#well the evidence exists all right but you know

[five-thousand-loaves-of-bread]

never watched the good doctor n never plan to. so maybe not good person talk about this. but never plan to watch it because in fact kinda hate it (mainly because once someone be ableist about high support needs autism n excuse it using shaun & say how they know what HSN is because they call shaun is, n quoting, “very high support needs” n he very. much. not. but anyway) — so this also give weight to what am going say

do see how people make fun of shaun (main character). like “i am a surgeon/sturgeon” memes n so much more. my favorite show house md & keep especially see meme compare house with sean autism to make fun of shaun—make fun of irony of “shaun be explicit autistic but bad autism representation & house not supposed to be / not explicit (depend on interpretation) autistic but somehow way better autism rep than shaun” situation. like:

[id: two meme compare sean with house about autism.

1: left side is shaun screaming/meltdown in “i am surgeon” scene with “bad autism rep” write on top. right side house in prison suit with “good autism rep” write on top.

2: twitter screenshot from rooster @/ househiscane. left is picture of shaun n have “autistic doctor” non capitalized on top. right is picture of house with stereo n “AUTISTIC doctor” on top, with “AUTISTIC” in all caps. at time of screenshot, have 648k views.

end id]

n again, never watched the good doctor. so maybe in show there truly part where not great n ableist n problematic autism rep. BUT.

from all these memes. n all these people justify how they hate sean how them make fun of shaun is okay. don’t see evidence for how shaun & show represent autism in some truly problematic way.

instead. see visibly autistic person. see people describe trait of visibly autistic person. see people make fun of visibly autistic traits. see a visibly autistic and low support needs person.

see same rhetoric used by non autistic AND AUTISTIC people to make fun of n be ableist to me, visible autistic (high support needs) person. that am embarrassing. that am stereotype. that “no autistic person act like this.” that “you make me embarrassed be autistic.” that am make autistic people look bad. the r word.

every single one of those thing, have heard it also be use call shaun.

versus. house, he’s asshole, he’s visibly asshole, n because of that he’s dynamic he’s well rounded. but he’s not visibly autistic.

n so suspect in big part, or even, entire unspoken point of these comparison, or meme against shaun, is because. house is not visibly autistic so relatable n thus good to audience of mainly high masking autustics. he the real autism rep. he the good autism rep. he the ACTUALLY autistic rep. shaun is visibly autistic n thus not.

from crowd that champion unmasking! be free! be yourself! but say nothing, or in this case nothing good, about people who cannot mask or be put in genuine life danger if choose unmask. from crowd that say autistic meltdowns not tantrum! normalize autistic meltdown! it’s okay! don’t record or make fun of or comment on someone’s worst moments! but make fun of visibly autistic person meltdown in public.

although should not be surprised. should not be! this same crowd that not know what visibly autistic actually is. or even not believe it even exist. same crowd that think unmasking will make them visibly autistic same way it make me visibly autistic. same crowd that think it mean just some occasional happy hand flapping. same crowd that call themselves visibly autistic because they do those occasional hand flapping n in next sentence complain about be told “but you don’t look autistic.” same crowd that say autism not have look. same crowd that permanently group autism into invisibly disability.

same crowd that cannot fathom autistic person different from them.

same crowd that bully n exclude n speak over n be ableist towards me.

like it the autism show to acceptable make fun of, it the autistic character to acceptable make fun of. it the show n character where u can let out all your offensive edgy ableist anti-autistic feelings, go mask off about it. it acceptable. everyone do it. even autistic people do it. especially autistic people do it. especially high masking autistic do it. autistic people who do it n justify it okay because they autistic n that grant them free pass.

criticize how any show represent autism badly problematically. that okay! that acceptable! that great! not telling you you can’t. — don’t doubt in the good doctor there not parts that make you wince in bad way because it speak terribly for autism.

but if all your “reasoning” for why that autism rep is. traits of visibly autistic person. or, (not applicable in this case), traits of high support needs & traits of level 2/3 autism. it’s not criticism you just ableist.

you all say visibly autistic people get enough rep already that it’s time for low support needs invisibly autistic high masking autistic women (& white—but shhh that part shouldn’t be say out loud) be in center of representation.

you all can’t even handle a visibly autistic character that’s low support needs and CISGENDER WHITE MAN.

once again. am hate this fucking show. n am here defending it.

is it genuinely bad rep or is character just visibly autistic.

[that-ari-blogger]

Complex Motivations (You Didn't Know)

Hazbin Hotel is about redemption, and a large part of that is the complexity of motivation. Sinners have unique reasons for what got them into hell, and that intricacy is explored in great detail with the main cast, but also everyone around them.

This is actually a mercy extended to the villains. Because contrary to popular belief, having a reason for doing what your doing doesn’t make you right. The Vees, for example, are characterised entirely by their dynamic with each other, and understanding their motivation means understanding just how cruel of a person Valentino is, for example. It doesn’t justify his actions, it explains them, and makes him a more complex character than “he does bad things because he is bad”, a mentality that the show criticises at every opportunity it gets.

Speaking of which, that reductive worldview is exemplified by the folks up in heaven. Specifically, by Lute, Adam, and Sera, and You Didn’t Know exists to show them on a sliding scale of villainy, and how their place on it doesn’t matter.

Let me explain.

SPOILERS AHEAD: (Hazbin Hotel)

CONTENT WARNING: (Language)

“But she was right”

The first words in any story give context to what is to come. They set up the plot, provide a question or mystery, and establish pacing. Songs in musicals are parts of the story told in microcosm, and so they apply these rules. In this case, it is important to understand that each of these people has been proven wrong.

Their worldview is measurably false, and the question is, what do they do now?

This isn’t a presentation of ideas, this isn’t a philosophical debate, this is an exploration of character in the face of challenge, and how it exposes a person's true motivation.

Starting with Lute, because she is, in my eyes, the simplest. She believes everything that she is saying with no one hundred percent certainty, and it’s almost refreshing in contrast with everyone else.

Adam and Sera are both fickle in morality, but Lute is rock solid. She is bigoted and evil, and she is owning it. She is, for lack of a better term, a paragon.

Why are we having this conversation? Angel Dust is a sinner, therefore incapable of making any points. Any evidence presented is invalid because he’s the one presenting it.

“What are we even talking about?

Some crack whore who fucked up already?

He blew his shot like the cocks in his mouth.

This discussion is senseless and petty!”

Redemption can’t be proven because redemption doesn’t exist.

It’s a flat, mindless understanding of the world that a lot of people carry, more than you think.

Dutch angle. These two make the scene unsafe. Standard filmmaking but worth pointing out.

This is called Doxastic Anxiety, according to the philosopher, Jenifer Foster. I recommend her dissertation, as well as the video by Philosophy Tube (@theabigailthorn), which discusses it in the context of deliberate ignorance, amongst other things.

Doxastic Anxiety is an aversion to forming new beliefs. In this case, Lute doesn’t want to believe that redemption is possible, so she, quite efficiently, doesn’t believe.

This isn’t an argument or a conversation, this is one side presenting evidence, and immediately getting shot down with “shut up, I’m right.” You can’t change the mind of someone who refuses to open it in the first place.

This is matched by the music itself. I’ve talked at length about Adam and Lute’s obsession with rock music and what I think about that, but there’s a gaping hole in Lute’s argument here.

The drums are doing something interesting, and I will come back to them later, but the guitar is remarkably restrained, which isn’t what you would associate with rock at all.

There's some colour symbolism here that I love. Traditionally, there is a correlation between good and evil, light and dark, white and black. Those three categories align and while there are implications there, it is storytelling standard. Except here, in this scene, the brightest part of the shot is the window into hell, and because of the shadows rendering lute in grayscale, the closest things in the scene to pure white are Angel Dust, and Charlie's hair. The filmmakers are messing with morality, so naturally, they can't resist a chance to mess with the imagery thereof. Also interesting here, the shadows are of the Angels own making because it is their architecture. They aren't just made to look bad by contrast, it's their own actions that lead to this symbolism.

Music is emotion, that’s why character playlists exist. Songs convey themes through vibes, and rock music is about big, unrestrained emotions. Rock music is fundamentally wild.

Consider Bullet With Butterfly Wings, by the Smashing Pumpkins. The song is about anger at an inability to claim freedom, and so the guitar evokes the pacing of a caged animal during the verses, then comes out swinging in the chorus only to, for lack of a better term, fumble it. The resolution at the end of each musical phrase is clumsy, like falling back to square one. The final chorus, notably, doesn’t do this, and is much more comfortable, evoking a feeling of catharsis that contrasts with the lyrics of the chorus.

Powerlessness. The character is trying to claim freedom and has transcended their anger, but it hasn’t worked. The finale is desperate, and the music thrashes against its bars, trying to break either them, or itself, all while repeatedly screaming the words:

“Despite all my rage,

I am still just a rat in a cage.”

“And I still believe that I cannot be saved.”

Maybe the bars are more than just physical. Maybe there is a psychological element to this kind of oppression.

Even Sweet Child O’ Mine, by Guns and Roses (they’re a small, up and coming band. But I think you should check them out. There’s promise there) which is calm and reminiscent for most of its runtime, is built on being dynamic. The iconic riff famously bounces between highs and lows to mimic the highs and lows of a life lived.

It’s messy in the way that memories are messy, and the solos are wild and meant to be experienced more than just listened to. They chomp at the bit during the lull at “where do we go now”, before climbing back into soaring expressions of glee and, for lack of a better term, raw power. It’s a very different emotion to Bullet With Butterfly Wings, and you don’t need the lyrics to understand that.

The point I am making is that rock music is intrinsically expressionistic and unchained, and when Lute sings, her portion of the song is anything but. Lute is angry, and appropriating imagery that is not hers to use to justify that anger. But what is the anger at? Being proven wrong.

Case and point, her guitar is simple and even. It rises, then stops, then repeats, then plays a nice little melody at the top, before resorting to power chords. She has tried to form a point, but has been unable to, and instead of examining that, has resorted to anger and displays of force.

There is something in that "stick it to the man" thing. People in power almost seem to fetishise rebellion, but when it actually happens, they get all upset. Adam likes to appear as the underdog, and I think he likes to feel like the underdog, but he isn't. He's the one the underdogs are fighting.

Moving on to Adam, who doesn’t believe anything he is saying. He is doing genocide for entertainment, and he doesn’t care about justifying it. There is nothing behind this man, he gets what he wants because he wants it. He is a man child.

He has also already had his views explained in detail, so this song gets to shine as a character beat for him, because of the aforementioned framing device. What do you do when you are proven wrong? Do you change? Do you shout down what the person is saying like Lute? Or do you get petty and start being an arse because you can?

This is where we see Adam’s vindictive side, and it sure is a coincidence that the guy who champions retributive justice has a habit of taking what he views as revenge and multiplying it tenfold. That’s probably not important.

Anyway, this is used to bring up Vaggie’s deceit, but it also exposes something interesting about Adam’s villainy. It’s innately self-sabotaging.

Adam could have kept his gob shut and this would have gone off without a hitch, but he didn’t. His villainy is based in retribution, and so he had to dish it out when he was slighted, even if it undermines his greater scheme.

Which, if I may get a bit soap boxy, is how villains work in the real world.

I get frustrated with the view that kindness is hard and that being awful is easy because it isn’t. Don’t let people tell you the world is naturally terrible, because if you believe them and expect the worst, then you don’t call people out on their nonsense. “Oh, the world is bad, it was the easiest choice to do this awful thing.” No! It took a choice to cause suffering, someone made that decision.

Evil is difficult and self sabotaging and will wreck you for doing it to the point where it stops being worth it. Truly evil people are those that make the decision to do what they are doing because they have weighed up the consequences and decided that they don’t care.

On a day-to-day level, kindness is easy. It costs you nothing. Don’t use the mundanity of misery as an excuse for your own shit behavior, and call people out on theirs because they are actively making the world worse, not prolonging the status quo.

But on a grander scale, this is where Adam comes in. I would argue that it would be easier for Adam to not do a genocide. Like, it would be easier to just sit at home, drink soft drink, be a tosspot. He wouldn’t be a nice guy, but it would be an improvement.

But to do what he is doing right now, he had to come up with the idea, something that probably took him a while. Then he had to persuade Lute and the other executioners, which probably took less time. Then he had to run it by Sera, and then he had to amass an army in secret and keep that same secret of genocide from an entire population.

But he did. He went above and beyond so that he could kill people for sport.

Adam actively made the world worse, and crucially, that directly led to his death later on in the series. He gave people motivation to want him dead.

I mentioned at the start of this post that the sliding scale of villainy doesn’t matter, and that brings me to Sera.

Sera isn’t evil. She doesn’t directly cause bad things. But that “directly” is doing a lot of heavy lifting, because Sera is an enabler. She doesn’t have a moral compass at all. She doesn’t stand for anything, so she lets everything happen.

She doesn’t do the genocide, she doesn’t want to be a part of it, and she thinks that makes her a saint. But then again, she had the power to stop it, and the choice to do nothing is still a choice.

General lump of ice for anyone who wants it. If you ever find yourself smiling like a maniac with literal hellfire reflected in your eyes, maybe reconsider your life a bit.

Sera could have said “no” and been done with it. But instead, she signed herself up for a lifetime of subterfuge because it seemed easier at the time. Theoretically, Sera isn’t as bad as the others, but in practicality, oh yes she is.

Sera’s lack of morality is actually what inspired me to analyse this entire musical, because her part in this song is so crucial to my understanding of the musical as a whole and I haven’t seen anybody else’s reading factor this in at all.

Sera doesn’t defend the genocide; she defends her decision to lie. Even when called out on it, it doesn’t occur to her that the murder of civilians is what people are upset about.

“I thought cause I’m older,

it’s my load to shoulder.”

“No”

“You have to listen,

it was such a hard decision

I wanted to save you

the anguish it takes to

Do what was required…”

There are two possible readings here, the first being deflection and the second being indifference.

Deflection is simple. She gets called out for murder and she apologises for lying. That’s not remotely the point, but if you can get someone tangled up in an argument that they didn’t sign up for, you can twist their words into something they didn’t mean.

Anger is a volatile emotion, but it can be lead astray. Deceit is not an easy thing to justify, but it’s a lot less difficult than systematic oppression, so Sera might be steering the conversation to something where she is on slightly less of a rough footing.

The other reading is indifference. Sera genuinely doesn’t care about morality, and so she is trying to keep her public face. She is the leader of… is Heaven a country? Is it a city? What is Heaven? Anyway, Sera is in a leadership position, and so she has made the decision to maintain her image first and foremost.

She spins the genocide as something that was required and starts defending the lie, because that’s what she thinks is most important. To her, the genocide was required, but to that I ask: for what?

Like, what is the end goal here?

Adam has presented the idea that the genocide makes him feel good. Lute is of the opinion that the sinners deserved it. But Sera says “required.” For what?

Is she required to let Adam do what he wants? Is she trying to find a middle ground between “no genocide” and “yes genocide” and landing on “some genocide”?

Alternatively, does Sera think it is required to keep the population of Hell down, so they don’t rise up? Does she think this is needed for her own security? Is it for control? Because, if that’s the case, I think she is talking bollocks.

You don’t need to murder someone to not feel threatened by them, and there are better ways of coexistence than control.

Sera returns to what I said earlier about villainy being difficult. She didn’t need to go along with the genocide. It wasn’t required. But she chose to, and that makes her stand alongside Adam and Lute.

Before I finish up, let’s talk about the drums.

The song is dense, and has a lot of moving parts, so as a storytelling technique, the drums are really impressive. Not only to they separate the sections and make the story easier to digest, adding to the vibes of each part while keeping the momentum going, but they also join the sections with fills to ease the transitions between disparate parts of the story.

The song starts out with no percussion as Emily pleads with the court and specifically with Sera. Then Charlie brings some backbone to the conversation with the concept of fairness, and we get a steady, repeated beat, like boxers circling each other.

We get a fill into the marching beat that backs up Lute’s solo, before a chorus from a rock song follows Adam’s input in the conversation. So far, so good.

Then Adam ruins everything, and the song abruptly cuts back to Emily, who suddenly has percussion accompanying her voice. Although, it is off kilter and unsteady, unsure if it should be here or not. It’s uneasy as Emily tries to work out what is happening and how to feel. Something is wrong, and her music is evolving to keep up.

Sera’s section messes with this in a way I love. Starting off mimicking Emily’s exactly with the unsteady beat as if to say “I’m with you.” Although it adds some bass drum, specifically the rhythm played during Adam and Lute’s chorus.

Then, as she says the line about doing what was required, Emily’s rhythm cuts out entirely to show the falseness of this offer. Sera and Adam are entirely aligned here.

Emily is back, and her rhythm is gaining more and more confidence as she gets more and more angry.

We’re building to a final chorus, and we get a quiet fill before a surprisingly understated chorus.

“Was talk of virtue just pretention?

Was I too naïve to expect you…”

“If Hell is forever than heaven must be a lie.”

The perfect world is built on suffering, which means it can’t be a perfect world. Everything else falls away, including the drums, into short punches that are just off beat enough to feel natural. This is just brutality. Messy, unrestrained, hammering. This is the point; this is the centerpiece of the musical.

Then the drums cut out entirely for the final moments to underscore the revelation, and the song wraps up.

Final Thoughts

I’m about to spoil the rest of the musical, so be warned.

I want Sera to be redeemed so much, and I actually think it might happen, here’s why.

First, I think it would be funny. I think Sir Pentious being in heaven would be an excuse to torment her into changing. Like, she gets so frustrated by the snake boy who’s voice she recognizes for some reason, and who proves her wrong so entirely, but whom she can’t escape from and whom she can’t bring herself to dislike.

Drag the angel, kicking and screaming, into being a better person. Commit to the theme, damn it.

But I do think there is a chance of this actually happening, and that is because of the expressions that Sera makes. When Emily snaps, the show makes a point of showing Sera’s response, and it is abject horror and sadness. There is no anger or spite there, it is just shock and terror.

A sinner couldn’t convince her, but she is willing to listen to Emily, and that is the expression of someone who’s entire world just came crashing down.

Maybe it’s the fear that Emily will fall like Lucifer, or maybe it’s the fear that she won’t. I cannot wait to find out.

Next week, however, is Out for Love, and I have thoughts about that song. So stick around if that interests you.

Previous – Next

[bloomburnburial]

i don’t have a tendency to catastrophize. i conclude that i have done something wrong, and specifically wrong in a way that is unforgivable, based on irrefutable evidence. that my conclusions are often (and really, almost always) incorrect is irrelevant

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[tackrusso]

show tempe gang crossover with the morris islanders would actually have been the best episode of bones ever. btw

[keelanrosa]

terfs when a study shows literally anything positive about trans people/transitioning: 'hm i think this requires some fact-checking. Were those researchers REALLY unbiased? Because if they were biased this doesn't count and if they weren't knowingly biased they probably were unconsciously biased, woke media affects so much these days. Have there been any other studies on this? Because if there haven't been this could be an outlier and if there have been and they all agree that's a bit odd, why aren't there any outliers, and if there have been and any disagree we really won't know the truth until we very thoroughly analyze them all, will we? Were there enough subjects for a good sample size? Did every single subject involved stay involved through the whole study because if they didn't we should be sure nothing shady was going on resulting in people dropping out. Are we 110% sure all the subjects were fully honest and at no point were embarrassed or afraid to admit they didn't love transitioning to the people in charge of their transition? Are we 110% sure none of the subjects were manipulated into thinking they were happy with their transition? In fact we should double-check what they think with their parents, because if the subjects and their parents disagree it's probably because they've been manipulated but their cis parents have not and are very unbiased. How many autistic subjects were there because if there weren't enough then this doesn't really study the overlap between autistic and trans and if there were too many then we just don't know enough about what causes that overlap to be sure this study really explains being trans and isn't just about being autistic. How many AFAB subjects were there because if there weren't enough this is just another example of prioritizing AMAB people and ignoring the different struggles of girls and women and if there were too many how do we know sexism didn't affect the results. Was the study double-blinded? We all know double-blinded is the most reliable so if this one wasn't that's a point against it even if the thesis literally physically could not be double-blinded. Look i'm not being transphobic, i want what's best for trans people! Really! But as a person who is not trans and therefore objective in a way they cannot possibly be, i just think we should only take into account Good Science here. You want to be following science and not being manipulated or experimented upon by something unscientific, right?'

terfs when they see a study of 45 subjects so old it predates modern criteria for gender dysphoria and basically uses 'idk her parents think she's too butch', run by a guy who practiced conversion therapy, 'confirmed' by a guy who treated the significant portion of subjects who didn't follow up as all desisting, definitely in the category of 'physically cannot double-blind this', completely contradicted by multiple other studies done on actual transgender subjects, but can be kinda cited as evidence against transitioning if you ignore everything else about it: 'oOOH SEE THIS IS WHAT WE'RE TALKIN BOUT. SCIENCE. Just good ol' unbiased thorough analysis. I see absolutely no reason to dig any deeper on this and if you think it's wrong you're the one being unscientific. It's really a shame you've been so thoroughly brainwashed by the trans agenda and can't even accept science when you see it. Maybe now that someone has finally uncovered this long-lost study from 1985, we can make some actual progress on the whole trans problem.'

[timeisacephalopod]

The way conservatives frame being trans as some kind of "social contagion" while literally calling for the erasure of all trans people from public spaces is wild because who the fuck decides to Be Gender because it's so cool politicians are telling you you shouldn't exist on the news?? Like the idea that trans people are deciding to be trans because it's a social media trend akin to the cinnamon challenge or the fuckin ice bucket challenge is an absolutely bonkers argument to make in the middle of "these people shouldn't exist" speeches. Surely at least one of these brainless lumps have taken a half a moment to consider how something could even become a "social contagion" when they're personally railing against the existence of these Very Cool People??

Plus, you know, implying whole swaths of people are too stupid to figure out their own damn genders is uh, deeply insulting to suggest just because they're confused about how being trans works.

[letoasai]

The Youngest Ancient

An idea where the JL has gotten word from Green Lantern that a planet has been destroyed. That threat is headed for Earth. 

We could blame it on Darkseid despite the fact that i don’t actually know if that’s within his power set. Bad guy of your choice. Keeping it vague works too. 

Danny finding out that one of his planets is gone and he’s not having it. 

~~

They were short on time. Monumentally short on time. Usually everyone would look to Batman in a situation like this. It wasn’t like his numerous contingency plans were a secret. The problem was time and an overall lack of information about the coming threat. All that was clear was the fact that Earth was in danger. 

Not even a normal, run of the mill danger, but the planet bleeding out of existence kind of danger. Supposedly it could happen so fast that the citizens of Earth wouldn’t even know it had happened. 

“There’s always begging an Ancient for help.” Constantine muttered, lighting another cigarette. As many members of the League as possible had gathered but brainstorming could only get them so far. 

Multiple gazes snapped to him but it was Wonder Woman who spoke first. “You think petitioning the gods would be a wise course of action?” 

“Could be the only course of action.” Flash muttered though no one looked happy about it. 

“Nah, it’s a much crazier idea than that.” Constantine said flatly. “We’re not talking about any of those old hats we’re used to dealing with. I mean an Ancient. Their powers are next level stuff. Above the gods on the totem pole, if you will.” 

Batman’s eyes narrowed. “You want to bring in a complete unknown.” 

“I want the planet to fucking be in the same spot tomorrow, mate.” Constantine snapped back. They were out of time but he evidently had more practice at being reckless then the rest of the League. “Heard tales of a new baby Ancient. A likable kid that has many of the heavy hitters doting on `em. Word is the baby Ancient is rather agreeable. Makes deals. Likes to explore. That kind of thing.” 

“Baby Ancient.” Superman repeated, clearly hearing the oxymoron in that title. “How does that work?”

“Well they gotta come from somewhere, don’t they?” Constantine shrugged. He didn’t know and he wasn’t going to ask. 

“I’ve heard the same rumors.” Zatanna heaved a sigh, adding credence to Constantine’s claims. “Even if they can’t do anything themself, they might have enough pull with one of the other Ancients that can.” 

Flash clucked his tongue. “We literally have everything to lose if we don’t do something. If no one else has any other ideas then we need to give it a shot.” 

“How long do you need to prepare?” Batman asked, his frown obvious. He never fully liked ideas that he didn’t have a hand in.

Constantine sat up straighter, taking a pull from his cigarette and already looking exhausted. “Gimme an hour.” 

“I’ll help.” Zatanna said, already standing. 

“Forty minutes then.” 

~

The light of the summoning circle was hard to look at. It was like a mini supernova right in front of them. The colors would have been amazing to look at if anyone could have opened their eyes to see it. 

When it dimmed, leaving only a toxic looking green glow around the circle, a young boy floated in the center. His hair was white and flowed even in the tightly air controlled Watch tower. The freckles across his face seemed to glow just like his green eyes. 

He was cute, and couldn't have been more than fifteen. He wore a skintight black suit, calf high white boots, and had a strange looking thermos hanging off his belt. So this was a baby Ancient. He looked utterly perplexed. 

“Um…” He blinked, taking in every member of the Justice League slowly.

“Welcome to the Justice League Watch Tower.” Wonder Woman said, ever the diplomat. “We apologize for summoning you on such short notice.” 

“Oh. Okay.” He was still blinking owlishly before his eyes locked onto one of the windows that currently had a vast view of space. The boy all but purred at the sight. “You can call me Phantom. What do you want?” 

“You’re the new Ancient?” Constantine asked without as much tacked.

Phantom sighed, shifting to sit even as he floated. “So they tell me. I didn’t know there was going to be a superhero test.” 

“We summoned you to request assistance if you are able to give it.” Batman said, taking over. “A threat is coming to destroy the Earth and we don’t have much time. Is there something in particular you would want in payment?” 

“Besides souls.” Constantine muttered which subtly alarmed everyone within earshot. 

“Destroy…Earth?” Phantom repeated slowly, head tilting. It was slowly occurring to everyone that maybe a baby Ancient really was too young to deal with something like this. “Why?”

Green Lantern sighed, arms crossed. “I’m likely the cause. Earth is the home base for Lanterns in this sector. The previous planet destroyed was also a home base.” 

Phantom’s eyes jerked up, his full attention on Green Lantern. “Previous planet destroyed? Where?” He paused, “And when? I have been feeling a little off.” 

No one knew quite what to make of the strange comment, but Lantern continued anyway. “A planet in the neighboring sector, 2813. It has been eight days, and before long, that threat will be here.” 

“Is it possible you know of a way to prevent the destruction of Earth?” Wonder Woman asked, but Phantom seemed distracted. 

He removed his gloves and was looking at the back of his hands. When that didn’t seem to tell him what he wanted, he tugged on his sleeve, making the fabric go invisible in small sections so he could easily look at his skin beneath it without the cumbersome task of rolling his sleeves up. 

He was covered in glowing freckles, just like on his face, but one by one the League members took notice of the way they moved. Phantom would twist his arm one way and then another and each set of freckles would be replaced by a completely new set of glowing little spots. When that didn’t show him what he wanted, he kept looking, checking both arms first before moving down his chest slowly. 

The League could do nothing but watch the strangeness before them as their follow up questions went ignored. 

When he got to a spot under his ribs, Phantom screeched. “It’s gone!” 

“Phantom…?” 

Phantom looked out the Watch Tower window, his face morphing into one of fury. His eyes shined brightly and whatever he was looking for, he clearly found. 

“T̢̜̞̮ͭ̓ͫͦh̨̻̼͓͓̜ͭ̈͆ȃ̴̩ͅtͯ̚͏͇̮̖̙ ̡̭͎̝̟͇͙̏ͣ̑͛m̵̭͉͈̳̟͎͈̲̋̋o͈̮̫͓̪͔͐͠t͉̬̉͒̈́ͪ͠h͉̠̭͓̞͎̺͓ͥͥ͘e̅͗̔̿҉̞̪̺̮̗̜r͙̪̼͈̐̉͞ ̫̥̳̿̾͒͑͞f͔̟͈͍ͯ̊̏́ù̶̯̬̫͈͕c̲ͣ̓̿͠ͅk̦̘̖̭͕͉̹̥̈̍̈́ͤ͘e͚̬͗͡ͅr̛̤̩̺͂̃̇̉ͅ.”

To say the Justice League was surprised by the shift in the boys tone was an understatement. 

“Yeah, i’ll stop your threat.” Phantom growled, easily leaving the summoning circle. He shifted right through the wall and directly into space without a care. 

Silence filled the room, no one entirely sure what they’d done by summoning a baby Ancient. “So that happened.” Flash commented. “Are we still planning for doomsday?” 

“We’ll see…” Constantine muttered. “Though if that kid gets hurt, might be bad for the universe.” 

“Not what we wanted to hear, John.” Wonder Woman said, looking out the window. Nothing looked unusual to her. 

~

In an hour's time, Phantom returned just as distracted as he’d been when he’d left. He remained seated in the air as he held what looked like a cracked marble in his hands. It was surrounded by a mist, and inside sparked with many different colors. 

Phantom seemed to be sealing the crack, a smile on his face. 

Batman was the one to approach, and if he was anxious it was hard to tell. “Phantom.” He greeted cautiously. “You’re back.”

“Uh huh.” Phantom said, eyes glittering happily at the marble. “I got rid of your problem. Earth is safe.” 

“Got…rid of.” Batman repeated slowly, a tinge of disbelief in his voice. 

“So we’re good?” Flash asked. “Good work, kid.” 

“Yeah, he deserved it.” Phantom said, finally cradling the smooth marble in his palm. 

Constantine was still smoking, but his eyes were narrowed. “Do i wanna know what you’re doin’?”

Phantom beamed. “I got my planet back! It was a little broken but i fixed it.” 

“Your planet?” Green Lantern repeated, adrenaline hitting him. “The destroyed planet!?” 

“Yep.” Phantom looked pleased with himself. “Now i just gotta set it back in time eight days to get everyone back on track and i can put it back where it belongs.” 

“Put it…back.” Batman seemed to have trouble with the skill set of one teenager.” 

It was Superman who slid closer with a disarmingly charming smile. “May i ask what kind of Ancient you are. I admit i don’t know much about them.” 

Phantom perked up. “I’m the Ancient of Space!” He ignored Constantine’s groan from across the room. “I’m really glad you guys called me about this! It would have taken me a while to find a planet destroyed out of the natural timeline.” 

“And you have time abilities?” Wonder Woman asked softly. Time and Space was a heady combination. 

“Nope! But Clockwork does.” Phantom said. “He’ll do it for me.” 

“Will he?” The Flash stared. 

Phantom didn’t seem to notice the incredulous looks. As far as he was concerned, everyone was simply taking his explanations in stride. Tilting his head back his eyes shimmered with power. “Clockwork!” he called, voice reverberating oddly. No one missed Zatanna paling or Constantine cursing. No one had time to ask either before a tear appeared just to the right of Phantom. It split the very air apart in a green haze before a portal opened and a man floated out. Wrapped in a purple cloak, the man floated like Phantom did but had a ghostly tail instead of legs and off putting red eyes. 

He had a staff donned with clock gears and mechanisms that ticked in an unsettling way. No one needed an explanation, which was good because Constantine wasn’t going to give one. 

This was the Ancient of Time. They had two Ancients in the Watch Tower. 

Phantom didn’t seem bothered and held out his marble with a smile. “Fix!” he asked cheerfully. 

Clockwork turned from what appeared to be an adult man to an elderly man in the blink of an eye. “You know time is sensitive, Phantom. Not everything can be changed on a whim." 

Phantom’s smile lessened. He looked back and forth from Clockwork to the marble and back to Clockwork again. “I’ll cry. Swear to the Ancients, i’ll start crying.” 

The elderly Clockwork shifted back into the form of a young man. “Do you think tears will alter the timeline?” 

Batman smiled, almost. He knew a mischievous teen trying to get his way when he saw one. That theory proved correct when Phantom honestly did begin to sniffle, eyes becoming damp. 

“An asshole destroyed a piece of me.” Phantom said, lips wobbling. “I felt it. I didn’t feel good.” 

Clockwork’s form shifted again, this time into the form of a young child. He heaved a sigh, “If you start weeping you’ll summon the others.” 

Phantom nearly whimpered, holding out the marble still. Every member of the Justice League watched with bated breath. 

Clockwork crossed his arms. “How far back do you want it?” 

“Yay!” Phantom beamed immediately, impressing upon how young he must have been. “Eight days! Actually, maybe nine. That might be better for them. I’m sure the…Green Lantern…people… can explain that they lost little more than a week in order to be brought back. That’ll be fine, right?” 

Green Lantern was too stunned by the question to answer but it was fine since it seemed to be rhetorical coming from the young Ancient. 

Clockwork turned back into an adult and held his staff out over the marble Phantom held. There was no discernible change other than the hands on the staff’s clock face moving. Phantom was nearly bouncing in place which was interesting to see considering his feet weren’t on the floor. 

“Thank you, Clockwork!” Phantom said, looking delighted and completely missing the way Clockwork just sighed fondly. 

“Hurry along home before the yeti’s start to look for you.” Clockwork said in a fairly familiar tone. 

“Yes, yes.” Phantom said distractedly, tossing the marble up in the air where it disappeared. He tugged at his black suit right over his ribs and did the same invisibility trick again. He shifted twice until he found the patch of skin that held the group of freckles he wanted. 

No one was close enough to see for themselves, but Phantom crowed happily. “Good! It’s back where it’s supposed to be!” 

“It’s back?” Batman asked, a hint in his voice saying he had a hundred more questions. 

“Yep.” Phantom said. “It’s really annoying to me when someone destroys one of my stars or planets before their natural life cycles have worn out.” 

“Is that a map of the galaxy on your skin?” Wonder Woman asked, charmed by the constellation of freckles across his nose and under his pointed ears. 

“No.” Phantom said. “It’s a map of every universe on my skin. They overlap so sometimes i gotta hunt for the one i want a little.” 

“Every…” Superman sounded like he had the wind knocked out of him. 

“Come, Your Majesty.” Clockwork said, opening a shockingly green portal with his staff. “You’ve had your fun.” 

“Okay, okay.” Phantom mumbled. 

“Majesty?” Zatanna whispered, confusion coloring her tone. 

Phantom whipped back around to look at her with a sheepish grin. “Ah, yeah. I’m the King of the infinite Realm. Let me know if anyone else messes with one of my planets! Bye now.” 

The Ancients departed and Constantine started wheezing. 

“I take it no one knew the baby Ancient was a king?” Flash asked, a very startled silence taking over the Watch Tower. 

~~

I know i originally said that the planet had been destroyed but that somehow turned into it being eaten or absorbed or something so Danny got it back. 

I really just wanted Danny to find a missing planet on his skin and freaking out over it. 

Feel free to take this idea, though i’m sure something like it exists already. ^__^

Master List

[notmeowse]

That AMA marks the end of Dragon Age.

In my opinion.

I'll start by saying that I have played all 3 of the previous games repeatedly, I've loved the series for 15 years, more than half my life. These games inspired me to become a writer and they've shaped a lot of my tastes and interests in shows and writing -- to say they were formative is kind of an understatement. Don't want to go on and on about how much I loved them, that's not the point here.

I didn't care for Veilguard for pretty much all of the reasons people have already discussed at length on Reddit and Tumblr. The writing is comprehensively bad, the romances are easily the worst Bioware has written by pure virtue of having the most cookie-cutter pacing and shallow characterization I've seen across their games, the lore has been shafted in every direction, and the nuanced storytelling and roleplay I came to expect from the series has been taken out back and shot in the head.

All, apparently, in the name of a "clean slate". It seems to me that, rather than familiarizing himself with the existing lore of the game he took the creative reins on, Epler clearly had a vision for Dragon Age (or perhaps a different IP entirely) in his head that he decided to transplant into the game (and possibly Trick? But they've said so little beyond defending their work that I can hardly theorize what direction they were coming from). That being a sanitized, wildly self-contradicting, morally absolute shitshow focused on distancing itself from the previous games as much as possible. Now, I know it's unrealistic to blame one person entirely, and I don't blame him entirely. Corinne was there. Trick was there.

But if it wasn't already evident from the numerous interviews Epler's given on the game as well as his participation in the Q&A's (while the actual lead writer of the game has been completely absent in not just the marketing, but in most fan-related interaction pre and post-launch outside of BSKY), this AMA seems to have confirmed, more than anything else, that Epler doesn't understand the game nor does he understand its audience. Neither does Corinne Busche, who despite being Game Director for only the last two years of development, has been answering lore questions a) like she has any fucking clue and b) like she thinks Dragon Age is a cozy-gamer IP, meant to appeal to people that want uplifting stories with uncontroversial characters, morally upright heroes, and unquestionably evil villains.

So as of today's AMA, I think I've finally had enough. We're just outright retconning the lore in Reddit AMA's now, I guess. Among other things. I'll provide a few examples, just so we're all on the same page.

This was part of Epler's response to why Solas didn't have his cult following in the game (insert "We Kind of Forgot" meme here):

Solas' experience leading the rebellion against the Evanuris turned him against the idea of being a leader. You see it in the memories - the entire experience of being in charge ate at him and, ultimately, convinced him he needed to do this on his own. And his own motivations were very different from the motivations of those who wanted to follow him - he had no real regard for their lives or their goals. So at some point between Trespasser and DATV, he severed that connection with his 'followers' and went back to being a lone wolf.

The fact that this (the not caring bit) directly contradicts the writing in the actual game is absolutely INSANE to me, moreso than the lack of Solas's spy network (which he apparently carried with him for 10 years only to conveniently drop right before the ritual? Because he clearly had them research Rook?). But in regards to the not caring -- here's a line from Solas's memory of killing Mythal in Veilguard, which. I'll get to Mythal in a minute:

Why should I not tear down the Veil, and bring back immortality to all the elven people? They deserve it!

Which is it? Does Solas care about the people he's saving (the venn diagram of people he's saving vs. the people following him is surely a circle, i.e. elves) or not? Does he even care about the spirits trapped behind the Veil anymore or is it just convenient to abandon them and have him only care about elves, now? What happened to saving The People? What happened to him not identifying as an elf in his conversations with a Dalish Inquisitor? And what the absolute fuck happened to him wanting to bring back the magical marvels (that the ancient elves did in fact achieve) that were greater than anything we see in Thedas today? Here's what Epler has to say about elven magic, now:

I do agree that the elves have had their place in the sun at this point. [...] The thing about the Evanuris is that, ultimately, they were able to take a very specific type of magic and shape it into doing what they wanted. But even their understanding of magic was only skin deep [...] Even the magic that Tevinter wields, the magic of the Southern mages, is different from what the Evanuris used. The magic of the Evanuris is powerful but it's sterile, and it's constrained. So while the Evanuris have made magic work in a way that's more predictable and understandable, it's not the only kind of magic out there, and even then, I'd say they understood it at a very surface level. People were confidently describing how the natural world worked back in the 16th century. Very few of them were right.

First of all, Tevinter has been stated in previous games to have clumsily adapted ancient elven magic for their own, but they did adapt it. To the point where even Solas is surprised that Corypheus achieved effective immortality -- by binding himself to a dragon the same way the Evanuris did. So, cool, more contradicting the lore here. "They understood it at a very surface level" you mean when all of the magic of the Fade wasn't locked behind the Veil? You mean when magic flowed freely through the world? What do you mean, Surface Fucking Level? The entire point of the Dalish elf culture is what they lost; this wasn't the ancient elves thinking the sun revolved around the earth, the Veil was their fucking Library of Alexandria burning. Oh my god. I still cannot believe he said this.

And how have the elves had their day in the sun? I'm sorry, was Arlathan not given to... the Veil Jumpers? Instead of the Dalish? What happened to all the Dalish clans in the south, who had no infrastructure when the world was apparently blighted to hell? I guess they're just gone now! They've had their day! The story of the Dalish and the Evanuris is over (also confirmed in this AMA), and it apparently ends with the final snuff of the candle that is their culture. Congratulations, Chantry, you've won! Only took two genocides and a double blight, but we're done with the Dalish now! We get your mind-numbingly superficial factions instead!

What happened to Mythal, by the way? What happened to "She was betrayed as I was betrayed, as the world was betrayed! Mythal clawed and crawled her way through the ages to me, and I will see her avenged!" What happened to the reckoning that will shake the very heavens? John's answer to this:

People grow and change over time. Mythal's essence - and in particular, the fragment of her spirit that Morrigan carries, that she got from Flemeth - is not the same Mythal who he knew millennia ago. Centuries of living in this world and being around the kinds of people Flemeth found herself around - the Hero of Ferelden, Hawke, the Inquisitor - changed her views, and made her realize her own culpability in turning Solas into the kind of person he is now.

Oh, right, okay. So she was pissed for like a thousand years, got her big speech about the impending "reckoning" out 10 years ago, and then she just chilled out because the last 3 heroes were neat people. What a fucking joke. And yes, here is the confirmation that the Evanuris story is over --

The story of the Evanuris is done - the gods are dead (or imprisoned) and Thedas is in a state of flux and uncertainty. I imagine that whatever happens next is going to be a surprise to everyone, including the people of Thedas."

So I guess Mythal's reckoning is never coming. One of the most fascinating characters in the series, shrouded in mystery for those first 3 games, PROMISING US a blaze of glory, only to fizzle out in this one. Again, and I can't emphasize this enough, for Epler's clean fucking slate. And we've not just tied up her story, but also the Veil and the Blight:

When Solas bound himself (or, depending on your ending, was forcibly bound) to the Veil, it severed the connection that the Blight had to the waking world. The reality is that the Veil has been leaking ever since the Magisters first entered the Black City, and the dreams of the Titans gave it its terrible and awesome power. Now that the Veil is fully repaired, the Blight lacks that motive force, and being so close to the epicenter of that change has stripped the Blight in Minrathous of its vitality. It's calcified now - dead - and Bellara/Neve no longer suffer its effects. If they'd been anywhere else, further from that epicenter, it would've likely been different and they still would be looking for a cure.

So the Veil is permanently fixed now because our half-dead Dread Wolf bound himself to it (a decision I still don't understand) and that somehow fixed every single hole ever poked in it. Fully repaired. No more holes, no more "Veil is thin here" because tons of people died in the same spot, nope, we're washing our hands and leaving it (and the spirits) behind us because we've wrapped up both the series-long Veil storyline and the blight storyline in a big red bow.

And Epler tells us Solas not only bound himself to the Veil but fixed it entirely in one fell swoop, no ritual required, just a little slice to the hand. Again, all in the name of a clean slate, so any future installments or media centered around Thedas can turn away from this story.

Then there's this. What we can expect from future installments, I freaking guess. The aforementioned roleplay getting taken out back and shot:

Q: "What lead you to the decision to step away from active conversations with the companions as in previous Bioware games, where you can initiate them at any moment and ask exhaustive questions?"

John: "For us, because of tech limitations, it became a choice between exhaustive investigate conversations, or letting the companions move more freely around the Lighthouse. With the kind of experience we were going for, one where seeing the team grow around you is paramount, we felt that seeing them interact in common spaces (and in each other's rooms) made more sense."

Literally confirmed that they chose companions moving freely about the cabin over ... interacting with them outside the handful of cutscenes we got. Who in their right mind would think this was a good call in a Dragon Age game? A series that quite literally prides itself on complex character interactions and storytelling? So they could... sit in different places? Are you kidding me?

They don't see an issue with the game's reception. They don't have any interest in addressing or responding to criticism. They're either happy with their choices or EA's got a gun pointed at their heads, I'm honestly not sure anymore. I used to believe the latter was true, but looking at both Epler's and Busche's responses today, I'm inclined to believe the former.

So I think that's it for the series. Not that I thought it was going to get another game after this, but on the absolute off chance it did, what would be the point? The best stories were ruined. Anything left they have to tell is going to read a lot like Veilguard -- superficial, morally absolute, flagrantly disrespectful to the lore, and delivered in a very poorly written package.

[hiraethwrote]

best friend!satoru who you’ve known for years, a fact he is very proud of. he loves how he is the privileged one to have known you the longest. he often mentions small quirks you have just to subtly brag that he isn’t just the one who has known you the longest, but he also knows you the best.

and when people ask how long you’ve been friends for, because you just flow so well together, he grows giddy when you huff in thought before eventually answering “oh, i don’t know, feels like forever sometimes.”

best friend!satoru who was your first kiss — but not because there was a natural development. you just wanted to get it over with, as all of your peers had already had theirs.

he was so absolutely baffled by your innocent request, ogling you with big eyes as you stood in front of him with a grumpy frown, arms knitted in front of you and your foot tapping anxiously. “don’t look at me like that! if you don’t want to, just say so!” you had growled at him, only for him to laugh in your face.

it only infuriated you more. you continued to yell at him, telling him to stop teasing you — but your rant was abruptly cut short when he simply pulled you close to connect your lips, his hand graciously cupping your jaw.

when you eventually pull away, you simply smile and thank him sweetly, turning around to go on with your day as if nothing had happened — you just wanted your first kiss to be over after all. satoru, on the other hand, is left nearly breathless as he suddenly develops the lamest crush on you.

best friend!satoru who is always mistaken for your boyfriend due to his blatant disregard for personal space.

if the question is brought to light when you’re around, you’ll simply laugh and decline saying “we’re just friends” — it’s a different case when he’s asked and you’re not around.

he’ll never directly confirm their suspicions — but he won’t deny them either. no, he’ll only let his face be consumed by the smuggest grin known to mankind, shrug with mischievous intent, leaving people to believe that the answer is yes.

best friend!satoru who introduces you to suguru, excited for his two best friends to meet, certain the you will hit it off right of the bat.

best friend!satoru who desperately tries to ignore the palpable tension that is between you and his raven haired friend. it was very evident from the moment you locked eyes that something were to blossom eventually.

however, satoru truly believes that the tension will cease to exist if he just pretends it isn’t there at all. he is sorely mistaken when it only takes three months for you and suguru to become official.

best friend!satoru who becomes uncharacteristically quiet whenever the three of you hang out together. he can’t help it, shooting jealous glances towards your intertwined fingers before having to try and pretend like nothing bothers him.

both you and suguru try to talk to him when you have him under four eyes, but he will always put on such a genuine smile when he tells you that there’s nothing to worry about.

best friend!satoru who has never been a person to ever live with regret — but now he truly regrets never shooting his shot with you.

in one way, before you started dating suguru, he had felt as if you were already his. not in a possessive way, just in the way that you were so deeply ingrained in each other already.

the relation he has to you is the most genuine in his life, and he took it for granted that you wouldn’t only be for him.

best friend!satoru who can’t help but be upset whenever suguru does something slightly wrong.

he has no real reason to be bothered, because it’s never anything major — and more importantly, you seem more than satisfied by suguru’s gestures.

but if satoru overhears suguru order dinner for the two of you, he can’t help but grimace at how your boyfriend always forget how you like your meat cooked. or when he goes to buy you jewlery for the first time, and satoru is annoyed about the fact that he buys the wrong material — how can he not have noticed?

but he always holds his tongue, never commenting on it to you or to suguru — until he slips up.

best friend!satoru who is casually hanging out at your place one saturday evening. he is desperately trying to cheer you up, as it’s your six month anniversary with suguru but he had to be out of town.

suddenly the doorbell rings. not long after you return with a huge smile on your face. and in your hands, the most beautiful bouquet of roses.

and even though you look happy enough, there’s only one thought that goes through satoru’s mind: “but peonies are your favourite.” he doesn’t mean to say it out loud. he doesn’t realise he has until he notices the glare of bewilderment you give him, trying to find the right words to say in the situation.

it’s not until his tiny comment you start to notice just how much satoru knows about you, stuff that suguru should know.

best friend!satoru who is constantly caught in the middle by the increasing amounts of petty fights between you and suguru. he gets to hear two sides of the same issue, and always find himself leaning in favour of you.

he tries to comfort you, like he has done for so many years, reassure you that you’re not crazy for feeling this way — and he always ends your venting sessions with “i really hate to see you like this, you know.”

best friend!satoru who witness how you always resolve things with suguru, learning from the situation. and he quietly hates himself for it wishing you weren’t able to talk things through.

best friend!satoru who constantly lives in with the naive hope that one day you will realise that suguru just isn’t right for you — that he is the one who knows you through and through, and therefore the only one who would be able to give you exactly what you deserve.

©hiraethwrote 2024 . all rights reserved. reposting, translating and otherwise plagarisim is prohibited

[misstycloud]

Yandere arranged fiancé x reader

You’re the sole daughter of the famous (l/n) family; big corporations, monopolisation and seemingly endless wealth are all words associated with your family. You have lived well your entire life and will for the rest of it, too. You have never been denied of anything, whether it be new clothes, makeup or whatever new hobby had caught your interest at the moment- except for the chance to take over the business after your father.

Unfortunately, despite how loving your family could be, they still held on to old traditions and ideas. One of which was that the large portion of the inheritance should go to the son. No matter how hard you try or how much you plead, you will never inherit the companies.

Your family doesn’t understand. They believe you should be content with your position- of course you know you’re incredibly privileged, but you hoped do be able to contribute to something instead of just sitting around forever. It made things meaningless. Did you only exist to become someone’s wife?

You barely remembered the first time you met him. You were around seven and he was ten. Despite your foggy recollection of what you two did that day, you did recall the expression on his face; emptiness and indifference. It was the day before that you heard the word fiancé for the first time. You didn’t know what it really meant, but thanks to your parents guidance, you understood it meant you two are going to be together for the rest of your lives.

Your parents had a couple whom they’ve been close friends for a long time, and it just so happened they had a son a little over your age. They were rich, just like you. So why not marry you two when you got older?

The first impression you had of him was of the oddnes he carried with him. He never smiled, never cried and barely spoke. He only lest he’d you with that blank look on his face. At least he played with you. Well, it depends on if it could be called playing, considering it was you dragging him around and demanding he humour you. Looking back at it, you feel bad for him having to endure the torture of a child’s endless energy. However, he didn’t complain at all and kept passing the ball after you continued sending it his way.

Whatever ‘I’m happy so I’m gonna make you happy with my happiness’- magic you had in your youth did eventually rub off on him. The change was evident in more ways in one. He started smiling- albeit they were small- and even gave the occasional chuckle. After that you became friends for real and it wasn’t forced as it’d felt in the beginning. This positive shift served as a strong motivator for both your parents’ willingness to have you wed. You supposed you would be rather devastated as well if your one and only child had come out with the emotional constipation your fiancé had, so you understood their encouragement. They treated you like some miracle cure.

You were content with your life and arrangement for years. That was until you got older and began actually thinking about your situation in detail. Your ambitions and needs also grew and you found yourself wishing to work to make your family greater; to put down the sweat and blood your ancestors had to give you the life you had now. But it was simply a dream, one that wouldn’t come true. You would never forget the confused- almost mocking-disbelief your mother and father showed you when you asked to inherit the company.

“Sweetie, why’d you ever be interested in such things?” Your mother asked. “Simply relax and enjoy the life you have now- the life your husband will continue to provide for you.”

You looked towards your father, hoping he would support you in any shape or form but he nodded in agreement with your mother.

“She’s right, dear.”

He was never a man of many words, however you a single sentence you knew the topic was done with.

While you had no doubt they loved you, they certainly didn’t understand you either. They couldn’t fathom why you weren’t content with your life and didn’t wish for your partner to take care of everything.

You spiraled afterwards. You could have everything and nothing at once. It was a strange feeling and it left you feeling angry. And that anger had to be directed at something: your fiancé. You began thinking he was the source of your misfortune. Because of him you would lose your freedom and have to live by his restrictions and rules for the rest of your life. Once you turn (y/o) you’ll have to marry him no matter your opinion. You would solely be his.

There was still time before your wedding and you’d be damned if you couldn’t live how you wanted until then. In an attempt of rebellion you moved out of your family’s estate and into an apartment of your own. (They agreed because they thought you desired to spend some alone time with your fiancé without them being near) You also stopped responding to his calls; he’d been calling every week to get updates on how things were going. You simply put your phone on silent mode whenever his name popped up. After the fifth time of calling, you blocked his number in great annoyance. Why couldn’t he just leave you be? You’re not ten anymore, you don’t have to talk every second of the day, ugh.

After a couple weeks with your new living conditions, another thought hit you. If you were going to be tied down to one man forever, why not meet as many as you can right now? And so you started going out more, inviting your friends to go clubbing and perhaps find someone interesting. More weeks followed, with a new guy in your apartment every month. Some stayed for the night only, while some preferred to stay a little longer. However, they all left as quickly as they’d come when you’d mention your engagement. Either they didn’t want to get tangled up in some lovers drama or they’d cuss you out for being a cheater. Were you one? Whatever, you thought, it doesn’t count if you don’t love each other- which you didn’t.

But one day, completely unforeseen by you, he swung by your new apartment. He’d been worried about you. Almost three months had gone by without a single word from you. He believed you might’ve gotten in an accident. Suddenly, you felt ashamed. It was strange, you hadn’t felt anything like it earlier. But now you did. You realised that your sweet, innocent fiancé wasn’t the root of your problems. You need to stop directing your anger at the wrong person. You explained everything, about how you felt and why you ignored him for so long.

You profusely apologised to him a million times when he found out about the others you’d been spending time with. You would never forget the look on his face that day when he found out. It was cold- colder than you’d ever seen him. Of course, he was like that to most, but never to you. In the end, he chose to forgive you. He told you that he understood and that it was fine; you weren’t wed yet and it was natural that you wanted to explore. You swore that you’d stop and make it up to him, while he said it wasn’t necessary, you hadn’t actually done anything wrong. You also swore that you’d be loyal to him and that you’d never do anything behind his back when you’re legally married. Thankfully, he appeared to believe you.

However, you wished you could’ve foreseen what would happen next. Nowhere in your mind, did you think you’d find yourself in your luxurious bathroom, staring at the two red lines of a pregnancy test. Eapecially when your fiancé didn’t have a part in it.

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

[demilypyro]

Ok so hear me out cause I know it's ridiculous but I deep dived on this and it all checks out.

This probably isn't anything more than "implied" status but yes after someone told me about it I looked into it and I'm pretty confident that Rabbid Peach is indeed supposed to be transfem. The major evidence comes from the official Rabbids instagram account. a lot of the old posts are gone but have been preserved as screenshots.

Before the first game with Rabbid Peach in it, the Rabbids instagram account was run by a random generic rabbid, seen in selfies below. This character regularly posted selfies and life updates. As this is one of the indistinguishable rabbids, we can't be entirely sure that they're all the same character, but some of the posts reference eachother, which does seem to imply a single consistent rabbid using this account.

What's interesting here is that the longer the account existed, the more often this rabbid was depicted wearing feminine accessories. In the very first image (left) they appear quite masculine, but as the account went on you started seeing more and more dresses and necklaces. In this second image they refer to themselves as "Queen Bwaaah" only a month before the announcement of Mario + Rabbids Kingdom Battle.

After Mario + Rabbids Kingdom Battle is announced, the account was rebranded to be Rabbid Peach's personal account. Now, every single post is by Rabbid Peach. Rabbid Peach is characterized as being rather vain and taking a lot of selfies, so the posting style is exactly the same as that of "Queen Bwaaah."

Ok but this could still be a coincidence right? Here's the smoking gun. In a post by "Queen Bwaaah" from before the rebrand, we see this rubber duck with a spiked collar. It's kind of random but it's pretty unique right? Well 6 months later, in a post by Rabbid Peach, another rubber duck with a spiked collar appears. This is pretty definitive proof to me that "Queen Bwaaah" and Rabbid Peach are the exact same rabbid.

To summarize: this random generic (male/genderless?) rabbid who was running the rabbids' social media was publicly experimenting with femininity, then became Rabbid Peach due to the events of Kingdom Battle, and has since kept running the account, now permanently presenting as female. Rabbid Peach is transfem thanks for coming to my ted talk what the fuck are they cooking over there

[flwrkid14]

Tim Drake Does Not Believe in Ghosts

Which is a problem because his boyfriend is a ghost. Or, at least, that’s what Danny keeps trying to explain to him.

Tim isn’t dismissive—he’s fascinated by Danny’s abilities and origin story. But ghosts as in “the dead-but-not-gone spirits of human beings”? That just doesn’t register for him. Tim has met aliens, time travelers, and gods alike, but actual ghosts feel like a line too far for his rational mind.

“It’s probably a dimensional thing,” Tim muses one night while calibrating a piece of ectoplasm-sensitive tech. “You’re a type of interdimensional entity made of ectoplasmic energy, and your world calls them ghosts because it’s a good linguistic match. Makes sense.”

Danny stares at him from his spot on the couch, one eyebrow twitching. “Tim, I’m literally dead.”

Tim pauses, turning his chair to face Danny. “Okay, but… not really, right? Because you’re still here. Like, functioning. Alive-ish. It's more likely that the portal exposure altered your molecular structure and tethered your consciousness to an ectoplasmic state. That doesn’t make you a ghost, Danny. It makes you… a transdimensional being, maybe?”

Danny sighs, sitting up and dragging his hands through his hair. “Tim, I died. My heart stopped. My body turned into ectoplasm. And now I’m stuck between being alive and… not.”

Tim’s expression softens as he sets the equipment down. “I’m not trying to invalidate what happened to you, Danny,” he says gently. “I just think you’re reshaping what it means to exist. ‘Ghost’ feels like the wrong word for someone as... tangible as you. You’re not some lingering spirit—you’re real. You’re you.”

Danny blinks at him, caught off guard. “Well... that’s kinda sweet, but it’s also wrong. I’m literally the definition of a ghost. I haunt places. I make ghost noises.”

“Sure, Danny,” Tim says, with a small, indulgent smile that sends Danny spiraling between affection and frustration. He reaches over to squeeze Danny’s knee. “You’re definitely a ghost.”

Danny groans, flopping back onto the couch. “You’re impossible.”

“I’m practical,” Tim corrects, leaning back in his chair.

“No, you’re dense.”

It’s not like Danny hasn’t tried to convince him. He’s gone intangible mid-conversation, flown through walls, and even pulled out his ghostly wail—though he only did that because Bruce was safely out of earshot. None of it works. Tim just treats it all like a fascinating science experiment instead of proof that Danny is, in fact, dead.

“Tim, what will it take for you to admit that ghosts are real?” Danny grumbles, covering his face with a pillow.

Tim hums, thoughtful. “I don’t know. Hard evidence? Like a case study? Maybe letting me run some tests?”

Danny lifts the pillow just enough to glare at him. “You are the case study!”

Tim gives him an easy smile. “Exactly. And the results are inconclusive.”

He’s still annoyed, but… well, maybe having a boyfriend who insists on understanding everything isn’t the worst thing in the world.

At least Tim cares enough to try. Even if he’s completely, utterly wrong.

[livinghalfway]

Younger Years

Summary: Damian gets temp de-aged to 6yrs old; cue him asking where his twin is. This is how everyone finds out about Danny's existence Word Count: 1541

No one was prepared for the event that occurred a mere hours ago. Nightwing and Robin had been investigating an unknown target that had recently been causing trouble near the docks. There wasn't supposed to be an altercation, but when the person of interest showed up they weren't going to just let him walk away. 

This target had a trick up his sleeve though; literally. The moment he was cornered by the two vigilantes he had thrown a magical blast at Robin that managed to hit him square in the chest. By the time Nightwing had reached his side it was already too late and the magician had used that as his way to sneak away. 

“Robin?” Nightwing's voice is hesitant and soft as he peers down at the very small passed out child that lays in a pile of clothes. “Oh no.” 

As soon as the now tiny Damian is into his arms he’s rushing back to the cave. “Oracle, Robin and I ran into some trouble during our investigation. Alert Batman that he needs to get back to the cave as soon as he can.” 

“What’s happening? Do I need to get Dr. Leslie to the cave as well?” 

“No, not yet at least; neither of us is injured. We’ll need to contact Zatanna or Constantine though. It seems Robin got hit with some kind of de-aging spell.” 

The line on the other end was silent for a few moments before a soft snickering sound filled the comm line. “... I’m contacting everyone. How young would you say he is?”

“If I had to take a guess I’d say he’s 6 maybe 7.” Nightwing says as he glances down at the sleeping boy in his arms. He is taking so many photos as soon as he’s back in the cave Dick promises to himself. 

"So we have a baby assassin who's still deep in the LoA mindset. Is he awake right now? I can't imagine you'd be talking this calmly if you were trying to settle a Damian who  doesn't know you and seemingly woke up in a new location."

"He's asleep right now." He couldn't help but let out an exhausted sigh knowing that it wasn't going to be a fun time when Damian eventually wakes up, "As long as Robin doesn’t kill or hurt anyone by the end of this I'll count it as a personal win." 

"That'll count as a win for all of us." She hums, "Everyone available tonight has responded and should be waiting for your arrival. Good luck."

With that sign off the comm link went silent. He looks down at Damian's sleeping face once more and can't help but can't help to mourn the fact that this is the youngest he's ever seen his baby brother. He loves Damian at his normal age of 14 years old, but he also knows that he's going to enjoy having him this young as much as he can. 

It only took a few minutes after that to finally reach the cave. Dick took note of Bruce, Alfred, Tim, Jason, and Duke who were also in the cave, but ignored them for the moment in favor of rushing Damian to a med bay bed to lie him down. 

Before Dick can even fully settle Damian down he feels the familiar looming presence of Bruce standing behind him. "I hope you have a camera with you; I want to fill a photo album before this whole thing is done."

"We need to confirm that this is actually Damian first." Bruce reaches out, running a hand through the child's hair before gently plucking a couple hairs and turning away back to the computer. 

With Bruce occupied on the other side of the cave Jason, Tim, and Duke all shuffle in around the bed. Predictably, Tim does have a camera at the ready and immediately snaps a picture of Damian as soon as he's in the room. "I'm never letting him forget about this." 

"Just make sure you send me all your photos of this before trying to blackmail him to do anything with them." Dick is quick to say; he's getting his photo album one way or another. Knowing Damian he's going to try and destroy all evidence of this occurring. 

It is then that Alfred walks into the room as well, "Before we continue with the photos I insist we dress Master Damian in clothes that will more properly fit than the ones currently wrapped around him." 

After that was said Alfred gestured for all the boys out of the med bay room while he got Damian dressed in what must be some of Damian's smallest clothes that the older man was able to find. While waiting to be allowed back in the room a ping sounds out from behind them. It seems the DNA test is complete. 

"Well B, is it a boy, or are you still paranoid that the demon brat in there isn't actually Damian?" Jason questions as he walks forward and snatches the report. "Let's see! Yup, the boy is Damian alright; Bruce was being paranoid for no reason as usual." 

"How funny would it be though if the spell did just replace Damian with a 6 year old look alike though?" Duke grins as he takes a look at the report as well.

"… You think there's a spell that does that?" Jason looks far too interested in knowing that answer if the smirk on his face was anything to go by.

"We could ask-"

"You will not be asking anyone that question." Bruce quickly interrupts that conversation from continuing. If Dick had to guess though he'd say that it wasn't over based on the look Jason and Duke share with one another.  "I've already contacted Zatanna, and she's on the way now to assess the situation; nothing more." 

Tim scoffs and gives an exaggerated eye roll, "Oh, might as well let them ask otherwise-."

It was just then the zeta tube pinged and Zatanna was then standing in the Batcave with them. At the same time Alfred also exits the med bay room. "Well Batman, I'm sure you don't want me to be here more than necessary so let's go ahead and take a look at the little Robin." 

"Hm." 

With nothing else said Bruce turns and walks to where Damian is sleeping; Zatanna follows silently behind him. Dick and the others follow as well, not wanting to not hear what she has to say about Damian's situation. 

Everyone watches silently as she examines Damian, saying a few magic words before addressing Bruce.  "Well the good news is that this isn't permanent. The binding magic surrounding him is pretty weak."

"And the bad news?" Dick is immediately asking.

"The bad news is that this isn't something I can just undo right here right now. De-aging magic is always complicated, and the less risks we take the better." Zatanna tells him, "Which means you're just going to have to wait this out. It looks like it'll only last a couple of days." 

Perfect! Dick can't help, but think that is a perfect amount of time. He can definitely get a photo album of the amount of pictures in that time, and they all get to spend time with Damian as the youngest they've ever seen him! The only thing they need to do is make sure the baby assassin doesn't hurt anyone. 

The group after that naturally filters back into the main area of the cave. Zatanna and Bruce share a couple quiet words before she enters the zeta tube and it is only them in the cave once more. 

"Guess the only thing to do now is to wait for the demon brat to wake up." Jason gleefully exclaims, "I for one am excited to see how B handles the little terror." 

"Should one of us be there when he does wake up?" Duke asks; clearly thinking about the kid possibly waking up and trying to attack them.

Tim immediately shouts out, "Not it!"

"I'll do it," Dick assures Tim, "I still need to write my report anyway. I'll let you all know when he wakes up." 

With no complaints Dick gathers his things, and goes to take a seat next to Damian while he writes up an official report of the events that occurred tonight. As he does he makes sure to look up every few minutes; he's not sure when Damian might wake up, and he wants to be ready when he does. 

After half an hour Dick was just finishing up, and he could still hear his brothers loudly talking about something. It warms his heart to think about the three of them getting along; with that in mind he takes another glance at his littlest brother. Damian is of course glaring at him with the cutest little pout.

Wait.

Damian's awake!

"Hey Damian," he makes sure to speak as gently as he can, "do you feel okay? What's the last thing you remember?" 

Now, Dick expected Damian to attack one of them at some point during this; what he didn't expect was for him to do it immediately to the first person he saw. He probably should have though.

[adragonofthings]

Scam blogs (and how to spot them)

Unfortunately, scams do exist on tumblr. That is why it’s key to always try to search around when someone’s sent you a request for mutual aid. Not every account is trying to scam you and for the most part there is legitimate blogs who need your help. Sadly there are also scammers who pretend to be needing mutual aid as well so here is a simple guide to figuring out scams.

How old is the account? The pinned post usually is a good way to tell if the account contacting you is new or old. If you scroll the posts, you should see if they were made around the same time as the account.

How many posts are on the account? Most blogs will have more than just a few posts here and there. After all, a well used blog has thousands of posts for you to look at.

Are there more original posts? Usually someone needing help will have multiple posts of their own instead of a single post that’s pinned. They will also post updates regularly regarding their situation and answer asks clarifying details when necessary.

What does the link on the pinned post say? If it’s a linktree claiming to be a GoFundMe link, that’s something to be suspicious of because it’s likely not. If the link is an actual GoFundMe link that isn’t a linktree link then that usually means the account is legitimate and may have shared posts verifying who they are if you scroll a little.

Is the ask being mass sent to users? While this is done by legitimate accounts too, it’s unfortunately also commonly done by scammers. If you search the ask you got you may find it was sent to multiple accounts across several months and from several different senders with no changes to the overall text itself. Even the formatting errors are not fixed.

Are there any warnings out for the username? Try searching the senders username to see if anyone’s made a post claiming the account is a scam. There should at least be one post about them. If not, it’s likely that they are too new to have been reported yet.

Are you a well known account? How likely is it someone would find you without searching specific tags or posts for users to contact? Think about it. How often does someone send you asks for money that is a relatively new account with only a few reblogs and only one original post? If it’s almost daily, then you should be wary of the asks.

What do you find if you search part of the pinned post in your preferred search engine? If a fundraiser pops up using the same text and doesn’t mention using another mutual aid method, it’s highly likely the blog sending you the ask is impersonating a real person who needs support.

Does the mutual aid post make sense? Some scammers don’t know how medicine works and may list some that don’t work like claimed. They’ll just use whatever sounds ‘right’ without further research. Someone who needs medication will always know what their medicine does they don’t guess because they’ll usually have a doctors paper they go by.

If you have properly recognized a scammer and have fully been able to confirm that their a scammer with enough evidence, please report scam accounts and alert anyone whose shared the scam post.

[euthymiya]

You believe in soulmates. Alhaitham does not. It’s not as though he loves you any less for his beliefs, but he certainly doesn’t entertain your baseless theories.

You’re determined to change his mind.

“What would you do if we never met?” You ask, staring up at him with your cheek pressed against his chest.

He glances down at you, sighing as he shakes his head. Here we go, he thinks silently. “I probably wouldn’t do anything, considering I wouldn’t know you existed.”

“You wouldn’t be sad?” You frown.

“How can I be sad about something that I don’t know exists?”

“Well, you could know of me,” you insist, “just because you don’t know me doesn’t mean you don’t know I exist.”

“In that case, I probably would not do anything,” he snorts. You don’t like that answer, glaring up at him as he adds, “I wouldn’t know what I’m missing if we never met.”

“You’re a real romantic, has anyone ever told you that?” You grumble. There’s a vibration of his chuckle through his chest, right under your cheek in a soft, rhythmic feeling that you’re so used to, you think it might be familiar from another life.

Over the course of the Akademiya’s years, there have been two prominent theories that have been debunked about soulmates:

1. The law of conservation of mass-energy states that matter and energy cannot be created or destroyed—but only transformed. When a person dies, their body decomposes, breaking down into atoms that return to the earth, air, and water. These atoms then get recycled by nature, eventually becoming part of other living organisms, thus reincarnating from their previous life forms. It is possible, then, that two individuals could fundamentally be linked to reincarnate together from the same set of atoms in every lifetime.

It was later debunked by a scholar named Lamiya. Atoms themselves don’t retain information about where they’ve been or what they’ve been part of. They are interchangeable at a fundamental level, which means there is no difference between an atom in a human and a rock.

2. The heart and brain generate electromagnetic fields that extend outward from the body, with the heart’s field reaching several feet. Studies suggest these fields may be sensed by others nearby, subtly shaping feelings of comfort, attraction, and connection. It is possible that certain individuals’ frequencies may naturally align, creating a sense of harmony between electromagnetic fields, thus indicating that two individuals are naturally connected and could be labeled soulmates.

This theory was later disproven by a scholar named Dharmakirti. While human bodies do generate electromagnetic fields, there is no evidence that these fields influence interpersonal attractions or emotional resonance. Fields produced by the heart and brain are exceptionally weak and rapidly diminish with distance, making it unlikely they could be sensed or create harmony between individuals in measurable ways.

They fascinate you enough that Alhaitham pulls strings to allow you access to the archived files, but it doesn’t go unnoticed by you how he scrunches his nose in distaste as he sifts through them himself.

Soulmates have no plausible evidence of existing, he argues.

Lots of things have no plausible evidence, yet they exist, you always argue back.

You like to think despite all the differences, you and Alhaitham are soulmates—that some form of you, outside of your physical bodies, exists for each other and each other alone.

You think it must be the case when your eyes seem to find his in a crowd without even trying. What are the odds that in a sea of people, they always happen to come across his by chance? And what other explanation would there be for the way he always seems to just know you’re staring at him while he sleeps every morning, waking up not too long after your eyes fall on his face in admiration? And how else would you rationalize the fact that you could tell his presence apart from anyone. You’re certain that if two bodies were standing behind you from a distance, your heart would know which one belonged to him.

Soulmates, you argue. That has to be the answer.

“I think we were always meant to meet,” you murmur quietly, tracing a finger along the pale skin of his chest. “Don’t you?”

“We’ve shared numerous classes together and have offices within within the same hall,” he states blandly, “I think the chances of not meeting would be rather improbable.”

“Or maybe,” you huff, “we were always meant to meet because we’re soulmates.”

“I think that theory has been sufficiently disproven—”

“You never know! We believe in the divine even if we’ve never seen them, haven’t we? Who’s to say Celestia aren’t fake—”

“The Archons have spoken of them multiple times, and The Gods, in fact, do exist for us to see, so I think we can trust—”

“Maybe Celestia decide soulmates,” you reason, raising a pointed brow at him, “how will you disprove that? There’s no evidence that they haven’t, and you can’t collect much evidence about them, so I think it’s safe to say that it’s possible.”

“But then it’s equally as safe to say it’s not possible by that logic, as well,” he says smugly.

“Fine,” you huff, glowering up at him through puffed cheeks, “I guess you’re just too stubborn to convince.”

“I’m not stubborn,” he argues (which he does quite stubbornly, you want to say), “I apply logic and reasoning to my theories. Which is why they are hardly disproven.”

“Do you at least think we’d be soulmates in another world if they did exist?” You ask hopefully.

He looks like he wants to argue about the likelihood of another world existing altogether—it irritates you enough that it pulls a frown on your face before you grumble a quiet forget it, shuffling out of his arms and turning away to face your back at him.

He chuckles, shaking his head. Something fond blooms in his chest, like a fresh padisarah in May.

“If,” he emphasizes as his arms wrap around you from behind, pulling you flush against his chest once more, “if in another world we existed where soulmates were real, then yes. I do think it would be you and I.”

“Really?” You ask quietly.

“Yes,” he whispers. Suddenly, he sounds rather sure about a theory he never even believed in the first place.

“I wonder what we’re doing in that other world,” you hum thoughtfully.

He sighs, bringing the blanket back up to cover both of your bodies and mumbles, “I would hope we’d be sleeping at a reasonable hour before a work day.”

—————

Stay tuned for them being soulmates after all in another world *wink wink* ;)