#welp back to the comic it is | Explore Tumblr posts and blogs

reds-skull · 2 months ago

Text

Fanfic Recommendation: Multi-Chapter (Completed)

The comic I'm working on is taking... a long time (understatement of the year, been working on it since July 31st...) so I wanted to make another post like this

Like last time, there's no shared theme between these beside having multiple chapters and being completed (both SFW and NSFW)

As always please check the tags for CWs, and if a link doesn't work you're welcome to reach out!

Every Morning by sauceboss_yahoo - Ghost is back on base with the rest of the 141, ready to fall into his usual routine. Someone else, however, is itching to be a part of it and wants to peel back the curtain concealing him more than he already has, whether Ghost likes it or not.

Mask of my own face by Avidcatperson - Ghost takes great offence to the implication that he’s going to eat his cell mate, who is clearly sentient, with his bare hands. Soap is fairly sure he’s about to die. Chucked into a cell with a human? Pretty much a death sentence…hopefully Gaz can get out at least. [Space AU, multiple works in this series!]

bare my skin by Cristinuke - A study of moments as Ghost learns to trust Soap's touch.

Anomalous by Brigadier - Ghost, a SCP-056, finds a certain human worthy of his love, trust and adoration.

let these hills absolve me by flowersferns - When the news of three weeks’ forced leave reaches Ghost, he’s resigned himself to loneliness in an empty base. That is, until a certain Sergeant offers him an invitation he just can’t seem to refuse. Or: the sheep farming fic nobody asked for [this one hurts so bad but comforts so well]

Punch Drunk by Drolly - If you told Soap the second time he’d see Ghost’s face was in a shitty bar on a shittier block of Chicago… Well, he might have asked for a little more pomp and circumstance. At least then he’d have an excuse for the way he could hear his blood pumping faster in his ears and why he could feel it, hot and burning behind his eyes.

Simon's Gateway by wayfaredsoldier - When things get too rough on retired soldier Simon, his friends help him out and unknowingly provide him a gateway to something, or someone, beautiful. [veteran support hotline operator Soap]

A Bit Too Much by cod_dump - Soap always acts confidently, brave. Almost always has a smile on his face. But the fact is… He’s a bit too much. [locked for non-AO3 users]

Until The Nightfall by Mikhail - Upon realizing their friendship had grown into something deeper and more serious, Ghost is left torn between duty and longing. With each mission, Ghost is reminded of all the things he can't control, and it's becoming clear that this - whatever it is - he has with Soap, just might be one of them.

Philematology by ErlKönig (Herm_own_ninny) - Ghost kisses Soap while begrudgingly playing spin the bottle, and tries to repeat it with other party games.

stick up by amongthebooks - While off base, the 141 are unexpectedly caught up in a robbery. The raiders clock Soap, Gaz and Price as SAS operatives…but without his usual gear, Ghost was seen as just another guy. His team is rounded up, whilst he's treated as a civilian. Can Ghost take down the attackers and rescue his team without exposing his identity?

I Will by lemonwrap - After going missing on a mission, Soap has been gone for an entire year. Ghost finally rescues him, but he’s not quite the same.

The Worthy Vessel by MildLimerence - To take the edge off his maddening attraction to his aloof and inscrutable Lieutenant, Soap decides to try his luck with the local barflies off base. To prevent Soap from fucking anyone else but him, Ghost offers himself up under the guise of mutual stress relief. Soap thinks he’s just taking one for the team, but Ghost has just had everything he’s ever wanted fall right into his lap.

Damaged Goods by Red_Clegane - After an encounter at a club, Soap needs to know if he's actually into men… like into men. In a fit of desperation and homoerotic panic, he arranges a one night stand with a prostitute. It was just supposed to be a one off arrangement. But when Ghost shows up, it sets a series of events into motion that neither men could have predicted. [locked for non-AO3 users]

They Blame it on the Times by WildFlowerSolitude - "We were never anything. You need to get that through your head." Soap laughs hollowly into the empty corridor. I can live with that OR Ghost says some fucked up shit and Soap crumbles.

home is where the heart is by Anonymous - Soap vanishes from base one day. The Captain says its nothing to be concerned about. Ghost disagreed. [literally so so good]

Personal Affairs by sannikovs_bastard_son - Ghost got injured on a mission in Spain and was forced to take a temporary leave, leading to some buried feelings being brought to light, and Soap doesn't make his inner turmoil any easier by being the casual flirt he is.

Tug A Little Harder by puffyfish2006 - Ghost really really really likes Soap's long hair.

Burned and Broken, but Not Beaten by sick_of_sleep - Ghost ends up burning his hand pretty badly and Soap help his lieutenant while it heals. But Soap ends up helping Ghost in more ways than one.

Lofticries by Arodana - The mafia had always escaped John "Soap" MacTavish. No matter what evidence he found, it would disappear. For lack of words, it pissed him off. On top of that, he has to find a serial killer that has been evading the police and any efforts they've made for months. Soap finds himself stuck between his sense of justice when he is offered an opportunity to work with the one man that had been making his police career a living hell. Soap might just get what he wants.

Freely Given by Tatzelwurm - After the stress and danger of Los Almas and Chicago, Soap is finding it near impossible to let go and relax. He can’t sleep, jumping at shadows. Ghost wants to help him, dutiful lieutenant that he is. But Soap can’t bear to take any more from Ghost than he already has. At least, not without feeling exceedingly guilty about it.

Hold my hair up, Darlin (Ice packs on my neck) by JackiboysHorrorHouse - a fic where Soap's wisdom teeth end up having to be removed when he's in the 141, and ghost is the one who takes care of him during recovery!

Misplaced Jealousy by dyn42ty - Soap hinted that he had been crushing on someone within the base to Gaz. Overhearing the conversation, Ghost wonders who has Soap captivated. Not to mention it wasn't him? The more he thought about it, the more angry he had gotten.

lotus flower by exavibus - a new flower shop opens across the street from 141 Tattoo, in london's shoreditch district. one of the florists already seems to have something against him. the feeling's mutual.

Cry by kcisbroken - Ghost always leaves. After an intimate night together, Ghost picks up his things and doesn't look back, leaving Soap to sit in silence and ponder on whether or not it's worth breaking his heart over and over again.

i'm a fire and i'll keep your brittle heart warm by marviless - Soap spends three and a half days in Ghost's house after getting injured on a mission.

used to hide behind a mask by kj_crwn - What a pitiful thought; the scary hound of 141 force turned into a pliant mess by one simple man. “’Bout your scary mug,” Johnny clarifies, as expected. He leans down again and settles against Ghost’s chest, his head resting just beneath Ghost’s chin. “Yer a bloody gorgeous lad, Simon.” Except that Johnny is anything but simple.

We Are Ghost by Murmeloni - Instead of having to crawl out of his own grave, Simon escapes Roba's clutches with the help of Ghost. A klyntar stranded on earth who decided to make Simon his new home. The two of them were content with each other. Until they met Johnny.

Emergency Contact by soapsbeloved - John MacTavish is about as unlucky in love as you could get, never finding someone that would give him enough of a chance for a second date, resorting to sleeping around when he gets stood up. Simon, his best friend, seems to be the only person in the world willing to give Soap a chance, but the dumbass can’t see past the fact that Ghost isn’t very good at talking about things, and is completely and utterly oblivious to how Ghost feels about him.

dicentra by crown_twist - There's someone new joining the 141 and everyone is happy about it. So happy, in fact, that they don't seem to realize one of them is slowly slipping away. Johnny's only all too aware. [I reread this one so many times it's the ultimate hurt Soap fic]

and i wish i could change by SoftKing - Which meant he also noticed when Ghost frowned heavily and murmured, “Not really my thing.” “Oh,” Gaz said with his brows raised. “So you haven’t got one then.” He slapped Price on the shoulder and grinned. “I do.” Ghost interrupted, taking another long sip from his nearly empty glass. “Just think they’re rubbish.” [soulmates AU]

Night Has Always Pushed Up Day by Sillililli - Simon "Ghost" Riley is stuck in a shared hospital room, which has been fine up until then. He'd been alone, alone to fight the shame of having his face uncovered and having failed his team. But they bring someone into his space, a younger soldier, temporarily blind.

Domestic by Sillililli - Simon and John are coworkers. Both ex military, they relate in ways others can't. Soap is facing hard times at home and finds a safe place with Simon.

So Call Me Maybe? by cripplingchips - Ghost is trying to focus on the mission at hand when Soap starts getting a little… strange.

A Kiss For Luck by iamtheidiot - Soap and Ghost start playing gay chicken.

Mission: Cardsharp by nyxite - Soap (accidentally) gets a love reading from a fortune teller.

death is in the air (wish i could be brave) by aetherealmoss - Ghost gets injured severely and is sad and upset about it, until Soap appears at his doorstep and makes it better.

My frozen heart (would melt just for you) by Red_Clegane - After a mission goes wrong in Russia, Soap has to patch Ghost up... and keep him from freezing. Huddled together in a tiny cabin in the middle of the frozen tundra, something warm blossoms. [locked for non-AO3 users]

demolitions threat by amongthebooks - Home on leave, Soap has to instruct Ghost on how to disarm a bomb over the phone. The pair make a good team - but not every mission can end well. Ghost has dug himself out of his grave once already. Can he do it again?

i'm something else when i see you by oh_ellie - The first time Ghost had enough courage to plant his lips against Soap’s they’d both been drinking. They're fairly heavily intoxicated.

In the Middle of the Night by JDigital - “Go!” Came his Sergeant’s gruff exclamation as he threw his elbow into the Shadow’s face, an alarming amount of blood still soaking through his clothes. “Get out of here, go!” A few Shadows stopped their assault on Ghost’s cover to subdue their captive, and he was forced to watch as Soap was brought to his knees by a cruel strike of the stock of one of their rifles. “Ghost, move! Get out of here!”

Racing hearts season by Nuria123 - The F1 COD AU no one asked for SoapGhost style.

Through His Eyes by WhisperedWords12 - Ghost accidentally finds Soap’s sketchbook, is taken aback when he sees a familiar face looking back at him.

Peeping John. by A_BitOfStrange - When he considers it properly, the only person that would be either brave or stupid enough to go into Ghost's room while he’s away would be Johnny. The little fucking shit.

Surviving You by WhisperedWords12 - Ghost forced himself not to feel frustrated, had to admit to himself that Soap might be the most challenging sub he had ever had assigned into one of his units.

Yours Sincerely by LeoDoesGames - Johnny "Soap" MacTavish has been medically discharged following a mission gone wrong, which left him with severe agoraphobia and PTSD. He joins a programme which connects both active service members and veterans through the act of writing letters. Although things get off to a bad start, the connection he forms with his letter mate slowly becomes unbreakable. That is until he gets too close and strikes a nerve. [one of those fics that will not leave your brain for weeks]

Doing Time by MildLimerence - Soulmate AU: On leave from the 141, Soap lands himself in Strangeways prison, home to some of the worst criminals in the UK. When his soulmark activates on the inside, Soap must contend with Ghost, an infamous soulmate-hating killer who seems intent on haunting his every move.

Spiorad agus Corp by Oud_smoker420 - A bet is made between the notoriously reckless Soap and Alejandro to try and get their respective crushes and the most stoic and traumatized men of the 141 in their beds. It definitely has the potential to go so bad.

Smooth Sailing on Choppy Water by coderaven - Soap and Ghost are sent on a mission to the middle of American suburbia to protect a Russian journalist targeted by Makarov. Their cover is that they're newlyweds. And very much in love.

Bathe in Sunlight, Take Deep Breaths by coderaven - Ghost gets honorably discharged after taking a bullet to his shoulder that completely obliterates his rotator cuff and leaves him with nerve damage. He joins a gym to help with his recovery. He meets Soap, ray of sunshine personified, a trainer at the gym. He falls pathetically in love.

Learning Experience by AvaLoren - Soap is forced into a simulated interrogation with his Lieutenant and the information he learns about him isn't what he expected.

If tomorrow you don't open your eyes by Swiftwater_Prawn - Ghost loves Soap but is bad at feelings and gets stuck in a time loop. [multiple works in this series!]

Collecting Strays by WhisperedWords12 - Ghost didn't trust Soap, couldn't know for certain what a year and a half of forced fighting in the pits did to something as volatile as a Wolf. But Price insisted that the man may have valuable intel, might be enough to finally bring down the Fighting Ring where they'd found him.

Driving Myself Home by Aether_Ghoul - Gaz insisted that he was just the thing for Soap. Soap insisted that everyone had a "but" and for the life of him, Gaz wouldn't tell him what this Simon guys "but" was.

all that's said in the low light by headlocket - After a near-fatal injury, John MacTavish finds himself back in his hometown in Scotland. Fresh off an untimely discharge, he's forced to cope with disability, his dysfunctional family, and the lingering knowledge that there are some things he's just not ready to leave behind… [literally if you haven't read this yet what are you doing with your life]

Lay back and think of England by Aether_Ghoul - From the outside, Ghost is well adjusted. He seems like everything recruits and rookies could ever wish to be. Inwardly, he is falling apart. It is when Soap asks him to spend their leaves together, that he makes a decision that will haunt him. Do everything Johnny wants, needs or dreams of because if Ghost is useful, maybe Johnny will finally love him. [this is another one I keep going back to T_T]

Our Time Is Right Now by ChaoticEmeline - A serial killer is making their mark on the newly installed crime factions in London. Smart, savvy, and undetectable in a city covered in CCTV. The man operates…like a ghost. Captain John Price and his team aren't afraid to get their hands dirty and do a little ghost hunting. But what happens when the ghost starts hunting them back?

Spectre-Unit by Zosch - The Spectre-Unit was a task force shrouded in mystery, not much was known about them and it was a rare occasion to witness one of their members in action. Until the Task Force 141 gained a new addition; S-U: 25, John "Soap" MacTavish.

Velocity Of Envy by leathfaic - Soap has a friend with benefits back home in Glasgow and Ghost, Ghost doesn't have a problem with it of course. After all, Johnny is his sergeant and anything else would be unprofessional, wouldn't it?

Crystalline by Sillililli - Soap and Ghost end up captured at the same time and as much as they'd like to save each other, they can't let their captors know they could be used against each other. Easily. Simon concocts a plan to save them that he can't let Johnny in on, hoping the lie won't shatter what little is left of them when it's over.

#call of duty modern warfare 2 #cod mw2 #fic recs #not art #ghostsoap #soapghost #ghoap #page 110 #<<ignore that I need this for next time lmao #60 fics like last time #not even halfway through the list rip #when I tell you its long af...#welp back to the comic it is

150 notes · View notes

genericpuff · 8 months ago

Text

Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

youtube

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

#lore olympus critical #anti lore olympus #lo critical

820 notes · View notes