#well that was cathartic

[marblegroves]

Just saw your sketchbook post and I am amazed at how clean it all looks O_O /pos

So I was wondering, what materials do you use for your traditional drawings (all the stuff from sketch to final piece)?

BOY AM I GLAD YOU ASKED THIS *ahem*

Behold 😌

For the sketchbook pages, I mainly stuck to these materials though ^^ these guys are my…

PRIMARY MATERIALS

The green mechanical pencil on the picture on the left has 0.7mm colored lead in it! I alternate between blue and pink colored leads depending on what fits the overall color of the piece better.

Once I finish up the sketch, I line it with the black pilot ballpoint pen! I really like the control and feel of ballpoint pens for traditional lineart, because it gives a sort of variety in pressure I can’t seem to achieve with normal fineliners. I like to switch up the colors of the lineart too sometimes, hence the pink and red ballpens.

Then once the linearts done, I color them in with the stabilo highlighters, as pictured on the right! These guys are my FAVORITES. Sometimes when I’m just freely sketching I use the grey or peach mini stabilos. Although, they do tend to be a bit runny, ‘cause they’re meant for quick highlights and not multiple strokes over an area ^^; so you do have to be careful and quick when coloring with them to get an even coat of color!

Sometimes, though, when there are other colors or textures I want in a drawing, I use my…

SECONDARY MATERIALS

Pictured above are all my alcohol based markers! The four on the left are neon sharpies for when I need that extra eyestrainy kick. The three promarkers with the pointy cap were from when I was a freshman in uni and wanted to collect a full set of alcohol markers, but these were the only colors they had in stock and the college supply store ✌️ I’ve since given up on that dream because they were really expensive ;; they’re really good for sunny grassy scenes though! The last dark blue marker was from a set of other blue markers, but the others have since dried out… I use it when I really wanna darken up a page, like for night scenes!

This is my prismacolor set! I like to pair these with the markers, going in after the initial layer of color to give a bit of variety or shine. Some examples of when I use them would be for adding blush or giving hair a glossy sheen 👍

These ones are my “fuck it” materials lmao

I use these when I really just wanna scribble something down wildly. I had these since I was in gradeschool and its quite frankly a miracle they still work? Oh, and the red and yellow twistable crayolas are missing because I vaguely remember giving them to some childhood friends for some reason 🤔

My fineliners and gellyrolls! Haven’t used these much recently tbh. I’d used them for class before, but I never really likes how flat the thickness tends to be :/ the brush tips and chisel tips are cool though. I used them for that one yellow bdubs doodle to try and see if my opinion of them has changed ^^ it hasn’t. Moving on…

Lastly, we have the special materials! The ones that don’t really go into any sets, or have nice applications. In order from left to right:

Wink of Stella - A brush pen that applies glitter through some sort of black magic. No idea how she works but I love her

Red Marvy Art Director 1400 - A red fine tip marker. Can’t go wrong with a bright red marker 👍

Golden Posca - My only posca marker. Figured if I should get one it might as well be something special.

Faber Castell Blue Highlighter - I use this alongside the stabilos. It has a really nice deep blue color ^^

And well! That should be everything! ^^ Thanks for giving me an avenue to gush about my materials lmao 🥰

[eldritch-ace]

I too think he deserves a kwagatama

[moggettt]

"If I wanted to take over the station's systems and kill everybody, I'd have done it by now."

[canisalbus]

I've been following you for years, and I love your art. Seeing you repost your older art pieces reminded me how much I loved the angry, bitter, miserable Machete art and how it resonated with me... but a part of me is also so happy to see the current art of him being happy. Cute art of him as a unicorn, or chilling in a bathtub with Vasco. Like, we're all growing and healing :')

[blitzwhore]

Stolitz, and their fear of rejection and sense of worthlessness turning into a self-fulfilled prophecy.

Blitz—

Does anybody love you, Blitzo? / No.

Eventually everyone goes...

Stolas only cares about having a rugged peasant raw-dog him into his mattress. It's nothing... You know. It's nothing else.

I'm going to die alone, aren't I? Just a wrinkly, old, withered waste.

Royal demons don't give a shit about guys like us. They're all the fucking same.

Stolas, don't act like what we have is anything but you wanting me to fuck you. You make that really clear all the time.

But you don't want to do things alone, Blitzo.

I mean, Stolas is just a loud, thirsty bitch who loves feeling the thrill of being dicked by the lower class. It's a novelty to him.

And then he'll call me and try to see how my day was, and he'll pretend to care about me, and comment on my photos, and laugh at my jokes... /Oh well that's definitely your clue right there that it's all bullshit / I know, right?!

It's all my fault. I'd hate me too. I mean, I do hate—

You're going to die alone. You're gonna die alone, Blitzo.

[My worst fear has come true. He couldn't possibly want me. This has to be a joke. He's selfish and an asshole, just like the rest of them. He's trying to get rid of me; that's the only explanation. I'm just a broken toy he's finally gotten bored of, just like I knew would happen. He won't even fight for me, and why would he? I could never be good enough for him. It's happening again. I'm being abandoned by someone I care about. I really am going to die alone.]

Stolas—

Would he want me if he was free? And if he's only here as a prisoner, what kind of monster does that make me?

I mite b bsuy / I wouldn't want to bother you!

You see... I seem to have found myself with, um. Feelings for him. And I'm not sure if it's a mutual thing.

Dearest, I know better now, I must give you this choice.

I'll save us both before we grow cold.

What's between you and I? Just a comfortable lie.

I'm sorry it's a bad time yet again, Blitzy...

He deserves the choice to stay or go.

So I'll grant you this mercy, this bind on our souls needs to end...

Next time you come over, maybe we can talk about what happened at Ozzie's? / Y? / I'm sorry! Nevermind, it's not a big deal.

What's left for me and my broken heart if I cannot have you? Unless it's me, and no matter what in this world I could give, it's not enough to get through the walls you've conjured up to live...

I'll believe him, and not the voice that says I'm not enough.

I'll fucking die alone if this goes bad!

[My worst fear has come true. I truly am not worthy of being loved. He's rejecting me— no, mocking me for even thinking he could ever want to be with me if he didn't need my book. I've been taking advantage of him all this time, all the while believing we had something real and being naive enough to think he could love me back. I am a monster. And now that he can, he has chosen to leave me. So now the least I can do is quietly let him—the only person I have ever wanted and felt alive with—go. I really am going to die alone.]

[izzystizzys]

corrie guard should have gotten mace windu as their supervising jedi. my reasoning behind this? cmdr fox and mace both deserve to canonically say “motherfucker” at least once

[missingn000]

hey all! i wrote a what-if character study & action fic for if king fought sanji instead of zoro during the raid on onigashima. i'd really love if you gave it a read! thanks so much!

link

playlist

happy reading!

[bloomfish]

It's so weird that in angel s5e2 they do a little flashback to Spike's blaze of glory moment in the last episode of Buffy... but they leave out Buffy saying "I love you". It's such a blatant omission, the ONLY omission from that scene, that it feels totally deliberate and kind of dishonest. Considering a lot of the Spike and Angel moments in S5 revolve around their jealousy and rivalry towards each other, and a LOT of that is to do with Buffy like... Why would you leave it out? It's a pretty big moment for Spike's character in general.

As far as I recall they don't even mention it, they just mention the fact that Spike and Buffy have had a lot of sex compared to bangel's ONE disastrous time (that they remember) but it does kind of cheapen it for Spike. A big motivation for him not leaving LA could have been him not wanting to hold Buffy to her words, since he clearly doesn't believe that she loves him (even though she does, as per Whedon). He presumably thinks she only said that to make him feel better in his final moments, because she wouldn't have to actually follow through on her words. Which is sad. But it makes much more sense as a motivation than the weird 'it cheapens my moment of glory' excuse like since when does spike give a shit about that

[caligvlasaqvarivm]

Do you think if the trolls all came back, like everything in the main comic did happen and they were alive again. Do you think Feferi would actually forgive Eridan? Or want to even be his friend after everything? I don't personally like the erisol and fefertasprite interaction…felt rushed…..so I just wanted to know your opinion if things were different! :)

Yeah, I think they would be! Feferi is one of the trolls who takes dying the least badly (relentless optimism) and Eridan does genuinely feel bad, which means a lot when it's Eridan. I think she really is genuine when she says she wants them to be friends and also that she's really not the type of person to hold a grudge, and like... death is SUPER cheap in Homestuck, it's really not the horrific, irredeemable, irreperable damage that it is IRL - and if you're talking about (Feferi) and (Eridan), then they're both dead (and irrelevent) now, so the score is kind of even.

In general, the fandom - I mean, people in general, really - tend to have difficulty divorcing themselves from other people. We tend to assume that the people and characters they like will hold similar opinions to themselves. This is how people who like Karkat and don't like Eridan can mentally gloss over or even block out their clear, close friendship, or how people who dislike Cronus can end up overlooking that Meenah actually takes his opinion seriously and unironically defends his wizard thing. Feferi really isn't mad at Eridan or upset about dying the way we probably would be, because she's friends with the horrorterrors, relentlessly cheerful, comfortable with death in general, and death is also just not really that big of a deal in this setting. "I'm really sorry about that, that was shitty of me" is honestly probably all the apology she needs, especially if they came back to life anyway.

[ghastlyaffairs]

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

[rookflower]

wanting good things to happen to a character you like in terms of catharsis or an overall more satisfying narrative is obviously normal and fine and good but some wc fans seem solely fixated on characters "getting what they deserve" to the extent where it comes across more as either them seeing the characters as real life people with feelings or them just not really liking tragedy. which is fine i guess but like i dont really get it lol

[olasketches]

the thing about me is that… I love seeing yuuji going through so many unimaginable horrors. I love seeing him all bloody and scarred trying to crawl his way out of them cause enduring, gritting his teeth and bearing them is what he does best. every single time he’s on the verge of giving up and succumbing to grief and despair, he just doesn’t. he’s too stubborn, too determined and too burdened with an overwhelming guilt that keeps telling him to keep going and make things right because in the end yuuji doesn't want to regret the way he lived. he wants to survive for long enough to not have regrets. it's that innate ability of his to just endure and fucking survive that makes me love him and appreciate him so damn much.

[beescake]

yea i very much agree with ur take on sollux in his relation to older technology, u get it

please id love if youd share some more of ur analysis on his character (as well as ur art bc that shit is 👌👌👌)

either way, thanks for feeding my brain worms

im glad it resonated!! :') always happy to explore his character, he contains multitudes!!!

i think i may be out of sollux analysis for now, in the sense where i don't have anything new to add that hasn't already been covered in these posts? (please add if there's more...)

why i like sollux (lackadaisicallexicon, 2014)

comprehensive sollux status guide (syblatortue, 2016)

bioware machine (lime-bloods, 2016)

fridgestuck (LaureledEevees, 2017)

mary sue (3d-gla22e2, 2019)

favorite sollux trait (3d-gla22e2, 2020)

doom-bound static (gendertrickster, 2023)

however i will say there's another thing i really like abt him:

his Range!

he has a v flexible face.. even with his neutral expression, you cant help but read a tinge of melancholy/pensiveness to it.

he deters people from getting too comfortable with him by acting crude, but no matter how unapproachable he looks you can't help but wonder if he's ok. seems like he's never content with himself.

just like karkat, anger gives him purpose = something to care about & react to. without it he can appear aimless/uncertain.

it's especially interesting when you compare him to aradia, who despite having endured a lot of shit, ends up enjoying the freedom of expanding her worldview, riding the unpredictable tide of the narrative and observing the changes. sollux... doesn't.

he doesn't like watching major things progress in a way he can't predict. the lack of certainty actually overwhelms him.

and it's pretty clear why; imagine the only reassurance you get after unknowingly killing ur gf is that "it needed to happen". the only way to appease that sort of emotional turmoil is by intellectualizing those events as inevitable and out of your control.

(hs, A6I5)

when you’re just a tool for the author, trying to sit out is just feeble self-preservation until you’re needed again. if you’re not called on stage to help/assist in some way, it feels like your presence spells doom (either you or someone else will get hurt). so you avoid Events as best you can.

[legobiwan]

Post-Weirdmageddon Stan & Ford

Trying to sort out their characters to get a better grasp of what I'm doing for some writing projects and, yes, I'm subjecting you all to it.

Ford makes a big, showy deal about burning his Bill paraphernalia, to the point he comes across as a bit manic the day of the bonfire, engaging in loud, rapid-fire conversation with Mabel and Dipper. Stan has a sneaking suspicion his brother may have palmed one or two items before he and the kids carted the frankly disturbing number of triangle artifacts up from the basement. Later on, Ford makes a production out of both throwing his journals in the Bottomless Pit and shooting Bill’s psycho diary into an interdimensional rift. His brother is every bit as dramatic as Stan is, which is why Stan can’t help but think Ford is using these events to “prove” he’s past the thirty-year obsession he had with a malevolent piece of geometry homework. This instinct is only strengthened by the times Stan caught Ford creeping out from his lab the nights following these events, trailed by the odor of cheap gin. (Stan very much tries not to think about the fact their father drank gin, too).

Stan and Ford approach genuine emotional conversation like two skittish alley cats. Half the time Ford’s emotional response is caught up in cerebral traffic and what he does feel he can’t put a proper label on until days, sometimes weeks (sometimes years) later. Stan has difficulty shedding the Mr. Mystery mask, thirty years of shoving every hurt feeling behind the flick of a cane and a colorful tall tale now so instinctual Stan sometimes feels he can’t separate the two, like he’s lost track of the narrative of his own life. They’ve been able to power through one excruciating session (with the help of an ample amount of bourbon) in regards to the night Stan was kicked out, their watery apologies heartfelt, if a bit slurred. But Stan’s afraid to push his brother too far, still feeling as if he has the Sword of Damocles swaying above him, and that at any point Ford’s going to snap out of his self-imposed sentence of contrition and bring down the blade on Stan’s neck himself.

Because of this, Stan gives himself little landmarks, little goals and dates to hang on to, to convince himself this is all real and that the rug won’t be pulled out from under him. Two weeks without the kids and Ford not kicking him out of the Shack. One month before they’re supposed to leave for the Arctic with them surviving their first real argument. He figures if they can get through three months at sea without Ford kicking him off the boat and leaving for good, there’s a chance Ford’s change of heart might be permanent. He has the date circled in a calendar they have hanging in their shared quarters. Ford’s asked about the importance of it, if there was a birthday or anniversary he was ignorant of, or if perhaps it was one of those new superfluous holidays Mabel has told him about, like National Waffle Day. Stan pretends he can’t remember why he circled the date at all, which, of course, prompts all kinds of intensive questioning from his brother regarding his mental acuity and the memory gun. Stan laughs it off - probably something to do with the taxes I’ve never paid, he says with a long, Cheshire grin. 

Ford refuses to talk about Bill. He doesn’t even attempt plausible deniability when he grabs the steering wheel of the conversation and makes a squealing U-turn worthy of a bank heist escape if they stray too near Bill’s name. The times Stan has tried to initiate conversation, has waded near that radioactive topic, his brother has either outright ignored him or given Stan a look so cold it would probably register as a climate anomaly. It’s easier…and safer for both of them to avoid it. (This won't end well).

This isn’t to say they’re having a bad time prepping for their journey or on the boat. Overall, it’s the most relaxed Stan has felt in years (and best of all, the likelihood of the IRS having a maritime patrol is vanishingly small. Stan can’t help but think - with no small amount of smug satisfaction - that if Capone had taken to the sea, he might not have ended up in the federal clink). And despite the fact his brother can be a pretentious, argumentative, know-it-all pain in the ass, they’re getting along. Having fun. Even if Ford is an absolute cheater when it comes to card games.

[that-disabled-princess]

Even when your loved ones are gone, they never truly leave you. Love is with you, even when the moon is not.

[poliodeuces]

時間がない

doppo should go dancing it will be so good for him.

three years ago i thought "i should draw doppo like this" and didn't start until july 2023 💀 and now finished on december...