#website writing

[biggest-gaudiest-patronuses]

i'm begging you guys to start pirating shit from streaming platforms. there are so many websites where you can stream that shit for free, here's a quick HOW TO:

1) Search for: watch TITLE OF WORK free online

2) Scroll to the bottom of results. Click any of the "Complaint" links

3) You will be taken to a long list of links that were removed for copyright infringement. Use the 'find' function to search for the name of the show/movie you were originally searching for. You will get something like this (specifics removed because if you love an illegal streaming site you don't post its url on social media)

4) each of these links is to a website where you can stream shit for free. go to the individual websites and search for your show/movie. you might have to copy-paste a few before you find exactly what you're looking, but the whole process only takes a minute. the speed/quality is usually the same as on netflix/whatever, and they even have subtitles! (make sure to use an adblocker though, these sites are funded by annoying popups)

In conclusion, if you do this often enough you will start recognizing the most dependable websites, and you can just bookmark those instead. (note: this is completely separate from torrenting, which is also a beautiful thing but requires different software and a vpn)

you can also download the media in question (look for a "download" button built into the video window, or use a browser extension such as Video DownloadHelper.)

[chajaranilla]

SuperstarVAs Website Copywriting

Wrote the whole website content for SuperstarVAs

[museaway]

ask box trick-or-treat (fic writer edition)

Send an ask with "Trick or treat!" to the writer who reblogged this & you could receive a 3-sentence fic, drabble, headcanon, sneak-peek at a WIP, the last sentence they wrote, a new fic idea, random line from a fic, picture of their notebook, a deleted line they love, an idea for a sequel, something they're researching, behind-the-scenes info on a published fic, or something else!

happy halloween!

reblog to welcome trick-or-treaters to your inbox! 🕸️🦇

[tarantula-hawk-wasp]

Earth’s hottest day ever recorded by human instruments

Better way to phrase this is : top 3 hottest daily average-global-temperatures ever recorded by human instruments were this week.

[nakajimeow]

USEFUL WEBSITES FOR WRITERS

Writing With Color: Helps with writing about culture, ethnicity, and religion. Overall, it gives advice on how to write about diversity.

Name Generator: As the name says, it helps you build names for your characters. Very useful if you cannot think of names for your characters!

KathySteinemann: The 'archive.pdf' section helps you with synonyms in case you struggle to find the right word for your sentences (also to avoid using redundant words).

Spwickstrom: Similar to the previous one, this one provides grammar tips. Extremely helpful when finding phrases, verbs, conjunctions, adjectives, and so on.

Servicescape: The perfect website if you're experiencing writer's block. It provides writing prompts. It helps you spark creativity when it comes to writing.

reblog to help other writers !!

[gemsalive]

re: that HEFTY siffrin sweep on id5’s isat favourite blorbos poll — this might sound silly but i do actually think it’s kinda fascinating that isat, as a game so inseparably steeped in (for lack of a better way to describe it) queer fandom culture, managed to so completely sidestep the common Fandom Phenomenon that i suspect was behind the poll in the first place by creating a main character that is also overwhelmingly the fan favourite character for once.

obviously there are any number of factors we could point at to explain the extent to which siffrin nomiddlenames nolastnames manages to grab people and absolutely not let go, but personally i think one of the most interesting ones to consider is the one specific to the medium — that is, how siffrin subverts the “silent blank slate video game protagonist” archetype in such a way that happens to be primo brainrot breeding grounds.

like, when a video game dev makes a silent protagonist it’s usually a bid to maximize immersion by closing the aesthetic distance between player and character as much as possible, right? which is especially true of rpg video games — players find connection in the generic, as that is what gives you the freedom of motion to insert yourself into the story in whatever unique shape suits you best. you are your character and your character is you.

(as ever, post ran long. yall know the drill. tossin in a quick header pic before thoughts on blank slates & blorboification continue under the cut)

and then you’ve got siffrin, who is expressly pointed out to be the taciturn type; who when initially giving the player exposition about their journey so far doesn’t seem to hint at a life or history or even really any motivations outside the journey; whose every thought and action is narrated in second person so as to keep tracing and re-tracing the connection between him and you.

even their design — all darkless and shapeless, bundled up in that big cloak, as if an invitation for you to fill it in with whatever lets you relate to them most! at this point they are their own character for sure, but they also have enough very clear parallels going on with the silent protagonist archetype to feel more than accidental.

of course, as you keep playing you start to recognize that his blankness is much, much more than just a grab at immersion; his apparent lack of backstory, itself a fundamental piece of backstory. this is where he flips dramatically in the player’s perception from “generic vessel for story delivery” to “thoroughly multidimensional character trapped within endless torment nexus custom-built to target and exacerbate all his very specific worst traits rooted in very specific traumas”.

yknow, the good stuff !

but by then you have also been playing enough to be feeling the effects of the thing isat’s design does best of all. i’m talkin bout that ludonarrative lockstep baby. every piece of isat’s gameplay is designed to make you feel what siffrin is feeling — you understand by now that he is not a stand-in for you, but all the same you share in his frustration, his grief, his rare moments of joy and the subsequent heart-in-your-shoes devastation when that joy is inevitably poisoned — and through it all, the desperate grasping for anything new — all as if they were every bit your own.

so in this way the connection is maintained, even if you were someone for whom siffrin’s particular traits & struggles might not otherwise cause you relate to them at all if you had encountered them elsewhere, in a setting where you weren’t actively controlling them as a player. siffrin still gets to carry all the “just like me fr” impact of the blank slate protagonist in the tropes he embodies and in the game mechanics’ design, while totally free to evolve completely into his own character and keep you relating to closely them all the same. now toss back in the fact that said traits & struggles very much ARE of a flavour that a great many people Would Tend To Relate To and just like that you’ve got a perfect storm cookin.

too individual and compellingly written to be an empty vessel for plot delivery. too closely connected with the player’s emotional state to be a story observed impassively from the outside. he has 92 mental illnesses and for the low low price of free u can give him yours to carry too. nobody is doin it like him. congratulations on your well-deserved nose sniffrin nomiddlenames nolastnames <3

[hero-i-am-not]

when ao3 is down... I love you ao3, and thank you so much to the people who work so hard to make it such a lovely place!!

[arttsuka]

Can u draw Jedidiah and Octavius having a movie night using Larry's phone please 🙏??

I love your art sm!

Aww, thank you ♡

What movie are they watching? (Pretend there is something on that phone screen pls)

[tanix-dragon]

Is That a New Guy or Am I Losing My Mind; or, A Beginner's Guide to Finding Headmates

Written by Roger de Camden of the Draconic Wizard Workshop

Hello, everybody! This is an essay for both plurals who might struggle finding, identifying, or confirming headmates, as well as people who are questioning whether or not they’re plural. Certain pieces of advice may apply better to questioners than established systems, and vice versa, but rest assured, it is intended for both!

This essay will be broken into several sections for various “phases” of discovery and working things out, but a disclaimer before we get to that: this is heavily based on our own experiences. This is not a one-size-fits-all kind of guide. I’m going to try to make it such, but, well, I can’t make any promises, because there are infinite ways of being a system out there, and everyone’s a little different. This is just what I’ve found works for us, and, to a large extent, many of our system friends! That being said, if you try to start syscourse or invalidate other systems for any reason in response to this essay, I’m going to block you and that’s that.

Also, sorry if I go between spellings for words. I’m English, but the body is American and that means that I don’t know how to spell certain words anymore.

So! Onwards, towards discovery!

Step One: Getting an Inkling

The first step to figuring out whether or not you’ve got a headmate (new or otherwise undiscovered; I’ll mostly be calling them “new” as in “new to you”) is having an inkling that one might exist. This is mostly a passive process, and you’re probably familiar with it if you’re reading this guide. Maybe you felt something scuttle through headspace (if you have one) or through the back of your mind. Maybe you felt a presence looming behind you, mentally, that bolted when you “looked.” Maybe you had a very strong emotional reaction to something that makes no sense for you to react to, but would make sense for a character you’ve been really attached to in a show. Or maybe you slipped into an unfamiliar accent, had a loss of memories and woke up with nail polish on in a colour you hate, or just felt an opinion about something that doesn’t match your usual one. Sometimes, you may even “hear” comments about things going on in your mind.

There are a lot of little things that can tip you off. Most of them are going to be things that are misaligned with your own perception of yourself, your opinions, and your behavior. This is usually a sign that someone is co-conscious or co-fronting with you without you being aware of it. Some headmates are very sneaky this way, and some may not realise that they exist at all while doing this! Don’t hold being hard to notice or get a hold of against your headmates—many of them don’t realise that they exist, don’t know how to not be this way, or are doing it for what they perceive to be a good reason (this last one is especially common in disordered systems). Maybe they’re scared, or just not ready to be confronted yet. Don’t worry—remember, you have your whole lives to figure out everyone who’s in there, and the time will pass anyways! Take it easy.

One specific thing that tends to tip us off to a new fictive is that we realise that… no one is aware of running a character that we’re playing in a tabletop roleplaying game. Maybe someone started off running them, but they sure seem to be doing their own thing now! That character may be hard to “turn off” or “put on the shelf” when you stop playing them—and they may continue to make comments and have opinions about things in your life. This is a dead giveaway! Sometimes when we think about a character, we feel a “movement” or interest somewhere in our mind that doesn’t match anyone else’s pattern of thinking or interests, which also can be a giveaway that they’re scuttling around somewhere. Also beneficial, for us, is our synesthesia—every headmate has a colour associated with them, and when we get a thought pattern that seems to match someone but the colour is off, it can make us realise that maybe there’s someone else in here. For example, if someone were to be really interested in jellyfish, we might think that it’s Caspian, but if the colour comes back as red and not blue, then we know for certain that it’s not him.

This first inkling of a new headmate may be obvious or it may be subtle. You may question yourself repeatedly, but remember: if you feel like you are “accidentally faking,” that’s not how faking works. Faking must be done intentionally and on purpose. You could be wrong, yes, but being wrong isn’t inherently bad. It’s just that you were mistaken about something. Nothing wrong with that! We’re all mistaken about all kinds of things every day! Be kind to yourself while trying to figure things out.

Step Two: Are You There, Headmate? It’s Me, Your Other Headmate

Steps two and three are interchangeable in order, but I thought I’d put this one first because it tends to be the one that’s hardest and most distressing, rather than step three, which is about identifying who the hell your headmate is. We’ll get to that, never fear!

So, let’s say you think there might be someone in there. How can you tell for sure? How can you open communication? How can you get them integrated okay?

The bad news is that this depends heavily on the system. The good news is that there’s no need to panic, rush, or be afraid, because once again, you’ll figure it out eventually, and it will be okay!

My first suggestion is to take note of everything that’s made you think there might be someone else in there. Write it down, if that helps! Write down everything that seems to get the entity’s attention, if anything. Write down anything that might help you identify who it might be! In some instances, you might have a character that seems a little independent but you can’t tell whether they’re really a headmate or not. In my experience, this is often how many non-disordered systems (but it’s not exclusive to them!) realise that they’re plural. Knowing who it is will make this step easier, but it isn’t necessary! After all, if you know who it is, you can also write down things that might bait them into responding. Interests and friends of theirs are good examples.

Your goal in this step is to try to draw them out into doing things, speaking, or acting in ways that will give away that they are for certain there. For systems with heavy amnesia or dissociative barriers, this might be significantly harder, but my best suggestion there is to jump straight to trying to communicate, however you can—and this isn’t a bad approach for other systems, either. You can try internal communication, although you might get no response, or an abnormal one, if the headmate is new. For example, with us, new headmates usually respond to direct queries with anxiety—which, while not good for communication and not ideal for the headmate in question, does help us key in on the fact that they definitely exist. You can also try external communication, if internal communication isn’t working or is difficult for you. Write a note in a journal or a sticky note, or even in a notes app or a private Discord server. Sometimes, headmates can find replying over text to be easier. If you’re a high-dissociation and high-amnesia system who is trying to figure out if it’s someone old or new who is fronting and doing things while you’re unaware, leaving sticky notes places asking people to write down who’s fronting when they see it (if they even know who they are) might be helpful. Keep experimenting, and do what works best for you!

As a last resort for uncertain, new, or inexperienced systems, you can try something called “puppeting” on a suspected headmate, especially if you know who they are and just aren’t sure whether or not they’re here. A warning: this is rude and not advised under most circumstances, but sometimes it’s the only way to make absolutely sure that someone is in there with you, especially when you’re not used to it. Have an apology ready and mean it. Puppeting is when you try to force a headmate to do something, especially something unusual or out of character for them. For example, if I thought I might have my character Gorka as a headmate, but I wasn’t sure, I might try to call up a scenario involving Gorka and then try to imagine her doing something wildly out of character, that she would never, ever do. If I couldn’t get a response out of that, or if I had no idea who this new headmate might be, I might just try to make them physically do something—strongly imagining them doing a stupid dance or similar! No response doesn’t necessarily mean you do or do not have a headmate, but a strong response—usually of anger, offense, or “slapping” your “hands” away—indicates someone separate from yourself! Apologize immediately and then attempt to engage in communication once they’ve calmed down a little, or try to transition into it through an explanation. 

There are a lot of reasons that a headmate might not respond to puppeting, though. They might be non-confrontational, or hiding their presence from you intentionally for any number of reasons. (Maybe they’re nervous, not ready to exist yet, afraid of how you might respond, afraid of accepting that they’re in a system—it could be anything.) In cases like this, you might just get discomfort instead of a strong response, which is easy to confuse for being your own rather than theirs. Try to sort out whether you just feel strange doing it, or if it’s someone else’s discomfort bleeding through. I know it’s hard, but that’s a difficult thing to give advice for, I’m afraid! Other reasons may be that they just dip from the front when you try (removing themself from your sphere of influence completely), or if they’re a character you frequently play, they might be so used to being pulled around into doing things that it doesn’t bother them, or bothers them so little that you don’t notice.

Usually, if you’re at the point of trying puppeting, there’s enough signs that this person really is a headmate to dissuade you from trying it once you’re a little more used to it. It’s a temporary and unideal tool that should leave your toolbox as soon as you become confident enough to identify new headmates without getting grabby with them. Undoubtedly, trying to establish communication is a better approach, if you can get it to work.

Usually, once we’ve properly spotted a headmate and made it clear to them that we know they’re there, one of two things happens: either they come sit in the front for a few days or weeks to settle in, let us identify them, and get used to being a full active member of the system, or they realise that they exist and have a panic attack. This “new headmate panic” can last anywhere from a few minutes to multiple days, and may fluctuate in strength. Sometimes, a new headmate might seem fine early on, but have this panic after a few days, weeks, or even longer. Be gentle during this time, especially if you yourself have a strong reaction—be gentle with both, or all, of you! Realizing that you’re in a system can be very distressing, as can realizing you have a new headmate, so try to be gentle, let yourself feel what you’re going to feel, and work through it in the best way you have. Try not to direct any anger or negative feelings towards anyone else in your system during this time, and just let the storm pass before really trying to get to know each other.

Step Three: Who Is This Guy, Anyway?

Once again, you can do this step before or after step two, but I put it here because I decided to include some tips for getting to know your headmate, not just identifying them (if there is anything to identify). If your system is introject-heavy, or if you’re asking yourself if you’re just really interested in a character or if they’re a new headmate, this is an important step! Who is this? Are they an introject of some kind? Are they something or someone else? Is there anything to identify, per se, or is it just a situation of getting to know a whole new person? This is a very, very different step depending on your system, and is going to skew very much towards my own experiences. I’m sorry about that, but I will do my best!

If you’ve already established communication with this headmate, even if it’s shaky, you can try to get information from them that way. They might be willing to give you a name, a code name, a colour, an aesthetic, likes or dislikes, something you can use to familiarise yourself with them or identify them from a list of “suspects” if you have such a thing. (We always do, because we’re almost all fictives, and we know our own patterns at this point.) For us, new headmates almost never actually identify, and just sullenly sit while trying to figure themselves out and will only confirm who they are once we figure it out. It’s sort of like playing a mystery game, assembling clues based on a myriad of factors. If you have some suspicions, just like the previous step, you can try to bait out responses by doing things that might interest who you suspect this headmate might be.

Again, I suggest writing things down! Write down likes and dislikes, things that get their attention, interests, even things that make them anxious or afraid. Whether it’s a case of identification or just getting to know them, this is invaluable information for interacting with someone sharing a head with you, and it may even be helpful for them as they get their feet under them.

Another invaluable tool is talking to people outside of your system. They can help you identify when you’re acting unusually, when you might have someone unfamiliar riding co-conscious, and even who that person might be. You may be too tangled up in your own feelings, your dissociation, or the desperation to understand who is in your head with you. It’s easy to get lost in the weeds and lose sight of the big picture, but another friend, especially another system that knows you well, can be extremely helpful! One of our system friends has clocked many a headmate of ours before we were even certain they were there—just “hmm, you’ve been very much like X lately” and they were absolutely right. 

Regardless, taking notes on your new headmate, asking them about themselves, and sharing things about yourself are all important steps to getting to know them! They may be uncomfortable, they may distrust you, they may be afraid—or they could be friendly and excited to be here! It really depends on who it is and their comfort level. Don’t push—if they’re not comfortable talking yet, don’t make them! Let them adjust at their own pace and get to know them as they’re willing to let you. I know it can be distressing to have a totally unknown entity co-fronting with you, but sometimes it’s one of those things that you have to take a deep breath and carry on through until they’re willing to talk. I know you can do it! Talk through it with someone outside of your own head if it’s difficult to give yourself some fortitude if you need to. I know it helps me.

Step Four: Now What?

Let’s say that you’ve confirmed that you do have a headmate, and either have or are on the road to identifying them, if applicable. Now what?

As I’ve said before: be gentle with yourselves! Especially for a new or inexperienced system, and especially for someone who is just realising that they’re a system, this can be overwhelming, distressing, or any other number of emotions. Remember that having or gaining headmates isn’t inherently a bad thing, and while this all might take some getting used to, it’s going to be okay. You’ll figure out an equilibrium eventually, and it is absolutely possible to live a long, happy life with your headmates. Remember that you’re all in this together, and you’re a team.

People may not want you to notice them, may not want to be in the system, or may avoid attention as best they can for a lot of reasons, and trying to make them feel at home, or at least more comfortable, is essential. It can be scary being in a system all of a sudden, especially if they’re an introject or otherwise had a life outside or before this one. Maybe they don’t like the body, or are afraid of another headmate, or are terrified of a negative response from you or someone else. Don’t force these people into situations they’re not ready for! If you’re looking for someone, trying to identify them, or trying to help them, and you’re just causing a lot of distress, back off for a while. Let them calm down and come to you in their own time. Sometimes, you have to do the system equivalent of leaving cookies out on a plate and turning your back to them so that your new headmate can take them without being watched. Take things at the pace that you’re all the most comfortable with, and as always, be kind.

I really do suggest talking to someone about this process, if you can. Journal if you’d like, especially if you can’t trust anyone with this, or don’t feel comfortable doing so yet. Getting your words out of your head helps you sort them out a lot, especially in the case of systems, where a lot of people’s thoughts can get jumbled together. Writing them all down, even if you don’t know whose they are, can be helpful. We find that talking to other system friends is of the most benefit, and our new members are far more likely to speak to them first rather than us, because there’s a degree of separation and that’s more comfortable for them. Whatever works for you, do it! The idea is to get comfortable with each other, and with being here together.

Find things that your new headmate likes doing. Goratrix has a whole panel about this aimed at fictives, but essentially, if your new headmate doesn’t have reason to front and isn’t interested in anything, you probably won’t see much of them, and they may end up miserable. Make sure you engage with them and their interests. Let them make friends if they’d like. Get them snacks. Again: whatever works! This is going to depend very heavily on your system, so follow your gut instinct on this one, I think.

Absolutely essential, though, is to not repress anybody. I know sometimes getting a new headmate can be scary, especially if they’re unfamiliar, frightening, seemingly monstrous, or a persecutor, but remember: they’re probably just as freaked out as you are, if not more so, and they need patience and understanding. Statistically, if they’re doing something troublesome, they’re trying to help and just don’t know how, or are misguided on what “help” looks like. Be kind, and try to find a solution that works for everyone.

Past that… just get to know each other. Figure out how to live together and how to make your combined life the best life it can be. For us, there’s so many of us that someone new can almost always find a fast friend in someone else, and sticks with them for a while until they’re more used to the system and more confident fronting and doing things without their buddy. Other systems may be able to mimic this approach, or may need to do something very different. Again, again, again, do what works best for you! If parts of this guide seem unhelpful or counterproductive, ignore them! This is based on our experience of plurality, not yours. Always do what’s best for you, what helps the most of you, and what causes the least distress while still letting you function as much as you need to.

Being plural is a very personal experience, in a lot of ways, which is pretty funny because sometimes that personal experience is spread across two or twenty or five hundred people. It’s also a very personalized experience, meaning we’re all quite different. Your “now what?” might look very different from ours, and that’s okay. We can only do our best, and that’s always good enough.

I hope this is helpful to someone! If you have any questions, please feel free to ask, and I may edit this guide in the future if it seems that I left something out or think of anything to add. =)

[singthemoon]

I mean yeah the people framing Orpheus and Eurydice as an avoidable tragedy are factually correct

But like,

Of course he was gonna turn around.

I think,

To love someone so much that you would try and drag them out of hell is to love someone so much that you would turn around.

The same intensity that guided him down to attempt the impossible is the one that made him fail. There's not one without the other.

He was never able to bear it, that she wasn't there.

Or maybe I'm wrong, maybe he'll get it next time.

[finniestoncrane]

Cooper Howard x Fem!Reader, word count: 1.5k i want to stand in the middle of a room and let him do what he wants and see what he wants and blush the entire time ;-; 🤎 request info • prompt list • send me a request • kofi • masterlist minors DNI!! 🔞 cw: porn with very little plot, dominant/demanding behaviour, fingering, biting, breast/nipple play (we got tit-sucking with the ghoul, fellas), cmnf, scratching, teensy bit of possessive behaviour

Your eyes flitted briefly to the door of the abandoned shack. It wasn't as if anyone was going to walk in on you both, but you were still nervous, embarrassed to do as he asked.

"C'mon now, darlin'. Can't get any further while you've still got that pretty, blue suit on, can we?"

Cooper had been waiting for this moment since he'd first decided not to kill you. What lay beneath that now tattered, once pristine, vault suit? What were you keeping from him? How unspoiled were you? And what could he do to ruin you? It was no longer a deep desire, a passing fancy. He needed to see your body, and he needed to make his mark on you.

With a flourish of his hand, he urged you on, indicating his growing impatience at your refusal to bend to his will with a roll of his eyes. You watched as his fingers skimmed over the barrel of his gun, visions of everyone else he had so flippantly shot crossing your mind.

"I ain't gonna ask you twice, sweetheart. Take. It. Off."

With trembling fingers, you did as he asked, fumbling with the zip before slowly pulling it down, your eyes flicking upwards to Cooper, watching him as he watched you. As you slid your suit off your shoulders, exposing your breasts, you noticed his pupils widen. And when you shimmied it down over your hips, letting it drop to the floor, your entire body on display now, he pressed his tongue out, wetting his lips in silence.

You could feel your cheeks burning, your hands reaching to cover your breasts, thighs pressed together in a bid to shield your sex from him. He wasn't going to speak, so you did.

"Well..."

"Well what?"

"A-aren't you going to... take something off. Your coat at least?"

"Oh, you have sorely misunderstood, missy. I'm not taking off a damn thing. You're the star of this show."

You felt like it, and not necessarily in a good way. It was like a spotlight was shining on you, focusing on your body. Cooper's attention drawn to it, like a moth to a flame. You tried not to think about the way his eyes were taking you in, hungrily. It felt almost sinful, the way he greedily admired you.

His mind was in a frenzy, a carnal fugue state brought on by just how smooth you were in comparison to him. Your skin, perfect, unspoiled, untainted. A burning desire to mar that perfection in a wanton display of lust and violence.

"Well... look at you. If I'd known what you had underneath all that... well we might be a few days behind schedule at least."

It was almost torturous to stand there as he scrutinised you, and yet you found yourself yearning desperately for him to not look away. There was just something so beguiling about Cooper, a charm that oozed out of his every orifice, that made even his more sadistic habits seem reasonable and, yes, even attractive.

You wanted him to touch you, to feel like he was a part of this. That you weren't just there for him to stare at. He seemed to be able to sense your need, as he was quickly in front of you, warm, dry hands reaching for your body and settling on it. It was strange, how delicate he was. But clearly your willingness for his touch, the way you leaned into him, spurred on his more wicked nature.

He began to rake his nails across your skin, first up your arm, the ragged texture scraping over the top layer, making white tracks on the surface. Then he dug in deep, fingers gripped at your upper arms, your back, your hips, scratches etched into your perfect body. Like he was signing a piece of his work before he'd even started with it.

"I had wondered how you would feel, so smooth, like silk... like I remember marble feeling as I ran my fingertips over it..."

Just as his words began to feel sweet, too complimentary for them to feel like they were being said by him, he switched back to his more commanding tone, his orders coming out in a deep, serious growl.

"Lean back on that old table there and spread those pretty legs apart, darlin'. I want to get a better look at all of you."

The way he stretched that word out.

All of you.

All.

And the way he waited, patiently but uncompromising as the looked to him nervously, cheeks darkening with your blush. It felt so dirty.

But you did it anyway, knowing you couldn't refuse him, and didn't really want to. You were rewarded by the sharp intake of air as he sucked in a breath and let it out with a whistle.

"Now that is a fine lookin' cunt, sweetheart. So pretty. So wet."

He shoved his hand between your legs, fingers immediately spreading your pussy lips to feel your wetness. There was a sense of frustration bubbling stirring within Cooper as he indulged himself in in your heat, how soft your swollen lips felt, like velvet against his dry fingertips. How the patch of unruly pubic hair was tickling his skin, delicately. That you'd held this back from him for so long.

As his fingers glided pasted your lips and spread your folds you couldn't help but practically purr at how gentle he was being, and that in turn had Cooper biting back a moan. The thrill of seeing you there, at his command, beneath his touch. He couldn't help but feel a little smug.

"Still got it, Howard."

Your body was trembling as he explored you, and you felt yourself begin to squirm when he turned his attention to your clit. With his rough fingers, he teased at your hood, pulling it back to expose the sensitive bud, smiling as you hissed when he tapped softly on it. Writhing against him, the heel of his palm pressed into you, you tilted your pelvis into him to feel it against your opening, moaning as he fingered your clit, but aching to feel something more, something deeper.

"You need something inside you, darlin'?"

Nodding, you clenched your body as he removed his hand from you completely, a pleading mewl letting him know how badly your body needed him.

"Careful what you're begging for there, sweetheart."

Your back arched immediately in response to his fingers inside of your cunt, massaging your inner walls as he hooked them up and struck the perfect spot inside. Sweat began to bead on your forehead, your mouth hanging open, agape and panting as Cooper began pumping his fingers in and out of you. He was unforgiving, watching in cruel delight as you spasmed, sweating and huffing as he fucked you hard with his firm, practised digits.

He relished in the way you clenched around him, spasming as his merciless rhythmmade you wail in pleasure. It was almost reckless the way he was fucking you with his hand, borderline clumsy, and filled with passion. But he pulled away from you with a deep grunt, deciding that there were still other parts of you he wanted to experience before you were too spent to let him keep going.

"I'm 'gon need your help here, lil lady. Start touchin' yourself, I want you to feel how wet you are."

His voice was dark, a guttural growl that indicated how serious he was, and you obeyed his instructions with wide, nervous eyes.

As you began to stroke your own clit, Cooper leaned over you, his breathy moans of anticipation tingling over your skin as he sunk into your chest. He slowly laved at your sternum, following it up as his hands cupped at your breasts, and then his mouth shifted to your nipple, closing over it and sucking as his other hand worked your breast.

His tongue darted over the sensitive bud, lapping at it with flat, broad strokes before he pointed it, tracing around the nipple as your breath rasped at the stimulation. You were quivering, your core tightening as Cooper worked your soft flesh, savouring the taste of your skin, the tang of your sweat on his stiff tongue. He was laughing against you, a crude reaction to your whispered gasps and soft whines. The cruel way he received your body and encouraged your orgasm made you wail out against him as your fingers worked you the way you knew best.

You could feel it coming, the precipice of your release. Gut tightening, eyes rolling back, your groans becoming whimpers

Cooper let out a cruel laugh as you took in a shaking breath, filling your lungs with warm, dusty air to prepare for your orgasm. And then your back arched, your knees buckling, as you screamed out in pleasure.

Enough electricity rippled through your body that you could have powered the shack without a generator. And it still coursed through you when your cries died out, jerking you, your body convulsing as you came down from the seemingly impossible high.

"I hope those scratches don't stay on your soft skin too long, sweetheart..."

Cooper winked at you, lips stretching into a sneer.

"... and put your suit back on quick. Now that I know what you've got under there, it's mine only."

[ouatpancakes]

“Two dimensions to and fro

You always know which way to go.

If you’re lost don’t be afraid

In Euclydia you’ve got it made.

Run too far to right of frame

You’ll appear on left again.

Jump too high don’t cry or fret

You’ll pop up from the ground I bet.

In this place there is no fear

Loved ones will be ever near.

Roles and rules always clear

Euclydia we hold you dear.”

[tippenfunkaport]

That viral post that's going around about how people who write "book quality" mlm fic are too "normal" to publish and have real jobs so only "weird" people publish their "shitty" fanfic is so completely out of touch with reality and I am giving a massive side eye to everyone reblogging it.

Not only is it completely, easily verifiably untrue (you cannot enter any professional writing space without tripping over a dozen grizzled scifi writers who got their start by filing off the serial numbers and publishing their Star Trek fanfic even going back decades ago??? it's a whole thing?? plus how can you look at the mlm category on Amazon right now and say with a straight face that people aren't publishing shitty Spirk and Stucky fanfic??? Oh, honey...) it's also the perfect example of this kind of sneering elitism that true artists would never sully themselves by seeking profit, they do it only for the purity of the thing that always somehow leads back to, "no one should be paid to make art, actually."

The only reason you're seeing more published fanfic right now has nothing to do with the idealistic purity of your hypothetical government employee written smut of the past vs the debased scribbles of those awful straights of today and everything to do with the fact that a) self-publishing has created a voracious readership that wants a ton of content so it's become a viable, flexible income stream for many, especially disabled people b) anyone can publish now with self-publishing tools so there are less gatekeepers and c) lockdown got a lot of people into fandom and therefore writing who never tried it before.

And if you really think there's no "shitty" published mlm and no "book-quality" m/f writing out there that started as fanfic, then you are clearly not a reader so why are you even talking about this?

[icamefromadream]

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[nakajimeow]

WRITING ADVICE THAT I HEARD (THAT ABSOLUTELY WORKS FOR ME)

Okay, so I am writing these tips that I have learned/heard from other authors. It worked for me, I just want to share it just in case other people might find it helpful too!

Know the ending of your story before starting it.

Whenever you have an idea, WRITE IT. IMMEDIATELY! (before you could even lose it or worse, forget it)

READ MORE !!! (get inspiration from other people's books)

Write EVERYTHING. Just correct/edit them later when you are finished.

Explore other genres. (do not get stuck with one genre. instead, read/write other genres. you never know, you might be better at writing other genres)

Similar to the first one, CREATE OUTLINES PER CHAPTERS !! I REPEAT, CREATE OUTLINES. (in this way, it would be easier to write because you have a summary of what is going to happen in each chapter.)

reblog to help other writers !!

[triangular-static]

look i understand if people just don't like the idea of billford, i think we have a different internal concept of what shipping means (they're not good for each other at all but i need to dissect their dynamic like a bug. you understand. it's fun) but it's fine to avoid things you don't like, good for you genuinely

however people saying they like. don't see it. like. i'm not saying there's no platonic way to read it, i'm aroace spec myself i'm all for reading things in different ways. but i do think saying they weren't partners in any queer sense at all is trying too hard to go against what the narrative is trying to say, or missing it. somehow

anyway media literacy time if a character makes a joke like this

and the previous context of that joke within the show is that it's about an ex wife. what connection do you think the text is trying to get you to make.

and that's just from a writing point of view. not even noting that from an in universe perspective ford likely knows the joke from the same source as stan. and is therefore. placing himself in that role of the joke are you seeing where i'm coming from

(not to mention bill's side of this text which is. extremely manipulative but also does not read very platonic. again, it can technically be read as platonic! bill literally can manipulate ford's feelings. but the specific wording used is very much meant to look like possessive ex partner wording whether the character means it that way or not. it's coding. look again i'm not saying it was good for them i'm just saying there was something there.)

and then there's also the divorce/break up/rock bottom input on the website. like. how else is that supposed to be read. and the corresponding page in the book itself.

the language being used here. like yes he's saying it in a joking way but then there's the other side that isn't joking which is him crying at the bar. it's the both sides (the very coded language on top of the very genuine emotions and dynamic beneath)

i know most of us are on the same page with this i've just seen a couple people saying they don't see it when this is some of the most clear cut coding i've ever seen. and these are just the things that explicitly reference a relationship off the top of my head i'm not even including the general vibes of Everything

tl;dr it's barely even subtext anymore it's all but straight up text. what's not clicking have we forgotten what coding is (lighthearted i just enjoy the phrase what's not clicking. what's not clicking)