#what do y'all take me for?

[shads-shipposts]

Shadow: *having a minor emotional breakdown over their lack of survival skills given they let the Karaboudjan crew hit them with a truck and put them on the ship via crate because they thought they were dreaming and damage was therefore turned off*

Neil, trying to enjoy his breakfast but also wanting to help Shadow feel better:

[pursuingsunshine]

Did you mean to reblog that supernatural post 10 times

Friends, Romans, countrymen: I know what I'm about

[regular-gnome]

6. I'm The Collector

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[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[wildsaltair]

Security

Pairing: Maximus Decimus Meridius x reader

Rating: T (fluff, with a tiny hint of hurt/comfort)

Word Count: 1.2k

Tag List: @enjisbf, @nasatshirts, @empressenchanted, @streets-in-paradise, @xiscamoony, @aelondrias

Author’s Note: Very short little fic that I wrote sort of as a follow-up to Nightmare, but it works as a standalone one-shot too. As always, it's written with the fullest measure of my love, and it's representing all the longing y'all get to witness every day on this melodramatic blog. I love Maximus, and I hope this little fic does him justice :) Thank you for reading!

*~*~*~*~*~*~*~*~*~*~ 

Your love is asleep beside you, breathing deep and slow against your neck. After yet another day of backbreaking work in the harvest, he’s exhausted, and all he had the strength to do was pull off his tunic and fall into bed beside you.

You are just as tired, but somehow you can’t bring yourself to fall asleep just yet. You’re too transfixed by him.

In sleep, his face is so peaceful, so free from the worry lines and the intensity he wears through the day. In sleep, his face is relaxed and soft, surrendered to the safety he feels in your bed.

You smile knowing that sharing your bed is his first experience with sleeping so peacefully. He came to you wounded and hunted, having barely escaped an assassination attempt and with nowhere else to go. Though your first few months were fraught with distress and fear, you have both settled into your home with the knowledge that you are safe from the outside world, that his past has been laid to rest and left behind. He still carries his burdens, but they are easier to bear when he can release them at night.

You let your eyes trace over his features now, amazed as always at the sweetness and beauty of the man who holds your heart. His eyelashes flutter against the tops of his cheeks, the lines beside his eyes less furrowed.

He’s sleeping as he usually does: on his back with your head on his chest, his left arm wrapped around your shoulders protectively, his head tilted against yours. His right hand clasps yours where it rests on his waist, moving gently every time he breathes.

Tilting your head back, you smile to yourself as the sounds of his deep breathing reach your ears. The sound only reassures you that he’s sleeping well, undisturbed by anything.

You often remember his first few nights with you — how after making love, he would lie awake for some time, trying to fall asleep. He was always on guard during those days, always attuned to any sign of trouble. He slept with one eye open for months.

And quite often, you would wake to find him up, making a round through the house or in the yard, paranoid about what could be lurking outside. Many were the nights you had to coax him back to bed, assuring him that no one had come for him in the night.

And the nightmares. Those terrible nightmares that plagued him for months.

Once, he awoke in the middle of choking you, having acted out of terror in the middle of a dream. You were afraid he would never trust himself to sleep with you again, but together you worked through it. He’s had nightmares many times since, but they have grown fewer and tamer in the past few months.

That thought makes you smile as well: knowing that your presence beside him at night helps keep his nightmares at bay.

As if in response, the man turns in his sleep, rolling onto his side to face you. He’s still sound asleep, his breath rumbling in his powerful chest, but his right arm wraps around your waist, pulling you close to his body.

You are all too happy to snuggle closer to him. The nights have grown colder, and his body is a never-ending source of heat for your bed. You enthusiastically burrow into his embrace, tucking your head under his chin and tangling your legs with his.

Your heart warms knowing that he reaches for you even in his sleep. Many are the nights he has whispered your name in his sleep, groped his hands to find you in the night. Somehow his heart seeks you even when he sleeps.

He pulls you even closer, his breath softening as if he is stirring a little from his sleep, but he does not awaken. Shifting his weight to press against you more fully, he rubs one broad hand up and down your back, fingers brushing your spine.

Without meaning to, you arch your back in response, pushing your body tighter against his. He lowers his chin as though he were awake, dragging his lips across your forehead before coming to rest against the top of your head.

Your smile comes again, unbidden, warm as the heat radiating off his body.

So many nights, you have lain in this very bed and ached with loneliness. How many cold nights you spent huddled under blankets, wishing for a lover to share your home and bed, to fill you with a warmth that would go beyond your body. This man fills every empty spot in your heart, thrills and soothes and pleasures you in every possible way.

And what a joy it is to know that you have done the same for him, that your love is his safety, his delight, and his peace.

With a knot of emotion rising in your throat, you tilt your head back to press the lightest of kisses against his exposed neck. He stirs slightly, his breath ghosting across your ear, and you just rest your lips against his neck to breathe in his scent.

Earth, sweat, and something else distinctly him. It’s a scent you now associate with comfort, companionship, and warmth.

You kiss him again, wanting to touch him somehow even though he’s asleep. His neck is smooth and warm under your lips, and he stirs again, this time shifting his arms closer around you. He tilts his head a bit to the side as if to give you better access.

Then he makes a sound, almost a moan, almost a sleep-muddled whisper, but you know it’s your name. It’s your name he murmurs in his sleep, when he feels your gentle brushes of affection against his skin.

You smile against his neck, resting your mouth there so he won’t awaken. He remains tensed a moment longer, so you lightly run your hands over him to soothe him back to a deep sleep.

His muscles are coiled under your touch, every inch of his body a tribute to softness and strength. His chest moves against yours slowly, and you gently rub your hands over his ribs, his sides, his hips. He finally relaxes, sighing contentedly as he drifts back into a deeper sleep.

Just before he does, though, you feel him lift his hand, stroke it down the back of your head once. His fingers tangle in your hair, and he nuzzles your face gently, brushing his smooth skin and spiky beard against your cheek.

He hums with pleasure, settles himself against your body, then buries his head in your neck and falls back to sleep.

You follow him soon after, cradling him in your arms while you listen to the steady cadence of his breath and the lovely thump of his heartbeat. You thread your fingers in his dark hair until your strength fades into sleep, just long enough to feel him relax completely in your arms.

All the lonely nights, all the sorrow, all the uncertainty — it’s all been worth it for this moment, and for all the moments that have come before and will come after.

Your love is asleep in your arms, whispering your name and holding you close to his chest, and you can both sleep in the peace and satisfaction of a love that transcends everything else.

*~*~*~*~*~*~*~*~*~*~*~

More of my fanfiction if you're so inclined :)

[mobius-m-mobius]

thought we had it all, thought we had it all, thought we had it all...

- So Much (For) Stardust - Fall Out Boy (i/n/sp)

[thequeenofsastiel]

Thinking about this:

So what I love about this is how completely accurate it is to describe your kink orientation as a "need". Because it's not just something I would like out of a relationship. It's not a want. It's a need. I'm actively unhappy in vanilla relationships(or that one time I spent a year trying to be in a relationship with another sub *shudder*). I need to be able to submit to my partner. And honestly I just need to be able to submit in general. Not having that feels like I'm suffocating. So Louis saying that he and Armand had figured out what they NEEDED from each other, not wanted, but needed, is perfectly accurate.

Also look at the love in their eyes!!!! You'll NEVER convince me that they weren't in love in Dubai.

[skylie-spiderlillis]

Don't get me wrong, I love painland because they're the land of pain payneland dearly & I'm currently writing *multiple* fics about them.

But if I hear one more person saying shit about Crystal and saying she was gross for what she had with Charles I'll fucking scream.

[momentomori24]

[This has been sitting in my draft for a while lol]

When it comes to Curly's failings, I always see people bring up his obvious failure to protect Anya and him prioritising Jimmy, who was the rapist in that situation. Which is completely valid btw and we should rake him through the coals for that alone even more. But I also see too many people saying that Curly "didn't enable Jimmy" or playing softball for his actions. And I could maybe see where that comes from if that incident was the only thing we had to point to-- but that wasn't all he did, is it? Curly being indifferent or not taking Jimmy's mistreatment and belittlement of Anya seriously was hinted at so much earlier than that.

Namely, the very first time we play from Curly's point of view. Let's just skip the fact that Curly was putting everyone in danger by not taking his psych evals seriously and simply giving the same answers to pass them even tho he was shown literal minutes after this scene being clearly not-sane, and go straight to the point I actually wanna get into. Which is this:

These scenes in isolation wouldn't be that bad. From his pov, it's played off as comical and it is. Jimmy being a brony (not really lmao) and getting playfully dragged over it is funny. But unfortunately this is the first example out of many for Curly's complacency. Anya is complaining about Jimmy not taking his psych evals or her seriously, which is easy to believe considering how much he rags on her for "not being a good nurse" (she kept Curly alive on hopes and dreams how dare you). So he keeps making her do silly and inappropriate reports she clearly doesn't wanna do, which is kinda shitty (also borders on harassment). But rather than actually saying something about Jimmy's behaviour or even acknowledging how it sucks he says this:

Mate, that's not a good thing 💀 He's clearly aware that the problem is Jimmy's lack of respect for Anya specifically. He knows that if he, his friend and a man in power, were the one doing the evals Jimmy wouldn't try that disrespect. But it's Anya, a meek woman who ranks lower than him so he thinks he can get away with it (which he DOES), and Curly's shown as comfortable in knowing that. He doesn't chew Jimmy out for making Anya uncomfortable nor does he reassure her that he will do something about it. All he does is take it off her hands this once and helps Jimmy power through it to get a good diagnosis (even tho we know he's DEFINITELY not sane either). He doesn't even mention Anya's discomfort or confront him on his inappropriate behaviour, just teases Jimmy in good fun instead because he doesn't think of it as anything serious. It's subtle and pretty minor in comparison to everything else, but I think it's worth pointing out. Especially because this convo takes place after Jimmy had assaulted her, which makes this so much worse.

If you need any more evidence of Curly being an enabler you need not look further than Anya herself. And I'm not just talking about the way he failed her here-- I'm talking about Anya's own view of Curly and the way said view influences her actions.

Just look at her choice of wording. "What would you have done". This is in response to him saying that she could've come to him if she were feeling stressed, which she-- in his eyes-- didn't. The question itself implies that she had no faith in Curly to actually help despite his insistence that he would've, which I think is significant because it shows that she's very much aware of Curly's shortcomings when it comes to her situation AND it's one of the first (or the first time) she actually verbalised her lack of trust towards him or anyone directly. Prior to this scene she had told him about her rape and the rapist, presumably because she trusted him to handle it. And he dismissed her because the rapist was his best friend, and that evidently deeply scarred her. Enough so that she secretly took the gun and hid it someplace else and didn't even tell Curly were that was, because she knows that if Curly has access to it there's a so much greater chance Jimmy will have too, insinuated by the line "the least I can do is make sure he never gets it either". Speaking about the gun:

It sucks so bad that this perception of him isn't even inaccurate nor unjustified. That despite everything Jimmy had done to her and everything he could still do to her, he'd very likely still not allow her access to the gun for protection. Because that's exactly what he didn't do anyway. He didn't attempt to keep her safe from Jimmy, instead he just pretended that nothing was wrong and still let Jimmy's belittlement of her pass. He didn't give her the gun after the incident, because she wouldn't have hid the case if he had. Despite his desperate reassurance that he'd do anything, he did nothing but make it worse for her and she KNOWS that. It's so frustrating knowing he entrusted the axe to Swansea when he needed it but not the gun to Anya when she needed it too. Also this:

The fact that his knee-jerk reaction to her admitting that she's pregnant was "Who would you--" is so fucked, especially considering she's already told him what happened. "Who would you" what? Who would you fuck? Who would you have sex with? That choice of wording drives me up a wall-- SHE wouldn't and didn't do anything or anyone. That was JIMMY. The potential sentence implies that she had any choice or agency in her pregnancy. She didn't. And the fact that Curly had to ask "who" insinuates that he's been putting Jimmy's action out of sight and out of mind the whole time, choosing to not think about them or what happened to Anya at all. And considering he still made her do Jimmy's evaluations despite being able to do them himself and literally didn't even think of making sure she gets psych evals done too--especially AFTER getting sexually assaulted--that might actually be the case (I haven't seen anyone make a stink about that piece of info so I'm going to because what kinda colossal fuck up IS that??).

I vaguely had a post like this in mind but seeing so many people be like "well Anya did some wrong stuff too like leaving Curly alone with Jimmy but you don't get mad at HER for that so why is Curly not doing anything about Jimmy being alone with Anya so different??" actually makes me want to blow some people up. Jimmy's an abuser, sure, but Anya has no real reason to believe that he'd actually harm Curly. From her perspective, they were close, close enough that Curly would not only let Jimmy continuously disrespect her but also get away with assaulting her too. That, and she knows that Jimmy was closer to Curly than anyone and more likely to be civil around him than he ever was to her. She has barely any reasons to suspect Jimmy would harm Curly when they're alone. Curly, on the other hand, has every fucking reason on the planet to think Jimmy would harm her when they're alone. He knows he raped her (likely in her room at night too). He knows that he sexually harasses her. He knows that he doesn't respect her at all. And that was BEFORE the crash. Anya tried insisting on giving Curly his medicine, only for Jimmy to keep aggressively insisting that he'll take care of it despite her protests. Curly didn't try to keep them separate at all even though he was the Captain and had the power to do so. And this should go without saying, but leaving your rapist alone with his best friend that he was close to and enabled/protected him and leaving your friend alone with the woman he raped (and might have repeatedly assaulted given his free access to her) is NOT THE SAME and I'm going to start chucking some people down a waterfall because what the fuck is that argument 💀 Actually leave it to the fandom of the game where the rape of a woman is the catalyst for the events that unfold to use her trauma to defend the guy that enabled it in the first place. Bloody hell.

The reason why this whole Curly discourse pisses me off is because it-- from what I can see-- ONLY brings up his failures 1-0 days before the crash and the Dead Pixel scene (or all the discussion around other points are drowned out by those two). Those scenes, while important to talk about, are not the only things he's done, and focussing on those as the only things is a mistake that comes short of understanding the issue. When it comes to Curly the main defences I see for him are "he was trying not to escalate the situation" and "he was trying to keep things under control the best he can" and "he was waiting for the right time to help Anya", but those don't work when you look at the bigger picture of everything he's done.

He half-assed through his psych eval despite clearly not being sane (and KNOWING he's barely sane, he literally admits it to Jimmy's face). He still continued to task her with Jimmy's psych evals. He brushed over Jimmy's sexual harassment of her as a joke. He didn't think about making sure she got psych evals done herself after being raped. He gave Swansea the axe but didn't give Anya the gun despite it being for "unrest amongst the crew" (whatever the hell THAT means). He let her assault slip his mind that she had to remind him. He's literally a blond man. He took no action to hold Jimmy responsible for anything, and prioritised how his violation of Anya would affect him rather than her. He ignored her demands for him to get rid of Jimmy. He still allowed Jimmy free reign of the ship as co-pilot even after he was openly fantasising about killing everyone and had a major motive and the means to do just that. He was potentially thinking of making her miscarry to cover up what happened. He was so accustomed to her sucking up being disrespected and disturbed that he didn't even notice a difference in her behaviour until she hid the fucking gun. There's so much other shit he's done and hasn't done, and not talking about them or glossing over them makes it so easy for people to argue that he isn't actually an enabler or just minimise the severity of his neglect.

And while I'm already dragging Curly through the mud, I might as well just drag Swansea too. I've seen too many people being like "Anya should've told Swansea instead" and "Swansea was the one that actually took responsibility". Like, y'all realise he's not that much better than Curly, right? He already knew about what happened to Anya-- he admits it to Jimmy's face-- but he didn't do shit. He knew, but he still got completely shitfaced for months despite her earlier protestation to that (for very understandable reasons). He knew, but he still let Jimmy have the axe AND be alone with Anya while having it. He knew, but when Anya locked herself in the Medical and Daisuke and Jimmy asked for his help he didn't budge nor really showed any care. He knew, but the reason he finally decided to do something about Jimmy wasn't Anya, it was Daisuke. Her suffering and her eventual death weren't enough for him to take action either.

This game, on top of everything else, is a great depiction of rape culture. It doesn't just include the rapists, but the people (mostly men) that stay silent, do nothing, make excuses for and protect the perpetrator for whatever reason, and Swansea and Curly (Curly way more so than Swansea) are both active contributors to the environment that allowed for evil to flourish and continue unhindered until it destroyed them all. And while that arguably doesn't make them evil themselves or as bad as Jimmy, they are so much more a part of the bigger problem than the fandom likes to admit.

[Ok since this is kinda gaining a bit of traction please consider helping these guys out here, here and here. Thanks!]

[sun-marie]

BG3 has two of the most thoughtful, unapologetic, no holds barred depictions of men with abusive female partners I've every seen (Wyll + Mizora and Gale + Mystra), which is so rare to see in any media but especially video games, and some of the Larian writers seem determined to convince me it was 100% by accident

[dollypopup]

hm. idk, maybe the reason Luke Newton isn't announcing new projects or posting any Bridgerton content is because some of you demons treated him like hot trash instead of a creative that you wanted more work from and he decided fuck it, this isn't worth the stress. you know, like a lot of creatives who get mistreated do?

like this is a man who went from couch surfing in a friend's house and bartending to make ends meet, deciding that the Bridgerton audition was the last one he'd do before he quit, to suddenly being recognized on the street because that last audition propelled him to star in a global show where fans who have zero media comprehension blamed him for his character's actions and literally stalked him at any hotel he happens to stay at. he went from being a dude doing musical theatre and shopping at thrift stores and recording random songs with friends and posting silly memes on Twitter to being harassed on his only social media page and his friends insulted and his partners bullied by his supposed 'fans' and anything he posts being so microanalyzed that he can't do a damn thing without someone coming out the woodwork screaming about how he's the WORST and won't he think of the FANS!?

like damn he can't have a girlfriend without being harassed, he can't travel without being harassed, he can't like or not like social media posts without being harassed, he can't post a fucking MEME without being harassed, he can't take a vacation or cut his hair or hold someone's hand or just live his life without being blamed for some bullshit or another. but yeah, okay, 'when will Luke Newton come back?' as if it isn't your fault he's AWOL now

[downbaddetective]

Next one because I can't stop thinking about this AU now:

Charles-Markl, a sorcerer in training under the tutelage of "The Cat King", who specializes in magical disguises and pocket dimensions (biggest successful one currently is a "bag of tricks")

Crystal-Calcifer, a fire demon currently magically tied to "The Cat King" due to a deal turned curse

Monty-Turnip Head, a missing prince from a neighboring kingdom, cursed to be a scarecrow (because I think that's hilarious)

Niko-Lettie/Martha (taking a little from the books for this one), one of Edwin's only friends before he disappears, Niko goes to learn magic from another witch (hi Jenny) to see if she can find her dear friend

Cat (Meatball?)-Heen, a lazy spy for the Night Nurse turned semi domesticated house cat

Esther-Witch of the Waste, kinda self-explanatory I think

Night Nurse-Madame Suliman, "The Cat King's" former teacher currently employed by the kingdom to recruit magic users to the war or remove power from those who won't

Part One | Part Two

[egginfroggin]

Hmmmm.

Yet another meme redraw for you all this fine day

It hasn't been officiated by Nintendo yet, but frankly, I do subscribe to the theory that DMK corrupted Sectonia via the mirror; I also think that Taranza has every right to knock him out cold for it

Tell me, which bin do you think DMK belongs in, recycling or trash?

Also I did the perspective after one in the morning on this, don't mind how skrungled DMK is

Also if anyone knows the meme this is based off of and can give me its name or a link to it, please do so if you wouldn't mind, I couldn't find it and had to do this all from memory

Have a good day, everyone ^^

(Program: Krita; time: about 3 hours [same time half the effort as the last one. huh])

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[reginamillls]

I think the deleted scene is simply showing you how much Buck is cared for by the people he chose to be in his life, and from someone who craved that care and attention for so long I just think that's neat that Buck has so many people now that do, and idk I'm just happy for him