#what if i want to add little scenes or characters?

[maltesejjong]

Network Love

-ot13 x afab! o.c (original character) TEASER

დ synopsis : kang soojin has always been given the short end of the stick, but has somehow always pushed through. then, one night, hee luck changes and she soon finds herself living with the members of kpop superstars, seventeen. it doesn’t take long for things to heat up between them all, though…

დ warnings: smut MDNI, slight mentions of prostitution (for the set up of the series, maybe two different scenes but nothing explicit, just the conversation), pregnancy, choking kink, creampie, threesome(s), pain kink, use of pet names, alcohol, drugs (weed) (I think I don’t fully remember), friends to lovers, slow burn, some not so slow burn, p in v, plenty more warnings but each chapter will have chapter specific warnings

დ THIS IS AN OT13 X OC AND THERE WILL BE MXM/SHIPS CONTAINED IN THIS WORK. IF YOU ARE NOT OKAY OR COMFORTABLE WITH THIS, YOU ARE NOT OBLIGATED TO READ. THANK YOU დ

Excerpt context: night before the members leave for a tour, and soojin is going to come along to fulfill her “manager” duties. little does she know, hee actions have consequences….

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“Angel? Can I come in?”

“Seokminnie! Sure.”

He wanders over to my bed and climbs in. I’m laying on Jun’s chest, my legs are pulled over Shua’s, and Jeonghan’s resting his head on my thigh.DK snuggles in next to Joshua and rests his chin on his shoulder. “What are you doing?”

“I am making sure our flight time hasn’t changed,” I say. “I don’t know about these three.”

“Reading,” Jun says lazily.

“Sleeping,” Jeonghan mumbles.

Jisoo glances down. “Sleeping people don’t talk.”

“This one does,” his hyung retorts.

Shua’s free hand wanders down to stroke my hair. “Nervous?” he asks.

“First tour,” Seokmin adds.

“A little,” I admit. “I keep worrying that something’s gonna go wrong.”

DK leans over to kiss my head. “It’ss be fine. I promise.”

“Jagiya?” S.Coups pokes his head into the room. I point to the halo of white blonde hair. He grins and comes to sit on the edge of the bed. “There you are. What’s going on?”

“Soojin-ah’s nervous,” Eomma says.

“You’re supposed to be asleep,” I say.

He shrugs and sits up. “I will be soon. I don’t want the kids up too late since we have a flight in the morning.” Jeonghan swings his legs over the edge of my bed and starts to walk out. Hepauses at the door. “Coups?”

Cheol sighs and stands. “He’s right. We’ve got and early morning ahead of us. Soojin, I don’t want more than two people in here tonight.” He walks off to follow his soulmate.

We’re all silent for a moment, then Min goes “Well! I’m off to bed!” He kisses Shua’s cheek. “G’night.” Hugs Jun. “Night.” Kisses my forehead. “Sleep well, jagi.”

I sit up once the door closes. “I’m gonna go change. I think I might have some of y’alls clothes in my closet,” I say, walking towards it. “Let me check.” I open the closet door to see one of Shua’s shirts already hanging there. “Sunshine, I have your gray shirt in here. I might have a pair of sweats, unless you want to stay in your shorts. Junnie, I’ll–”

The closet door shuts with a snap. I glance up to find a pair of hands caging me in from behind.

“Jun. What the hell.”

He leans in and whispers in my ear. “Thought we’d forget, did you?”

“What?”

“That little stunt you pulled earlier. Sending us that picture, knowing damn well we were in a meeting. “Sending the two of us that picture, knowing damn well where we were. I think someone here needs to be taught a lesson,” Jun says. “What do you think, Shua?”

Joshua grins lazily. “I think I agree with you.”

I feel my stomach jump. “Joshua. Jun. We have a flight—“

“In the morning,” Jun finishes, angling his head so his nose is brushing mine. “It’s not morning, is it, Princess?”

[ollybenrio]

I’m gonna get my thoughts and predictions out before the new Chaos Theory season comes out.

I think, genuinely, they’ve gotten all the ships and relationships set up to bring together the endgame couples. they’re setting all these relationships up so that when the real endgame plots happen, it hits us harder, gives us more of a deeper plot.

So far what i think is going to happen to the current in CANON couples we see/have;

Sammy and Yas: YES endgame, a beginning couple that they plan to keep.

Kenji and Brooklyn: NOT endgame, a beginning couple they gave for those who enjoy it, but as of now (chaos theory s1), it’s grown deeply complicated, and has made us dislike them (atleast me, they grew unhealthy for eachother). Gives plot and “complication” to future Kenji & Brooklyn relationships, gives us shock factor, entertainment for when/if future relationships with different people occur.

How i think it’ll end up;

Brooklyn and Darius: YES endgame. CT s1 we already see Darius has a crush on her, and we’ve previously (cc) seen them with lots of romantic history and chemistry. Most (?) of the fandom prefers them, and the creators know this (they also are not the type to ignore what fans want!). They’ve foreshadowed this relationship in s1 during the abandoned house scene (with that weird tub) where Kenji gets mad at Darius for liking her (I think?) but later towards the end of the season, we can see them forgiving each other, which MAY be forshadowing and giving that underlying feeling that Kenji is okay with Darius/Brooklyn, and that technically, they don’t like each other anymore, so Darius can do whatever he wants, even if that means dating her.

Ben and Kenji: YES endgame. We’ve already gotten tons of chemistry and dare i say, romantic history, with these two. that whole monorail scene where Kenji wears Bens “dork pouch” for ever? they were testing the waters with that. we know these creators aren’t scared of putting lgbtq relationships out there, so we know this also has plenty of potential. We know they didn’t interact so much during ct s1 but that whole egg scene with Speckles? that was a little… yk. They fit perfectly especially since everyone else is already going down their endgame routes with others that aren’t these guys. so in the end, they put these two together.

as a writer, and person who has watched plenty of movies and read books, i can see the route writers will go for things like this. it’s not always about preference, but where things/characters slot in. in relationships, these couples all make sense for endgame purposes. They gave us Kenji x Brooklyn for those who wanted it (more than enough seasons, might i add) so know they’ll feed the others who like Kenji x Ben and those who like Brooklyn x Darius. it all makes sense in the end.

let me know your thoughts on this!!

[galadrieljones]

"Bet on Hope": More Thoughts on Isabelle

This is a response to @frangipanilove's post about Isabelle as a Beth Proxy. I agree 100% with everything frangi says and had to type up this quick follow-up, regarding Isabelle as a "proxy" for Beth.

I want to add that this may feel a little out of left field, but I believe that Beth and Isabelle are connected even in the hard wiring of some of the symbols we've seen over the years. What I want to talk about here is one of the last things it seems we will hear Isabelle say in the series, which is: "Bet on hope." She can be heard saying it in the trailer, and it also appears in the *leaked* script from episode 2.6.

The language "Bet on hope" is unique and uses gambling rhetoric and essentially conjures an underdog situation. To bet on hope is to call the enemy's bluff, and to hold out "hope" that you can win, even against all odds. The opposite of betting on hope would be to fold, to give into your fate, even if you still have a chance to win, or if your chances are, essentially, no worse off than your enemy's.

First, I have to wonder, what "hope" they are betting on here. I maintain there's a connection to the actual character Hope Bennett from The World Beyond, who, as a distiller and a scientist currently hiding out with T.B. Ellis, I think will be instrumental in curing Wildfire or finding a remedy for it. I think we should literally "Bet on Hope" (capital H).If you rewatch the WB coda to season 2, you'll notice that the French scientist (who has a folder full of T.B. Ellis papers on her laptop) uses the word "hope" multiple times, mainly in iterations of the phrase: "Hope beyond hope." She is "hoping beyond hope" that the Primrose Team will return to France and "end all of this."

We also see in episode 1.4 of The Ones Who Live, at the "Greenwood" laboratory where Rick and Michonne find themselves after exiting the helicopter, a poster that urges residents to "Keep Hope Alive!" None of this is coincidence!

Hope Bennett aside, when thinking of the phrase "Bet on hope," I am also reminded of episode 10.19 "One More," which TD pounced on long ago as containing a huge number of "Still" callbacks, including alcohol consumption, drinking games, golf, color parallelism, and cards. The episode revolves largely around Father Gabriel's slow loss of faith, a conflict which he will confront in season 11, and Aaron's struggle to believe in himself as a survivor. Their dynamic mirrors that of Daryl and Beth in "Still."

In "One More," FG and Aaron play a game of poker while drinking whiskey. At the end of the scene, FG bluffs his way to a win, because, instead of calling his bluff, Aaron folds. Episode 10.19 is all about foreshadowing and setting up characterization for the future, just like so many of the episodes in 10c. It is also the episode that comes directly after "Find Me."

What's so interesting about their poker game is not JUST that Aaron folds in the face of adversity, but the way that the hand goes down. Mind you that they're not playing for money. They're playing for bottle caps, so essentially, there's nothing at stake. Aaron, in a very Beth-esque "bullshit" moment, accuses FG of bluffing, so FG urges him to call his bluff.

Aaron, however, is afraid. He "doesn't have enough" to call. In a game with no cash pot, FG, however, realizes one has to be creative. He tells Aaron to bet his whiskey.

At this point, Aaron considers it. He even starts to push his cup toward the pot, but then at the last moment, he folds. You can see in his hand that he has a jack, just before he throws his cards down. It doesn't mean he has a better hand than FG, but it does mean he could have something, and that it's worth soldiering forth. He will not "bet on hope" here, so to speak. He gives up.

After FG wins, Aaron then demands that FG show him his hand, and what are the cards that FG holds? An 8 and a 2.

In the shot above, you can see in the background of FG's hand a mini-golf set. Apparently a game of mini-golf was among deleted scenes for this episode. The 8 and 2 here, which is a terrible hand, and which beat Aaron (who was too afraid to call FG's bluff), is yet another callback to Engine 82, the firetruck that mysteriously disappears without any explanation after "Coda." The firetruck that Abraham's group previously fights tooth and nail to defend from walkers. Where did it go?

Whatever happened to the firetruck may explain what happened to Beth. After "Coda," both Beth's body AND the firetruck disappear without a trace, and we never learn what happened or why.

"Bet on hope" could mean, essentially, hold out for the long odds. You could still find the one thing that's been missing all these years, which could solve all of your problems and deficiencies. Even if it is hidden behind a major, major "bluff." You must see through it and be brave enough to call it out. You may have to be creative, to bet everything. And to do this, you need all the hope you can muster. Unsurprisingly, Isabelle, a woman of faith, just like Father Gabriel, gets it.

It could also be important, especially as this is in response to a frangipanilove post and contains the reference to "Hope" Bennett, that in "One More," Aaron considers betting his alcohol to call FG's bluff. Alcohol, we are all pretty sure, has some connection to the "cure" for Wildfire, as the "Staff of Life" (quoted by Jim, the beer brewer from Fear season 4). I've also written a post comparing the French herbal liqueur Chartreuse to the potential cure for Wildfire. Essentially, I think "Bet on Hope" also means "Bet on a Cure." It also just means, "Don't give up. To get the happy ending you desire, you have to take the long odds."

Alcohol, Engine 82, and golf all in one shot. Both a nun and a priest encouraging a doubter to bet on hope. Idk if it means what I think it means but I'm going to "bet on hope" a little longer.

[yuseirra]

Kamiki is such a weird character. I keep talking about him because he's like a puzzle. I want to make sense of him because I'm... really confused when it gets to him. I really enjoy analyzing characters, but I usually don't even feel the need to write things down to figure out their character: for his case though?

There are so many claims about him being a horrible, evil, maniac, a heartless psychopath serial killer selfishly using others for his own gain.

Since he's supposedly the father of the protagonist and who had a relationship with Ai, I look at him intently whenever he makes an appearance, because I get curious just what is UP with this man and see him for myself, and I find that when he ACTUALLY does something, he.. tends to be so mild compared to what he's been thought to be. It's so weird. He's nothing like all those things he's said to be when he shows up in person, so the information I've been given to interpret him and the actual character does not match up. I keep feeling he has a kind nature. I think I believe that more compared to the descriptions he has because... it's what he actually is, you know.

People say he's done things, but we never see it in present tense with him actually carrying out these actions in person. It's all speculation.

You see, the thing is, we NEVER get to see him actually DO things on screen. We still don't know what he's said on the phone with Ai (and it turns out that he probably really didn't say much. I say he really DID want to only just send her the bouquet. Anyhow, Ai doesn't seem that uncomfortable talking to him, and we find she had him in her heart all along.) In that phone call with Nino as well, if you see her reactions, it was about turning themselves in?? How was that supposed to be a trigger to go stab a person? Could he have predicted this? Claims that he's manipulated and caused people to become killers? Well, we see ONE case of it something like it happening right now in 161 OH MY GOD even our main protagonist, Aqua could not escape this weird.. turn of events, and here we see Kamiki ACTUALLY wanting to keep Aqua from trying to kill him/become a murderer for whatever intent he has behind it. Aqua still ends up doing something really reckless. In this case, it's exactly the OPPOSITE result of what Kamiki's desired.

I really feel like he never intends for these things to happen and yet, it does. What is there for him to gain from this??? At least for Ai, Gorou and this current.. 161's case, I don't think he even dreamed of this happening. I don't know about the other cases if there are but, Nino says all he did was "talk", and that must be it... he could have some powers to make people grow insane by just talking maybe, but even if it's so, I think it's happening against his wishes and it's not something he can control.

To add, there really isn't much solid base for these claims he's facing STILL, even till the series reaches its end. Some accusations are being thrown at him, but just how much has ACTUALLY taken place? What's the truth? If he's a murderer, just how many lives did he take? I guess... that could be revealed later but; why.. keep it so hidden if he really is that kind of person? In 160, he says he didn't do anything. What if that's true? Why do we never see him take some direct action, even till the final arc? To be fair, there IS the case of Yura, but even that is very vague. I'll talk about that a little more later.

At this point, I feel like they've never shown these scenes to us BECAUSE that would make for a twist. If things go as expected and he is just a mere serial killer who's killed anyone who surpasses Ai for his self-satisfaction, it wouldn't need to be kept so hidden;; in fact, it should have been revealed more because that'd make this guy a menacing antagonist our heroes must defeat. It would add more drive and flavor and make us want to cheer for Aqua's revenge, but it isn't that way. The twist would be that, he could have really done nothing much.. been pretty sensible all along.

In cases like Nino or Ryosuke, we've seen situations where they expressed hatred, stabbed someone, or did something drastic. We see them being dangerous people.

But with Kamiki, whenever they actually do something, it’s not really a big deal, and they come across as rather gentle. To the point where their actions could even be interpreted as kindness. From what I see, they seem to have a genuinely good nature, and apparently, they used to be like that.

There’s just one thing that bothers me—Yura’s case. Honestly, their reaction back then was really strange. When I look at Kamiki’s behavior patterns, whenever they’re dealing with something overwhelming or hiding their true feelings, they always smile. He says some really weird things and he smiles... anyhow, yeah, he does seem to feel guilt about it...

I mean, if they were going to kill Yura, there wouldn’t be any reason to warn her to 'watch her step,' right? That’s what confuses me. What needs to be cleared up now is this: Ai, Ryosuke, and Gorou—he wasn't responsible for those three deaths at least. So, if this suspicion can be resolved, unless there's solid proof that they’ve killed others, it all just sounds like speculation. Is there anything that’s really been confirmed to be their doing? Tsukuyomi was wrong once already; should I trust her about Kamiki's true motives?

Why do I keep feeling like this person is actually a good person every time they appear? Their actions and the accusations are so different.

It’s starting to feel like, 'Could this kind of person really have killed anyone?' Is this supposed to happen or am I reading this story wrong? But here’s the thing—I think the author and I are on the same wavelength with some things; I’ve guessed so many things correctly...

There’s something more to this. This isn’t the end… It feels too suspicious.

If Kamiki's really, truly bad, I’ll accept it—I’ve already said that they should die if they are. But there’s still something nagging at me. I wouldn't be the only one, right?

A truly bad person with real fault wouldn’t behave this way. Of course, people act in all sorts of ways. But this character… something always feels off, so I can’t be certain.

And honestly, that would make for a better story. In the grander context and message of the narrative, it would be more fitting if this character were actually innocent but wrongly accused over and over. That’s what I think.

Also, the fact that Ai left a message asking someone to help this person… that’s partly why I keep thinking about this. They seem really kind…

It makes sense why Ai might have loved them. I get it. I think this person is actually good.

You see, I didn't hold much thought about the guy and just went along with the claims he faced until I heard "Fatal", and having seen Ai wanting to help the guy. Just three seconds in the song (I didn't even know the lyrics at first) I get this...rush of sensation... it's so hard to describe, but I just knew, this emotion there, that must be his.. and so I started drawing him and Ai a lot. I rarely get these wrong. It was such a strong wave of feelings I got.. I guess that's been one of my biggest fuel for the past few months! I really hope I'm right! I felt very.. stunned and sure back then. It was a very strong type of feeling that anchored my thoughts. I trust my intuition when it comes to emotions, I'm usually good with them! It's hard to ask others to trust with me, but I can write posts like these with the reasoning that stems from those feelings I have along with some evidence I find from the work! I've already stepped too deep into this pit and I'll be so embarrassed if I'm wrong but, at least I had fun. I think I've been learning a lot.. having thought a lot... it's been good practice, trying to read characters- I really want to be good at it! It's fun!

[saxandviolins88]

TF: ONE - My thoughts

Spoilers? All of them

First of all, Transformers as a franchise and cinema have a tumultuous relationship. The 86 movie is definitely dear to me, but I can't deny it was made with a clear commercial purpose, and it shows how eager they were to clear the cast and add new toys. It has interesting ideas, sure, but those ideas were only to gain form in the third season of the cartoon (which is good, you guys are just mean.)

Now the Bay movies... It may come as a shock to all of you, but I actually enjoy those movies, not as a Transformers fan but as an enjoyer of non-sensical gory violence and cool robots. Though these movies succeed in being brain fodder, anytime they try to tell a compelling story (if they even try), they fall flat; not only for not understanding the characters people love... but also not understanding their own characters and universe. So when the worst qualities of Bay join together in a confused movie with bad designs and sub-par action... You get franchise killer TF5. (fun fact, but that was the first TF movie I sat down to watch and try to get into the franchise... it took a few years for me to recover...)

After that, TF movies turned into course correction and tried to get TF back into the mainstream. Don't get me wrong, TF IS mainstream... But movies are what the public wants. (easier to consume and don't waste your time.)

I gonna say, the Bumblebee movie is a good movie... With TF things slapped on it. Generally speaking, Bumblebee (2018) is a modern Herbie, the Love Bug, a Travis Knight vanity project. I'm being a little evil here, but it is what it is.

Now... ROTB... It is a movie. It has all the aesthetics of a movie... And there are transforming robots in it. Look, I like ROTB, I saw it on debut day and I was hyped, but it makes so many weird decisions... From Optimus's weird unfocused character arc, Unicron... Mirage... if I can even call him that. It's a bullet-list movie with a few funny moments. Oh and Beast Wars cast, but they're the most nothing-burger characters ever in that movie.

NOW TF: ONE

It is a good movie!

A course correction movie, but a good movie. It's a more or less safe bet by Hasbro. It hits the re-start button, so new audiences won't be intimidated by MCU-ness AND it is animated, easy cash with the kids and their parents who'll have to buy two tickets.

ANIMATION AND VISUALS

They fucking lied when they said it was "spider-verse levels", like bruh.

BUT the animation of TF: ONE is very good. Sure, some places had more care than others, but the final product wasn't affected and it was a smart choice. I'm more impressed by the fight scenes, which are well choreographed and spaced while using the characters' transformations creatively - and in that, I have to commend TF: ONE for doing something I always wanted to see - transformation isn't something these characters just happen to be able to do, it's an essential part of who they are and this also plays into the plot. Another thing I'm very pleased with is the character acting in general, you get the feel these animated robots are real people, and this is done through their facial expressions and body language (though, this is more notable on D-16 and Orion Pax.) The designs are nothing to write home about, serviceable at best, and boring at worst. Still, I'll have to give this one to Megatron, but ONLY because he hasn't had a good tank design since... I wanna say Armada, but part of me says it's G2. Sentinel Prime is boring, but he has the fucking Titans Return toy knees, wth? Great design just on this basis.

Now WRITING AND GENERAL PLOT.

One thing I'll applaud this movie for: It knows what it is.

When I saw the first trailer, I had a nagging feeling in the back of my skull that this would be one of those movies... where it promises you stuff while not doing it and overstuffing it with half-assed characters, thoughtless plot points, and uninspired dialogue. (I'm a DC fan, I see the abysm every year or so... Kal-el no😦!)

Well, I am happy to say that wasn't the case.

If I had to describe TF:ONE in one(lol) word, it would be: focused.

It knows its runtime, it knows its audience(s) and it knows the franchise(the good, the bad, and the controversial.) It's a break-up story between two friends - where one falls from grace and the other ascends.

I found this movie quite enjoyable in the dialogue and character writing aspect too. Each character feels distinct enough and they're so quippy, it's a joy to watch them talk to each other. However, the crux of this story is D-16 and Orion, and they REALLY succeded in selling not only their friendship but also the rift in their relationship. This movie isn't afraid to touch on some dark themes; a political scandal disguising itself as a MacGuffin hunt is very welcomed in the MacGuffin Hunt franchise. (still has a MacGuffin tho, it's logically IMPOSSIBLE to write a Transformers story without a MacGuffin)

Sentinel is a perfectly serviceable villain, uniting all existing versions(minus G1) into the ultimate jackass. D-16 is a good voice of reason that breaks into Megatron, his descent into evilness was believable enough for the runtime. Orion is the hero's journey circle. Elita-1 is a supporting character who sometimes delves too much into Hollywood girl boss, but at least they didn't insert the inevitable romance in this movie but still made her valuable to Optimus. Badassatron is a funny comedic relief that could be removed without changing the plot too much (and he didn't have any reason to be Bumblebee.)

To cut an already long post short. I expect the sequel to focus on the Quintessons, I do NOT care about more thirteen primes content (MAKE IT STOOOOOOP), and I also really want them to keep Megatron complex (make him doubt his cause, make him remember his gay little roommate, DO something with the character you've developed.)

and uh... just so I don't lose my brand

*cough cough*

I want the Constructicons in: "TF: ONE: 2: Electric Boogaloo"

[thed0ct0risc0ming]

Thinking about the hockey au...

Wally trying to get better and better, spending all his time at the downtown skating rink trying in vain to improve (he's already the best, he tells himself... Barnaby is just slightly better).

Barnaby wondering why his best friend is pulling away, no longer spending time with the team (Did Barnaby do something? He doesn't know, and the thought hurts more than he's willing to admit.. Wally is his best friend, after all).

Just... thinking about the hockey au

[m-o-o-n-f-i-r-e]

help i’ve fallen for another ship comprised of two insane autistic queers that want each other dead despite also being willing to do literally anything for the other even at risk to themselves

[karamazovanon]

a collection of the live action raskolnikov from this post :D i thought this version was SO visually interesting so i did a bunch of redraws of stills (most of which aren't in that post oops, thank you @rknchan for sending them!!! <3)

[my-current-obsession]

I played and enjoyed Rune Factory 5 well enough when it came out, and I do believe I like and defend it more than a lot of people. But honestly, trying to go back to the game now, after having played so much more of RF4 than I had at the time? It's difficult.

IMO one of the best aspects of the Rune Factory series is the replayability. It has a simple game loop that can suck you in, while also allowing players a lot of choice in their game in regards to what monster allies they get, which townspeople they actually take into dungeons, and of course, who you romance.

But as much as I DO like the characters and relationships in RF5, it's just NOT FUN to replay. All the problems that I had but pushed past in my initial playthrough are still there, as well as a lot more problems I have now that I know and can better compare it to RF4.

I could go on about all the issues the game has and how outside a few nice quality-of-life changes, RF4 is better in nearly every way, much more immersive and lively, but plenty of comments like that already exist, both here and on other sites.

Mostly I'm just... sad about it. I really DO enjoy the characters and was looking forward to playing the game much more optimally than my sloppy first run where I took FOREVER to get a love interest seeing as I didn't realize they were guaranteed to reject me if I had any side story going on (because the confession is also considered a side story) and I was always going right from one character's events to another until finally exhausting all of them. But I can only force myself to play for like 2-3 hour bursts before I have to stop and do something else.

Ideally I'd like to experience romancing and marrying all the characters in this game, but I genuinely don't know if I can get myself to play the game enough to beat it and romance a small handful of characters ONE more time, let alone several. It just makes my frustrations and complaints pile up until I feel like going back to RF4 instead, which solves nothing when what I yearn for is a better game with THIS cast of love interests. Instead of the wonderful (not perfect, but still great) game that I've already seen nearly everything there is to see.

[quinn-pop]

shoutout to that one mtdd confession comic i drew last year that i never posted because uhh

it was unscripted so the ideas were pretty disjointed and it showed a lot. anyway:

[detectiveneve]

speaking strictly from a plot & writing perspective here, not a commentary on characters or who or who is not my favorite blorbo (they all are). it's gale time and I wanted to get down everything I thought about this go around with his romance & the writing before it escapes me.

so I once again had a ton of fun of course, the game is still a blast, and several arcs were way more satisfying this time around simply because I ... did not skip the creche, unlike my very first run (I was an idiot) (I didnt think it would be that important) (it really really was). love it 10/10. I cannot WAIT to do my gith run & really focus in on that because the lore there is just, so cool, and that subplot was really rich & rewarding this time around since I had someone who was not orpheus become a mindflayer instead.

as for Gale, Thank Fuck I started before they bugged him up again too much. but let's deep dive into The Material.

shoutout to Tim first of all, he's a legend, dreamboat, superstar. there are so many lines delivered so effortlessly when they would sound ridiculous in anyone else's mouth. he gives gale so much soulful intensity and subtle, nuanced gravitas befitting someone like gale; with enough of Gale's own moments of silliness, cheekiness, wry wit & understated sarcasm, to outright flabbergasted at times, I was Giggling every conversation fr. I'm not usually prone to the "I LOVE YOU" Romances that come earlier rather than later, but ohhhhhhh tim gives each line with all the weight & agony that you can feel inside Gale when it comes (the looming death; not knowing what the end may bring; not wanting to leave any regrets behind) so like. MWAH to him. MWAH MWAH. all the kisses in the world.

okay mandatory compliments to the actor aside. I came out of the whole thing with breadth of new appreciation for Gale as a character in terms of the... concepts, threads, that make him up, and act 2 is where he REALLY shines overall.

I didn't necessarily come away from it with the same... weepy...... done-no-wrong? interpretation of Gale that I've seen floating about. he's lovely. he's intense. he's got soul-crushing devotion on his mind, no doubt. but for every fracture of tenderness, raw sincerity, & off the cuff soliloquy, he's got a lot of interesting flaws/characteristics I'd love to unpick with a fine-toothed comb on some replays or rewatches. Still trying to turn over in my brain exactly what that is, but it's there, and I love it. will say I'm really glad I played it mostly in a vacuum rather than getting too into others' thoughts on him, because What I Had Seen on the Webbed Site had near put me off entire (seeing someone say he's not prideful or pompous at all... when he self-describes as pompous?) -- maybe it's my tendency to focus in on what makes a character tick, when are they sharper, or harder, or meaner, and I enjoy watching that play out a lot, but? yeah. I didn't come away thinking him a super soft mushy mwahmwah -- ROMANTIC, yes, but overall as a character not nearly so lovesick and in desperate need of some protector. in fact when you tell him you don't want to be his crutch, he says as much too -- you've helped him, but you're not the sole focus of his person or the only thing keeping him alive.

there's enough of the humanity in his cheekier moments (stop licking the damn thing!!) and plenty of tear-jerking aside all of that. gale my canon-depressive-episode, mildly suicidal, chronic pained up, still-kind-of-full-of-yourself king. I adore you I love you I cradle you softly in my arms. he charmed me entire! I think that the themes hey were trying to tackle are really interesting and nuanced and I do have some thoughts on the success of the game in actually tackling those, what is there is really wonderful. some gorgeous writing in act 2, especially, and it was sold so well by the voice acting & sincerity in the writing I was just like. PERFECT. 10/10. NEED TO WRITE 98 FLUFF PIECES RN. which does not happen often, to me, as a person.

with. some exceptions, going back to critiquing act 3 as a whole.

act 1 & 2 are both strong, really nice. however this romance definitely needed at least one or two more scenes in act 2 to pad out the space between awkward flirting at the party to "I like it when you're sweaty and bloody-- sorry who said that" to "I LOVE YOU. I LOVE YOU." -- these scenes should've elaborated on Gale's personal feelings; of mystra, of what's been asked of him, of Tav. they should've set in threads of Gale's anger earlier, rather than the jarring shift from late act 2 "yeah I'll kill myself" to "actually... mystra fucking sucks! lol!" in act 3 at sorcerer sundries. yeah babygirl, mystra DOES fucking suck, wish I could've listened to you as you arrived to these conclusions rather than connecting empty character lines between act 2 and 3. and act 3 desperately needed more space to talk gale in or out of the crown. because by the time we get to the end, if he's really into the crown, he's into it beyond the focus of all else. but in the scenes where you talk him off that particular ledge, it doesn't even take very long to do so, and leaves kind of a weird... gap of intention.

I feel like they wrote themselves into a bit of a corner, honestly. because Gale's personal quest literally cannot be resolved until 5 minutes before the end, any climax wouldn't have much space afterward to pad the aftermath. so the solution to that would've been more character focus scenes, more flavor text depending on how you've influenced gale, something that actually makes the choices feel rewarding -- some hurdles to cross too, checks of some kind. but there really isn't any of that, and so the conflict is almost nonexistent. you squirt gale with a water bottle and he gives up the crown with no real additional dialogue. or you tell him "ma...maybe???" and he's suddenly a power obsessed little freak (complimentary) with no recourse, and in either case, we never got much dialogue to get some insight into his personal thoughts on it. this doesn't make Gale a bad character, but it does leave the narrative to be lacking in some regard.

like, for example. Astarion gets dialogue changes depending on the quest outside of character-specific moments (such as a spawn Astarion changing his dialogue after you help Aylin with Lorroakan), post-quest conversations, PRE-quest conversations with his siblings, moments where he reveals more of what he thinks (such as "You're... you. no one is like that.") etc., Gale gets None of that. the only other characters who really do are Lae'zel and Shadowheart; everyone else is either shafted or resolved in the last few minutes too. I came out of this most satisfied as a player overall with LAE'ZEL'S conclusion (also at the end of the game!!) because we had gotten a few more moments where her focus is obvious and her motivations are clear.

anyways, those are just general writing issues. Act 3 overall is the weakest, most agree, and that's still true here. Sadly it kind of takes some of Gale down with it in this case, because his personal quest is both so removed from the overall plot (despite him being a literal fixture as the only character who knows anything about the crown & was decreed by a literal god to take out the absolute).

however none of this is related to Gale as a guy. as a guy I'm Fucking Obsessed With Him. taking him with me everywhere was so rewarding especially in act 1 / 2. his commentary & insights, when they were there, ranged from funny as fuck to genuinely insightful & interesting for the overall plot. the ideas behind him, the glimpses we get of the life he led before, and the life he wants to lead after with Tav -- or what he alludes to wanting to lead with Tav, thinking that he'll still probably die at the end of this -- are lovely, interesting, TOUCHED MY SPIRIT. he's such a neat version of how to do a character that is as endearing as he can be foot-in-mouth, and as intelligent as he can be a little belligerent. I looooved every moment I could talk with him about magic in act 1, see his passions (beyond mystra), argue with him about how to do something (I'M the magical wonder here actually and I get to make the shadowlantern), all of that really MADE the romance for me in the lulls where his Silence or the gaps in his writing were more clear. 10/10 would kiss that fucking wizard again and cry a little bit thinking about exploding with him aboard a giant alien brain while one of those "ITS YOUUU I LIE WITH" songs plays in the bg

[gifti3]

Hmm dont get mad but

Not really into this whole everyone spilling their guts to me under the mistletoe thing

[airenyah]

thinking about my tags on this post, specifically about:

#i keep watching ships on other shows kiss and it's like#this is nice and all but!! it's just not แค่เพื่อนครับเพื่อน bad buddy series ep. 5 [4/4] (11:33)

and it's like. not gonna lie but this applies even to the patpran ep11 beach kiss

[brucenorris007]

@dragonballwish

Trunks sighed; he was watching from the balcony while his mom “checked” if the time machine was in working order, comparing it against the one that’d brought Cell to this timeline, seeing if she could fine tune anything...

Never mind the fact that he’d kept it in a capsule any time he wasn’t using it.

“She’s just putting off saying goodbye, dear.”

So said grandma—but every time Trunks tried to help Bulma do... whatever she claimed to be doing, she’d tell him he should rest instead since he’d been fighting and gotten hurt dealing with Cell. 

Again, never mind the fact that she knew Dende had seen to the hole in his chest and Trunks barely even had a scar to show for it.

Dad was still off somewhere on his own, reticent and quieter since the battle ended; Goku’s death had affected something, not that Dad would ever share exactly what that was.

Which left Trunks on the balcony, propped on his elbows against the banister. His leg bounced off his toes, the sun reflecting off all the glass in West City glared into his eyes, his hands were clammy and he just couldn’t—!

“Jarring, isn’t it?”

The question startled him and he whipped his head around; thankfully not violently, since he knew the androids were gone in this time and he’d sensed a modest ki signature. Most of the Briefs family friends were lingering around the building somewhere so they could see him off.

Roshi stood in the sliding glass doorway, regarding him from behind his sunglasses. 

They... hadn’t interacted much. Trunks knew he existed, obviously, but he’d never come up all that often when master Gohan or his mom talked about their friends before the androids. 

“What?” He asked, wiping his hands on his jeans again.

Roshi paced up beside him, puffing at a pipe. He didn’t say anything for such a stretch that Trunks almost wondered if he’d said anything to begin with. 

He lazily blew out a perfect ring of smoke, then:

“Peace.”

Trunks stared.

Blood raced between his ears.

“Quite the stark contrast, hm?” Roshi wondered aloud, as if only speaking to Trunks tangentially. “These quiet times when there’s no mission, no monster to face.”

Trunks gripped the banister, clenching his other hand into a fist.

“I still...”

“Oh,” Roshi said, empathetic and not dismissive. “I know, I know. It never stays quiet; but by the same token, warriors are never always necessary. War does, at times, come to an end.”

Trunks swallowed.

“That’s a good thing!” He said, emphatic. Maybe a little too quickly, by the way Roshi looked at him. “It’s good... right?”

Roshi nodded. 

“Of course. Just—take one word of advice from an old man.”

Trunks blinked.

“When your mission ends; when those days come that leave you feeling restless and ill-at-ease, be patient with yourself. Find those things that bring you joy. The itch at the back of your mind will abate eventually.”

Trunks’ throat went dry.

Roshi frowned at his pipe and tapped it against the banister, unloading its contents into one of the bushes below. He leaned in closer and whispered conspiratorially.

“Don’t tell your mother.”

Then he walked away.

Trunks’ mouth moved uselessly without mustering a sound as the old hermit disappeared. Accounts of Roshi’s character had always been few and mixed in the future. Gohan had once tentatively, kind of uncertainly, named him a second grandfather in that he’d been his Dad’s master. 

Trunks’ Mom in the future had been decidedly less complimentary. 

Then again, given what Trunks now knew about Yamcha after meeting the man and interacting with him, maaaybe his Mom wasn’t always the most reliable source.

Trunks looked back down into the yard, where Bulma was extracting baby Trunks from the dilapidated time machine Cell arrived in.

His mouth ticked upward, and he let out a sigh.

The sun wasn’t glaring in his eyes anymore.

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

[lover-of-mine]

People that want Leah and Walker to dye their hair have never actually touch their hair and it shows , I love dying my hair but I understand the amount of works it is and the fact you hair never truly comes back to the way it was and these are kids ! Why would you even think about wanting to make them do one potentially damaging to their hair when we actually have stories of young kids actors that as adults say they regretted doing stuff to their hair and also walkers curls and Leah braids are so beautiful, when she had the ponytail and pigtails there wasn’t a more annabeth look than that

Honestly tho, I don't think people realize that if they dyed Walker's hair, they would've probably be dyeing it every 2 weeks because of how light his hair is and how the roots would look, and that would be so damaging to his hair in the long run. And people are arguing that since Leah already had braids in, they could've used blonde braiding hair to make her blonde, but there is no point in making that, her braids following her natural color look perfect with the character. She embodies Annabeth so beautifully, her hair color should be the least of people's worries. And the way there are people who are mad they didn't put her in grey contacts too, like, do yall not realize you're actively telling a CHILD she shouldn't look the way she does??????? I knew I would be wanting to fight strangers on the internet over the trio but OH MY GOD