can’t handle it, and he can’t handle Riko being dead and Jean not knowing and Riko being dead and his mom isn’t here and he just. can’t. get his head around it. It’s all of a sudden messy and loud and confusing. He can’t let himself think about how Riko probably didn’t kill himself, he can’t ask himself why Neil knew before he did. He can’t believe it. If he believes it then it’s real and it’s his fault and who has him now? That was Riko’s job. To stop him from mourning so he could keep his eye on the prize and now he has it; They won the season. He put all his focus on exy, and look where it got him. All those lessons, all that burying of his feelings and compartmentalising to deal with it later hits him at once like a fucking truck and I think Kevin had the breakdowns of all breakdowns that day.

I think whatever happened to Jean on his own in that dorm room would’ve happened to Kevin, and more. He’s lucky that he wasn’t alone, I suppose, but it still doesn’t make it any easier. He’s tall, and he’s strong, and his head isn’t in the room when he’s throwing shit at the walls and screaming like it’ll help make things make sense. He doesn’t see where the chair lands. He doesn’t see who the books are thrown at. There is a chance that not one person in that room has ever seen anyone lose their mind so quickly, and intensely before. Because it’s not just Riko, it’s his mom, it’s his childhood, it’s his future, it’s his abuser, it’s his brother, it’s his identity and purpose and fuck, it’s Riko. Who is he without Riko?

If I keep going this will just end up far too long but oh lordy lord I think you’re absolutely right

[lostintransist]

I can't keep doing this to myself...

My brain spit out an idea at me that I don't want to lose so you get to suffer with me under the weight of this idea until I have the time space energy ADHD hyperfocus to start on it.

This is not edited. Goal is to get the thought out of my head, not to make it perfect.

So imagine for me if you will that in some version of the stories for whatever reason I can bullshit into making sense Simon is selected to undergo a new and experimental form of trauma therapy. Used she/her here but when I write it pronouns will be you/yours

He hates it but orders are orders and after losing Johnny (his best mate, his lover, the other half of his soul) he would do just about anything to crawl from under the weight of the grief and guilt. Accepting the assignment means being put under sedation regularly for anywhere from six months to a year. During the sedation your active mind will remian awake and will begin to interact with a simulation that will help deal with the traumas exisiting in his body and mind.

Simon, not 100% on board, accepts the assignment but when he wakes up in some of his worst memorires ignores the woman following him from scene to scene, offering help. Every time he cowers as a child she offers a hand. Each time he bites back the fear flooding his system on a battlefield she offers to take the bullet instead.

For months he ignores her, trying to defeat his demons on his own. This was his mind and his body dammit, he could do this.

She stops offering help but doesn't leave. Trailing behind him in his memories Simon always finds flowers strewn in his footsteps. He never bothered to learn her name. When her laughter starts to haunt his dreams he watches her instead of his memories.

Whoever had programed this simulation had taken great care in creating a realistic interaction point. She makes ugly faces before she sneezes in the barns he has hid in, always complains about hayfever. Her ring finger on her right had been broken before, he can tell from the slight bend between the second and third knuckle. Every time he entered the simulation she wore something different, sometimes tugging on pants as if they wouldn't stay up.

"What should I call you?"

"Mmm?" She looks up from a book she had pulled down from a shelf in a dilapidated kitchen. "Oh, I'm not real so you can call me whatever you want."

He stared at her, frustrations mounting.

"Back to the silent treatment? Okay, this recipe looks actually really yummy," she turns to look back to the book.

Simon stalks up and snatches it from her hands. There is actually handwritten recipes. For some reason this makes Simon's rage double. How? How could this be real? He never opened a book in this kitchen. All that happened here was patching his wounds while waiting for exfil.

Their pattern continues like that until his brain finally spits out Johnny's death. He had been so, so careful to never let that memory come up. When it does Simon is so blindsided that when she offers to help he finally accepts.

Not knowing what to expect from this interaction did not prevent Simon from being surprised at how she handled it. She started to hum as she froze the memory, touching and moving pieces and people until everything had rewound a few moments.

"You have to sit it in, this pain. Talk to him. Tell him everything you didn't get a chance to. The longer you can sit in the agony the sooner it will find peace." She takes him by the hand and pulls him to his love.

Simon cries, like the young boy who needed safety and only found hate or indifference. Through blubbering sobs he tells Johnny every word he regretted hording. When Johnny hugs him back, mouth moving and voice saying things Simon had only dreamed of he found a semblenece of peace.

When his heartrate returns to normal and the only proof this interaction happened is the hollow space in his chest where Johnny will continue to exist his compaion steps back from Johnny, appearing as if from the dust.

"I think that is enough today. You did good." Turning on her heel she walks away, disappearing into the folds between memories.

Simon had never seen her leave before, he always ended the sessions before she had a chance.

He lets her help then, this nameless woman. They conquer every memory and the vaguest notions of memories that bother him. This intensive work paired with his weekly therapy leaves his with the skills to deal with the nightmares, the PTSD, and the trauma that still manifests from time to time.

Can one fall in love with a figment of imagintion? Simon thinks he might have. The final session he confesses, brushing his lips against hers as she sobs.

"But I'm not real. Simon, you can't love me I'm not real."

"Johnny's not real either anymore. I still love him. I'll keep you in my bones next to him, both of you keeping me safe."

She runs then, between memories and fears until she disappears and ends the sesion.

Simon, upon requesting more sessions, is informed that he has completed the program and all his care is being turned over to the non-intensive team that his therapist is a part of. Oh she shouldn't have argued with him or cut off their sessions. Now he knows she is real, the woman the knocked around his brain and fought back the demons for him.

Now all he had to do? Find her.

For anything I am currently working on check out my masterlist. This is getting dropped into my drabbles for later.

[aspergerasparagus]

I wanted to ask, what do each of the Frankies think of the contestant?

Real Frankie:

He is the rabbit that likes the contestant a little too much. Obsessive and possessive he doesn't let them out of his sight unless he has a good reason to. And while he plays up the part of caring for the contestant, maybe even playing into the romance idea, there is absolutely no love there. He is manipulative, cunning and malicious at his core and the contestant is more than aware of this and knows how this is all going to play out in the end. When they no longer prove to be useful, Frankie will dispose of them. Will he be sad doing it, maybe, but in the end ending them with his own hands will the greatest thrill (plus think of the ratings!)! In the end, while he won't outright hurt the contestant (physically anyway) he still can't be trusted.

Cartoon Frankie:

"Hate. Let me tell you how much I've come to hate you since you turned up on my show." (Insert AM speech here yadda yadda) So toon Frankie is the one who hates the contestant the most, despises them actually. They are the reason his show was "ruined" and why he finally lost and being the brat that he is he still holds the grudge regardless if the contestant saved the show in the end. But at the same time they are the only human to stand up to him, to talk back, to make jokes at his expense and it drives him mad. He wants to put this little human in their place and remind them who's in charge (how he plans to do that is really up to the imagination), see them on their knees begging for mercy but on the other hand wouldn't it be fun to be put into his place by them from time to time. He's very internally conflicted by the contestant, he wants them dead, he wants their undivided attention, he wants from pleading for their life, he wants them to talk down to him. He a mixed up bunny and that only pisses him off more.

Monster Frankie:

Simply, he wants to eat his face. He is straight to the point, he doesn't like the contestant (considering they did kill him) and will be hostile to him but know he can't do anything to him right now. So they kinda exist in a weird limbo, where yes Frankie will chase him, but he isn't trying to kill him, maybe throw him a round a little like a cat with a mouse but that's all. Until the next season of course. He isn't as vocal about his feelings towards them but it's clear he is still bitter about what happened but does at least hold some respect for them, hence why he listens to Real Frankie and not Toon Frankie about the contestant's fate. He rarely interacts with them due to the contestant being the most frightened of him but will occasionally drift around them like a house cat merely to spend time in their presence until he gets that look in his eye and it's time to play again.

[amurotoorudesu]

just a sagau genshin abt the newest banner (geo & hydro dragon my love) (the creator is self insert) LOTS OF OOC

a/n : written in rush cuz i randomly think abt this after knewing next phase banner and i hope i got both of them, i was gonna added about how i forgot ayato & childe exist when i planning on which dps from each vision should i pull, but they make no sense so i didnt include it.

"I didnt mean to look down on your choice, Your Grace. But, didnt your cousin says itll be better just to pull me...?"

You look at Zhongli with the most unserious, more like silly face, thinking about hes actually jealous of your choice on pulling for Neuvillette.

While it's true you need his shield and he would be the first Geo 5 star you have, but who wouldnt want a hydro dragon pure water tester PLUS a water machine gun to pew pew those enemies!

And more better? You have an unbuild Furina too!

"But my cousin also says he would comeback to genshin to pull for Nupi!"

If Zhongli able to curse, he will.

when will you also gave him a cute, silly lil nickname to him too?

"But like, Your Grace—"

"Shhsshhh"

You quickly shut him, putting your own finger on his lips, making a small blush creep onto the Geo Archon.

Zhongli can feel the side eye Neuvillette gave him as the Hydro dragon sips on his pure water.

"But, Your—"

Seriously, you never saw this version of him thats cant control his own usual calm demeanor, but the version you see is the impatient and insists that his opinion is the best.

Not like he's wrong though.

You put your own finger on you lips now and did a mewing pose, kinda making those two old dragon sigh.

whats wrong with this generation...

"Zhongli, hear me out. Nupi is a nuke, or else should i say Nukelet? Thats suit you isnt it?"

Neuvillette sighed again, but he didnt hide his chuckle about his Creator giving him more silly nickname.

"Pardon me, Your Grace. While it doesn't matter to me that you call me that, but I'm a dragon, not a nuke. I dont boom myself"

"But youre a boomer."

"Was that supposed to be a joke?"

"No."

Back to Zhongli. Hes still thinking countless reason about why you should pull for him.

I mean, his material is easier to get (even if youre the Creator and couldve just easily get everything you want), his talent is useful (SHIELD??? BIG PILLARS???? THROWING BIG ROCKS TO THE ENEMIES?????), he got many fans (BUT ITLL BE USELESS IF HIS CREATOR DIDNT WANT TO PULL HIM), he got many fanfics (HE KNEW YOU LIKE TO READ THEM AND HE WILL HACK THE TUMBLR TO SHOWS UP MANY FANFICS ABOUT HIM ON YOUR DASHBOARD BUT EXCLUDING THE HURT/NO COMFORT BCS HE KNEW YOU DESPISE THEM)

But then he come to a conclusion, as he clapped his hand.

"Your Grace, if Sir Neuvillette have Furina on your team, what about Xiao?"

Fuck he was right. WHAT ABOUT YOUR XIAO????? HE NEED HIS FATHER FIGURE!!!!

"Youve got a point..." you pose like the trade offer meme.

"So, who should i choose now? is it you, Sir Zhongli, or is it you, Monsieur Neuvillette?"

"Uhm, pardon me but, why dont you just get us?" ask Neuvillette, putting his cup on the table.

"Dont you think itll be better, Your Grace? You get two dragons and you also have their companions on your team."

"Monsieur, i dont have that kind of money. Im still in high school, heck, a boarding school! Even if i have guaranteed now, i dont think i can."

"But our banner started on your holidays..."

"Ok now you got another point"

"So, what you gonna do?"

"I'll take two dragon, please"

Perhaps Zhongli should thank Neuvillette for his suggestion.

------------------------------------------------------

another a/n : i post this cuz im at my home, suffering from another sudden sickness (i keep getting nauseous and vomiting plus a bad fever & headache but idk what causes them can anyone tell me 😭) also i have a tooth extraction scheduled on Monday so yeah... wished my future self a good luck

[ph-cutie]

why is evrart's portrait so weird? a visual and written analysis.

Most of us on this website have warm sentiments towards him, but I feel confident in saying that his portrait art looks, or has looked, somewhat off-putting to a lot of people, and that this fact was intentional. So if you've always felt a little strange looking at him, but couldn't put your finger on why, I've got you! This is a remake of a 1k word, 12 paragraph post I've made on reddit this same day, but tweaked to be in a more tumblr cadence :3

FORENOTE: This post is solely about the portrait art. Not the man portrayed in the model and concept art, or his general features. Just making that clear.

BACK TO BUSINESS: I've made a little diagram circling out and numbering the most jarring parts of this image.

TLDR: this piece draws on mild anatomical distortions and body language discrepancies to catch the viewer offguard. if you want to know more you're a VERY lucky person, because i've got nearly 800 words explaining each point for you, under the readmore.

UNUSUALLY LONG&WIDE LOWER FACE: Probably the thing most people actually notice. Even compared to other images of him, his jaw is quite exaggerated. wouldn't stand out had the rest of him been unremarkable, however he is *very* remarkable.

STRAINED SMILE - MUSCLE TENSION: I'm not super into the "true and genuine good person smile" vs "deceitful scary smile" dichotomy, I myself am cursed with a jimmy donaldson smile. However, his smile does not look restful/easy-going. It's very horizontal. Corner 1 is pushing excessively into his cheek, corner 2 isn't even angled up. Lower lip is stuck out. CONCLUSION: looks forceful and a little painful on his end. Not the weirdest part of the image, but it creates problems later down the line with his other features.

FOGGY GLASSES: They say that eyes are the windows of the souls, and his design messes with that by fogging up his glasses. But even that has another layer to it, so let's peel it! His right eye (to the right of the image) is looking at the viewer, however, the glass obstructs it to such a degree that we do not get any functional information from it beyond the knowledge that it exists. His left eye is drawn much clearer, however, it's not looking at us. It can't tell us anything about what it's owner is feeling, it has nothing to do with us. For people who care about eye contact, this part of the drawing was made to be frustrating. The connection is juust out of reach :)

LACK OF VISIBLE EYEBROWS: Eyebrows are one of the most expressive parts of the face, and he's lacking them for whatever reason. Not much more to say on that for now.

NONSENSICAL PLACEMENT OF HEAD ON BODY: Compared to the concept art, where his shoulder is a little below his earlobe, the portrait's shoulder is portrayed as above THE ear. Basically, there is no neck/separation between his head and body. The rest of the drawing doesn't give a clear explanation on why this is (such as if he were clearly portrayed as sticking his head forward), so I deem this to be a genuine anatomic perversion. (AFTERNOTE: APPROXIMATELY 20 PEOPLE ON REDDIT HAVE TOLD ME "no that's actually the back of his chair you can tell from this slight hue shift" MAYBE IT IS. BUT I DO NOT BELIEVE THAT ANYONE REALLY NOTICED THAT LITTLE PIXEL LINE, AT THE SIZE OF THE PORTRAIT WHICH IS PORTRAYED INGAME. THE PAINTER KNEW WHAT IT LOOKED LIKE. SO DONT BOTHER ME ABOUT IT )

ARCHED CURVATURE OF THE SHOULDER- MUSCLE TENSION AGAIN: But I'm not done with his shoulders! His shoulder have an arched shape, which means he's hiking them up. Much like with his smile, it's a forceful posture, associated typically with some kind of discomfort. (SAME AFTERNOTE AS POINT 5)

LACK OF DETAIL IN THE CLOTHES: While we can choose what we look at, the human eye will always be drawn to the most striking or detailed parts of images. Artists know this. Often-times, we wish for the viewer to look at the face of a character- hence the popularity of anime girls with glossy, candy-colored eyes. Claire's zone of maximum detail density starts at his nose and ends at the bottom of his double chin. His clothes, meanwhile, are basically just flat shapes. His background is very simple too. SO basically, the remainder of the image is a graphical desert, and his jowls are the oasis your eyes will always wander back to :D.

THESIS: Claire's anatomy is mildly distorted in points 1 and 5, which immediately throws off the audience. His body language is strained, borderline convulsive in points 2 and 6, while his features at 3 and 4, which we look at for information (is he happy? angry? in pain?), are left blank. This discrepancy leaves us emotionally confused and unsatisfied. Thus, the vague sense of something being wrong with no further information. Point 7 is just a little garnish to maximize the above effects. Tada! that's it.

WHY DID I WRITE THIS?: People usually focus on beautiful art and what makes it as such- I've seen many brilliant analyses of Lieutenant Kitsuragi's portrait and why it comforts us. But I find it equally interesting to break apart pieces that just don't emotionally click with us, that feel off, and I also love Evrart Claire, and find him to be a good example of this that nobody seems to have previously discussed. So I took on the challenge! I find his portrait art actually really cute now so this is mostly drawn on from the feelings of Ghost of ph-cutie Past. I genuinely doubt anyone will read all of this so if u have, I thank u from the bottom of my heart <3.

[thecarnivorousmuffinmeta]

Obvs it wouldn't happen because imprints don't work that way, but what if Jacob imprinted on CARLISLE?

You're hilarious, anon, that's what you are.

Alright, let's do this.

Jacob Imprints on Carlisle Cullen: A Timeline

The thing is, Jacob doesn't notice for a fairly long time. Remember that Jacob hardly ever meets any of the Cullens until fairly late in the series. In Twilight and New Moon, before shifting, he was extremely embarrassed by his father's superstitious attitude that's so bad it's to the point where he's told the entire tribe that none of them are to go to Forks hospital (which as the closest hospital in a rural area, and one with a now very qualified surgeon that they won't otherwise be able to get to for several hours, this is... a very extreme choice that speaks to just how seriously the Quileute view the Cullen problem).

Jacob meets Edward once in Twilight, at a distance, when he tells Bella at Prom "So... my dad told me to break up with your vampire boyfriend and that the spooky tribe will be watching you :/ ah ha ha ha ha ha".

And then the Cullens are gone until the end of New Moon, at which point Jacob only runs into Carlisle Cullen in Eclipse when the shapeshifters and the Cullens have agreed to join forces to stop the newborn army and to have their solitary training session where they take this seriously.

The Cullens Jacob gets to have lovely interactions with beforehand are Alice at the end of New Moon (in which Alice has some choice words) and Edward who is... Edward.

But not the others.

(The movies where the Cullens and wolves run into each other hunting Victoria, and get into a catfight, is just the movies and was an entirely ridiculous scene.)

What this means is that we've gone through all of Twilight, New Moon, and most of Eclipse. Jacob is pining after Bella, in this torrid love triangle with Edward the blood sucking demon as his rival, has kissed Bella, and has spent an entire novel trying to convince Bella that she's in love with him and "also, don't become a vampire" without much luck on either front.

And now, the worst thing in the world happens.

The Moment

Very reluctantly, the Cullens and shapeshifters have both agreed that the threat is now so large that neither of them can contain it as an individual group. The Cullens have been rebuffed by the Denali who only agreed to help if they got the chance to commit genocide/have their revenge for the death of Laurent.

The shapeshifters, on the other side, hear that a horde of vampires the size of which they have never encountered before (when they're having issues dealing with just one, only one, vampire) is going to descend upon the town of Forks and, with extreme sadness, agree to a) help out the Cullens b) agree that they need the Cullens help on this one.

So, they get this training session (in which Bella shows up because... unclear why she's there, she really shouldn't have been there/really made the impression that they were flaunting the Bride of Dracula in the shapeshifter's faces) and the Cullens all watch as the wolves show up, more than they had ever suspected, Bella oohs over what a big red wolf Jacob is and--

I imagine they freeze, because they were wolves at the time, so they were all in the wolfy hive mind. This means every single one of them knows the second Jacob imprints and get to process it along with him.

Suddenly, Carlisle Cullen is Jacob's gravity, his reason for existence, his everything.

And he's a vampire.

Who is 300 years old. And physically twenty-three years old.

And he's married.

And Edward is right there hearing every thought the hive mind is having.

I imagine Emmett warily asks Edward what's going on. Is everything okay, or are they all about to kill each other and the treaty's off? Edward can't answer because. No. No.

"Seriously, Edward," I imagine Rosalie says, "What's happening?"

(Alice sure wishes she could see what was going on right now, at all, she sure wishes she could help here. Man, it would be great if she could use her gift and wasn't BLOCKED BY FUCKING WOLVES. WOULDN'T THAT BE GREAT?! WOULDN'T IT BE GREAT IF SHE HAD VISIONS THAT COULD TELL HER WHAT'S GOING ON RIGHT NOW?!)

The wolves don't want to answer either as none of them want to admit this is happening (except for Jacob who's still too brain scrambled to react yet).

Jacob, I imagine breaks first. He shifts (and he is... sadly... naked... for this...) and runs over to Carlisle Cullen, the center of his new existence, and happily explains that his universe has just turned on its head and whatever Carlisle Cullen needs from him, JACOB IS THERE, MAN.

Carlisle... doesn't... need... anything...

He's also very confused and alarmed. And can Jacob please put on his clothes?

Edward, reluctantly, explains to his father that Jacob has just er imprinted on him. It's a thing. No, it doesn't necessarily mean romantic love (probably) but Jacob is now Carlisle's.... person. But Jacob's clearly wrong because Carlisle is married and he doesn't need a new son or a friend or anything.

HE HAS HIS FAMILY.

Bella, meanwhile, is shocked, shocked and--confused--and--hurt. Was Jacob gay/bisexual this whole time? But no, Edward just said it didn't have to be romantic. But Bella's also had it explained to her that the imprinter is supposed to be the most important person in the imprintee's life. Sam left Leah so that he could marry Emily when he imprinted on her, and even if it is platonic--isn't Bella supposed to be Jacob's best friend? Wasn't he just telling her how in love with her he was? Hasn't he been the sun in her life?

But because of this single second of imprinting, from a corner Bella never expected... that's done now. Jacob won't be in love with her anymore, all that talk of Bella being in love with him won't matter at all, they'll be less close friends at most and...

And maybe that's a good thing? She's with Edward, she's marrying Edward in a few weeks, she wants to be with Edward. If Jacob gives up, or imprints, then they can stay the way they are without Jacob wanting her to give up on Edward.

It's just that Jacob's most important person will be Edward's vampire dad...

I imagine Sam shifts at this point as... the situation has changed a bit. And tries to get Jacob to calm down and, "We need to discuss this, Jacob" but Jacob isn't having it as the most important person in his life is standing there, staring at him, and clearly wants nothing to do with him.

And Jacob realizes--there's not any room for him. The man has a wife, he has children, WHAT IS JACOB SUPPOSED TO DO?! YOU NEED A BEST FRIEND, DOC?!

Everyone would really love to call off this training session by this point but... that vampire army is coming and they're running out of time.

They have to do this.

They do a speed run and then rush back to their prospective homes where they grill Edward (who has the wonders of spying telepathy) about what the fuck imprinting means and what's happening.

The shapeshifters go home to be extremely upset and try to reason with Jacob who... given how he acted in canon with Renesmee, probably runs to the Cullen's house screaming "CARLISSSSSSSSSSSSSSLE" out of terror that they'll leave in the middle of the night because of this.

Jacob immediately plots how he can stop the Cullens/Carlisle from leaving Forks. In this case, showing Charlie his wolf form would do nothing, as Bella's not the one turned and in theory they could just leave her behind and run if Jacob outed them. Similarly, getting Bella to end up with him and not turn would mean the Cullens would just vamoose.

Jacob concludes, in a moment of horror, the only way to guarantee the Cullens stay is if Bella and Edward get together and then Bella has to stay. Bella's what's connecting them to Forks, what's keeping them from disappearing, even what drew them back in the first place.

And he's right to be concerned as the Cullens are discussing just this. They have to stay through this newborn fight, but then... if it weren't for Bella they'd be leaving as quickly as possible and even then... maybe Carlisle and Esme should just go on ahead? Edward and Bella, do you have to get married right here in Forks/invite everyone from Forks?

Unfortunately, due to that wedding and the pesky detail of inviting Bella's friends and relatives, they really are stuck for at least a few weeks, until Bella and Edward can go off to college.

Jacob's Plan

Jacob then has a few short weeks to convince Carlisle Cullen that he's the greatest thing since sliced bread, he totally needs Jacob in his life, and pffff wife shmife.

So, Jacob does things like just... show up at the Cullen house. He just shows up. And at the hospital, and everywhere, trying to prove how cool he is to Carlisle who is just sad about all of this. He's so sad.

There has been much querying in both parties of "are we sure there isn't a way to get rid of this?" and both the Cullens and shapeshifters had concluded "no, not really, we don't even understand what the fuck this is".

And while Carlisle really wants to just up and leave... it sounds like he'd cause Jaocb mental anguish unheard of for the rst of his existence if he doesn't throw him some bone.

"We can go... fishing..."

(Bella was right in that Jacob has dropped her like it's hot. She hasn't seen him since the training.)

At the battle, instead of guarding Bella's tent in the night, Jacob insists on being where the rest of the Cullens are. Yeah yeah, Edward, have fun with wifey.

(This is not fun as Bella nearly freezes to death in the tent, and as there's no Jacob to keep her warm, Edward just has to sit there, panicking, as he sadly wishes he could warm Bella up himself buT hE's a MonStEr)

There is no "kiss me or I'll kill myself", Bella doesn't even see Jacob when the fighting happens or afterwards. I imagine Jacob's still hurt, (and gets quality time with Dr. Cullen and morphine as he recovers, yay!) and Bella... barely gets to see him then either.

At least Edward's upset about this too and annoyed, if for very different reasons.

Bella finds herself just... ending up with Edward, with no closure on how that Jacob thing would have gone if it would have gone everywhere. Jacob's not even promising to never speak to her again/kill her on sight anymore, he doesn't even seem to care about vampirism as all he wants to do is hang out with Carlisle Cullen, which is.... good? This is good? Is this good?

Jacob doesn't run out of town before the wedding, he's right there, the whole time, hanging out with Carlisle (who is gently trying to tell Jacob that, you know, the Cullens will have to leave this place and your whole family is here so you should... try... to get over this or be... um... long distance).

When Bella becomes pregnant, Jacob only cares that this is clearly stressing Carlisle out who is now supposed to figure out how to birth her demon, alien, horrifying spawn. Gosh, Bella.

(Bella misses her best friend).

And...

Damn.

Basically the rest of the series happens, as Jacob still protects pregnant Bella as he has to protect Carlisle, except that Jacob is imprinted on Vampire Dad and Bella's trying to have a very brave face about this.

SHE AND JACOB ARE STILL FRIENDS! (He just doesn't talk to her anymore...)

[gravityrises]

The Virtues of Stanford Pines

Summary: I've seen people accuse Ford of doing horrible things on one side, and people defending his actions on the other side. But how about we turn the tables and talk about all of the good Ford has done. (At least, that was the plan.)

Word Count: 2813.

Spoilers: Gravity Falls series, Journal 3, The Book of Bill, Lost Legends, thisisnotawebsitedotcom.com

1. He's incredibly hard-working:

Just because someone is smart doesn't mean they don't put a lot of effort into studying and Ford definitely did. It's mentioned twice just in "A Tale of Two Stans," when he tries to convince the college board to give him another chance and when he describes his years at Backupsmore.

And it doesn't stop at intellectual pursuits. In Journal 3 Ford says he exercises daily, despite having always hated physical activity.

Anyway, I don't think anyone is going to argue this point, so let's leave it at that.

2. He's supportive of his friend:

There are going to be a few controversial takes, but I truly believe that Ford was trying to be a good friend to Fiddleford. Now, there were fights between them, and Ford did say quite a few insensitive things both to his face and in the Journal. But overall, I don't think he ever intended to hurt Fiddleford, and he definitely appreciated his friend's company.

When Ford invited Fiddleford to work on the portal, he wrote in the journal: "He (Fiddleford) has sacrificed so much to come to my aid. He has temporarily left his bride and their young son... he has abandoned his own professional aspirations... I must do my best to make him feel at home.... I am off to the store for some banjo strings and microchips!" (quote shortened, because I'm lazy) Clearly, Ford cared about his friend and wanted to make him feel welcome.

He also compliments Fiddleford's "brilliant mind," "amusing quirks" and scrupulous work ethic, by saying "I double-check my equations. He quintuple-checks!"

And I hear you, didn't he claim the complete opposite in the series? According to him, Fiddleford "was wasting his talent trying to make personal computers", right? Well, if we ignore the fact that the creators weren't 100% consistent in their writing, here's how I would reconcile those two statements. Ford thought (erroneously) that his friend's research wasn't important in the grand scheme of things, but it was important to Fiddleford personally. And can you really blame Ford? He was about to demostrate the existence of other dimensions and create a gateway that would allow us to visit them. If something like that happened irl, it would've been a groundbreaking discovery, altering our very understanding of the natural world and how it works. Meanwhile, laptops, at least in Ford's opinion, were just "heavy, slow journals." Still, he knew this work was important to Fiddleford, and he wanted to accommodate that. Hence, his trip to buy microchips (and banjo strings.)

Ford tried (and unfortunately, failed) to help Fiddleford deal with his anxiety. In Journal 3, he mentions teaching Fiddleford some meditation techniques and going to the Carnival, so that Fiddleford would enjoy "a day of relaxation." In the Book of Bill, Ford feels guilty about not getting his friend a gift and decides to throw a surprise Christmas party instead. This was also an attempt to cheer Fiddleford up after his fight with his wife.

"But Ford didn't take Fiddleford's anxiety seriously, and it ruined his life." Okay, let's say you're right. Remember, Ford was raised in the 60s. A time when mental illness or just mental distress were looked down on. What was he supposed to do? Suggest Fiddleford goes to the therapist? I mean, they were studying paranormal creatures, if Fiddleford told those stories to a therapist who didn't believe in these things, there would've been a really high chance of misdiagnosis. Should Ford have simply fired Fiddleford? Well, that wouldn't have been very nice. Also, there is no need to infantilize Fiddleford in the first place, he's a grown-up person capable of makind his own decisions. If the job is too stressful, if the relationship doesn't work out, he has every right to leave, because his life and mental well-being are his responsibility. Instead, he ignored Ford's warnings and decided to use the Memory Gun and start a cult. It was, by the end of the day, Fiddleford's decision. And it's tragic. It really is. No one deserves to lose their family, their mind and their sense of self. It's something Ford feels guilty about, because whether it was intentional or not, he did indirectly contribute to Fiddleford's downfall. That's why, when they finally reunited after 30 years, Ford apologized to Fiddleford. And according to Journal 3, Fiddleford dissmised his apology, leading Ford to say that "Not only is this man's mind superior to mine, but he has one of the biggest hearts I've ever seen."

3. He has no reservations about helping others out:

There's a reason why Ford's the first person people turn to, when there's a problem. He has both the desire and the skills to help people out. Using Dipper's idea, he stops agents from investigating his family. He goes above and beyond just to change a lightbulb in the kitchen. Though morally questionable, he did give the kids a mind control tie with the intent of helping Stan win the elections. In the comics, Stan turns to Ford when Mabel's face is stolen and when Stan himself is cursed by an old chest.

And that's how things were in the past too. In "The Pines Boys in: The Jersey Devil's in the Details", Ford defends his brother, twice. First, when Filbrick accuses Stan of stealing the gold chain from his pawn shop. And then, when the Sibling Brothers offered Ford to let him keep the monster and become famous in exchange for photos that would prove Stan's guilt. And just to add an incentive, they threatened to frame both twins, if Ford didn't comply. Obviously, it didn't work.

According to thisisnotawebsitedotcom.com, that's also how he became friends with Fiddleford: on the very first day, he spent nine hours helping his new friend prove his theory. And in the Book of Bill, when Ford learns that Bill's home dimension was destroyed by a monster, his immediate reaction is to offer help with hunting it down.

Whenever someone's in distress, Ford really wants to help them out, and I don't know about you, but to me that doesn't sound like someone lacking empathy.

4. He's got no qualms questioning the status quo:

In Journal 3, Ford mentions traveling to Northwest Manor to confront Old Man Northwest with evidence of his family's deceit. Instead, he was met by young Preston, who wasn't impressed with his speech and forcibly escorted Ford from the premises.

Also in Journal 3, Ford wanted to debate politics with Reagan. Make of that what you will.

Now this one is more of a conjecture, but in the Book of Bill, this is how Bill compliments him: "Guys as smart as you come along once every century, and they scare the pants off of authority figures!" This lie wouldn't have worked, if it wasn't what Ford actually wanted.

And of course, learning that his former "muse" is one of the most feared beings in the entire multiverse, didn't stop Ford from going on a quest to defeat Bill. Even after witnessing other creatures shriek and cover their ears at the mere mention of Bill's name. Which leads me to my next point.

5. Calling him determined would be a massive understatement:

Forget his sleepless nights at college, forget his extensive research in Gravity Falls, Ford has spent 30 years, let me repeat that again, 30 years traveling across dimensions and looking for a way to destroy Bill Cipher. I haven't even been alive for that long! From the little we know about those years, they were anything but easy. In fact, Ford describes them as "frightening, exciting, cruel, and strange." (And of course, the guy actually does use the Oxford comma in his writing. Who would've thought?) Let me stress that Ford was under no obligation to continue his quest, maybe he could've found a quiet dimension to settle down and live peacefully, in fact, that's something he contemplates while visiting A Better World in Journal 3. But he decides against it. Not because he didn't want to, he literally says that he wanted to revel in his parallel self's success. Not because defeating Bill would get him recognition. It wouldn't, at least not in his home dimension, where no one is even aware of the danger. No, he didn't stay, because his own conscience wouldn't allow it. Ford just couldn't break his vow from 30 years ago, it's as simple as that.

And what does he do, when his plans fall apart? Does he even consider giving up? Of course not! In fact, he ends his tale of interdimensional travel with the following sentence: "My resolve to defeat Bill has never been stronger." It's almost comical, watching him throw anything he can think of at Bill and see what might stick. His battle in the Nightmare Realm was interrupted? He jumps through the portal to stop Bill's forces from entering his dimension. The portal created an interdimensional rift? He tries to contain it. Bill threatens to get his hands on the rift? This time Ford has two ideas: he tries to encrypt Dipper's thoughts and creates a mystical barrier around the house. The worst happens and the world is about to end? Well, get in loser, we're going to shoot Bill with Quantum Destabilizer. Ford misses and is captured? Not to worry, there's a Zodiac prophecy, we can give that a try. It doesn't work, because two grown men can't put aside their grievances for just a few seconds, gosh that scene is so frustrating to watch. Well, here is another idea: one can erase Bill with a memory gun as long as he's in someone's mind. I don't know what else to say, Ford really did his homework, when he set out to destroy Bill.

6. He has the patience of a saint:

Wow, now here's a controversial take. Remember Stan's "Beep boop. I am a nerd robot. That's you. That's what you sound like," which Ford just laughs off. Yes, that's what siblings do all the time. And yes, this teasing does come from a place of hurt. Stan was feeling like "the stupid twin," "a dumb idiot who screws everything up," so Ford felt like he just had to put up with this. But it's still hurtful to be mocked for your interests. It really feels like their relationship was already a little strained even before the Science Fair Project Incident.

What about the fact that he was the first to stop the fight in "Dungeons, Dungeons, and more Dungeons" and suggesting Stan might actually have fun, if he joined their game?

Or all the snide comments Stan made, when they reunited during Weirdmageddon, including "Well, he's lost his mind" and "You really think some caveman graffiti is gonna stop that monster?" All of which Ford simply ignored. Yes, he did correct Stan's grammar under the worst of circumstances, I agree, but you know, everyone has their pet peeves.

What people often forget is just how difficult it is to be a kind person, when you're stressed. It is much easier to treat people with respect and understanding, when you yourself are doing fine. So is it that big of a surprise, that someone who's under pressure, sleep-deprived and/or in pain might be more prone to outbursts? And we know how traumatic Ford's experience of being bullied as a kid was, how much suffering Bill put him through, how difficult his years on the other side of the portal were and how much pressure he was under, trying to prevent a literal end of the world. It's ironic that the people who blame Ford for his lack of empathy, really don't show him any empathy themselves.

7. Even under torture, he didn't reveal the equation that would've allowed Bill to take over the world:

Do I really have to spell it out? Look, as someone who was on the verge of mental breakdown from a simple toothache, I have nothing else to say other than: This is admirable. And he did it to protect the world that, need I remind you, wasn't particularly kind to him. On the same note, he just never joined Bill in the first place: not in the 80s, and not during Weirdmageddon.

"Oh, but he's the one who started the Apocalypse, so he kind of deserved it." Seriously? No, I mean it, are you being serious? Is that something you would say to a person suffering from diabetes type 2, that it's their fault for eating too many sweets; or to someone with liver cirrhosis that they deserve to suffer because of their alcohol addiction? Because this is neither appropriate, nor helpful. Talk about kicking someone when they're down...

8. He's fiercely loyal to his family:

I think the way Ford compliments his grandniece in "The Last Mabelcorn" is very revealing: "You've protected your family. You're a good person, Mabel." His very definition of a "good person" is "someone who supports and protects their family." Which is... interesting to say the least, considering that Ford has spent a very long time away from his family and completely alone. But it does sound like something he aspires to. That's why he goes out of his way to help his family out, whenever they're in trouble. (See point 3 for more on this.)

When Bill threatens the kids, Ford is willing to risk the entire universe for a slim chance that they might be spared. It's a cruel Trolley Problem, which once again proves just how much he values his family. Still, this is some Fate/Zero level angst and I don't want to talk about it more than I absolutely have to. Let's finish this up with something more lighthearted.

9. He's never lost curiosity and childlike wonder:

This! This is what made me fall in love with the man and why I'm wasting my time writing this nonsense in the first place. This allconsuming excitement, when he finds a new anomaly to study; this seemingly endless energy, when he explores new places; this pure joy, when he gets to play DD&MD with Dipper! I don't know how to talk about it without gushing.

Ford obviously loves games, and not just DD&MD. He plays chess with Bill. He mentions being great at charades in the comics. And what cracks me up the most: during Weirdmageddon, when Pacifica compared the Zodiac to a game of hopscotch, not only did not Ford get offended, but he replied: "It would be a pretty fun game of hopscotch." Ford, darling, the world is about to end, is this really the best time to contemplate a hypothetical game of hopscotch? Also, you've just been through something traumatic... Forget it, you've been through 3 decades of traumatic experiences, can you at least have the decency to become a tad more cynical as you age, like the rest of us. I guess, mirth really is the mail of anguish. (It's from Emily Dickinson's poem and the quote means that some people act cheerful to hide their suffering.)

Also, something Ford doesn't get enough credit for, mostly because people usually focus on his academic achievements, but he is quite creative. He draws incredibly detailed sketches not only depicting various anomalies he encounters, but also whatever happens in his life. (Probably off-topic, but I find the implications of that karaoke page so funny. Think about it: the guy sobered up, looked at the incomprehensible nonsense he had written the previous night and thought: "You know what? This could really use an illustration.") Also don't forget that he canonically plays piano. Yeah, if I were Stan, I'd be jealous too.

And of course, that's why he's so passionate about science. Sure, part of him wants the fame and recognition that would come, if he makes a big discovery, but you can't deny that he genuinely enjoys learning new things. And that he enjoys sharing them with whoever is willing to listen.

In conclusion, I'm not trying to say that Ford is perfect in every way and has never done a single wrong thing in his life. To be honest, that would've made him a really boring character. So, yes, he is flawed, and misguided, and sometimes insensitive. He's made a lot of missteps because of his upbringing, personality and, as many have speculated, neurodivergence. But I really take issue with people saying Ford's a bad person, when he clearly isn't. Ford is and always was a good person, and by the end of all the trials he became a better person. One who understands that the only way to success is cooperation, not being a lone vigilante. That it's not a weakness to ask for help or to need help in the first place. And that a sea otter shared is a sea otter halved.

That's strange... why did I write that?

[quinngefail]

Is Lawrence a “no Adam, we are not keeping the stray cat you found” but then immediately falls in love with the cat type guy. Is he. I need to know

SHAKING

💥 Rambling Beast Incoming 💥 Because I will not lie. I've thought about this a lot LMAO

I am also putting a cut. Because this got to be way longer than anticipated, and also slowly pivots into just being a short fic HRKGMGKGK......

But uh I've imagined that the conversation came up during a late night. They'd been staying together, and just being together for a few months now. They have a lot of conversations that revolve around just asking each other about all sorts of things, getting to know one another more and more. And just being able to freely ask things that certainly weren't important during their six hours in hell. 'Getting to know you's in significantly less stressful environments, basically.

At some point that night, Lawrence asks Adam what some things on his bucket list are. Adam gets a little flustered, and sorta mumbles, "I promise it's nothing that exciting."

But of course, Lawrence wants to hear anyway. Doesn't matter if it's 'I want to have a concert on the moon', or 'I want to find a lucky penny on the subway'. He just wants to hear anything and everything from this man, no matter what Adam's harsh inner voice may repeatedly insist.

So Adam begins to explain one of the biggest things on that list, which is that he's just always wanted a pet. A cat, specifically, as they're his favorite. Because even in a world where his parents could have afforded to take care of one, they wouldn't have anyway. They both just did not care for animals, and weren't exactly hesitant to very bluntly express their disdain for them, in far less kind words. And even if Adam had been existing on his own for about 6-7 years now, he certainly wasn't ever in a comfortable enough financial state to take care of a pet. And he could truly never forgive himself if he was the reason for any amount of harm coming to something that was so innocently dependant on him... The man who had struggled to feed even himself.

So, he had just shoved that idea to the back of his mind. But the longing never stopped, of course.

Once he's finished, Lawrence gives a saddened nod, and offers his sympathetic words. But, there's a few moments of silence before he perks up a bit. Why don't they just get one, then.

Adam blinks a few times in surprise, but he can't keep a little smile from creeping up his face.

"Well, you know I'm not going to say no to that," he responds. "But only if you're really okay with having a little bastard running around your place,"

Lawrence first starts with a dry chuckle. "Oh, I don't think I'm a stranger to that anymore, darling. In fact, I'm rather acquainted with the little hellion I've already welcomed into my home. And you know, I am quite fond of him."

Adam's smile only grows larger, and more crooked, as he rolls his eyes. "Yeah okay, whatever, asshole." But it's only a second or two before their shared laughter fills the bedroom.

"Well, it'll certainly be loved." Lawrence remarks in the lull of their banter. "And completely spoiled."

"Oh, abso-fuckin'-lutely." Adam nods, cracking a cocky smirk. "It'll have no idea that I've been waiting 20 some years for this shit. Poor bastard's in for of some of the most obnoxious, sappy, lovey dovey shit ever. It'll hate us so much."

"Oh yes, nothing but malice towards us. It'll want us both dead." Lawrence smiles back. "Well, we can start looking around for our unlucky candidate tomorrow, if you'd like."

"Fuck yeah," Adam grins, curling both hands into eager fists. Really though, on the inside, he was running rapid, ecstatic laps around his brain.

His ass was not going to be able to sleep tonight.

"...And thank you," he quietly adds, highly masking just how much he wanted to repeat his gratitude again, and again, and again, and again- though, he was sure this masking was to limited success, for the shaking of his hands were at least one thing that currently betrayed him-

"Of course, Adam."

Their hands then find one another, and squeeze... One shaking hand unable to keep itself from squeezing down hard.

~~~

AND THEN...... THERE WERE CATS !! >:3

And they are indeed spoiled rotten and deeply loved by the both of them LMAO

[respectthepetty]

The Loyal Pin - Episode 15

Before I actually began this recap, let me just bask in Patricia freaking the hell out when Kuea's pregnant wife, who she was warned about, actually shows up to the wedding she forced onto Pin.

Well it if isn't the consequences to your dumb ass actions, Patricia!

LOOK AT HER!

Oh shit! And now Pin has passed the hell out! I knew a girl in high school who would pass out whenever she got in trouble, and we all thought it was a medical condition at first, but one time, she passed out on the band field during morning practice, yet fell in such a way that her flute didn't get damaged, and the entire band spread that news like wildfire, so I, a kid who would NEVER be caught dead near the band hall, heard about it by second period, and homegirl was roasted accordingly in fourth period Stats when someone told her to pass out before the test so we could get out of taking it but to make sure not to damage her the calculator. Point is - Pin is band girl. This is triflin' behavior. This is not a medical condition.

And Prik is just rubbing salt in her wounds. "Anin was fighting all the way until the bitter end for your love, but once she realized you were still going to marry a man who had a whole ass pregnant wife, she decided to go to the beach instead of attending your dumb wedding"

I really disliked Aon at the start of this show, but now her faces with Anin on this beach trip are amazing because Anin is going through it, and Aon is just like, "You wanna put some cucumbers on your eyes since you've been crying so much." She is helping, but also judging, and I like that.

This is what a true ally looks like. Shit was going DOWN in his palace, and all he could think about was telling his sister.

Take notes, Anon! Ya sloppy!

Look how happy a Blue Beauty is when her girlfriend's wedding is stopped by the pregnant woman nobody would believe existed. She is smiling for love. I'm smiling for spite.

And Pin is wearing Anin's color as she, too, looks up at the sky. Glad Prik's little guilt trip worked.

PENELOPE, NO! NOT AGAIN, GIRL!

Okay, existential crisis Barbie. Quit being so damn dramatic.

Penelope planned to go through with that wedding, yet is acting all sad because Anin didn't immediately rush back to her. BARBARA! YOU'RE DOING TOO MUCH, SIS!

And now Patricia is wearing Pin's color to show she cares. You know what would show she cares? Her actually apologizing TO PIN! Her saying "sorry I fucked up and told you to die" or something like that. Doesn't haven't to be those exact words, but anything would be better than the NOTHING she is doing right now.

Penelope always has a dream about Anin leaving her or DYING, and even in her dreams, Penelope is too damn dramatic. ¡Cálmate, güey!

Wait. Is this green or orange? Someone needs to get the colorist on the phone because night time does not make a dress an entirely different color!

But the entire scene is beautiful, so the colorist made some decisions, and I cannot say they were bad decisions.

Anin laughing while Penelope is in pain is food for my petty soul.

Because Penelope is too smart to be this dumb! How did she not realize that Anin was upset that she was marrying a man and moving that man into her palace? Anin TOLD her that, but did she think Anin was joking? WTF, girl. Shut that pretty mouth of yours. I've heard enough stupidity come out of those beautiful lips for a lifetime.

Now Anin is laughing at Penelope in the house! Thank goodness because Penelope is still wildin' with these ridiculous questions! She knows nothing happened between Anin and these other women because she HEARD Anin crying about her MARRYING A MAN, yet has the audacity to pout. Penelope, just pass out again, so we can stop hearing you say irrational shit.

Anin is wiping her down with a blue towel *wink* but the green/orange dress is throwing me for a loop, so I cannot properly enjoy this.

For two chicks that just got back together after shit hit the fan when their relationship was exposed, they do not have any sense of self-preservation. Standing out on the balcony hugging each other after having sex is a choice. The wrong one.

WHY IS ANIN APOLOGIZING TO PATRICIA?! And why hasn't Patricia apologized to Pin?! And why is Anin still wearing green?! She is not a Green Girl! There is nothing chill about Anin!

There is one episode left and I need Patricia to apologize to Pin and for Anin to wear pink for her Pink Person because Pin is struggling with her color still. Quit playing with my emotions, show!

This mama is scared. She has me convinced that the closet is better than telling the dad. I'd listen to her, but Anin would never because she has no chill; therefore, she is not a Green Girl. GET THAT COLOR OUTTA HERE!

At long last, we have made it to the final boss. I don't play video games, but if this is anything like Kirby, shit's about to get messy!

But I know all will end well since Anin still has to wear pink to solidify her love for Pin.

Or this really will be the final stage of Kirby.

Pink. On Body. NOW!

[cloudxgears]

I feel like what people don't get about Vi being so affronted by Jinx compared to Powder, going as far as to say "You're not my sister, you killed her," and trying to sacrifice Jinx at the alter to her idea of Powder, is that she spent all that time in prison with Powder being the only thing she had to hold on to.

Vi's confirmed backstory is that she had two goals in Stillwater: beat up and basically vigilante attack all inmates with association to Silco, and get back to Powder one day to look after her. When you're forced to endure a harsh environment and don't have any way out of your situation in sight for a very long time, possibly ever, you fixate hard on specific goals. You develop a really deep sacred core to your identity and beliefs so you don't go insane.

Vi's identity was 1) Take revenge on Silco for killing Vander and 2) Look after Powder, as were his dying words. And then she gets out and Silco is instantly dead and it turns out Powder is a young woman called Jinx now who doesn't really need looking after anymore.

Frequent beatings, fighting every day, surviving isolation, solitary confinement, surviving Stillwater — her fantasy of Powder and getting back to her was what she stayed alive for, that was her goal, and she had this fixed idea of her in her head this whole time because that's what she needed. She needed a constant. It would be a bit like Powder being her God at that point. It was shared by the creators that "Powder" was the name she called out to like a prayer and begged for after beatings when she was bloody and in pain and at her lowest.

But then she's broken out of that fantasy and realises, wait, this is a grown young woman with her own shit going on, completely different from the comparatively simpler and sweeter little girl she was when they were separated. She got to have the powder blue tearful reunion she'd been dreaming of for years with that idea of her for only five minutes, before she got to see the new side of Jinx and that hope of simplicity and comfort was dashed, snatched away in an instant, like sustenance finally being waved in your face after years of starvation before being plucked right back again. It would be a bit like being thrown into a void. It would be like having your god cruelly ripped away from you.

She's like wait my little sister doesn't actually exist anymore (because that's how ageing works lol) but of course Vi never thought that far ahead because you can't afford to think about the future or its potential challenges on that level when your every day for 7 years is a battle. Vi is basically having one long internal panic attack over going from the small, gruelling but relatively predictable world of prison to all these massive changes.

So now it's like, what do I do with myself now? Who is my sister now when there is almost nothing in her that I can identify as safe and familiar? These big new questions and challenges that Vi was not ready for and does not currently have the capacity to deal with.

People underestimate how much Vi actually needs to act out. She was the parentified child, and then she had to grow up way too fast, survived solitary confinement and prison life and generally growing up in an environment very different to the outside world. She's gonna be fucked up. In a way, Arc1 is like Vi throwing a total tantrum because fuck i've just come out of 7 years of hell and you were supposed to be different and now what? Now what?

Going from a fixed idea in her head for 7 years of sweet Powder, the girl who relied on her and needed her, to the reality of someone as unpredictable and independent as Jinx would be so jarring. Vi has no comfort to hold on to, she's confused and reeling, thrown out there and forced to catch up with this new world that went on without her, a world that Jinx is adapted to but she is not.

Of course she falls back hard on Caitlyn and the enforcer thing. What else do you think she has to do with herself? You know what it's like to grow up in imprisonment for 7 years and get out with literally nothing but the clothes on your back? You will be surprised what you will cling to hard when you have no other direction, nothing, and no one.

I think people expect Vi to be this great responsible moral figure because that's her cover poster, that's what she's grown up knowing she's supposed to be. But you actually think you get to have strong desires when you come from literally nothing, and then the only thing you had left is taken from you too? Of course she was going to follow along with Caitlyn, she needed someone (a motherly figure, which is why we all know Caitlyn looks deliberately like her mother) to lead her in this crazy new world, she needed someone to tell her what to do. Of course she was going to become an enforcer if it was an occupation, something to throw herself into to distract from the fact that she has nothing now.

I'm really liking Vi's development because it shows at a certain point self-preservation and personal needs do become stronger than even family or loved ones. At a certain point of true desperation the things that are supposed to matter stop mattering and all you can focus on is I Need This until you have what you need. Vi is in a state of desperation. Her need for stability and a realm she could excel and be valued in when the Lanes don't belong to her anymore becomes stronger than the uniform her parents' killer was wearing, and her selfish need for her comforting dream of Powder is stronger than her capacity to adapt to this stranger, Jinx. She needs someone to finally care for her instead, but she won't get it, so in Arc2 she will sink a while before she'll swim.

More than anything Vi just needs to feel safe, needs a purpose, and needs someone to lead her (or to learn to lead herself when she's ready. But she isn't yet. Maybe arc3 who knows.)

And then god, the end of Arc1 when Caitlyn abandons her too. She's lost her god, her family, all sense of familiarity, and we get to see her as the blubbering baby she is inside for the first time. So good~

That's not to say Vi isn't crazy strong or capable of being responsible again or that she won't climb out of this eventually but she needs to fall for now, and her story on a human level is a lot more selfish (the way most people's are when it comes down to it tbh).

[randomite]

Reposting my Viktor rant from reddit. There are spoilers, and this is long. Bare with me please hahah.

Viktors arc throughout Season 1, is about a scientist willing to break rules, coming to terms with his impotence and lack of legacy and choosing not to pursue unethical and dangerous practices to forestall his death.

Sky's death shows that his experimentation doesn't just have the capacity to hurt himself, but others as well. The flashback with Rio in Season 1 is important, it shows that on some level, Viktor does have anxieties about change, he knows there are worse things than death. Combined with Sky's death, Viktor finds himself unable to pursue love, legacy or progress. He turns from the path established by Singed, and forges a new path, where he dies, on his own terms.

The conclusion of Viktors Season 1 arc is him accepting death, and rejecting the idea of transforming into a man like Singed. He will not be the avatar of his own spiritual and moral self destruction. He will not submit to the hexcore. Viktor accepts his lack of legacy. (Depending on interpretation he may see the freeing of Zaun as part of his own, Un-credited, but not unimportant legacy.)

His season 1 arc is accepting his own impotency in the face of death. He chooses to be a moral person, and die rather than become a monster. This is explicitly communicated when he asks Jayce to destroy the Hexcore.

In season 2, Viktor has his carcass thrown around by Jayce, and then he has the hexcore thrown at him.

Completely emotionless he subsequently ditches Jayce, with barely a harsh word, and scampers off to the Under City to start a hippy commune. By all appearances it seems like the hexcore is controlling his behavior or manipulating him heavily.

My question is, where is the anger? Where it the impotent rage Viktor shows both in Season 1 and old League of Legends?

Jayce in Arcane is a Singed parallel. Viktor is the Rio Parallel. What is the point of Viktor being alive if he has no free will. He is naught but an empty vessel for the bloody hex-core. This is the thing Viktor was afraid of in Season 1. He has become Rio. The creature in the jar. He has no choice over his destiny, not did he choose to become the hollowed out shell of who he once was.

It would be frankly awful writing, if in acts 2 and 3, Viktors arc is concluded with him essentially, accepting the changes forced upon him unwillingly. As his puppet-ed corpse becomes some kind of mid season villain, to be violently pelted with a hammer, before he shuffles off screen in the epilogue.

Worse is the idea that a disabled character is 'fixed' by someone, and in doing so essentially stripped of all agency. The fundamental concept of this redesign is messed up.

This new version of Viktor cannot just be a Void Herald.

His arc will be that of a disabled character, becoming little more than a prop, in other characters journey of self discovery and self actualization. His dying request ignored, as he is unwillingly forged into a prop villain, that serves no purpose but filling time, and acting as a poorly conceived parallel to a dying animal.

The point of this analysis is simply to say, that if in Act 2, a major course correction doesn't occur, Viktor as a character may actually end up being one of the most poorly written characters I personally have ever laid eyes on.

For all the doomers out there, Viktor needs to have a point in Act 2 where he is able to regain control. He needs to reject, remove, or gain control of the Hexcore in some way. To assume otherwise is to accept that this version of Viktor is written by idiots who didn't think through the implications of their own story.

There needs to be some level of agency shown in Viktors reconstruction. If not I don't see the point of this character existing. He is just a prop. His VGU may as well transform him into a particularly villainous broomstick.

[fazcinatingblog]

Why is there a random guy doing that shaka hand gesture, only in Hawaii amirite

[serpentface]

This was going to be a panel of a little comic but I got too invested in drawing minute background details so, here.

[necrotic-nephilim]

what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.

batman (1940) #456

Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.

and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.

and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.

teen titans (2011) #18

to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.

i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.

[hadesknockedupintheunderworld]

Ngl it's weird finishing the Knuckles tv show and going to tumblr about it only for people (even who I consider bigger name fans) who also watched the entire show to claim that it "confirmed Knuckles Wachowski"

Like

I'm sorry

Did you somehow miss the part in the last episode where Knuckles had a whole montage of hanging with the Whipple family and Wade and saying "home" or something?