#werkleitz
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This reminds me of Marina Abramovic and Ulay's art piece 'Rest Energy'.
'Standing across from one another in slanted position
Looking each other in the eye.
I hold a bow and Ulay holds the string with the arrow
pointing directly to my heart.
Microphones attached to both hearts recording
the increasing number of heart beats.' (Marina Abramovic)
youtube
This video only has the beginning, but the entire piece is I've seen the entire piece is the four longest minutes I've experienced on film.
And in some ways, that kinda fits with the Zukka dynamic of trust and testing trust which is often in fic. Zuko does need to test the trust of Sokka as well as the rest of the Gaang to find that he can trust them, and he tests them multiple times (esp in what I've read of the comics).
Quote from here: https://werkleitz.de/en/rest-energy/
maybe it's a metaphor. maybe it's not. you can decide (wip) [id in alt]
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#shurgard#i have my things back#archive#materials#catalogue#werkleitz#werkleitzbienale#halle#2011#zoo#kunst für tiere#bergzoo#zoo york
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petitioning the empty sky | prtn | 2015
Petitioning The Empty Sky | Den leeren Himmel anrufen
Radio Feature produziert mit der Unterstützung von Radio Corax im Rahmen des Werkleitz Festivals 2015.
Eine Reflexion über Medien, Medienkunst, mediale Vermittlungsformen, den medialen Raum als ideologische Formen einer erst herzustellenden Öffentlichkeit, in der es tatsächlich um die Menschen und ihre Angelegenheiten ginge, entlang der Begriffe der Zerstückelung und der Zerissenheit.
#petitioning the empty sky#prtn#2015#illustration#drawing#zeichnung#kunst#art#xonethousandcriesx#research and destroy#artists on tumblr#radio#feature#essay#collage#radio corax#werkleitz#medien#medienkunst#öffentlichkeit#public#dark arts#drawing resistance#artwork#fine arts#visual arts#contemporary art#zeitgenössische kunst#gegenwartskunst#zerstückelung
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Call: European Media Art Platform / European Media Artists in Residence Exchange 2019 >> Jetzt Bewerben >> https://t.co/70bN9pZzS0 https://t.co/8eSkDficPm https://twitter.com/werkleitz/status/1068488719567593472
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Kaktus 4 Pasqualito #werkleitz #030 #0711 #phroom #broadmag #stuttgart #ourmomentum #ifyouleave #verybusymag #noicemag #natgeo #vsco #vscocam #instakwer #somewheremagazin #natgeo
#030#ourmomentum#ifyouleave#vscocam#phroom#noicemag#broadmag#0711#werkleitz#verybusymag#somewheremagazin#instakwer#natgeo#vsco#stuttgart
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📷this year, on the occasion of the Werkleitz Festival 2021, the HOERMASCHINE98 team spoke with various scientists about topics that would suit other societies - Stephanie Wakefield, Mel Hogan, Desiree Förster, Simon Schaupp, and Christopher Coenen lend their voices to the possible changes.
HOERMASCHINE98 will be broadcasted at www.reboot.fm on 05.12.21 from 23:59 - 03:00 (06.12.21) via live stream and on-air in berlin through 88.4fm (potsdam 90.7fm)
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Zukuenftige Ruinen
Radio Feature produziert mit der Unterstützung von Radio Corax im Rahmen des Werkleitz Festivals 2018.
Einige Überlegungen zum Verhältnis von Natur und Gesellschaft unter den Bedingungen des Kapitals und zu dessen Auswirkungen, betrachtet aus der Perspektive der Logistik, der Mobilität und des Verkehrs, anlässlich des Werkleitz Festivals 2018, das unter dem Titel »Holen und Bringen« der medienkünstlerischen Auseinandersetzung mit Logistik und Infrastrukturen gewidmet ist.
werkleitz.radiocorax.de/ hub.werkleitz.de/
(adrian lauchengrund)
#adrian lauchengrund#radio essay#werkleitz festival#logistik#mobilität#gesellschaftliche naturverhältnisse#ökologischer bruch#riss im stoffwechsel#infrastrukturen#globalisierung#radio corax#fossiler kapitalismus#klimawandel#fordismus#postfordismus#digitalisierung
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Body Switchers @ Satellite Art Show
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Helen Maurene Cooper, On the Half Shell, 2017, pre-pasted inkjet wallpaper, dimensions variable
Body Switchers December 7-10, 2017 Satellite Art Show (Room 115) The Ocean Terrace Hotel: 7410 Ocean Terrace, Miami Beach, FL
[Images]
Tiger Strikes Asteroid Chicago is pleased to present Body Switchers, curated by Holly Cahill, at Booth 115 at the Satellite Art Show in Miami.
Endlessly interfacing with communication technologies, the human species has changed. We have mutated so that we are still flesh and blood, but also possessed of a form of electronic embodiment. As we shuttle back and forth between our physical surroundings and immaterial space, our bodies and minds multiply as we get sucked into portals of the internet. This mixing creates a tension and perhaps another order of space, a third space, a disorienting space, where the physical and the virtual compete for recognition.
What are we to do with the body and its double? How might we re-insert or re-imagine our dimensions, form and gender in virtual space? Has the virtual become the material of our physical surroundings? Body Switchers includes the work of five Chicago-based artists who negotiate these questions.
Michael C. Andrews, Helen Maurene Cooper, Meg Duguid, Kelly Kaczynski, and Jeroen Nelemans practices span engagements ranging from the advent of the supercomputer to our interaction with hand held devices as well as those worlds that exist somewhere between the virtual and the physical.
Michael C. Andrews tapestries, sculptures, and animations taunt the categorizations of textile, cinema, and object. His hybrid approach to making is fueled by the desires and anxieties of a schizophrenic and body conscious culture. Exhibitions include MCA Chicago, Dan Devening Projects and Exhibitions in Chicago, IL, The Chicago Cultural Center, and PENELOPE in New York City. Michael C. Andrews is the Executive and Creative Director at Ox-Bow School of the Arts and Artists’ Residency.
Helen Maurene Cooper earned a BA from Bard College and an MFA from the School of the Art Institute of Chicago. Cooper's work is driven by personal connection and building relationships with community. She is an artist who uses numerous photographic processes along with installation and publication to connect and build relationships, explore feminism, entrepreneurship, small economies, the power of adornment, and intimacy. Since 2008, her worked has been focused on place-based exploration, specifically within beauty-centered communities in Chicago. Subjects have included custom made prom dresses, drag queen culture, and the specialty minority-owned nail businesses of Chicago’s west side.
She has received funding for exhibitions and publications through the University of Chicago, the Chicago Department of Cultural Affairs and the Cultural Council of Eindhoven, Netherlands. Her work has been reviewed by the Chicago Tribune, New City, International Forum for Contemporary Visual Arts, New York Photo Review, Temporary Art Review, Bust.com and Vice. Her monograph, Paint & Polish, Cultural Economy and Visual Culture from the West Side, Onomatopee, Eindhoven Netherlands, debuted in 2017 with an accompanying exhibition in Netherlands.
Meg Duguid believes that documentation is paramount to her art making and is invested in the ways that documentation and art can be integrated in a single practice. She received her BFA from the School of the Art Institute of Chicago and her MFA from Bard College. She has performed and exhibited at the Museum of Contemporary Art Chicago, 6018 NORTH, Slow Gallery, the Mission, Terrain, Roman Susan, the Chicago Cultural Center, and Defibrillator Performance Art Space in Chicago, as well as the DUMBO Arts Festival in Brooklyn, 667 Shotwell in San Francisco, and the Zona Maco Art Fair in Mexico City. Duguid has screened work at Synthetic Zero in New York, Spiderbug in Chicago, and the Last Supper Festival in Brooklyn. From 2009 to 2011 she ran Clutch Gallery, a 25-square-inch white cube located in the heart of her purse; since then, she lends her purse to others to curate and carry. Duguid is a member of Tiger Strikes Asteroid Chicago and lives and works in Chicago with her husband, her son, and three cats.
Kelly Kaczynski is a Chicago based artist working within the language of sculpture. Selected exhibitions include Peregrineprogram, IL; Ortega y Gasset Projects, NY; Soap Factory, MN; Comfort Station, IL; Gahlberg Gallery, IL; threewalls, IL; Hyde Park Art Center, IL; Rowland Contemporary, IL; University at Buffalo Art Gallery, NY; Triple Candie, NY; Islip Art Museum, NY; Josee Bienvenu Gallery, NY; DeCordova Museum, MA; Boston Center for the Arts, MA. Public installations include projects with the Main Line Art Center, Haverford, PA; the Interfaith Center, NY; Institute for Contemporary Art, Boston and the Boston National Historic Parks, MA; Boston Public Library, MA. Curatorial projects include the 2014 exhibitions, Roving Room at Habersham Mills, GA and Virtually Physically Speaking at Columbia College, Chicago, IL and the 2011 exhibition Mouthing (a sentient limb) at the Hyde Park Art Center, Chicago, IL. Recipient of Louis Comfort Tiffany Foundation Award ’15; Artadia, Chicago ’08; Visible Republic, Boston, ’00. Kaczynski received an MFA from Bard College, NY and BA from The Evergreen State College, WA. She is a Lecturer with the School of the Art Institute, Chicago.
Jeroen Nelemans (1974) was born in the Netherlands and currently resides in Chicago. Nelemans has shown at the Mission gallery in Chicago, Aspect/Ratio gallery in Chicago, the Fabric Workshop and Museum in Philadelphia, the de la Cruz Collection Contemporary Space in Miami, the Institute of Contemporary Art in Philadelphia, the Macedonian Museum of Contemporary Art in Greece, Elmhurst Art Museum in Illinois, the Nice&Fit gallery in Berlin and the Urban Institute for Contemporary Arts in Grand Rapids. His works has also been screened at the Museum of Contemporary Art in Miami, the Banff Center in Canada, Gallery 400 in Chicago, as well as the Werkleitz Centre for Media Art, Halle, Germany, the Magmart International VideoArt Festival in Napoli, the Dublin Electronic Arts Festival in Ireland and the Kortfilm festival in Copenhagen as well as the 25th Festival Les Instant Video in Marseille France. Nelemans received a Full Merit Scholarship from the School of the Art Institute of Chicago, and finished his MFA in 2007. He was a resident at the Jentel residency, Vermont Studio Center.
Holly Cahill is an artist member of the newest branch of Tiger Strikes Asteroid in Chicago. Trained as a painter, she uses an exploration of materials and process to engage with ideas connected to choreography, landscape, hyper-dimensional phenomena, and architecture. Her work has been shown at Penn State University, DEMO Project, Chicago Artist Coalition, David and Reva Logan Center for the Arts, D Gallery, The Franklin, Hyde Park Art Center, and the Walter Philips Gallery in Banff Canada, among others. She received her BFA in painting from Syracuse University and an MFA from the University of Cincinnati. She has been an artist in residence at the Vermont Studio Center, 8550 Ohio, the Banff Centre, and Ox-Bow.
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Goethe Institute
MEDIA ART GUIDE MUSEUMS ZKM_MedienmuseumThe ZKM_Medienmuseum is a unique Museum for Interactive Art. It covers a wide spectrum, ranging from interactive film via simulation techniques and cyberspace to the use of current software applications on the internet. Installations and environments demonstrate different strategies for involving the observer in the work, and exemplify the creative use of new technologies. INSTITUTIONS Foro Artistico, HanoverThis forum for international media art offers innovative exhibition projects with video sculptures, interactive video and computer installations, sound and light installations, and artistic CD-ROM productions and internet projects.Fraunhofer Institut für MedienkommunikationThe Fraunhofer-Institut für Medienkommunikation (IMK) takes the ongoing media revolution as its point of departure. It focuses chiefly on virtual environments and computer graphics, cultural heritage, interactive television and e-cinema, multimedia management, knowledge spaces and web-based solutions.HMKV Harteware MedienKunstVerein, DortmundPlatform for the production, presentation and education of contemporary and experimental media art: organization of exhibitions, film and video programs, conferences and workshops.Institut für neue Medien, FrankfurtEver since 1990 the Institut für neue Medien has offered international media artists a platform for realising their projects. At the same time it is also a forum for theoretical discussion and debate on the various new media.inter media art instituteThe imai is a non-profit foundation with the goal to ditribute, preserve and convey media art,with an emphasis on video art and the artistic film. The institution provides for the scientific analysis of media art, organises exhibitions, screenings and symposia. In addition, its media art archive offers an online catalogue featuring a large number of video artworks from the imai's collection that can be watched in full length.Neuer Berliner Kunstverein, BerlinThe Neuer Berliner Kunstverein regards it as one of its prime tasks to organise exhibitions of contemporary art. In addition to this, its “Video Forum” offers a comprehensive collection of international artists’ videotapes.
spiegel, MünchenSpiegel showcases aspects of contemporary video art and the new media, and also offers an extensive video library that is based on the collection in the Lenbachhaus municipal gallery, and is constantly being added to.
Videolounge im Museum Ludwig
Video collection of the Ludwig Museum, Cologne.
Werkleitz Gesellschaft e.V., Halle
The Werkleitz Gesellschaft in Halle, Saxony-Anhalt, Germany, is a non-profit association for the realisation of film, art and media projects. It supports artists and media producers working in the field of digital media. It offers grants and workshops, as well as the unique online-database "cinovid" for Experimental Film and Video Art. Apart from organising the Werkleitz Biennale, an international and interdisciplinary forum/festival for art and media, the Werkleitz Gesellschaft also produces and organises exhibitions, round tables and festivals in cooperation with regional, national and international partners.
Centre for Art and Media Technology (ZKM)
The Centre for Art and Media Technology (ZKM) is a major centre for media art in matters of production, research, presentation, documentation and awareness-raising. The in-house media library includes an extensive video collection.
235 Media
Video art and video installations are extensively documented in 235 Media Art’s digital archive. EDUCATION Academy for Children’s Media
The Academy for Children’s Media is a vocational training for writers initiated by Förderverein deutscher Kinderfilm e.V. which is located in Erfurt. The aim is enhancing the lobby for original and inventive children’s media and the preparing each project for the market.
Hochschule für Grafik und Buchkunst Leipzig
Leipzig’s Hochschule für Grafik und Buchkunst (“Academy of the Visual Arts”) currently offers the following four degree courses: Painting / Graphic Art; Book Design / Graphic Design; Photography; Media Art.
Kunsthochschule für Medien, Cologne
Cologne’s Kunsthochschule für Medien (“Academy of Media Arts”) opened its doors in 1990 as Germany’s first academy for audiovisual media. Its degree course offers a very wide range of different elements, enabling students to put together their own individual study programmes. There are four subject groups: TV and Film; Media Design; Media Art; Art and Media Studies.
Staatliche Hochschule für Gestaltung Karlsruhe
The Staatliche Hochschule für Gestaltung (“State Academy of Design”) offers four undergraduate courses — namely Media Art, Product Design, Graphic Design and Scenography — and also a Master’s course in Media Theory and Fine Art.
Kunsthochschulen in Deutschland
A list of links relating to all Academies of Art in Germany, with additional addresses and information.
Hochschulliste
A list of links relating to German-language universities with Media departments. FESTIVALS Ars Electronica, Linz
Ars Electronica offers a festival of media arts with a wide range of events reflecting the connections between art, society and the media.
Backup-Festival, Weimar
Backup is a festival of digitally created film and video productions.
CYNETART, Hellerau
This annual festival is dedicated to “cultural reflection through computer-aided art”. In addition, a biennial competition is held and an advancement award as well as an artist-in-residence scholarship are granted.
Dokumentarfilm und Videofest, Kassel
Film and media festival focusing on new media.
EMAF, Osnabrück
EMAF — short for “European Media Art Festival” — takes place annually in Osnabrück. It is a meeting place for art, culture and media specialists, and a forum for international media art.
Transmediale, Berlin
Transmediale is Germany’s largest festival dedicated to art and the creative application of digital media. Each year the festival showcases new and important projects from the world of digital culture, and offers reflections on the role of digital technology in present-day society.
Videofestival, Bochum
Video festival with an international video competition and VJ-contest.
Videonale, Bonn
This event takes place every two years in Bonn’s Kunstmuseum, and showcases current art video works by means of a festival and exhibition.
Viper, Basle
Viper is a European festival devoted to film, video and new media. Taking place annually, it offers a platform for the presentation of innovative works and projects, and a forum for the discussion of future-oriented approaches within the area of media, culture and society in the 21st century.
Werkleitz Biennale, Halle
The Werkleitz Gesellschaft is an association dedicated to the encouragement and realisation of film, video and media art projects. The Werkleitz Biennial was established in 1996 as an international forum for media and art, and offers both a curated film festival and an art exhibition.
ZKM Mediathek
List of links relating to international media art festivals. SCHOLARSHIPS AND PRIZES Akademie Schloss Solitude Scholarships
With its international programme of scholarships the Schloss Solitude Academy supports young artists from the fields of fine art, architecture, music, literature, design, film / video, and theatre. In addition, academic researchers working in associated disciplines — e.g. musicology or the theory of art — may also apply. Awards are made once every two years.
Digital Sparks Award
This competition is open to students and recent graduates working in the fields of media art, media design, media IT and media communication. The objective is to foster interactive, experimental and theoretical work which demonstrates an innovative approach to digital culture technologies.
Edith-Ruß-Haus für Medienkunst Oldenburg
The Edith Russ House is dedicated to new media art. In addition to its programme of in-house exhibitions it also offers one six-month scholarship per year to media artists.
Künstlerhaus Bethanien
The Künstlerhaus Bethanien and its Media Arts Lab promote the development of new forms of expression by digital means. Like all other artists, however, media artists are only accepted within the framework of their own national student support systems; hence they cannot apply directly to the Künstlerhaus itself, but only via partner institutes in their own country.
Marl Media Art Prizes
The Marl prizes for media art are organised by the city’s Glaskasten sculpture museum. The Marl Video Art Prize was the first to be offered in 1984, but over the years further prizes have been added. At present the Sculpture Museum offers the Marl Video Art Prize, the German Sound Art Prize, and the Video Installation Prize together with the associated “Media space” competition.
Nam June Paik Award – The Kunststiftung NRW Media Art Prize
This media art prize was first awarded by the art foundation Kunststiftung NRW in 2002. An international jury nominates bewteen six and eight artists for an exhibition, and from this the main prizewinner emerges. In addition, the NRW-Förderpreis is awarded to a promising young artist from North Rhine-Westfalia.
Transmediale Award
The Transmediale Award is offered by transmediale, Berlin’s festival of art and digital culture. The prize competition is aimed at outstanding artistic achievements in current digital media art.
Filmbüro Bremen New Talent Prize for Video Art
This prize is aimed at encouraging emerging talent, and is awarded for the purpose of enabling the winner to realise a specific project or projects. The spectrum is broad in terms of both form and content — research in the video field is just as welcome as poetic digital collages, video tapes and video installations.
Werkleitz-Gesellschaft Scholarship Programme and Werkleitz Award
The Werkleitz Gesellschaft offers media artists an interesting range of scholarship programmes, and also a prize for outstanding examples of media art: EMARE (European Media Artists in Residence Exchange); a project scholarship; support for up to four projects by artists from Germany and abroad; an art scholarship; the Werkleitz Award. ONLINE SERVICES Bild-Rausch
Online data bank and archive aimed at presenting female media artists and giving them exposure on the internet.
Database of Virtual Art
This data bank has been developed in cooperation with established media artists, researchers and institutions, and documents the field of media art.
Medienkunstnetz
Medienkunstnetz (Media Art Net) offers a comprehensive and unique overview of the development of media art which is rendered accessible on the internet by means of examples of individual works.
netzspannung.org
Netzspannung.org is an internet platform. As an interface between media art, media technology and society it serves as an information pool for artists, designers, computer scientists and socio-cultural researchers.
https://www.goethe.de/en/m/kul/bku/ser/lin/lmk.html
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Astro Black: Jungle Are Forever, Soda_Jerk (AU ) from werkleitz on Vimeo.
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Upcoming programs in Career Services Tuesday, January 31, 11:45-1Cohen Board Room, 3rd Floor
Pizza Pizza Pizza Pizza Pizza Pizza Pizza Pizza Pizza Pizza Pizza Pizza
All Together Now: Collaborative Art and Activism inside and outside institutions: with Daniel Tucker
Increasingly artists and organizers are coming together to both critically and pragmatically engage in the discourses and practices concerned with art’s relationship to place, collaboration, ethics, material and interdisciplinary research. These practices are concerned with the role, history and potential of art in relationship to society. They look diverse -- a community meeting, a public mural, a museum exhibition, an educational workshop, a protest. This talk will give an overview of such practices and discuss some possible trajectories for professional practices in this field.
Daniel Tucker works as an artist, writer and organizer developing documentaries, publications and events inspired by his interest in social movements and the people and places from which they emerge. He has lectured widely about the intersections of art and politics and his collaborative art work has been exhibited/screened at over 100 organizations and institutions including Commonwealth & Council gallery (Los Angeles, CA), Albuquerque Museum (Albuquerque, NM), Mass MoCA (North Adams, MA), Gene Siskel Film Center and Hyde Park Art Center (Chicago, IL), the Park Avenue Armory (New York City, NY), Werkleitz Biennial 6 (Germany), Centro José Guerrero (Spain), the 4th Athens Biennale (Greece) as well as streets, protests, front yards, bus tours and rooftops.
Tuesday, February 7, 11:45-1Cohen Board Room, 3rd Floor
Brittany Bennett:The Art of Medical Illustration and the Anne Bryan Memorial Award
Brittany is a recent graduate of the coordinated degree program between the University of Pennsylvania and the Pennsylvania Academy of Fine Arts (PAFA), receiving a BFA in Fine Art (minor in Biology) and a Certificate in Drawing.
She’ll discuss her preparation for a career as a scientific illustrator and she’ll share in her experience as a recipient of the Anne Bryan Memorial Award. Brittany currently works as a freelance scientific illustrator in Philadelphia as she prepares to apply for graduate programs in medical and biological illustration. Her current project is a collaboration with Damien Lekkas, MS, at the Department of Biology at Penn. The project involves researching, dissecting, and illustrating numerous vertebrate species to be included in a new dissection manual for the Comparative Vertebrate Anatomy lab course at Penn.
Tuesday, February 14, 11:45-1Room 1021
Hanging the Annual Student Exhibition Wall With Brian Boutwell,School Exhibition Coordinator
This workshop will help students plan their wall for the Annual Student Exhibition. Preparing two-dimensional work for hanging, planning the arrangement of work, and the mechanics of hanging work will be discussed and demonstrated. Open to all students.
Tuesday, February 21, 11:45-1Cohen Board Room, 3rd Floor
Conservator’s Talk With Mary McGinn. Pest management issues in studios, galleries and museums: Are your art-making materials infested?
Is your artwork food for pests? Learn how to prevent, recognize and treat insect and other pest infestations. Mary McGinn, PAFA’s painting conservator, will also share information about the career path of art conservators. Tuesday,
February 28, 11:45-1 Cohen Board Room, 3rd Floor
The Ecology of Art Practice:Time Management Techniques
Thinking about your art practice as an environment can be a great tool for stress management. Instead of focusing on deadlines, to-do lists and plans, come to this workshop and think about developing and feeding your healthy artistic environment, which will grow art in a natural, organic way. You should leave this workshop with a clear sense of how you can make sure all parts of your artistic garden are tended in an effective and efficient way.
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