#weird people on tiktok has found my art
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sandeewithtwoe · 7 months ago
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I want to
Squish Swap's chubbyness❤️❤️❤️❤️❤️
Thank you, glad you like how I draw him <33
I don’t have time to draw right now but here’s me hugging swap. I hope that’s okayyy (just cast your energy onto me and it’ll be the same thing)
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ventique18 · 10 months ago
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Please refrain from grabbing my art and redistributing them in your accounts, because it appears as if you made them. Reblogs are here for a reason: because they link back to the artist and give them the credit they deserve. Please support us by reblogging our art or sharing by directly giving access to the original posts we make!
Some other personal thoughts:
I'm only uploading my stuff on Tumblr and Reddit because twst is very personal for me. I don't want the stuff I make for this particular fandom to be taken out of context and given new meanings, like what happens when people see them on mainstream platforms like Twitter. It's happened to me on Genshin and other otome games I've made stuff for; with my art being used for music videos on TikTok, my casual intimacy sketches used for horny thirst traps instead of the comfortable romance they're meant to be, dialogues in heartfelt comics are even changed for some reason, and other uses I've never consented to. I've learned to ignore these and accepted them as beyond my control at this point. But for twst, I'd have wanted to be as quiet as possible as it's a piece of my personal life that's most precious to me at the moment.
Since the start of twst en, Tumblr has become a sort of the peaceful home I turn to after a hectic day. Here I can scream about my interests as loudly as I can, without people looking at me weird for it and telling me to act like the proper lady I should be. This place is where my selfish heart is; a place where my problems are nonexistent, where I don't constantly have to divide myself between people who need me; where I don't have to be the reliable sister, the dutiful daughter, the caring lover, the diligent student, or the obedient worker. I'm just me.
But it looks like I can't keep it idealistically "private" within a small circle of like-minded people anymore. Recently there's been multiple cases of people redistributing my works here and there because "they found it on pinterest", it's at the top of google search, or some such. I'm actually not angry because as I've said, it's out of my control, but it's looking like I need to stretch myself again and start posting in other platforms just to maintain a direct link between myself and my works. I don't want others to receive praise for my hard work. I want to have the ability to contest an artwork's message when it's being manipulated to suit other's interests.
This is just a small rant, but it's really very personal to me. My little notes about Malleus, my heartful interest, are important to me. Thank you so much for listening and I hope you continue supporting me by helping me keep a link to my original posts by, like I've said, reblogging. 🫂
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traffic-light-eyes · 1 year ago
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Ninja as influencers
My previous post got me thinking, and now I have to write this down.
Kai:
He for sure has Twitter/Chirp and uses it regularly. Very popular. He also has the ninjago equivalent to Instagram and is also very popular there, too. I could imagine him having a yt channel and doing silly vlogs and the occasional game, but that's about it. The other ninja were a bit weirded out by the vlogs at first because they didn't really want to feed into the whole idolizing the ninja thing, but realized that they could show the world that they're just. People. Normal people who save the world sometimes but are normally just passed out on the couch. They all love being in his vlogs now. When he records something embarrassing, he makes absolutely certain that the person it's of is okay with it being posted. Like, he gives them weeks to think about it. He has a video of Zane singing let it go (due to Jay's programming skills), and he was ecstatic to be able to post it. He's also a tiktok star. He does the silly dances and lip-syncing.
Nya:
She has Chirp but doesn't use it for social media purposes? If that makes sense. Like, she mainly only scrolls through her friends' chirps and responds to those. She gets into the groove and made a really sweet and chill community once the people that were only there for the "inside scoop" of the water ninja's life left. Now there's just her friends and a bunch of nice people. She comments on and rechirps? a lot of fanart, though. She has an Instagram but only to comment on Kai's posts with a thumbs down. She has a tiktok. It's secret. She posts little edits about her artwork or mechanics. It's fairly popular. She sometimes uses the filters and makes videos using them but never posts them.
Cole:
Similar to Nya, he has a Chirp account but doesn't really use it much. He'll respond to fanart and fans, but he only really posts occasionally. His posts normally consist of song recommendations or riffs of his friends. He threads callouts when he feels especially petty. It's pretty chill. He probably has a secret second account for art. He doesn't want people to like his art just because he's the earth ninja, so he made a second account. He has a tumblr too. I don't make the rules. He tries to stay in the loop with everyone's thoughts and shuts down the gross people. He's pretty well-known on the site. He likes reblogging the ship content and misdirecting people because it's funny. Pixal found him drawing techno and he scrambled for an excuse but she silently put a finger to her lip, winked, and left. He was very confused. She was absolutely dying on the inside from laughter because she knew of his account but wanted to freak him out. He couldn't look her in the eye for a week because he thought she thought he shipped them or something. She purposefully spoke to him often. He kept trying to explain, but Pixal always had an excuse to leave or change the subject before he could say it.
Lloyd:
He has Chirp. He has tumblr. He has ao3. He's not allowed on Instagram. He has a yt channel where he exclusively talks about comics and games. On his Chirp, he is completely unhinged some times, and other times, he posts cute animals he finds on missions or on patrol. He found a stray cat once and named her mittens because a follower commented it. He has #mittensmonday, where he posts a picture of her. It's always trending on Monday. His tumblr is once again about games and stuff, but he has a semi-secret side blog for Ninja Shenanigans where it's theorized that it's him, but no one has proof and he doesnt give a direct answer. He has unknowingly reblogged and messaged Cole on multiple occasions because he doesn't know about the Secret account. Cole doesn't know what to do. His ao3 account is mostly to check up on what people are thinking. If he sees something unsavory, he immediately logs off because that's him. Avid tiktok enjoyer. He could make a video of just him staring at the screen, and it would go viral. He finds it hilarious. It's his goal to find the most obscure thing to post and for it to finally not get viral.
Zane:
He has Chirp, but he hasn't used it. Either that or he uses it so terribly incorrectly. I could be convinced that he has a cooking yt channel. He'd call it something nerdy or informational, but people kept chirping about it calling him cookingmama, and he doesn't get it? But due to Jay's persistence, he changed his @ to cookingmama.
Jay:
He has Chirp. He uses it to keep up with the world + just talk to fans. He has a gaming channel and a Twitch account. He streams at least once a week. He loves it! He has a pretty chill community, and he often asks his friends to play with him. He makes sure that the games he play with them are suited to them first. He doesn't ask. He just knows. He picks action-based games for Kai - maybe LoL or, like, Left 4 dead. He plays silly smart games with Nya, like Portal or Keep talking and nobody explodes (they are ridiculously good at this). He and Cole would play scary games. They exclusively play them at night; phasmaphobia has caused many of the ninja to awaken to a shriek. Comfy and typically non-violent games are his and Lloyd's go-to. They'll play Minecraft or stardew for HOURS before they realize the sun is coming up. He and Zane play semi-stressful cooking games, or Zane is just there for commentating. They'll be seen playing overcooked or cooking simulator (they always play that one with a challenge somehow). He makes silly follower goals, and he has unfortunately had to do many, many things because his followers keep rising.
Honorary Ninja, Pixal:
She has an account for every platform that the ninja have just to crowd control + to support them in their comments. She rarely, if ever, posts anything aside from commenting on her friends' posts. Hc that Borg owns every platform, so she uses that to weed out the weirdos by asking him to make the platform very buggy on their device specifically. It's only a matter of time before they delete the app, and she loves watching the downfall via their posts and complaints about the website. She knows of everyone's account, even the Secret ones. She never lets them know that she knows of them, even if they do something strange because of it (check Cole's). She loves messing with them. If someone posts something recently, she conveniently talks about it the same day and gives them whiplash because what are the chances that she said that today. She's the go-to gal if there are any tech issues on stream or during editing.
Here ya go! Hope you enjoy my brainrot <3
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santacoppelia · 11 months ago
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Of fandom, age, and David Tennant being our own personal Time Lord
I read the fantastic post that @davidtennantgenderenvy wrote about David Tennant and aging (if you haven’t yet read it, go for it!) and, as a fan who is closer to DT's age range than to what seems to be the rest of the fan base's age (yeah, being well over 40 is A THING), I had an interesting mix of ideas and emotions. I was going to just reblog her post with some of these musings, but when this started getting longer (and I started searching for bibliography, ha), I decided that I was not going to hijack her post, but rather cite it (and reblog it on its own right, really, read it). I should say that this is a long essay, and it comes peppered with references to one of my preferred fields of study (but I make it light and fun, promise).
Becoming an “old geek”
The first time I came into the idea was when I found a thirst TikTok with that very nice audio that goes “I think I need someone older…” and clearly, the thirst was there, but also… David is 8 years older than me, and when you are 45, thirsting over someone who is 53 doesn’t feel as “edgy” (and thinking about “needing someone older” starts verging on thirsting over people well over 65, which is absolutely fine, but a very different category over all for the rest of TikTok). So yeah, it was weird. You see someone who you feel is "in your range" and everyone is calling them "old"… And you start thinking about aging, inevitably.
Of course, I "don't feel old", but most of my friends are younger than me, and I'm the oldest person in many of my "fun activities". Take, for example, my lightsaber combat team, where every sponsorship is pitched to people under 30, and you should be training at least twice a week and following a strict diet to reach the expected “competitive or exhibition” level (enter the “old lady” who is taking this training just for fun, who needs to take care of her joints and who is not going to be invested in becoming Jedi Master General or anything of the sorts in the near future). Or we can talk about the expectation about fandom in general being a “teenage phase”, and thinking about everyone who still is into it actively after certain age as “immature” or “quirky” at best (hi, mom! Hi, work colleagues! Hi, students!).
Society, aging and social constructs
Of course, this has a lot to do with societal expectations. For almost 80 years, popular culture has been built around "youth" and "young people": before rock & roll, most things (music, clothes, movies, art in general) were targeted to “adults”, and you were expected to be “a functional adult” since a younger age. There was a seismic shift in the way popular culture was built when consumer culture decided to see and cater young people: trends became shorter, being “hip” was desirable, staying younger for a longer period was a nice aspiration (a good, light reading to get a deeper view around this is “Hit Makers” by Derek Thompson. It is written for marketers, but that makes it an easy historic overview and I like that). This has a lot to do with the change of our view about old people, too: while being old 100 years ago (yup, 1924 still fits the bill) made you “a respected elder” and you were expected to be wise, to know best, to be the voice of reason and an expert, nowadays not even us older people like being seen as “old” or “older”.
Frequently, culture becomes entrenched in binary oppositions. The binary opposition between “young” and “old” is… well, old! And while the opposition is sustained, the meanings around it change over time (that’s what the past paragraph was about, really). If in the 1940’s being old meant “mature, respectable, wise, responsible” and being young meant “inexperienced, immature, foolish”, after the 1950’s those meanings shifted a lot: being young became “fun, interesting, in the now and in the know, attractive”, while being old was about being “boring, dusty, passé, uninteresting, dull”.
In reality, being young can be a mix of all of these things (inexperienced and fun and foolish and attractive), and being old can be, at the same time, being responsible and wise and a little dusty and dull, because that’s life *shrugs*, and the wonder of lived experience is that, even if we simplify it, it is complex and rich and sometimes contradictory in itself: we can be old and foolish and interesting and boring, or young and dull and inexperienced and attractive. But, as we need to make “social sense” of things, simplifying them is… easier. That’s why we build stereotypes, and why we use them! We need to have a “base” of signifiers to build upon, so we usually take what we have on our environment and run with it. If you find this idea interesting, welcome to the world of cultural semiotics! *takes her Iuri Lotman picture out of her pocket and puts it on the desk*
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(Iuri Lotman, people. He is my "patron saint").
Pop culture versus “real culture”
Another cultural opposition that piques my interest in this area is the notion of “pop culture”, of course. It is opposed to “real, serious culture”, the sort of thing that everyone expects "older, mature people" to enjoy. In the sixties and seventies, there were a lot of studies and writing about "high brow" and "low brow" culture, trying to keep this distinction between "things that make you familiar with the now, but have no intrinsic value" and "eternal things that cultivate your mind, soul and spirit".
Evidently, if you ask me, this is a whole load of horse manure: probably useful to fertilize other things, but with little intrinsic value on its own. My main point is not dolphins, but the idea of culture: historically, it has used to mean a lot of things; from the notion of (exactly) fertilizing something and making it grow to make it come to fruition, to the hodgepodge of practices that a social group creates when they are together and are trying to make common sense of things.
I like the latter better (that is the one I’d ascribe to if this was The Academia TM, but this is tumblr!), but another popular definition, which comes from the Illustration and has been quite prevalent, is the notion of culture as the set of cultural practices that make you a better, more intelligent, far more educated person. For example: if you want to have real culture, you have to read Shakespeare and know what a iambic pentameter is, rather than watching “10 Things I Hate About You”. You must read real books, not listen to audiobooks, and “real books” should be written by “serious authors” like (insert old white Western European or American cis men, preferably born before 1960).
Here comes the notion of “cultural canon”, grinning widely. Yup, that set of practices becomes an expectation of what and how you should experience any area of the human experience, and they become a sort of “nucleus” of the whole experience, with people playing “defense” around them and culture shifting all around and sometimes across them. This is not exclusive to “high culture”: Have you ever heard about “gatekeeping”? Yeah, same fenomenomenon (Shadwell, of course). Whenever something gets this “shape”, it becomes a “norm”, the “common” thing, the “rule” if you participate in that set of cultural practices.
As every cultural set of practices tends to generate its own “canon”, they also have a lot of practices surrounding it, which are ever changing, shifting, learning from new and old practices, and redefining what everything means in their common/shared space. For example: Neil Gaiman, my beloved, was part of the “comics” frontier when Sandman first appeared, but as he and Alan Moore (yeah, I know he did it first, but Gaiman is my study focus right now, so let me be) and other very talented and interesting people started creating fascinating stuff that hadn’t been done, and they found people who loved it, they not only redefined the world of comics, but became part of the new canon themselves. And then, Neil’s presence in the world of literature and fantasy became widespread and recognized and then revered… And then he is doing it again by adapting his own work to a streaming platform in a serialized way… I hope this explains why I’m growing an obsession with studying Neil Gaiman as an author who crosses through different media: a transmedial auteur, an anomaly in his own right. But that is not an essay for tumblr, but a thesis, one that I don’t know if I’d ever have the time or mental resources to write (being a runaway ex academic with ADHD who works on their own is hard, people). Besides, this was about aging and David Tennant, so let’s cut this tangent short and start talking about our Time Lord and Savior: David Tennant, the king of frontiers.
David Tennant as a Frontier Lord
David Tennant is another fascinating case in this sense, mostly because he is an actor who has been able to build a whole very impressive career through crossing symbolic frontiers. Through his massive filmography (161 roles just for screens, as registered in IMDb) and his stage career (I love this gifset for this exact reason), he has acted his way through almost everything, from classical Shakespeare to improvisational comedy, from procedural police drama to wacky fantasy sci-fi. This has a lot to do with his personality (he loves acting, he decided to pursue acting as a career thanks to his love for Doctor Who, but he is also smart and inquisitive) but, as it happens with a lot of “frontier figures”, it also has a lot to do with “unpredictable” circumstances: less of a strategy, more of an instinct.
David has talked many times about how his impostor syndrome made him feel, for the longest time, that he had to keep accepting roles, because you never know if there is going to be another one after. He is talented and open and curious (this is quite a good interview about his perspective), but this… anxiety? meant that he had also lower quandaries about saying “yes” to roles and projects that were “less consistent” with a typecast (which has been, for the longest time, one of the main strategies to build an acting career). Yeah, he has some defining characteristics that make a role “tennantish” (I’m not starting that tirade here, but yeah, you know that almost fixed set of quirks and bits), but he has also worked his way through many different genres, budgets, styles and complexities. And he has usually been as committed and as professional in a big budget-high stakes-great script sort of situation, as he has been in a highly chaotic-let’s see what sticks-small scale project.
That can be correlated by the way he talks about “acting advice”. “Be on time, learn your lines, treat everyone the same, never skip the lunch queue”… Acting is a job, and he treats it as such. Yeah, he looks for interesting projects anytime he can, but the “down to earth” attitude about it is, once again, not-usual, not-common: pure frontier. Then, when David talks about his own self (specially at a young age), he is pretty clear about his “outsider” or “uncool” status (this interview is fantastic), and how strangely disruptive it was to become not only recognizable, but cool and sexy and… everything else, thanks to Doctor Who. He went from living in the frontier to being put in the canon, but he is still, at heart, a person who is more comfortable not defining himself by that “expected” set of rules.
Him being a very private person, who insists on having a family life that seems, form this distance, stable, loving and absolutely un-showbiz just makes the deal (and the parasocial love and respect) easier to sustain; as does his openness to talk about social and political issues that interest him (passionately, again; against the norm for “well liked celebrity”, again). His colleagues also talk wonders about him, mostly because he is this sort of down-to-earth but also passionate about his craft and easy to work with. Again: not the “norm”, not the “rule” of being such a celebrity.
Many of his fans (should I say that I’m one? Or is it obvious at this point?) find this not only endearing, but comforting: he is a massive star, who has acted in a lot of terrific roles in huge productions… But he feels, at heart, as “one of us”. But he is, also, a well-respected thespian, a Shakespearian powerhouse, an international talent. He lives in a very authentic, but very unstereotipical frontier. And he seems happy about that and has made a career from it. Extensive kudos and all the parasocial love and the amateur-actress mad respect for that.
I should mention, just in passing, that a “natural” archetype for this characters that traverse frontiers… are tricksters. Think again about the “tennantish” characteristics. Here goes another essay I’m not writing right now.
Aging: The Next Frontier
This takes me to the original post that inspired the essay: living in a culture where the “norm” is “being young and famous is a desirable aspiration”, we have a fantastic actor, at peak of his craft, who is in the heart of middle age (past 50, nearing 55). Not only that, but he is an actor with whom at least a couple of generations have grown older: from the ones who feel him as “our contemporary” to the ones who grew up looking at him (like Ncuti Gatwa!).
David, being the frontier person he is, has been navigating this transition in a very “unconventional” way: he came back to the role that made him iconic (The Doctor, now with more trauma!), is starring in another fantasy series about middle-aged looking ethereal beings that at times is an adventure thriller, at times is a comedy of errors and at times is a romcom (having another beautiful trickster of a man as his co-star… There goes another tangent that is an essay); he is playing one of the quintessential Shakespeare roles for middle-aged men (Macbeth), and is, seemingly, having a lot of fun doing a lot of voice acting for animation roles (if you haven’t watched Duck Tales, you’re missing a whole lot of fun, really).
Traditionally, middle aged actors navigate that period of their career trying to reinforce their “still young, thus a celebrity” status (for example, doing a lot of action-packed movies and keep doing their own stunts while seducing women 20-30 years younger than them), or strengthening their “prestige thespian, so now a real culture person” position (fighting for more serious roles, going from comedy to drama, or working their way into The Classics©). Sometimes, they face the internalized societal expectation by also becoming a shipwreck in their personal life (yeah… the stereotype of “getting divorced, having an affair with someone half their age, getting another red convertible, getting in trouble…”) because we don’t have a good “map for aging responsibly” yet as a society. We have been so focused on youth, that we have forgotten how to age.
Again, switching to the personal experience. I was raised as a female-shaped person (yeah, being queer is fun), so part of the experience of growing (and then growing old) has been closely related with that concept from the female point of view. I decided, pretty early on (but not so much, probably 25 years ago), that I wasn’t going to conform to the norm… And that included aging naturally. When I found my first white hair, it was a shock (I was 21 or 22), but I had already seen my father fighting his own hair being white since forever. I decided it was a loss of time, money and effort… And the judgement from people in my generation and in the one that preceded me (my mother, my aunts) was stern and strict: “it will age you, and it will date us. You shouldn’t do that”. Men could do it, given the right age (being over 50) but women must not. Same with wrinkles and sagging and gaining weight and getting “pudgy”. But when men grew older, they needed to make a “show off” of their ability to seduce, to “still be a man”. Aging, then, was undesirable by any standard.
As me and my peers have grown older, and my hair has gotten increasingly silver, there have been women that come to me saying that “I look great” and “they wish they were as brave as me”. I would like to state in front of this jury of my peers (hi, tumblr!) that the only bravery it took was deciding, somewhere between my twenties and my thirties, that I wanted to be as myself as I possibly could, so no bravery at all, just the same lack of understanding of social rules that took me to become interested in… you guessed it, cultural semiotics. We’ve come full circle with this. Now, let’s finish talking about what it means for an aging fan to have an aging star to look up to, shall we?
David Tennant as a cultural Time Lord
I am pretty sure that he wouldn’t have chosen this role for himself (as he wouldn’t have chosen being a massive star just by playing his favorite character and being so talented and charming), but he is, as Loki would say, burdened by glorious purpose. Being “the actor of his generation”, and him crossing so many frontiers with such ease and grace, without even thinking about it too hard, just because he is a hard worker and likes to try new things and is just so good at what he does put him in the exact cultural crossroad for it.
He is not in a sudden need to “resignify himself” as anything: he has already shown his very flexible acting muscles through his very long career. He is not bounded to “keep his public image relevant”: he likes to have his personal life clearly separated from the spotlight, and being married to the brilliant and funny Georgia, who herself grew up with a famous father, so she is no stranger to staying sane and in control in the eye of media, and who manages their social media presence with a good mix of humor and well-set boundaries.
Therefore, he is in a moment where he can (and probably will) chose to do whatever he likes. And he has the public support to do so: he is prestigious and respected, but likes to make fun of himself and is not self-important; he has a lot of awards, but he is also a very likable person with whom most people in the industry enjoy working. And he is up to do a lot of things: heroes, villains, morally grey characters; romance, drama, thriller, fantasy, sci-fi, procedurals, historical fiction, classic plays, silly parts, voice acting… We are going to see him aging on screen and stage, with no playbook: the playbooks were written for people that certainly are not him. And I have some evidence to prove it.
He is starring in a groundbreaking series (yeah, Good Omens) where the protagonists are two middle-aged looking entities, full of queer relationships, written by another trickster. This series, in an on itself, is a showcase for characters that are rule breaking in many ways: in the narrative, by being hereditary enemies who are inevitably linked to one another by a loving bond that may or may not be romantic, but that has been in the making for 6,000 years; in representation, by having the protagonists being represented by a couple of middle aged actors who are “not serious” and “not action” coded, in a role where they are delivering romance, banter, intrigue, joy and a whole other range of emotions that are “not your stereotypical” middle-aged male-lead coded.
He also delivered the baton on a relay race with Doctor Who: he came back after almost 20 years, to bring back the generation who grew up watching him in the role, and deliver us into the arms of Ncuti Gatwa’s 15th Doctor, with the promise of taking a rest and working on getting better from all the trauma The Doctor has endured in 20 years Earth-time (which, as any Doctor Who fan knows, account for centuries of trauma in Doctor’s time). Not your usual Doctor Who Anniversary cameo, but one built to deliver some zeitgeisty emotional health promises that made the specials feel… healing. At least, for some of us.
Even when it wasn’t the hit series it deserved to be, his Phileas Fogg in “Around the World in 80 Days” is also a great delivery of an unconventional middle-aged protagonist, who goes from meek and scared and too worried about societal norms, to a lovely, tender, slightly awkward and daring person, with friends half his age who look at him but are also his peers (another kind of relationship that is not very frequent in media).
And, with all fearlessness, he has played a lively old duck in Duck Tales! Scrooge McDuck has never been a middle-aged character: he is, quite openly, an old gentleman. An adventurer, quirky, with a lot of spunk… but also quite clearly an elder to Huey, Dewey and Louie, and obviously older than Donald Duck (who is also not a young adult himself!). When you watch that series, and if you have the opportunity to catch any glimpse of him behind the scenes while recording the part, you can feel the joy he got from playing the part (and he has said time and again that he IS Scrooge McDuck, so it will become his “recurring bit” for the future).
Hopefully, David (and some other actors and actresses, for sure) will dare to build that new “aging publicly without making an arse of myself” playbook, and I (and I can imagine, many other fans in our middle age, but also fans that are right now leaving behind the “young adult” stage and becoming “adults” fair and square, and others who will arrive to this place at a future time in their lives, so I hope) will be there to bear witness, support, cheer… and learn from the model. Because that’s what fandom is about, but also because that’s how culture itself gets shaped and changes, continuously. And that is exciting and a little scary, and that’s why it is better if we do this together.
And I'd love to imagine diverse (in the full sense of the word) role models for this process and this playbook, too!!!
If you read all the way through this, I'm very grateful, take a cookie, have a gold star and suggest names for our aging interestingly role models on the "non-white-male" side of things!
Class dismissed!!
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gandalfsalt · 2 months ago
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Solavellan Angst and Dido & Aeneas
Here's an "essay" (more like notes) I wrote about a year ago after finishing Trespasser, and surprisingly it holds up ok! You can watch a video essay version on my TikTok @gandalfs_alt. I think the video version is a bit more polished because I wrote it yesterday, this old one is pretty rough.
Unfortunately no citations... feels weird to post w/o citations. Future posts I think I will start citing my sources.
A great love story that I see relating to Solavellan is the story of Dido and Aeneas. This story is even older than Tristan and Isolde, dating back to ancient Rome (specifically Virgil’s The Aeneid, completed in 19 BCE, about 2000 years ago). It is widely considered the archetypal love story that symbolizes the tension between love and duty in Western literature. 
Dido was the Queen of Carthage, a city located in North Africa. In some versions she is a sorceress, and she is beloved by her people. Aeneas was a Trojan hero who escaped the fall of Troy. Aeneas and his fellow Trojans fled across the Mediterranean Sea after the fall of Troy. They landed in Carthage, and were welcomed by Dido, who offered them hospitality.
Dido and Aeneas spend a significant amount of time together, and fall deeply in love. Over time their love became increasingly intense. In some versions they marry. However, Jupiter (Zeus), the king of the gods, sends the messenger god Mercury (Hermes) to remind Aeneas of his duty to establish a new homeland in Italy (what becomes modern day Rome). After contemplating staying by Dido’s side, Aeneas feels that he must fulfill his divine mission to re-establish his homeland and he abandons Dido, departing for Italy.
Dido is devastated by Aeneas’ departure. In her anguish, Dido constructs a funeral pyre, on which she places Aeneas's belongings, including a sword he had left behind. She then took her own life by falling on the sword. Aeneas, unaware of Dido's fate, continues his journey to Italy, where he eventually fulfills his destiny and founds the city that would become Rome.
I think some of the parallels are pretty clear. A mysterious wandering hero fleeing the aftermath of a fallen civilization joins up with a group of people and falls in love with their leader. He then abandons said leader to fulfill what he believes is his divine mission, which is to re-establish what has fallen in a new place.   
There’s two ways I think this story is helpful for understanding Solas, Lavellan, or Solavellan:
It has inspired so much art, we can look at how other artists have handled this theme to get insights into the characters, learn more about them, and learn about different ways this conflict (love vs duty) can be interpreted or represented.
If this story did in fact inspire the DA:I writers, learning more about it can possibly help uncover where they may take Solavellan in DA:D (dear god, I hope they don’t go the Dido route with Lavellan, pls no 😭)
Even though Solas is a pretty clear Aeneas type, I actually see him share a lot of attributes with Dido as well. One of the most famous versions of Dido and Aeneas is an opera (yes, opera again, lol) composed by Henry Purcell in 1689. It is one of the first operas composed in English, and is pretty much considered the premiere retelling of the Dido/Aeneas story in the English language. One of the most famous pieces from the opera is Dido’s Lament, and it’s the song Dido sings after she decides she can’t live without Aeneas, and is about to, literally, fall on a sword. 
The lyrics of Dido’s lament are:
More I would, but Death invades me:
Death is now a welcome guest.
When I am laid, am laid in earth,
May my wrongs create no trouble, no
trouble in thy breast;
Remember me! Remember me! But ah!
forget my fate. 
To me, this is 100% Solas’s psychological state when he leaves Lavellan. The lament is obviously very tragic and sad, but there’s something extremely stubborn and self-centered about it. It feels like a lot of self-imposed misery. In Dido’s case, she was certainly wronged by Aeneas, she was treated very unfairly and it’s not her fault at all, but her reaction to it is very self-pitying and self-sabotaging, literally and figuratively. I got the same feelings from Solas during his final confrontation with Lavellan. 
“Death invades me, Death is now a welcome guest,” - Wait a minute, who says anyone has to die? Why is dying the only option here, Dido and Solas?
“May my wrongs create no trouble in thy breast,” - It seems like Dido and Aeneas have the option not to commit these wrongs or additional wrongs, so why act all stubborn and resigned about it? 
The “wrong” I think Dido is referencing is her impending suicide. Solas may be referencing the same thing if he knows he is going to die, but in his case destroying the world and loving then leaving Lavellan are some other wrongs. But again, based on what we know, it seems like he has the option to stay and not destroy the world a second time. So why so stubborn?
“Remember me! But forget my fate.” My dudes. It seems to us like you’re choosing this fate. And you think we can remember you and not remember how you left us? You want Aeneas/Lavellan to hold the torch, but just forget a very monumental decision you made? That’s a little delusional. This line is so simple, but it does an excellent job of underscoring the conflict between love and sense of duty. In both cases, the heroine/hero want to be remembered by the ones they love, but at the same time they don’t want their choices to impact their lovers, or their lover’s recollection of them. Which really is impossible.  
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mitunatuna · 3 months ago
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TRIGGER WARNING:
-SH jokes
-crude humor (such as dirty jokes and such)
-Swear words
-SOME SLURS.. (such as the f slur,,)
You've been warned.
If you happen to dislike me at all, or dislike my posts or media or whatever.. blah blah.. Do NOT harrass. Just block.
Now here is my intro! Nice to meet you guys.
intro:
I'm cj or tunatuna,, or mitunatuna :3 or Tim,, or bastard, or whatever you might wish to call me as long as it isn't like uhhmmhm bad or soemthign,, 😭
ME WHEN I UHMMMM
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ALSO ME WHEN I UHM!!! thith ith altho me
And me AGAIN!!!!
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OH BTW LMAO I MIGHT SAY I'M A CERTAIN CHARACTER.. AND I MIGHT SAY MY NAME IS THAT CERTAIN CHARACTERS NAME.. BUT I'M NOT AN IRL KINNIE..? FICTIONKIN? IS THAT WHAT IT'S CALLED? UHH I THINK I'M NOT.. SHRUGS...
SOUR WATER MELON RAISINS ENTHUSIST.
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Simple dni such as genuine homophobes, sexists, and racists..
Dni if you're a gore watcher
Proshipper
Kiddie fiddler
A groomer
And please don't vent under my posts.. :(
If you need to vent go somewhere else..
Or if you support any of those
Or if you are above the age of 30.
I am a minor
I have ADHD (diagnosed)
Aaaanndd I've been told by a few people I might be autistic (including my mom) but I kinda doubt that honestly but I don't know
Free palestine 🇵🇸
Weird nerd losers I ❤ you
My art tag is: #19 dollar fortnite card
AND My STORY TIME TAG : #BASTARD STORYTIME!!
Hell park fan
Color quest fan
Wire fan in general (they got too much awesome work for me to name,, LOVE YOU WIRE!! YOU ROCK!!)
South park fan
NEW HOMESTUCKIE!!!!!
I do song reccomendation of the day so heres the tag for that: song rec otd (lowkey forget all the time) no song otd = busy/forgot/weekend
Also song otd is Mon-fri
I know nobody gives a flying fuck but whatever man
DO NOT ASK ME FOR MONEY. I DON'T HAVE ANY.
I don't tolerate racial slurs.. AT ALL.
Some slurs I can tolerate like the f slur I guess (ONLY IF YOU'RE GAY YOU CAN SAY IT IG)
If you come here to be a dick expect me to just block you
If you make fun of the way I type then you're a little bitch how about that
FUCK YOU HOES!!
If you have any old art from wire PLEASE... PLEASE DM IT TO ME OR SEND IT IN AN ASK OH MY GOD
2010 2012 color quest art,, whenever I find some it feels like I found diamonds in Minecraft and then I uhh EXPLODE!!
I honestly dgaf what pronouns you use on me. People use she or he mostly but I usually go by he.. And sometimes pronouns can get a little SILLLY!! okay let's be real here,, Sure, it's annoying AND IT SUCKS when someone misgenders you on accident but dude no need to freak out and hate them forever and then go blasting them on social media,,, if it is an accident it's an accident. (If it's on purpose that's a whole other story.. And don't even get me started about forcing others to refer to you with your neopronouns.. Have them all you want and have fun but sorry I ain't referring to you in convos as "oh yeah, and aliencatself said so and so!" Don't cancel me please 🙁😓)
Also uhhhh
Fuck gender norms
Fuck conformity
Fuck those stupid tiktok insecurities that pop up every week
And fuck you Jimmy urine from msi
MSI has fucking awesome music but I HATTTTEEEEEEE YOU JIMMY. THAT'S WHY YOUR LAST NAME IS PISS.
Ps, this is my son btw if you didnt know 🙁🥺
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He's very sillay isn't he
He's MY son. NOT YOURS!!!!!!
This is also my son
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DONT GET IT TWISTED PAL!!!
oh me btw
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imsiriuslyreading · 2 months ago
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there's this weird little thing that happens when you're in a fandom community like this, I'm learning. occasionally, people make odd assumptions about you, particularly if you're someone who puts your face on your socials (hello its me I'm the silly sod who did that), and no matter what your actions or your words do, its secured in their mind that that's the truth and that's how it is. which is like, fair, obviously. but its like, unnerving? i don't know how else to explain that.
there's also this phenomenon where people get close really quickly, more quickly than in other spaces I've been in, and I'm not sure why that happens. maybe it's because when we're getting to know someone, it's born out of a love and passion for this shared hobby/obsession we have. and I'll be so real, when you meet through fanfiction, there are certain parts of you that are just on display from the get go by the nature of sharing what you read and write. so its pretty hard to hide some of the dark and scary parts of yourself after that's already been out there on display. perhaps that's how people get so close so quickly. as a result, when fallouts happen or there's disagreements, or you start to realise that hey, actually, this person I thought was *this* way actually isn't and I'm not sure I like who they really are. which is natural, obviously, but like when it happens here, it sort of hits harder, because you still share this space and so many people with that person, so it gets so tricky to navigate.
i'm still trying to figure that out, I think. there have been a few occasions over the last few weeks that have made me want to step away from fandom, to take a break and just go back to reading my favourite stories about my favourite werewolf and his punky lil husband on my own. but then I get a message from a fandom friend or a fandom stranger and its so kind and so lovely that I'm reminded that mostly, it's very positive and good-natured here. and every single day I find new writers to frantically inhale all of their works, or artists to obsess over. i see something and it makes me want to take a photo and send it to someone because it reminded me of their fic or a thought they shared on here or tiktok or whatever. or I'll see the people in my group chat come together and help one of our friends when they need it the very most, only for the favour to be returned in a couple of weeks.
for every disappointment I've found, there have been 10 instances of positivity and beauty and I think that's definitely something worth holding on to.
anyway this ramble is just me reminding myself to touch grass occasionally, to remember that people who have miserable things to say about me don't actually know all that much about me at all, and that this fandom has been the key to figuring out parts of myself I would've stayed utterly ignorant to without it. it's also been a complete safe haven to hide away from all of the scary parts of the world right now.
that being said, october as a marauders fan is a fucking horror show, I am on my knees screaming and begging for happy edits, fics and art because some of you are just far too talented at this whole sad boi thing. help.
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crushedsweets · 1 year ago
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Who are the people that Toby likes the most?
Natalie, Jack, and Ben!
Toby has known Natalie for about 5 years, and Jack for 4, and Ben for 3. ok now im gonna do long ass headcanons for their relationships bc im just soooooooo silly . .
toby and natalie knew eachother when they were at the height of like.. using murder as a relief/power trip. it was a really sick and fucked up thing to bond over, and it wasnt something either of them took lightly or as a joke. but it was something they did talk about, moreso 'let me tell you about my night' and they'd kinda just allude to the murder part of it. eventually, natalie stopped killing as much (and stuck strictly to freak weirdo men at bars/clubs who try taking advantage of ppl). toby doesn't have the luxury to stop bc he only did it when the situation/order calls for it.
they usually just lounge around together. watch trash reality tv, natalie was ashamed of her art for a while but toby loves getting her to show him her stuff. toby taught her how to axe throw and cut down trees. he helped fix up the barn she stays in so it's actually livable. he even got brian to help with shit like insulation cuz theres no heat/ac in it. sometimes he does her hair if shes having an awful night. she never had someone to brush her hair growing up, having no mother/sister/girl friends, and finds it to be insanely fucking relaxing. lulls her to sleep so quick. it reminds toby of lyra and he cried one time after she fell asleep from it. she never found out about it.
toby was the first proxy to be nice to jack. not that tim and brian were horrible to jack (only after he was . . 'tamed' i guess). but toby was the first one to like, bring him things, talk to him, actually attempt bonding. if tobys feeling lonely and natalies not in the mood to entertain, jack was almost always welcoming. ok maybe not welcoming in the like :) hiiii toby. way. but in the. 'ok yea whatever come in i guess' way.
jack used to cook a lot before he was sacrificed. now he doesnt have the same taste buds, and while he can eat human food, its all pretty bland to him. best he can enjoy is insanely spicy stuff, and thats more sensation rather than flavor. BUT TOBY. that fucking dude can EAT. he's brought like a fat steak and veggies and rice and random shit to jacks and asked him to make him dinner. and oddly enough jack was willing to do it. toby continued to do that stuff. jack didnt know about tobys CIPA for a while and was baffled when this white boy from rural colorado could actually handle the spice anytime jack made south asian food LOL.. ("how much spice do you want" "i dont care make it as spicy as you like" "toby are you sure of this" "yeah i can take it").
of the 3, toby is the least close to ben. mostly bc ben is best fucking friends w jeff and toby doesnt like jeff very much(who does?). plus toby figured ben was like a kid and wasnt exactly crazy about being besties with a 12 yr old. But then ben played some video games with him. ben doesnt really Act like an. ipad fortnite tiktok middle shcool type of kid so toby was like Oh he's cool i guess.!
they dont have much in common at all tbh, didnt have similar childhoods and toby didnt play many video games growing up. BUT toby finds so much joy in just having a fucking boyish childish fun stupid relationship where he could play video games and talk shit and eat like crap with yk. they have a very brotherly friendship and it's kinda weird for toby being on the big sibling side of something, but he's fond of it. they get into petty arguments about stupid shit, and went a while without talking bc toby punched jeff and jeff was bitching like 'uumm dont hang out with that prick' and ben was like lmfao ok. toby didnt even realize ben wasnt talking to him tho. . ("hey sorry i was avoiding u jeff was bitching" "u were avoiding me ?????")
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whochromatic · 10 months ago
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I must not read chapter 109 and wait for the chapters to pile up.. I must not read chapter 109 and wait for the chapters to pile up.. I must...
*reads it anyways*
Why did I do that. Damnit, I should've known that reading that chapter would have re-activated my need for more. I was way better off ignoring anything related to Yohaji and just went about my day, not thinking about Yohaji every minute of the hour of the day of the week. But the damage has been done. Now I have to read the whole manga all over again just to satisfy myself once again. But no. That's not enough. I searched every corner to hunt every single content of Yohaji. Tumblr. Twitter. Youtube. Tiktok. Ao3. Our lord and savior Canada's account. The giver of reason in life, one who resurrects the dead, the sailor uniform to my life, Tanamai-sensei's account. I know that the Yohaji content in this world is not enough and will NEVER be. The moment I discovered this manga, I knew that it would be my life. The fact that it had only reached me last year, ber month is unforgivable. Why did it not have content as many as the amount of numbers there are to exist so that it could reach me at the start of it's existence? It should have been Yohaji. Not BNHA! Nothing against that anime by the way. Well, I am grateful that I stumbled upon Yohaji while it had 100+ chapters though. And the fandom being small enough to only have nice and cool people in it. But those fics in ao3 though? Why- I mean, I don't really care or pay attention to them but the fact that the amount of nsfw fanfics is probably (I'm saying probably because they might just be more) equal to the amount of sfw fanfics in there is- I swear, WHY ARE THERE SO LITTLE FANFICS OF YOHAJI?! 3 PAGES?! ARE YOU KIDDING ME?!? There might be more in other places but I only read in ao3 and Tumblr if I find some there. I'm so thankful for the translators though!!! I love y'all. I love the fandom. I love the characters. I love Yohaji. I love the creator. God- sorry I forgot I can't use sensei's name in vain. I'm telling y'all, Tanamai is the GOAT. A GENIUS!! Your brain is beautiful. What goes on in head yours? Tell and everyone might gain more braincells. What's with you? What's with your humor?? What's with your lore?! WHAT'S WITH YOUR ART??? WHY ARE YOU LIKE THIS?!?! SENSEI WHEN I CATCH YOU OHH WHEN I CATCH YOU. But of course, it's not your fault that I'm starving for more Yohaji chapters. One month is nothing to me- IT'S ALL YOUR FAULT!!! WHY DID YOU HAVE TO CREATE THIS WONDERFUL AND HEAVENLY HOOK THAT CAUGHT ME EVEN ONLY WITH IT'S TITLE AND ART?? HOW COULD YOU DO THIS TO MEEEE?!?! Senseiiiiii*sob* waaaaaahh... Still, I'm sooo happy this is getting an anime this year!! I've been waiting for this ever since I found out it existed along with other Yohaji fans. I knew it would happen soon enough because it's the law. It's a crime to not make an adaption of amazing yet weird yet amazing manga like no other. Death row. DEATH ROW!! It's fine even if it's low quality. As long as it exists, I can finally pass on peacefully- when it airs it better be as good as the manga and look immaculate, I'm telling you. Haha, just kidding. Or am I..? I cannot wait until April or whatever how long it takes for the anime to air just please. Please even the trailer only. But I'm sure everyone is already working hard to make the anime for it. Do your best!! You're doing the right thing! And.... uhm.. 24 episodes... please..? AHHH HARUAKI'S SMILEEE!!! IT'S INVADING MY MIND!! GET OUT! PLEASE GET OUT!!! THIS LOWLY UNGRATEFUL UNDESERVING WORSE THAN DUST BUZZ BUZZ KILLABLE STUPID MORTAL ABOMINATION CAN'T HANDLE OR DESERVE SOMETHING LIKE THAT!! AAAAAAHHHHHH!!!!! I can't do this. More. More. More Yohaji. I NEED IT. IF AIR AND SAILOR UNIFORM IS LIFE THEN SO IS YOHAJI!! RAAAAAAAHHH
Also I accidentally deleted a longer version of this and rewrote it with my memory. Thanks for wasting your time on this like I did.
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ch3rr13zk1n · 10 months ago
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Alright its introduction time
Im CHERRIEZKIN! PHILIPINES RGAHHHHHHHHHH ‼️‼️‼️🗣🗣🗣🔥🔥🔥
Why the fuck am i so currently fixated on regretevator
I like memes and things i enjoy, like art! Also if you catch me being an awful person PLEASE tell me.
I tend to also get sorta uncomfortable with people being confused by my stuff or someone seemingly not in the same fandoms as me liking my fandom content as it sorta makes my brain explode and PANIK!!! Not like you can't enjoy my stuff when you don't know shit about the stuff i like but it sorta makes me think some random person just came across my stuff out of nowhere
And i occasionally make weird jokes about fictional characters (sorry about that I'm possibly hypersexual.) but i don't wanna see NSFW TOO often so purely NSFW accounts.... don't even like a single post of mine at all plz :3 (unless you make NSFW of characters i like like..... Heheh. Not really but really)
Also I'm a minor!!!!!!! Never forget that! (Or do if you make Wallter ns- IM JOKING IM JOKINF I DON'T MEAN THAT)
Sorry about the suggestive and NSFW jokes i have no idea why but sometimes i just have the urge to say that publicly on the internet. Maybe that furry fetish game i found when i was nine really did fuck me up badly. Also i password locked cherrysimpingtime for the sanity of the Regretevator fans. D:
Anyways i got like.. 2763 interests like Solarballs, Shovelwares brain game, Captain underpants, The youtube shorts arg, Vocaloid (Ish), Undertale , SMG4, DHMIS, Alphabet lore, OMORI, Bugbo, The amazing digital circus, Pretty blood, Art, BFDI, Object shows in general, REGRETEVATOR, Tally hall (ish), Vs Bob and etc (The ones highlighted in green are the ones that are fixations as of the time of editing this and the ones in purple are dying/dead interests or got pushed aside by the others. The amount of purple is crazy)
though i post about some fandoms more than others but it doesn't mean i don't like/don't know any fandom on this list that isn't mainly being posted about here
its just that i draw Wallter from REGRETEVATOR pregnant instead of talking about how Rinny from Pretty Blood is a fucking bitch because my fixations are in a constant war
i also have a Tiktok and a mostly abandoned Youtube account (don't look at certain posts on my tiktok you'll go blind)
Also this account is mostly full of shitposts, Memes, Reblogs and doodles so good luck finding high quality art here!! I don't put my own tags a majority of the time and don't even tag some of my posts with the art tag since I'm insecure and stuff. I do create a bunch of dumb shit like Wood Noise~ Bark Bark Dog Mannequins so maybe you can check stuff like that out if you like my shitposts.
Also Wallter is my favorite character and my heart cannot be put on a leash so i have a crush(?) on that gayass (whoops)
Though the crush part is debatable as i still question if i really do feel romantic attraction.
I'm also a bit of a shipper and i ship SnowBoots, Glecctor, Wallmark, Walljim/Jimwall, SlimJim and etc. If you are uncomfy with any of the ships listed or literally want shippers to get the fuck off your page then block me or tell to to leave your page
Also sometimes i don't read people's pinned posts and generally just reblog because that's sorta like a secondary more useful like button to me (this has resulted in BAD consequences..)
i also had a bit of a tier list showing my opinions on the regret characters but that's kinda outdated and may not be fully reliable on my actual opinions on those characters however you should know that Wallter is.. According to my moots and other people... My comfort character, My favorite character and my "fictional crush" currently. He sorta means a bunch to me rn so don't potray them as an abuser or rapist.. Please. If you violate these boundaries then i may not hesitate to block you.
Actually.. Not just Wallter. ANY of my favorite characters.. Or maybe just any character in general unless its canon or smth and NOT romanticized. However i may not be able to tell which one is spreading awareness, a vent or just literal fetish/kink shit.
But i am more forgiving towards vents and spreading awareness now (don't ask why i dunno I'm sorry)
anyways that's all you need to know i guess! uhh have a weird image and stan Wallter on my page! (Not forcing dw)
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glevil x mannequin mark shippers dni.
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letmetellyouaboutmyfeels · 3 months ago
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re the “can’t wait to see what you write next” comments, i commented that on a fic bc i also follow you here and you’ve talked about the halloween fics you’re working on, i meant to express excitement about those as well as what you’ve already written. sorry if it’s annoying!
Hello dear, your excitement isn't annoying! I love that people are excited, and that they express it.
My frustration was directed at people who were commenting on one of my very recent fics, who made it clear they were new to my writing and the fic they were commenting on is the first they've read, and they want to see what I put out next.
I'll get a little more specific than I did in my post:
I've had a flood of new readers in the last few months who have come to one fic or another from a recommendation on TikTok or Twitter. They read that one fic, and no other fic. They then say they want to see something new from me. I know all this because they tell me so (where they come from/how they found the fic, that this is the first/only fic of mine, etc).
I try to be kind and patient because I appreciate people reading any of my works, and I don't want to police readers and make them feel they owe me or tell anyone how to comment or set rules or something. But it does get frustrating that these people waited for the algorithm on their other app to present my fic to them, and then don't make any effort to check out any of my other work before making requests or asking for more. Ao3 is an archive, it won't feed you anything, and it honestly makes me scared for people and the future that these readers seem incapable of just clicking my name to look through my fic.
I will say that this is also why commenting on an author's fics are important - I've found out people are recommending my fics all over the place and not a single one of them has told me they liked it to my face. Someone could be a long time reader and I'd have no idea.
(I understand leaving comments can be nervewracking! It's just frustrating to me that people will find the words to talk so kindly about my fic but only where I can't see it.)
I'd also like to say I've seen an uptick in people apologizing for reading older fics of mine? Do you guys also apologize for reading Lord of the Rings (published in the 1950s) or Dracula (published 1897) or The Hunger Games (published 2008)? Fics are like books in that they are meant to be read and enjoyed at any time. You are never "late" to a fic and it's not weird, cringe, or upsetting to read older fics, and if that's the reason you're not reading my older work, get over yourself and go forth, read whatever you damn well please! I read some great smut from 2007 the other day. Had a fun time.
Anyway, that's what I'm talking about in this post. It's a very specific, "a meme is dead in a week," art-is-"content," algorithm-driven mindset and it's deeply concerning to me. Not for myself as a writer, although the experience is frustrating and disheartening, but for the minds of humanity.
I'm very glad you're excited for my Halloween fics and that you enjoy my work dear, thank you. I hope when I post them that they live up to expectations. ❤️
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nocusbonkus · 5 months ago
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im not surprised that one "neji stan blog" is harassing you they have made multiple accounts on here lol harassing random people or god forbid mention hinata and or liking her character or team gai even fucking weird i would just block them and move on their known for being a major transphobe praised jkr mocked kids being bombed etc i even found out they have accounts on twitter and tiktok its actually insane how a character can rile someone up so much i dont know if its true but i heard their a grown adult which is even more embarrassing how a grown adult is acting like this on the internet its pathetic still dont understand what their goal even is since their just bigoted and harass others like 24/7 also calling you a right wring conservative and pro slavery is something lmao. Also love your shikaneji art and your art in general <3
Yeah, I already have them blocked 😭 I had enough after they reblogged my attempts to end the discussion like five times HAHA
I'm new to the Naruto fandom, so I had no idea they were infamous and extremely bigoted. If anyone has their alts, feel free to dm them to me so I can block them there, too. Thank you so much for liking my stuff, though! 🥺💙
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fluffypotatey · 5 months ago
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What introduced you to lmk? like some fanart or a tiktok edit
For me it was a nezha edit (it was a leak at the time, but obviously I didn't know it) and I loved its design so much that I decided to see lmk, previously I knew that the series existed since I really like everything that has to do with Sun Wukong (and the journey to the west and Nezha too of course)
my love of lmk was a slow burn that then sparked into an inferno
FOR YOU SEE
it began while i was watching OSP’s jttw summarizes videos and listening to their podcast and there were some people asking Res if she watches the show (she hadn’t and prob still has not because her reason was by simply not watching it, she wouldn’t accidentally have their style influence her own. also ensuring that her summarized videos stayed original)
then i noticed some fanart of lmk on instagram (idk how that happened tbh maybe the algorithm took my interest in fanrtists of animated movies and shows to equal “hey you might like this too!”) but since i had no clue what lmk really was and was more loyal to jttw itself, i ignored it (tho one of the fanart it’s drew really good kung fu panda fanart so i saw lmk for about a month or too before i deleted my instagram
and then i saw a lot of lmk in the comments of OSP’s video about the Six Eared Macaque chapter but ignored it still
and then tumblr polls happened
many polls were made. many ship dynamic polls were made
there was also the character of all time poll, of which i was a Sun Wukong activist and found some lmk fans who reblogged my propaganda thread
(during this time— April— I discovered Epic: the musical)
i found lmk once more in the sun/moon ship poll. it was merthur vs shadowpeach and i stayed true to my shadowpeach but i noticed one of my (then) mutual-in laws was very passionate about shadowpeach and i grew curious
i searched it up (beginning of May), somehow found a playlist with seasons 1-3 two days after i began my search, watched all of it in a day (it should be noted that i had been recovering from finals) and found myself hooked
I also felt cheated out of the shadowpeach ship because, through the eyes of my (then) mutual-in law, the ship seemed to popular on tumblr. then all the shit i see on YouTube is spicy noodles and people arguing in the comments that shadowpeach are brothers
anyway
i found out very quickly that the show did scratch a special itch in my brain (it almost didn’t if i’m being honest. i was almost put off by MK and Mei’s personalities at first but figured i would wait if our since AHiB is only the show’s pilot) and now i wanted more
i went onto twitter bc i struggles to find fanart on tumblr
i realized there was a 4th season already out (also weird discord drama???? idk i only was there for the art) AND some nice metas to dip my toes in
i leave twitter and go to yt to find the 4th season (and also bc there was a whole thing about new accounts getting called out for being “pro-shippers” so i decided to tap out) and then found out about Monkey King 2009 (which i watched to stave off the desire of s4 but this backfired bc i got obsessed with that one too and only 12 episodes are subtitled for it)
AND THEN I FIND SEASON 4
i watch it all and realize i have to wait for the s4 special, but i am more prepared for it (and now i feel more comfortable interacting with lmk tumblr) which leads to me making my own metas (this was spurred by my desire for more swk metas)
and thus i found and curated my lmk fandom experience on tumblr and satiated my brain with metas and fics and art until s4 special and then rinse and repeat until s5 :D
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malusienki · 1 year ago
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why does listening to classical music automatically make you “an old soul” “nerdy” “weird” “boring”
more under the cut (it’s long, sorry)
like? is it just me having a different standpoint or do i not get it? why is it that classical music is considered boring? what caused that? what???? im convinced the people saying these things have listened to like. vivaldi’s four seasons. boccherini’s minuet. offenbach’s can-can. and called it a day. these people probably don’t even know that it’s called “minuet” and only refer to the toreador march as the “fnaf song” <- (i don’t have anything against this per se, fnaf is a really cool thing i just never got into it fully and it only irks me just a little but that’s a whole other topic) without knowing what it’s from. now that goes to say i don’t expect everyone who criticizes and doesn’t like it to immediately go listen to the entire library of classical music and be enlightened but it’s a little offputting when you go out of your way to continuously remind someone that they’re weird for listening to and enjoying operas and/or classical music.
that last little bit was taken from what my friend— or i guess ex-friend now but the term still seems unfamiliar— would kind of do to me but to a lower degree i think. they said they found my interest in opera cool and would .. kind of listen to my rants and stuff and i appreciate it but then they’d go and make offhand comments about how weird i was and would use my interest in opera to sort of like.. “you can’t be talking you like OPERA” in a jokey manner i guess? that sort of thing. i thought that was normal and even though it hurt my feelings, it was all jokes, yeah? [i recognize now that thats not how that works and even though occasional jokes are okay your interests should never be the butt of the “joke” if it’s constantly repeated and hurts your feelings] and i think people don’t realize how much of a foundation classical music in itself is. i cannot tell you how many times i’ve recognized a piece to be a fragment from an opera or a mozart composition or like.. jeez i don’t fucking know, beethoven. out in the wild. in pop music, in movies, in shows, etc. even instagram reels/tiktok. if you frequent those you’ll come to find that there are a lot of trending “audios” using like.. lacrimosa or vivaldi’s four seasons or fuckin like prokofiev’s dance of the knights or act II of swan lake. i remember my mom was watching a netflix movie, a fucking cheesy ass romance or something, and there was a moment where the flower duet from lakmé played. the goddamn mario movie has a clip of carmen’s “l’amour est un oiseau rebelle”/the habanera within the first like, what. ten? fifteen minutes? i might be getting needlessly annoyed but it’s really fucking aggravating getting told i’m weird for liking something supposedly no one else under the age of 50 does. thanks guys. i really appreciate your supportiveness— but that’s besides the point.
my main reason that i’m even writing this is because my assumption (of course, this is most likely an incorrect assumption because i’m only 15 and only have so much life experience) is that the same people who often go around saying that classical music is boring and dull are the ones who are constantly wanting to push the arts to be funded. if you’re gonna fund the arts, fund ALL of them. not just “‘“‘“modern”””” stuff. not just musical theatre or plays. i think people forget that? maybe they ignore it. maybe they just don’t know. that’s why education is so important.
now that being said, i know seeing an opera or going to a concert can be expensive— and i wish that wasn’t the case. there’s always free livestreams, there’s always concerts, there’s albums, youtube videos, i know when i was in chicago i listened to the classical radio, etc. nothing beats seeing these things live in the theatre but it’s better than nothing i think?
also, i don’t mean to say classical is better than anything i mentioned above. no. i’m just sick and fucking tired of being told this and that about my interest when all i want to do is to be happy and consume something in peace without being hardcore judged for it and i really appreciate the small little operablr community.
there’s definitely more that i missed to this so if i think of anything more i’ll add on to it but i’m just… hrrrrgggg anger rage frustration. head in hands. so tired.
thank you for your time
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yakichoufd · 6 months ago
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Hey recent comics X men fan here!
There's this clips page on tick tock called cerebro that has little animations of people explaining weird moments in the comics that really made me go wana read the comics where the weird stuff happened.
Not trying to push you into comics , but I was also kind of disappointed when I started reading the comics and didn't recognise any of the characters and everything was overcomplicated and confusing it took me reading a comic I really liked to get me into it.
The general advice people give is to start either with soft reboot house o X powers of X, Morrison's New X-Men or Giant size X-men (HoXPoX is a lot different from the show and that's why I found it fun, but my point of entry was X-Men evolution anyways)
To me I liked going to comics heavy with the characters I already liked and that made me want to read everything adjacent it has been a lot of fun.
Again not trying to pushing you into liking comics, but it's a lot of fun to me and if it can be a lot of fun for you I'd like to give the advice people gave me when I was starting even if it's unprompeted
Love your art and hope you are doing well
Oww thank you for your recommendation! I will check them out! Unfortunately I don't have a tiktok account and I not planning to join the platform yet so I can't watch Cerebro's fun videos! I bought HoXPoX comic but I didn't have the energy to read it yet. I heard it is a nice introduction to Jonathan Hickman's writting (which a lot of people enjoy) I love reading the source material. Like, if I watch a movie that is based on a book, I will read the book (and other books of the same writer if I like their writing style). So I naturally did the same when I enjoyed spiderman-2099 and Cyclops from X-men 97, but I got disappointed twice haha! Their animation adaptation is quite different from their comic verse. So I do not have the same joy of reading the source material as I do when I read books. But it doesnt stop me to try to read more comics about them! Eventually I will find an issue that I will enjoy dearly!
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amewinterswriting · 6 months ago
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I'm worried about 'streaming services as sole means of consumption of media' for a lot of reasons, but I just recently realised what exactly that means for minors.
Like, they can't legally enter a contract with a streaming service and they probably won't have a card to pay for it anyway. So (I'm guessing) most kids are stuck using the family account for whatever services their parents have chosen.
Which means that they probably don't get an opinion on what services are available to them. If they want to watch a show that's only on Amazon or Disney but parents are only willing to pay for Netflix, they're shit out of luck.
It also means kids will self-censor what they choose to watch, if their parents can check their history at any time. The fear of potentially being monitored at any time would have discouraged me from watching shows I wanted to - and I'm not even talking about age inappropriate shows (like a ten year old watching something rated R) or something that goes against a strict upbringing (like queer topics in a conservative family). Just shows that my family would see as 'weird' (anime, art films, anything remotely abstract) or 'childish' (cartoons) or perhaps even documentaries about topics I found interesting that they might become concerned about (like mental health).
When I was under 18, I always had the option of buying films/TV shows with my own money on physical media, or if a friend had it I could borrow it (we were also pretty good at internet piracy, as generations go...) so I could pretty privately source anything I wanted to watch (though I did have to do my fair share of sneaking around to watch anything on terrestrial TV). And it wasn't even that I wanted to watch anything all that controversial or shocking - I just wanted some privacy over the things I enjoyed and the safety to try something - even if it turned out to be hot garbage - without having to defend my choices to anyone else.
And I think there's probably a point here about purity culture - if you're used to having to defend your media consumption to an authority figure, you learn to make only the pure, unproblematic choices to make them easier to defend. Or you get good at preempting the argument and lead with 'yes, I know this has problems in it, but...' And when you see other people enjoying the 'icky' media, you fall into that role of making them justify themselves to you, because that's become normalised to you.
(Could this partly explain the success of Twitch/Youtube/TikTok, etc? A free entertainment source with no easy 'monitoring' of what has been watched?)
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