#what is hds even?

[zackmartin]

HENRY DANGER: THE MOVIE (2025) ● dir. joe menendez

[inanimateinsanitywiki]

i know that the contestants don't take death as seriously as normal people due to the revival system and casual violence was the norm, but it's still really funny to me that people call knife a "bully" when they're talking about his season one self. they're acting like he was giving people swirlies when in reality he was putting marshmallow in some kind of saw trap every other episode because he thought it was fun

[theshriekingsisterhood]

The way I SPRINTED to my computer to make this the second Risky showed me this textpost

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[084392]

ghost types eating you hot dog or hamburger style

[autismsupersoldier]

this tale ends by daniil, with the intention to prank, leading vlad jr to the edge of town and telling him they bury all post-op tits here. later that night vlad jr begins digging underground for what he later explains as a Scientific Curiosity. a third outbreak happens

[puhpandas]

finished the Henry danger movie and it had its moments mostly with Henry and jasper but the end of the movie was very unsatisfying and I know Henry has never been the most perfect friend but he just felt so ooc and assholeish in this movie and it never really gets resolved. the silliness was completely gone almost and jasper's personality was sanitized except for his obsession/loyalty to henry, which henry didnt even get to react to or acknowledge that much in a way he would have done in the OS because he was too busy mewing and standing there looking attractive. I think this ending for Henry danger as a whole is unsatisfying with Henry saying "I lost my whole childhood to being kid danger, I dont want to be captain man" and then leaving swellview to just become. captain man 2 but not. hes still a superhero he just didnt take over for swellview. I thought that the arc between jasper and Henry was going to end with Henry realizing how much he needs jasper and how theyve been friends for years and years and hes been a shitty one and that jasper deserves to be treated better by him but instead it just had Henry give jasper the torch to protect dystopia when jasper never wanted to be the big hero he just wanted to be equals with henry. and then its treated as a satisfying ending for jasper and Henry to separate for them both to be superheroes

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY TWO

the song that made you a fan — Spillways

“This is an elegy for the darkness that most people have inside. When you have a dam, spillways are the run-offs so the dam won’t overflow. That darkness inside us needs to find its way out,” — Tobias Forge

Job 10:1 "I loathe my own life; I will give full vent to my complaint; I will speak in the bitterness of my soul."

[polonium-poisoning]

THANK YOU FOR BEING SO NICE TO ME PATHO FANDOM, I ALSO DO UNHINGED STUFF. I PRESENT TO YOU: BOOTLEG AU. EVERYTHING IS THE SAME EXCEPT IT’S NOT BECAUSE ITS A POLISH BOOTLEG GAME

[anemonia13]

A pegasus who's capable of miracles no unicorn can do.

Clara and Daniil as ponies because that's what comes to me every winter idk.

[seonghwacore]

blessed be these four men in their thirties

[inblackwoods]

While I'm posting about my pathologic transcription, I'll make shorter posts about my takeaways. About the literal health of the environment around town, we get a couple people on day one to give context. The most obvious is Aspity, but to get an idea as to why things are as she says, you have to talk to a drunkard, called a Carouser, and a Tot.

The Tot mentions a "Rotten Field," and when asked what that is, he says:

"It’s where they bury the bulls’ bones. The place is covered with fur instead of grass, and it’s all bones bones bones underground. Bones and horns. Yeah."

Why are so many bones and horns and hides being thrown into a field instead of being used in some way? Either for jewelry, clothes, or for tradesmen's tools, these things have a variety of uses.

The Carouser, when asked about the Abattoir, says:

"Hundreds of bulls are being slaughtered there- what else is there to know? It is our humble town that provides the whole Northeastern region with beef! Or even the whole country mayhap."

It's because of the massive scale of the Bull Project that so much excess material is being produced and then thrown into the fields and rivers as waste products. Nothing is in higher demand than meat, nothing is needed as regularly, and perhaps the people in the Capital and in other towns are less interested in buying blood or bone. It's not profitable, the Olgimskys don't view it as anything but by products of more lucrative things.

Aspity says:

"All that water comes from the Steppe and it isn’t exactly clean. Yesterday I inspected all the springs in the area; there seems to be no more clean water around. That salty taste is everywhere, it’s reddish in colour, and there are disgusting clots in it."

And when Bachelor asks for more information, she says:

"The towsnfolk store water in home-made reservoirs. This modest supply should be enough to help us last a little while, but afterwards we’ll have to drink that bloody mixture."

Bachelor reacts to this with disgust, and can even insist she is lying, perhaps because he had been benefitting from this disgusting reality in his life in the Capital.

Aspity's whole point in starting this conversation is to make blatantly clear some of the side effects of the Steppe's occupation, which is that the waste material of the Abattoir is dumped into the river and land. This problem would be lessened in severity if the community was manufacturing meat not for the sake of providing for the entire country, but just for the local population and what's necessary to export in exchange for other essential imports. Obviously, this would be less lucrative for the Olgimskys (who don't care as long as they don't suffer any loss) but it would mean that the people who live here would better be able to care for themselves and the land with no need to think of supporting an entire country off the backs of one small community. The occupation of the Steppe, the running of the Bull Project, will not only destroy the Kin and lower classes, but will also eventually kill the town, the higher classes and even the Olgimskys as well. When the water runs out, it will run out for the lower classes first, but it will eventually run out for everyone.

More on Fat Vlad trying to talk about this all as if it were an inescapable, natural reality (and the Bachelor's fighting against this notion) later. Sort of how some people think that the way the world works, capitalism and such, are natural laws instead of constructed ideas (horrible fallacy).

[fjordfolk]

there's something to be said about this trend of doing prelim hip screening on very young dogs and freaking out when they look kinda meh

there's a whole bunch of other somethings to be said about vets apparently bringing up FHO as an option based on those prelims??

[mikakuna]

whoever draws dick grayson in comics so damn fine needs to get their ass up and start drawing jason as well

[marshmallowgoop]

About Lip Flap...

So, Ending 72 of Detective Conan got me thinking about lip flap:

What do I mean by that? Well, in some circles of the AMV-making world, it's maybe viewed as a "sin" to leave lip flaps unedited when there are no audible words. You either cut out the movements entirely, or you sync up the movements to match the lyrics of the song. Lip flap is distracting and immersion breaking.

Yet... this Detective Conan ending—mixing anime and music just like an AMV!—has lots of lip flap. Characters are talking and living and spouting out conversations, and there's no effort at all to hide or remove that. In fact, this sequence was deliberately animated that way.

And it's far from the only Detective Conan example in this vein. Which brings me to my next thought: early episodes of Detective Conan include instances of montages or characters otherwise moving their mouths without sound, but the FUNimation English dub seemingly found this so uncomfortable that words were added in:

Sometimes, I really love this choice! Conan's voice fading into Shinichi's in Episode 39 is one of my all-time favorite moments in the dub. Similarly, Conan's added little "but"s in Episode 32 are adorable.

But I feel like the montage in Episode 37 is weakened by the added dialogue because we didn't need any words to understand the story, and while Episode 42 might be argued to be more compelling and "show don't tell" without Conan's narration, we do miss a fair amount of information from that narration.

Overall, though, I think the changes indicate a cultural difference. Lip flap without audible words is fine for Japanese audiences, but overseas, it's seen as awkward and jarring.

So, is it a "sin" to include unedited lip flap in your AMVs? Well, it probably depends on who you ask!

But personally, my mindset has changed to not at all. I think there are moments where the indication of words can be quite powerful, just like in Detective Conan Ending 72 or the montage in Episode 37. While I mostly try to remove or sync lip flap in my own AMVs, there are also definitely times where I leave it. What's wrong with showing that there was a conversation?

That said... I gotta come clean. One of my first reactions to Ending 72 was to almost cringe at all the lip flap! But then I thought about it some more. While I'm rather inexperienced with making MMVs (Manga Music Videos), ever since I started, I've been a fan of leaving the speech bubbles unedited, text and all—despite the fact that this, similarly, seems to be somewhat of a "sin." I liked providing context, I liked that there were creative things you could do with the dialogue... and hey, is that really so different from leaving in some lip flap from time to time?

In the end, AMV editing is very subjective. Everyone has their own preferences and styles that speak to them, and that's part of what makes the art form so beautiful to me. But Ending 72 made me step back and reconsider some of the "rules" that I'd drilled into my head. Maybe what I've become so used to seeing as a "flaw" can actually be quite powerful in its own right!

[jyantabear]

been playing pathologic throughout the summer and i've enjoyed it a lot and im currently on the changeling campaign and I heard a lot of people say the changeling route is underwhelming and weak but honestly i think it's been really great so far and I think it has tons of depth and I find Clara very interesting Idk im on day 8 of the campaign I feel like I have more thoughts on this route then the haruspex campaign. Perhaps its partly because Clara's subject matter appeals to me a lot but I think it's amazing It's this tragic story about a little girl who so badly wants to be good and do good. She wants to be love and accepted and find her place in the world with all the anxiety she has over her unsureness on her identity and the strange circumstances of her existence. It's about the Saburovs playing this pretend, toxic, nuclear family structure with her. Where a part of them does care about and love her but for selfish reasons. They project their insecurities on her, both of them. They want her to be their salvation and be their key to finally helping the town as they feel they're failures and frauds in that pursuit. So they pressure, love bomb, and abuse their daughter to fit this mold. And Clara is scared but she follows anyway desperate for love. And even without realizing it she's mimicking their teachings and values because It's all she's been given in this world. The only source of guidance It's about Clara and her relationship to the people around her. How she feels sympathy for her bound because she sees herself in them. Because she sees they're people with dimensions and are complicated. And she wants someone to see and grant her mercy and forgiveness as well. And it's so interesting to compare this to her interactions with Daniil and Artemy. Who she's also very similar with but demonizes them. (which I don't think is unjustified btw as they're very horrible to her. But I want to note that while the healers always had some tension between them this route has definitely cranked it up a ton and in the opening play Clara is the one criticizing them for being heartless, selfish, and "not knowing compassion" right off the bat. And even in the few times Artemy and Daniil can have pleasant exchanges with her it's short lived and never sticks with her) And she goes the extra mile to demonize them and deny and dismiss any complexity they might have as she also sees herself in them but doesn't want to admit it. Because it's what she doesn't want to be. It hurts too personally for her to associate with them and makes her feel pathetic even thinking she could be similar to them because she doesn't want to share their loneliness, their struggles, their failures. It makes her feel more stable in her identity to put them down and go "Well at least I'm not like those bloodthirsty horrible useless doctors" And While Clara also feels dislike towards Maria. Maria is someone Clara wants to be. She wants to be that beloved and powerful mistress. Someone who can guide and help others and use her power for good. Which is why she'll say "Her and Capella will be the only ones to understand my loneliness." Clara wants someone to understand her pain but only if she can protect this idealized image of herself she's painted in her mind because she's been hurt too much. It's a tragic story of the unrealistic and harsh standards placed on young teenage girls. And the idea that perhaps humanity is the problem. But taking that message in a rather conservative and violent way then one that acknowledges the complexity and indoctrination society and people have built. A young girl internalizing beliefs of irredeemable ontologically evil people due to all the abuse she's been put under.