#we're all matchbox men

[deardarlingthings]

Found Family Ted and Jamie anyone?

I'm finally writing mine!!:

'Doing the right thing is never the wrong thing. Sometimes that means you have to stick your nose where it doesn't belong. So what would've happened if Ted had stepped in, father to father that fateful night when Manchester City won, and relegated AFC Richmond?

We all have our battles, what are you willing to fight for?

tagging @prettyevermores @redstringoffate-101 @allghostsfromhereonout @itsybitsybiderman @russmindjk20 because y'all got the ball moving on my original post❤️💙

[disco-elysium-via-polls]

🎵 Ignus Nilsen Waltz

I've decided to change outfits for this. This is going to alter some of the dialogue we've already heard.

ECHO MAKER - "He should know the meeting starts at 22.00 *sharp*." His companion looks up at you and squints.

VISUAL CALCULUS [Medium: Success] - His eyes are tracing an invisible line back and forth from your jacket to his companion.

ECHO MAKER - "Hey, Steban. Isn't that *your* jacket?"

DRAMA [Medium: Success] - What a coincidence! You two have the *same* jacket. What are the odds?

LOGIC [Medium: Success] - Based on the prevalence of white Saramirizian suits in Martinaise? Extremely low.

STEBAN, THE STUDENT COMMUNIST - "It certainly *looks* like my jacket, Ulixes. Where did you get that, gendarme?"

I just found it… in a room."

"Must be a coincidence. I see these jackets all the time."

"This jacket is RCM property. It's been confiscated as part of an ongoing investigation."

[Leave.]

STEBAN, THE STUDENT COMMUNIST - "Unlikely. That's real Saramirizian twill. Only old Saramirizian communists and drug smugglers wear those anymore..."

"See, Uli? It's just like Mazov wrote. How does it go again?"

ECHO MAKER - "'Those committed to the rights of property are those most apt to violate them'." His companion nods emphatically.

CONCEPTUALIZATION [Medium: Success] - Just a minute. Steban... Ulixes... *why* do those names ring the faintest of bells?

LOGIC [Medium: Success] - Probably because they're the real names of 'Nasteb' and 'Exilus', the authors of that so-called essay about TipTop Tournée you read...

CONCEPTUALIZATION - You should get to the bottom of this, when you have the chance.

STEBAN, THE STUDENT COMMUNIST - "I assumed it was Maurice who broke into my room, to play a trick on me. I didn't think I'd *actually* been raided by the RCM!"

EMPATHY [Easy: Success] - There is surprise in his voice, naturally, but is that a note of *excitement* you also detect?

"So, do you want your jacket *back*?"

"Listen, comrade, it's not what it looks like..."

"Why do you sound *excited* to be raided by the RCM?"

STEBAN, THE STUDENT COMMUNIST - "Oh, gendarme, because this is perfect..."

He turns to his companion. "Can you imagine the look on Maurice's face when he finds out the RCM has been kicking my door down?"

ECHO MAKER - "He'll shit himself! Positively."

STEBAN, THE STUDENT COMMUNIST - "And now they've shown up *in force* to break up our meeting!" He rubs his hands together excitedly.

KIM KITSURAGI - The lieutenant sighs. "Something tells me these young men are not very experienced with law enforcement."

"Hold on, we're not here to *break up* your meeting. We want to *join* your meeting!"

STEBAN, THE STUDENT COMMUNIST - "The RCM wants to join us?" A quizzical expression...

KIM KITSURAGI - "My partner, of course, is acting in a strictly *personal capacity*, not as an official representative of the RCM."

STEBAN, THE STUDENT COMMUNIST - "Interesting. Does that mean you've done the reading?"

DRAMA [Impossible: Failure] - Uh oh. No one said anything about *reading*. You'll just have to wing this one.

And we're back.

4. (Whisper.) "Kim, did *you* do the reading?"

KIM KITSURAGI - "No, detective. The only reading I've been doing is right here..." The lieutenant holds up his little blue notebook.

ESPRIT DE CORPS [Easy: Success] - He seems to be wagging the notebook at you, as though he suspects you may have forgotten why you're here.

KIM KITSURAGI - "I have not had time to seek out pretentious communist book clubs, nor have I done their 'reading'."

ECHO MAKER - "It doesn't sound like they've done the reading, Steban."

STEBAN, THE STUDENT COMMUNIST - "Well, this is getting awkward. I'm not sure what you were expecting to find here then..."

EMPATHY [Easy: Success] - There's profound consternation in his voice. You suspect it's about something bigger than your not having done the reading.

ECHO MAKER - "Maybe they can explain themselves."

"What *exactly* are you two doing here?"

"What were you doing with those matchboxes just now?"

"Do I *know* you two from somewhere?"

"That's enough for tonight. Will you still be here if I have more questions?" [Leave.]

STEBAN, THE STUDENT COMMUNIST - "In the most general sense, I would say we're cultivating revolutionary consciousness."

ECHO MAKER - "Yes, that's probably the best way to describe it."

STEBAN, THE STUDENT COMMUNIST - "But more specifically, we're running a reading group, the most rigorous and theoretically advanced materialist reading group in Martinaise."

ECHO MAKER - "Comrade Steban is a great discussion leader. One of the best at the university."

LOGIC [Medium: Success] - It's obvious they take this 'group' of theirs extremely seriously. Whatever you do, *don't* compare it to a common book club.

HALF LIGHT [Medium: Success] - *YAWWWWN!* Can you imagine anything duller than a bunch of binoclards yanking each others' knobs?

"Is this where I can square off in *theory combat*?"

"Sounds like a place for intense intellectual engagement. Exactly my kind of jam."

"Sounds just like a regular book club."

"Sounds like a yank-fest for binos."

STEBAN, THE STUDENT COMMUNIST - "We have been known to get into some *spirited* debates. But it's always in service of our larger intellectual and ideological project."

ECHO MAKER - "Precisely. We're not interested in senseless parroting. We like to read *critically*."

STEBAN, THE STUDENT COMMUNIST - "Within the contours of Mazovian historical materialism, of course."

"I didn't realise they taught radical Mazovian theory in the universities."

"Okay, so what does your reading group actually *read*?"

"I think I get the idea. Let me ask about something else."

ECHO MAKER - "Ha! As though you can call that pablum *teaching*."

STEBAN, THE STUDENT COMMUNIST - "One thing you learn quickly at university is that you're not going to find a real education in any lecture hall or discussion seminar."

ECHO MAKER - "We're post-attendance, basically."

STEBAN, THE STUDENT COMMUNIST - "Exactly. The only worthwhile part of the so-called École normale de Revachol is the library. That's where we've made our greatest critical strides."

2. “Kim, can we arrest these kids for truancy?”

KIM KITSURAGI - "They’re not primary school delinquents, they’re university students. Attendance isn't compulsory. Besides, we’re not the skip squad."

ENCYCLOPEDIA [Medium: Success] - The Counter-Truancy Task Force (or 'skip squad') is the division of the RCM that drives around in wagons looking for delinquent minors. It's generally considered a punitive assignment for under-performing officers.

3. "Okay, so what does your reading group actually *read*?"

STEBAN, THE STUDENT COMMUNIST - "We study all the foundational texts of Mazovian theory, of course. Just last week we finished the second volume of Puncher and Wattmann's 'Innocence of Capital'..."

ECHO MAKER - "Truly extraordinary."

STEBAN, THE STUDENT COMMUNIST - "And before that we spent six weeks on 'State and Plasm'..."

VOLITION [Formidable: Success] - This is fine. You can handle a list. In fact, you find the tedium strangely soothing.

+1 Morale

STEBAN, THE STUDENT COMMUNIST - "We've also read Wertmüller's 'The Mega-Structure of History,' and before that, 'Reál and Reality'..."

CONCEPTUALIZATION [Medium: Success] - Communist theorists love puns, in case that wasn't obvious.

Level up!

ECHO MAKER - "Abelard's 'Un Pays Infernal'..."

STEBAN, THE STUDENT COMMUNIST - "The original Fizdale translation, not that watered-down revisionist garbage."

DRAMA [Medium: Success] - These two deserve the Order of Honour for Bullshitting. There's no way they've actually *read* all this stuff.

ECHO MAKER - "Obviously." He snorts.

STEBAN, THE STUDENT COMMUNIST - "But, of course, our *special emphasis* is on the theories of Ignus Nilsen and his followers, especially the infra-materialists."

"Wait, who are these *infra-materialists*?"

"I know who Kras Mazov is, but who is this 'Ignus Nilsen' guy?"

STEBAN, THE STUDENT COMMUNIST - "You're not familiar with them? It's... pretty advanced stuff. You may not be ready for it yet, gendarme." The two young men exchange skeptical side-glances.

"Okay, but then who's this 'Ignus Nilsen' guy?"

STEBAN, THE STUDENT COMMUNIST - "Only Kras Mazov's most trusted lieutenant, the Evangelist of the Revolution, and the founding father of the People's Republic of Samara."

ENCYCLOPEDIA [Legendary: Failure] - It's hard to overstate how unimpressed he is that you've never heard of this world-historical individual.

STEBAN, THE STUDENT COMMUNIST - "He *also* happens to be the greatest communist theorist after Mazov himself. It was Nilsen who first postulated the existence of ideological plasm, which forms the basis of infra-materialist theory."

The young man sighs. His companion looks about furtively.

2. "Did this reading group have anything to do with the lynching?"

STEBAN, THE STUDENT COMMUNIST - "Lynching? No. We're not an *operational* cell."

ECHO MAKER - "We think of ourselves as more of an intellectual vanguard."

"Okay, but what's your group's stance on the lynching?"

"Is your reading group affiliated with the Union somehow?"

"*Are* there any operational communists in Martinaise?" (Proceed.)

STEBAN, THE STUDENT COMMUNIST - "Our stance? What, does he want to know if the SRV has established a party line on lynchings in Martinaise?" The two young men look at one another.

ENCYCLOPEDIA [Medium: Success] - The SRV refers to the People's Republic of Samara. Established as a socialist utopia by survivors of the Revolution, it has since degenerated into a bureaucratic workers' state under the decades-long rule of President Sapormat 'Sport' Knezhinisky.

ECHO MAKER - "Though historically speaking, the SRV *has supported* direct action against right-wing paramilitary squads, especially when they're doing the Indotribes' dirty work."

STEBAN, THE STUDENT COMMUNIST - "Good point. So as a provisional matter, I can say we support it."

SAVOIR FAIRE [Challenging: Failure] - Are they being sarcastic? You feel like you're caught in some elaborate joke labyrinth, but it's impossible to see your way through.

EMPATHY [Easy: Success] - It's always that way. Beneath the crust of irony there's a molten sincerity that threatens to erupt forth... You may witness it yet.

2. "Is your reading group affiliated with the Union somehow?"

STEBAN, THE STUDENT COMMUNIST - "No, we're an independent organisation," he says proudly. "We acknowledge and respect the Union's efforts, but our interests are more theoretical than Mr. Claire's."

DRAMA [Medium: Success] - He speaks the truth.

3. "So what's your stance on crime in general?"

STEBAN, THE STUDENT COMMUNIST - "That's easy: Crime is simply the inevitable expression of the injustice and incoherence embedded within capitalism itself."

"It's a symptom, in other words. Not a cause." He waves his hand as though this is all there is to say on the subject of crime.

ECHO MAKER - His companion can barely suppress a yawn.

4. "*Are* there any operational communists in Martinaise?" (Proceed.)

STEBAN, THE STUDENT COMMUNIST - "No, unfortunately. The communards were hunted down and killed nearly to a man. All that's left of them are bones and old rifles."

"Right. They all got shot in the head, just like the anarchists."

"Well, that's too bad."

STEBAN, THE STUDENT COMMUNIST - "The Insulindian Deluge wiped out an entire generation of communists. Afterward, they were all bulldozed into mass graves." The young man looks slightly queasy at the thought.

ECHO MAKER - His friend, though, seems oddly unmoved.

HALF LIGHT [Medium: Success] - On the contrary, he appears to be *savouring* the thought of so many people shot in the head, regardless of their beliefs.

EMPATHY [Easy: Success] - Mark it, there's something sinister in that one.

STEBAN, THE STUDENT COMMUNIST - A moment of silence. They're waiting for you to speak.

3. "Where is the rest of the reading group?"

STEBAN, THE STUDENT COMMUNIST - "What do you mean? This *is* the reading group..."

"So there's just two of you?"

"Shouldn't a group have, like, more people in it?"

"Two's all you need. Me and Kim are the same way." (Turn to Kim.)

KIM KITSURAGI - "Kim and *I*..." the lieutenant mutters under his breath. He scribbles something in his notebook but adds nothing else.

STEBAN, THE STUDENT COMMUNIST - "We're in something of a rebuilding phase."

ECHO MAKER - "Some of our former comrades didn't have the *ideological fortitude* our work demands."

"Okay, but what happened to them?"

"I've heard enough. Let's talk about something else."

STEBAN, THE STUDENT COMMUNIST - "Intellectual attrition is maybe the best way to describe it. Felix said he couldn't keep up with the reading on top of his classwork. And Zuzanna wanted to read texts *other than* Mazovian theory. Like novels, if you can believe it..."

CONCEPTUALIZATION [Medium: Success] - Imagine, the audacity of wanting to read a novel in a reading group!

"Novels, unbelievable." (Shake your head.)

"Maybe you just haven't found the right group yet?"

ECHO MAKER - "See? Even a gendarme gets it."

STEBAN, THE STUDENT COMMUNIST - "We've tried recruiting new members, but unfortunately the *current intellectual climate* is pretty hostile to infra-materialist thought. These days, if you're on the left, the ascendent schools are the Gottwaldians and the Econoclards."

ECHO MAKER - "Don't forget about Maurice and the turnips."

STEBAN, THE STUDENT COMMUNIST - He sighs. "Right, then there was the whole 'turnip' debacle."

RHETORIC - Whatever this turnip business is about, one thing *is* perfectly clear: These young students have a much deeper understanding of communism than you do...

You could learn a thing or two from them, if you can convince them you're one of them.

"What's so bad about the Gottwaldians?"

"Who are the Econoclards?"

"What about Cindy, is she part of the group?"

"Did you say something about *turnips*?"

"I've heard enough. Let's talk about something else."

STEBAN, THE STUDENT COMMUNIST - "They're the most depressing school of communism. They love writing long books with a patina of Mazovian theory to cover up their cheap psychologising."

ECHO MAKER - "A gang of cheap psychologists and intellectual midgets." His companion sneers. "Typical Gottwalders, in other words."

STEBAN, THE STUDENT COMMUNIST - "It's okay for Uli to say that because his dad is from Gottwald."

"What's so depressing about their theories?"

"What's so bad about psychologising?"

STEBAN, THE STUDENT COMMUNIST - "The Gottwald School believe that intellectuals as a class are incapable of sparking revolutionary change, so all they can do is *critique* capitalism from inside itself."

LOGIC [Medium: Success] - In other words, they have lost faith in their own relevance.

STEBAN, THE STUDENT COMMUNIST - "That's why they spend all their time smoking cigarettes and writing long works of criticism that make you want to commit suicide."

"That sounds miserable."

"Sounds rewarding, actually."

STEBAN, THE STUDENT COMMUNIST - "It *is* miserable. That's probably why they're always committing suicide."

2. "What's so bad about psychologising?"

STEBAN, THE STUDENT COMMUNIST - "Do you think all the problems in the world can be reduced to repressed sexual urges?"

LOGIC [Medium: Success] - No, of course not. That's reductive in the extreme.

ELECTROCHEMISTRY [Medium: Success] - One-thousand percent, yes.

"Probably not."

"Speaking from experience, definitely."

STEBAN, THE STUDENT COMMUNIST - "Well, there you have it. You're not a Gottwaldian, then."

"You see, the Gottwald School look like communists, they talk like communists, but scratch the patina and you'll see beneath that they're just depressed liberals who've read too many books."

2. "Okay, but what about the Econoclards?"

STEBAN, THE STUDENT COMMUNIST - "For starters, they love talking about *beans*."

"*Beans*?"

"What's wrong with beans? I like beans."

"No beans for me. Can't stand the stuff."

STEBAN, THE STUDENT COMMUNIST - "That's right. Econoclards are *obsessed* with beans. They love thinking about beans, they love counting beans, but most of all, they love building models to predict how many beans there'll be *in the future*."

ENCYCLOPEDIA [Medium: Success] - Nota bene: 'Econoclard' is an extra-pejorative form of the already pejorative name 'Mazovian Economists', a moderate school of Mazovianism, which advocates a gradual transition to communism through carefully managed economic modernisation rather than violent social revolution.

STEBAN, THE STUDENT COMMUNIST - "They're by far the most bean-centric school of communism."

EMPATHY [Easy: Success] - Ah yes, the much maligned bean counters, ensconced in their think-tanks and highrises, believing they can save the world through a series of incremental, assiduously technocratic reforms...

"I don't get it. Are the beans a *metaphor*?"

"But isn't it good to know how many beans there are?"

"What's wrong with making progress through moderate economic reforms?"

ECHO MAKER - "If only! They've got all the beans accounted for in their asset sheets, their quarterly budgets, their future projections. But for some reason there are never enough beans to go around, so we've just got to cut our bean rations in half..."

STEBAN, THE STUDENT COMMUNIST - "... and next thing you know there are *budget cuts*, so now we've got to cut the bean rations in half *again*..."

"You see, Econoclards claim to be communists, but in reality they're just liberals with hard-ons for spreadsheets."

3. "And what about the liberals? Are they liberals, too?"

STEBAN, THE STUDENT COMMUNIST - "Of course not. The only people who actually call themselves liberals are mouth-foaming reactionaries."

ECHO MAKER - "Basically indistinguishable from fascists. You'd need an x-ray machine to tell the difference."

4. "What about Cindy, is she part of the group?"

STEBAN, THE STUDENT COMMUNIST - "Cindy is... how to describe her *role*..."

ECHO MAKER - "... something of an ideological auxiliary, perhaps."

STEBAN, THE STUDENT COMMUNIST - "Yes, that's exactly how I would put it. And naturally we support her radical counter-liberal aesthetics."

ECHO MAKER - "But she refuses to submit an essay, so we can't call her a member of the group *per se*."

STEBAN, THE STUDENT COMMUNIST - "That doesn't stop her from using the room for studio space, of course."

5. "Did you say something about *turnips*?"

STEBAN, THE STUDENT COMMUNIST - Another sigh. “It's an unfortunate story. You see, our ex-comrade Maurice is something of an economist...”

ECHO MAKER - “He’s studying macro- *and* micro-economics.”

KIM KITSURAGI - "Wow, a *real* intellectual, it sounds like." The lieutenant arches his eyebrows.

STEBAN, THE STUDENT COMMUNIST - “Right, so a few weeks ago we were discussing the extra-physical capabilities of the revolutionary state, and Maurice said... what were his exact words, Ulixes?"

ECHO MAKER - "It was unbelievable. He said, 'Turnips don't care if they're grown by communists, moralists, or welkin. They grow just the same'."

STEBAN, THE STUDENT COMMUNIST - "Basically, he was rejecting the whole foundation of infra-materialist theory."

LOGIC [Medium: Success] - What is this *infra-materialist* business they keep blathering about? You've never heard of anything like it.

"Remind me what infra-materialist theory says about turnips again?"

Just go along with it.

STEBAN, THE STUDENT COMMUNIST - "Simply that *under suitably revolutionary conditions* crop yields naturally increase relative to non-revolutionary crops. Which Maurice somehow has the gall to deny."

ECHO MAKER - "Zuzanna said that he has been hanging out with some non-communists lately."

STEBAN, THE STUDENT COMMUNIST - "For us the question boiled down to: 'If you don't even accept the basic ideas of Nilsen and infra-materialist theory, why are you in the reading group?'"

"I totally understand."

"I don't understand at all."

"So you expelled Maurice from the reading group over an argument about turnips?"

STEBAN, THE STUDENT COMMUNIST - "Exactly. What educated person could believe that turnips grow at the same rate under capitalism *and* communism?"

ECHO MAKER - "It's a sad reflection on our educational institutions."

"So you expelled Maurice from the reading group over an argument about turnips?"

STEBAN, THE STUDENT COMMUNIST - "Well, it wasn't so much that he was expelled..."

ECHO MAKER - "He just quit coming. We haven't seen him around for weeks."

6. "I've heard enough. Let's talk about something else."

STEBAN, THE STUDENT COMMUNIST - "Go ahead." The young man gives you a half-smile. His companion sniffs.

4. "What were you doing with those matchboxes just now?"

STEBAN, THE STUDENT COMMUNIST - The young man frowns at the little pile of boxes on the floor.

"Nothing, just messing around until the meeting started."

INTERFACING [Easy: Success] - They're watching those matchboxes awfully intently for two guys who are just 'messing around.'

It's almost as though they were trying to create the most unstable structure they could...

LOGIC [Medium: Success] - With predictable results.

5. "Do I *know* you two from somewhere?"

STEBAN, THE STUDENT COMMUNIST - "I don't think so." The young man gives you a curious look. "Unless you've been hanging around the Cultural Studies faculty at the École Normale de Revachol..."

ECHO MAKER - "Perhaps he subscribes to 'La Fumée'."

EMPATHY [Easy: Success] - That's sarcasm. He does not expect you to subscribe to radical communist periodicals.

(Show them 'La Fumée'.) "Wait, *you* guys wrote for *this*?"

STEBAN, THE STUDENT COMMUNIST - "*You've* read our article?" For the first time since you've met the young man, words seem to desert him...

ECHO MAKER - "That I did not expect." His companion is blushing now, a sheepish grin on his face.

STEBAN, THE STUDENT COMMUNIST - "Well, don't keep us on tenterhooks! What did you think of the essay?"

EMPATHY [Easy: Success] - The delicate egos on these boys! Even though you're just some cop they're desperate for your approval.

CONCEPTUALIZATION [Medium: Success] - Hey! You're not just 'some cop', you've got highly developed critical faculties! Now's your chance to show them off.

"It was a good article. You should keep developing your ideas."

If we'd read the article *after* becoming the Art Cop, we might have had some more profound things to say.

STEBAN, THE STUDENT COMMUNIST - "Well, of course that's just an *initial foray* into the subject. We're hoping to return to it for a more substantial treatment next term..."

"In any case, I'm glad our piece found its audience. That's always the hope with these things, you know."

+5 XP

6. "Is the reading group accepting new members?"

STEBAN, THE STUDENT COMMUNIST - "We typically only accept new members once per semester. There's this whole *process*, with essays and presentations on assigned topics..." The young man turns to his companion.

"But given that we have some extra seating at the moment, I guess we could be convinced to expedite an application or two."

ECHO MAKER - "Steban, you can't be serious... for these gendarmes?"

STEBAN, THE STUDENT COMMUNIST - "I am serious. As materialists we've got to adapt to conditions as they are. Besides, he'll still need to pass the *interview portion* of the entrance process..." He turns back to you.

"... assuming he's even still interested, that is."

We can improve our chances on this Composure check, so let's back out of the conversation first.

7. "That's enough for tonight. Will you still be here if I have more questions?" [Leave.]

STEBAN, THE STUDENT COMMUNIST - "Sure, we're here most every night." He shrugs. "Maybe we'll catch you again."

ECHO MAKER - "Sleep well, gendarme."

We can use this as an opportunity to look around the room.

Try not to think about the cracks spidering out across the floor...

"The communards didn't commit *enough* atrocities."

A rickety easel, surrounded by pots of gouache.

Cindy's, no doubt.

Could it be the *phasmid*? No, probably not.

This one says: "NO WAR BUT CLASS WAR!"

"Kind of chilly tonight, Uli."

"Don't worry, I'm sure your jacket will turn up."

This poster reads: "Under the cobblestones, communism!"

Mmmm, coffee...

At the bottom of the pot, an isle of black sludge rises from a shadowy sea.

RELFECTIVE CONSTRUCTION VEST

+1 Endurance: Safety first. -1 Reaction Speed: Impossible to miss.

A ludicrously reflective safety vest like those favoured by construction and road repair crews. Comes with a replaceable battery back. Makes you feel like a deep sea anemone.

STEBAN, THE STUDENT COMMUNIST - "The gendarme returns." The young man turns to you. "What do you need?"

4. "I'm guessing these pots of gouache belong to Cindy?"

You have to be Art Cop to recognize the paint as gouache.

STEBAN, THE STUDENT COMMUNIST - He sighs. "Yeah, it's hers. She just sort of... moved it all in a few months ago."

ECHO MAKER - "She said if she's going to make truly radical art, she needs a suitably radical workspace."

STEBAN, THE STUDENT COMMUNIST - "And I don't think she could afford rent at an actual studio."

"Do you like her art?"

"Now I'm wondering, what's the deal with this place?"

"Okay, let's move on."

STEBAN, THE STUDENT COMMUNIST - "Oh, sure. It's definitely *interesting*, I would say..."

"Hmmm, I guess you could call her latest stuff a sort of *counter-bourgeois calligraphy*. She's got a real taste for radical slogans."

ECHO MAKER - "It's too bad she hasn't developed the theoretical foundation to do truly radical work."

STEBAN, THE STUDENT COMMUNIST - "I think she'll get there, though. She's still looking for a subject equal to her ambitions."

2. "Now I'm wondering, what's the deal with this place?"

STEBAN, THE STUDENT COMMUNIST - "'The deal'? At a fundamental level I guess you could call it the shattered bones of a dream crushed by capital."

LOGIC [Challenging : Success] - A feeble and hopelessly mixed metaphor.

ECHO MAKER - "That's really good, Steban. You should save that for an essay."

STEBAN, THE STUDENT COMMUNIST - "Thanks, Uli. When the idea is sound the words just sort of flow."

CONCEPTUALIZATION [Medium: Success] - Yes, now keep developing the idea.

"Actually, I think that's a mixed metaphor."

"If this place is the shattered bones, that must make us the bone weevils."

"I heard these used to be luxury apartments. Million reál views, that sort of thing."

STEBAN, THE STUDENT COMMUNIST - "Mmm, yeah that's not bad."

ECHO MAKER - "Not as good as Steban's original idea, though."

3. "I heard these used to be luxury apartments. Million reál views, that sort of thing."

STEBAN, THE STUDENT COMMUNIST - "That could be." He nods. "It would explain some of the more ornate detailing. But we're speaking in world-historical terms here. What this place *represents*, not what it merely *was*."

ECHO MAKER - His friend yawns, evidently bored by literal reality.

3. "Okay, let's move on."

STEBAN, THE STUDENT COMMUNIST - "Go ahead." The young man gives you a half-smile. His companion sniffs.

7. [Composure - Impossible 17] Convince them you belong in the reading group.

+4 Somewhat bookish toad.

COMPOSURE [Impossible: Failure] - Is it getting warm in here? There seems to be a little pool of sweat forming in the depression of your lower back.

"Definitely not sweating, no sir. (Dab the sweat with your shirt.)"

It's because I don't do well in interviews.

COMPOSURE - Excellent work, now there's a dark handprint on the back of your shirt. Everyone will be able to see the evidence of your overactive sweat glands.

2. It's because I don't do well in interviews.

COMPOSURE - No, you're terrible at them. The thought of everyone looking at you, judging you, makes you want to heave, frankly...

-1 Morale

3. Why am I getting so worked up? They're just a couple of kids!

COMPOSURE - Let's be frank, they're probably way smarter than you. You bet they've read more books than you can even name...

RHETORIC [Medium: Success] - Of course, if you're nervous it wouldn't hurt to read another book or two.

COMPOSURE - The hardest part will just be working up the nerve to ask without soiling yourself.

STEBAN, THE STUDENT COMMUNIST - "Everything alright, gendarme? You look a little green about the gills..."

8. [Leave.]

[22degreehalo]

Okay I finished the movie. (Spoilers follow!)

I liked the parts about Barbie as an actual doll. I liked the ending! It was fun and creative and had some real emotion to it!

I didn't... enjoy the portrayal of gender.

The movie just really does not seem to want to face up to the idea that in the Barbie world, women are the privileged class. They hold all positions of power and property. Barbie doesn't even know where the men live?

Yes, it's all deliberately weird and surreal. But it's all just too weird and surreal to relate much to the real world. The climax relies on assuming that the barbies would essentially relate perfectly to a random real-world woman, which... even if it were true that all women IRL can relate to each other, their life experiences are just way too different.

(Yes, the patriarchy got introduced into Barbie land! But... how??? It's very hand-waved. Why would the privileged class suddenly completely turn the system 180 just because a guy came by with some books? It almost feels like a reverse-racism thing...?!)

And then, in the end, the kens still aren't treated equally. The movie jokes that 'someday' they'll have as much power as women IRL. But... we literally just spent the last hour exploring how shitty women have it. So now the kens have it even worse than that. And that's okay?

Again: it's meant to be dumb and silly. But we're also supposed to suspend our disbelief and live in this world for two hours. And the world just doesn't really jive with the tone. The more you think about it, the more you treat it as a real place, the less sense it makes. It only works if you laugh off the kens as just privileged white guys just because they resemble them.

Which, also! The movie in the end tries to be comforting to men and say that they don't need to be defined by their girlfriends or whatever! Which is actually a good message IRL: for too many men, being able to Date A Woman really is treated as the ultimate arbiter of human worth! (It... makes little sense in the world, where it seems like the kens really do need to rely on the barbies? But. see above.)

Except the entire way through, the idea of men having feelings is mocked and laughed off. Like I said, they imply that a gender non-conforming man would have absolutely 0 reason to fear violence at the hands of other men, which is... completely detached from reality?! Everything a stereotypical 'man' might care about is treated as being not really all that good, men's fears of abandonment or failure are eye-rollingly chalked up to 'egotism' (again, despite the status of the kens in this world), and when Ken cries at the end, it's presented as humiliating, as opposed to the dignified crying Barbie does on multiple occasions.

To be clear: I am not accusing the movie of misandry. I'm accusing the movie of being excessively cruel towards men who do not fit the stereotypical image of 'masculine', and then also being kind of pointlessly mean at those who do, as well.

Like, in the climax, one of the ultimate scenes of 'female empowerment' has the barbies pretend to listen while the kens play the guitar at them ('Push' by Matchbox 20, which is a good song IMO??? But it's treated as like. Objectively bad.), only to deliberately check their phone to show they don't care, then get up and talk to another man instead. And all of this is framed as, like 'playing on their petty egos and jealousies.' And not as like... them opening up? To someone they like? And trying to do something nice? And then being hurt when they don't feel the connection they wanted?

(Also men getting angry at other men, or staging a 'war', is treated as entirely petty and silly and kinda funny. Just an 'own goal', so to speak. Which, again, feels very insensitive when men... do in fact violently attack other men over reasons like jealousy.)

(Also also it's treated as super arrogant when a man tries to help out a woman who is literally saying aloud that she doesn't understand and wants help??? Because it's soooo offensive to think a woman can't do something she says she can't do??? even though the end of the movie is all about how women shouldn't have to be perfect and should be allowed to be just normal and not really good at anything???? I'm so confused.)

It's just... such a weird mix of a genuinely fun and creative campy setting, which then mixes in the most weirdly tone-deaf and old-fashioned gender essentialism possible. It tries to be progressive at the end, but the setting is already so stuck in those ideas (that inverting gender power dynamics would be really good actually since women are better in power, that men don't have any real legitimate reason to have emotions so it's weird and dumb if they do) that it doesn't track. It doesn't match the actual events of the movie.

It's not just an empty popcorn movie. Frankly, it'd be a lot better if it was!!!!!!! (At least for me, hahah.) It's best appreciated, honestly, if you do turn your brain off and just enjoy the pretty visuals and the nice moments at the end. Which is sad. Because it clearly does try to do so much more than that! But all those attempts just... make the movie more confused and weird and kind of mean?

Basically, the movie tries to do a whole 'haha what if we switched the power of the genders' but then still wants to treat all of the men like they're privileged white guys, even though there's 0 worldbuilding reason for that to be justified. (Plus also it has the typical 'wacky misandry' problems of being incredibly shitty to GNC and disabled men. but like I just expected that literally always nowadays.)

So yeah uhhh. unfortunately I gotta say that I don't really agree with those 'lollllll men hate this movie even though it literally just says that they're okay by themselves and don't need to base their worth on women!!!!!' like YEAH but it also implies some pretty. questionable stuff about oppression and mental health and how much we should respect men who have ~delicate fragile emotions~ too.

[littlehollyleaf]

So since we're all freaking out about this

And @inhonoredglory wrote this excellent meta on how it relates to Aziraphale steeling himself for war maybe.

I thought I'd share my initial reaction to The Thing, which was to promptly get THIS SONG stuck in my head for the last week:

Private Perks is a funny little codger

With a smile—a funny smile.

Five feet none, he's an artful little dodger

With a smile—a funny smile.

Flush or broke he'll have his little joke,

He can't be suppressed.

All the other fellows have to grin

When he gets this off his chest.

Refrain

Pack up your troubles in your old kit-bag,

And smile, smile, smile

While you've a lucifer to light your fag,

Smile, boys, that's the style.

What's the use of worrying?

It never was worth while,—so

Pack up your troubles in your old kit-bag,

And smile, smile, smile.

Private Perks went a marching into Flanders

With his smile—his funny smile.

He was loved by the privates and commanders

For his smile—his funny smile.

When a throng of Bosches came along

With a mighty swing,

Perks yelled out, 'This little bunch is mine!

Keep your hands down, boys and sing.'

Refrain

Private Perks he came back from Bosch-e shooting

With his smile—his funny smile.

Round his home he then set about recruiting

With his smile—his funny smile.

He told all his pals, the short, the tall

What a time he'd had;

And as each enlisted like a man

Private Perks said now my lad,

Refrain

Although when I say that song, I mean just the Refrain, cos that was all I knew before looking it up. It being a super famous (at the very least here in Britain anyway) WARTIME ditty.

I always knew it as a British 'stiff upper lip' type thing - hiding your pain/anger/despair in the face of trouble behind a smile. But looking up the whole thing, it reads more like a war PROPAGANDA song? Encouraging young men to be like this 'Private Perks' and enlist?

But in any case - if we take the grimace-smile to be that of Aziraphale prepping for war, I think the song fits nicely! And we can always think of the recruitment stuff as Aziraphale trying to recruit others AGAINST Heaven maybe...?

The line about 'a Lucifer' also tickles me ofc. Probably it was partly the matchbox with the bible quote (like the match brand Lucifer used to use on their boxes) that got me thinking of this song as well.

Perhaps Aziraphale is now 'a Lucifer' - ie. a high ranking angel opposed to Heaven - and he is going to metaphorically light cigarettes for the fellow angels he recruits to work undercover, in the sense of helping/encouraging them to hide their true feelings behind a smile??

(oh damn I'm getting very invested in this now - come on Zira, if Jane can be a master spy so can you! build up an espionage network and tear the system down!)

[rookie-critic]

Barbie (2023, dir. Greta Gerwig) - review by Rookie-Critic

[NOTE: This ended up being a bit more spoiler-y than I had originally intended, so if you haven't seen the film and plan to, maybe skip this review for now.]

What a revolution this movie has caused. Waves of pink, hoards of men/women/people adopting "I am Kenough" as a mantra, the Indigo Girls are back in fashion, and I have no doubt that, come the beginning of the university school year, we'll see frat after frat moving into their new Mojo Dojo Casa Houses. This film had already won the country over well before it even came out, and now that it is we're now in the third consecutive weekend of Barbie sitting comfortably atop the box office throne. Those ninja turtles never stood a chance (though I did adore that film, as well, but that's for another review). I must admit, I am apart of the wave of people singing this film's praises. It's visually striking, it's hilarious, the messaging is overt and in-your-face without being preachy, and we're seeing Margot Robbie and Ryan Gosling at the top of their game.

When we start the film, we're greeted with a nod to the opening sequence of Stanley Kubrick's 2001: A Space Odyssey, and to the voice of Helen Mirren explaining to us that, once Barbie came along and squashed out the era of baby dolls, her existence solved sexism and female quality issues for good, because Barbie proved that women can be anything. Of course, this is not the case, and the film uses it's next hour and 45 minutes diving into the reality of the modern world through the eyes of one of those dolls. The perfect, pink-streaked world of Barbieland lies in stark contrast to the harsh realities of the real world, and our two main characters react to this knowledge in very different ways. First, we have Barbie, who reacts with bewilderment and disbelief at the idea that everything she thought she knew about the world and women's place in it was a lie, but then, there's Ken. Ken, having lived his whole in the perceived service of Barbie, is stoked, because of course he would be. Men (and horses) rule the world, of course.

Now, going down this path, it would have been very easy for the film to be very blanketly "anti-men," but it even manages to avoid doing that, instead choosing to go down the path that Ken is misguided, merely a person who's never really tried to live life for himself and more for the idea of what he should be. In that the film draws a surprising amount of parallels between the two main characters, because even Barbie goes on a self-discovery journey of sorts. She has to come to terms with the black-and-whiteness of her worldview, and has to reconcile with the idea of there being things like cellulite and aging, and has to come to terms with the fact that the world has a good fair way to go before it's as utopian as a place like Barbieland. This is all accented in a scene that's relatively early in the film when Barbie meets an older woman for the first time upon coming to the real world. Barbie has just cried for the first time and looks over to find an elderly woman sitting on the bench next to here. The woman gives Barbie a smile and Barbie tells her she's beautiful, to which she replies "I know!" It's kind of the pin on which the whole film balances. Then there's also the character of Allan (played with as much endearing awkwardness as you'd expect from Michael Cera) who, even when all of the Ken's go off the deep-end into a Matchbox Twenty, leather-clad nightmare, keeps his head, and understands the bad things about what the Kens are doing.

It's a very deep film that is presenting itself as a colorful comedy, it's thoughtful without being obtuse and critical of its source without being dismissive, and it manages to do all of this without sacrificing being a very lighthearted and entertaining film on the surface. It's all very impressive, and is only hindered by the small nitpick that, for a film focusing on how our preconceived notions of things need to be knocked down and we should all live for ourselves and be whoever we really are, it is strangely reinforcing of the gender binary. I would have liked to have seen the film explore that side of things a bit, but it didn't detract too much from the overall experience. Crybabies like Ben Shapiro be damned, Barbie is delightful, and just as good as you've been led to believe.

Score: 9/10

Currently only in theaters.

[bruciemilf]

Do you have anymore headcannons for Martinez?

Youngest out of like. 9 siblings

Jake Peralta coded with a sprinkle of Jake Lockley thrown in

Surprisingly smooth??? That " Hey ;)" scene from Spider-Verse with Aaron and Miles but it's Martinez and Bruce, or Martinez and/or Dick/Jason

Watches Rupaul's Drag Race religiously. 50% of his vocabulary is just gay stan twitter references

Learning about Bruce's trauma surrounding guns, he stops using his; VERY handy with a taser gun, thought

" God, I hate men" " Martinez, WE'RE men" " Do I make you feel bad about YOUR flaws, Jim?"

You know how every workplace has that one guy that all the female co-workers just...Unanimously trust? That's Martinez; HAS punched a sexist bitch in the face for his female co workers, and he'll do it again. And take a selfie

I feel like Bruce really likes having him around but doesn't like visiting the precinct if he absolutely doesn't have to; That's how Martinez got hired as his personal driver

" I feel bought"

" You were worth the expenses"

" I feel EXPENSIVE "

MARTINEZ AND DICK!!!! MARTINEZ AND DICK!!! MARTINEZ THE FUN UNCLE!

" MCDONALD'S! MCDONALD'S! MCDONALD'S!"

Has a carpool karaoke song for each member of the family; Alfred listens to Celine Dion and Queen. Bruce insists on quietly bopping to Matchbox Twenty while Martinez punches the radio

Dick and him wig out to Lady Gaga and Dick WILL throw a tantrum if Martinez doesn't harmonize to the first part of " bad romance" also Beyonce; Beyonce all day everyday.

Jason LOVES Panic! At the Disco and they'll listen to House of Memories on LOOP. Even if Jsson cries sometimes when he's too drunk (also, Martinez has recordings of Jason drunk calling Bruce to tell him that he loves him and that he forgives him)

Tim canonically loves Green Day but I've never seen a character that reeks so much of " I listen to Britney Spears in my sleep " more than him

Damian loves K-Pop but he threatens Martinez to NEVER tell a soul; It's very embarrassing, 'Amm " Everything's embarassing, squirt. Let's get you some merch" he also has the Naruto soundtrack

Cass loves instrumentals of mainstream rock songs, and Martinez always lip syncs the actual lyrics to not single her out

Stephanie and him are One Direction stans and they scream " YOU'RE INSECURE DONT KNOW WHAT FOR" at like, 3 in the morning for her waffle run

Duke likes to pretend he's in a music video everytime and Martinez makes his playlist be just old vintage gangster music; " We here, boss" " Good. That's how we DO - omgthosekidsfromschoolsawme DRIVE DRIVE -"

Has a whole wife that NO ONE from the family knew about; " What? I don't tell you people everything. Except Barbie. Barbie knew."

Barbara, knowing this is gonna piss Bruce off so much: I was his maid of honor :)

Bruce: >:/

[vanderwoodlings]

Lonely Boy: a Dan Humphrey playlist (x)

Text version of the tracklist (and commentary) under the cut.

1. “Make You Better,” The Decemberists. But we're not so starry-eyed anymore/Like the perfect paramour you were in your letters/And won't it all just come around to make you/Let it all unbreak you to the day you met her

1. “Make You Better,” The Decemberists. But we're not so starry-eyed anymore/Like the perfect paramour you were in your letters/And won't it all just come around to make you/Let it all unbreak you to the day you met her

2. “Gun Song,” The Lumineers. I don’t own a single gun/But if I did, you’d be the one/To hold it, aim it, make all of the bad men run. A lot of this song is actually about finding out your father isn’t who you thought he was, but well. That’s pretty fitting too

3. “Wonderful,” Everclear. That thing about your dad? Uh yeah. I don’t wanna hear you say/You both have grown in a different way/No, no, no, no/I don’t wanna meet your friends/And I don’t wanna start over again

4. “Hand Me Down,” Matchbox Twenty. In which Dan is both singer and subject. You’re just one more tired hand me down/‘Cause no one’s tried to give you what you need/So lay all your troubles down/I am with you now

5. “Teen Angst (What The World Needs Now),” Cracker. It’s art kid hours

6. “Lonely Day,” Phantom Planet. I just got here, and I already want to leave/It’s gonna be a lonely, lonely, lonely, lonely day

7. “Rabbit Hole,” Jenny Lewis. Something something derena breakup cycle

8. “Ache With Me,” Against Me! Have you realized all the things you’ll never be?/I’ve got no judgement for you, so come on and ache with me

9. “Other Boys,” Paisley Fields. And I am not like the other boys/Other boys fit in so naturally/Other boys are just who they oughta be. When he’s queer

10. “At Seventeen,” Janis Ian. I learned the truth at seventeen/That love was meant for beauty queens/And high school girls with clear-skinned smiles. He’ll be fine he’s just gotta be dramatic

11. “Nobody,” Mitski. And I don’t want you pity, I just want somebody near me

12. “Boy Like Me,” New Medicine. She’s the only girl I see/She don’t wanna be with a boy like me

13. “She’s so High,” Tal Bachman. I know where I belong and nothing’s gonna happen, yeah

14. “Wonder Boy,” Lesley Gore. If you’re so smart/How come you don’t know I love you? Have we considered: Dan POV excludes the fact that half the Upper East Side is in love with him

15. “Rasputin,” Boney M. Okay hear me out—*gunshots*

16. “Eleanor Rigby,” The Beatles. All the lonely people/Where do they all come from?

17. “I Don’t Love Anyone,” Belle and Sebastian. If there’s one thing that I learned when I was still a child/It’s to be alone

18. “Be Nice To Me,” The Front Bottoms. And I said, Daniel Humphrey is neurodivergent

19. “I’m Not Okay (I Promise),” My Chemical Romance. I’m not o-fucking-kay!

20. “Young Man,” The Chicks. This is the quintessential Dan&Milo song to me, in some ways—not for the arc itself, but for like. What happens. You’re of me, not mine/Walk your own crooked line

21. “World Spins Madly On,” The Weepies. I thought of you and where you’d gone/And the world spins madly on. Have you noticed I’m obsessed with the Milo arc yet?

22. “Baby You’re A Haunted House,” Gerard Way. ‘Cause, baby, you’re a haunted house now

23. “This Year,” The Mountain Goats. There will be feasting and dancing in Jerusalem next year

24. “survivin’,” Bastille. And I’m not gonna lie, say I’ve been alright/‘Cause it feels like I’ve been living in a world upside down

25. “Has Anyone Ever Written Anything for You?” Stevie Nicks. Dan has a love language. Dan is lonely because no one says it back. This song is actually also about the Milo arc because of why it was written

26. “Love Song,” Sara Bareilles. You see, I’m not gonna write you a love song/‘Cause you tell me it’s make or break in this. We’re all fighting the publishing industry tonight!

27. “How I Survived Bobby Mackey’s Personal Hell,” Lincoln. And we can argue semantics over who left who first/But one thing’s for certain: I needed you most

28. “Freakin’ Out On The Interstate,” Briston Maroney.

29. “Dog Days Are Over,” Florence + The Machine. Leave all your love and your lonely behind/You can’t carry it with you if you want to survive

30. “Most Of All,” Brandi Carlile. To remember what comes back/When you give your love away/Give away your love

[blueridgepatriot]

We're here to mark that day in history when the Allied armies joined in battle to reclaim this continent to liberty. For 4 long years, much of Europe had been under a terrible shadow. Free nations had fallen, Jews cried out in the camps, millions cried out for liberation. Europe was enslaved, and the world prayed for its rescue. Here in Normandy the rescue began. Here the Allies stood and fought against tyranny in a giant undertaking unparalleled in human history.

We stand on a lonely, windswept point on the northern shore of France. The air is soft, but 40 years ago at this moment, the air was dense with smoke and the cries of men, and the air was filled with the crack of rifle fire and the roar of cannon. At dawn, on the morning of the 6th of June, 1944, 225 Rangers jumped off the British landing craft and ran to the bottom of these cliffs. Their mission was one of the most difficult and daring of the invasion: to climb these sheer and desolate cliffs and take out the enemy guns. The Allies had been told that some of the mightiest of these guns were here and they would be trained on the beaches to stop the Allied advance.

The Rangers looked up and saw the enemy soldiers -- the edge of the cliffs shooting down at them with machineguns and throwing grenades. And the American Rangers began to climb. They shot rope ladders over the face of these cliffs and began to pull themselves up. When one Ranger fell, another would take his place. When one rope was cut, a Ranger would grab another and begin his climb again. They climbed, shot back, and held their footing. Soon, one by one, the Rangers pulled themselves over the top, and in seizing the firm land at the top of these cliffs, they began to seize back the continent of Europe. Two hundred and twenty-five came here. After 2 days of fighting, only 90 could still bear arms.

Behind me is a memorial that symbolizes the Ranger daggers that were thrust into the top of these cliffs. And before me are the men who put them there.

These are the boys of Pointe du Hoc. These are the men who took the cliffs. These are the champions who helped free a continent. These are the heroes who helped end a war.

Gentlemen, I look at you and I think of the words of Stephen Spender's poem. You are men who in your ``lives fought for life . . . and left the vivid air signed with your honor.''

I think I know what you may be thinking right now -- thinking ``we were just part of a bigger effort; everyone was brave that day.'' Well, everyone was. Do you remember the story of Bill Millin of the 51st Highlanders? Forty years ago today, British troops were pinned down near a bridge, waiting desperately for help. Suddenly, they heard the sound of bagpipes, and some thought they were dreaming. Well, they weren't. They looked up and saw Bill Millin with his bagpipes, leading the reinforcements and ignoring the smack of the bullets into the ground around him.

Lord Lovat was with him -- Lord Lovat of Scotland, who calmly announced when he got to the bridge, ``Sorry I'm a few minutes late,'' as if he'd been delayed by a traffic jam, when in truth he'd just come from the bloody fighting on Sword Beach, which he and his men had just taken.

There was the impossible valor of the Poles who threw themselves between the enemy and the rest of Europe as the invasion took hold, and the unsurpassed courage of the Canadians who had already seen the horrors of war on this coast. They knew what awaited them there, but they would not be deterred. And once they hit Juno Beach, they never looked back.

All of these men were part of a rollcall of honor with names that spoke of a pride as bright as the colors they bore: the Royal Winnipeg Rifles, Poland's 24th Lancers, the Royal Scots Fusiliers, the Screaming Eagles, the Yeomen of England's armored divisions, the forces of Free France, the Coast Guard's ``Matchbox Fleet'' and you, the American Rangers.

Forty summers have passed since the battle that you fought here. You were young the day you took these cliffs; some of you were hardly more than boys, with the deepest joys of life before you. Yet, you risked everything here. Why? Why did you do it? What impelled you to put aside the instinct for self-preservation and risk your lives to take these cliffs? What inspired all the men of the armies that met here? We look at you, and somehow we know the answer. It was faith and belief; it was loyalty and love.

The men of Normandy had faith that what they were doing was right, faith that they fought for all humanity, faith that a just God would grant them mercy on this beachhead or on the next. It was the deep knowledge -- and pray God we have not lost it -- that there is a profound, moral difference between the use of force for liberation and the use of force for conquest. You were here to liberate, not to conquer, and so you and those others did not doubt your cause. And you were right not to doubt.

You all knew that some things are worth dying for. One's country is worth dying for, and democracy is worth dying for, because it's the most deeply honorable form of government ever devised by man. All of you loved liberty. All of you were willing to fight tyranny, and you knew the people of your countries were behind you.

The Americans who fought here that morning knew word of the invasion was spreading through the darkness back home. They fought -- or felt in their hearts, though they couldn't know in fact, that in Georgia they were filling the churches at 4 a.m., in Kansas they were kneeling on their porches and praying, and in Philadelphia they were ringing the Liberty Bell.

Something else helped the men of D-day: their rockhard belief that Providence would have a great hand in the events that would unfold here; that God was an ally in this great cause. And so, the night before the invasion, when Colonel Wolverton asked his parachute troops to kneel with him in prayer he told them: Do not bow your heads, but look up so you can see God and ask His blessing in what we're about to do. Also that night, General Matthew Ridgway on his cot, listening in the darkness for the promise God made to Joshua: ``I will not fail thee nor forsake thee.''

These are the things that impelled them; these are the things that shaped the unity of the Allies.

When the war was over, there were lives to be rebuilt and governments to be returned to the people. There were nations to be reborn. Above all, there was a new peace to be assured. These were huge and daunting tasks. But the Allies summoned strength from the faith, belief, loyalty, and love of those who fell here. They rebuilt a new Europe together.

There was first a great reconciliation among those who had been enemies, all of whom had suffered so greatly. The United States did its part, creating the Marshall plan to help rebuild our allies and our former enemies. The Marshall plan led to the Atlantic alliance -- a great alliance that serves to this day as our shield for freedom, for prosperity, and for peace.

In spite of our great efforts and successes, not all that followed the end of the war was happy or planned. Some liberated countries were lost. The great sadness of this loss echoes down to our own time in the streets of Warsaw, Prague, and East Berlin. Soviet troops that came to the center of this continent did not leave when peace came. They're still there, uninvited, unwanted, unyielding, almost 40 years after the war. Because of this, allied forces still stand on this continent. Today, as 40 years ago, our armies are here for only one purpose -- to protect and defend democracy. The only territories we hold are memorials like this one and graveyards where our heroes rest.

We in America have learned bitter lessons from two World Wars: It is better to be here ready to protect the peace, than to take blind shelter across the sea, rushing to respond only after freedom is lost. We've learned that isolationism never was and never will be an acceptable response to tyrannical governments with an expansionist intent.

But we try always to be prepared for peace; prepared to deter aggression; prepared to negotiate the reduction of arms; and, yes, prepared to reach out again in the spirit of reconciliation. In truth, there is no reconciliation we would welcome more than a reconciliation with the Soviet Union, so, together, we can lessen the risks of war, now and forever.

It's fitting to remember here the great losses also suffered by the Russian people during World War II: 20 million perished, a terrible price that testifies to all the world the necessity of ending war. I tell you from my heart that we in the United States do not want war. We want to wipe from the face of the Earth the terrible weapons that man now has in his hands. And I tell you, we are ready to seize that beachhead. We look for some sign from the Soviet Union that they are willing to move forward, that they share our desire and love for peace, and that they will give up the ways of conquest. There must be a changing there that will allow us to turn our hope into action.

We will pray forever that some day that changing will come. But for now, particularly today, it is good and fitting to renew our commitment to each other, to our freedom, and to the alliance that protects it.

We are bound today by what bound us 40 years ago, the same loyalties, traditions, and beliefs. We're bound by reality. The strength of America's allies is vital to the United States, and the American security guarantee is essential to the continued freedom of Europe's democracies. We were with you then; we are with you now. Your hopes are our hopes, and your destiny is our destiny.

Here, in this place where the West held together, let us make a vow to our dead. Let us show them by our actions that we understand what they died for. Let our actions say to them the words for which Matthew Ridgway listened: ``I will not fail thee nor forsake thee.''

Strengthened by their courage, heartened by their value [valor], and borne by their memory, let us continue to stand for the ideals for which they lived and died.

Thank you very much, and God bless you all.

[raysofrestlesssunflower]

India Days 19 and 20

Samara paints away the next day on the roof until about 5pm. After that, we seek out a quick take-away dinner. When we get back, the owner tells us about a nightly Rajasthani dance and music show not far from the hotel. Sam is exhausted, and content with cracking open a beer and watching the sun go down.

A little nervy, I scurry through the dark, but bustling streets - pepper spray clamped tightly in hand - to the museum where the dance production is taking place. There's only 20 minutes left of the show when I arrive, and the kindly man selling tickets sells me one for half price.

I enjoy a dazzling 20 minutes of swirling sarees, marionettes, and claypot-balancing, after which I scamper, sweaty and thirsty, back to the hotel, pausing only for one more rose petal ice-cream.

We spend the remainder of the evening with Willi, under the muggy sky. Willi laments about having to return to Germany in a week. It is late when we retire, stuff our things into our bags, dampen our sarongs, lay them over our sweaty bodies, and prepare for our final scorching night in Udaipur.

The next day, we rise early for our bus to Ahmedabad. We exchange bittersweet goodbye kisses and embraces with Willi, and board a tuk-tuk to the bus stand.  The bus ride is airconditioned. Several of the seats go unfilled, and Samara and I take full advantage to lounge. The most pleasurable of journeys. We would've happily ridden that bus all the way to Goa.

Seven gloriously relaxing hours later, we arrive in Ahmedabad. Opening the bus doors hits us in the face with a solid blast of oven air. It's an excruciating 6-hour; our bus is only at 8:25pm, although the concept of fixed time when it comes to road transport is quite fluid in India, we've learned.

We spend the next hours soaking through our clothing in the "air-conditioned" waiting room, and sneaking out of the station every once in a while to smoke while gaggles of menacing men and vacant-faced women spectated.

At 8.00pm, we're on the platform, eager to step onto our air-conditioned carriage. Passersby pause to huddle around us at questionable distances and ogle. But it's all grand now; we'll be in that glorious train soon.

The train only pulls in after 9pm. We lug ourselves on, pushing and being pushed, jostling and being jostled through the narrow aisles to our seats - only to find them occupied.

One of the intruders asks to see our ticket and very casually points out, after a quick glance, that we are still on the waiting list. The announcement hits us like a freight train, and we glance at each other, speechless. We are advised to rush to the enquiries office, where after a few chuckles, the man of duty confirms that our tickets are invalid.

The train pulls away, and we're stranded in Ahmedabad at 9 o'clock at night hauling close to 40 kg on our backs between us. Sweat pouring down our faces and tears of disbelief burning behind our eyeballs, we scrape our minds for what to do. Crushed from exhaustion and shock, I shut down and go onto autopilot.

Samara is determined for us to keep moving forward. We will not stay in Ahmedabad tonight. We will get to Goa. We call an Uber, who carries us to a bus booking agent. He overcharges us for a double sleeping booth in an 11-hour AC sleeper bus bound for Mumbai. We'll take anything at this point.

We squeeze into the matchbox of a booth where Samara collapses into hysterical laughter. I can't help but follow suit. What madness. And the words I saw plastered across the hostel wall on my first day in Jaipur flashed back into my mind:

Don't make plans for India; India already has plans for you.

[deardarlingthings]

after that finale, i swear i will do better in my fanfiction, because what the fuck??? is that how this ends?

anyways, we changing things up. Fuck it. New fuel to the fire. Found Family Ted Lasso Fanfiction starting from the end of S1 is bookmarked on my page if anyone cares to get wrecked and not have Ted leave his family in the UK.

[deardarlingthings]

Ch.2 Decisions over Vanilla

Chapter 2 of my Found Family Ted Lasso & Jamie Tartt is now up

❤️💙