#what can i say. i love to give characters huge emotional struggles | Explore Tumblr posts and blogs

selfloverrrrrr · 5 months ago

Note

A noncon biker megumi...

His friends with reader and secretly possessive over her...reader was still at school nyt time..and as she was about to leave it started raining and she had a dress on..she didn't have a umbrella with her and out of the blue she saw a familiar bike and saw gumi...he asked her if she needed a ride with a smirk and she laughed at his humor*i think💀anyways)it was raining heavily and she got soaked..her dress started printing her figure and gumi had to swallow a huge gulp....as she was about to climb the back side of the bike*at the end of the bike)he stopped her and told her to sit infront..without arguing she went to the front and he was behind...her ass was kinda at his deck and felt the head in his body rising..he held her waist tight and and started driving..as they came at a speedbumb..the bike went up and down and that's how her ass also jumped on his deck..he struggled to focus on the road..after some time they got to their hostel and she said her goodbyes..but gumi couldn't cuz he was really hard from all that bumping..and followed her as she was about to close the door he pushed it open and thts where the fun started

Rival

Warnings : smut , heavy smut, unprotected sex, Noncon, Kidnapping, physically and emotional abuse, biting, torture, size difference, Yandere, protective, jealous, obsessive, manipulative....

( All characters are aged up/18+)

Masterlist

Minors Do Not Interact

Read the warnings carefully....if you don't like my stories block me not report

I was a second year student. My college life was going well. I mean what else you need for a good college life? My studies were going well, I have good friends. What else I need.

In college I have two special friends. Nobara and Yuji. They were like my bestfriends. I shared everything with them and they shared everything with me. I loved them so much. We were BFF. And I have some other friends too.

And then there was Megumi Fushiguro. And yeah.... he's the famous biker boy of our college. He's kinda my rival you can say. Sometimes He getting on my nerves. I don't know why he does that... maybe it just his time pass to bully me!

It was just a normal day at college. It was raining so heavily. I didn't brought umbrella with me. I was late for returning to the droom because of some work. Every students left. I was the one. I was standing in the front door of jujutsu high. Suddenly heard a voice "hey y/n... you need help?" The voice said. I looked at my side. It was Megumi. He stopped bike infront of me.

"seems like you need a ride....should I give you a ride?" he asked with a smirk. I laughed at his words. I knew exactly what he meant. it was raining heavily and also I got soaked. My dress started printing my body. But I didn't noticed he was starting at my body.... I was about to climb the back side of the bike but Megumi stopped me and told me to sit infront. Weird...but without arguing I went to the front and he was behind.

I sit infront of him. He started the bike. I didn't noticed that my ass was kinda rubbing on his dick. Megumi felt the heat in his body rising. He held my waist tightly and continued driving. As we came at a speedbumb..the bike went up and down and my ass rubbed on his dick. Now he was struggled to focus on the road. After some time we got to our hostel and I said goodbye to Megumi and went towards my room. But Megumi couldn't.... because he was really hard from all that bumping.

As I unlocked the door. Suddenly felt a push from behind and sound of locked the door. When I turned around it was Megumi. He was looking at me with a smirk. "What are you doing?!" I asked. "Come on y/n....are you gonna act all innocent and not gonna help me with what you did?" He asked with that smirk. "What are you saying?" I asked. "Oh... you still gonna act innocent I see" He said. "Megumi look... I really don't know what you're saying... just get out!" I said. "Oh you can't understand then let me show it to you " he replied with a smirk.

He grabbed my hair and dragged me towards his bedroom. I groaned in pain. He threw me on his bed and locked the door. Took off his shirt and threw it on the bed then started crawling towards me on the bed."Megumi what are you doing....please stop" I said and tried to push myself backwards but he grabbed my leg and pulled me towards him. I gasped. He was still smirking."stop?... Where's the fun then? The fun part is about to began ~.... Now you have to help me with the thing you've done with me..." he whispered and crashed his lips on mine.

I tried to push him away but his grip was too strong. I can't even move myself. He was kissing me too roughly. I couldn't breathe. He grabbed the hem of my dress and pulled it over my head which was already soaked with the rain water. My boobs bounced out. He looked at those with lust in his eyes and didn't waste any time, crashed his mouth on my breast licking, sucking and teasing the nipple and squeezing the other one with his hand. I moaned in the sensetion. I grabbed his hair and tried to stop him by pulling it but it didn't even effect on him. "M-Megumi stopppp" I scremed but he didn't stop.

Then he took off my pantie. He looked at my pussy. He rubbed his finger on my clit and whispered " so wet. You naughty little slut, getting wet for me huh?". Then he licked my pussy. I couldn't help but moan loudly. He smirked at my reaction and undo his pant.

His dick sprang out. It was too big and too thick. "Look... this is what you have done to me..." he said while stroking his dick. Fear grabbed me by my neck. " M-Megumi no no no... P-please no... s-stop" I begged but didn't even listen to me and slammed his whole dick inside me in one slide. I scremed. He didn't even give me time to adjust his size and started thursting in and out roughly. I was throughig my legs with pain and begging him to stop. And he was liking it so much. His thurst became harder and harder. I clenched around him tightly and he moaned loudly " ughhhhhh....ahhh s-so...ahhhh....so f-fucking tight " he started rubbing my clit with his thumb and I bite his shoulder scratched his back to control myself. With a few more thurst I came. He was still thursting roughly. I felt his cock pulsing inside me. I tried to push him away with all of my strength." Ughh...no no no no...ahhhhhh... I don't want this ..." I moaned. He grabbed my throat and chocked me down to the bed. " Shhh.... shut up and just fucking take what I'm giving you." He screamed. Within a minute he came inside me I could feel his seed inside me. He pulled out. My vision blurred out.

"So... you're gonna be my personal and only slut...huh?" He whispered with a smirk on his face.

Give me your requests guys....

I love when you give me your requests 💕

182 notes · View notes

cryptidcorners · 1 year ago

Text

Josh Futturman x Reader Headcanons

= Character: Josh Futturman

= Media: Show!Future Man

= Prompt: N/A

= Description: Just !Platonic & !Romantic mixed Headcanons!

= Request: N/A

= Tags: Fluff ! Headcanons, Shy/Awkward Josh, Romantic + Platonic, Established Relationship, Some Comfort + Reader is !GN

= Warnings: None.

= Please Read my INTRO before interacting !

Josh has always struggled to maintain relationships, including ones with friends. Not only because he's incredibly socially awkward, but his escapism within videogames plays a major factor. So, he treasures what he has with you much more seriously than anyone you knew.

Rambles about his games all the time. His interests are something you can never get him to shut up about. Josh is usually into strategies, lore & development, his favorite being "Biowars", which you already knew had quite the reputation for being a challenging videogame.

He's pretty bubbly, especially around you. Josh is an absolute sweetheart and will get flustered at almost anything. His childish personality roots out much more when you're around, mostly because Josh feels more comfortable.

He isn't very open about his feelings, mostly because he's afraid of losing people. Josh desperately wants to be a part of something and refuses to mess it up somehow. Josh, however, is very different when you're opening up. He'll advise, comfort and try to cheer you up. (It's actually crazy how good his advice is sometimes.)

Josh is content with following you anywhere, as long as it doesn't involve his house or hear his parents. If I'm going to be honest, if he's particularly choosing somewhere to lounge, it'd be an arcade. It's a field where he specializes in and he can impress you easily. It's also somewhere he can discard his low self-esteem and indulge in his skills.

Praise is like a drug to Josh. Compliments or any sight of you liking him (or what he's doing), he feels intense dopamine. He really enjoys making people happy.

He's pretty charismatic sometimes, even when he's not trying to be. Josh is usually awkward when directly talking to somebody with a set question or goal in mind, but when he needs to go with the flow, it's much more grounded. With you in mind, Josh is much more relaxed, so he isn't as shy as he is with strangers.

Wouldn't exactly say he's very affectionate, but he wouldn't mind hugging either. Again, Josh is pretty awkward, and I doubt he rarely showcases soft intimacy around anyone (whenever it's platonic or romantic). He would love to do it, but he's very shy. Though, he isn't afraid to try. If you ask, he's perfectly fine with holding your hand or sitting close.

As I mentioned, Josh is very tentative on affection, especially receiving it, but he loves getting his hair and face touched. Dude needs love.

Digs through your trash. He doesn't have any ill intents, but Josh will take time out of his day to scavenge through waste instead of asking you a minor question. I know I mentioned he's very relaxed around you, but Josh definitely overthinks, especially with relationships. He tries his best.

Will cry real tears of joy if you ever give him something. Josh really appreciates gifts, no matter who it's from. Even if it's not game related, he's definitely holding onto it for a while. (Bonus Points If: It's an animal toy, a decoration or handmade.)

Romantically speaking, he enjoys kissing you or indulging in anything sweet. A lot of giggling & sweet talk. Josh isn't very experienced in relationships like this, so he tried to wing it. Needless to say, he probably gets advice from Google images and it's adorable to see him try his best to impress you.

Will always defend you, even if he fails miserably. Absolute trooper.

Josh will one hundred percent get emotional at any piece of film he is watching with you. Especially if it's a game cutscenes and it involves animals.

Huge softie. I don't think Josh can handle saying anything remotely mean to you or reviving it. If he does, expect a flood of apologies.

Can get way into character sometimes, whatever context this is. You know what I'm talking about.

Very clingy. No other words.

Lastly, he'd definitely call you nicknames in the cutest way possible. If he lets you call him "Joshy", you've probably earned the highest pillar of his trust.

#🎮 josh futturman #josh futturman #josh futturman x reader #future man #headcanons #josh hutcherson #writing #writers on tumblr #future man 2017

395 notes · View notes

raven-at-the-writing-desk · 6 months ago

Note

Hi!! I sorta get the vibe that maybe Rook has some deep rooted trauma from his childhood?? Just because of how secretive he is; i know hes eccentric but i feel like it’s more than that. A lot of ppl are upset at Vil for “changing” Rook somehow but i feel like rook changed his appearance to match with Vil, moved to pomefiore, etc. because HE wanted to be more like Vil, i feel like him meeting Vil was a rly big turning point for him. And with how upset he was at having to hurt dream Vil and Neige (and his fanboy bedroom😭😭) i feel like he’s really dependent on both of them for his happiness and he’s avoiding dealing with some traumatic experience, but this could be a stretch. I was wondering what your thoughts were. Sorry this was so long, have a nice night!!🫶

Mmm, maybe? There's certainly nothing to disprove the idea, although there also isn't much to support it. Rook doesn't strike me as someone who is scared or put off by most things. He was very much able to keep his calm and composure even in demanding, high-stress situations like the STYX base raid in book 6 and the rescue operation in Endless Halloween Night. If he has experienced something dangerous and/or dark, he gives me the impression that he could handle himself just fine. (This isn't to downplay trauma; I'm just saying that Rook could very well be the type of person that reacts and copes well with it.) As for him being secretive, it could be for other reasons such as his family's line of work (which is implied to be pretty important, since they have warp pads and villas all over Twisted Wonderland). This would be reasoning similar to why Jade and Floyd's father's occupation is kept dubious. Rook's secretive nature could also be an intentional diversion (ie purposefully playing "the fool") so it's easier for his targets to lower their guards around him or not take him seriously. Really, there's many reasons for his enigmatic and eccentric attitude. I'm also of the opinion that you don't necessarily need to have a deep-rooted trauma to get deep into fandom or stan culture. Sometimes you just get really into something and want to dedicate your entire being to that which holds your attention! For Rook, that's Neige and Vil--and it hurts him on a deep level to have to harm those who have brought him so much joy. I liken it to like... how TWST fans have merch shrines dedicated to their favorite boys. Non-Twsties may not understand our love and dedication to these characters, nor why we may get upset if those merch shrines are destroyed or damaged.

I think a lot of Rook's emotional attachment to Neige and Vil doesn't come from "relying" on them to fill in some void within himself. Rather, the behavior stems from him literally viewing them as pinnacles of beauty, combined with his own reverence for beauty itself and how they've helped his own character development. We know that, as a child, Rook struggled to express himself and was first introduced to the magic of the arts when he watched a play that starred Neige. The performance and show must have deeply resonated with Rook. Later on, we see that he, as a first year Savanaclaw student, acts much closer to the Rook we know of today. Invasive, bright, speaking his mind in a verbose way, etc. This makes me think that it was through stanning Neige that Rook was motivated to express himself in a more open manner. Then, when Rook meets Vil, he's inspired and encouraged to beautify himself so as to be like the works of art he already admires. As you've said, Vil isn't the one forcing change on Rook; instead, Vil gives the suggestion and Rook becomes enraptured with the idea--to the point where he changes dorms against Vil's advice. This is another huge turning point in Rook's life. He changes dorms, becomes Vil's right-hand man, and drastically changes his appearance too. This is all so he can be closer to the "beauty" he wishes to see, so he can fully dedicate himself to that chase. Neige was the impetus that started it all, and Vil is the one who motivated Rook to go "above and beyond" in his pursuit of beauty. So thinking about it, Rook has gone on his own journey of personal growth, and Neige and Vil are both closely tied to that. It's like how some of us TWST fans have been with the game for a few years now. We've grown and changed, and TWST has been with us every step of the way. I bet you're a totally different person today than you were when you first came across your current hyperfixations. That's bound to deepen the emotional connection we already have with the object of our affections--be it TWST for us, or Neige and Vil for Rook, no trauma necessary. From all of that, I get the impression that Rook cherishes Neige and Vil because he has "grown up" with them and they're so pivotal to who he is and has become as a person. When he has to turn his arrow on them, it may hurt him in the sense that he's destroying his passions or the very figures who have inspired him to come as far as he has. That's how I interpret it!

I still think it's fine to headcanon whatever you want for Rook's past though! There's no harm in filling in the gaps with whatever you think suits the character or the story.

159 notes · View notes

rosenotactuallyquartz · 3 months ago

Text

pearl’s character development & her relationship with rose

character development for a complex character is complicated & often nonlinear. pearl has incredible character development, but a lot of her issues are overlooked or misunderstood. as her relationship with rose gets misunderstood, her growth tends to get oversimplified by claims that it’s about “getting over her,” etc. i think that’s not the case & it’s much deeper than that.

early character development

pearl’s character development is seen as early as the now we’re only falling apart flashbacks. she doesn’t see her own growth, & neither does greg who’s the flashback storyteller of the 90s, as they had just met.

but you know who notices pearl’s growth the most? rose. who’s known her the longest, who absolutely loves growth.

“pearl is happy/vacant, will do whatever is asking... no opinion of her own that isn't basic logic. pearl fiercely opinionated by end. bold, ridiculous, shameless, frivolous.” — end of an era

the first time they visit earth, rose says things like, “i couldn’t have done this without you.” she frowns when pearl says, “i could imagine it, if you would like me to.” in contrast, during the rebellion, pearl says she’s imagining things on her own, including a life with rose. she confesses romantic feelings & attempts fusion, which is unheard of & considered “disgusting” on homeworld. rose reacts by saying, “please don’t ever stop!” with a flushed face. pearl + rose are drawn to each other’s happiest & most genuine selves from the start. they encourage one another to embrace who they truly are.

it takes emotional and physical strength, but pearl defies homeworld’s rules & norms. before the war, rose gives her a choice: fight with her or be safe. pearl chooses to rebel with her, protesting that she wants to fight—all while homeworld claims that pearls are not “made” or “built” for fighting. there’s also the argument in sworn to the sword. she stands her ground, when all her life, she couldn’t even have her own opinions—let alone argue.

rose refers to pearl as my pearl, a term used for superiors on homeworld. she looks to her for strength & comfort, clearly admiring her. meanwhile, pearl’s feelings are very protective. on homeworld, she could never have the mindset that she could keep someone safe, especially a gem who’s considered superior. pearls were made to feel weaker, after all.

as time goes on, both pearl & their relationship continue to grow, and that’s evident even in rose’s final years during a more difficult time.

how rose felt about herself

“when a gem is made, it's for a reason. they burst out of the ground already knowing what they're supposed to be, and then... that's what they are. forever.” — rose, greg the babysitter

“self-destruction is a huge theme throughout the show. the struggle of feeling that you shouldn't exist, and what that can do to a person. a lot of the themes of the show exist within rose.” — end of an era

of course rose sees pearl’s growth. she admires it. on a flip side, rose herself feels that she is incapable of growth. in greg the babysitter, rose shows signs of being very deep in thought, with eyes that are noticeably more sad. she says gems can’t grow, but she sees growth in everyone, including the gem she loves so deeply. in this scene, she’s truthfully being self destructive, expressing her belief that she can’t grow. there are many reasons for this, some being that white gave her a colony “only to prove she would fail,” believing pink could never change. with rose’s unbearable guilt & war trauma, she questions whether white diamond is right. as she says this, she hides her pain by generalizing about gems.

rose says this while she’s in front of the ocean, something that pearl is so closely associated with. she admires growth and she sees it happen right in front of her, but she doesn’t think she’s capable of it. this is one of the main reasons why she thinks others are better than her.

so, rose’s pain makes her hide, become withdrawn. she thinks the people she loves are better off without her, as they will live on and continue to grow. she believes she’s stuck because she can’t grow. in reality, she can. she has; managing her destructive powers & becoming a healer, helping many gems who were harmed by homeworld. her mindset really is because of her abusers, & a lot of the things she’s guilty about traces back to their actions. and she has hurt others, but she dwells on it & forgets about positive things she’s done because of her mindset that “she only makes things worse & that’s what she does.”

she’s stuck because she can’t forgive herself & she hasn’t healed from a lot of things. sugar says that how she feels about herself causes pain for those around her. in rose’s final years, pearl can’t quite see or understand just how much rose loves her and all the reasons why. she can’t wrap her head around it, she can’t imagine the possibility that rose thinks she can’t grow the way she has. pearl sees her trying to change & she’s loved everything about her since the beginning. it’s fascinating how similar their feelings are; having so much adoration for each other yet self esteem issues complicate things.

how pearl felt about herself

homeworld’s society devalued pearls, treating them as replaceable servants. this has led to self-worth issues & issues understanding that she is loved for who she is, not just for what she can do. pearl rarely reflects on her trauma because she prioritizes the needs of others. her love for rose, who was often in danger—from being abused to having her identity discovered if she poofs—exacerbated pearl’s tendency to be overly cautious, protective. after all, she is driven by the constant fight-or-flight response they both experienced in their early years & other times they feared they’d be “in trouble” for being themselves. along with anxiety, she is intelligent & likes being in control, leading to perfectionism.

even when pearl makes significant progress, becoming her own person, becoming bold instead of docile, becoming opinionated & standing her ground, forming meaningful relationships, fighting against the environment that traumatized her, finding things she’s passionate about, & defying homeworld’s rules & ideas of pearls, other issues take more time. her perfectionism, ongoing trauma, and focus on others make it hard for her to see her progress.

the setback

pearl’s self-worth & self esteem issues worsen following rose’s death. she feels lost without rose. they’ve never been apart & neither of them ever wanted to be apart. who am i now in this world without her?

“everything i ever did, i did for her. and now she’s gone! but i’m still here.” —pearl, rose’s scabbard

now, more than ever, she can’t see her strength. she had worked so hard to keep rose safe so that this absolute nightmare wouldn’t happen. her whole life was about protecting rose from death. the loss is following a situation throughout the late 90s that involved confusion & a lack of communication. she also can’t understand why rose chose to leave a life that she dreamed of having with pearl, so she questions rose’s love for her. lastly, she’s so clouded by the pain of her grief that everything feels dark and confusing.

losing rose (not loving rose) brings about lots of setbacks in pearl’s growth. it’s painful, traumatic.

present character development

there’s significant growth when pearl slowly opens up about everything. the people around her begin to really understand pearl, her trauma, & the relationship she had with rose. she opens up to people who aren’t as close to her and therefore cannot be biased; she opens up to people who knew her + rose very well.

while pearl reminds us of the importance of letting people in & opening up about everything, it’s important to note that a lot of her growth is done without help from anyone else. so, when she can see her growth, she can understand just how strong & independent she is. another significant change happens when she returns to homeworld. from the perspective of the person she wasn’t allowed to be, after living in a safer environment for thousands of years, she sees how horrific homeworld is. she realizes just how strong she is; having so much trauma, becoming someone, & building a life that’s so different after leaving.

loving (and missing) rose

pearl: sometimes, i wonder if she can see me through your eyes. what would she think of me now?

steven: well, i think you’re pretty great.

the title of the song after steven says this is i’m still here. rose has passed, but there’s little pieces of her that are still here. eventually, pearl does see herself through rose’s eyes.

in sworn to the sword, connie + steven help pearl realize that the biggest argument between her + rose actually demonstrated how much rose loved her. she sees rose’s side, and then in mr. greg, pearl revisits the end of her relationship with rose, and she finds closure. in now we’re only falling apart, she revisits the beginning of her relationship with rose. this is extra significant because two of her closest loved ones (one who has a personality that is very similar to rose’s & one who lived with her and rose) help her see everything more clearly. she sometimes focused so much on the relief of rose being safe that she overlooked the incredible things she did.

but when pearl becomes more confident, she recognizes her own strength, courage, & importance. when she opens up & processes things, she is given an outside perspective, helping pearl see her value & worth to both rose and the world. she understands how much rose loved her & what she meant to her—she sees herself through rose’s eyes! & through rose’s eyes, she sees it a second time: her strength, her courage, her importance.

it was possible for rose to see herself through pearl’s eyes, too. that part of the story is incredibly tragic. while their trauma is not (all) the same, both pearl + rose demonstrate the importance of opening up & as connie said, “being honest about how bad it feels so that you can move on.” they both dealt with self worth, & self esteem issues, personal wounds.

on the bright side, pearl is beginning to understand that rose loved her just as much as she loves rose. now, she can see her own worth & strength, things rose saw all along. she can finally understand how rose was feeling—rose’s life was difficult, but she felt so, so loved by someone she deeply admired and appreciated. if only she could understand that she deserved that love.

pearl’s growth isn’t about “getting over” rose. she’ll always love her, but loving rose doesn’t “stunt” her growth. it’s so much more complicated than that. her growth starts long before steven’s time & rose sees it, even though it takes time for pearl to recognize it as well.

pearl was always strong, but she grows significantly when she realizes it.

#rose has good taste #you know #i really #really #i am a bisexual woman #i’ll shut up now #pearlrose #steven universe #crystal gems #pink diamond #prose #pearl #rose quartz #su #meta su #steven universe analysis #rosepearl #pearl x rose

106 notes · View notes

writingquestionsanswered · 12 days ago

Note

I'm writing a novel that criticizes the unethical way AI has been used and how newer technology is replacing older methods when they should still be available.

What I'm struggling with is to plan the story while having the tone in mind, because my main characters are goofballs, they're all supposed to bring funny moments and comic relief, but even with the comedic parts I don't want to make the social critic a satire. How do I plan a story with humorous characters doing serious stuff and keep a balance of humurous moments and serious subjects?

Balancing Humor with Serious Themes

Here are some things to keep in mind...

1 - Let the majority of the humor derive from the characters themselves. Since you say the characters are goofballs and bring comic relief, it sounds like you're already doing that. Keeping the characters as the primary source of humor helps to create a buffer between them and the actual (serious) situation.

2 - Time the comedic moments appropriately. When it comes to balancing humor with serious themes, timing is everything. The best time to use comedy in a serious story is when the tension needs to be momentarily relieved. This creates a nice contrast which makes the seriousness of the moment feel that much more serious and deepens the emotional resonance.

3 - When possible, keep the comedy relevant. Let's say you have a dramatic moment where the characters are hunkered down, waiting for something bad to happen (that they know is going to happen), and it's super tense, so one of the characters says something funny. It isn't going to make a lot of sense if they just randomly say, "Have you ever noticed you can never remember the three items you went into the grocery store to buy, but you can recite lines from a movie you saw once nine years ago?" That is a funny observation, but what does it have to do with that particular moment? How is it relevant to what's going on?

A more relevant funny observation would be, "Why is it when I'm waiting my turn to present a book report, the seconds fly by, but when you're waiting for the arrival of a blood-thirsty shapeshifter, suddenly every second takes five minutes?"

Alternatively, if the group happens to be waiting for said blood-thirsty shapeshifter while hunkered down inside a grocery store, that gives the shopping observation relevance.

4 - Work in character development by letting comedic quips reveal quirks, flaws, vulnerabilities, strengths, relationships, personal stakes, and personal journey.

5 - Avoid jarring transitions by using environmental or narrative cues to signal shifts in mood. For example, after the comedic quip is made, maybe the lights flicker and go out, or a huge shadow falls across the floor, signaling the arrival of the bad thing they're waiting for. This helps to transition between the comedic moment (and any comedic reaction) back to the seriousness of the moment at hand.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

#wqaadvice

65 notes · View notes

artist-issues · 4 months ago

Note

Hi! First off, I want to say that I love how you analyze media and having really been enjoying reading all your posts :) I just wanted to ask—do you have tips for people who what to learn to think more critically about media and just storytelling in general? Like, are there questions that you usually ask yourself when looking at a character's journey or the messaging behind the movie? Just trying to learn how to better analyze the media I consume, as well as improve on pinpointing the specific reasons why I like the movies that I like, instead of just saying "Well, I liked it. It was great" and leaving it at that 🙈.

New favorite question!

I love that you want to know why you like something. I love it. I think so many people are ready to give a defense for why they dislike something, and the blood-sport of “picking it apart,” but then they don’t really know how to reverse the process and be like, “here’s why I liked this other thing,” or they can’t speak accurately and clearly about why they like something, which is a huge shame, and sort of raises other questions about critical thinking but you’re not doing that! So you’re already awesome!

I am not an expert. I could be 100% wrong about everything I do, and all the questions I ask. I only went to a normal amount of education for this. It does not mean I have all the insight and the good advice.

BUT you asked, and I love talking about it, so it’s going to be long, and here’s what I do:

Step 1. I Just Watch the Movie.

That’s it. Just take it in. No expectations. Do not try to figure out what’s wrong with it or what’s right with it. Don’t even assume there’s such a thing as “right” or “wrong” the first time you watch it. It is THE hardest thing to do, once you gain some “knowledge” of storytelling. But truthfully, if you go into a story with your eyes and ears open for flaws, or a checklist of “Right Things to Do,” then you’ve already lost any objectivity. You’ll be so busy going “good thing, bad thing,” that the movie will never be able to establish an “emotional train of thought,” with you. Because you’re already taking it piece by piece, like eating a burger one ingredient at a time, instead of taking a full bite. It’s meant to be one-successive-thought/feeling-on-top-of-another, but you’re picking it apart before it’s over.

Plus, you’re not letting the story do what it was meant to do—get under your mental guard. And that’s the whole point of stories. So in a way, if your Critical Analysis Cap is already conciously on, even the best movie in the world won’t come off as the best movie in the world. C.S. Lewis talks about this in one of his essays. I’ll try to simplify it:

You can’t decide if you like something or dislike something until after you’ve eaten it. You certainly can’t really experience “what ingredients it’s made of” before you’ve eaten it. You can make some observations about a food without ever putting it in your mouth and experiencing it—I can look at a brownie and go, “there’s chocolate in there.” I can cut into it and go, “oh, but it’s tough.” But I haven’t even begun to scratch the surface of experiencing that brownie until I just shut up and put it in my mouth.

That is the hardest part and the part I suck at the very most. My suckiness at this part is why my friends hate watching movies with me. But on some level, you have to suspend your worldview, your opinions, and try to just listen.

It’s also why (this is just an aside) I struggle when people recommend a movie to me. Because they usually go, “what do you think of this movie?” And then I say, “I haven’t seen it.” And then they go, “oh you should watch it!” And I know for a fact that they’re going to ask me how it was, and my answer needs to be prepared—so then I’m already handicapped before I even try it. But it can’t be helped. And that’s just food for thought.

Step 2: “What Are They Trying to Tell Me?”

The only thing you need to think, when you go into analyzing a movie, before anything else, is, “They are trying to tell me something.”

That’s it. It’s just active listening, but in a movie. I think that’s like 90% of it. And so many people don’t know how to do that—in life, in conversation—let alone when they watch something. It’s the movie-watching equivalent of “stop thinking about what you’re going to say or how you’re going to respond to me, and just listen to what I’m saying.”

Remember, the whole storytelling team behind a movie or the writer of a novel sat down in front of a blank piece of paper. There was nothing there. They made several hundred thousand tiny and huge decisions to put something in front of you. Almost nothing you see in the story is there on accident. Because none of it would be there if they didn’t decide to transplant what they were thinking and feeling into you.

That’s all a movie is. That’s all a story is. It’s communication. It’s an essay. It’s a sermon. It’s a song. You can figure out what it means—but only if you start out by accepting, on good faith, that it means something.

I’m not saying every story of movie will have a well-thought-out meaning. I’m saying, you’re going into it as if it does. In good faith. And then the storytellers will either reward that good faith because they had something to say—or they’ll let you down. But you go in assuming they won’t let you down, that this is an agreed-upon conversation you two are having.

That takes a level of humility I don’t always have. Because if I know Christopher Nolan is directing a movie, at this point, it’s hard for me not to go into that movie with the story-version of this mindset: “well, I know he’ll have a lot of ‘big words’ to use, but nothing to actually say.” It’s hard to do.

But you have to do it, or else the risk of you projecting what you believe the movie is about onto it, or missing the meaning entirely, is astronomically high. You’ll watch a Disney Princess movie that’s total trash (I can’t stop coming for Wish) and you’ll see everything you’ve always wanted to see in it—because you’re projecting what you hope they’re saying onto the movie (when actually they were saying something very silly.) Or you’ll be like me watching The Dark Knight for the first time and trying desperately to wrestle my brain into “believe he’s trying to say something to you and not just snag your emotions on meaningless twists”-mode the whole time.

And the best way to figure out what they were trying to tell you is to start with where they succeeded in making you feel something. Wherever they succeeded, that’s where you’ll start looking for clues.

Step 3. What Did You Feel?

Sometimes you have to skip this step because you couldn’t get Step 1 right. You couldn’t just watch the movie, you were “out of the movie,” the whole time you were watching it. Sometimes that’s not your fault—sometimes a movie is so bad or so disingenuous that you can’t do Step 1, and you have to settle not for “What Did You Feel?” (Because you felt nothing) but “What Did They Want Me To Feel?”

…But if you were able to just watch it and it made you feel something, then this step is about analyzing that.

I recommend starting with a movie you watched when you were a kid—because kids almost never fail at Step 1. Their brains are sponges. Your brain was a willing sponge, you believed that the story was telling you something and you took it in without any conscious thought.

So like, if you felt like crying during the scene in Inside Out where Bing Bong fades away, or you did cry, ask yourself “why?”

The first answer to that question will be “because I liked Bing Bong and now he’s gone, and that’s sad.”

The second one will be: “because I miss my imaginary friend/because I miss my childhood/because I wish I didn’t have to lose memories of good things” etc. And all of that’s true.

But dig deeper. Because that’s exactly how the storyteller wanted you to feel. Reverse-engineer it. Figure out how they accomplished that goal.

Because we all had play-pretend characters when we were kids. We all had childhood friends who aren’t with us anymore. I guarantee you none of them looked like cotton-candy chimeras with hobo jackets. So why did you respond to Bing-Bong’s death as if you were losing something personal? How did they get you to believe that was happening, enough to make you sad, about a character you met an hour ago?

Because you got to know him well over the past hour. You got to know things about him that were easy to believe, things that were in common with your life experiences. You know what he wants, what he doesn’t like. You know where he was hoping to go, and what he was afraid of.

That ties into the next point, but you can do this with things that don’t have anything to do with the character—the other things that make up a movie.

What music was playing during the part where you Felt Something? Was that same melody or motif in another part of the movie—and if it was, what was happening in that part? Are they connected somehow?

What color predominates the screen during that part?

What is the lighting like? Does anything make the lighting different than what we’ve seen so far? Is the lighting creating interesting shapes—how would you describe those shapes?

Where are we? Is it a significant location? What makes the location significant?

Are we losing something? Why does it feel like a loss? Are we gaining something? Why does it feel like a gain? What was missing before that we’re glad is here now?

Those are just a few questions. Because remember, by answering them as honestly and simply as you can, you’re figuring out that the storytellers chose those things, and you’re figuring out why that was the right choice.

Do some compare-contrast: when Bing Bong fades away, what color is he turning before disappearing?

Deep blue, almost purple, right? If you can’t figure out why that would be a good choice, do some compare-contrast. What if the color he was vaguely dissolving into was green? That would look kind of sickly, or it would evoke feelings of “poison gas.” Weird for a moment that’s supposed to be sad. What if the color was yellow? Joy is yellow, in the movie. So pretty directly, that would be the wrong color because it would be kind of pretty, and it would make the audience feel a little “ooo” like they do when the Beast transforms in yellow light. But blue? Who’s blue in this movie? Sadness. Obviously. Sadness is blue—it’s very human to respond that way. You can do that same “what-if, compare/contrast” with the answer to every question on that bullet point list.

“When Genie is set free and I Felt Something, the location it’s in is on the throne room balcony. Well, why? Why’d the storytellers pick that? Because that’s where they were after the final battle, yeah, but that final battle could’ve been anywhere. Why didn’t the final battle with Jafar finish by having everybody in the throne room? Well, if it had been in the throne room, there would have been a lot of destruction from the final battle laying around. Having ruins behind Genie while he looks all sparkly and triumphant would’ve been a little odd. Plus, there would’ve been a roof. Would he have gone “I’m freee—hee!!” and flown out a window? That might’ve felt silly. But out on the balcony, he’s looking sparkly and triumphant against an open sky. Ohhh, an open sky makes you think of endless opportunity. That’s so smart. Even my subconscious was convinced, by the sky behind him, that something momentous and liberating was happening in this scene. And not just for Genie, but Aladdin is finally being “freed,” too, because they know who he is and love him anyway, and Jasmine is being ‘freed,’ too, because the law—“ Okay that’s enough, you get the idea.

Let’s go into the really fun part.

Step 4. I Look At The Characters

A good storyteller uses something that the audience can relate and empathize with for their main focus. And that’s usually a character (doesn’t have to be. You can describe a tree with personification in a poem, and a human will empathize with that tree’s “life,” or situation, and boom—suddenly you have a story.)

A super talented writer I know named @doverstar once wrote an entire story from the perspective of I think a paperclip? And I still remember it to this day. (Specifically I remember a crazy straw wrapper in the story, but you get my point.)

SO! Characters are the easiest and best way for a storyteller to get the person they’re trying to communicate with to engage. Which means, looking at characters is the easiest avenue to understand a story by. Usually, the storyteller jammed the whole message of the story into their characters in neat, interesting little packages. You just have to unpack them.

Here’s how I do it, roughly:

A. Figure Out What the Character Wants

In my post about The Lion King, I said Simba wants to be free to do whatever he wants all the time. And that’s true. But how did I figure that out? I’ll show you. It’s plain, because the storytellers wanted you to know.

Look At Dialogue - What a character says almost always gives you hints to what they want—even if they never say what they want out loud. Kids are most likely to say it, point-blank. So cub-Simba says, “But I thought a King could do whatever he wants.” But adults usually don’t say exactly what they want, because by that time, they’re either confused about what they want or they’re insecure about what people will think of what they want—whatever. The point is, pay attention to what a character says. Simba also sings, later, “free to do it all my way!” You can also find a lot out by what a character doesn’t say. Aladdin could’ve said, “yeah, well, at least I’m not a pompous jerk!” when Prince Achmed calls him “worthless.” That would’ve been more of his gutsiness, and he would’ve been right, like a hero should be when calling out a bully. But it wouldn’t have told you anything about what he thinks about what Achmed just said. Instead, he goes, “I’m not worthless!” …People who really believe obvious things don’t say those obvious things. Because they’re obvious. So when Aladdin says, to a closed door and an empty street, “I’m NOT worthless,” you realize that he’s just trying to convince himself. What he means is, “I don’t want to be worthless, and I don’t want to be seen that way.” Because on some level, he is afraid that he is worthless. See how you can tease that out based on what Aladdin says? Then it makes sense that, from that moment on, Aladdin does everything to prove he’s not worthless, or to make people believe he’s not—he goes to great lengths to preserve that image. That’s his motive. Just like Simba disobeys his father and Zazu because he wants to prove he’s a powerful Prince who can do whatever he wants. That’s his motive at the beginning of the movie. You can also learn a lot about what a different character says about another character. And whether or not they’re portrayed as right or wrong. When Prince Achmed says Aladdin is “worthless,” you don’t believe him. He’s drawn in gross curvy lines and he whips children and kicks poor people. You’re not inclined to believe he tells the truth, on top of all that. So the storytellers don’t want you to think Aladdin is worthless—they want you to believe that Aladdin thinks he’s worthless, on some level.

Look at Actions - Actions do speak louder than words. When a character is presented with a decision to make, look at what road they take.

Look at what that says about them. For example, when Andy Dufresne chooses to play music for all the people at Shawshank, even though it’s definitely going to get him in trouble, or when he dares to approach and talk to the abusive prison guard just for a few beers, you learn something about him. It might be confusing, and it might take cross-referencing that action with the fact that he’s digging himself a way out while everyone else is accepting their sentence. But you’ll see that he could have just done what everybody else did. Got through his sentence with the bare-minimum of work. Kept himself busy with any old thing. But that’s not what the storyteller has him do. The storyteller had him continue to bring new, life-lived things into the prison. He creates a space for people to learn and better themselves, he wheedles beers in just for the enjoyment of them, he’s beaten for the sake of music being played. The idea is that he’s going to keep pushing and living, reaching for more, instead of settling, like a man who’s already dead. So then by the time he digs his way out of Shawshank, you believe it. You’re like, “yeah, Andy would do that. I’ve seen him go to great lengths to live this whole time.” Through his actions, and the actions he doesn’t take even when he could, you figure out his motive.

Watch for the Change - Not every character changes. But when a character starts saying something that’s opposite to the kinds of things they said at the beginning, take note. When the character starts doing something they wouldn’t or couldn’t do at the beginning, take note. Miles Morales tries to jump off a building as his first test of being Spider-Man, and he can’t, he goes to a shorter building. Later in the movie, he jumps upside-down off of one. The change in action demonstrates a change in motive—he used to be focused on not-failing. Now he’s focused on taking action.

I’m sorry, I know this is already a long post, but wanna see it all come together?

(Dialogue) On Miles’ first day in class a girl points out that his shoes are untied, and Miles says, “I know. It’s a choice.” He leaves his shoes untied on purpose. (Action.) He also tries to fail in school on purpose. (Action and Dialogue: His teacher spells it out with her dialogue “You’re trying to quit. And I’m not going to let you.”) Then later when Mils tries to run and jump off a short building as Spider-Man, his shoes are still untied. Why? He does things sloppily on purpose. He leaves his shoes untied the same way he tries to fail tests he knows he can pass—because it’s easy. Because you can’t fail at something risky if you don’t try. So he trips and falls off the building. (Action.) That’s Miles’ motive. He’s got “Great Potential,” but he could succeed, but he chooses not to because he’s afraid of failure. Then later, when he leaps headfirst down a skyscraper, did you notice his shoes? They’re tied. (The Change.)

All from a pair of shoes.

Someone had to draw this kid’s shoes, before anyone knew what he would be wearing, and decide why it mattered. Someone had to pick what dismissive line a kid would say to him on his first day of school—and they had to pick exactly what words he would use to respond.

They’re trying to tell you something. All you have to do is believe that, and then you’ll start to not only hear what they’re saying, but appreciate how they choose to say it.

B. Figure out Who a Character Is

This one you can find clues for in the same three things: Dialogue, Actions, The Change. (If there is a change. There isn’t always.)

A character like Stitch is easy to analyze. Other characters straight up say (Dialogue) “You were built to destroy, you have no place among us, you wreck everything you touch, there is nothing inside you that is good.” Then he makes abominable choices (Action) pushes little girls down, rips up toys, chews on the heads of other aliens, actively tries to murder alien cops. But he also looks sad after a night of destroying things (Actions) and asks Lilo to explain to him a book about an ugly duckling (Dialogue? He sort of grunts.) So you’re starting to notice solid character traits: Stitch is evil, Stitch likes being evil, but Stitch feels empty being the way he is. Then when the Change comes, it’s meaningful, and it gives you a hint as to what the storytellers were trying to say.

You get a sense of what Stitch would do, what Stitch wouldn’t do—and you can ask why. With Stitch, it’s just because that’s how he was created by his literal creator. But with other characters, like Cinderella, you’re given background. Her parents taught her to be good and kind regardless of her circumstances. So then when her circumstances get worse and worse, and she chooses to hang on to what she was taught even when the parents are gone, that’s a big deal. And what happens as a result of that “big deal,” what happens as a result of “who the character is” and their “motive,” is our next step!

Remember, you can do this for almost all of the characters. And whichever character gets the most screen-time, what they’re doing during that screentime—all of those things matter.

Step 5: Look at What The Storytellers Reward & Punish

People mess this step up because they mess up Step 2. They forget that the storytellers are trying to tell them something—something specific, something with parameters—and they just start reading their own ideas and reasoning into the characters.

Prime example: people blaming Admiral Holdo for Poe’s actions in Star Wars: The Last Jedi. The whole movie, Poe is doing things that are understandable, but ultimately, foolish. His Character Actions are coming from his Character Motives—which are flawed. Poe believes he should always stand and fight and do what’s heroic. There’s a little pride that goes with that—that he has to be the one to make the stand, or at least to know that there is a heroic plan. But every time he takes these actions, something bad results from it.

Disobeys Leia and Bombs the Dreadnaught -> Every other Pilot dies, and the ship is being tracked anyway. Leia slaps him and tries to tell him to learn a different lesson. Sad or intense music plays. One of the other main characters is majorly negatively affected by the death of her sister in this bombing run.

Sends Finn & Rose on a Mission Without Trusting His Superiors With the Plan -> They Don’t Make It and Nearly Die. His Superiors Trust Him Less.

Staged a Mutiny Necause He Doesn’t Trust Any Plan That’s Not Heroic, Especially if They Didn’t Tell Him First -> The Real Plan is Almost Foiled, Leia Stuns Him.

But some people see all that and they don’t willingly accept that the filmmakers are telling you Poe is in the wrong. They impose the fact that they like him, and they don’t like the purple-haired lady, over the narrative—against all reason, against all odds. They’ve stopped taking in the story, and they’re writing fanfiction before it’s even over. They believe Poe is in the right—if Admiral Holdo had just told him the plan, he would’ve gone alone with it! None of this had to happen!

Actually, the storytellers prove the opposite of that: that Poe would’ve been furious and put a stop to a life-saving plan, because he hates running away. But people are spinning out into “what SHOULD have happened,” or removing one tiny piece of the story and blowing it up and out of context, and judging the whole story on that. If you’re not a big Star Wars fan, consider this: I’ve seen people argue that in Beauty & the Beast, the Enchantress is the real villain and the Beast and his castle are the victims. This is ridiculous. Clearly, the storytellers are telling you that the Beast was in the wrong and the Enchantress was in the right.

They’re telling you this because they design the Enchntress beautifully. They align her with virtues like “value love, be kind to others, be humble,” and they introduce the beast to you with “sneered, selfish, spoiled, unkind, no love in his heart.” They straight up tell you that in the narrator’s voice. You have to believe them, in good faith, if you want to understand what they’re saying.

What about when there’s no voiceover narrating what’s good and bad? No problem. Look at other things. Like I said, look at how Poe is made a fool of by a benevolent and beloved character (Leia) whenever he makes decisions that the storytellers want you to see as bad decisions. Look at the lighting, the location, the colors, and the music during scenes where consequences of a characters’ actions are coming.

That’s what you’re looking for. What does the movie say is good, and what does the movie say is bad? What does the movie say is true, and what does the movie say is a lie?

At the beginning of E.T., the main character is disliked by everybody, including his older brother, because he only thinks of himself and how he feels. By the end, when the kid has taken such careful care of E.T. and reveals it to his big brother, his big brother wants to help him. They’re all brought together. Because the main character stopped doing something that the storytellers disapprove of, which is “thinking only about how you feel,” and he started “thinking about how other people feel” for a change. In the beginning of the movie, he’s lonely, angry, standing in shots that are wide and empty. By the end, he’s flying, beautiful music is playing, and he’s happy. The storytellers reward what they’re trying to convince you is good and right.

Step 6: Are the Storytellers Right?

I always stress remembering this last part. It’s all well and good to lower your defenses and take in a story in good faith. You should not ask this question until you’re done listening, in most cases. Just like it’s well and good to listen to someone with a different perspective than you—you might be wrong, and a story’s main function, like I say on my profile’s pinned post, is to act as a Signpost that Directs You Back to Truth When You’ve Wandered.

But the problem is, fallible humans are telling the stories, and fallible humans are listening to the stories.

So you need to know what you believe, and after the storytellers tell you something, measure it against reality. When Greta Gerwig says, “You Can Be Whatever You Want to Be, Because You’re God,” and she says it with the Barbie movie, is she right? When Cinderella says, “Have Courage and Be Kind, and You’ll Have Hope in the Worst Circumstances,” is the movie right? What if you find yourself in the worst of circumstances one day—you better hope Cinderella didn’t feed you lies. What if there is a God, and it’s not you—you better hope Barbie didn’t feed you lies. I really enjoyed going over this! I’m sorry it was so long. If there’s ever anything more or like, follow-up questions, go ahead and ask! I’ll try to make it briefer next time. Thanks again!

84 notes · View notes

shygirl4991 · 4 months ago

Text

Chapter 2 Artistic Ringmaster

All art is done by @b-r-i-n-g-x be sure to check out her other stuff! Please do not repost art!

Next Chapter Last Chapter

Tags: Action/Adventure, Romance, fluff, angst with a happy ending!, blood, character death, injury, SMG34 is canon, split au

SMG3 finishes explaining everything that happened to him, Four could only sit there in shock as Producer took notes during the story. SMG4 sits there, silent as he takes everything in. He turns to stare at Producer who finishes writing the last of his notes, the closer he looks the more he starts to worry that he would end up looking like this from lack of sleep. With a sigh he gets up and walks over to his boyfriend, slowly he grabs the man’s face examining him. There he saw the changes the man has gone through, he gasped seeing the subtle changes. His teeth were sharper, his face was more gentle not to mention his hair seemed more smooth then it used to be.

SMG4 takes a step back trying to process everything, his eyes stopping at the pins on the overall strap. “So the reason you were dressed in pink, that was your personality Heart 3. I…your heart was literally right in front of me and I still couldn't see anything.” He lets out a nervous chuckle, if he thought he was blind to his boyfriend's emotion, having this knowledge was the nail on the coffin. His breathing started to get heavy the more he thought about it. What kind of boyfriend can't figure out something is different with his own boyfriend?

Seeing that both Three and Producer run up to four, Producer bites his lip thinking of what to say “It’s o-okay original, I know it's scary everything that's happening. The fear that if we make the wrong move we lose everything but…uh.” Producer panics looking at Three unsure where to go next. Three nods as he gently rubs Four’s back “I agree, it will be okay. Mine were amazing and showed me how important it is to accept all of me. You don't have to fear them, I doubt one of them would ever bring harm to you or your loved ones.” SMG4 stares at Producer, the more he looked at the personality the more an old memory was poking at him.

“IT’S GOTTA BE PERFECT!” He pushes the two away from him, his eyes changing from blue to grey. He felt the room close in on himself, those voices came back to him, reminding him how he would never be good enough for his loved ones. Producer held his head “AH NO! THREE HELP!” The personality was struggling to hold himself together. It was clear to Three that the personality was trying to hold back a huge panic attack, so he slowly approached his partner.

“Hey Four, listen to my voice we are going to list some things are you ready?” Seeing his boyfriend nod gave Three confidence. Four looks up, his grey eyes meeting Three’s red ones “Four if you can take a deep breath, then i would like you to name three things you can see.” He watches as his partner lets out a shaky breath before answering him “You, Producer and the table near you guys.” SMG3 smiles, giving him a nod while Producer attempts to relax his breathing, he flips to an empty page on his notepad and draws shapes. Seeing Four less tense, Three kept going “Now Three things you can hear,” Four closed his eyes to focus on the sounds around him “A crowd, someone drawing and your voice.” Four’s body becomes completely relaxed and he starts to give a small smile to his partner, Three smiles back at him “Are you good? Or should we do the last one?” SMG4 hugs Three, he wraps his arms around his boyfriend comforting him. Producer saw Four’s eyes going back to blue, the pull was gone making Producer smile. Shyly, he walks up to the pair and hugs them both, Three sighs when he notices he managed to get himself in a Four hug pile.

The peaceful moment was then interrupted by the sound of a large crowd, SMG4 pulling from the hug surprised “I thought the crowd noise was in my head!” Producer frowns looking out the window “He really did do it,” curious Three also looks out the window. The pair turn to look confused at Producer, Four nervously smiles at the personality “Uh who are you talking about?” That's when they heard tapping through the speakers. “WELCOME EVERYONE TO THE MAIN EVENT I RINGMASTER 4 SHALL BRING YOU A SHOW YOU WONT FORGET!” Ringmaster twirls the cane and taps on the stage.

Hearing this the group run outside the castle to see a huge crowd cheering on the man on the stage, Four’s eyes go wide seeing the showman tip his top hat while dancing on stage. He smirks looking at the crowd, then stomps on a button causing canons to rise. They aim at the crowd and start launching pillows “Remember folks if you like what you see, then you should all like, comment, and subscribe to the SMG4 channel!” The crowd goes wild grabbing the merchandise as Four turns to Producer. The personality was drawing shapes in the notepad, sensing eye’s on him the personality turns. “That…that's a part of us?” Producer nods as he looks at the stage. Three gets hit in the face by one of the pillows and glares at it, his face then goes blank “Why am i not surprised that you have a showman personality?”

Four blushes as he avoids his partner's stare, he looks back at the stage and sees the personality doing tricks. It was impressive seeing how fast he was to cover mistakes by turning it into a joke, never once did the smirk on his face fall. SMG3 hums, catching Four’s attention “He sure is full of himself, brings annoying memories.” The comment makes Four frown, long ago SMG4 was full of himself due to being so advanced with memes. Little did he know the reason for it was thanks to being a meme guardian of living memes. He was unfair to many students, one of them being SMG3 which caused years of hatred. Four sighs wondering how they went from trying to kill each other, to currently holding hands watching another him put on a show. Ringmaster stops suddenly as his eyes meet SMG4, with a wink towards his original he removes his hat and bows. “A shame I bring this news, I must end the show folks. The main character of the story is here, I am needed by his side!” the crowd boos as they all start leaving the showgrounds. Once it cleared out the group walk up to the stage, Ringmaster smiles lovingly at SMG3 “Ah Darling, so happy to see you. I am assuming you will be joining us!” Three was taken aback by the personality as he awkwardly looks to the side and nods.

Four steps forward, offering his hand with a smile “Nice to meet you, have to say your show was fun!” Ringmaster chuckles, taking his hand. With a shake he lets go and stands on the stage, with a tap of his cane on the floor fireworks launched out “Pleasure to meet you, as you know i'm Ringmaster! I like to call myself the imaginative side, while others..well that purple knows it all likes to call me ego.” Producer gasps, grabbing Ringmaster’s leg “Is he still around here too?” seeing what he did the personality panicked pulling back. He anxiously stares at the floor “Sorry i… i didn't mean to grab you like that” Ringmaster lets out a chuckle patting Producer’s head “That alright! And to answer your question, sadly yes he is still around.”

SMG4 stands back watching his two personalities interact, slowly he nervously turns to his boyfriend “Heh good thing i got over having a big ego huh?” SMG3 blinks before rubbing the back of his neck, unable to look into his partner's eyes he nods “I mean..you have gotten better, you know about the selfish asshole thing.” Four steps in front of Three, his eyes filled with shock and confusion “What…” that's when Three noticed the man's blue eyes turn red “WHEN WAS I EVER THE ASSHOLE? I have been nothing but charming with helping you and the others, I bring out the best of you all!” Three sigh’s, he had a feeling that saying something would summon a swap “Four do you remember my cafe opening?!”

Four lets out a giggle before spinning around to look away from Three “I explained it didnt i my love? We tease and fight all the time, i didnt think my pushing to get your cafe more customers would cause such panic!” Three groans turning Four back then waves his hand “This! THIS IS WHAT I'M TALKING ABOUT BEING A SELFISH ASSHOLE!” Ringmaster frowns as Four’s eyes go back to blue. Awkwardly Ringmaster walks up to Three, Four puts his arm up to stop the personality “I’m sorry Three…i let my ego get the best of me, i don't mean to let things get to my head like this.” Three lets out a soft smile taking his boyfriend's hand “We aren't perfect, I just wanted it to click in your head. Ringmaster is standing right there, you can't escape the fact that you tend to play the main character card and forget we are here too.”

Ringmaster smiles and pats Three’s back “This is why we date you!” he glares at Ringmaster smacking his hand away from him “GAH! Get away, I don't need to hear that from you…baka.” He blushes and crosses his arm, as he looks away he notices someone in purple running with paint near his cafe. Ignoring Ringmaster flirts, he walks over to his cafe. The strong smell of paint hitting his nostrils, his eyes go wide at the thought of someone vandalizing his shop. He sprints around the corner ready to catch the person painting up his cafe, he freezes when he sees another SMG4. He turns, showing his face covered in paint, his purple eyes going wide in surprise as he looks into Three’s red one. They stare at each other before the purple Four smiles brightly at him “Haha hey there! I got a bit sketchy and thought I would do a fun project!” He gets up putting his hat on and attempts to wipe off the red paint off his cheek, he then twirls his paint brush causing the paint on it to drip on his purple overalls. He winks before pointing to himself “I’m Artist, the creative part of SMG4. Without me you bet your memes our content wouldn't be as fun!”

Gently he grabs SMG3 hand pulling him closer to see what he was up to, with a soft smile he reveals a mural “Your cafe needed something to call out to customers, so Mister Mcdreamy i painted the internet graveyard on your wall to say hello world im a king!” Three gasps looking over the mural, he felt his eyes water seeing who was in the front “Terrance…you painted my Terrance.” Artist nods, holding Three’s hand for comfort. “Of course, you deserve something bigger to remember your son by.” Without thinking Three pulled Artist close, embracing the personality Three softly chuckles “I love you.” Artist face goes red from the man's confession as Ringmaster scoffs “Ah i find out where you run off to and you get all dovey with him! What about me, the star of this show, I do artistic things too!” Artist pulls away from SMG3 giving a smug look at the showman “Aw is someone jealous?”

Ringmaster huffs stepping up to the Purple personality “Ha of you? Anyone can grab colors and make pictures! You only got attention because you look like you climbed out of a dumpster, can’t you keep your overalls clean of paint?” Three steps back, staring at the two concerned as Four and Producer walks up. Annoyed by Ringmaster's comment he uses his brush and draws a red line of the man's face, Ringmaster eyes go wide “Did you just…thats it!” He claps, turning his cane into rope, seeing this Artist squeaks and starts to run away. Three blinks in surprise “Did…he use meme energy?!” Producer panics seeing how the fight is going “Ah wait you two please!” he nervously steps forward trying his best to stop the two from fighting. Four let out a nervous laugh “So you had to deal with this too?” Three looks at the personalities screaming and running around, he closes his eyes gently touching his pins “Nope, they got along almost like brothers. Wonder why that is?” Four frowns as he looks down “Well at least we found all of mine, now we just have to work on getting them back with me.” Three opens his eyes in time to see Ringmaster clapping again changing his cane into a boomerang and tosses it at Artist, he dodges it as the item hits the rooftop ladder of the cafe. Producer nervously grabs onto Artist, not ready for the speed he ends up getting knocked down.

The moment Producer hits the floor his notepad rips, causing some of his notes to fly in the wind. The personalities freeze as they watch the paper fly away, SMG3 and Four run to check on Producer. “Hey you good PD, that nasty fall got dirt all over you,” Three reaches out to the personality only to be grabbed in a panic “MY NOTES THREE HELP PLEASE EVERYTHING IS ON IT!” Four gently takes Producer’s hand and smiles softly at him. It was strange looking at himself, his own face filled with fear and lack of sleep. It brought back memories he rather kept locked away, he lifted up his anxiety and gave him a hug “Hey it's okay, we will get the papers.” Three and Artist start picking up the papers while Ringmaster frowns, he watches as Producer shakes as Four talks to him. With a sigh he joins the others with picking up the notes, Three gets up with a stack of note papers “Hm..there seems to be one missing.” He looks around as Artist and Ringmaster hand pack their stack of notes, together they apologies to the personality about what happened. While the personalities apologize, SMG3 looks around for the final page. He remembers seeing the small doodle back in the castle, he didn't see that page with the others and knowing how the personality is reacting he had a feeling if one page is left missing he would lose it.

A strong gust of wind almost made the papers in Three’s hand fly away, as he tightened his hold on the papers he noticed the last page being blown onto the roof. He swears to himself remembering the bombs on the roof were real working bombs, if the paper lands on the wrong spot he was sure Producer would pass out from his notes being burned. As the Four’s are distracted talking to each other, Three starts to climb the ladder slowly as he reaches out for the paper laying close to the bomb. He grabs it and lets out a small cheer, that's when the ladder hinges break. Four gasps seeing the ladder break, dropping Three. Four pushes his personality’s aside to run towards Three, that's when another voice came in. “DON'T WORRY MY FAIR MAIDEN, I SHALL SAVE YOU!” a blur passes Four going full speed towards Three. Four freezes as he sees who came to the rescue, Three shut his eyes ready to slam into the floor “Am I still falling?” He hears a chuckle making him open his eyes “I would never let harm come to you my love!”

Three’s eyes go wide as he hugs the pages of the notepad close to him “A Four…another Four,” he couldn't believe his eyes as he looked at the personality holding him. He gave him a bright smile, it was so charming Three felt his breath being taken from this personality. Looking away blushing he closes his eyes to process everything “He has more then three…fuck.”

#smg4 #smg3 #smg34 #shygirl4991 #smg4 smg3 #smg43 #smg4 au #smg34 fanfiction #b r i n g x #split into threes #splits #six splits for fours

82 notes · View notes

mixelation · 2 months ago

Note

do you have any tips on how to write children? love your parenting fic!

Sure! The following is for kids less than ten (usually once they're tweens the general capability of fic authors to write them improves, probably because people usually remember middle school). Keep in mind there's a huge difference between a three year old and an eight year old, though.

I think the biggest one I'd give is just remember that children characters are people. Children have their own thoughts, opinions, and ideas, and you can probably apply whatever strategy you use for writing adult characters to children. For me, I try to figure out character motives and then that guides what they do and say and how it makes them feel about things happening around them. Children will probably have more simple motivations compared to adults, although they are absolutely capable of more complex motives. For figuring out kid!motives, I try to imagine what kids' worlds consist of. For most children, school and social interactions with their teachers and other children is a huge chunk of their daily life. Their home life will also structure their motives-- do their guardians or siblings play with them? Are their guardians strict or lax? Does the kid get brought along on errands, left home alone, left with a rotating cast of babysitters, etc? How do all these factors affect how they interact with the world and what they want from it?

For an example of how I'd start with motivation for building a character in fic, Naruto's biggest motivator throughout his childhood is wanting attention because he doesn't have a home life. He acts out because he feels even negative attention is better than being ignored. So, writing his reactions to events with the idea that he genuinely just wants attention isn't very complicated. But then, what does he do once has attention? Does he react differently to positive versus negative attention? How does he react when he acts out and still fails to capture attention? How is he when he's home alone? When he fantasizes about getting his attention, how does he imagine it will go? He does his pranks for attention, so does he plan his pranks or is he mostly spontaneous, or some mix of the two? If he managed to make a friend, how would he want to play with them? When would what he wants to do in his fantasies be different from what he ends up doing, and how would he feel about it?

In considering the answers to these questions, I think another aspect of writing children that people struggle with is that children often don't have a very good sense of cause and effect, and on top of that there's huge variation in how quickly small kids pick up on action -> consequence and the nuances involved there of. Some kids, especially younger ones, will know breaking a rule leads to some negative outcome, but they might not understand the reason behind the rule and this effects their decision making. Some kids might not understand an action falls into some category there's rules about, even if they know the rules. Some kids might understand a rule and then ignore it anyway. (I told a kid I was babysitting once not to run with scissors because they could hurt themselves, and they replied, "But I do it all the time, and I've never been hurt.") I've witnessed a lot of young kids hurt another child and then get upset themselves because they literally didn't realize what they did would hurt. Kids' decisions, while they might seem illogical to adults, generally make sense to the child, and so I would encourage writers to consider why their characters are doing things and if it would make sense to that character.

The third big thing I'd keep in mind is interconnected with the two thing above, and that's "big emotions, little body." Young people often have big, confusing emotions, and they're not necessarily going to understand them and why they're happening, how to self-regulate them, or what to do about them. Like, adults have confusing emotions they don't always know what to do with, right? Imagine you're having some conflicting, confusing feelings, and also you barely understand why things are evening happening because you don't have a good handle on the concept of "consequences" outside of your mom's house rules. You also might not have even had whatever feeling before-- grief, jealousy, etc. How any given kid is going to handle their big emotions will vary because, again, children are people and they have different experiences and personalities. A kid with a good support network might be able to get an adult or maybe even another kid to help them through it. Some kids will throw tantrums or shut down or act out. Think about your child character's past experiences and what support/options might be available to them.

The final small suggestion I have is to look up age milestones. A common complaint about fictional children is them using weird, broken childspeak that's both annoying to read and unrealistic. I've worked with kids as young as three, and they can generally speak in full, coherent sentences by then.

#mixed bag #also if you have kids in your life. just like. talk to them and ask them questions about their opinions

64 notes · View notes

1800-page-not-found · 2 years ago

Note

hello author (＾▽＾)

can I ask you to write vampire reader x human Yjh and Kdj relationship hc i thing it's would be interesting

HI!! THIS IS SUCH A CUTE RELATIONSHIP!

btw this is going to be a healthy relationship, im not a huge fan of writing toxic/abusive relationships ykyk

HELP I DIDN'T REALIZE YOU SAID HC AND IM ALREADY 3/4 IN WRITING EVERYTHING...ITS OK ILL JUST DO BOTH LMFAO

human yoo joonghyuk, kim dokja (separate) x vampire reader

summary: the awful sun...it burns! thus, your lover decides to (somehow) give you a coat that has sun resistance so you can finally step out.

Yoo Joonghyuk is a ruthless man. However, during his regressions, he came to find you, a vampire. And what was so interesting about you is that, you were a vampire before the apocalypse. At first he brought you along only because he found you useful. But then, when he was able to clear more and more scenarios with you, he started to develop these 'strange feelings' he calls them.

Being a vampire was a struggle for you. After all, there were so many people around you, it was hard to resist. you usually drank animal blood from the nearby butcher, but when the apocalypse hit, you lost your supply. But when you met him, Yoo Joonghyuk, everything changed.

Blood is like wine. The more it ages, the better it tastes. So, as a regressor, Yoo Joonghyuk's blood was amazing. Of course, he killed you the first few times he met you, but started warming up.

Now, as the relationship developed, and when you two started dating after, what, 7 regressions? Well, he realized it was hard for you to join him completing scenarios with your weakness of the sun.

He scoffed, "weak." he muttered under his breath as he turned away from you.

His actions were very different though. A week later, he brought a coat that looked almost identical to his, except in a beige color, and with different attributes. Yours made you gain sun resistance.

You cried when you stepped out in the sun, feeling warmth from the fiery ball for the first time. You hugged him dearly, thanking him over and over again.

Yoo Joonghyuk was shocked to say the least. As a man who's unfamiliar with such emotions, he awkwardly patted your back. He never realized how much this meant to you. After all, vampires have feelings to.

headcannons here

he definitely gets the coat first thing when he regresses

since the scent of blood is so strong to you, he will use his coat to wrap you up and calm you down

Where SP exists, YJH definitely gets jealous whenever SP gifts something to you at the exact time you need it.

ur blood bag, he volunteers

every time he regresses, its really weird

like just imagine some super over powered hot guy comes to you and says like-

"Let me be your blood bag i love you" or something LMAOOOO

Nah he wouldn't do that (he probably might)

It would be really awkward though because he'd try to like move the relationship really fast cuz he just wants to date you and hold hands and other lovey-dovey stuff

he's awkward in general

definitely has killed before to give you blood

brought back a bucket of blood once

you didn't drink it because like STDs yk

~~~~~~~~~~~~~~~~

Kim Dokja was like a child asking Santa Claus questions about Christmas when he first met you (pre apocalypse btw). I mean, you're just like the characters in his favorite novel!

It was an accident when he found out. I mean its not normal seeing your co-worker drink animal blood and eat raw animal meat is it? And i mean... it was pretty odd everyday when you came to work all bundled up.

When the apocalypse hit, the two of you were both on the train/subway. You were breathing heavily, trying to control yourself. He gave his coat to you and put it on top of your head, blocking your vision. Few minuets later, he gave you a grasshopper to kill.

Later on, after he became 'Demon King of Salvation,' he met 'Mass Production Maker' at the Gourmet Association when they were viewing the scenario and talking.

(I cant remember all they way how Mass Production Maker acts fyi)

"Mass Production Maker sir, I'd like to ask for a favor." It was rare for someone like the Demon King of Salvation to ask for a favor, well unless it was you. "Oh? And what may someone like you ask for from an old man like me?" Mass Production Maker did not take his eyes off the scenario, but you could tell he was listening to the rather newly born constellation.

"There's someone very dear to me who needs a rather special coat...I know you don't really do commissions but-" The Mass Production Maker laughed an old hearty laugh. "My, my, what young love folks like you have! How enjoyable! I like you young man, make sure to stay loyal, I'll do it for free as you helped me earn so many coins from the bet!" (I think that's what happened if I remember correctly?)

-----

when you two finally met again, Kim Dokja wrapped you in a lovely beige coat, just like his. "What is this?" you asked curiously. "A coat for you to step out in the sun!" You gasped. "R-really?! I can finally go outside?.."

He nodded and dragged you right next to where the shadows met the sun. You stopped, nervous to if this would work or not. Kim Dokja turned around and held your face. "Hey..It's going to work, I promise." He assured you.

[The constellation, "Demonic Judge of Fire" squeals in happiness.]

[500 coins have been sponsored]

"Alright then..." You slowly stepped out in the sun, eyes shut as you waited to burn but-you didn't? You slowly opened your eyes, your senses feeling the warmth on your face. "I'm-I'm in the SUN!" You jumped and hugged Kim Dokja. "Thank you Thank you!" You cried, tears running down your face. You could finally feel the warmth you longed for with him under the sun.

Headcannons!!!!!

Likes to give you blood

wants you to just drink all of his blood, i mean its not like he can't revive

Flabbergasted when you cried when he was dead for 3 days

He likes to hug you because you're always cold (cuz ur a vampire...ykyk)

Had a HUGEEEEEEE cultural (or vampire) shock when you didn't bite his neck but his hand instead

and the silver thing

and garlic

becomes a huge vampire nerd

will correct people when they say something wrong about vampires

outsiders will think HE'S the vampire because of how much he talks about them

likes to be carried bridal style by you with your super strength vampire abilities

first time you two ate together at a restaurant when he knew you were a vampire, he asked for a raw slab of meat with lots of blood

the waiter looked at him weirdly

everyone in the restaurant stared at the two of you

you guys got banned from it

THE ENDDDDDDDDDDDDDDDDD

#kim dokja x reader #kim dokja #x vampire reader #orv x reader #orv #omniscient reader's viewpoint #omniscient reader's viewpoint x reader #kdj #kdj x reader #yoo joonghyuk #yoo joonghyuk x reader #yjh x reader #yjh #manhwa x reader

701 notes · View notes

signanothername · 4 months ago

Note

WAAA not really an ask but just wanted to say your storytelling is a huge huge inspiration to me! I've always sorta struggled with that sorta thing and you're stuff gives me motivation to try!! Also I love how u draw killer it's so... him

ABBSHSHAAAAAA THANK YOU SOB

AND IM SO GLAD IT GIVES YOU MOTIVATION TO TRY!! Cause the funny thing is, storytelling is something that i also really struggle with, but not necessarily art wise, so like, when I make comics I can easily imagine what the art would be like and how it would flow, but once I reach the dialogue? I get stuck BIG time, it’s like I can imagine what i want, but I struggle with how to word it if that makes sense, words are just so hard to think of for me vhhchchc

So what i usually do is make the dialogue in two parts, first i’d I write everything I have in mind down, without thinking whether it makes sense or if it suits the character, and once i got everything written down, then i start actually refining it and thinking about the little details like whether this character would actually say that, or if it makes sense or if it’s better for the flow of the story

Sometimes, I know what I want the dialogue to be, but I struggle a lot with how i want the words to go, for example, the “little life update” comic

I struggled a LOT with the dialogue for that one, here are a few examples of dialogue I removed, changed, added and edited

I originally had Killer say “I get easily overwhelmed” before I changed it to “it gets overwhelming”

It’s such a small change but for me, it makes a very big difference, cause Killer usually feels detached from himself, so it just didn’t make sense to me that he would use “I” in regards to his own emotions, so I changed the dialogue so it would match Killer’s detachment and used “it” instead

Here I originally had the entire dialogue to be “monsters and Determination don’t mix well” followed by “ I mean my body’s already suffering from it”, but when I reread it, not only did it make the flow of the comic awkward and jumpy, but it also made me think “literally everyone in the Undertale fandom knows that I don’t need to reiterate it to them like they’re stupid”

Here I decided to add “but you already knew that” to the og dialogue, to further emphasize Nightmare’s manipulation of Killer

Here I removed an entire sentence saying “cause it’s not like you truly cared about my wellbeing” cause it felt a bit too spiteful even for Killer (who’s extremely spiteful bdhdhsh) and it gave the vibe Killer wanted Nightmare to care about him, which is not what I wanted to imply at all

And then the biggest change, the last few panels, the og dialogue and the one I used are completely different, and it’s mostly just me not knowing how to end the comic originally, but then when i reread it I realized that 1- Killer wouldn’t care about Nightmare’s feelings of loneliness when he barely understands his own emotions, 2- the dialogue felt extremely out of place with the rest of the comic, and 3- this comic wasn’t about Nightmare, it was about Killer and I needed to keep it that way

Anyway sorry for rambling about it but it genuinely makes me happy to see people loving my storytelling when i struggle a lot with it hahahaha

AND THANK YOU! Killer is my son and I just want to do him justice, glad to see so many people loving the way I write him EEEEEEEE

#anothers ask #ano saves asks

55 notes · View notes

koolades-world · 7 months ago

Note

Hi can you do a fluff alphabet with Beel?

hello! of course :)

if anyone else requests a specific character for this prompt, i'll do it pretty quickly just because i'm in the mood to do this right now :)

enjoy!

Fluff alphabet w/ Beel

A = Admiration (what do they absolutely adore about you?)

he loves how open and accepting you are to new people, and those who already know you. if you weren't, you probably never would've gotten to know each other and he's grateful you let him into your heart

B = Bonding (what's your favorite mutual bonding activity?)

any mealtime! belphie and you always sit on either side of him, so he can always be next to his two favorite people. even though he's always eating, he loves making it a habit to always make sure you're sitting before he starts to eat. it's just not the same if you're not there

C = Cuddling (how do they like to cuddle?)

since he's always a little afraid he's going to crush you, despite what you say, he likes to have you on top of him. he loves it when you're drape yourself over him and rest your head on his shoulder. he loves getting to hold you close <3

D = Dates (what does their ideal date with you look like?)

to be honest, any date that you picked and are enjoying (and involves at least one snack for him) makes him happy. if it's all up to him, you're going to an all you can eat buffet haha

E = Emotions (how do they express emotion around you?)

he's very open with you, and while he struggles with putting words to his emotions, he's willing to at least try to tell you. he's not the type to close himself off from you, unless he somehow thinks he's the problem. you just need to reassume him, and it won't be hard to get him to speak

F = Family (do they want one? If they do, when?)

he very much loves his family, and while it's not a must, he'd be a great father. he's patient and understanding, and having a child of his own would make him an ever better demon than he already is

G = Gifts (how do they feel about gift giving? What are their habits when it comes to this?)

most of his gifts are your favorite snacks, whenever he takes a trip to the store. he always makes sure to buy extra so he doesn't eat what's for you. however, he once gave you a cheeseburger plushie which now never leaves your bed or stays behind while you're on vacation

H = Holding Hands (when/how do they like to hold hands?)

a HUGE hand holder. anytime he has a free hand in public, he'll seek you out. if you don't have a free hand, he'll carry something for you so he can hold it. it's very sweet how even when you're only together briefly when he's walking you to class, he makes sure to hold your hand. just make sure to throw some wet wipes in your bag because his hands are probably dirty haha

I = Injury (how would they act if you got hurt?)

he doesn't say much, but you can tell from the tight look on his face that he's very worried. he feels as if it's his job to protect everyone he loves. he's the type to break down in tears and tell you he's sorry that he failed because he cares so much

J = Jokes (do they like to joke around with or prank you? how?)

in general, he doesn't do a whole lot of jokes, but he can be funny. he tends to take things literally so if he hears a joke he doesn't understand, he's quick to turn to you to ask you explain

K = Kisses (how do they like to kiss you?)

most of his kisses are quick, but you're still able to feel the love through his other actions, such as the way he holds you or the tenderness of his hands in yours. he mostly does forehead and top of the head kisses. his breath probably smells like whatever he last ate, so just be prepared for that

L = Love Confession (how'd they confess to you? how'd you get together?)

he at first struggled to find a way to tell you because he just couldn't put it in words, so after getting your permission, he tries his best to show you. when that doesn't work out, he sits down with you and does his best to explain. you eventually picked up on what he was trying to tell you, and let him know you had feelings for him too

M = Memory (favorite memory together?)

his favorite memory is a late night at a fast food place together. after being hungry with no food in the house because he ate it all earlier, the two of you went out to get something to eat. not much was open because of the time, but the fact that you agreed to go on this journey with him was more than enough for him. your unwavering trust in him and your enthusiasm helped cement your way into his heart

your favorite memory was the first time he sat down with you and listened to you vent about your struggles in the devildom and everything you missed about the human world. he went through a lot of trouble, but managed to get your favorite human world snack. the look on his face as he presented it to you was something you'll never forget

N = Nightmare (what is their worst fear?)

failing to protect you. he's very afraid to lose another someone so beloved to him, especially if he deems it as his fault. he still sometimes wakes up in the middle of the night from nightmares about that very subject. after one of those, just seeing you alright brings him the comfort he needs to go back to sleep

O = Obvious (how obvious do they make it that they like you?)

he's not subtle at all and doesn't try to hide it. he's always by your side and offering you his snacks. the only other being that gets offered snacks that he's actively eating is his twin. it's no secret how much he cares for you and is willing to take on any challenge for you

P = Pet Names (what do they like to call you?)

he's not big on pet names until he discovers food related names. while he still prefers your name, sometimes he will use nicknames like muffin or honey

Q = Quality Time (how do they like to spend time with you?)

any free time he has, he wants to be by your side. whenever he's just idling and munching on something, he finds himself wanting to be in the same room as you, if not to have a conversation, just to be around you because that makes him so happy

R = Romance (how romantic are they?)

he tries, but honestly he's not very suave. his struggle to articulate what he's thinking leads to some more thoughtful, or funny conversations, but usually not romantic. but, it's the thought that counts

S = Secrets (how open are they with you?)

at first, he's kind of closed off, but once you get to know each other, he'll tell you anything on his mind, from very lighthearted, like what would happen if all his favorite foods grew legs and walked off, to serious, like his life before the devildom. he doesn't keep anything important from you because he highly values communication

T = Time (how long did it take you to get together?)

at first, you weren't sure if you were going to get along with him, but after you made the pact, you kind of saw it coming. you really connected after you stayed in his room when he destroyed one of the walls to you room, and it was history after that

U = Unique (what makes them unique?)

his gentle giant, protective nature. no matter what, he's always sure he checks up on you and always finds a way to help you if you need it

V = Vaunt (what are they proud of? do they like to show you off?)

he's proud of your cordialness, even towards those who spoke down to you in the past. nobody has anything bad to say about you

W = Warrior (how do they feel about you fighting? would they fight for you, beside you, etc?)

he can't deny how nervous that idea makes him. even when he's right next to you, he's paranoid something might happen to you. but, he knows you can hold your own and trusts you. he would beat up someone for you though haha

X = X-Ray (how well are they able to read you?)

he's very good at being able to tell how you feel, and is quick to ask how you're feeling if he notices any changes. sometimes if he's enjoying a really good snack or meal, it might take him a little longer, but he'll abandon the food to talk to you if needed

Y = Yes (how would they propose to you?)

while heat of the moment is the wrong way to describe it, he found himself asking you after a moment where he knew he wanted to be with you forever. he actually went off to get the ring he had to then get down on one knee. he'd been trying to find a way to ask, but he was glad the moment came to him

Z = Zzz (how do they act when they're sleepy? what's it like sharing a bed with them?)

he's usually mostly coherent, and is easy enough to help into bed if needed. unless he's hungry or just had a nightmare, he sleeps like a brick, so make sure you're comfortable before he falls asleep.

#obey me #obey me!#obey me x reader #obey me beel #omswd #obey me shall we date #obey me! shall we date

112 notes · View notes

herejusttosufferalong · 4 months ago

Note

Re: To the anon asking about Rory.

They’ve been close friends for AGES. He’s not going anywhere sadly.

I don’t really like his vibe

Hey, I’m the one who asked about Rory—thanks for replying. I know they’ve been besties forever, but what I meant was if Rory was a huge part of L’s life before HBS. I don’t remember seeing him much when L and J were together, except in a couple of stories and the singing vids. Also, are Tom and Charmaine married? I like them for some reason; they don’t give me the ick like Rory and his gang do.

Continuation of my earlier ask:

My BFF and I talked to two of our male friends, and they patiently listened. We just finished filling them in on the drama from yesterday and today. We’ve been chatting since 5 am lol. Here’s what they had to say:

Luke and Nic are in love: There’s a lot of eye-fucking to prove it. The tension suggests they haven’t acted on it, which is expected. The guys think Nic wouldn’t be okay with that, and Luke seems decent enough not to have crossed that line. However, they do believe they might have hooked up before Luke had his HBS. They could be reevaluating their relationship, using intimacy tools to see if it’s genuine affection or just heightened emotions and sexual tension from filming their season.

Luke’s friend group seems toxic: By friend group, they mean just Rory. The others seem fine. L dating a young girl soon after Rory did confirms Rory as the alpha of the group, and L as gullible since none of his other friends are doing the same. Maybe J dating someone young also influenced L dating A. It could be an ego thing, a guy thing, or both. L will probably cringe at this situation looking back. They said this whole relationship has nothing to do with Nic. This is Luke’s problem—a midlife crisis, even—and he needs to figure it out, which won’t happen as long as he’s with Rory and his gang.

A is super insecure: It doesn’t make sense because she’s the one who bagged the hot Netflix lead and goes on vacations with him. But her social media behavior reeks of insecurity and constantly seeking validation. This confirms that L isn’t invested in the relationship, which confirms to us he’s VERY much into Nic. So, think about this whenever A’s trolling upsets you. 😉

Nicola doesn’t care: The guys think L and N might have discussed their feelings, but Nic sees that L has issues to deal with—mainly himself. She’s hustling and thriving, not caring about his current relationship. Posting their pictures shows her character and work ethic. This only benefits her, and Luke should learn from it. They think L should make a final thank you post, even if people find it disingenuous. It’s better than nothing.

A needs to chill with the Hailey Bieber cosplay: The white outfit was an exact recreation of Hailey’s, and it’s weird. She keeps track of her comment section and allows comparisons to Hailey, which is embarrassing to say the least. The guys think A will stick around as long as she can. L seems to struggle with breakups, and now that A’s integrated into his friend group, it’ll take a lot of time to end things. She might be playing into his guilt, which is why he’s still liking her posts. She's young but smart enough to understand that. They think the only way out is for L to keep busy with work, but he doesn’t seem to have any now. Expect things to get worse before they get better. If he works, he can slowly distance himself from the relationship, and it will inevitably end. Either that or he’ll meet Nic, talk, realize they still have feelings, and that will give him the courage to end it with A. Even then, he has to make it up to Nic for all the shit he’s pulled.

Nic and Newts dating: Once they start dating, we won’t get a hard launch or pap pics. They might return to their old social media banter and comment and like each other’s posts.

So yeah, I’m really grateful to have my brother and these friends who indulge and listen to me. I think it’s safe to say they’re roped into the ship as well lol. Love to see what you guys think. Omg, also, I watched a TikTok of Luke singing as a teen, and the guy in the back looks like Rory. If it is, HE’S the one who glowed up, not L lol.

It is Rory in the background looking jealous AF

Thank you for sharing anon, love seeing the different perspectives

💜🥃

#this is all opinion #merely speculating #theories

46 notes · View notes

redr0sewrites · 1 year ago

Text

HSR Characters When Your On Your Period Hcs PT 2!

RAHH PT 2 WITH MORE CHARACTERS SINCE YALL LOVED PT 1 SM

🥀Cw: blood, periods, afab reader, mentions of period sex and smut, non-sexual nudity in himekos, mentions of cramps and headaches

🥀Pairings: jing yuan x reader, welt x reader, himeko x reader, gepard x reader

🥀minors dni with the nsfw portion

JING YUAN

the minute that jing yuan senses any form of discomfort from u, complete and utter chaos ensues

once he realizes ur on ur period, he immediately takes the day off work to pamper u senseless (much to the irritation of fu xuan)

jing yuan will carry u wherever u need to go, pressing kisses to the top of ur head and whispering softly to u

hes very mindful of ur emotions when ur on ur period, and is great at communicating how he feels and asks u to do the same so that he knows when its ok to poke fun at u and when u want him to just take care of u

he'll switch between joking around with u and trying to make u laugh and taking care of u depending on what u need from him at the moment

JING YUANS HANDS ARE DEF HUGE AND HE GIVES THE BEST MASSAGES LIKE SIR-

if ur feeling tension or pain in ur stomach or back bc of cramps expect him to give u the best massage of ur life

he can and will cook for u <3

he will let u lay with mimi, and loves silently watching the two of u just relax together big cat go brrr

jing yuan will rest with u if ur havinv a headache, turning off the lights and running his hand over ur back as u take a nap

if u need ANYTHING during ur period, say no more bc jing yuan will get it for u

hes has no problem with going to a store and buying pads, tampons, medicine, or anything else u need

when it comes to period sex, jing yuan is always dtf

he def has a size kink, hes fucking huge after all and when ur on ur period and ur so sensitive hes going feral

i feel like he would enjoy mating press in general, but when ur on ur period he especially enjoys it bc he can see how blissed out ur face is and he loves seeing ur blood and slick in a messy ring around his cock as he brings u to ur orgasm again and again

HE LOVES HOW SENSITIVE U ARE AND ABSOLUTELY WILL TEASE U AB IT, IF U GUYS HAVE TO GO TO SOMETHING FORMAL YALL KNOW HES GONNA BE TEASING U MERCILESSLY

thinking ab jing yuans large hand gripping ur thigh, trailing higher and higher to press where u want him, so close but yet so far as he whispers the filthiest things in ur ear. eventually, his hands reach ur pulsing core, pressing down against ur clit through your undergarments and watching u squirm as he circles the sensitive bud, ur pussy is so wet from blood and arousal and he just cant help but want u...

WELT

welt is totally the type to help u track ur period, he is always super prepared for when u start ur cycle and always has products ready

he is a smart guy, he knows a lot ab periods and how to deal w them and is super reliable when it comes to comfort

he also cooks for u, and would bring u breakfast in bed!!! i also feel like he'd be the type to read to u, say for example ur exhausted with all of ur cramps and wacky hormones, he'll lay in bed with u and read ur favorite book to u while the both of u eat the food he made for u

welt probably already has a stash of period supplies for u, but if u ever run out he would prob just go to himeko to get more supplies for u

welt prob has headaches of his own with all the stress he goes through on a regular basis since hes a trailblazer, and would be super comfortable to just lay with

if ur hormones r being wacky and ur upset or anxious ab something, he is a really great person to vent too cuz hes an outstanding listener and always adds good input

if ur having cramps, he already has a heating pad or ice pack ready for u

welt is the type to make u both a pillow fort to watch movies in and read in while ur struggling with ur period, so that neither of u can be distracted

if u ever get blood on the sheets/on ur clothes while sleeping, welt is never grossed out or disgusted. he understands its a regular bodily function, and will give u a reassuring hug before going to wash the sheets /clothes for u

welt is always very careful during sex, and that also comes in during period sex

he wouldnt ever want to seriously hurt u, and would be very careful during period sex

hes constantly asking if ur ok and if ur comfortable

i think welt would really be into missionary cuz its a pretty intimate position for him and he gets to see ur face and know how hes making u feel

EYE CONTACT!!!! HE IS ALWAYS MAKING EYE CONTACT

will not hesitate to go down on u and eat u out while ur on ur period, he will lay a towel beneath u two for cleanliness and then proceed to eat u out like a starved man, working his tongue and licking ur clit until ur seeing stars

pull his hair hard, it will catch him off guard and make him groan against ur pussy

hes really good at aftercare as well, brewing u some tea and running a bath and he'll give u a massage as well

welt would probably be the first to suggest period sex, esp if u had cramps bc orgasms can help w cramps

overall, supee caring and loving

HIMEKO

listen, she's prepared too

himeko has a lot of period products cuz she also has a period (duh) and likes to be prepared and is always willing to share w u

if the two of u are synced up, she will totally be fine with just being lazy all day and laying with u in bed

she enjoys admiring u and the both of u will have relaxing days doing ultimately nothing

himeko would brew coffee for u if ur tired, and would nap with u if u genuinely wanted to sleep

she would give u massages and would prob want one in return, she would def want ur shirt off tho so she can admire ur body while she massages u

she'll press kisses to wear ur having cramps while gently and soothingly running her hands up ur thighs

if ur hormonal, himeko is good to talk too bc the both of u can vent ur stress together and lean on eachother

if ur sad or crying himeko will kiss away ur tears, whispering to u softly and telling u stories ab the worlds shes visited to calm u down

now if someone MADE U CRY.... theyre getting their ass beat

if ur having cravings, she will go to any world u want to get the food u want i feel like she would be the type to have super bad cravings so she always has a stash of comfort foods locked away for the both of u to eat

cant cook for shit tho 💀 she can only brew coffee

yall will bathe together u dont have a choice- she will wash u and u can wash her, she'll sigh and hum softly as u run ur hands through her red curls-

when it comes to sex in general, himeko is either pretty rough or pretty vanilla there is no between

i feel like she'd lean on the vanilla side of things when ur on ur period, esp if shes on her period as well

she has a mommy kink, and loves to "take care of u" during period sex since the both of u are practically insatiable do to hormones

LOVES TO EAT U OUT UNTIL UR OVERSTIMULATED AND WHINING FOR HER TO STOP

I ALSO FEEL LIKE SHE WOULD BE A HORRIBLE TEASE AS WELL, TYING U UP AND ONLY PRESSING A VIBRATOR AGAINST UR WET CUNT AND TELLING U TO COME ONLY FROM THAT STIMULATION BEFORE SHE EVEN ACTUALLY TOUCHES U

she has a lot of toys, and will use them on u since ur so sensitive

a sadistic part of himeko enjoys seeing u cry from pleasure and overstimulation during sex, she definitely wants to ruin u

"aw, ur getting so worked up sweetie" she coos softly, running her fingers against ur wet slick. she pulls back, revealing her hands covered in ur blood. she proceeds to lick them dry, moaning from ur taste as the delectable and filthy act makes u whimper below her...

yo i went off for a second there anyways-

GEPARD

tbh ur prob one of the first people hes ever been with, i feel like he wouldnt have a lot of experience in dating but would try his best, he knows ab periods from his sisters but isnt super knowledgeable on them

when u first tell gepard ab ur period, he would probably instantly hug u

he would ask serval ab anything he didn't understand, and she would tease him mercilessly ab being a simp for u💀

gepard is often super busy with his silvermane guard duties but will take time off to care for u

if ur having cramps or need any supplies, he will go and buy anything and everything that u need to feel better

hed prob buy like 20 boxes of pads/tampons cuz he didnt know how much u neeeded, hes confused but hes got the spirit <3

HE CAN COOK I WILL DIE ON THIS HILL malewife behavior AND WILL COOK FOR U

MAKES U ANYTHING U WANT

if ur the type to workout and go to the gym when ur on ur period to help with cramps, he will accompany u!!!

gepard just wants to make sure that ur comfortable and happy

i feel like hes anothe person whos big on giving massages, he'd blush a little and fumble at first cuz he'd be afraid of hurting u but would be really good at it over time

gepard would play u music if u were tired and needed a nap, or would hum for u softly its so adorable

he understands that u dont say everything u mean when ur on ur period and that ur hormones can make u upset some times so if u guys ever argue he never takes it personally

if hes confused ab something he probably wont say it unless u ask him ab it, he doesnt want to seem stupid or incompetent in ur eyes

hes trying his best!!!!

if gepard heard that orgasms can help with cramps, he would def offer to help u

to yk, ease the cramps. no other reason. totally not cuz seeing u sensitive and needy turns him on...

gepard is SUCH a pleasure dom, he always puts ur needs before his esp during period sex and will make u climax from his fingers a few times before even thinking ab fucking u

would be hesitant to eat u out, but i feel like he'd really like it if u rode his face

gepard would also like u riding him in general, and he is another sucker for eye contact- seeing ur eyes roll back in pleasure from sensitivity only makes him harder, he will start thrusting into u faster, so eager to please u<3

he really enjoys aftercare as well, he'll press soft kisses all over ur body as he wipes u off with a towel and preps a nice bath for u both to enjoy <3

URGEHHRHEHEH THIS WAS SM FUN TO WRITE! i still feel like shit lmao. im considering writing a pt 3 to this if anyone has anymore hsr characters they'd like to req! hope u enjoyed!!

340 notes · View notes