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rayofspades · 3 years ago

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How to Write a Horror Story: The Magnus Archives

This post is kinda weird since most tumblr fandom content is based on the assumption that Everyone Has Seen The Thing, but since this is a transcript of a video essay, it’s more broad.

I might link the video in a reblog since, you know, tumblr doesn’t like links.

Anyways, here’s the post:

Hello Jon, apologies for the decep-

I’ve seen a lot of mystery shows in my day, and some supernatural shows, and the common thread between them is that they kind of...fall apart as they go on.

Obviously, this is a generalization and I haven’t seen every mystery show or every paranormal show, but it’s a pretty common problem.

At this point in pop culture criticism, it’s basically common knowledge that these shows fall apart due to a lack of planning. If a mystery series is making shit up as it goes along while trying to surprise the audience, it’s going to stop making sense at some point. And if an episodic paranormal show is constantly trying to up the stakes, eventually it’s going to become absolutely ridiculous and stretch the audience’s suspension of disbelief past a breaking point.

Other people have already talked about this stuff to death, but today I want to talk about a paranormal mystery show that actually succeeds at what it set out to do.

The Magnus Archives is a podcast written by Jonny Sims and directed by Alexander J. Newall. It ran from 2016 to 2021 and it’s...really really good. It’s an episodic horror story, taking place at the fictional Magnus Institute where the head archivist reads various statements about people’s encounters with supernatural entities. It’s got it all; scary stories, mystery, an overarching plot, office comedy, office romance, office tragedy, a villain that’s making straight men everywhere question their sexuality, and an overall really solid structure.

If you listen to the Q+As put out by the writer and director, you’ll hear them talk about how they planned the series from the beginning, setting up the layout for each season. Some things were definitely changed throughout the actual writing process; that’s just inevitable and necessary when you’re working on a long running show, but in a general sense, they knew where they were going. But, writing a good story doesn’t just involve knowing where you’re going; it’s about executing whatever plan you have effectively. And I think the execution of The Magnus Archives is pretty brilliant, so I want to talk about it.

And for the record, I said “brilliant,” not “perfect.” I do have a lot of criticisms of this show, and I’m definitely going to talk about those too, because honestly? Even the problems with this show are interesting in their own right.

Ok, let’s go.

Oh, spoilers by the way. For the whole plot. Whole thing.

Part 1: Horror and Mystery

Ok, so The Magnus Archives has two separate plots going on: the episodic stories that can be listened to individually, and the underlying meta plot. The former is where most of the mystery storytelling takes place, and it’s a really engaging mystery. It’s starts off slow, and almost undetectable at first. The main character, Jon, also known as The Archivist, is just reading out old scary stories that people have delivered to the Magnus Institute. Stuff like; a college student sees a ghostly inhuman figure asking for a cigarette, a woman’s fiancé dies and she finds herself trapped in an empty graveyard, there’s this goth kid who apparently murdered his mother and then skinned her? But she’s kind of still alive? What the f*ck? Hope we never see that kid again. Also, this “Jurgen Lietner” guy wrote a bunch of cursed books and Jon knows about this? Are more books gonna come up? And then you’re like, wait is the goth kid who killed that burn victim the same goth kid who killed his mom like 8 episodes ago? Holy shit the family of that girl’s dead fiancé FUNDS THE MAGNUS INSTITUTE? Did this famous youtuber meet one of the missing people from episode one? The goth kid is back and he’s looking for Leitner books? The name “Michael” has come up like 6 times? Are they all the same guy? I just—who the f*ck is Jurgen Leitner?

So yeah, as you can see, a lot of these stories connect in cool ways, and I’ve only mentioned like, 0.2 percent of all of those connections. Furthermore, these stories are told out of chronological order, and sometimes the same scenario appears in more than one statement, told from different perspectives. This asymmetrical storytelling and odd doling out of information creates a mystery that’s really interesting. It also makes for a great re-listen, since you can retroactively see what elements were set up before you even realized that they were going to come back.

The audio format contributes to this too; you can’t just see that the table from episode three matches the pattern on the box in episode eight. You have to pick up on clues that were mentioned and pay attention to what people are describing, and it’s highly rewarding when the pieces all start to fit together.

There is a bit of a downside to this though. Technically The Magnus Archives is a horror story first and a mystery second, and these two elements can mesh in weird ways.

The horror is element is really strong. Each story is completely different, sometimes focusing on psychological horror, body horror, or supernatural versions of more primal fears like heights, darkness, enclosed spaces, etc. Basically, if you’re afraid of anything, there will be at least one episode of The Magnus Archives that gets under your skin.

Jonny Sims can really sell his stories through both his writing and acting. He plays Jon, by the way, and plagiarized his own birth certificate for the character name. (For future reference, Jonny is the actor, Jon is the character). Overall, he’s really good at writing prose, and each narrator has a very distinct voice even though the large majority of the stories are being read by one character/actor.

Obviously not every episode is a bull’s eye. Sometimes it’s due to the subjectivity when it comes to what you as an audience member are scared of, and occasionally it’s just weird writing decisions. I’m thinking specifically of episode 21 where the line “the sky ate him” is said, and it is the worst line in the entire show. The whole goddamn show. That’s it. That’s the number one worst line.

But still, overall, the horror storytelling is incredibly solid, and some episodes even gave me brand new fears, like the unholy isolation of being in space, or the concept that someone you love could be replaced by someone completely different without you noticing.

But here’s the thing;

A lot of good horror is based on the absence of explanation. Most of the episodes that gave me the most visceral reactions of genuine terror come from the first two seasons, because that’s when the audience has the least amount of information.

For example, in episode two, a really terrifying coffin is introduced. It’s creepy, it reacts very strangely to water for some reason, and appears to compel people to try opening it. By the end of the episode, the audience never finds out what’s in that coffin and that is a good thing. That is a huge part of what made that episode so unnerving.

And then a few seasons later, we do find out what’s in the coffin, and to be fair the answer is both very creative and very scary, but it also takes a lot of the punch out of episode two.

No matter how f*cked up your thing is, it’s not going to compare to whatever the audience can conjure up in their own mind after such a creepy set up. This problem isn’t just stuck in this one scenario either; there are a lot of early episodes that, while still good, seem a lot less creepy in hindsight after you learn more about the scenario.

I don’t think it’s bad writing, but I do think it’s a double-edged sword. Jonny Sims even mentions this sort of issue in the first Q+A.

But yeah, to sum up; the narration is good, the ideas are creative, and seeing the mystery unfurl itself is deeply compelling. And for the record, the mystery elements aren’t of the Sherlock Holmes variety. It’s less about finding out who did the thing, and more about discovering how all of these individual points are intricately connected, pulling on each other as they move. Woven together like a... oh shit what’s the word? Gah, it’s on the tip of my tongue. Ah, whatever, I’m sure it’s not like a running motif or anything.

Part 2: Stakes

One of the main reasons I stopped watching Supernatural is that it devolves into complete f*cking nonsense. At the end of season five, the boys literally defeat the devil, and then the show...keeps going? Which would be fine. It’s also, largely, an episodic show, so if they have more creative ideas, they could definitely keep going with it. In fact, there are some post season five episodes that I thought were pretty good. But as they kept trying to outdo themselves with Bigger Bads, it got kind of difficult to suspend my disbelief. And the final nail in the coffin for me was the end of season nine, when Crowly basically points out to the audience that the main characters keep dying and coming back to life, so there are no stakes. The most-badest bad guy can always be defeated because some new Thing can just come out of left-field, and dying isn’t even on the table as a threat since people have tons of ways of coming back to life.

The Magnus Archives, while being a show based in the supernatural, notably doesn’t bring anyone back to life, even though some very beloved characters die. I say “notably,” because in the season three Q+A, Jonny even says, “We make a point not to bring people back from the dead in Magnus, I know it sometimes feels like that, but we are very careful to never actually resurrect anyone.”

Upon listening to this I said “oh my god, these guys are the only writers left who at least kind of know what they’re doing.”

Also, as far as plot progression goes, The Magnus Archives is lowkey structurally perfect in the way the threats escalate in the underlying plot; both in terms of destruction and power and in terms of emotional consequences. Season one starts off with one major threat that’s dealt with by the end of the season, season two reveals the main villain, season three lays out the grander forces at play, season four ends the world, and season five is about un-ending the world. The difference between season one and season five is vast, but how we got there makes perfect sense.

As for the emotional stakes, let’s talk about themes and characters.

Part 3: Themes and Characters

At the very end of season two, it’s revealed that the supernatural happenings in the Magnus universe are the result of entities far beyond our understanding. Since their existence is so fundamentally different from what we can comprehend, they interact with the world through cursed items, creatures, and humans who have dedicated themselves to an entity.

A lot of people read this as a metaphor for late-stage capitalism, and I am one of those people. A bunch of faceless entities exploiting humans through means of dehumanization and causing people to suffer because it feeds them seems like an appropriate metaphor.

While we’re on this topic, I do want to talk about Elias, since he’s the main villain of the entire series and also one of my favorite villains of all time. The Magnus Archives is a series that deals with a lot of moral questions and has a lot of characters who do morally questionable things, so one might assume that the villain of said series is, you know, morally ambiguous and sympathetic to some extent despite being “the bad guy.”

Nope! No stops, full bastard. It’s great.

He falls under what I’ve deemed the “unbeatable boss” archetype. He just doesn’t tolerate insubordination or resistance, and that combined with his lack of empathy means that anyone who crosses him is either killed or brought to heel. His power set is cool too. On the surface the ability to see out of any eye and read minds sounds useful, but not deal breaking, but the way he uses that power to manipulate people and anticipate threats...yeah, it makes him kind of impossible to beat.

He’s just...so evil and he loves being evil and every single f*cking thing he does pisses me off and makes me want to kill him. It’s. Great.

Anyways, I think Elias’s role as the central antagonist is what makes the capitalist reading so common. He’s the head of the institute, he’s wealthy, he’s powerful, and he dehumanizes people in ways that are both brutal and chillingly indifferent. He seems like an appropriate stand in through that lens.

I also love how voice actor Ben Meredith plays him like’s he’s trying to seduce the audience.

With all of that said, I wouldn’t call this the critique of capitalism a direct allegory or anything; in much looser terms, this could be a metaphor for any power structure that exploits humans. Organized religion or cults might be even more on the nose, considering there’s a lot of mentions of rituals and worship within the show.

But if we boil it down to its barest aspects and focus on the avatar characters, The Magnus Archives is a series about people becoming monsters. Or, at the very least, becoming worse versions of themselves. That can mean a lot of things to different people in a metaphorical sense; the tense relationship between desperation and morality, the eagerness to please at the cost of one’s own mental health, the psychological traumas that lead people down dark paths, and how personal choices can still be dictated and manipulated by outside influences. It’s kind of heavy stuff, but put into a digestible package through the show’s abstractions.

Well, for the most part.

There’s some debate as to whether or not Daisy’s arc was handled tastefully. While her demise and Basira’s character arc were clearly meant to condemn police brutality and the deeply corrupt system that allows it to foster, it’s still a weird subject to discuss in such a fantastical context, and there is a strange sympathy for the devil angle that can get kind of uncomfortable for some listeners.

Okay, stepping back from that for a bit, let’s talk about Jon and how he fits into this whole “people becoming corrupted” thing.

Jon has one of my favourite brands of character arc, which is one based in deterioration alongside growth. The most obvious way this takes form is his departure from humanity as his relationship with the Eye drives him to psychologically harm others, and he finds himself sympathizing more and more with the people he was afraid of, stating in episode 152 that anyone listening to his recordings might compare him to the other avatars that have had their minds and morals twisted.

Over the course of the series, he is repeatedly traumatized and the show makes a point that he is being both physically and emotionally scarred. These happenings are what drive his motivation for revenge in season five, and he even states that revenge is making him a worse person. As a character he’s constantly berating himself and his own monstrousness, much to Martin’s dismay.

That’s why the finale destroys me in the best way. Upon seeing that Jon has betrayed him and basically given himself over to the Eye, Martin asks “how much of you is even left?” And when Jon tries to reassure him that he’s still himself, Martin’s response is “how would you even know?” This cuts through me every time. Up until this point, Martin had consistently stood up for Jon and Jon’s humanity, even in the face of Tim’s doubt, Basira’s mistrust, Elias being cryptic, and Jon’s own self-hatred. This is the ultimate breaking point, the point where even Martin, the love of Jon’s life, doesn’t really recognize him. It’s brutal. Because at the end of the day, Jon is still himself; he’s a deeply broken person trying to make the right decisions.

We’ll come back to the finale later, but for now I want to talk about the romance.

Jon’s emotional growth throughout the series is largely tied into Martin. Martin’s the first person that Jon really opens up to, and this later grows into trust which then turns into a genuine emotional connection. On the flip side, Martin’s growth in season four is largely tied into Jon. Martin starts season four basically waiting to die, but Jon’s return gives him a reason to keep living, and he’s later able to recognize his own value outside of the pure utility of ‘you need to set yourself on fire to keep everyone else warm.’ Both of them give each other reason to push onward despite everything becoming more and more hopeless.

It’s a good romance. I wish the two had had a few more scenes together before the culmination, but it is built up over the course of four seasons and comes together in an utterly fantastic confession.

And yeah, the scene with Martin and Jon in the Lonely is cheesy as hell, but it is the highest quality of cheese. These are some gourmet nachos.

Umm, also kind of stating the obvious here, but it’s also pretty cool that the main character in this horror story falls in love with another man. You don’t see that a lot, and it’s cool that no one even makes a big deal out of it. It’s just a normal romance, but with two guys. It’s nice.

So, they go to Scottland, they hang out, they’re in love, Jonalias starts the apocalypse through Jon, the world ends, and season five starts!

...Let’s talk about season five!

Part 4: Season 5

At the very start of this post, I said that supernatural mysteries tend to get worse as they go along, and I am deeply sad to report that I don’t think that The Magnus Archives is an exception. It just goes downhill in a very different way than its ilk.

And, so we’re clear, I don’t think season five totally tanks or becomes unlistenable, it’s just, in my opinion, notably worse than the rest of the show.

As discussed earlier, it doesn’t fall apart due to a lack of planning; everything still makes sense, but the presentation has changed drastically. The episodic statements are no longer scary stories, but more like slam poems about the various hellscapes that Jon and Martin are trekking through. Honestly if these were published in a book of slam poetry, I would probably think they slapped pretty hard. I genuinely believe that Jonny Sims is a good writer, but as a podcast a lot of these statements just made me zone out. There’s at least four that I don’t even slightly remember. Myself and many others have noted that they just...aren’t scary, unless there’s a specific episode that really gets under your skin due to a certain fear or phobia.

To quote my friend, “it’s harder to feel a solid impact when the setting is literally divorced from reality. People would either go numb or insane to the point where their fears become unrelatable.”

And, to be honest, I think that this same surreal odyssey set up could have worked with a slight shift in narration. Two stand out episodes for me were “Strung Out” and “Wonderland.” Both of them show the tormented target actively trying to resist and interact with their tormenter, instead of just trying to escape or live through their situation. “Strung Out” is also more of character study; you learn about Francis’s life before the apocalypse through their interaction with the Web hellscape. Meanwhile “Wonderland” is just...f*cked, and you get to see Jon take the perspective of first-person Bad Guy throughout the whole thing, which is its own level of disturbing.

But the majority of episodes feel so abstract that I kind of forget the people trapped in them are supposed to be characters and not just concepts, so it’s harder to feel their dread and pain.

But I’m still here for the metaplot, the drama, and the romance. And when that’s good, it’s great! I think the final handful of episodes are really solid in that regard.

Buuuuuuut...

A decent chunk of season five is dedicated to the “kill bill” plot. Jon discovers he has the power to smite people, and while at first, he’s embarrassed about this, since he actively enjoyed killing Not!Sasha, Martin is super into it! He’s encouraging Jon to murder people.

This is actually the set up for a really good arc. As Jon gets more and more into his own avenging angel persona, Martin could get more and more disturbed by it so by the time they get to London, Martin could be really upset that Jon is so willing to wreak his own divine justice by killing or torturing all of the avatars.

And this does kind of happen. We do reach this end state, and it makes for a good final conflict, but the way we got here was borderline nonsense. Thematic gibberish, if you will.

Throughout the journey, Martin is clearly motived by a sense of justice; these people are bad, and so they should die. Whereas Jon is clearly more motivated by revenge; he only goes after the avatars that hurt him personally. At one point, Jon admits that maybe all of this killing isn’t making anything better, but just making him worse. Martin apologizes for egging him on, Jon absolves him by saying he started it, and then Martin’s like “I’ll keep my apology then.” This is the second worst line in the entire series, right after “the sky ate him.” And it’s close.

But it kind of feels like we’re back at square one. Jon is back to being ashamed of killing and Martin is still keen on his justice stance, but now just less pushy about it. The arc is basically half resolved at this point.

But then it doesn’t matter, because Jon kills Helen anyway. So, Jon’s back on his revenge/justice thing. Then what was the point of his earlier revelation? Why have that if it’s not going to matter and the conflict that was escalating still culminates with Jon leaning into the avenging angel stuff, and Martin being disturbed by it? It just makes both of them look like huge hypocrites! I f*cking hate it when they’re in the tunnels and Martin says “you weren’t meant to enjoy it this much,” regarding Jon’s smiting. Where did this come from?! Why didn’t you say this earlier? Third worst line in the series.

And yeah, I’ll say it; the boys fight too much in this season. I loved their romance up to season five, and their cute moments and more lowkey serious discussions are still good in this season, but God, they fight so much. And I’m not saying couples can’t have fights or tension, that’s just realistic and also stories need conflict to be interesting. Jonny Sims is on the record saying that balancing a healthy romance with the stress of a literal apocalypse was a priority, and I’m sorry, but I don’t think it’s well balanced. I’m just saying that sometimes it feels like they don’t even like each other and it really started to grate on me.

Maybe it would have been better if the beginning of this season was dedicated to charming romance at first, so we as an audience could better appreciate how strong their love is and how it’s truly being tested. But obviously that was never on the table—

ALEX NO.

So, yeah, I have a lot of problems with season. I think it’s the worst one by far, even though there is a lot of it I still enjoy, including the ending.

As I mentioned before, the moment where Martin confronts Jon in the panopticon absolutely kills me, and Jon’s reaction kills me even harder. Throughout the season, Jon had largely been motivated by revenge, martyrdom, and the subconscious call of the Eye, and all three of those factors led him to his position as the pupil. He’s getting revenge against the powers, sacrificing his humanity to get rid of the Fears, and taking his place as wearer of the watcher’s crown. But all of this gets thrown out the window when he realizes that Martin is going to die. And not only is Martin going to die, Martin is going to die specifically because he loves Jon and refuses to leave Jon alone to die horribly. Martin had always been an underlying motivation for Jon, his “reason” as stated in episode 167, but now love as a motivator has come to the forefront, and Jon can no longer go through with his plan because of it. But at this point in the series, they’re both utterly doomed, and Jon concludes that the only possible chance they have of surviving, however unlikely, would be to sever the pupil of the eye, technically killing Jon, but maybe, just maybe, allowing them to escape with the Fears. Whether that’s meant to be literal or more ethereal is left unclear. Hell, maybe Jon’s just making it up completely and creating his own potential happy ending. It’s a pretty potent ending in emotional terms; Jon has to release the Fears and Martin has to kill Jon, and those are the two things they were dead set on not doing.

The Web, arguably the real main antagonist, basically won, and their manipulation of Jon worked. The destruction spread, and there is kind of a bleak underlying tone to that.

But at least this ending has some semblance of hope to it. I’m not saying that releasing the Fears was objectively the correct moral decision; the entire point of the dilemma is that there was no objectively correct moral decision. But, while Jon’s solution does have merit, it was also the most hopeless. I think dramatically, any one of the choices on the table could have worked if the writing was well executed, but thematically this one seemed like the perfect combination of grim and optimistic. Like, all of the evils that plague humanity can’t just be defeated forever and things could get worse, but maybe not. Maybe everything works out...

So yeah, The Magnus Archives...is a podcast. And it’s a really good podcast. Great, even. I can complain about season five all I want, but regardless of how that worked out, you can tell throughout the entire show that the people working on it were trying to tell a genuinely excellent story.

It’s good. Go listen to it. Even though I spoiled the entire thing and if you’re still here, you’ve probably already listened to it. Listen to it again.

#tma #the magnus archives #jonathan sims #martin blackwood

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imbellarosa · 4 years ago

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Hiii! I was wondering if you read fanfic?? And if so, what are your fav tropes/works??

Hi!!!! I read A LOT of fic from A LOT of fandoms! My fav tropes are either flat comedy or enemies to friends to lovers or friends to lovers or something like that! I only read happy endings, but I don’t mind some angst in the middle. Idk what fandom you’re looking for so I’m gonna give you a list of some of my all time favs from EVERY fandom, and I’ll add one that I’ve written!

Walk That Mile by purpledaisy- 150k words 1D enemies to friends to lovers road trip AU across the US for a fun, banter-y time with some real communication issues that really get resolved well. People always say that a rom com should have a good answer for “why can’t they be together NOW?” And this one does it really well! No real angst, and a lot of fun.

Have Love, Will Travel by @kingsofeverything - 97k words 1D YouTubers on a roadtrip AU! If you liked the first one on this list, you’re gonna love this one too! Sweet and long and full of the memories you would make on a road trip. Lots of laughs with this one, and I wish I could see the “Have Road, Will Travel” video series irl!

Tell Me Now, Tell Me Now by @vanillabeanniall - 55k words 1D Miraculous Ladybug AU but you don’t need to watch the show to ADORE it - I know that I sure do!! Funny and sweet and SUPER ironic, with superheroes and Paris mixed in and great characters! Who wouldn’t love it?

So Let’s Cross the Lines We’ve Lost by thecoloursneverfade - 165k words 1D friends to enemies to friends to lovers uni AU that was one of the first that I read in the fandom and really made me fall in love! Good friends, some angst, hard convos that lead to real growth, and lots of really great characters. This feels real, for a lack of a better word, and is always compelling.

Ain’t That A Kick in the Head by keysmashlesbian, wreckingtomlinson (karasunonolibero) - 23k words 1D comedy AU ft. football player!Louis, Disaster gay!Harry, memes, frogs, head dives, Blue Coolattas (whatever those are), and a very sassy Red Robin waitress named Fiona. I cannot tell you how many times I’ve read it, and I always laugh, and I always find something new to fall in love with.

Leave it To the Breeze by @hattalove - 82k words 1D GBBO AU. This one feels like a warm hug. It’s gentle, fun, has great characters, believable angst, has you rooting for more than one of the characters to win, and is also hilarious, somehow. I’ve read this fic over and over and over, and I especially do it when I have time before a new season of GBBO. Also, have snacks!! It makes me hungry

The Section by bananaheathen - 11k words 1D Uni AU with grad student TAs, sophomore undergrads, art classes, movie analysis, and final essays as methods of seduction. Also, nicknames, nude models, a Halloween party, and absolutely shameless flirting. I loved it, and laughed the whole way through.

I’ve Heard it Both Ways by @adoredontour - 26k words 1D Psych AU. I love this one. I love the fic, I love psych, I love the author. I’ve read most of her works, but this one has such a special place in my heart. Go read it!!

Play it All Night Long by janine_tangerine - 43k words SPN radio AU with DJ!Dean and bartender!Cas, with music, annoying coworkers, sassy siblings, and lots of love. WHOAH WHATS THIS A LIVEJOURNAL FIC??? I know but I read this ages ago, and it has music EMBEDDED WITHIN THE FIC! It was my first introduction to Bob Dylan, who remains one of my favorite artists of all time.

Crossroads State by Mercy - 51k words SPN slice of life AU with Mechanic!Dean, Teacher!Cas, Law Student!Sam, and lovely lovely moments. All sweet, some tension, but no real angst. I read this forever ago, and still come back and back and back to it.

Peace and Good Luck to All Men by KismetJeska - 31k words SPN College Au. DO YOU MEAN THE BEST CHRISTMAS FIC EVER OF ALL TIME??? I read this on the first day of December every year, and it makes me laugh every time. Cas falls in love with his sister’s boyfriend, Gabe and Luke are in a seduction competition, Michael is tired of everyone, and Dean doesn’t know what hit him.

For All You Young Hockey Players, Pay Attention by @thursdaysfallenangel - 144k words SPN enemies to lovers hockey AU. Just. Please go read this. Gorgeous and still one of the best fics in the whole fandom, imo. Cas is the new transfer on Dean’s team, and Dean doesn’t like change.

The Complete Works of Emmanuel Allen by @violue - 54k words SPN small town AU ft. writer!Cas and local business owner!Dean. Dean meets his favorite author, but does not know it’s him. Shenanigans ensue, with a lovely warm feel. Dean builds a mausoleum and owns cats and lives in the woods. Cas needs a change of scene. Sam thinks everyone needs some more company.

The Mirror by cloudyjenn - 25k words SPN parallel universe AU. This was one of the first fics I ever read, and I still love it. Dean touches an enchanted mirror and travels through universes in search of an answer to a question he hasn’t asked. Full of love, family, and companionship.

Asunder by rageprufrock - 24k words SPN AU with Social worker!Dean, Doctor!Cas, Sober!Sam, and RUBY!!! Ugh I love this fic for Ruby alone. This one is more bittersweet. Dean hasn’t spoken to Sam in years due to his struggles with addiction. Sam, now sober, is getting married, and has invited him. Dean can’t face his family alone.

But It’s a Good Refrain by lady_ragnell - 23k words Merlin Radio AU! Merlin has an anonymous gossip radio show, and someone calls in to put Arthur on blast! Morgana is a fan, Arthur is not amused, and a sort of enemies to lovers thing occurs. Just lovely, and it makes me laugh every time.

And Like the Cycle of the Year, We Begin Again by @katherynefromphilly - 208k words Merlin canon compliant. This is the Season 6 we should have had. If you’re at all into this fandom, go read it - it’s still an all time fav for me. Hundreds of years later, Arthur walks out of the lake. Merlin has been waiting.

Give The Dragon a Chili by @supercalvin - 47k words Merlin magical AU based on the story in New Zealand of the cat stealing someone’s underwear. Merlin’s dragon is sort of a thief.

Fundamental Imperfection by Starlingthefool - 12k words Merlin famous author AU. Arthur likes Dickens. Merlin does not. They get into it on a panel, and twitter stan wars ensue. And enemies to friends to lovers where literary arguments are an expression of love, and stories are magical.

The Student Prince by FayJay - 145k words Merlin Uni AU. What a classic!! It’s a magical realism royal enemies to friends to lovers AU ft. a dragon in the walls, a lovely gay soc, Gwen as a Muggle, and some really great characters and moments. Do yourself a favor and go read this one.

Call it Love by @dalek-in-heels - 30k words Merlin RPF. UGH THIS ONE!!! Okay 1.) the author is one of my best friends, and she’s amazing! 2.) lovely fic that takes place at the end of Merlin, and still has one of my all-time favorite misunderstandings in fic ever. “Yogurty Heart” is my favorite way to say I love you.

If Nobody Speaks of Remarkable Things by @watsonshoneybee - 35k words Sherlock AU canon compliant through season 3. This one is sad, but the title is taken off of one of my favorite books, and the writing is gorgeous - as is the characterization. Happy ending, though! I promise! So the journey is all worth it!

In All of the Lives We Are by @dalek-in-heels - 20k words The Magicians canon compliant through the first half of season 3. Sarah does it again and writes one of the best fics I’ve ever read. Art as therapy, a sweet love story in more than one universe, and finding the will to keep going through the worst days. The writers of the actual show should have read this fic and put it on the screen. This is my canon.

A Happy Ending? Sure Enough by me (imbellarosa) - 8k words The Magicians canon compliant up to season 4. This is the only one of mine I’m putting on the list, because I still really like this one! You need some context, but not much? Idk, just if you want to see how *I* write!

#fic recs!#anon asks #i answer #long post for ts #hey anon if you want a more targeted fic rec in one particular fandom come back and let me know #and i'll make you another list!

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jajanvm-imbi · 1 year ago

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I actually said this earlier on a different post, but I'll say it here too:

Its completely reasonable to think Klance was originally planned. Their interactions in the early seasons seemed a little too romantically coded to be something completely made up by fans. Thats why Klance was so popular, because it seemed all too possible.

However, when Dreamworks forced the creative team to change the story in order to keep Shiro alive instead of permanently killing him off like they originally planned, their entire story got fucked over. Seasons 3 and 4 were too far into production to stop and completely redo them, it would have been too expensive, even though it was the logical course of action. Instead, the producers had to make serious last minute changes to the story in order to keep Shiro in the picture. As a result, Shiro and Keith's switched places in the show, and Keith was almost completely written out of seasons 4-6 because Shiro was never supposed to be there. Any and all possible plans for any sort of development between Keith and Lance were thrown out the window because Keith wasn't there.

But as previously said, Voltron wouldn't have survived until the end without the rabid and feral online Klance fandom. The writing was very rapidly going to shit because there wasn't enough time to properly rewrite seasons 3 and 4 in order to meet Dreamworks' demands, and every season that followed suffered because of the decisions made for seasons 3 and 4. Everything was being improvised, and the storyboards for season 8 weren't finished until MARCH 2018 because of how behind schedule they were.

(I feel like the creative team don't get enough credit. Sure the show was a MASSIVE flop but their working conditions were less then ideal. Its impressive they got anything done on time due to the constantly changing ideas.)

The VLD producers knew that the Klance fandom was the only thing keeping the show alive, and continued to use Klance as bait until the very end. The VLD producers willingly enabled the notoriously toxic and violent Klance fandom with thumbnails and HotTopic merch, and allowed it to reach a point that the lives of their cast and crew were being threatened by the rabid Klance fandom, just to get the ratings they needed to stay afloat.

THATS the disgusting part of all this. Whether Klance was originally planned as endgame or not, the producers used its popularity to keeping their already declining show running at the expense of the safety of their cast and crew.

I know next to nothing about BBC's Sherlock and Johnlock and whatever, but what the VLD producers did was sinister. Putting their creative team through both production and online HELL for some ratings, and it blew up in the most humiliating way possible. They did alllllll that, just to get one of the worst endings to an animated series of all time. Literally everyone hates them for what Voltron became, putting the lives of their creative team in danger was for nothing.

And obviously the producers can't completely blamed for the show's outcome, Dreamworks ruined their original plans. But continuing to use Klance as a marketing tactic while your fans are getting out of control and your creative team is being put in danger is just appalling. It was in their power to tell the Klance fandom Klance wasn't endgame, and that probably would have quelled the fire, but instead, with every season, they threw more and more gasoline into the dumpster fire.

So if you haven't already, vote Klance in this poll.

(I'm linking my source for all this info here. Its a video essay that I totally recommend watching. Super duper interesting.)

Submission message: howdy, would like to submit keith and lance from voltron (lmao)

Submission message: BBC Sherlock and Moriarty / BBC Sherlock and John Watson

Additional propaganda: Now Keith and Lance on the other hand was a whole fucking mess that they then shoehorned in an hetero romance to try and "fix it" but by lord it was bad, everything about voltron is so fucking bad

Anyway this is my Klance propaganda : They were actually bait

Klance's queer baiting by the team was the worst!! We had to deal with NETFLIX ALSO GETTING IN ON THE QUEER BAITING!! If you searched up Kkance during the times for season 6-8, the SHOW WOULD POP UP. The directors would make jokes about it being canon, even Lance's VA got in the joke!

Their queer baiting was the worst for anyone who was even looking for an ounce of queer rep in that show. The only queer rep we got was a man who died after not even 5 minutes on screen, and shoehorned in the credit scene of a gay wedding of a character that was neither Keith nor Lance.

I do not know Agatha and Sophie, so I can't argue that klance was bigger bait or not, I just know voltron was mean lmao. the creators said stuff like "lance will be someone's first choice!" (meaning NOT ending up in a relationship with allura bc she very much chose another guy over him) and heavily implying he would be Keith's 1st choice (or a guy in general bc of point number 2). point number 2: they also released official art showing how super cool and diverse the main cast was! race! gender! LGBT - they had shiro (who was......canon gay but that's a whole other can of worms) and lance hold the sign with LGBT on it and then did absolutely nothing with that w lance at all (he hit on allura, so obvi he's not gay, but at least bi or smt) (UNLESS you count the scenes where he's flirty with keith). I just remember going into the last few seasons being like "klance probably won't be happen be honest with yourself there's like no queer kids shows!! but damn like it so could tho!!! because of how much it's been teased both in the show and by showrunners like I can't have no hope with the way the producers talk about it!" lmao I should have had no hope, but i genuinkey believed there was a possibility it could happen. and actually I discovered after the fact that i think one of the writers for the show who was the main advocate for klance (they had a lot of diff writers for eps, which led to lots of character butchering but ANYWAY) left not terribly long into the show I believe bc he didn't like the direction it was moving in and didn't want to be tied to the show anymore. so it's not like fans just made klance up either - it was written into earlier episodes with the hope and plan to continue developing later, and then just nothing ever happened with it besides INTENSE teasing it to keep queer fans around. esp after shiro's relationship was literally only a flashback and then his fiance thing or whatever got blown up before we even got to watch him interact w shiro as we knew him in present time in s7, so I think they kept being like hmmm klance and the stuff about lance being a first choice before s8 to keep ppl around. also esp bc klancers made up such a big portion of the fan base. then they made a horrible szn and ended it w a flashforward to shiro marrying some random background character who maybe had 1 line? I just remember hitting the flashforward and being like uhhhh who is this dude??? but they did that to hit those diversity points wow first gay marriage in a cartoon or smt idk it doesn't count to me really. so anyway voltron in general is queerbait lol but klance is because it started out as a legit possibility and then they said sike! but only maybe sike bc u guys are mad at us burying our guys in s7 so maybe klance could still happen haha okay now we're serious no it's not happening. anyway I think klance is p bad queerbait and a vote for them is a valid vote, not just u liking the ship.

#im sorry but johnlock is a household name in ther queerbait trenches

I don't know much about blaze runner, but this website made me endure Johnlock FOR YEARS, that ship makes me so fucking angry, and it's so much bait, the whole fucking show is just 4 kinds of bait in a trenchcoat trying to pass as something good, and Tumblr(and the rest of the goddamn world) ate it up like a five course meal. So anyway that's why I'm voting Johnlock

#I've been thinking about this all day since I saw the first 'Klance was queerbait' post i ranted on today #klance #queerbaiting #tumblr polls

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askzloyxp · 5 years ago

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Mumbo or Iskall are the only possible Demise winners because it’s the only outcome that will sedate the shreeking pre-teens.

In many ways Hermitcraft is like professional TV wrestling: it’s real because the stunts are real, and most of the drama is unplanned improvisatory brilliance. But let’s not beat around the bush: the Hermitcraft members are not idiots, at least not since the Sheep Head incident of Season 5.

In this essay I will sketch out reasons and evidence as to why the winner for the Demise is planned and why it is going to be one of the three remaining Dragon Bros, with Mumbo being the most likely one.

The thesis of this piece basically comes down to this: Hermitcraft is aware of the destructive qualities of its fanbase and will plan Mumbo (or to a lesser degree Iskall, or to a lesser degree Bdubs) to be the winner of the piece.

This requires us to prove that first and foremost Hermitcraft is aware of the destructive qualiies of their fanbase. Luckily, season 5 provided us with just the thing: the Sheep Head incident. Long story short, for a skit BdoubleO pretended that StressMonster stole several somewhat hard to get sheep heads from one of his chests. He later revealed that she didn’t and that he was just being forgetfull and left them in a different chest - part of the whole “going insane” shtick he was doing for the whole season. Naturally, his fanbase of thousands never made it to the “oh wait, I’m just an idiot” part of the joke, and Stressmonster’s comment section was overrun with harassment and reportedly even death threats (and I have to specify that I never seen death threats exactly myself, but only because they cleaned it up with a nice swoop of a banhammer. I personally know about this because I was told by one of her more hardcore fans). Bdubs actually had to have an intervention with his fanbase in a hermitcraft episode telling them to tone it down, but in my opinion, it was too little too late, wouldn’t work on the people at fault, and frankly what did they think would happen if you pit a 10K subs channel against an over-a-million one?! (probably that it would bring a new bigger audience to Stress, but that’s just me backseat youtubing)

The Sheep Head incident was a grim reminder that the internet is the internet and the internet is also horrible. The whole NHO storyline got real soft right after it letting way for ConCorp shenanigans, which I personally found more fun anyway, but that’s neither here nor there. The message was clear tho: Hermitcraft needs to thread lightly with their bigger channels, a lesson they will not forget.

And we know that forget they didn’t, as the fanbase was swift to remind them of it. Ever wonder why we never found out the identity of the Jingler and the storyline was left to go cold? Well, it might have something to do with the Architect infinity room being Jingled. The butthurt of Grian’s sizeable fanbase was massive at the time, as pre-teens were pisssed that the reveal of it to Mumbo was “ruined”. Therefore HC just swept the Jingler identity under the rug as to not give all that pure Kyle energy a target.

Which is fine and actually pretty smart, given the circumstances. But this made the Hermitcraft storylines a very easy to spot weak point: now people with larger channels would become untouchable within the storylines.

A very simple example there is that aside from the Demise, this season so far GRIAN HAS NOT BEEN A LOSER IN ANYTHING. Every Grian-centirc storyline - and let’s face it, they’re all Grian-centric - has resulted in Grian winning or a least losing to himself. The Hermitville Build off? it’s a tie. The Area77 raid? Grian successfully accomplishes everything he’s setup to do. The Civil War? Grian’s team gets to win and Grian personally heroically delivers the last flag at the last moment!

The Jangler v Sherlock Grian storyline is specifically all about how Grian is smarter than everyone and runs laps around the rest’s deductive reasoning.

It gets to a ridiculous level, when Grian starts putting curse of binding dragon heads on people during demise - a move which on anyone else would result in SO MANY PRANKBACKS -and gets away with it! People he robbed of a helmet slot in the times when armor is crucial for some reason all react friendly and happily join his fanclub poorly disguised as a cult.

But now - a full year into the season - they finally feel safe enough to let him die in the Demise (and even then it’s probably just so he can deliver the final supertrap at the last survivors to the rooting of the toddlers in the audience).

AND HIS FANBASE IS ALREADY FARTING UP A STORM ABOUT THE TRAP THAT KILLED HIM BEING GRIEFING. They’re not upset about griefing, guys, they’re just looking for an excuse to whine about their favorite hermit not getting to win something for the first time in a year.

In this situation any actual Demise winner for Hermitcraft will just result in this fanbase lashing out at them, hence the swift dispatchment of ZombieCleo and TFC - the two remaining participants with the least following.

The only way for HC to now “handle” Grian’s juvenile fanbase is to give them someone they already like: the archi-bois frienderoos, Iskall or Mumbo. And if I had to guess, they’re going to go with Mumbo, just to make it seem like a twist: the one guy with the least aggressive tactics suddenly coming through and winning this.

A charitable expectation would be to say that JoeHills is an option, as his popularity in the fanbase has been on the rise, he’s super good at dealing with children harassing him by now, and also his channel needs some help growing, but really, that’s too much to ask from this group.

Also of note is that played genuinely on a server like Hermitcraft, Demise will last a week if that, leaving but a nice crator where once was the shopping district.

So, there’s my lenghty and unnecessarily aggressive diatribe on the nature of Hemitcraft fandom and how that bends the stories they tell with their gameplay. Hope you had fun, I know I did. And if Demise ends, and Docm is the winner, please forget you ever saw this post and pretend that I stil have some credibility left in me.

Next time on “SHUT UP ZLOY” we’ll talk about how every minigame Grian introduced was actively preventing people from playing on the server which is a bit annoying when their livelihoods depend on making videos from said server.

#zloyxp #hermitcraft #hermitcraft discourse #why do I do this to myself #shut up zloy

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thesleeplessb · 4 years ago

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What's up with straight white dudes giving the worst possible endings to their tv series ??

I guess I shouldn't be suprised but they keep lowering the bar like it's almost a competition. Do they have a secret club where they meet every week to come up with ideas to piss off their fans ?

The sad reality is that there is a huge connection to these shows ending badly and them being loved by girls/young women, queers and POC. Like, are they so upset that their main demographic is the one society just loves to hate (just think about Twilight, One direction, BTS), that they just fuck up their own work as a revenge scheme ?? It may not be it, but it does look like it.

It may seem like I'm exaggerating here but Sarah Z. on youtube made a really good video essay on the Sherlock fandom where she made a great point that underlines how the creators actively incited the fandom to look for secret clues and then made fun of them in an episode of the show for being so invested. Or how they have jokes and hints about John and Sherlock being gay from the 1st episode and then act like it is crazy to think they actually may be gay.

And from what I have gathered this is also done in a similar fashion in Supernatural, where they actually have an episode where a fangirl writes some kind of play on their story and the actresses for Dean and Castiel (2 girls) are together in real life (when I found out about this being an actual thing I was so speechless). And obviously the jokes and hints about the "gayness" are also heavily present here too.

Misogyny also seem to be a pretty common factor. I am not well versed on Supernatural, but it does seem the fandom all agrees that their treatment of women is absolutely awful and the same is for POC characters. And seeing that the ending only involves a nameless faceless woman and no POC, does lead me to just trust them on this.

Only thinking about the Game of thrones treatment of women makes my skin crawl. Daenerys, the most powerful woman in the story, was transformed into a Hitler figure and one of the main causes they provide for this happening is the death of her best friend, a woman of color, and they have her killed by the man she loves while he kisses her, while still framing him like a tragic hero who had to do it (BIG YIKES). They had Brienne, another powerful women, betrayed by the man she just made love to, so that he could go back to be with his sister/lover, and at the end she still does a good thing in his memory (have some more YIKES). Even Sansa, who seems to have a pretty good ending as Lady of Winterfell, obtained it by alienating another woman and betraying her because as the writer said "she was jealous she was prettier than her" (the YIKES never stop). And those are just 3 examples.

The 100 also follows these trends, even if they tried to hide it more. We have a classic bury your gays with Lexa and even if they do treat the love story as important, they still do not give a good resolution to the couple. There are other queer couples or characters but they are very sidelined. The women are very powerful and good representation most of the time, but there is this bad trend of making women good because they are mothers or mother figures. This reaches a point where to have a redemption arc these women either need to have a baby or be a mother figure to one and the main character is reduced to being her child protector and nothing else. Don't get me wrong making powerful mothers is not bad in itself, but when it is a costant pattern it just seem to reduce women to their reproductive abilities. A similar thing happens to POC where they have great characters, but somehow they always end up sidelined or dead (again, YIKES). Also it has to be pointed out that one of the main POC characters got killed in the earliers season cause the actor didn't like the way the character was treated by the showrunner (even BIGGER YIKES, we don't know how the actor was mistreated, but I don't doubt he was).

So, I mean, these are a just few examples, but there seems to be some kind of pattern I don't like. Also sorry it became a rant but the more I thought about this the more I wanted to say.

I am very sorry for the way you were mistreated, you deserved better, like SO MUCH better.

P.S. if you have some good recommendations for shows put them in the comments. I love the Good Place and Agents of Shield, and both ended in a satisfying way.

#supernatural #destiel #sherlock #johnlock #game of thrones #the 100

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recentanimenews · 4 years ago

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OPINION: How Umineko Changed My Entire Approach to Fictional Media

All screenshots captured on Playstation 3 by author

The following article contains a discussion of thematic elements and motives that appear during the second half of Umineko When They Cry. While no actual plot details will be revealed, some might still consider it spoilery. So if you want to experience one of the greatest pieces of fiction ever completely untainted, you should check it out on Steam right now.

The internet is pretty rad, isn't it? You can follow your favorite creators, watch tons of awesome shows, and talk about your favorite things with other people. How about we do that right now? Well, too bad, because YOUR FAVORITE THING IS BAD, ACTUALLY! You made the mistake of posting about it online, so prepare to be sent lots of negative comments linking to 5-hour video essays pointing out every single flaw about your favorite story and why you are wrong for enjoying it!

It's a situation I'm sure many of us have experienced at least a couple of times online. While the internet can be fantastic for finding like-minded people to chat with about things you deeply love, it can also be a gamble and sometimes you end up in a discussion where your conversational partner seems more interested in showing off their intellectual superiority over a work instead of openly discussing its merits or flaws. I certainly know — I used to be one of them.

"As I've eaten my way through countless tales to escape boredom, I haven't really been eating them. I've just been killing them." - Hachijo Tohya

The rise of social media has opened the gates for some incredible in-depth discussion and has changed the way I experience things over the years. But there is also a dark side to the discussions on the internet and that is the trap of wanting to feel intelligent in how you approach stories, which is often accompanied by not really being emotionally earnest. I myself tried to come off as perceptive by pointing out so many mistakes and bad things about media which led to exactly one thing: me becoming absolutely miserable. All I cared about was consuming as many things as possible (FOMO's also one of the many downsides of social media) and appearing as "smart" about them as I could. Until one fateful 10-month stretch in which I played a certain visual novel known as Umineko When They Cry.

Umineko really is tailor-made for catching people with that mindset: It depicts a mystery story about how mystery stories are told and consumed — and what genre would be more fitting to challenge someone concerned with intellectual superiority than one that is all about the clash of Author vs Reader?

"Books aren't a competition. It's not about who's read the most. But boasting that you've read all your ever need to read is just as wrong-headed" - Battler Ushiromiya

Umineko starts off with a well-known mystery trope: A family meets up in a mansion on a distant island, gets cut off by a storm, and then slowly gets murdered one after the other until everyone is dead. And just as in Agatha Christie's And Then There Were None (which served as one of Umineko's main inspirations), a bottle detailing the events of the incident to the public eventually washes ashore. But this only serves as Umineko's prologue, as its main character Battler quickly finds himself facing off against a self-proclaimed Golden Witch known as Beatrice on a meta-narrative level where he must prove these gruesome killings could have been committed by a human culprit, or be forced to acknowledge her existence and allow her to fully revive.

Thus begins a game of chess filled with exceedingly preposterous murders in which our protagonist's family gets killed by demons, giant goat butlers, and sharpshooting bunny girls — all supplemented by the so-called Red Truth, a truth-revealing tell not unlike Martha's vomiting in Knives Out. Battler must use these authorial proclamations and find a loophole that enables him to explain the murders in a way that does not frame any of his beloved family members as the killer and still allows him to deny the existence of the gruesome and torturous witch.

Umineko's all about how stories are perceived and told by both their creator and their audience. It explores how remarks by the author in every situation — no matter how off-hand they might be — can be used, applied, and twisted to shed a completely different light on a story regardless of its original intent. It shows how adding meaning to a narrative that wasn't meant to be there can both add to or subtract from its most important element: The heart its creator wanted to convey.

"If I had found meaning in only exposing the truth, I would have sunk to the level of a truth-revealing witch and fallen into ruin, spreading only hatred, [...], crushing and refusing to acknowledge anything but the particular truth I seek, unable to escape the cycle of misery." - Ange Ushiromiya

Umineko goes through many different angles of how we create, share, and discuss the tales that fuel our discourse. It ponders the importance of rules when creating storylines and tackles how easy it is to overlook major themes and motives by just focussing on minute details that are open to misinterpretation and irrelevant to a story's soul. It even includes the typical misanthropic yet oh so intelligent detective that usually gets idolized in most media (think BBC's Sherlock or House, M.D.) and puts them at odds with every other character because who would really want to cooperate with someone that completely disregards you as an equal human being and merely perceives you as an amalgation of hints, motives and alibis?

"Sheesh! Just one more step and I'd have been able to take a heart as innocent as the smooth sand just after a wave had pulled back and tear it to bits. What a shame. This isn't fun anymore." - Erika Furudo

And just when you start to really get into Umineko, it moves away from its main conflict, providing you important hints for its solution which most readers ignore as they aren't presented with facts and logic but on an emotional level distanced from the characters we long to get back to. But most importantly, it conveys how one single element is so indispensable to enjoying the narrative odysseys we embark on in our lives, to cherishing the characters that are presented to us in these tales, and to truly understand a story's message behind things like story developments, plot twists, and narrative tricks. I, of course, am talking about love.

Be it the love you feel for characters, for certain staging elements, phrasings of prose, orchestrations of music, design of sound effects, implementations of themes and motives, or cinematographic puzzle pieces — the one thing that is indispensable to truly enjoy all kinds of media, is love. Or, to quote Umineko directly, "Without love, it cannot be seen."

By the time, I was nearing the end of Umineko's eight main chapters, it had transformed from an intellectual battle between author and reader to an all-out war of a story against its community of readers who simply wanted to tear it down to cold, hard "facts." I had spent ten months and over 100 hours. The first half took eight of those months to get through (owing to a few lengths in Episodes 2 and 4), I finished the second half in less than two despite my busy schedule. I even dedicated a whole 15-hour marathon to the final episode as I was too glued to the grand finale to move away from it.

A new me came out the end. I no longer had an interest in tearing apart media for minor missteps. I enjoyed them much more deeply and honestly and began taking my time with the things I consumed. Instead of filling my plate at the buffet of stories as much as I could, I gave each dish its own course on the menu so I could appreciate its flavor in a different way — one bite at a time and not stuffed up simply to give the outward appearance of a seasoned gourmet. And for that, I will never be able to thank Ryukishi07 and his co-creators at 07thExpansion enough.

"The point of theory-making is not to create a culprit or to trample the truths that lie in the hearts of those who have not sinned. If you want to play detective, don't neglect the heart. Otherwise, we're just intellectual rapists. Don't forget it!!" - Willard H. Wright

If you are interested in reading Umineko When They Cry, you can find both its Question Arcs and its Answer Arcs on Steam, GOG, and MangaGamer. You can also read the manga adaptation digitally on Bookwalker (though I personally recommend the visual novel for its award-worthy soundtrack alone).

What work of fiction has touched your life in a profound way? Tell us in the comments!

René Kayser works for Crunchyroll as a PR and Social Media Manager in Germany. You can find him on Twitter @kayserlein where he tries to get people into Umineko every single day.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

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fullyerecteggplant · 11 months ago

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i was going to put this in the replies but then it just kept going because my god there is so much.

*i will try to be brief (1/473).img* Essentially he’s a serial plagiarist and liar with a streak of misogyny and racism. Other youtuber Hbomberguy of such hits as “sherlock is garbage and here’s why” and the origins of the roblox oof sound came out with an almost four hour video discussing plagiarism on YouTube and nearly half was about this one dude. Somerton touts himself as this foremost queer media essayist on the platform but huge portions of his scripts are lifted from smaller queer creators he obviously believed he could get away with stealing from. Some of his most grievous/ridiculous offenses include taking a personal essay written by a Chinese transmasc person Jes Tom talking about their very personal experiences with Mulan, (side note: if the name sounds familiar it’s because they write for ofmd so that's neat), stealing work from someone who actually donated to his patreon, stealing sections from a couple Are They Gay videos and using footage from a random amv?? i guess to save time on editing???

Hbomberguy chose to focus mainly on the plagiarism. This was enough for Somerton who went scorched earth on his social media, turning off comments, deleting his twitter and patreon before anyone would have had time to watch the full video. He posted a bs “a larger creator has come after me about old accusations” excuse but i think that’s gone now too.

The dust didn’t even have time to settle when a second video essay hit Somerton. A guy called Todd in the shadows who is known for making content related to music and only music comes out of hiatus to drop another almost two hour video debunking all of somerton’s misinformation. Turns out basically anything that isn’t plagiarized is just largely wrong and made up to push whatever agenda he’s trying to push. Which is where the misogyny and racism comes in to play. Somerton seems like one of those white gays who doesn’t seem to like women all that much and is ignorant and dismissive of nonwhite/nonwestern povs. Whenever he’s been called out in the past he cries homophobia. We’ve all seen it. A lot of the original stuff in his scripts is him going off on rants about some group of people (often straight white women) he invented to get mad at and prove his point.

His cowriter, who hbomberguy gave the benefit of the doubt, openly admitted on discord right after this that neither of them read or do any research. Which is not the flex he seems to think it is.

Anyway I would definitely recommend checking out the video(s). Not only is it an incredibly detailed takedown of this dude's work (“work”) it's a really informative lesson on recognizing what plagiarism looks like. And how doing this is directly contributing to the erasure of queer perspectives Somerton claimed to champion. All of the proceeds from the video are going to be donated to the people somerton stole from too which I think is pretty sick.

can someone tell me what's going on with james somerton and explain it like i am a baby

i log on to queue things up at 2am and rinse and repeat every few nights since ive been stuck in an editing hole for like a month and have no idea what's going on with that cracker but am SO curious

#and i completely forgot about the allegedly fake production company

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itsclydebitches · 4 years ago

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I'd love to know your thoughts on the Hbomberguy video when you're done watching it. Even in the happy glow of discovering, binging and loving a new show I struggled with how Leo was portrayed. The video articulates the problems with the faunus plot line in ways I regret I didn't while I was watching the show (and began to at the end of vol.7). Would love to know your thoughts on the video he did, and whether you agree with his points.

(Slamming two anons together again!)

“If you ever find the time to watch” I sat down almost immediately to watch because I had a hunch this vid was going to be two and a half hours of pure validation.

Boy was I right.

I kept a Word document open with an Agree and Disagree column going. Then about 45 minutes in I just deleted the whole thing because it was clear that everything was going into column one and nothing into column two. I had exactly four Thoughts™ that weren’t a version of, “Yup. Agree. Mm hmm. That too. Oh I hadn’t noticed that! Yuuup...” They were as follows.

hbomberguy spends a fair bit of time analyzing RWBY’s opening and one of the things he emphasizes is how Ruby makes no choices here (a fight just comes to her, she’s actually distracted rather than using that as a strategy to throw the bad guys off their game, she just happens to be powerful enough to take them out easily, etc.), which results in her having little to no compelling characterization. I’d like to add that the one choice she does make is going after Roman and the implication that if the store owner was hurt she would have let him escape to help a civilian (“You okay if I go after him?”) It’s a moment I’ve always liked, but that’s because it’s the one second in this opening where I feel like I’m catching a glimpse of Ruby as a person. Which really just helps make hbomberguy’s point. We needed way, way more of that.

There’s one (1) throwaway line about RWBY, in its awfulness, feeling like fanfiction of a show that doesn’t exist and I had a knee-jerk response of, “Nah don’t drag the fic writers like that.” They’re the ones actually making RWBY into something.

He makes an excellent point about how Ruby is apparently a weapon designing prodigy (she made Crescent Rose + “one of the most dangerous weapons ever designed”) and, of course, the story doesn’t actually do anything with that. I have similar thoughts about the scene in Chapter Two of Before the Dawn where it’s mentioned that Velvet is apparently this genius tech wizard/inventor... but I’ll get to that in my recap.

I really wanted to hear more about Volumes 4-7 and, unlike you, Anon #2, I’m not sure we’ll be getting it? hbomberguy says that those volumes would need a whole other video (agreed) but that’s not the same thing as promising to make it. Though I REALLY hope he does. Especially since, as he articulates at the end of the video, the end of Volume 3 is when RWBY created hard expectations for its writing. That’s the moment I too started being more critical of it because RT demonstrated that they were capable of writing a compelling, cohesive story... and then seemed to decide not to. So I’m really eager to hear hbomberguy’s take on that material and how it aligns with 95% of my metas (Volumes 6 and 7)... but I also completely understand him not wanting to make another 2.5 hour essay like... my GOD that’s a lot of work.

Which leads me to saying: I’ve really enjoyed the two videos of hbomberguy’s that I’ve watched so far and appreciate the effort he’s put into them. I know that hating white guy video essayists on YouTube is the cool thing to do nowadays, partly for stupid reasons (“You’re so obsessed with that anime - get a life!”) and also for very good reasons (“Many are Nazis spewing their horrible rhetoric, or they’re just ranting about SJWs without providing evidence for why these choices are supposedly bad.”) But from what little I’ve seen, I’m very impressed with hbomberguy’s work. He’s articulate and always provides good evidence for his points. He gives credit where credit is due and doesn’t shy away from acknowledging that criticism and praise can go hand-in-hand. I find most of his self-deprecating humor to be genuinely funny and, unlike many other video essays, I am never visually bored. Viral vids like “Sherlock is Garbage (and Here’s Why)” get touted as just another angry rant - not without reason, given that elements like the title clearly want to tap into that - but the ranting elements, the moments where hbomberguy groans or yells in frustration, are really just window dressing for well thought out, persuasive analysis. It’s a good balance between lecturing and entertainment, and I really admire it because it’s not something I’m good at doing. As an academic, my skills have developed in a comparatively dry environment and any practice I get outside of that is frequently undermined (I’m always having to revise my work to be “less colloquial.”) The best I can manage is an occasional lame joke of my own and breaking swaths of writing up with pictures/GIFs. So watching someone who has the skill to inform and entertain is just really great. Like holy shit, dude. I sat through two and a half hours of your content and wasn’t bored for a single second. Well done!

So yeah. I absolutely recommend the vid.

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#rwby #rwde #long post #Anonymous

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rosecorcoranwrites · 4 years ago

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September Reading Roundup

It's time for this month's reading roundup, but first, a little announcement that no one but me will care about: I'm staying off the internet until the election. Well, mostly. I'll still post to Tumblr, Twitter, and Instagram when the mood strikes me or when I have a writing update. I'll still post Rant Rave Reviews on here and Youtube (the theme this month is spooky stories, of course). But I won't be interacting much (ie, I won't be spending hours reading through Twitter and Tumblr and watching random Youtube videos I've already seen). If you @ me or retweet or reblog a post, I'll probably respond in a day or two, but other than that, I'm becoming a recluse.

The reason for this is twofold. First, I'm offering it up. For those of you who aren't Catholic, "offering it up" is sort of like giving up something for Lent. You discipline yourself by enduring some deprivation (either natural, like pain, or of your own choosing, like not watching hours of Youtube). At the same time, you offer up your (albeit, in this case, slight) suffering as a sacrifice for some good. I'm offering it up for America. Not the election, America. Because, not to get political or anything, but no matter who wins the garbage fire that is the 2020 election, America is doomed unless our culture changes. As I said to a friend recently, if this was the 90s, we could weather whatever storm Trump or Biden brings, but people hate each other so much right now that our country is pretty much over. Unless...

I don't know what I'm praying for, but I'm praying, praying that come what may, God in his Providence will drag something good out of all of it, kicking and screaming if need be. I will also be doing a rosary novena with my diocese October 14th through October 22, and then another one with the USCCB October 26th to November 3rd. Join me if you would like.

On a lighter note, I'm a volunteer writer-in-residence again at my hometown library, so I'm obligated to focus on writing this month, and need write, research, and workshop without distraction. I have two Forensics and Fiction books all tabbed and ready to read, plus a book about army nurses in the Vietnam War. The plot of book one in the alternate-history/fantasy/mystery trilogy is fast congealing, and I want to strike while the iron is hot. I need to focus! My ultimate goal is to be ready to write a little each day in November, returning to my heretical NaNoWriMo ways.

I'll let you know how it all turns out in my first Novemebr post, which will be a reading roundup of October. Until then, let's take a look at what I read this month:

Two Six Shooters Beat Four Aces: Stories of a Young Arizona by Barbara Marriott Ph.D

Genre: History - Anecdotes

Why I read it: Arizona book club pic

What I thought of it: While it's clear that Marriott is an excellent researcher, she is either a bad writer or in serious need of an editor. Individual paragraphs proved internally repetitive, and the overall structure of each chapter was slapdash. It needed smoother transitions from anecdote to anecdote or more section breaks and section headers.

Would I recommend it: No, everyone in my book club, including myself, hated it.

7 1/2 Deaths of Evelyn Hardcastle by Stuart Turton

Genre: Supernatural Mystery

Why I read it: I'd been wanting to for a while; the premise caught my eye

What I thought of it: The body-hopping time-loop stuff was brilliant, the characters likable, and the story delightfully twisty. The last twist and conclusion were unsatisfying, though.

Would I recommend it: Yes!! Despite it's flaws, it was an exciting, fun, and original book. I will definitely be reading Turton's next book (which involves a closed circle of suspects and, possibly, demons!?).

The Exorcist by William Blatty

Genre: Horror

Why I read it: I'd been meaning to for a while, and writing research gave me an excuse to do so

What I thought of it: I like that it doesn't pull it's punches; I'm kind of shocked that it's only been censored a couple times, actually. It presents demons as they are: hateful, grotesque jerks who get off on picking on humans. I also liked that there was a murder mystery subplot. I'm not sure I approve 100% of the ending, theologically speaking, but that's a pretty minor quibble.

Would I recommend it: Yes, but it is not for the feint of heart. Trigger warnings for child sexual abuse, adult sexual abuse, language, violence, the works.

How to Destroy America in Three Easy Steps by Ben Shapiro

Genre: Nonfiction - politics

Why I read it: It's a long story that I shall tell about in my memoir of library life, but not here. Also the cover is 10/10

What I thought of it: It was ok. I already knew most of what he said. I disagreed with some of it, like seeing the constant moving of people from town to town in 1950s as a positive thing; in actuality, "company men" in the 50s were moved around so they wouldn't have community ties but instead ties to the company, which is anti-human to the extreme. I did think it was interesting that he combatted the idea of America's greatness being built off the backs of slaves by pointing out that slavery was actually terrible for the south, as reliance on slavery retarded their economic system well after the Civil War.

Would I recommend it: If you're into political books, sure.

American Sherlock: Murder, Forensics, and the Birth of American CSI by Kate Winkler Dawson

Genre: True Crime - forensic history

Why I read it: I love historical true crime

What I thought of it: It was ok, but kind of didn't make the case for him being "The American Sherlock Holmes" (even though people really did call him that back in the day), in that a lot of his conclusions ended up being a little dubious. Still, from a research perspective, it did establish when various forensic practices started being used in the USA.

Would I recommend it: Maybe? I personally liked Father of Forensics more. I'd say this book is, like, 3/5 stars, just because it could have been tightened up a bit.

Coraline by Neil Gaiman

Genre: Horror

Why I read it: It's spooky season!

What I thought of it: Having already seen the movie, I knew pretty much what was going to happen, but I love Gaiman's turn of phrase.

Would I recommend it: Yes, especially for children who are too young for scarier fair but still want a creepy story.

The Horror at Red Hook by H.P. Lovecraft

Genre: Horror

Why I read it: It's still spooky season!

What I thought of it: I honestly liked this a lot more than the Cthulhu mythos stuff. Rather than vague demoniac blasphemies or black cyclopean gulfs, there's a real tangible cult that sacrifices (reanimated?) corpses to a pale, dancing, snickering Thing on a golden pedestal. I dig it.

Would I recommend it: Yes. Just... ignore the racism. That goes for all of Lovecraft's stuff, by the by.

Herbert West: Reanimator by H.P. Lovecraft

Genre: Horror

Why I read it: Turns out I like HP Lovecraft. Who knew?

What I thought of it: You gotta love mad scientists who try to reanimate the dead, right? I think this one would make an excellent mini-series.

Would I recommend it: Yes.

Solutions and Other Problems by Allie Brosh

Genre: Essay - illustration/comics

Why I read it: I loved Hyperbole and a Half, and was excited when I saw Brosh was coming out with another book.

What I thought of it: It was okay. Not as good as her first book, but for an understandable reason: medical complications and her sister's suicide (that's not a spoiler, as the book is dedicated to her sister). Thus, the book had a heaviness to it that the first one didn't. Still there were some parts that made me laugh so hard I cried.

Would I recommend it: Maybe? I'd say borrow it from the library, but don't buy it, unless you are also suffering a loss. It might be really relatable and cathartic in that case.

The Rats in the Walls by H.P. Lovecraft

Genre: Horror

Why I read it: I like HP Lovecraft

What I thought of it: Not as scary as I had been led to believe by my brother, but still a good story. I plan on reading Lovecraft Country at some point, which supposedly flips Lovecraft's racism on it's head, and so help me, if it doesn't make reference to this story and chattel slavery, I'll throw a fit.

Would I recommend it: Yes. I like that the cat didn't die. :)

The Shadow Over Innsmouth by H.P. Lovecraft

Genre: Horror

Why I read it: I just... I just really like Lovecraft, okay?

What I thought of it: I find the sea inherently creepy, so when you have a decrepit backwater filled with a fishy stench and secrets, it's gotta be good.

Would I recommend it: Yes, especially if you liked the Fishing Hamlet part of the Bloodborne DLC (which I could not help but think of the whole time reading this novella).

The Thing on the Doorstep by H.P. Lovecraft

Genre: Horror

Why I read it: You know why.

What I thought of it: So if you've read enough Lovecraft, especially Dunwich Horror and Shadow Over Innsmouth, you already know what's coming... or do you? Right away, HP establishes that there is a special knock the guy uses with his friend, so I assumed the twist end would involve the Thing appearing in the guy's body but not using the knock, thus revealing itself to be (redacted for slight spoilers). I was wrong. That's not how it played out, and the way it played out was so much creepier!!!

Would I recommend it: Yeah! I really liked this one!

Haunter of the Dark by H.P. Lovecraft

Genre: Horror

Why I read it: Yup

What I thought of it: Same ol', same ol, but what I thought was cool in this one was that the supposedly superstitious Italian Catholic immigrants totally know what's up and spend their stormy nights keeping the Haunter at bay with nothing but candles and flashlights. What a neat detail!

Would I recommend it: Yup. :)

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surveys-at-your-service · 4 years ago

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Survey #330

“and i don't want ya / and i don't need ya / don't bother to resist, or i'll beat ya / it's not your fault that you're always wrong / the weak ones are there to justify the strong”

If you have a job, do you like it? I'm unemployed. Do you like any kinds of fruit? Well of course. Are you waiting for something right now? Covid and this headache to fuck off, May for my tattoo, to be paid to take some pictures again... What is your favorite kind of animal? Kind, not the actual animal itself? In that case, social species, usually mammals. What kind of Dippin' Dots do you like? Holy shit, I haven't had that in like a damn decade or something. I don't know, I barely remember the taste. Who is the most badass woman that you can think of? My mom. My mother is a fucking warrior. Do you have a Pinterest account? Yeah. I get a lot of photography ideas from there, as well as base pictures to make Mark icons, haha. If you were to write a book, what would it be about? The stories I and my friends have weaved in RP. Have you ever seen the television show The Munsters? AHHHHH YES!!!!! Mom loves that show, so I used to watch it with her growing up. Have you ever written one of those 'Roses are red...' valentines? I don't think so. Would you/have you spent more than $200 on any one person for a holiday? I haven't, but I would for certain people. Do you have a favorite Robin Williams movie? Probably Night at the Museum. Thoughts on Slender Man? Have you even heard of him? I think it's a cool creepypasta; he does look pretty unnerving with his height and especially lack of a face. The movie was good too, btw. Do you know what the Tardis is? I think almost everyone does in this generation, haha. Doctor Who ain't no joke to a whole lot of people. Are there any children's shows that you'd watch today if they were on? Sure, like Pokemon or Avatar: The Last Airbender, among others. I wouldn't at all be opposed to watching The Lion Guard, either. I actually want to, with my whole TLK love. I'm not embarrassed to watch "kids" shows or movies at all. What would you call yourself the King or Queen of? Having not an ounce of knowledge on how to love things in moderation/avoid total obsession with things, haha. If I paid for you to take karate lessons, would you? No, especially not now with my legs. Do you read more fiction or non-fiction? Almost solely fiction. What modern technology are you especially grateful for? Laptops, ig. Do you have a favorite science topic? Genetics. Very fascinating stuff. Have you ever read any Sherlock Holmes stories? No. What is the saddest movie that you've ever seen? Either Johnny Got His Gun or Boy in the Striped Pajamas. What's your most popular post? On what? If Facebook, I don't really know. Possibly my "coming out" one or a lovey-dovey essay when Sara and I were together. On Tumblr, it's definitely the gif I made of Mark and Chica (his dog) with I think over 10k notes. Manga or anime? Anime. I don't read manga, though I've been tempted with Deadman Wonderland since the show only had one season and ends on a ginormous cliffhanger, but there's more story to be had. A card game that you're good at? None, really. A popular book you haven't read yet? To Kill a Mockingbird. I feel like every school student has read it at some point. Favorite Mean Girls quote? I don't know any. It's a fine movie, but I've never understood the hype. Name your top 3 albums from your favorite band/artist. Black Rain, Ozzmosis, and... then I can't choose. I love so, so many very dearly. Name your top 5 music videos. I don't really watch music videos, so I definitely can't name five. My #1 favorite is probably "Wrong Side of Heaven" by Five Finger Death Punch; I absolutely cannot watch it without crying. What are you most passionate about? How did this passion develop? Animals. I was born simply adoring animals and have always wanted to protect them and their environment. Do you like monkeys? Do you believe in evolution? Yes and yes. We've literally watched it in action. What embarrasses you the most in front of other people? Discussing RP if you're not involved in it. I'm terrified of people thinking I'm weird. Have you considered running for president? Absolutely not. Which famous person would you like to be BFFs with? I'd say Mark, but I'd be way too interested in dating him instead of being just friends, haha... So with that said, maybe Bindi Irwin? Would you ever go skinny dipping with the last person who commented you? Lyndsey would be that person, so no. She's a great friend of mine, but realistically I'd probably only ever - if ever - do that with the company of my s/o. Are you still friends with the last person who broke your trust? No. How long did your last relationship last? Around two years. Have you ever been banned from anywhere? Online, yes, as a little kid on the Animal Planet forum, haha... Has anyone kissed you when you weren't expecting it? Yeah, Juan. Did you like it? It was a sweet moment, but I didn't want it. Does your dad smoke? Like a chimney. Is your mom over 50? Yeah. Are you currently listening to anything? Yeah, kinda hooked on "The Horrible People" by Manson. I've found a lot of great music lately. Would you ever consider getting breast implants? No, but once (if...) I lose all the weight I want, it's going to be a moderate priority to get a breast lift. I've hated my body way too fucking long and am dying to be satisfied with it again, and with how much weight I need to lose, I would essentially have grandma tits. :x Do you know anyone who is bisexual? Me, haha. Among some friends. Who would you tell, or who did you tell when you lost your virginity? That's not something I'd just go to tell someone afterwards for no reason... I'd only ever mention having lost my virginity if I was actually asked or if it was relevant to a conversation. Is there something you have been trying to learn lately? I'm really trying to practice opposite action and behavioral activation, among other things I've learned in group therapy. When you think about your future career, do you envision yourself becoming the head honcho or CEO? If not, why not? Well, I want to be my own boss as a freelance photographer. In any other job, I definitely wouldn't want that. Too much responsibility and leadership skills. Can you think of a time when you seriously misjudged a music artist based on their name? I don't think so? Have you ever kissed someone that you didn’t really want to kiss (not assault, just indifference)? Why did you go along with it and how did you feel after? Yes, Tyler. I felt like I was "supposed to." I felt really uncomfortable afterwards. If you have to wake up early for something, what time is just TOO early for you to be there and be presentable and sentient? Have you ever had to be somewhere that early? Probably like, 5:00. No. Have the majority of your romantic relationships started with a physical attraction or a deeper connection? Always an emotional connection. Did you ever write a fan letter to a celebrity? How about submit something to a magazine? No to both. What hair color is the most attractive on the opposite sex? Of natural colors, black, but I like unnaturally dyed hair most. Where do you like to go to when you are stressed? On a carride, so long as I'm controlling the music nice and loud and not talking. Where do you go to get your hair cut/dyed? To a family friend's little salon/small business. Why do you want the career that you want? Because I adore art and think it's pretty darn magical that you can freeze a moment forever to not just remember in your head, but actually see. Have you ever watched iCarly? Yeah, I enjoyed it when I was younger. What was your favorite class during your sophomore year of high school? Art. Do you wear bandanas in your hair? No. Have you ever been on a blind date? No, not interested. How many living grandparents do you still have? None. Have you ever worked in an office? No. Who does the grocery shopping in your house? Mom. Have you ever stayed in a hotel without your parents or older relatives? No. Did you have an Easy-Bake oven when you were little? Sure did. Have you ever seen a donkey? Yeah. Have you ever made out in a hot tub? Pretty sure no. Do you always flush the toilet after you use it? Yes. What were the last words you said to your dad? Probably "bye, love you." Have you cuddled with someone you weren’t dating? Nah. Who has the ability to hurt you the most emotionally? JASON. Are you a really understanding person? Yeah, very. Are you the type of person that enjoys getting hugs? Yes. When’s the last time you wore a wig? For a witch costume many years ago. Why were you last hospitalized? Suicide attempt. What’s the longest you’ve ever gone without food? At least 12 hours, but I think I almost went a day once back when recovery started and my appetite was non-existent. What was the last name of your third grade teacher? Mrs. Britt. How was the last chicken you ate cooked? They were chicken tenders. What is your favorite kind of chip? Hot crunchy Cheetos. What grade did you have your first boyfriend? 7th. Have you ever been told that you’ve lost weight? Yeah, back when I actually WAS losing loads of weight. >> Do you have the same political views as your parents? Some things, but definitely not all. Does anyone call you babe/baby? No. Have you ever made a significant other cry? Sadly. If you could make your lips bigger, would you? Maybe just a teeeeny bit. Are you one to sneak food into movie theaters? Yep. Fuck them prices. Are you prone to illness? Definitely not. What races do you usually date? History says Caucasian, but I have no actual preference. I'll date any race. What’s your cup size? C. Ever flirted with a teacher? Yikes, no thanks. Who was the main cook of your Thanksgiving meal last year? My older sister made the most stuff. Have you ever been dumped really harshly? Well, considering it literally traumatized me... Do you have any ex’s you can’t stand anymore? No. Are you more of a phone or a computer person? Computer, definitely. When was the last time you made a sandwich? What did you put on it? Yesterday for lunch. Ham, American cheese, and mustard. Have you ever made friends with someone that you didn’t expect to get along with? Yeah. Do you own any accessories with your name on? No. What brand of eyeliner do you use? I pay no attention to this. Have you ever been sexually harassed? No. Have you ever sent a naughty text message? Suggestive ones, yes. How long have you had your pets? Roman, around two years. Venus, around three or four years. Who was the last person to tell you that they love you, other than family? Sara. Has one of your friends ever tried to hook you up with someone? Colleen tried obnoxiously hard to push Girt and me together. We all went out to eat pizza once just as friends hanging out, and this bitch prefaced an uncomfortable and nosy question to him with an even more uncomfortable "because I'm trying to get you in her pants...", and that, my friends, was the closest occasion I've ever come to slapping someone right across the face. I looked at her in absolute disgust, and Girt was clearly thinking "what the actual fuck" as well. I do not miss her feral mouth. Are you good at staring contests? No. Eye contact is very difficult for me to maintain. Do you like peanut butter? I love peanut butter. When was the last time you had to present something to your class? In this mandatory but entirely pointless entry class at my last college, we all had to do like this PowerPoint introducing ourselves. I hated it. Who was the last person that told you they missed you? I think my friend Chelsea. What store is your favorite shirt from? It's not a real store, but rather an online brand: Cloak. Mark is one of the owners/creators so I obviously support them intensely. Have you ever fell off your bed while you were sleeping? No, thankfully. Do you have something you’re supposed to tell someone, but you haven’t yet? No. What type of food do you never really eat? Vegetables, oops. Have you ever cut someone else’s hair? No. Do you like going to weddings? Not really, if I'm being honest. I'm only interested in photographing weddings for the only the couple pictures and pay, really. I'm not big on formal events. What’s your favorite flavor squash? I don’t like squash. Do you or anyone in your house have a severe allergy? No. Who was the last guest in your house and what were they staying for? Our landlord/family friend, just to hang out for a little bit and chat with Mom. What fad were you actually into? Hm. What was the last spontaneous thing you did? I'm not a very spontaneous person, so I really don't know.

#survey #surveys #questions #lyrics: ''the beautiful people'' by marilyn manson

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10oclockdot · 4 years ago

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10oclockdot 2020 year in review

As I seem to drift farther and farther from tumblr (though the #Peace posts and my side project on On Kawara keep a thin tether attached), 2020 actually saw me stepping more solidly into my stated vocation as an academic, even if I also lost my job as a university professor this year. Trying to look on the bright sides.

Here we go:

10. I got my first properly peer-reviewed article accepted for publication in 2020. After 2 years of submitting to journals and a protracted review process, “Why is Reverse Motion Funny?: Happy End and the Comic Potential of the Cinematographic Mechanism” was accepted by Journal of Film and Video for publication... TBA. Based on some gossip I read online later, I might be waiting upwards of two years for the article to ever come out. But hopefully not. Either way, it was accepted, and that’s at least something for the CV.

9. Will DiGravio’s excellent The Video Essay Podcast (here) was a great companion this summer while I was working on a big project (see #1), and just for fun I decided to complete some “homework” he assigned on the podcast. My submission is here. Everyone else’s submissions are here.

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8. Early in the year, I updated a compilation of all the times John Ford used the hymn “Shall We Gather at the River” in one of his films. An eagle-eyed YouTuber found one more. Here’s the new version.

7. When some prominent Math YouTubers put out a call for videos on favorite numbers greater than a million -- aka #MegaFavNumbers -- I couldn’t see a reason not to join in, and made this video, based on one of my old tumblr posts. In it I also mention that as of late 2019 I’m also published on the Online Encyclopedia of Integer Sequences. Not sure if I ever mentioned that here. Anyway, contributing a #MegaFavNumber seems like a fitting project for a year in which I also became a math tutor. (Here’s the full playlist.)

6. I didn’t make much art this year of note, but this bit of constrained poetry executed as a 10-part conceptual painting is easily one of the best and most important artworks I’ve ever made (if any could be assigned importance).

5. I finally watched Twin Peaks: The Return. Here’s a post I made about that, which somehow became the most popular new thing on the blog this year. Aphelis also liked this gif I made for him. Nobody seemed to understand this post (or maybe I just think it’s better than it is), but that’s okay, I guess.

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4. I started a new video essay series called “Video Postcards.” There are only two so far (”About Time,” and “Drone Swarms”), but the idea is to keep making them on a regular basis (monthly, maybe?). The concept is that each video is addressed to a friend of mine, and I weigh in on some topic that we’re both interested in and have talked about before. I actually SEND the addressee the postcard you see me writing in the video, with the link written out on it. After they view this private video correspondence, they get to decide whether the rest of the world will get to see it too. So far 2 for 2.

3. It was hard to write much that was meaningful this year politically (at least, it was hard for me). But I still wrote a short story that I’m proud of called Somewhere in the middle of an angry mob in Jerusalem, ca. 2000 years ago (here). I wish every Evangelical Christian in the country (my heritage) would read it. Oh, I also drew this cartoon about who establishment democrats really are. Oh, and this diagram over on Facebook about the inscrutable slowness of the apocalypse.

2. My first professional publication came in the form of a long data-driven article for Bright Lights Film Journal that dropped back in January: “Tracking Mass Ideology on IMDb’s Top 250: How Shifts in Societal Values Appear in the Popular Film Canon” (here). The Bright Lights people were so easy to work with that I’m looking forward to writing another article for them in the new year, if they’ll take it. This article even drew the attention of the great film reviewer Darren Mooney (of the m0vie blog), who invited me to record an episode of his podcast The 250 (here) on Sherlock, Jr. (Buster Keaton, 1924). We taped it a couple months ago, but it should land in the new year. I’ll share it here when it does.

1. And, of course, after three years of work and a rejection from [in]Transition, my first feature-length project, a video essay called A Supercut of Supercuts: Aesthetics, Histories, Databases, was accepted for publication at Open Screens Journal. It should be live in January. I’ve also sent it out to some film festivals with what little money I could scrape together for that purpose. Hopefully at least one of them wants to play it, so I can add some laurels to that poster!

See you next year!

#year in review

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postmodernmulticoloredcloak · 4 years ago

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Back to my Safari bookmarks! If you’re wondering why I’d make hundreds and hundreds of bookmarks from tumblr, it’s because I had anxiety and didn’t have a blog yet. Took me a while and eventually I just impulsively made it one night.

- awww ancient Stucky fanart

- several etsy articles that are no longer available

- “Oops! Website deactivated”

- many, many, many links to nothing, but also an array of super random tumblr posts, and when I say random I mean random

- this was when CATWS was fresh and people were like :O

- a list of recipes to replicate fast food from some American chains at home... ew why would I want to eat any of these things ew ew

- past me, please explain, why would you bookmark all this stuff. why so many bookmarks of possible iphone cases to buy. you did buy some eventually. why keep these b--

- horizontally cutting an apple and putting peanut butter inside it DOES NOT make it a sandwich, American person who wrote this article about sandwich ideas. Wait, “Apple and Gruyere Waffle Sandwich”? That’s even worse.

- you again?? No, using a tomato instead of hamburger buns DOES NOT make a hamburger. How am I supposed to bite into the sk... nevermind.

- awww a bunch of etsy links about products for babies! This is from when my nephew was born ^-^

- a 2004 essay about Dumbledore

- that manga about Jesus and Buddha in modern Japan

- pictures of blooming tea... I have purchased some from a Chinese reseller through Amazon a very long time ago, but the package is “in transit but late” :(

- Roberto Ferri’s paintings (those beautiful ones you saw years ago all over tumblr)

- pictures from the 1930s/40s in color

- super cute pet videos

- nothing says “Etsy” like kintsugi kits where you’re sent a broken object to repair (I didn’t want one, but the link showed me those)

- sure, pick a theme for your blog where microscopic text is written in beige over white background, I’m sure that’s a good idea

- do you think John Winchester apologists who get really intense when someone brings up literal canon still exist on this site or. Actually no I don’t want to know.

- I miss the Carver era meta guys

- an essay that reads the Iron Man trilogy through the lens of “cyborg feminism” but somehow the Iron Man trilogy seems to be a fever dream. That’s what happens when you make other 9472 terrible movies with Tony Stark in it when he’s always written terribly.

- Oh boi remember fanmail. I miss fanmail. They should being back fanmail.

- random stuff, broken links, random stuff, I’m deading, even Safari is suffering I had to close it and open it again asdfghjkl

- Writing Exercises (I’m not checking if it’s actually useful rn tho)

- this smol 2014 article about the Captain America fandom will make you cry now because we had such a good thing and they chose to punish us for it

- https://musicroamer.com and http://www.liveplasma.com

- oh man an essay on why it would be so important for many people if Johnlock became canon. I feel so sorry for the TJLC people, they deserved better

- damn!! Look at this Etsy store!! Look at this stuff!! I want!!

- that time Sergei Polunin danced to Take Me To Church

- the Supernatural soundtrack, episode by episode

- a twitter account that got suspended?? (But also ewwwww twitter shows me what’s trending in my country and ewwwww)

- Centuries Before Memes, There Were The LOLCats Of Japanese Woodprints

- there’s a broken link to a page inside the site “thetoast” and their broken link page says “Oh, bother.” and a picture of a burnt toast

- http://lexicity.com (The first and only comprehensive index for ancient language resources on the internet.)

- NASA Goddard Youtube channel

- omg this is so funny. An article about “awesome recycling ideas”. The objects to recycle? Include? A grand piano; a sea mine; an old boat; another grand piano; A BOEING 747 JUMBO JET ENGINE; another boat; sliced cars; multiple more pianos... thank you I really needed an idea on what to do with that stuff in my garage

- one of my first tumblr posts............. you really want to see it? do you? okay. But you need to be familiar with that famous Nietzsche passage about the announcement of the death of God. Yeah, I know. I can’t fathom how I got thousands of people to follow me.

- an amigurumi project I actually tried, with an acquaintance’s help and all, but I just couldn’t

- a folder of random stuff lebeled “bau” (“woof” in Italian, you know, what the dog says)

- more resources for my thesis I never used

- the map of the central building of my university (I always get lost in it)

- once upon a time, the most used word on the internet was “codependency”

- thanks, past me, for grouping all these links from tumblr blogs that changed their url all together so I can just delete everything with a single click.

- a folder “sherlock meta”. Blogs that deleted. (*touches the ground*...)

- discussions on the dismissal of the queer reading of Sherlock :’) I’m sorry guys

- it’s a good thing I didn’t have a blog back then. If I’d reblogged all the posts I’ve saved it would have been a mess.

- TEEN WOLF META asdfghjkl I routinely forget that Teen Wolf is a show I actually watched. Sure, I abandoned it at some point. Like everyone else did, I think.

- guys, we’re at posts from the first few days of 2014. We’re about to enter 2013. I don’t know what we’ll find.

- Destiel posts. These are all Destiel posts.

- a link to the Naruto manga on a manga reader site.

The Safari bookmarks end here, I think because for Christmas 2013, if I remember correctly, I got a new laptop. But there’s a folder with some bookmarks I imported from the old one...

- some resources on disability representation, random tumblr posts, and the family free of the Julio-Claudian dynasty

- super random tumblr blogs?? including the demo.tumblr.com??? idek

- oh boi. A super mega amount of tumblr blogs. How am I supposed to open these?? If I open all the tabs I’ll make my laptop crash... I’m not opening them. Most are unfamiliar, probably fandom blogs that changed their url twice a month, but I can spot a few I still follow :) Congrats, I “followed” you long before I had a blog myself.

Well, this was anticlimatic. Apparently, past me already got rid of all the wild stuff. There’s not even a SINGLE Glee thing? Not one? From 2014? Wait, what was airing in 2014? Season 5? Yeah, maybe that’s a reason. Still.

NEVERMIND I FOUND THEM, they’re no longer saved in a browser, I had changed laptops or sth and I had copied my bookmarks in a email I sent to myself so I could find the links again (which obviously says I made a selection, who knows how many bookmarks were lost. I don’t want to know lmao). I obviously have no reason, time or will to open them, but I can tell you I had divided them in categories:

- uni courses; Japan/Japanese; manga; philosophy and academical stuff; recipes; mixed [oh boi there’s some weird stuff here]; very useful sites; quotes & lyrics [what for?]; videos; Glee stuff; Glee art from DeviantArt; Glee tumblr blogs; Klaine-specific tumblr blogs; Supernatural stuff; Destiel-specific; my most used sites; Deviant Art - fanart [not specified, so I’m betting this is manga fanart - correction from some urls I can tell this is yaoi fanart, yep]; Deviant Art - non-fanart; watercolor images; Deviant Art - food; Deviant Art - pictures of Japan; something very embarrassing I’m not admitting it [no it’s not porn, that would be less embarrassing]; assorted tumblr posts; Supernatural meta; other tumblr posts.

So yeah that was my 2013, how was yours?

#blabbering me #bookmark adventures #this was such an alienating experience #never again

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takeyourcritique · 5 years ago

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Makoto Niijima: Good Girl, Bad Writing.

In video games, movies, TV, and books, there are always characters who receive copious amounts of praise. In Persona 5, it is no different. Some characters deserve the hype they get, and some.. do not. In my humble opinion, Makoto Niijima falls into the latter category and in this essay I will explain why, as well as delve into what I as a writer would do to improve her character. Because this is not a hate meta, it is merely me articulating my issues with her character and getting my thoughts in order. (She has potential, it merely needs to be utilized and with P5R coming next year, a girl can hope.)

1. Underwhelming Design

The cast of Persona 5, in contrast to the casts before them, are vigilantes, a band of misfits if you will. The entire theme of the game is rebellion against society and fighting the norm, and the characters should reflect this in their design. The only exception is the protagonist himself because he's on probation and attempting to keep a low profile: that's why he follows the dress code to a tee and appears as gentle as possible, because he's already in enough trouble as is. The first party member, Ryuji, has been a rebel for a good amount of time: his hair is a stark blond (which Kawakami-sensei does not approve of) and he wears a very casual version of the school uniform; substituting a bright yellow shirt for the white of the uniform, wearing sneakers instead of dress shoes, and not wearing his suspenders (they're attached though, at the waist).

Ann Takamaki wears a white clover hoodie under her blazer, red leggings under her skirt, brown lace up boots, and earrings; not to mention her hair, while a natural blonde, is pulled back into cutesy pigtails almost like a teenage Harley Quinn. Yusuke doesn't even go to the same school, so his attire stands out in stark contrast with the main trio. Futaba dyes her hair red and she doesn't go to school at all due to severe anxiety; Haru wears a poofy pink sweater over her uniform with Mary Janes and polka dot tights. They all stick out like little sore thumbs. Except Makoto. She basically also follows the dress code, with a few subtle changes:

•She doesn't wear a blazer, instead wearing a black halter vest over her turtleneck

•Black tights

•Brown boots

That's literally it. Nothing about her stands out, and even in her casual clothing she wears a lot of whites and blacks. There's a monochromatic vibe to her, perhaps alluding to her strong sense of justice and distinction between right and wrong which in and of itself isn't bad! But it doesn't fit with the theme of the cast, Makoto fits in too much with the rest of the world to fit in with them. Just by looking at her, you cannot tell she's supposed to be part of the crew and in all honesty she'd fit better working with Akechi due to their very similar views of justice and morals. Hell, some NPCs are more vibrant design-wise than Makoto is.

2. Her Metaverse design, Persona and codename are contradictory.

Makoto's Persona, Johanna, is based most likely off Pope Joan, (after doing research online and reading Johanna's profile on SMT wiki it seemed the best fit) who was a woman that pretended to be a man in order to rise to power in an otherwise male-only role in the Catholic church. And while the story is intriguing, it doesn't fit Makoto at all: she never pretended to be what she was not and while she's "the voice of reason" she's not the leader of the team; Joker is. This makes her codename, "Queen", even more confusing. Nothing about her costume design looks regal whatsoever; it makes no sense. It feels like writer's favoritism, in all honesty. A better name would've been something more related to the fact that she looks like a biker/executionist hybrid; like "Crusher" or something of more..violent nature.

Even a name related to her wanting to go into the force would've worked well: Chief, Lieutenant, etc. Queen is nice, but it doesn't click with Makoto at all, unlike literally everyone else's Persona and codename. Ann's Persona, Carmen, is a femme fatale that kills men. Captain Kidd is a pirate, an iconic symbol of rebellion; Milady, Haru's Persona, is a reference to a villainess of the same name in the 3 Musketeers; Goemon was essentially a Japanese Robin Hood which fits Yusuke's entire kitsune/warrior aesthetic. Joker's Persona, Arsene, is a direct nod to Arsene Lupin; who was one of Sherlock's rivals and a gentleman thief who left calling cards to the people he robbed and a direct parallel to Akechi.

3. Her introduction as a whole, and to the team, is abysmal.

When Makoto is first introduced to the player, the entire school is in turmoil over Kamoshida's abusive actions towards the volleyball and track team. Many people don't know the truth about what's going on, and others simply turn a blind eye because as an Olympic medalist, the gym coach brings in a lot of popularity for the school. Being the student council president, Makoto has power that many other students do not have; so one would assume that upon learning that a victim was in danger she would spring into action, no?

Wrong.

When Ann confronts Makoto about her inaction, she turns the question back on the blonde, asking "What have YOU done for Shiho?" as if it's Ann's fault that Shiho had been jeopardized (which it was not, Ann allowed herself to be blackmailed by Kamoshida in order, so she thought, to protect her best and at the time, only friend). And she doesn't do anything about the situation, claiming that "It has nothing to do with me." (This is how abuse victims DIE.) Even worse, her elder sister is a prosecutor, she could've easily gone to Sae and asked her to look into the matter. Goro Akechi later calls her out on this, as he should; telling her that she is a "good-girl pushover". And when Kamoshida is punished for his crimes, Ann, who was bullied and outcast, goes to Makoto and apologizes to HER to make amends, as if she were wrong. Makoto then replies "We both made mistakes" in a sorry apology (she doesn't even say "I'm sorry" iirc), and asks if she can call Ann by her first name and without honorifics, which in Japan is a symbol of close friendship. (Edit: this apology actually takes place after Kaneshiro's arc, not Kamoshida's, I misremembered.)

You see, calling someone by their given name, even if you are the same age, has a ton of meaning in the culture. Just a year difference between two people can separate them as senpai and kouhai, and while the senpai can call their kouhai by their first name without raising any eyebrows it's not the same for the younger person. Calling someone by their given name in Japan is a privilege, not a right; it represents trust, respect, everything that Makoto and Ann did NOT have.

Now, let me get this straight.

Makoto did nothing when everybody called Ann Kamoshida's hoe, allowed her, Shiho, Akira, Ryuji and Mishima plus many others to suffer abuse (and Shiho attempted suicide!), gave a laughable apology, victim-blamed Ann; and now she wants to be buddy-buddy? What, in any reality, about that is okay? Nothing. Absolutely nothing. But of course, because the writers want us to love Makoto, they have Ann forgive her and let her call her by her first name. And after all that, Makoto is still president, despite her clear nonchalance to the matter. She also does nothing to help the Kamoshida victims after his crimes come to light, when there was literally no excuse anymore not to assist them and help them get back on their feet. Even if she felt powerless with Kamoshida around, that doesn't explain her inaction after he's gone.

Flash forward two Palaces later, when she joins the team. Makoto stalks the protagonist around to gather evidence that he is a Phantom Thief, and then blackmails her way into the ranks. The team of course, is not happy about this at all. Makoto gives them the target; Junya Kaneshiro, who's basically forcing people into debt. The problem here is she has literally no personal ties to him; unlike the main trio all having connections to Kamoshida and Yusuke being Madarame's essential foster son. Tired of Sae calling her useless, Makoto jumps in front of the mob boss's car in desperation (and Ryuji gets her out of the way JUST in time, but he very easily could've died) which puts the entire team in danger and later on is literally pinned down by the mob and the crew have to go and save her because she was so determined to take this dude down she walked into the lion's den without any form of a plan. (He was also going to sell her into prostution to pay off the debt he'd given the Thieves.)

Her Awakening is also really weak: the speech from Johanna is extremely short and then Makoto stomps the ground to avoid falling over, rips off her mask with a bunch of overdramatic screaming (iirc we don't even get to see blood) and whoop-di-doo, she's got a motorcycle! And suddenly, despite all she's done, everybody loves her and thinks she's a total badass when she literally just threw an adult-sized tantrum. The motorcycle itself is also very lazy, it's just a motorcycle with a face. That's it. That's Makoto's Persona. A motorcycle. With. A. Face.

And from then on, everybody's suddenly a-ok and buddy-buddy with Makoto. It's ridiculous and just makes her come off as a Mary Sue because if somebody endangered my life I sure as hell would not be rubbing shoulders with them and I'm quite sure most people feel the same way. And again, after all this, Makoto does not get in trouble or even harshly reprimanded by the school for her extremely reckless actions; when she should have, and had the power to, just call the police or Sae. And all the Thieves somehow are now her friends and she gets to become a superhero.

So let me see if I understand. This girl stalks these people, blackmails them and forces them to go after hardened criminals (she was going to snitch on them if they didn't comply to her demands), goes in guns blazing by HERSELF to attempt to take down the mob boss, has to be rescued..

And gets praised and dubbed a badass for this???

And before you accuse me of having bias against Makoto, let it be known I in no way, shape or form condone Yusuke stalking Ann or Futaba blackmailing the Thieves either. It's. Still. Wrong.

Also, if you unironically think Makoto's stalking is cute, you're wrong. Stalking is creepy, regardless if it's a girl or guy doing it; no one gets a pass.

In addition, Makoto couldn't be bothered to help out at school but then goes after a MOB BOSS and puts herself in unnecessary danger? What's up with that?? If she felt powerless against Kamoshida, why in the world would she take on the Yakuza?

4. Her backstory doesn't mesh well with the rest of the team.

The gang are all outcasts and misfits in one way or another, and their pasts are less than savory.

Protagonist: Falsely accused of assaulting a woman, expelled from school and sent to Tokyo on a year probation despite his innocence, victim of nasty rumors by other students at his new school; abused by his gym coach, no contact with parents.

Ryuji: Abusive, alcoholic father who beat him and llater left him and his mother, abused by his gym coach, leg broken by his gym coach and labeled as a delinquent because his coach lied and acted like Ryuji attacked him, thus alienating him from the track team and by extent; the entire school. Losing his track scholarship because he can't run anymore, ruining his academic career.

Ann: Two parent household but they're never home, leaving her with a caretaker. Faced bullying and isolation due to being biracial (she's a quarter American), only having one friend before joining the Phantom Thieves. Blackmailed by the gym coach and sexually harassed in order to keep this one friend on the volleyball team, labeled as a slut because no one took the time to find out the truth of the matter. Friend is later raped and attempts suicide, Ann attempts to get help from the student council president but is blamed herself for Shiho's predicament. Also judged just for her looks, which she despises.

Yusuke: Biological father died presumably before his birth, biological mother had a seizure and died due to his mentor's negligence. Said mentor then takes Yusuke, a very small child at this point in time, and raises him in isolation. Psychologically (and very likely emotionally) manipulated, Kitagawa grows up in an abusive household and when confronted with the truth, is unwilling to believe it is so (as many abusive victims realistically behave). Later learns the truth about his mother and his mentor's plagiarism and detaches himself from him, but is extremely socially awkward out of touch due to isolation and as a result is isolated at school because no one wants to talk to him.

Futaba: Was blamed for her mother's death (whom she lost at 13-14) and lived with an extremely abusive uncle who underfed her and didn't even let her bathe herself. Developed severe anxiety and became suicidally depressed for over a year, refusing to even come out of her room. Had a friend who was abused by her parents and upon finding out the two fell out and only reconciled years later through the Internet. Bullied in school for her intellect.

Haru: Lost her mother at a young age, engaged against her will to an emotionally abusive, selfish fiancé for the sake of her father's company. Has deep-rooted trust issues due to people being kind to her solely because of her status; or mean for the exact same reasons. Later on lost her father as well at the age of 17, leaving all the responsibility of the company to her as she was the sole heir.

Morgana: Has no memories of who, or what, he used to be and suffers existential crises; suffers from vivid nightmares. Puts up a façade of arrogance to hide insecurities.

Makoto: Mother died when younger, father died in the line of work, older sister forced to become caretaker and work her rear off to provide for the both of them. Pressured into perfection by Sae.

That's.. literally it. Yes, she has no friends at school, but that's by her choice; she isolates herself in her studies and as a result is socially awkward and doesn't know how to interact with people (which makes her even less suitable to be put into any type of leadership position so how she became student council president is beyond me.) Makoto's life is heaven compared to the other Thieves and most of her issues would go away once she gets to college: the rest of the team doesn't have that luxury. By the way, please don't think I'm saying she doesn't deserve to be on the team because she doesn't have as deep a sob story, I'm not saying that at all. It's just that her backstory isn't really utilized as well as it should be and often times conflict is used to try to get the player to feel sorry for her (i.e. Sae calling her useless)

5. Her Confidant is abysmal and cliché.

So Makoto's Confidant actually starts out not half bad! You take her out to play video games and help her come out of her shell initially. But then it shifts to Eiko, an old friend of hers, who is a bad relationship. And this is when the Confidant begins to suffer, because it's not even about Makoto anymore. The president tells Eiko about the danger she's in, and her old classmate does not listen; declaring that since the older girl does not have a boyfriend she couldn't possibly understand. This logic is very flawed; it's like telling a smoker to stop smoking and they tell you "You don't even smoke, you don't know how bad it is". Yet Makoto listens to Eiko and comes to you, the protagonist; and asks you to pretend to be her boyfriend in order to convince her friend that she DOES understand. But it's so awkward Eiko's boyfriend and the girl herself can tell you're not genuine. And you have to keep this up for the rest of the Confidant, not to mention MAX Charm is required from Rank 5 onward in this route. Why?

Because apparently you're not attractive enough otherwise. And it's not even for Makoto, it's for Eiko, to convince her that you're hot enough to compare to her boyfriend; Takase. (Geez, shallow and childish much?) And then at the end of the Confidant, the romance angle comes off as very odd because you're literally treated like an afterthought the entire time and then suddenly Makoto turns around and wants you as her actual boyfriend?? Uh..where was her falling for you during the time spent together? It just feels like it comes outta nowhere, not to mention she wants to be a cop which the law literally ruined Joker's life soooo why is he getting into a romantic relationship with someone who wants to be associated with a source of his trauma? That's like a metaphorical slap in his face.

"Hey, I know you were literally beaten and drugged up, manhandled, falsely accused and put into solitary confinement by the law enforcement, causing you to suffer severe anxiety and you to possibly be scarred forever but I wanna be a cop even though I don't think straight in stressful situations and act on impulse and don't take insults or criticism well; and I want you to stay by my side even though I blackmailed you, stalked you, and endangered your life and did nothing while you were being abused by your gym coach."

(Let's not forget she also didn't say anything about Sae having a Palace until it was almost too late and Joker almost lost Futaba as a result.)

For Valentine's Day she declares "I've been waiting for you for so long" and that genuinely bewildered me because you don't really see her pining at all during her Confidant, nor during other events (the closest thing you get is her clinging to you in Sojiro's house but that's honestly not even romantic that's just her getting frightened and needing assurance in a very unnecessary "ship tease" moment). Same with the scene in Futaba's Palace, while Joker saving Queen was very sweet, he literally would've done that for anybody of his teammates. Makoto is not special in that regard.

6. How to better this character

•Introduce her to the Thieves in a better, more plot driven way, or remove her from the team completely.

Kaneshiro's arc should honestly just be scrapped, it was a sorry attempt to get Makoto on the team. A better time for her to join would be Sae's Palace since she actually has emotional ties to the Palace owner and by this time in the game could've developed to be a better person from the Kamoshida arc, wanting to make things right. This could also be a good start for her and Ann to begin to be on better terms- not even necessarily friends (because after what happened I honestly don't think Ann would want to be friends, at least not close), but learning to at least be civil. That, or she joins out of desperation because she doesn't want anything bad to happen to Sae and as the infiltration continues gets more and more nervous and ultimately rats their plan out (because Makoto as the traitor would be much better, writing-wise).

Alternatively, Hifumi joining instead of Makoto would also be very refreshing with Makoto covering up for them at school and supporting them on the sly.

•Treat her flaws as actual flaws, she's not perfect.

Makoto does have some bad traits, a few being:

•bad tempered

•reckless

•stubborn

•nosy

•hypocritical

•bossy

•socially awkward

But these are almost never treated in a negative light. With the Kamoshida arc and Kaneshiro arc, all is simply forgiven, same with her smacking Eiko across the face in a moment of anger. Even when wrong, Makoto is never wrong per say and this makes it difficult for her to be believable as a character. To fix this, having her suffer the consequences of her actions will make it more realistic. For example, getting Eiko to break up with her boyfriend but cutting ties with her too as a result would give Makoto the rude awakening that you can do the right thing the wrong way and people will not always forgive you for the mess you put them through (nor should they).

Her being punished for unnecessarily putting herself in danger with Kaneshiro would also be understandable (she should've been at least suspended, she could've gotten herself killed, plus all the then existing Phantom Thieves); as well as actually apologizing for the hell that was Kamoshida's drama. And not just to Ann, but everyone who suffered. That would show maturity and a willingness to change, and put her in a better light.

I want Makoto to get mad and she's fully in the wrong and she acknowledges she's wrong, have her recklessness get her or a teammate wounded in battle, etc. And have the others call her out when she's wrong and refuse to let it slide. Have them talk it out, grow as a team. Just..make Makoto fallible, flawed, broken even. She's an orphan, I want to touch more on her having to grow up quickly, feeling lonely and unsure of how to connect with people; talk about how her father is a driving force in her values and morals and how she wishes to honor him by following in his footsteps.

Delve into how she feels less than worthy if she does not achieve excellence but do it in a way that does not demonize Sae unnecessarily and try to make the reader/player feel sorry for her. Have Makoto spend more time with people in her team outside of team duties and while being awkward, genuinely interested and actively working to better her relationships. (She barely interacts with anyone besides Joker, Futaba, and on occasion, Haru) When Makoto is realistically flawed, she then becomes relatable and much more likable.

I want her fears to be plot relevant, not just slapped on for the sake of making her look "cute". Her being scared of the dark was never relevant, unlike Rei from Persona Q who was scared of the dark and had to go through a pitch black room in order to find key cards to help her friends escape a locked room or Yukari being terrified of death and having to come to terms with that. Same with her fixation for Buchimaru, it's cute but it doesn't add any depth to her character whatsoever or even her apparently knowing aikido? We never see Makoto fight outside the Metaverse unlike Chie or Akihiko so it feels like a character trait just slapped on to make her 'cooler'. It feels lazy, because it is. It's like the writers wanted her to be this strong, independent young woman but at the same time a scared, awkward little girl and the two ideas often clash; coming off as contradictory as if they couldn't make their minds up as to who they wanted Makoto to be.

Again, this is not an attack on Makoto fans. If you like her, that's valid and I respect that. I'm merely explaining why I don't and how I feel the writing failed her character and what I believe she'd be if her potential was maximized.

That's all, have a good day.

#meta #critique #persona 5

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