#what was either of their character tags

[sing-me-under]

It’s 2024 and I’m posting Girl Dream. Anyway, I was scrolling through my art tag, and I kept thinking about the Dream Variants posts, particularly the backstory I gave Girl and Mexican Dream. Felt a little compelled to draw Mamacita and update her design a bit to match the “dreamons are sympathetic shapeshifters” headcanon I had.

[wardensantoineandevka]

Warden Antoine is so funny for being someone who will make a stirring declaration about how the Wardens have an opportunity to reach for a future in which they are dedicated to protecting and restoring and nurturing the life and landscapes lost to the Blight, that it is their duty and it will give them purpose as they reckon with the end of Archdemons, then immediately provide you with like three hundred pounds of explosives he personally developed from scratch so you can blow something up for him

[bloominglegumes]

i love normal guys doomed by the narrative

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[one-chaotic-neautral]

Arcane ships ranked, for fun

The main ships and some rarepairs I've found, I like pretty much everything in the first 4 rows. I probably missed some but idk what they are and I'm too lazy to add more rn.

feel free to add your thoughts or ships but again its just for funsies :)

[capricioussun]

2am post jumpscare

[inkedberries]

Ker (keres, plural) goddess of violent death

it has come to my attention that when there is Thanatos, the god of gentle death, then there must be another personification of death but of the violent kind and i just found out that they're called the Keres. very shallow research later and i wanted Ker personified in hades game style fashion

took some liberties on how they've become a horde of battlefield body scavenging daughters of Nyx and Erebus, Night and Darkness, and made them all start from a single goddess (Ker) but violent deaths suddenly came at a surplus and so more help was needed hence the death-spirits known as Keres. These death-spirits are likened to the very first iteration of Ker so they're more savage with a single-minded focus and purpose. They did not inherit her capacity of speech nor for scavenging of little trinkets in battlefields.

[rainofthetwilight]

just a quick reminder that if POC and black people look 'bad' in your artstyle, then your artstyle just fucking sucks. (and you also might be racist but anyway)

[magicalcreeks]

The argument was never fanfics need the be canon the argument is you should at least read the source material to get the basic foundation of the characters you’re writing about.

[fabled-lady-twilla]

How it feels being a ShigaDeku shipper in this fandom. Why is everyone so mean? 😭😭😭😭😭😭😭😭😭😭😭😭😭😭

[listles-s]

man laios and toshiro's/shuro's dynamic is incredibly compelling to me on multiple levels

when you look at them, you can see the cultural and personal barriers that drive almost every single aspect of their relationship, both positively and negatively. laios is incredibly outspoken and driven by his passions, which he expresses freely even in the face of annoyance and/or criticism- he's allowed to be as authentically himself as he pleases, and it's this drive that allows him and the others to survive as long as they have, especially due to the fact that these passions and interests are intertwined with his skills as a dungeon diver. toshiro, in contrast, is incredibly reserved, not only due to his eastern upbringing but also his status as nobility- a combo of cultures that both demand that one save face, to avoid conflict at any cost, even at the expense of one's own feelings and individuality. this, in turn, has made toshiro the perfect samurai, as he's politely-spoken, agreeable, and an honorable, skilled man. both are also incredibly devoted to falin on different levels, having come to accomplish the same mission of her rescue despite drifting apart from the party.

on the flipside, it's these same strengths that cause them to clash- laios is outspoken but unable to truly decipher the emotions of others, leading to a lot of false assumptions and frustration from those who interact with him. toshiro is stoic but to the point of complacency, leading to a aggressively neutral disposition that's ushered by the needs and wants of others, rather than himself. neither man truly knows where they stand with the people important to them in their lives, and hold the ones that they do know how they feel with a fierce admiration expressed in ways that aren't always traditional.

in the end, they both share a growing feeling of isolation from other people that comes to a head when they meet again in the depths of the dungeon, and they both have different ways of coping with the frustrations that arise, seeing the other as only the things they have seen face to face.

it's laios' ability to express himself emotionally without consequence that sparks jealousy in toshiro, leading to a physical fight born out of miscommunication and envy. while toshiro is a driving force in the conflict, it should be noted that the actual fight is started by laios, breaking the dam of indirect communication through force. nothing is more direct than a slap to the face, and it's only after they start hitting each other that toshiro's true feelings come to light.

however, at the end of it all, toshiro is the one who stops torturing himself, listening to laios and giving him the bell, allowing laios and his party entrance into his homeland should they need it, and ultimately giving him support in his mission to defeat the dungeon mage, albeit in his own way. despite it all, they're still good friends with a conflict that boiled over, but came out the other end with a slightly better understanding of each other. the fight was painful for both of them, but it was a necessity for their dynamic to improve, and for them to be made aware of their faults and improve as individuals as well.

but also, if you think about it, their dynamic is literally just this

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[lovexmemonster]

that one blackrock scientist thats been plaguing my mind as of late

[tempestmothstorm]

crazy how the sanshee plush is one of the few actual direct confirmations on what a non-act 2 Natsuki’s home life is like because of how cagey she is on literally everything. Like this isn’t anything surprising or something you wouldn’t be able to extrapolate from the games but unlike everything else we know about her the implications are right there on the tin.

They literally did the character bio trope where where all the likes are normal but the dislikes are about their very specific trauma it’s just so funny they did that on the plushie card

[peliginspeaks]

Thinking about Fallen London as a backdrop for the theme of the horror of the inevitable today. I know it's The Classic Cosmic Horror Thing, but it's really woven through all aspects of Neathy life even as the PC is written powerful and capable: the constant backdrop of breath-holding for the Sixth City, the Masters and the Bazaar as a force higher on the Chain with a plan that cares not who it tramples, a ton of the Destinies aside from the LotN ones, literally anything to do with the Dawn Machine, the Flukes...the thing that changes you irrevocably could be around any corner, could drop at any second. Everything else, every other story told, is either dealing with that or written in its shadow. Sometimes the game lets you deal with it by fighting back, with the message that even though you can't hold a candle to all of it, you can change some of it and that's enough reason to try. Sometimes, the game lets you deal with it by getting drunk off your ass with a dozen rats and stealing a painting or something of the sort. Both are honestly such valid ways of dealing with The Cosmic Horror Of It All, as is just rolling out of bed every day and complaining about the weather, and the spread of each that the game's writing has is I think what's made it stick so hard as one of my favourite pieces of horror media despite only about 20% of it reading like horror.

[hadesknockedupintheunderworld]

The world if people stopped applying their understanding of "conservatism" and "religion/christianity" through a very modern, deeply American view onto Death Note (a manga from the Early-mid 2000s which is very much set in the cultural and societal context of early-mid 2000s Japan and all that entails):