#west riding

[henk-heijmans]

Top Withens, West Riding, Yorkshire, England, ca. 1945 - by Bill Brandt (1904 – 1983), German/English

[tenth-sentence]

As part of the group, Elizabeth Tomlinson and Sarah Kirkland travelled with Ann Carr around the textile industry villages of Nottingham and Derby, before moving on to Leeds, the centre of the West Riding woollen industry.

"Normal Women: 900 Years of Making History" - Philippa Gregory

[stinkyeggbow]

Saaveee a horseee ride a cowboyy

Character belongs to Cammyeroni on af

[sennamaticart]

Artfight revenge for ~jaranimate of his Cryptid Cowboy

[fandom-s0up]

Reblog for larger sample size

[caleod]

9-8-24

[angelsdean]

SPIRIT OF THE WEST: The Major Motion Picture

It's a summer evening in the late 90s and you and your friends are looking for something to watch at the slumber party. You go into your local Video & Variety and happen upon the coming of age romance, Spirit of the West. Let's hope this doesn't awaken anything in you....

SUMMARY:

Dean grew up on a horse farm and can't imagine any other life. There are drawbacks to working for his father, but they're worth it if it means remaining with his beloved horses. Besides, between his broken arm and his lack of prospects, he hasn't got much else.

Something of an outsider, Dean always feels like there's something he's missing. But this tense summer brings back a figure from his past: years ago, a teenaged Cas worked for a season at the Winchester ranch. His return could change everything.

Reviewers rave: "If you ever wanted a 90s horse girl book, but starring a young Dean Winchester, this is your flick."

Spirit of the West is written and directed by Teen_Dean / @urne-buriall

▶️ PLAY Spirit of the West ⏪ REWIND with Spirit of the West Prequel by @foolondahill17 ⏩ WATCH IT AGAIN with SOTW Daily 🌟 BONUS FEATURES ✨ Director's Commentary 🎶 The Official Motion Picture Soundtrack

[wyldwesternorchidology]

Rounding Up Horses

Source: Pinterest

[mind-less-boy]

If I had a nickel for every musical about a group of six that compete in song form, each getting their own song, to be the winner only to find out at the end that not everyone get to win/not one wins and that okay, I’d I’ve two nickels, which isn’t a lot but it’s Wierd that it’s happened twice

[kkbardd]

An old western romance 🌵

Cool beauty bartender!Rei x Lone Ranger!Asuka

[robot-carl]

I need a mod for scarecrow in red dead redemption. Scarecrow belongs in the old west.

Click for better quality cause tumblr hates me.

[pinklemonslices]

bitches think im normal and then BOOM i won’t stfu about musicals

[slimetutorialanalysis]

Hey y'all, I’m conducting research on the musical bootleg community on tumblr and would SUPER appreciate if you would vote in this poll and reblog/share it!

I’d also love if you could tag what you answered, along with any extra details about your personal bootleg/slime tutorial experience! What are your favourite parts of being on bootleg tumblr?

Feel free to send me asks as well if you wanna chat about musicals or ask any other questions! I’d be happy to include you in my research and would be suuuuper grateful for your help

[vanillacoladoll]

☆We Made It Out To The Other Side☆

[robo-dino-puppy]

horizon forbidden west | kotallo 16/?

bonus!

[oof-i-did-it-agaaiiin]

Thinking about how many musical tragedies feature the narrative almost as a character of its own. Like a force within the story, divided from the characters. Out of their control at times.

Orpheus had to turn around, that’s just how it goes. That’s the way the story is told.

Tony had to go and get himself killed. Of course he did. He’s Romeo. The story wills it so.

Jesus must die. No matter how much he wanted to live, no matter how much the people around him wanted him to live. It’s his role to die.

Alison can’t go back and change the events of that last car ride with her father. It’s set in stone, there in the past where it will always remain.

And then there are musicals like Once On This Island and Ride The Cyclone that embrace the role of inevitability in their stories and find joy anyway.

And then on the exact opposite side of the spectrum there’s the radical freedom from the narrative that’s seen in Into The Woods. The narrator is dead and now the story is no one’s but the characters. And there’s the lack of protection that comes with that, the chaos and confusion. But it’s theirs and it’s tragic but they make the best with it.

Those themes of Inevitability vs. Freedom and the meta understanding of story within a story. I can’t seem to get enough.