#what really matters the most is the idea of “i actually can do this” instead of it just being wishful thoughts

[uncle-fruity]

Also, like... I get that there is a lot of anxiety about being seen as morally good & fighting for everyone at every turn, but! Crucially, the people who try to guilt trip you or judge you off your Tumblr presence don't fucking know you. They don't know what you do off Tumblr. They may not know any other social media that you DO use for your politics and heavy posting. And, tbh, at a certain level of offline activism & direct action, it is actively dangerous for you to be posting about what you do online, so a perceived lack of interest or dedication online does not necessarily translate to the efforts you put in to causes you care about.

Fact of the matter is, YOU are the only one who knows what you get up to. If it's not as much as you think you should be doing, that's for you to assess and change. If you feel like you're doing enough, or if you feel like taking on more responsibility in activism would overwhelm you or burn you out, that's okay! You know your limits better than anyone else. You get to set your priorities. And if you really want to help with social justice causes, you HAVE to take care of yourself. Anger, fear, and guilt are not sustainable motivations to drive a movement. You NEED places to relax and have fun and not think about how bleak things can get. You NEED to have places to retreat, enjoy yourself, and remind yourself that it's all worth fighting for.

I know this, because I'm in my 30s now. When I was in my early 20s, I was friends with a lot of folks who went hard during the Ferguson protests, and while many of them are still active in their activism, almost none of them are operating on the same level as they used to. All of them are burnt out & depressed. I spend a lot of my energy urging them to take care of their most basic needs. We also have a problem with a lot of older activists being too broken & traumatized to continue organizing. And part of the problem is people within the movement encouraging people to push past their limits until they have nothing left to give. Or just having no support systems in place to help people recover while actively judging people who need them & can't continue without them.

And, like, it's hard, because it's easy to start feeling like no one cares about the stuff you care about when you're out there trying to make change -- especially true if all your activism is online posting & raising awareness. It can feel like you're talking to a void or a brick wall. The idea that you are so stressed & strung out & never let yourself take a break from the harsh reality of the world while there are people who have the audacity to make time to enjoy their lives and put their efforts into other activities that aren't directly related to The Cause -- well, that's why a lot of people resort to guilt trips. I know I did, too, when I was younger and freshly angry. And I know that those guilt trips did nothing to convince anyone of anything. In fact, it was the constant guilt trips that made me retreat from those online groups. Where they might have had any and all skills I could offer, they instead made me feel like shit for doing what I could handle at the time. And even though I knew guilt tripping was a major manipulation & abuse tactic, I still resorted to it and, in doing so, I felt wrong. Like I betrayed some of my core values by trying to make people feel so bad that they would suddenly realize that they should be ashamed & join the movement headfirst. It just... doesn't work that way. A guilt trip will turn people off. If you want people to join a movement or be more active in a movement they are already part of, it is so much better to encourage them to come with you to organized events or give them something tangible to do that they can actually accomplish. And if you're just talking about posting online, well... that is not the most important thing to focus on, and is a really bad measure to judge someone's morality.

All that to say, a guilt trip is usually a manifestation of the desperation folks are feeling. It's not right to guilt trip folks, and if you're at that point that you feel like that's the only thing that will get people to change and care, then I'm sorry to say you are probably on the verge of your own burnout and you need to take a break. Please don't let people make you feel bad for not being angry or on your activism shit 24/7. And don't judge yourself harshly when you need to have boundaries online. The best tactic will always be community building and working with people & their various skills on their level. Compassion and encouragement go so much farther than guilt.

No matter what a post on tumblr tries to tell you, your moral and ethical stances will never be determined by what you reblog and what you scroll past. Don’t let manipulation tactics force you into doing anything you don’t want to do.

[3hks]

How to Create a MEMORABLE Character

A while back, I released a post about how to write "that" character, which basically highlights a few key aspects found in some of the most popular characters to date. However, a popular character and a memorable one is actually quite different, and in this post, I'll briefly explain how to create a character that people will remember.

For starters, a memorable character doesn't actually have to be well-liked. Yes, popular characters tend to be memorable, but it's not always the same other way around. I'll simply explain how to form a character that really sticks with your audience, regardless of their actual opinion about them! And even better, these following ideas work on any type of character! So, if you're interested, let's dive right in!

~ FIRST IMPRESSIONS MATTER ~

I sometimes talk about the importance of a character's reputation because it shows how others view them and the truths and inaccuracies of their character!

But your character's image isn't bound to your cast's eyes--it actually matters a lot to your readers.

When you first introduce your character, do not immediately reveal everything about them. Instead, focus on establishing one or two core traits of your character instead. This will allow your readers to form their own opinions of your character first, and although they might be inaccurate, when the readers realize their misjudgment, the character will get stuck in their head!

For example, there's Tsukishima Kei from Haikyuu!!. Initially, the viewers may think about him negatively because of his introduction. He first appears as a blunt, mocking, and disrespectful person, but as the story continues and the audience slowly warms up to him, we start to see his real character, resulting in Tsukishima becoming one of the most beloved characters in Haikyuu!!.

Why does this matter? The thing is, when we meet new people, we all make assumptions about their personality, goodwill, and whatnot. As we get to know them further, we realize that some of our initial judgements may have been wrong; it's simply an unavoidable part of life. By incorporating that aspect into your writing, you're forcing your readers to think deeper about your characters!

~ GIVE THEM THEIR TIME ~

This will seem obvious but it's precisely because of how obvious it is that it'll often slip people's minds. Give your character the time they deserve. You can do this by exploring their backstory, defining their motivations, giving them some important action, or simply establishing some kind of critical or eye-catching moment regarding them!

If you can't afford to give them a huge role in your story, then give your readers an event focusing on your character that will come to their mind when they think of said character! Like a defining moment!

It can be dramatic, sad, short, anything works! As a matter of fact, you've probably done this unconsciously before, too!

~ MAKE THEM DIMENSIONAL ~

If you can't tell already, it's incredibly important to be aware of your characters' distinctive traits and how they shape your character. However, there are times that a character will and should break their character.

A happy person can't be happy all the time. A carefree person can't be carefree all the time. Even a cold person will have some shifts in character.

This can help will character development, especially if you're not planning to give them a lot of development, but also really humanizes your character! Everyone will eventually get bored of the same personality; people may change in different situations!

See? In the end, this is really just a simple guide--everything is perfectly achievable no matter what character you're writing! These are some good points to keep in mind if you're looking for a character that resonates with the audience!

Happy writing~

3hks ^^

[fleshwerks]

Thank you for your rant posts on DAV. They’ve been cathartic to read as they echo so many of my own issues with the game and how it treats its own lore and insults its fanbase. I feel stupid for caring about the oppression of mages and elves given how they sanitized and wrote out these cornerstones of the Thedas setting and it sucks! Im glad I’m not alone.

I had very little hope for this game given its mess of a dev cycle and how the company has bled talent, I thought it would be a very messy narrative as a result. And it is! But it’s worse, because it’s not just messy, it commits the greatest cardinal sin of writing: it’s boring.

I think you nailed it. I'm at the same point as you, especially as someone who's huge into DA lore and the intrauniverse sociopolitics, as well as the expected (foolishly) aspect of your deeds mattering, either positively or negatively.

I have a whole ass Inquisitor who can now stop feeling bad in his steppe-sky burial about his indecisiveness during his tenure as an Inquisitor: BECAUSE NONE OF IT MATTERED ANYWAY. 'Oh, you delayed some suffering for like, what, 7 years? 7 years is nothing when you're doomed anyway. I can already hear the argument "but what you do even in short term matters, too."

Yes, in real life. But I don't do RPGs for real life. I play RPGs to be able to fantasise about doing a bit more than I can do in real life.

On top of it just about everybody being so blasé about what's going on. This is the worst blight ever, two actual gods are loose, but here we are at the dinner table, arguing about Taash' mom being a strict, traditional jerkass and Bellara joining the list of people who hate themselves for having ADHD, and holding her hand through it. Boring.

Veilguard commits another sin: everybody blames themselves for everything, but it either gets fixed for them, or they're feeling sorry and do the thing they feel so sorry about anyway.

My kingdom for a character who can go 'it is what it is, I'm not perfect, but I'm not sorry for existing and having an impact on this world, especially if the impact is caused by something I couldn't really control; all that matters is what we do next.' Which would open up the world at wide: tackling things that make your personal issues microbial in comparison. These people don't have the luxury of crying into their chicken soup. Not to say these things can't be addressed, but in Dragon Age, characters are supposed to support the overarching plot and the worldbuilding. Instead, the world puts itself on hold until you've solved Lucanis' granny issues or whatever.

If you've ever watched campaign 3 of Critical Role, that series has the same issue. The cast is made up of people who by and large have no real connection to the world or the overarching plot, and a large part of the viewerbase has come down onto the same idea: if the characters don't really care and only keep reacting, and reacting with quippiness and laughs and occasional 'oh no, that's bad, right? Anyway,'... why should we care?

Why should I care? Because everything I cared about as a player has been deleted, and the cast of Veilguard is mostly just dicking around until the plot reminds them that hey: we have the worst apocalypse going on since Solas deleted Elvhenan. Can we like... react more to it? We can do the therapy sessions later when people have stopped dying.

Disclaimer: I fully acknowledge that I'm going off on a tangent and I'm most likely projecting and reading into it too much/not reading into it enough. But that's the problem. Most players will play it once. You can't rely on subsequent playthroughs to make someone care.

Worst part is, companions aren't even boring. They're just miscast for this particular plot, exacerbated by what BW did to all the established lore. The tonality of the game itself and its place in DA canon is just wack.

I'm likely being incredibly unfair, but there's something to investigate here, because if you've failed to bring players into the lore and invest themselves in such numbers, it isn't just Mari here talking shit, it's a wider problem. Lest we forget, your fiction, your work stops being 'only yours' the moment you publish it and allow people play with your toys. The author is king, but the author is only the king of their own version of their story. The moment it's read and played by many, it's not just your story anymore, it's everybody's, who's engaging with it.

God dammit my English literature and language degree is catching up with me, I've turned into That Guy. Uck.

[katerinaaqu]

It's hard talking about the disrespect to Greek mythology and religion when every argument people brings to the table is "look at this original novel that is adapted into a movie that is turned into a tv show that didn't follow the original plot" as if the Greek culture is on par with fictional story instead of a tradition and heritage of real life people.

A media that is broadcast to the public and make accessible to everyone that erased the values and lesson of a cultural story still can do harm when it feeds misunderstanding and misinterpretion of the culture it originated from.

Greek people has the right to be upset when their culture keeps getting misrepresented, doesn't matter the good intentions behind it, why must it be at the expense of Greek culture?

You can create arts that is so beautiful and so praises by many, and years from now you could look back and see what an amazing experience and community you have created out of it. But at the same time you also continue feeding the distorted ideas and flawed understanding about a culture as a whole.

All because you took from a culture and want to tell your own story.

Retelling is telling back the story. Any addition or new ideas you bring is when there's part in the original story that is vague or open for interpretations. Even then, when you elaborate, you follows the already presented ideas that the original story already established.

If it so beloved to you and so meaningful to you, why couldn't you be faithful when adapting and retelling with the talents you have?

Shouldn't it be better if you created an original story inspired by it? If you feels that the values and standards are not to your taste, but you so loved the stories and could related to it, isn't it better to create original characters and settings with your own voice and narrative with the story inspiration as the backdrop?

At this point, what is greek mythology and lore to you? That makes you so passionate so inspired, that spark your imagination that encourage you to be creative but it is at the ruin of old age history that is meaningful for the Greek identity. Do you really appreciate the values and moral that you gained from the stories, or did you forget yourself along the way?

I couldn't have said it better! I agree to all that because that is exactly my sentiment as well! On one hand of course I am proud that Greek mythology contnues to inspire and people want to create stuff on them or that even now there are people who think the values of Greek Mythology are universal and they are!

But as you said it pains me to no limits when stories that were literally created from people based on their culture and religion to pass on messages are not only distorted beyond recognition but also to a degree where nowadays most people of Greek mythology liking spectrum know only how terrible villains some men are (in actual mythology they are complicated personas) and how weak women are (there are literlly figures in Greek mythology that are so strong personas that honestly I am shocked. See Helen for example how she is the most projected persona as a pretty face that does nothing when Helen literally taks back to Aphrodite, she is the only one who sees through Odysseus's disguise, she has knowledge of medicine and so much more for once) Mythology loses all its meaning, all its allegory and all its cultural spectrum because as you said people do not use it to retell the story, they use the word "retelling" as their excuse to just tell a story that fits them by using the popularity of greek mythology and yes as you said why cannot they say their original stories while using inspiration from Greek mythology?

Honestly I have nothing to add! You said it all dear Anon!

[lorddeathofmurdermountain]

I'm sorry, I just don't agree. I won't even focus on the fact you contradict yourself; "if a person is writing a ship it means they agree with it" vs "it's okay if it isn't romanticized" which is essentially acknowledging there are situations where the author writes a ship despite not liking it.

However, what I will focus on is, once again, that the characters aren't real. It doesn't matter if a ship is between characters we label minors and adults because they aren't that. When an author writes that ship, even if they really like it, it's not an endorsement of such relationships IRL any more than anything else they write about.

I'm sorry, but most people tend to understand that you can like something in fiction and hate it in real life. Like killing. Incest. And yes, indeed, even relationships between kids and adults.

However, since I like debates, let's examine the situation from the perspective of you being correct. What if the author writing these ships is indicative of them actually liking the idea IRL? Well, it depends. Has the author acted upon their dark desires? No? Then I'm sorry, but they literally did nothing wrong. No matter how much you're tempted to do something bad, so long as you don't, nobody gets to fucking complain.

It's the same issue I have with the hate of pedophilia itself - are the vast majority of pedos who end up on the news utter bastards whom I am highly tempted to say deserve a death sentence? Sure, but pedophilia itself is a condition and people who have it not only can't help themselves (in terms of the attraction itself), they also typically hate themselves for it. Some act out, yes, but a lot of them have been discovered to have snapped and done the unthinkable specifically because of the social ostracization they experience, despite not doing anything wrong initially. Like with prisons that focus on rehabilitating the inmates rather than just punishing them, I think it'd be significantly more practical to help these people out so that they don't do anything rash, instead of constantly stressing them out and attacking them.

Once again, common sense ("people under stress do stupid things", "there's a difference between reality and fiction") is thrown right out the window when it comes to certain topics.

Again, I understand your disgust, but YOU have to understand I have absolutely no damn reason to care what the author finds their guilty pleasure in. Hell, by your logic, this is a perfect way for the author to unwind in a safe way.

This just in

[bloodyinkandquill]

Folly x Reader

grapes are here!! time to munch, also new merch for something i love me and my best friend are going to get each other it as Christmas gifts! we did the same last year for something else we both love, still one of my favorite shirts i have

- How the hell you managed to bag a nine and a half foot tall primordial being is a mystery to everyone, even you in all honesty

- Folly is interesting to say the least, at first she treated you no different then anyone else but as time went on and she begun to take more of an interest in you, and finding that your kindness towards her was genuine, not any sort of trick, slowly she became less cold and malevolent towards you, eventually it got to a point where if you were having a nightmare she’d use her powers to stop it

- Eventually when you do get together, how official it was is up to debate, she still acts the same bit has a certain kindness to her voice, her insults and hate aren’t actually real, she’s just scared to truly let her guard down around anyone, no matter how much she’s beginning to trust you now, you understand and are very patient with her letting her say bad things since you know she doesn’t truly mean them

- Since she’s so large she picks you up like a plushie or teddy bear, it would be funny if you weren’t squirming as she smirked, we’ll you’re assuming she’s smirking, she doesn’t have a mouth so based on her eyes you assume if she could smirk she would be smirking

- Speaking of her lack of mouth she can’t exactly kiss you, she was very against the idea of you kissing her mask at first, it is one of the most vulnerable parts of her, eventually when she grants you permission you cover her entire mask in kisses, you don’t kiss where it broke though for both of you, she gets very flustered by it and disappears in her cloud of smoke, now though she’s more chill with it, it still does fluster his but if you ask if you can kiss her she lets you, and leans down, or stands next to something you can stand in to reach her face without her having to hunch down more then she already done normally

- On top of holding you like a stuffed animal she doesn’t really do small touches, her touches are go big or go home, holding you mostly, especially since her hands are so large small touches are harder, whenever you try and hold hands you just hold one of her fingers instead, or grab the edge of her sweater sleeve, which like her mask she was hesitant about but less so since it wasn’t broken like her mask

- If Folly can’t be around you she watches you through the aspens, it was really creepy at first since you felt like you were being watched then you realized it was her so you when alone will hug the trees as if hugging her to say thanks for watching over you, it doesn’t get less creepy watching the fake pupils on the trees move to follow you though, you will never get used to that

- Her dates aren’t conventional, they still happen but they’re not the usual dates people think of, some are close but not quite, like tending to a garden, granted it’s a forest of aspens in the dark expanse of where she comes from but it’s close enough, or a sleep over, which just means you fall asleep on her and you do something in your dream together, another is baking, that happens at your place which she doesn’t fit in that well and she can’t eat anything you bake but it’s still nice, she helps you bake and gets stuff on herself that you wipe off with a laugh

- She sometimes tells you of how her home use to look like, beautiful and comforting, it was like a dream, till it became a nightmare, you tell her that even if everything’s changed you love her no matter what she’s gone through, and no matter what she still may go through

- You occasionally visit Wallter with her, he’s the closest thing to a friend she has but she almost always sees him in his dreams, so they don’t usually see each other in person, when they do she does her usual thing of being all edgy and brooding but while discussing poetry and listening to piano music, and pretending to drink tea, she lets you actually drink it she just likes to pretend

- Her love language is closest to quality time, granted most of that time is in your dreams, but based on how often she visits them just to be close to you and spend time with you, so your best assumption is quality time

- She knows many languages, comes from being a primordial being, so if you want to speak in another language or need help learning or translating one she can assist you, her favorite language however is any of the slavic languages, which is why she has a Russian accent, so she enjoys teaching you words in Russian, Ukrainian, Polish, etc

- She makes you read her poetry, you don’t get a choice, you don’t mind but it can be inconvenient sometimes if you’re doing something and suddenly she appears telling you to read the newest poem she wrote, she’s really good at it though so it’s not too much of a bother since it’s an enjoyable read, to some degree, it’s very graphic and disturbing on occasion, or a lot of occasions

- She’s cold to the touch, after the cleaving her body no longer produces natural heat, which is a part of the reason she’s such a big cuddle bug, you’re warm and she quite literally parasites that warmth from you, she’s the kind of person to stick her cold ass hands on your exposed back when you aren’t expecting it making you shout at the sudden freezing touch

- Folly thought she’d never be happy again, she was broken, destroyed, used, abused, she never thought she’d ever feel like how she once did, which maybe she never will, but she has truly started feeling better since meeting you, maybe not truly happy but you do make her feel warm, literally and figuratively, so even if she knows she can never go back to that innocence and joy that once was her entire life she’s getting there

i love folly, not as much as mach but i still love her, and holy shit the cleaving was insane, also literally such a good depiction of a certain type of trauma, iykyk, which props to catjam, also just in general for creating folly, anyways imma probably nap, i am not immune to the afternoon naps

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.

[arvoze]

we do a little trolling

[amaraudermind]

The main thing you need to understand in order to get the dynamic of Young Justice correct is that none of them can go five seconds without seeing each other, if they spend more than ten minutes in close proximity they will start fighting, and Bart is their Little Guy™

[bi-writes]

attached | ghost x f!reader

i have no idea what it is that binds us together. but it doesn't really matter.

type: one-shot (8.4k)

cw: zombie apocalypse au, mature language and content, suggestive language and content, dark!ghost, dark!reader, reader described as curvy/plus-sized + has hair long enough to braid, graphic depictions of violence + murder + gore, depictions of suicidal thoughts + intentions (no actual action), mentions of depression + sadness + loneliness, depictions of assault + harassment (not by ghost), horror movie vibes, unprotected piv, allusions to baby trapping, cumplay, oral (fem!receiving), 18+

Death can be a curious thing. It used to be something definitive. Exact. It used to mean the end of something.

No, now it's a beginning. Not a sweet beginning, but a beginning nonetheless. It turns a new tide. Reactivates cells that were once dead. Sparks nerves that used to be dormant, that used to be dark. It makes muscles move even when they aren't supposed to. Brain-dead, but still hungry.

He hasn't been able to understand the phenomenon quite yet. He's tried. He's picked up a few books and tried to do his own research, but it's difficult when there is no way for him to view the cellular structure of it all on a micro-level. He cannot see the way it grows or how it takes over. He hasn't been able to figure out what techniques it uses to keep a body awake even when the central organs no longer function the way they're supposed to. What keeps it moving? What keeps the feet running and the stomach hungry and the saliva warm?

Why is it that when he plunges his blade through its heart, it still kicks? The brain is its engine, as with his own body, but this is different. The brain runs even when it has lost its necessary components. Blood circulation, oxygen, the things it needs to thrive; but this state of being is not like his own. It doesn't need the same things it used to need because its purpose is not to keep a body running. Its purpose is to eat. To infect. And that is all.

He likes to play games these days. He has a lucky silver euro, one he pried off the dead body of someone that he hated. He spit on that body before raiding his pockets. He hated that fucking brute; he disgraced the style of wearing a mask by using a fucking t-shirt instead. Perhaps Austria is a beautiful country, but it certainly produced one of the most unlikable of men. He thinks even if the world was still right-side up, he would've killed him anyway. The only thing useful about him was that he was carrying a few extra magazines and this coin in his front pocket.

Every morning, when he wakes up, he makes whatever will happen that day a game. If the coin lands on heads, he gets to kill himself today. If it lands on tails, he has to endure 24 more hours before he can play again. The rules are simple. The game is easy. Everyone knows how to play it, but not everyone will like to win it.

Today, he decides to do something different. Today, he decides if he wins, he will wait another day. He has never won this game; he decides if he can't win it, he'll manipulate it until he gets what he wants.

It hits the table with a light clink. It rattles around in a few circles before settling, and when he leans back in his chair, he sighs. He knows what it will be even without looking, but he looks anyway. When he sees the carved outline of its face-side up, his eyes flash. He won.

He never wins.

Something is keeping him here. He chooses not to ask questions. There isn't anyone to ask anyways. No one answers when he speaks. He doesn't think there is anyone left to listen.

If someone would ask him why he doesn't just put the muzzle to his temple and pull the trigger, he would just say that it was because that was how the game is played. Those are the rules. He can't try unless that's what it tells him to do. There is no fun in cheating the game; it wouldn't be proper, it wouldn't be correct. It would be grounds for disqualification, and that just wouldn't do, not for him.

He has to do things the right way. Always. It's how you keep order in a world that has none left. It's how you maintain structure even without the lines drawn in the sand. This is the way things are done; God is not waiting at the end of a very long staircase, He is rattling that coin on the table and waiting for Ghost to take a peek.

He thinks it keeps landing on tails because perhaps God is tired of playing this game with him; Ghost has never been surprised. He will always be ready for disappointment. Giving a gift is no fun when the recipient simply receives it.

It landed on heads today. He won the game. He tried to play it differently, but someone won't let him.

There's snow on the ground this morning. It snowed all night, coating the ground in a few inches of powdery ice. He looks away from the window and back towards the mirror, continue to run the razor over his head. His blonde hair falls in clumps in the sink. He keeps it neat and short, close to the head, and then he does the same with his face. He cuts the stubble close, keeping his face clean, but it doesn't wipe away the rest of his face, the things he can't just cut away. The scars, the ridges, the skin that closed over wounds angry and white and uneven. He can see his teeth through the broken skin above his lip, the yellowing of them now that he only brushes them a few times a week with his lack of proper toothpaste, and he grimaces when he sees the new red spots of raised skin left behind from the dirty mask he wears now. He dips his toothbrush into his bottle of water before brushing, careful to scrub his gums properly before spitting into the sink.

When he finishes, he makes his way back into the bedroom to get dressed. He did the washing yesterday; he found a creek only half frozen over, and he made use of the bar soap he keeps and managed to clean off most of his clothes. He feels a little better slipping into his cargos now that they aren't drenched in sweat or dirt. He tucks a long-sleeve into his pants before putting a thick windbreaker on over it, but he finally feels complete once he slips his mask on over his face. In the mirror, he adjusts it, making the skull straight, and he blinks back at himself. The mask does more than just hide him from the dead.

It keeps the living walking a careful circle around him, and he wants to keep it that way. He hasn't spoken to a single person since it began. He stopped counting the days once his boots ran out of space for notches. Anyone he sees now, he scares them off with one look, or he puts them down before they can take a step closer to finding out if he's real or not.

He doesn't take chances. He has always had a special skill, being able to sniff out the bullshit before it begins. He leans into it now, and it isn't a bullet wasted if it stops the chaos before it can wind up.

He still wears his tactical gear. He can't part with it. His holsters have not failed him, still buckled around his thighs. His vest is still strapped on, and without it, he feels naked. He has long since discarded of the Union Jack patch on his chest; there is no king nor country anymore. They are colors in different shapes, and they mean nothing now; they were buried a long time ago.

His backpack feels light. He's running out of bullets, and he doesn't like how it feels. Nowadays, he has to go further and further to get what he needs, and recently, he's taken to picking up everything and simply moving to make the trips all the easier with no home to go back to.

It's not all that different to the life he had before. He never stayed in one place too long then either. He signed the shortest leases, and he would move once it was up, never lingering and never buying more things than he could carry in the back of his truck. His memories are in his head and nowhere else. He keeps no trinkets. He saves no pictures. There is nothing from the old life that needs to be brought into the new. He shifts between both lives, one foot in the past and one in the future, and he thinks that's what really makes him live up to his name.

He's a Ghost. A drifter. Standing between two places at the same time, not knowing which to stay in and which to leave. It would hurt, if he was really human inside, if he could feel anything at all.

But he's not. His insides are nothing but organic matter. His head is a clock, ticking, counting down, but he's not aware of when it runs out.

He digs the heel of his boot into the snow to gauge the depth. It barely comes up over his toes. He huffs a little before taking a peek at the map tucked into his vest. He had circled a place just north, a main street he is hoping will have a stash of things he will need.

Ammunition. Weapons. Food. Water. A new book, for fuck's sake, maybe a Sudoku puzzle that isn't already scribbled into.

The forest gives him cover, so he sticks to it. Out in the open, he would stick out, dressed in all black. He keeps to the trees, ducking under the leaves and trying not to leave too much of a track behind. He doesn't plan on staying in that cabin again, but if he must, he doesn't want anyone seeing a way to come back to it.

The one thing he does appreciate about this new place is the quiet. It lingers, and it's calm, and when he breathes, the world breathes back. He feels like he had always been telling everyone to shut up, but now, his voice hasn't been used in months. Even when he passes other people, he doesn't speak to them. If they don't spot him, he keeps to the shadows, and if they do, they don't see him for long enough to know what hit them.

It's a good stash. The store had been rifled through by now, but in the office, there had been a nice drawer filled with supplies. A few boxes of ammunition, a revolver, and a new blade to stick in one of his boots. He picks up some other odds and ends. Batteries. A roll of yarn. A small sewing kit. A few pens. His backpack feels a little heavier, and it's a weight he appreciates when he makes his way back outside.

He sticks to the alleyways as he searches for the roof over his head for the night. He decides the cabin he slept in last night was too close to the road; if anyone was driving or following it, they could find that place too easily, and he wouldn't be able to sleep another night comfortably there knowing this truth.

He finds himself veering off road just enough. It's fucking cold, freezing, and he's grateful to the mask for helping him keep it together as he ducks under the wind and keeps an eye out for any nearby landmarks. Sometimes, on slow days like this, he would sit on a ridge and kill infected for sport. Practice focusing his sight, calculating the wind, keep his mind in check by hitting his targets and ridding the world of another one of those things.

There are different kinds of hunters out today.

He hears them before he sees them. He knows what kind they are when he hears their laughter. Low and untamed, sloppy and fucking messy. They always are. These kind spoil their treasures. They eat their food until it makes them sick, and then they do it all over again. They never learn their lesson.

When he settles his rifle down along a fallen tree, he eyes them through his scope. There are two of them. Both are fattened, with dark hair and lazy eyes, and they look greasy. Their clothes are in ruins, and their packs are light, and Ghost figures that they look enough alike to be perhaps brothers, or maybe cousins. Their smiles are equally as sadistic. The taller one tugs something along, and when Ghost aims the scope down a little, he sees her.

Her.

He's dragging her by her legs. She's kicking, but it's hard for her to do much when her arms and legs are bound by mismatched bits of fabric and rope. She's crying, that much is clear, squirming as she spits and gargles around the gag in her mouth as she tries to break free. She has heart, but she isn’t a fighter. If she was, she would’ve realized her teeth could snap that fabric of her gag, and she would know that the knot they’ve tied succumbs easily to upwards pressure.

He follows them. They keep going, dragging you and laughing as they make it to a makeshift camp hidden amongst a clearing. There's a few tents set up, a small dip in the earth to hold a campfire, and when they settle on tree trunks to sit, the smaller one takes a blade and cuts your gag off, leaning over you with a low chuckle. They mean to maim and to take and then to kill, and you know this when you look into his eyes.

"Hello, darling."

"Bite me."

He laughs again, dropping onto his knees over you, but when he gets close enough, you sit up with what little strength you have and bite him along his ear. The cartilage rips, and you tear half his ear off, and then he's scrambling off of you, screaming, holding the side of his head as he rolls around in circles in the snow. He colors it red, and you snarl with satisfaction. Ghost takes a deep breath in and lets it out shakily. The look in your eyes–he can taste that, roll it around on his tongue. You did not clock the poorly-tied knots, but you do see opportunity, and you are the kind to take it.

"You bitch!"

Just as the taller one is about to get on top of you, Ghost decides he's seen enough. He closes one eye, lines up the sight, and he lets out a cool breath as he drops the both of them within a second of each other. They fall easy; a bullet clean through the back of their heads, and now they're finally quiet again. They will not get up, either.

Your lip trembles as you look towards the trees. You watch as the leaves rustle, and when you see a man emerge from the thick of them, you start to cry. You think maybe you're seeing things; you must be so dehydrated, so hungry, that a reaper has come for you, and you are much deader than you thought.

The reaper stares down at you curiously. He swings his rifle over his shoulder, tilting his head to the side as he bends, getting a blade out of his boot before he cuts the restraints that bind you. He doesn’t hesitate when he does this; he does not deem you enough of a threat to keep you bound.

You sit up slowly, wiping your face, and when you meet his eyes, you're surprised to see how human they are. They're dark, but alive, and he has blonde lashes and pale skin underneath. He covers himself, but you can still see him. There's a man under there, not a reaper.

Just a man.

I hate men.

You shake off the rest of the restraints, turning your wrists and ankles and flexing your muscles for good measure. When you realize you are nothing but a little shaken up, you look back up. He's still staring at you, hard eyes lowered in a glare as he looks you over. He's sizing you up, maybe, deciding what to do with you. You meet his eyes one more time before gathering the saliva into your mouth and spitting onto the floor. It's a garbled mess of blood, from the flesh you had severed from that man.

He blinks slowly at that, makes some decision that he doesn’t voice out loud, and then he starts to walk away.

You stand on shaky legs, taking it as your cue. You watch as he rips open the flimsy tents that those men had left behind, and he's already grabbing backpacks and rifling through them for goods. He already starts filling his own vest and backpack with the things he finds; some flashlights, fishing line, more food and ammunition. You follow him, moving to the other tent beside it and starting to grab their things and toss them outside. You get to your knees and open the packs, laying out what you find carefully. They have interesting materials in here, ones you associate with explosives. C4. Lighters. Batteries. Wiring. You clench your jaw when you pull out the last box in the bag.

Condoms.

Bunch of pricks.

He finds your discoveries useful. He opens up an empty pack he found and fills it to the brim with supplies. When he zips it up, your stomach drops when you think he might toss it over his shoulder and leave. It only sinks for a moment before he turns the backpack around, holding it up for you.

You pause for a little and think. It only takes a few seconds for you to decide to stand up and slip your arms through the straps.

When he walks again, you follow.

The sun is setting by the time you find somewhere to sleep, but it looks like luxury to you. A quaint little brick house tucked between the hills, a ways from the road and positively hidden. He spotted it through his scope a few hours ago, and he made a beeline for it. It's difficult to keep up with him; he has incredible stamina and the longest legs. He moves like a ghost, too quiet for his own good. You would never know from looking at him how stealthy he could be. For such a huge man, you would never notice him before he could get the drop on you. It makes you conscious of your own steps and how loud they are, and you try to mimic the way he moves as you keep walking.

You don't know why, but you think he must be very pleased with how quiet you've gotten. You don't know why that fact pleases you, too.

He makes you stay outside when you arrive. He pulls a small handgun out of his backpack, and he checks the chamber before handing it to you. He clicks his tongue, forcing your eyes on his, and he puts a finger to his mask-covered lips, telling you to keep quiet. You take the gun from him, pointing it at the ground and holding it at your side, and he touches a knuckle under your chin before he twists a silencer onto his own gun.

You watch with rapt attention as he clears the house. His movements are quick and calculated, and he keeps low to the ground. It's mesmerizing. Big and capable, one with the shadows. The only thing you see in the dark is the white of the skull over his face, and if you didn't know it was him, you would think that you have just seen God.

But God isn't real. Apparently ghosts are.

He is back outside in less than ten minutes, nodding his head at you. You take it as your cue to come towards him, and you hand him the gun back when you pass him. You go into the house and immediately start to light some of the candles scattered around. You set your backpack down, rubbing your shoulders out, and you take a seat on the couch.

It hits you then, the gravity of it all. Men are your captors, and then they are your savior. They'll never leave you alone. They'll never let you go. You were ruled by their iron fist in a previous life, and you will endure their wrath in this new one.

You start to cry. It's the first sound you've made since screaming. You cover your face with your hands, and you don't know why you feel safe enough to cry, but you do, and it comes out of you fast.

He tilts his head to the side as he watches you. It's a strange thing to see something so...alive. He's used to only seeing things moving that can't speak back to him. If he does see things alive, he puts them down as if they are rabid dogs.

He can't find it in himself to kill you. Something is so odd about it. About you.

Everything about today seems more than coincidence. He won the game today. And then he found you.

When he tries the sink in the bathroom, he's surprised to find it working. He grabs a bowl and fills it with water, and when he comes back into the living room, you are staring at one of the flickering candles blankly, shivering. You have stopped crying, but your face is still wet with fat, lingering tears.

It looks like you've been hit by a brick wall. Your hair is matted in places, in tangles. It’s in desperate need of a cut. It's stuck to your face around the perimeter, caked by sweat and mud and dried blood. Your clothes are in ruins; you wear a ripped jumper, thin jeans, and the soles of your boots are starting to fray and come off, and he can see where you've tried to mend them unsuccessfully with duct tape. You wear no jewelry, and your fingernails need to be cut. Those men have left marks on you, but those will fade.

He kneels in front of where you sit on the couch. Using a threadbare cloth, he dips it into the water and raises it to your face. You show no resistance. You let him wipe your face off, the tears, the dirt, the blood. It stains the cloth ugly, but you can't look at anything else except for his eyes.

They're so dark. Brown, like bark, like honey. You haven't spoken a word to him yet, but the silence is sort of bliss. All you can hear is the drip of the water when he rings out the cloth.

He helped you. He didn't have to. He could've kept walking, but he stayed with you. He didn't leave you. He could've walked away again, but he let you follow.

He isn't a good man. You know that. Anyone who has lasted this long isn't a good person. You've done the same. You've let it take you, once or twice, let the snarl in the back of your throat guide your hand. You've let the voices fester, let them eat at the acid in your stomach until they begged for more, and you won't admit it, but it felt good. Felt good to protect yourself. To rid the earth of something terrible. To say no.

He must understand that. He's decorated in its essence, the one of understanding, the one that says I know what it's like to take matters into your own hands, and he did it with you, too.

He's doing it now, cleaning you up, and you don't know him, or his face, or his name, but you'll try hard to give it back. To give him something. To tell him you are worthy and not useless. It doesn't show today, how far you've come, but you'll try.

"Thank you," you finally whisper. He's dragging the cloth over your bottom lip, and he blinks rapidly, as if a bit startled by hearing your voice. When you speak again, it's to tell him your name, and he thinks for a few moments before continuing, wiping under your jaw.

He doesn't sleep that night. He stares out the window, like a guard dog, and he lets the soft breaths of your sleep keep him awake.

The gas lighter on the stove still works. It takes a match to light it properly, but when the fire starts, you take some of the soup cans from your pack and make breakfast.

Your smile when he comes into the kitchen nearly blinds him. You look more rested than yesterday, and you ladle some soup into a bowl for him, setting it down at the table. He notices the two bowls, his and yours, and he notices that his bowl has more food.

It is then that he decides to keep you.

What he doesn't know is that you've decided the same. The world has thrown you the way out. A man, built like a bear, happy finger on the trigger and capable of getting you out of harm's way. You need to convince him that you are worthy. You need to convince him that you are valuable. A keepsake.

Men are what start wars, not what end them. Men are the cause of chaos and destruction, it is prevalent throughout history, and it is why you are here now, in a place that doesn’t exist, where people don’t breathe the same air anymore. A man thought himself correct, but he was wrong, and he didn’t listen when someone told him otherwise. They are the ones that take advantage of your vulnerability, and instead of trying to understand it, they use it to get what they want.

You can do the same.

You start by mending his clothes. He's laid some out to dry after washing, and you notice the tears in his shirts. When he comes back a little while later, with dinner hanging off his shoulder, you are seated on the couch, feet tucked under you, with a needle in your hand as you sew up one of his shirts.

You've bathed, found new clothes, warmer ones, and your hair is braided and off your face. He hates to say he prefers you a little dirty, but he likes this, too. A natural beauty. A soft face.

You make a real dinner that night. There's canned vegetables that you try to spruce up with the spices you find in the cupboards, but the real meal is the venison you're served. He butchers it outside like a professional, and he sears it on the stove with a perfect touch. When he feeds you that first bite, your mouth explodes with flavor. Your belly is full that evening, and when he blows out the candles for bed, he eats you out in the dark of the corner bedroom.

He's not sloppy like you thought he might be. Not overeager. He's easy with it, casual. Big hunk of a man smothered between your thighs, and he laves his tongue through your folds like his very own personal dessert. He drinks straight from the source, holy water spilling sweet between his teeth, and when he gets his tongue inside of you and holds it there, you nearly leave earth for somewhere else. You come like that, too, his filthy mouth sucking on your clit before he's slipping that tongue in you again, and you mewl against the bed as he tucks his hand under your ass and spreads you wider.

He tells you his name a few nights later. He doesn't speak, not ever, but when you're crying around his thick fingers, he whispers it against your ear.

"'s Simon," he growls, and you know what he means by that. He wants you to say it while you bounce on his fingers, when you rut against his thigh. He wants you to say his name when you're coming undone riding his face, when you're wetting his mask with your pussy and making him choke on your cum. Such a wet, sweet girl you are, and sometimes he skips wash day for his mask so he can shove it into his mouth and pant around it and taste you while he fucks his own fist.

It's insanity, he thinks, as he's cleaning his rifle. The idea of traditional. But it's what befallen him, what he sees all around him, and he tucks his index finger into a hole too small to pinch himself just to make sure he isn't living a dream. You're in the kitchen, mending more clothes, something warm boiling on the stove. There were seeds in the greenhouse, and you're saving them to plant in the spring, so for now, you make do with canned goods and whatever Simon hunts for during the day. You found books in the attic, and you read them at night, head in Simon's lap as he plays with your hair or rubs your sore ankles or cuts your nails. You're the only one that ever speaks; he hasn't said a word to you except for telling you his name, and you're content to be the only one that uses their voice.

He always listens. You told him one time that you loved the shade of green that the trees wore, and he came back one day with a sweatshirt of the same color for you. He noticed you trying to mend those terrible boots, and he found a new pair for you, your size this time, barely worn and fit for winter. He brings lots of things for you; books, clothes, even rocks sometimes, when he just thinks he found one that you might like.

You do like them. You have started filling a small bowl with the ones he brings, and he notices you rifling through it sometimes, just looking at them, and it makes his chest swell with pride.

Like giving a treat to a dog. Like giving him a fucking bone.

He teaches you how to shoot. You know how to pull a trigger, but that’s the extent of your expertise. He teaches you how to stand, how to turn the safety on and off, how to hold the gun between two hands so not even his own can take it away from you. He makes sounds when you please him. Hums low, lets out a soft breath, sucks in the air through his teeth. You can’t see his face, but the way he looks at you when you fire a bullet and knock bottles off their ledges, it warms you, all the way down your spine, reaching your toes. You want him to keep looking at you this way, so you try hard, and he notices.

You’ll never be what he is, but the small victories are what have him chubbing up in his cargos and falling asleep between your thighs. You give, and he takes, and he keeps coming back for more.

He teaches you that distance is your strength. You aren’t like him; you aren’t built like a brick house, you won’t be bigger than a lot of your opponents. You need to keep them away from you, however you can. He makes you good with that gun because it’s your best chance, but in the even that you lose it or you run out of bullets, he shows you how to aim a hatchet so that the blade always lines up between someone’s shoulders.

The way you listen makes him salivate. The way you blink up at him and say yes, Simon and take his orders, it makes it difficult to keep away from you. 

Today marks two months in the house tucked on the hill. Simon hunts, and you cook, and you live in some sick, twisted housewife fantasy at the end of the fucking world. Simon provides, and you keep, and when the box of condoms falls out of your backpack one day, you glance at Simon for just a moment before he's on you.

It's animal, that first time. He tackles you practically onto the carpet of the living room, and he props you up onto your elbows and only pulls down your jeans enough that he can fit his cock between your thighs. You hear the tear of the condom wrapping, and then he's laying over your back, sinking to the base, cock nestled inside of you as he grips your throat gently and fucks you into the carpet. Poor beast, he's definitely going to need his knees massaged after this, but you can't think about that much when you're taking the fattest cock of your entire life and trying to survive underneath him. It's that fine line between pleasure and pain that you're desperate for, and you pull threads out of the carpet as you try to hang on and take it like a good girl.

You can hear his voice. It's low, and subtle, but he grunts with each agonizing thrust, hips snapping against your ass as he fucks you back onto him over and over and over again.

It's primal. Nasty. You wish he wasn't wearing a condom, you want him to be in your skin, you want him to fill you until you're full, let it spill over, and then do it all over again. You want him to bite into your throat and tear, and you want him to eat you and then put you back together, and then do it again and again and again.

"So big," you gasp, and he falters at that. You recognize it, the need for praise, and you latch onto it with claws and stay there. I need him to stay here with me. "So good...so good t-to me, Simon–"

He groans. It's music.

Keep me. Keep me. Keep me.

"Simon, please–" You scratch at his arm, not satisfied until you feel blood. When you break the skin, he laughs, a breathless laugh that has your eyes rolling back in your head as he shoves your face into the carpet and mounts you like a fucking horse. The deep slap, slap, slap of skin is enough to send you away, send you home, your mind foggy as your pussy squeezes him for all he's worth. The slick of the condom is pleasant, but you want it raw. You want every part of him carved into you, and you arch your back, suck him in, whine and cry and beg for him to just, "please, Simon, I need it, I need it."

"Need wot?"

The sound of his voice is whiplash. He hisses when he sinks deep, staying there, holding you at a sharp angle so he can knead your ass and watch it bounce back on him. He sucks on his teeth, and there's drool slipping out of your mouth. That accent, his voice, like velvet, from deep within his chest. You want to hear more of it.

"Be a man," you gasp. "Be a man, and fuck me."

He doesn't see the desperate look on your face when he slips out of you. He doesn't see the relief that washes over you when you hear the condom come off, latex crumbling as he tosses it, but he feels the warmth of your pretty pussy when he sinks back in, skin to skin, and feels you clench for dear fucking life.

"Fuckin' Christ," Simon groans, and you reach back for him, gripping his arms, forcing him to fall over on top of you. He settles with his elbows on either side of your head, and you bow your back and grip the carpet again as he fucks into you nice and slow, deep, fat head leaking precum and making you cry because finally, yes, please, this is it, what I want, I'll have you forever.

You're so pretty. Even in his past life, Simon never got to have anything pretty. He was too ugly, too big, too awkward. Any woman of good faith stayed 100 yards away, as if his mere presence was a warning alarm, some invisible radius that kept them away from him. He always thought it was for the better. He always thought good riddance, they shouldn't have me, I shouldn't have anyone. Not when only days before, he had tortured a Russian militant until he had no teeth and hung his severed fingers on twine around his own neck.

But you won't run away. He's given you opportunity. He's left the cottage and staked out the outside just to watch you, and all he sees is you moving between windows, shaking out the dust from old blankets and washing the dishes. All he sees is you sewing his clothes and cooking his food, and when he comes back inside, all he sees is your smile and your face and your pretty mouth that falls open when he makes you come all over his hand.

Now it's the end of the world, and he lets a coin flip decide whether or not he lives or dies. And even when he flips it now, it never agrees. When he asks to die, the coin tells him no. When he asks to live, it’s always interrupted by you.

Yes, it tells him. Yes, yes, yes, because it's been keeping him here, because it knows, because it saw, because he couldn't see both sides of the coin, but he can see it now, plain as day, and she's underneath him now, letting him inside, and she's begging him to come and to fill her up, and she's crying because he's such a big man, and she wants him everywhere and always and all at once, and Simon is nothing if he isn't an insatiable bastard that can finally be fucking selfish.

The way you say his name could make him move mountains. That soft breath you take. The falter of your voice. The whine. The world has gone quiet, but he'll make a new one, and he will leave it at your feet for you to step on or pick up.

Whichever you choose. You can do no wrong.

When he comes, he moans. Into your ear, he lets you hear him, lets you bask in his pleasure as he spurts hot inside of you, hauling you a little higher on your knees so he can make sure you come, too. He gives you the palm of his hand to grind on, fucking into you at the same time, humming deep when he feels you squeeze around him and shatter like glass.

He takes his mask off for the first time that night. You see his face, all of it, not just glimpses when he lifts it to eat or to drink, you see the whole thing. He has a terrible looking face. Something only a mother could love. Too old of scars to be from this new life. They slash across his brow, across his cheeks. He has a jagged nose, and the skin around his lips had been reconstructed poorly from however they had been slit.

He's a terrifying piece of flesh. He is surprised when you lean in and kiss him. He's even more surprised when you kick off your jeans, turn over, and fuck him again.

The mantra that sounds like mine repeats in his head over and over. He feels it, deep, warm and beating under his ribs alongside his heart that hasn't moved in a long while.

He found you in those woods, kicking amongst predators, and he took you home with him. Picked you up like a stray, fed you, clothed you, and now you've stayed. For a moment, he thought it wasn't real. Thought your full belly is what kept you here, the warm house. He didn't mind pretending, but he figured it wouldn't last.

He doesn't think that anymore. Not with the way you kiss his severed face. You nuzzle into it, cup his cheeks, and he finds it agony when you pull away.

He hovers now. In whatever room you are in, Simon must also be in it. If he leaves, he makes you board the doors, and you are only allowed to open them if he knocks in his special way. He tested you once, came back earlier than expected, and he was so pleased you did not open the door to his casual knock and only the special one that he made you come one, two, three times with your thighs locked around his face.

A terrible thing happens.

Not to you.

You're searching the greenhouse. Hoping to find some flower pots for the herb seeds you found, you're rummaging through the cabinets beside it. Your gun is sitting away from you, and although Simon would chastise you for this, you feel safe here, and it doesn't bother you.

It flings itself at you. It cries, what used to be a teenage girl, reaching for you because it wants a chunk of your softness, of the life you pump into the muscles that keep you running. You're protected by all the clothes you wear for the weather, and it is slow because of the cold freezing their rigid, dead bones, but it does not lessen the hunger, the fight, the determination to eat and spread.

Before it can bite, the back of its head explodes. You close your mouth and shut your eyes as rancid brain matter splatters the white snow and you, and it is wrenched off of you immediately. Simon stands there, his pistol in hand, and you have never seen him quite so angry as he is right now.

His eyes are wild. He heaves under that tact vest, breathing hard, and his grip on the handgun shakes, so much that he has to shove it back into the holster at his thigh and lean over to pick you up off the ground.

He jostles you. Growls. Is nearly an animal himself as he shoves you up against the glass of the greenhouse and snarls.

"Wot the fuck is wrong with ya?!" Simon snaps. "Is y'r fuckin' head on?!"

It's so quiet in your head even as he yells. Your eyes tear, but not because you're upset. You reach out and cup his face gently, and he stops. Stops talking, just watches, just looks at you as he bends and leans his forehead against yours and squeezes you to his chest.

What is this thing you have? What have you become? What innate thing has festered between you? He’s gripping the edge of the glass so hard, you hear it crack under his hand. There is some kind of sick sense of devotion among you. Some kind of responsibility. He’s angry because something under his tongue tasted bitter when he saw you struggling. It won’t be this easy. He won’t make it this easy. If he doesn’t get to die, then neither do you, and he will make sure of that, because that is the only way this game can remain fair.

You never wander to the greenhouse again. He makes you promise (lest he wastes his cum between your thighs instead of inside you, that's it, promise me).

Another terrible thing happens.

Not to you.

They're wanderers. When they knock at the door, they don't use Simon's special knock, so you don't open it. Instead, you blow out the candles and hide, peeking at them from the fogged window in the attic.

They are men (you aren't surprised, they seem to be the only thing that survives nature's heavy hand). Cold. Shivering. One of them is bleeding, you can see it from the blood trail he leaves in the snow that seeps from somewhere under the hem of his jeans. The one uninjured tries to force his way through the door, but Simon added more deadbolts to it, and it doesn't give under his weak attempts. You trade your handgun for the rifle, aiming it at them. If they get through the door, maybe you can draw them back out, keep them away from the house.

You try to stay quiet, but the healthier one uses his body and a log of wood to get through. They're desperate, desperate enough to not care that breaking through the door cuts him severely, splits through his jacket. The second man limps behind him, getting inside, and you decide to put the rifle back.

You will stay quiet until Simon gets back. Your strength is not being a bulldozer, so you'll hide until he can be that for you. You steady your breathing; even if they make it to the attic, you won't go quietly. You tried that last time, and if it wasn't for Simon, you'd surely be naked and dead in that clearing that you were dragged to.

This time, if you go, you will take someone with you at least. Severed ears are not enough. You will not make them artists, you will make them forgettable and unrecognizable, and you will give back what they give you tenfold. Even if it kills you.

It takes them all night before they finally make it to the attic. They eat your food and take showers in your bathroom and stink up the living room, you can hear them. And when their bellies are full and their minds wander, you dread the pull of the attic door as he wrenches it open and the ladder falls.

You manage to kill one as he drags you out from the corner. He latches onto your ankle, and as he pulls, you put your finger on the trigger of your handgun, and you put one right between his eyes. The other takes advantage of your moment of pause, turning you over onto your stomach so hard the gun flies across the attic from your hand. He tosses you down from the attic, and you land on your side in the hallway, and you cry as you get to your elbows and crawl, trying to get to your feet, but he's larger than you.

He catches you in the kitchen. Slams you over the kitchen counter, using his weight to pin you down, but Simon taught you better than that. He taught you not to give in. He taught you not to give up. You think about him when your fingers find the discarded fork on the counter and you drive it right through his fucking eye.

You don't stop. You don't let his cries keep you from bringing your arm down again. And again. And again. You make his face your blank canvas, and you paint it with your anger. For every man that ever touched you. For every man that ever thought himself worthy to have you. For every man that tried to make your body his prize, you poke a thousand holes in him, and you scream with him as you do it until he can't scream anymore.

You're holding the fork and standing over him when Simon comes home. His handgun drawn, silent as he makes his way in, his body visibly relaxing when he sees you. He glances at the man at your feet, still alive, gurgling there, choking on his own blood as he tries to breathe through the holes that are scattered across his face and neck. You meet his eyes, and you smile. It's uncanny to do it now, but you are happy to see him.

"There's..." You sniffle, wiping your face with your sleeve. "There's another i-in the attic."

You don’t get to see him smile under the mask. You don’t hear the near purr that leaves him as he climbs the ladder and sees the perfect place you’ve left your mark. He’d frame it if it wouldn’t rot.

You twirl the fork in your hand before going to the sink, dropping it in there, and you close your eyes as you listen to Simon's footsteps as he goes into the attic. It takes him a little less than an hour to get the bodies out the back door, and when he comes back inside, you're already wiping up the floor in the kitchen.

There's nothing to talk about. This is normal. This is just another day. Tomorrow, you might have to do it again, and you'll still cook dinner after sunset and clean the kitchen like you're doing now and sit Simon on the edge of the bathtub and cut his hair.

Simon found chocolate on his trip today, and you make cake with it. You sit in his lap under the candlelight, and you feed each other, bite by bite, and you giggle when Simon gets it all over his lips.

You kiss him to clean it off, and then you reach for another bite of cake. There's some measure of satisfaction you feel when your tongue finds the dent in the fork prongs from when you used it earlier. The chocolate tastes better somehow. Sweeter.

You catch him in the morning, limbs tangled with yours under the sheets, flipping a coin. You smooth a hand over his thick chest, along his pudgy stomach, and you watch with him as the coin lands on the bedside table, falling flat.

It comes up tails.

He decides then that he doesn't have to flip it anymore. It's pointless. He asked for answers, and he got one.

You were not luck. You were fate. And because of it, the coin will always land the same way.

His thoughts are interrupted when you reach for the coin. You twirl it between your fingers, thinking. He doesn't see what you see, but that's okay. Maybe he'll let you play now. Some other game, a better one.

Heads or tails, win or lose, alive or dead. Either way, you are attached. Woven together, thread by thread. There are no vows to say in this new place, but you aren't tested by the same kinds of things. There is no law to keep two people together, no governing power of men that say if left is truly left and that right is really right.

You are drawn together by shared experiences. The same trauma. You won't leave each other not because you said you wouldn't leave, but because there is no one else in the world that has seen the same things you have seen and has done the same things you have done. There is no one else in the world that will forgive you for what you had to do to survive. That will love you not just in spite of it, but because of it, because you did what was necessary, and you are here now to learn a lesson and not suffer its consequences.

It's just a game. If you win, he wins. If you lose, he loses. If you're alive, he's alive.

And if you're dead, then he must be, too.

[grison-in-space]

Has Biden actually done anything at all? There's evidence going around and I think it's compelling, the alternate to voting is instead doing actual social work and participating in protests and organizing political action, which is a good idea i think

1) Yes. Inarguably this has been the most effective progressive domestic administration since I have been alive, and I'm in my thirties. What in the fuck are you talking about? It's not perfect, but it's better than we've seen in fifty years: Obama tried, but Democratic Congressional organization was just not yet used to working with a completely obstructionist GOP Congress in the wake of the tea party.

Even in terms of foreign policy, this is also pretty much as good as US involvement gets. Sorry. Our foreign policy has been shaped by monsters for decades, and that's even without dealing with our huge and active branch of Christian doom cultists. There ain't a candidate in the world that could stop the entire accumulated momentum of geopolitics with a snap of the finger, and I'm not really willing to pretend that Biden is particularly notable for not managing to fix Israel/Palestine relations.

2) In your own words, anon, what precisely does organizing political action entail without participating in the political process? Do you think that abstaining from the part of the gig where you, the citizen, get to say which official gets the job somehow makes your opinions matter more to your elected public officials? Have you ever organized to get so much as a municipal one-time library project budget expanded? Are you perhaps only skilled at political argument with people who already agree with you on the Internet?

What is your leverage, and could it reasonably be described as "extortion" or "blackmail" or "political corruption?" Because those are pretty much the only things on the table that can work more effectively to drive an elected official than a disciplined coalition of political allies (who can be purchased with, you guessed it, votes) or a reliable bloc of voter support. Your vote matters less than the ones you bring with you, sure. Do you think that not voting yourself somehow helps people organize to drive more votes? Have you perhaps replaced your complex reasoning skills with a rapidly dying jellyfish?

3) Holy passive vagueness, Batman! "Evidence is going around." What a masterpiece of a sentence! How it suggests everything while providing nothing! What evidence? Who collected it? Who is talking about the evidence "going around?" Who is listening? How many of them are there? What did they think before? The more I think, the more questions I have, and damn if they ain't predisposing me to be even less charitable.

Like, this is so catastrophically poorly supported that I have to confess that I not only believe this is probably an ask in bad faith (i.e. by someone who is expecting to piss me off or otherwise engage with me adversarially, probably spammed to a whole host of blogs at once with no expectation of response) but I actively hope that it is. The alternative is to have to grapple with the reality that some people are so uncomfortable with the responsibility of moral agency that they're willing to release useful levers of legal and social power just so that they never do anything problematic with that power. Much better, of course, to wash one's hands of anything that might have the stink of responsibility clinging to it. Might fall from the membership of the Elect if you actually get yourself all muddy by doing things, I reckon.

I don't even believe that voting is the only lever we have when it comes to our elected officials or that votes are necessary to secure change, and I am certainly not talking about the presidential ticket alone when I talk voting. What I do believe is two things: one, that voting is a potential lever of power on the emergent chaos of the society in which we live. And two, that anyone telling me to leave a lever of power on the ground without a damn good reason is either incompetent, malicious, or both.

[drdemonprince]

In a piece for The New Inquiry from back in 2017, George Dust states that when queer people complain about there being a top shortage, what they really mean is “nobody is fucking me the way I want, and I have no agency in that.” Alongside co-authors Billy-Ray Belcourt and Kay Gabriel, Dust suggests that many queer people align themselves with a passive or “bottom” position because they believe that role will absolve them of the guilt of really wanting things. They present themselves as what they believe to be the sexual party with zero power; the receiver, the accepter of action rather than its cause.

This position is drawn in contrast to the bottom-identified person’s idea of a top: the one who approaches, the person with hungers and desires, the person who decides which sexual activities will happen and how intense they will get. The top, from this perspective, is the stronger, more capable, more dangerous person. They’re the only one who can ever be guilty of intruding or harming somebody else. This power is scary, but it’s also compelling.

Dust calls this fantastical version of a top a “brute” — and they are the most cartoonish stereotype of what it means in society to be a man. Because it’s a cartoonish stereotype, no human actually lives up to it — and we’d probably revile a person even if they could.

Though queer people know we are harmed by the gender binary and heteronormativity and all the social scripts those things force upon us, its biases are still embossed on our brains. Without meaning to, we reproduce tired gender stereotypes in our relationships. And so we see expressing a sexual want as masculine, and being masculine as being more capable of violence and coercive control, and thus bad. We see failing to communicate one’s desires openly as desirably feminine, as well as a sign of blamelessness and purity — because on some level we still feel it is wrong to have desires.

But this entire worldview is a complete lie. Desire is not evil. Expressing attraction is not a violation. Failing to express oneself can be just as dangerous as not listening to someone else’s limits. Women can be abusive. Bottoms can sexually assault. No matter our gender, presentation, or sexual role, we are each capable of harm. And the only way to make a safe, mutually pleasurable sexual encounter happen is by going after it, actively, and communicating from a position of inner strength.

So how do you do that, if society’s been telling you all your life that you’re meant to date by acting like a deer passively snapping twigs in the woods, waiting for some hunter to hear you, and pursue you? (That really is dating advice that Evangelical Christian counselors give to women, if you can believe it).

By not fixating so much on what you’re doing or not doing to draw other people toward you, and instead thinking in terms of what you want and what you observe beyond yourself.

[wishful-seeker]

Tips on how to avoid being unintentionally ableist

1. When a disabled person says they cannot do something, and you wish to offer solutions, do not make a solution that involves them powering through pain, or something thats not accessible to the disabled.

Example:

Disabled person: "washing dishes hurts too much and i cannot do it."

Abled person: "what if you did one dish at a time throughout the day?"

This statement is not respecting that this disabled person just said they "can't". Always respect that. No matter how simple the task would be for you.

Disabled person:" i think ill use plastic silverware so i don't make dishes."

Abled person: "plastic is bad for the environment!"

This statement shuts down the most accessible and disabled friendly option that this disabled person can actually do because of the abled persons personal beliefs. This is not helpful, and ableist.

Better yet, instead of offering solutions, ask them directly "is there anything you need that you do not have that would help you do this?" This allows the disabled person to think about what would work, and they will always have a better idea of what would work than you do.

To add on to this, when we say we have no more energy to solve a problem or do a task, or change our lifestyle, we mean it.

2. If you feel discomfort when a disabled person is talking about their health, good and bad, that is ableist. Your discomfort is coming from a place that deams disabled peoples very existence as a bad thing and you need to fix that.

For example:

Disabled person:" this week has been rough pain wise, ive been through a lot, felt like my body was on fire. Lucky i got new meds though and i think they're helping!"

Abled person: "can we talk about something else, this is a bummer."

Disabled people should be able to exist freely without worrying about your personal comfort. Do you really think its appropriate to tell someone in constant pain that their life is making YOU uncomfortable?

3. Do not treat disabled people as tragedies, do not romanticize their old life or put their current one down.

For example:

Disabled person: "yeah my life is pretty difficult sometimes, ive lost a lot but i still have happy moments."

Abled person: "it makes me so sad to see what disabled people go through :(. You used to love rock climbing and running, i would love to see you move around more again."

This statement is putting more value on the disabled persons abled past, and ignoring their life as a whole.

4. Do not avoid speaking to disabled people because it hurts to see your loved one disabled.

For example: my grandmother avoids conversations with me because it hurts her to see me in pain. While she has good intentions it leaves me being unable to be close to her. This is very isolating to the disabled.

5. Do not stop inviting your disabled friend/loved one out even if they are never well enough to attend. Unless we specifically ask you to stop asking if we can go out, good chances are we want to know you still care because again, disability is very isolating.

6. When a disabled person says certain things in their health have gotten better or worse, do not challenge this because you don't see a difference.

For example:

Disabled person: "yeah things are getting a little better"

Abled person sees disabled person using their wheelchair like usual: "i thought you said you were getting better?"

Better and worse are usually small changes only the disabled experience, its not like abled people healing from a broken arm. Better to a disabled person could mean they can stand for 10 more minutes.

7. Do not expect disabled people to ever be abled again, and again, do not put more value on an abled life.

For example:

Disabled person:"I have been using a wheelchair for 2 years."

Abled person: "oh you're young, im sure you'll be walking around in no time!"

This statement invalidates and ignores the disabled persons current life by hoping they get a more abled bodied life. Its fine to hope disabled people get better, but you don't get to decide what better looks like.

Hope this helps, stay punk.

[i-am-hungry-24-7]

[Ghost crashed into a car before he parked ours] - Mafia!TF141*F!Reader

Summary: You sigh when it's the fifth time someone fights in your poor tea shop this month. You just open it two months ago, in an area ruled by mafia called '141'. Maybe you should find their boss and give them money or what to stop the bullshit keeps happening in your shop. (well, here they come)

Mafia!TF141*F!Reader

Chapter 1 Chapter 2

To your surprise, Kyle, or Gaz – the model-like man introduced himself as – is such a considerate person with a nice sense of humor, at least compared to Soap or Ghost. 

That day you trapped yourself in the predicament with John, he seemed to sense your embarrassment, hence he just handed his boss a backup shirt without making fun of you like his boss, so you have a lot of time for the man. 

Like now, he’s sitting and sharing a plate of biscuits with you, enjoying a tranquil tea time accompanied by the pleasant smell of Earl Grey.

“You don’t have jobs to do today?” You raise your cup and ask, before taking another sip and watch Kyle finish his bite and reply.

 “Ghost’s in charge of dealing with the enemy today.” 

“Ehmm, okay” You refuse to figure out what ‘dealing’ means “What about others?"

"I killed mine yesterday.” 

Okay, you truly don’t mean this, but let’s just end this topic and move on. With a few biscuits down to your stomach, brainwashing yourself to forget what you heard seconds before with the sweetness, and buying you some time to come up with a better subject, you open your mouth again.

“Every time one of you comes here, you just scare all my customers away.”

“Isn’t that better?” 

“I need customers to earn money, Kyle.”

“You have us to pay you.” He points at the badge pasted on your wall. Of course, you’re not the one who put it on, you rather read the military smut out in front of all British than do it, but if you try to take it off, Soap will put a new one back, so in the end you just compromised and let him claim your shop publicly.

“This place isn’t only served for you guys.”

“It isn’t?” 

Is it possible to refute when Kyle flashes you a smile that you almost get blind and start wondering if he can replace himself as your lights and save you the electricity bill? Maybe counting this as one of Kyle’s humor will be better than explaining. All required is to ignore the evil glints in his majestic brown eyes while he questions you.

But even though Kyle said he doesn’t have work today, he doesn’t stay long after he finishes his tea.

“Gotta head back to help the boss.” He grins as he turns the knob and waves you goodbye.

What’s weird is that   after Kyle leaves your shop, customers start flooding back. Many of them are familiars of the shop, as you’re sure they’re 141’s lackeys too.

You remember them see you as one of the henchmen… Although they're not as afraid as when they first visit the shop because of your hospitable attitude, you can still sense the attentiveness in their demeanor.

No matter what, you’re going to figure out what’s  actually  happening.

“Hey, you.” You walk to one of the minions' sides. “Mind to tell me about why you guys always disappear when Gaz or Ghost or others come here?”

“We…” The guy’s eyes avert, shooting his friend a glance for help “It’s just a coincidence.”

“Coincidence?” Raising your eyebrow, you lower your voice to make it  menacing 

“It  really  is, ma’am, nothing to bother with the Sirs.”

“Show me, they must have sent some messages to inform you guys, right? Let me take a look, or I will…” You will what?  Actually,  you have no idea what you can do to these guys that can lift you  up  and throw you into a trash bin like a shot “Wait a second.”

Quickly running back to your kitchen, you come back with your most intimidating weapon – 

“Or I will hit you with my pan!” You wiggle your arm as a threat.

“…” 

They don’t look scared of the pan for a tiny bit. Wait, you should take your kitchen knife instead, who the fuck will pick a pan? You idiot.

yet to your satisfaction, they still fish out their phone and let you have it, and you don’t waste any time as you open the texting app.

‘Announcement: Boss will arrive at the tea shop in 10 minutes, clear the shop immediately.’

So they  really  are scaring your customers off. Give the phone back to the poor guy with pity in your eyes, you bring him a few more biscuits.

You’re strolling through the aisles in the shop. You’re out of flour and sugar, and every Wednesday the groceries are on sale. You never miss these chances to build up savings.

What a nice shopping trip. Quiet, leisure, just enjoying your own time, picking up different brands of cereal and calculating which is cheaper like a competent broken adult. Things never go wrong when you’re alone.

“Hey lass!”

Well, you’re kidding, things go south too quickly. The voice’s too familiar. It must be a hallucination.

“Lass? Bonnie?”

 Don’t look back, keep walking. It’s not the detergent man with a stupid chicken crest yelling at you.

“HEY!” A hand pats you on your shoulder and makes you jump. Sighing internally and prey there won’t be any trouble caused by the man, you turn around and face him.

“Oh, Soap, Hi.” Shit, looks like you just can’t have a break from these men. “I didn’t hear you.”

“Even though the nan outside tells me te shut the fok up?”

“Yes.” you shamelessly admit, pro tip to confront people without shame “Why are you here by the way, Soap?”

“Oh, we’re in need of some things, so Ghost pulled off during our way home.”

You take a glimpse at his basket. A rope, a roll of duct tape, and a knife. 

They must be going on a picnic. Yes, don’t overthink. The rope is for securing the tent, the duct tape is for concealing the holes on it. Knife? they surely will need it when cutting apples.

The image of Ghost slaughtering… peeling apple you mean, with Soap and Gaz playing red light green light and John napping in the tent is so vivid in your mind that you need to restrain the laugh with a clear of your throat before you grunt in affirmation and restart your steps.

With Soap depriving you of your last respite, you choose to grab what you need and head to the counter. All you want is to get home, have a nice shower, and lie on the bed reading the new fic you found last night.

“Do ye need help?” He watches you shove the products in your bag, but 5 huge cartons of milk are too heavy for your weak limbs, you can feel your arms trembling under your attempt.

“It’s okay, my car’s near the door. I can carry this myself.” Again, cheekiness works every time. You don’t care about strangers staring at you struggling with the bag and exit the supermarket in a crab way, as long as it can bring you back into peace faster, and you almost tear up when you see your car, the white of it is like the lighthouse in the atramentous night.

Hey, but you don’t remember your car has a goddamn huge dent at its boot.

“Oh yeah, forgot to tell ye. Ghost crashed into a car before he parked ours, and he’s contemplating whether he should kidnap the driver when they come back and make them shut up, or just kill them.” Soap looks at you stopping in despair as he recognizes what you’re looking at. “So it’s your car aye?”

You don’t answer him, you just watch Ghost materialize from the Shadow beside your car and give you a nod.

Fuck your life.

a/n: ty for reading :D have a nice day/night!

Car -1, Peaceful night -1

tag list :D - @blackhawkfanatic @nexthyperfix @danielle143 @goodbyegh0st @reaperxxxxzz @kaoyamamegami @imyprice @cod-z @poppingaround @live-for-fluff @masterstr0ke @mall0ww

[nattikay]

Neteyam's first birthday!

Language notes under the cut:

so, the third panel there: Jake doesn't forget what day it is, he just has no idea how to express "May 28th" in Na'vi, so he switches to English.

The Na'vi of course don't traditionally use the 12-month calendar we have here on Earth. However, there is a way to express such dates in the language...mostly, I suspect, for the convenience of us nerdy fans who want to talk about our humany matters in Na'vi lol, but I believe the in-universe explanation is that they learned about it from Grace and only really use the terms if they need to talk in sky people timetables for whatever reason.

Because it's a borrowed concept, the terms are quite literal descriptions: "month" is vospxì, which is short for vosìpxì zìsìtä, literally meaning "one-twelfth of a year". To name specific months, you just add their number: May is therefore vospxìmrr, essentially "one-twelfth-of-the-year number five".

As for the day, that's actually a little trickier because Na'vi counts in base 8, not base 10. Instead of thinking of this number as two-tens-plus-eight like we do, they'd think of it as three-eights-plus-four: pxevosìng. Unless you're very good at math (which I am not lol), these decimal-to-octal conversions can be really hard to keep track of/calculate on the fly even before you try to start applying the Na'vi vocabulary!

All that to say, "May 28th" in Na'vi would be something along the lines of trr apxevosìve vospxìmrrä - 28th day of May, or most literally, "28th day of one-twelfth-of-the-year number 5".

...yeah, I don't blame Jake for just switching back to English for this 😅

on a much smaller note, I am not 100% certain that the adverb nìpxi can be used in this sense of "exactly/precisely", but I asked around among some other speakers and they generally agree that it's the best option available so I'm gonna roll with it. If it turns out to be wrong, well, I can always fall back on the "it's Jake" excuse lol

[tame-the-lion-writes]

Okay, so here I go. (I’m sorry if words are misspelled or if I used the wrong words; I’m dyslexic but thank goodness for autocorrect. Sometimes it corrects it for me and at others it puts a completely different word then what I meant; so fair warning.)

So, I was wondering if it will be Ghost that cat reader opens up to about her fear of deep water. It was pretty obvious that she has trauma from it from that one time Ghost tried to give her a bath after she was done for the day doing her “mouse killing” duty; it is most likely a deep fear developed from trauma from being held under by an abusive old owner/partner.

Like yes, it’s obvious she irritates Ghost out of “spite” (and probably does it for shits & giggles on her end) but HE was the one she clung onto when it was made clear of her fear of deep water. She may have been terrified but she felt safe enough to hold onto him & allowed him to comfort her during that event; she cuddled herself under his head and tapped her head against his chest which are signs of trust for a cat.

Yes, she’s definitely more friendly & open to Gaz (first to earn that with her), Soap (second) and Price (third to earn the right to be comfortable with her) but what if it actually came down to core issues/serious concerns it’s actually Ghost she goes to. Mostly because she can tell that although they annoyed each other (not really but more just for loving fun) that they DO understand each other on a level that the others just can’t.

The other three are there for basically nap time together, to play with and being cute with; but it is only with him will she be THAT open with serious things/issues. For her, he becomes her special & only companion for those kinds of matters. (Which once he realizes that she views ONLY him as special/worthy enough to be open with stuff does he feel honored instead of annoyed about it. After all he was trying to make a connection with her and now he has a strong one that only he has access to; she won’t open up about serious stuff with the others in a way that she will only do with him.)

Basically is will be the bases/beginning for her to start accepting him as a comfort source/companion. Of course, she’ll still be a little brat/little shit towards him; but it will be out of good fun/love intentions behind it, no malice or hatred behind her annoyance towards him anymore.

Hope this helps you come up with an idea. ☺️

Oh, babe, you got my vision perfectly LMAO. (And no worries about your dyslexia, I understood you perfectly!)

CW: mentions of past abuse (and technically attempted murder)

I won't go so far as to say that she would never go to the other boys, but yes, she has an extra special bond w/ Ghost because they both understand what it's like to survive abuse--especially abuse at the hands of someone they should've been able to trust. It's also very much an "I hate you" relationship in that they only "hate" each other because of that similarity/understanding. We tend to be more critical towards people like us because of how we perceive ourselves; we are our best critics, after all.

In short, "canonically," reader got tossed over a bridge into a river when her past owner tried to get rid of her. Something along the lines of--she became too big of a burden. Being a birthday/Christmas gift, they didn't expect the true responsibility of raising a pet. The reason doesn't really matter, though; either way, she scratched her way out of the soggy cardboard box and dragged herself to shore, then made her way to the old abandoned farm nearby. Hence why she doesn't like deep water--especially not when someone is carrying her towards it.

But next time Ghost tries to clean her, he's learned his lesson. Fills a small tub just 2-3 inches high, and instead of casually tossing her in, is surprisingly patient as he places her back paws in first--letting her wade a few seconds before plopping her front feet in. She's still whiny, of course, used to washing herself, but with Ghost's help, he get's the places she can't reach. Not to mention that the shampoo he's using smells pretty good.

"Not so mean when your buttons ain't pushed, huh?" he sighs, only to add-- "Sorry 'bout last time. Should've respected your boundaries."

You're quiet for a little before bumping your head into his hand, as if in acceptance of his apology.

"'Sides, you've got your reasons," he goes on, moving to scratch under your chin as well. "And fear ain't your fault."

You meow in understanding, then blink slow.

"Ha--" He copies the blink back. "Think this is the nicest you've been to me."

The rest of bath time is quiet, save for the sound of you shuffling around in the tub in response to Ghost's ministrations. But just as he finishes rinsing you clean of suds, Gaz comes around the corner, ready to kick off his boots after a long day.

"See you're gettin' close with the kit there," he smiles, dusting his hands off in mid-air. And while you half-expect Ghost to respond with acceptance, instead, he mutters--

"What else am I supposed to do? She stinks."

Well, there goes the moment.

You swipe at his hand with a hiss, only to be met with his scowl and a towel that swallows you whole.

When you do eventually tell him--the reason for your fear, that is--it's after another bath, and when you're snuggled close under the weight of his arm. His hand cups the back of your neck, callouses almost silky from how he handles you oh-so gently. A tempered practice he's forced himself to learn since you met. Because though kindness doesn't come naturally to him, it doesn't unnerve you; sometimes you wonder if kindness, as a choice, is better.

"You know I--" he clears his throat-- "we'd never. Right?" Simon whispers, his voice as deep as the purr that eventually rumbles through your chest.

Your fingers dance through the fine blonde of his hair, illuminated only by thin streaks of moonlight filtering through the blinds. Then you draw your palms down, so instead, you're holding the sides of his face, the scars and marks of his beautifully imperfect skin like stories untold beneath your thumb. And you press your nose to his.

"I know."

(He may or may not run into your former owner eventually, and he may or may not threaten to kill him or worse. But that's a story for another day :D)