#we stan a short king that made the stars for his wife

[worldsneverfilled]

Me: I love height differences in ships

Me: makes a kobold god and an elf goddess get hitched and be sappy together

[chelseaknoo]

𝓐 𝓻𝓸𝔂𝓪𝓵 𝓵𝓸𝓿𝓮 𝓽𝓻𝓲𝓪𝓷𝓰𝓵𝓮

Stan x reader x kyle

Pt 1

Plot:the elf king Kyle just proposed to you and you excitedly accepted now you’re going to have a wedding but there’s one thing.. his friend the knight Stan marshwalker has a crush on you and wants you to be his wife. WHO WILL YOU CHOOSE?

Waring: sexual content and foul language

Kissing my gloved hand, the elf king of the drow elves gazed into my eyes and whispered, "y/n, will you marry me?" The setting was nothing short of ethereal, with twinkling stars and a full moon casting a warm glow over the lush forest surrounding us. I felt a swell of emotion rise up within me as I looked into his emerald green eyes, their depths mirroring the love I felt for him. It had been six months since we'd started dating, and in that time, Kyle had swept me off my feet with his charm, his wit, and his unwavering devotion to not only me but his kingdom as well.

As I searched for the right words to reply, he leaned in closer, his breath tickling my ear. "I've loved you since the moment I laid eyes on you, y/n," he whispered, his voice a husky whisper that sent shivers down my spine. "And I want to spend the rest of my life with you, making you happy and showing you a love that knows no bounds."

Tears welled up in my eyes as I took in the sincerity in his words. I knew, without a doubt, that I wanted to spend the rest of my life by his side. "Yes, Kyle," I whispered, my voice barely audible over the rustling of the leaves around us. "Yes, I will marry you." And with that, he pulled me into an embrace so fierce it made my heart skip a beat, his lips finding mine in a passionate kiss that sealed our fate together.

As we pulled apart, the excitement of the moment building inside us both, Kyle grinned widely, revealing his sharp teeth. "Now, my love," he exclaimed, his voice practically reverberating with excitement, "let us have a feast fit for a king and his queen-to-be!" With a wave of his hand, the sound of music filled the air, and a procession of elves emerged from the forest, carrying platters of food fit for the gods themselves: succulent meats, fresh fruits and vegetables, artfully crafted breads, and of course, an endless supply of wine and other spirits. The smell was intoxicating, and my stomach growled in anticipation.

I glanced over at Kyle, who was watching me with a twinkle in his eye. "Do you have anything special planned for our first dance?" I asked, hoping that perhaps he'd give me a hint as to what song he had chosen. He smiled, taking my hand in his. "Oh, my dearest y/n," he began, leading me to the makeshift dance floor at the center of the clearing, "you know very well that I've been practicing a special dance just for this moment." And with that, he swept me into his arms, moving effortlessly across the floor, his steps matching mine perfectly, as if we'd been dancing together for centuries. The music swelled around us, and I couldn't help but feel that this was only the beginning of a beautiful, magical life together.

Around us, the other elves had gathered, forming a circle to watch us dance. Some clapped in time with the music, while others swayed gently, their eyes fixed on our every movement. As we twirled and spun, I felt a sense of belonging and love wash over me, and for a moment, it seemed as if nothing else in the world mattered. When the song finally came to an end, we were breathless, our bodies pressed tightly together, but neither of us wanted to let go. It was as if we were two halves of the same whole, meant to be together always.

Kyle leaned in, his lips brushing against my ear. "What do you say, my queen?" he whispered, his breath sending shivers down my spine. "Shall we continue the celebration?" I nodded, a small smile playing at the corners of my lips. "Yes," I breathed, "let's dance until the stars come down from the sky." And with that, we began again, lost in the music and each other, our love a beacon of hope and light in a world that was often dark and uncertain.

As the night wore on, the feast continued, with course after course of delicious food being served to us by our attentive subjects. We drank wine and danced and laughed, and for a brief moment, it was as if the world outside the forest didn't exist. But we both knew that soon, reality would intrude once more, and we would have to face the challenges that lay ahead. But for now, we were content to bask in the glow of our love and the adoration of our people, savoring every precious moment together as the future unfolded before us.

Finally, as the last rays of the setting sun painted the treetops with a warm, golden light, Kyle excused himself from my side, murmuring something about seeing to the guests' comfort. I watched as he moved gracefully through the crowd, his presence commanding and his charm irresistible. It was then that I realized that I was no longer simply his fiancée, but rather his equal; his partner in every sense of the word.

I wandered away from the main gathering, drawn to the edge of the forest where the trees parted to reveal a small, secluded glade. The air was thick with the scent of flowers and the sound of rustling leaves, and I couldn't help but feel a sense of peace wash over me as I stood there, taking it all in. I heard footsteps crunching on the grass behind me, and before I could turn around, strong hands gripped my hips and pulled me roughly against a familiar, hard body.

"My queen," Kyle breathed into my ear, his voice husky with desire. "I've been waiting for this moment all night." He pushed me back against a tree, his lips finding mine in a hungry, urgent kiss. His hands roamed over my body, tearing at my clothes, his need for me palpable. I could feel his arousal pressed against my stomach, and with a low growl, he pushed me to the ground, positioning himself between my spread legs.

As he entered me, his teeth grazed against my neck, sending shivers down my spine. I arched my back, meeting his thrusts with my own, our bodies moving in perfect harmony, the rhythm of our lovemaking echoing through the forest like a primal call to the wild. The sensation of being claimed by him, of being his and his alone, was unlike anything I'd ever experienced before, and I knew in that moment that there was no place in the world I'd rather be than right here, with him.

As we moved together, lost in the intensity of our passion, I could feel the last vestiges of the day's worries and fears slipping away, replaced by a deep, abiding sense of contentment and belonging. And as our climax swept over us, our bodies twisting together in a tangle of limbs and desire, I knew that this was only the beginning of a beautiful, extraordinary life, shared with the man I loved, the man who was destined to be my king.

Everyone was happy that day. We’ll mostly everyone

Stan sits at his post as he hears his best friend’s sex noises while anger and jealousy boils up inside him.

[battlestar-royco]

here is part 2 of my sci fi recs masterlist! again, i could’ve gone on with even more recs but i decided to draw the line here. this set for the most part errs on the darker side, thematically, visually, conceptually etc. i personally find it super thought-provoking and intriguing but that’s just me. i highly recommend reading the tw under the cut if you’re thinking of watching, especially the matrix and space gothic slides. please view at your discretion <3

part 1/2

If you like WLW (um idk why I only made this slide based on identity; it just kinda happened lmao but I think it works):

Siren: (tw: parent loss, grief, thalassophobia) a mermaid surfaces in a cove town looking for her lost sister. Polyamorous relationship between a man, a black/indigenous woman, and the mermaid!!!! Environmentalism! As a person who has thalassophobia, I didn’t find this too hard to watch. There aren’t that many underwater scenes, thankfully.

Black Mirror: San Junipero: (tw: grief, but otherwise none that I recall; it’s pretty lighthearted) two women meet in a beach resort in the 80s and fall in love. Interracial wlw!

Orphan Black: (tw: suicide, infertility, rape implication, VB, language, drug use) a woman realizes she is one of several clones and uncovers an elaborate corporate conspiracy. This is one of my personal favorites with great rep of complex women of all ages and bodily autonomy. Several central queer characters and a black male secondary character!

Starfish: (tw: grief, a few jump scares and brief monstrous imagery, blood) after the death of her best friend, a young woman breaks into the deceased’s apartment and discovers a chain of music tapes that could save the world. Weird, subtle, and experimental. Not to sound like a surfer but you kinda have to allow yourself to be in the vibe. The main character and her friend were definitely a thing imo.

Annihilation: (tw: body horror, VB, disturbing imagery) a team of women scientists explore an anomaly that rapidly mutates genes. There are canonical and coded wlw and multiple (light-skinned) POC in this but the rep is short-lived. I put it on because although it should’ve been more ambitious with the casting, I think it breaks *some* ground for Hollywood sci fi with the all-woman team and more than one WOC. Wack ending though.

Mad Max: Fury Road: (tw: rape implication, violence) I think everyone knows about this one but: in the apocalypse, a woman breaks 4 younger women out of a harem. A badass car chase across the desert ensues. A bit light on plot/worldbuilding, but sooooo cool-looking and very thematic!!!!

If you liked STRANGER THINGS:

It: (tw: VB) don’t actually watch this lmao I’m serious. It’s really stupid, and not in a funny way. But I do think Stranger Things was inspired by this story overall. The modern It films are better but they’re also really kjslsklskls stupid? Stephen King in general is obsolete imo.

The Thing: (tw: VB) an alien that can take the form of others wreaks havoc on a scientific facility in Antarctica. It’s dark and vibey, but I feel like it’s just Alien in Antarctica with truly terrible special effects tbh?? Others feel differently. It’s also classified as sci fi/horror, so stay away if you’re easily scared! Not too good on representation.

Super 8: (tw: some language) a group of preteens witnesses an alien-caused train crash as they’re filming a home movie. Not diverse but I definitely think it inspired a lot of sci fi for the 2010s, ESPECIALLY Stranger Things. Not too scary either!

ET: (tw: it’s been a really long time since I watched so I don’t remember but it’s rated PG) I think everyone knows what this is about!

Alien: (tw: VB) truckers in space discover a deadly evolving alien. One of my favorite movies of all time! I love the aesthetic and the mood and worldbuilding so much. Ellen Ripley is one of the first Final Girls in the horror genre. I personally found this more of a sci fi than a horror movie but I’d say stay away if you’re nervous!!

Terminator: (tw: VB) a deadly android is sent to kill a woman who’s destined to birth the man who saves the world. Terminator 2 is way better imo because it centers on Sarah rather than the dudes saving her and trying to kill her. But it’s still worth a watch, you know, for the culture.

If you liked CONTAGION:

War of the Worlds: (tw: blood) pretty straightforward aliens come to Earth to take over. Sorry to rec another T*m Cruise movie but I really like the alien design and the apocalypsey feel of this one. Baby Dakota Fanning is in it too!

Falling Skies: (tw: VB, body horror, rape) alien invasion yada yada but the alien lore gets more interesting as it goes on. It’s kind of cheesy and yeah maybe I did discover it by looking up the iCarly boyfriend (and what about it??) but it’s nice to have on in the downtime. An Asian woman co-stars.

Knowing: (tw: blood) school students unearth a time capsule that contains a sheet from a girl who predicted all the tragic world events between 1959-2009. This is NOT a good movie but it’s SO hilarious to me because of the acting and contrivances. Fun to group-watch!!!!

10 Cloverfield Lane: (tw: VB, emotional abuse) a woman wakes up in a bunker to a captor who tells her that the world has fallen to alien apocalypse. I think this movie elevates the original Cloverfield in pretty much every way. Again, super tense and moody. The conflict revolves around whether or not the captor is being truthful.

Train to Busan: (tw: extreme VB and disturbing imagery) a man and his daughter are on a train when a zombie hops on at the last minute. It’s Korean with an all-Asian cast; Choi Woo-shik co-stars. I definitely wouldn’t watch if you’re scared of blood and gore. It’s very gross and violent.

12 Monkeys: (tw: ableism, violence) a man from the 2030s is sent back to the 1990s to prevent the plague that will end the world. I think the aesthetics of this are really cool but otherwise it’s not a favorite. But I think it appeals to people who like apocalypse and time travel stuff!

If you liked THE MATRIX:

Strange Days: (tw: rape, sex, nudity, VB, racism, police brutality) memories can be saved to hard-drives and sold on the black market for exorbitant prices. Very problematic and triggering presentation of rape, but young Angela Basset stars and there’s a condemnation of police brutality that’s still relevant 20+ years after its release.

Upgrade: (tw: ableism, VB, fridging) a disabled man installs an AI in his spine to help him move and investigate the murder of his wife. The premise is glaringly ableist and I feel weird even recommending it tbh but it’s got great visuals and a few good twists.

Altered Carbon: (tw: VB, weird interracial body switching, uhhh I haven’t finished this one IDK) in a society where human bodies are interchangeable, a man wakes up in a new body after 300 years of his mind being dormant. A Latina woman co-stars, two Asian characters in a subplot, a few other POC here and there as well. I think season 2 stars a black man.

eXistenZ: (tw: VB, anti-Asian racism, general weirdness? IDK it’s hard to describe. There are guns made out of bones and weirdly sexual visuals.) after someone tries to assassinate her, a video game designer and her bodyguard must play through her virtual reality game in order to save the only copy of the game.

Minority Report: (tw: VB, eye removal/insertion) all crimes are predicted and criminals reported before they are committed. The main character is preemptively accused of murder. This one is really white but it was one of the first movies that got me into sci fi. Early 2000s Colin Farrell <3.

If you liked WESTWORLD:

Humans: (tw: uncanny valley, objectification) androids are household helpers and public assistants throughout Britain until one day they start developing consciences. It hits a lot of the themes of Westworld without all the unnecessary pretentiousness, “edginess,” and “grittiness,” and it stars Gemma Chan and Colin Morgan!!

Blade Runner 2049: (^) an android is ordered to find and kill a human/android hybrid. It’s not without its issues but it’s one of my favorite movies of all time, right up there with Alien. So beautiful, so thematic, so thought-provoking (to me, anyway. I know a lot of people thought it was way too slow).

Ex Machina: (^) a man is invited to a private estate to help test the intelligence of an android. It’s kind of predictable imo but you know Oscar Isaac and Sonoya Mizuno are in it so we have to stan, and so is Domhnall Gleeson, for the SW fans! I like how isolated and quiet it feels.

I Am Mother: (tw: blood, gaslighting) after an extinction event, a young woman is raised by a lone android in a human repopulation facility until one day a woman knocks. It starts off slow and a bit generic, but I’m obsessed with the 2nd and 3rd acts of this movie---good acting, dialogue, and fantastic visuals. It has that same isolated feel as Ex Machina with only three characters, all of which are women/woman-coded!!!

If you liked ALIEN (space gothic):

Battlestar Galactica (2004-2008 reboot): (tw: genocide, war, colonization, VB, uncanny valley, rape, infidelity) space opera that follows humanity as it fights the ever-evolving and powerful enemy of their own creation: androids named Cylons. Um? I  L O V E  THIS SHOW SO MUCH and I truly do think it’s everything sci fi should be. There is a really unfortunate Miss Saigon-esque romance plot in season 1 and a lazily-written love triangle involving a black woman in season 3, but otherwise it’s one of my all-time favorites and I highly recommend. It’ll spin your mind and tug your heartstrings for years.

Black Mirror: Men Against Fire: (tw: genocide, war, nudity) soldiers in the near future protect citizens from mutant zombies, but one soldier starts experiencing strange hallucinations in the field. This is such an underrated Black Mirror episode starring a black man. There’s brief objectification of a black woman but it’s very anti-military and it has an interesting sterile aesthetic that reminds me of Alien.

High Life: (tw: rape, black holes/space anxiety, very disturbing) prisoners are given the option to join a space expedition and serve as experimental subjects en route to a black hole. Please please stay away if you are triggered by sexual violence of any kind. There’s almost no physical violence in this movie but it’s psychologically haunting imo.

The Faculty: (tw; VB, drug use) high schoolers discover their teachers are being possessed by an invading alien race. I LOVE THIS MOVIE LMFAOOOO. The cast is SO wild---Elijah Wood, John Oliver, Usher, Salma Hayek, Josh Hartnett??? And I’m probably forgetting more. The combination of the cast, the terrible dialogue, and shitty special effects is PEAK comedy imo. But bear in mind it’s bloody!!

Prometheus: (tw: body horror, VB, uncanny valley) a crew of scientists heads on a deep space mission to find the aliens who created the human race. A prequel to Alien, but I kind of view it as its own thing. Despite the plot holes, I love this movie too! It was one of my sci fi gateways and the visuals are stunning. It’s pretty gory though so if that’s not your thing stay away.

Life: (tw: extreme VB) a lesser Alien, but it provides all the space gothic tropes (jokey crew, shots of space, really pretty spaceship, everyone dies, creepy alien) with a well-known cast---Gyllenhaal, Reynolds, etc.

The X Files: (tw: a few episodes contain 90s racism, sexism, queerphobia etc but you can skip them) a lot of people have watched this so I barely have to explain, but it’s one of my favorites. Two FBI agents investigate multiple aliens and get involved in government conspiracies along the way. A good gateway!

A Quiet Place: (tw: child loss, VB, tension) I think most people know what this is about too. Alien apocalypse with aliens that hunt by sound. The daughter in the family is deaf, and so is the actress who portrays her. The representation of deafness was critically acclaimed.

[migleefulmoments]

Abb/y has something to s/ay

Let me premise this by reminding everyone that Abby -like Trump-doesn’t “get” comedy. They literally do not understand jokes, punchlines, or humor. So a satirical show about the Hollywood song writers falls flat. Her time away did nothing to sway her conspiratorial aspirations or her misogynistic hatred of Mia. She watched Royalties not once, but twice... not to enjoy Darren’s creativity and performance, not to support the celebrity she stans, and not even to crack up at the humor, no she watched twice because she was looking for confirmation bias. She wanted to document all of the ways Darren wrote his CrissColfer truth into Pierce’s life and she obsessively listened to all of the diss-tracks he wrote to attack his wife.  

Let me also premise this by saying I loved the show. I thought it was funny and the songs are so damn catchy.  The lyrics are quintessential Darren- funny, very clever, and raunchy.  

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R/oyalties, the Tale of Two Shows with a Heaping Side of Meta

ajw720. So I just finished watching R/oyalties for the second time, this time solely focused on the meta.  Look, we all know, the show is not good, it was not well written and the short format didn’t help as there was no option to develop character or plot.  But D knew it would not be good, he apologized for it back in January 2019.  And I think the effort he put into acting was the effort it deserved. Ok.

But his songs were genius.  As were the videos, hence why i call it the tale of two shows.  It truly was like watching content made by completely different people. I concur with MH, D is “intensely talented.”  And the part of this show he poured his blood, sweat, and tears into, the songs, are evident of this.

But this is a post about that Heaping Side of Meta. I think D, knowing that that show would not be made in the manner he envisioned, instead used it as a vehicle to make some bold statements and parallels with his career and public life.  Shall we begin?  And please, unlike the perfect song, this is not a perfect post and after the second round of watching i canceled my Quibi subscription and never plan to look back, so please feel free to add. I know some of these have been pointed out but I thought it was valuable to have one post.

One idea to inpsire the song?  A tiny FROG on a dime.

D’s shirt 1st seen in Episode 2: “It is hard to soar like an Eagle when you are surrounded by turkeys”

And of course “Call me Goldilocks bitch”  Remind you of something?

How about the entirety of Episode 3 when we are told that an artist is completely the product of the team.  That no matter what the artists expresses they want, it doesn’t matter because the Label/manager/publicist/on camera agent/legal will always have a say. And how it will play in America or the Foreign market are key metrics of how the product is produced and presented.  I love the line of the songwriter that tells P/ierce and S/ara to “get out while they are young.”  Or the line by one of her team “we don’t want something different, we want something the same that is different.”  And in the end P&S simply took one of KK old songs and reworked it, making something different that is not different and her team loved it.  

And of course, the line that was an utter slap in the face to the most over praised “director” of an indie band video ever when D reminds her of the real director in his life, the man set to direct major motion pictures, “you know who would be perfect to direct? C/hris.  C/hris would shatter this.”

Not much in Episode 4, but the gorilla suit in my opinion was mocking of a certain MMR video where we watched Swiller and a banana in a song about a gorilla.  Images I never need to see in my head again.

Episode 5, a gem, I am still so fucking proud of D and how he mocked her throughout the entirety of the episode.  New lines I love of that amazing song he wrote about her (in addition to those i posted previously here) “Some people say I’m a  genius, which comes from the greek word for Latin, and other people will say, alright in fact i’m a fuckin’s genius” “I’m not saying I’m a god, but I’m not saying I’m not a god.”  Mocking at its finest made all that much better by the band’s name “Switchback Jacket” that D describes as “butt rock emo” that is performed by a band that doesn’t actually sing, they are just the public image.  He literally told us that what we see is an image created for the public and that it is completely fake.  And he used his beard to make this statement. Just brilliant.  I cannot praise him enough for this, stealing her moment in the sun and making her look like an utter fool, telling us just how narcissistic she is.

Also some wonderful lines from that episode that are beyond telling:

“Power, it felt good to remind Kevin that I hold power over him. You always want to be the one with power”

“p/ierce wouldn’t know where to take a shit if I didn’t tell him.”

“she is like my wife except we don’t have sex and we are friends.”

“alright boss, I am ready to record that song, but where should i take a shit?”

“You will do anything to succeed.”

Episode 8 starring “Poly Amorous and the Unicorn Guild” an episode used to shine a light on how absurd it is that people believe D&PBB lived with platonic roomie B/enny for something like 4 years.  3 grown ass adults, all of whom have money to spare lived together in a relatively small house for four years.  It is pure comedy that anyone would believe that this is normal.  But hey these are the same people that explained away the infamous arm around her while at an awards show with D looking on:

And the cherry on top of this episode, the inclusion of C/huck (for some background, see my post here).

I really like the one bit of dialogue between P&S, where D pretty much tells us once again that M will use anyone to get what she wants:

“Did it ever occur to you that maybe just maybe, I don’t like where we are now? There were a lot of really great things about the way things were.  Things that are worth preserving.  Not that you just take and use and through out.”

Episode 9 had some really impactful lines:

“you think i wouldn’t steal for my career? You think I wouldn’t lie?  I would do anything.”

The Neils being the nameless individuals, nothing more than a number, who are the ones who actually create the product.  And then the song, some of the translations are D telling you how he feels, because sometimes i think in terms of his public image he is just a Neil trying to escape the cage that has been built around him:

“I dream about getting away, I have been locked up in this cage wishing i could make my escape. I hate that I need you.”

And finally Episode 10, where we learn the Neils get no credit and no royalties. This reminds me of a script C wrote that never saw the light of day but suddenly the next season of AHS had the same theme as his script.

And that is all i got, if you have more please add. I think the fact that D took what he knew would be a mediocre project and projected his voice and story throughout it was pretty genius and a smart way to utilize this vehicle, that was clearly payout for so many that have used him for years and to shine a bright light on the truth.

elicc  The “perfect song”’s performer is called Bailey Rouge, a clear link to TLOS.

He is a genius.

ajw720   @elicc damn, that was on my list and I forgot. And we all know who Red is inspired by, so seems fitting Bailey Rouge would get the perfect song.

ajw720. Just adding one more I thought about putting in my original post but admittedly think it’s a stretch. But maybe not? Just adding here for fun.

When Theo tells P to bottle up all his romantic feelings I couldn’t help but think of a certain chapter in a book

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Oy Vei! Abby didn’t use her time away getting any therapy or perspective.  She hasn’t learned any lessons. I have no doubt she’s been reading just as much as she did before and she’s speaking to Cassie, Flowers et al all day. It’s really sad. It’s sad that she can’t see how silly she sounds, what an asshole her version of Darren is. If she could restrain herself even a little bit it might come off less unhinged because turning every single moment of Royalties into some crisscolfer wet dream reeks of desperation. 

Abby hates Royalties. In last week’s “Dear D” she had the audacity to say 

....Fans that are beyond devoted and mainly because of the way you have treated fans with respect and a level of caring that far surpasses the majority of public figures.  And while I am not enjoying the show itself, the music shows how diverse you are as a writer and how you can virtually write for anyone or any genre. The songs are fantastic.  Memorable.  And really fun.  

She knows the the Langs wrote the show and Darren wrote the songs but what she can’t seem to comprehend is that Darren IS Royalties. Everything in the show is Darren’s.  

Staying in the closet would be less painful than trying to express oneself through a short-form satirical comedy.  Can you imagine trying to express your devastation and pain through Kick Your Shoes off or Break It In? 

“I’m the king of the hard fuck....pile drive the bed like a young buck...if you like feathery shit thats pretty cool but I don’t need that...people say I fuck too soft, saying that I can’t please a woman” 

BTW Abby- “call me goldilocks bitch” isn’t a reference to TLOS it’s a reference to Goldilocks and Three Bears because because he fucks perfect, not too soft, not too hard. It’s much more believable that he is referring to a random nursery rhyme than it is to believe he is referring to a children’s book his lover/husband/boyfriend wrote 8 years ago. You might love the book but Chris has moved on and written new things. 

Darren wrote funny lyrics. I loved Kick Your Shoes Off because it’s written by a man whose watched his wife and female friends wear painful shoes for the same of fashion even though its painful as fuck.   

“Yeah, I’m a bad bitch so don’t be mad bitch. I turned the room into a catwalk like a sad bitch. I can’t feel my toes in these stilettos. when I walk out my roomate says you’ll regret those....Beauty is pain but oh I look amazing.  You won’t hear me complaining but oh my instep (inside?) is screaming...kick your shoes off (kick em off) ooooooo I do what I want..(Kick em off) ooooo Hey I can’t walk in these, blisters start to bleed now both my feet are swollen. Kick your shoes off (Kick em off).....It’s like i feel so good when my shoes are on, but like i also feel sooooo good when they are off” 

Abby’s convinced I am So Much Better Than You is straight up about Mia because Mia is in the video. She listened to it on repeat the day after it came out. In her “Letter to D” last week she said 

Especially after you made an effort to mock her for the entirety of Tuesday when her episode aired (and for the record I am still really, really proud of what you did with that episode and how you handled the roll out, that is the fighter I admire and that inspires me.  I listened to I am so much better than you on repeat on my drive home from work yesterday).   

Good Lord  The lyrics are as silly as all the other songs: “My mirror wants to bone me (but it can’t because it’s a mirror)” How did Abby miss the obvious TLOS mirror/ Halloween costume reference here?  

“You keep doing push ups while I get buff eating mac and cheese (with overpriced lobster and truffles because I’m worth it)”  

“Some people say I’m a genius (which comes from the greek work for latin) Some other people will say yeah I’m right I’m a fucking genius (I’m not saying I’m a god but I’m not saying I’m not a god). 

“And even when you sneeze, God blesses me, he blesses me. And even when you sneeze, god blesses me, he blesses me, he blesses me”

“I’m am so much better than you at everything”. 

She believes Darren would be- and stay- married to a women that he publicly ridicules and attacks. I don’t get why she thinks that is something admirable . 

She thinks Also You is referring to Ben living with them.  Where to start with this one? She says

“Episode 8 starring “Poly Amorous and the Unicorn Guild” an episode used to shine a light on how absurd it is that people believe D&PBB lived with platonic roomie B/enny for something like 4 years.  3 grown ass adults, all of whom have money to spare lived together in a relatively small house for four years.  It is pure comedy that anyone would believe that this is normal.  But hey these are the same people that explained away the infamous arm around her while at an awards show with D looking on”

I’m gobsmacked.  Also You is about Polyamory. She doesn’t even understand her own theories if she thinks that is the message Darren wants to share about Mia and Ben.  In no world would someone try to proclaim their wife was cheating on them with a live-in houseguest by writing an episode called Poly Amorous and the Unicorn Guild.  Also, someone needs to explain cuckholding to her because her theories about Ben and Mia make Darren a cuck.  

OMG I just realized that Darren is a cuck and Royalties proves it.  He hired Kether to be his costar in Royalties,...Kether is in You’re the Worst as Lindsay.  Lindsay cuckholds her husband. Bam! mic drop.   

Why isn’t Perfect Song about Mia, you know, if we are playing confirmation bias “No one is as good as you because you're my perfect song” 

[sinfulnature]

hello, hello, hello ! i am late but i am here finally and i’m sorry it took me so long. below the cut you’ll find little write ups for each of my muses. wanted connections will be posted later but in the meantime please take this. 

{  chris  evans,  39,  cis  male,  he/him,  pansexual  }  welcome,  henry  king   !  you  make  a  living  as  a  high  profile  director  outside  of  the  island  ?  cool.  you’ve  been  here  for  two  and  a  half  weeks,  right  ?  staying  in  room  402  ?  you’re  into  ass  to  mouth  &  worship,  but  not  gaping  &  extreme  humiliation  ?  mr.  conway  will  be  sure  to  accommodate.  i  heard  you  were  most  excited  for  the  beach,  which  makes  sense.  rumor  has  it  you’re  resourceful  &  critical,  but  i  think  people  should  get  to  know  you  for  themselves.

introducing henry king, a high profile director who flies out annually to the resort to spend his summer months relaxing with his wife and boyfriend at his side. 

he had a mostly stable childhood, one that was spent with two younger siblings in tow and a mother who was like a prototype of what a pinterest mom would be. his father spent a lot of time at work and it’s something that, while henry doesn’t begrudge him for it now, was frustrating as a child and not knowing why he wasn’t there. 

the first major thing that henry remembered his father attending was his junior year of high school when he was the student director for a one act production of snapshots, an anthology of short plays. his father, also a director, took the time to give him notes about the things that could have been done to tighten up the show. the last four words were i’m proud of you. that was the moment that henry decided that he wanted to be a director. 

fast forward to college and he goes to the goes to the university of southern california’s film school and instead of taking just the director classes, he takes the time to add a year and a half to his time in college and gets a screenwriting degree out of it. 

his first production partner was his father, who promised henry that he would fund one movie, from top to bottom, with the help of a production company that was owned by a close friend. henry wrote and directed the thing himself and, though it didn’t garner major awards, it was screened at sxsw. that was enough. 

let it be known that henry knows that his introduction into the world of filmmaking was super nepotistic. he understands that he had so many more advantages than any other person in his shoes, at his time, first starting to make movies when he did, and he was still terrified of failing. 

with the above, it should also be known that henry goes out of his way to make sure he’s telling stories that, while he has not experienced them, he can find the right people to help him tell it and amplify voices that otherwise might not be heard. not out of guilt or a need to make up for his introduction to the business, but out of an understanding that his platform should be used to reach every single person and not alienate. 

due to the stresses of his job and the level of scrutiny he’s constantly under, he’s well known to seem to abscond from the world as soon as his movies have come out for the summer. as a director of typically action packed, star studded films, he’s usually on his way to the resort by the second or third week of june. 

though he makes so many of these action packed blockbusters, he also tries to make sure that he makes movies that appeal to his soul and finds himself in the process of developing a high fantasy series that’s in the same line as the authorless harry potter books and lord of the rings. 

this is his second year at the resort and henry can see this honestly becoming an annual thing for himself, his wife, and his boyfriend to do. so many frustrations of his are squashed down throughout the year, not through anyone’s own fault, but just because there’s a lot of weight on one’s shoulders when billions of dollars sit on it every year. this is the place where his hedonistic tendencies shine through and he’s not particularly mad about it. 

{  corinna  kopf,  27,  cis  female,  she/her,  pansexual  }  hey  there,  alexandrea  conway!  you’re  still  the  financial  officer  and  you’ve  been  working  here  for  two  and  a  half  years ?  and  you’re  living  in  villa  one.  cool.  you’re  into  body  worship  &  creampies,  but  not  extreme  humiliation  &  scat  play  ?  that’s  what  i  thought.  when  you’re  not  working,  you’re  at  her  villa,  right  ?  well,  makes  sense.  people  say  you’re  even  tempered  &  prying,  but  i  think  they  should  get  to  know  you  for  themselves. 

introducing alexandrea katherine conway née douglas, the wife of oliver conway and chief financial officer at the resort. they’ve been married for about two years.

she had a relatively happy childhood and comes from a line of claimants to a scottish duchy of hamilton. she’s the youngest of six children and does technically hold the title of lady but she’s never done anything with it and it’s more a funny story that she tells at parties than it is a serious thing she buys into because she always thought it was a family joke.

prior to coming to the resort, drea graduated from the wharton school of business double major in business and marketing. post graduation she spent a fair amount of time as a prominent social media influencer. her multi million follower platform has translated into some business for the resort in the form of some of their most consistent guests. 

at the time of marrying her husband, he offered for the resort to be something they shared in ownership and it sprung some little goblin in her head to deny his offer. she wanted to earn it and not marry into it. 

the joke in that, of course, is that when most people look at drea they see incredibly soft curves, the bright blonde hair, the fact that the most articles of clothing she owns are just bathing suits, swim cover ups, and the occasionally very beautifully form fitting dress, the word bimbo appears in their mind on repeat. other words come to mind, too, but that’s the one that drea finds comes up most often. 

if we’re being really honest, in the depths of her soul, there’s something that drea finds funny about it. there is a gift in being underestimated and who cared what their perceptions were ? her happiness with her husband and job did not rely on anyone but herself.

she has incredibly open sexual preferences but with a body like hers she favors worship and the kinds of things that don’t leave bruises unless they are loves bites. drea is a switch and is happy to lead or follow, though goddess remains either way, if you’re interested in having her.  

{  inbar  lavi,  33,  cis  female,  she/her,  lesbian  }  welcome,  elodie  bram  !  you  make  a  living  as  an  international  fashion  designer  outside  of  the  island  ?  cool.  you’ve  been  here  for  two  weeks,  right  ?  staying  in  villa  two  ?  you’re  into  face  sitting  &  rimming,  but  not  food  play  &  blood  play  ?  mr.  conway  will  be  sure  to  accommodate.  i  heard  you  were  most  excited  for  the  beach,  which  makes  sense.  rumor  has  it  you’re  empathetic  &  domineering,  but  i  think  people  should  get  to  know  you  for  themselves.  {  dottie,  22,  est,  she/her  }

introducing  elodie odeya bram, an international fashion designer who makes an annual pilgrimage to the island as part of her process of designing her next year’s summer line. she had a relatively 

elodie has always strived to make sure that her brand is inclusive to all sizes and genders. another facet of her brand is that her clothes are considered kosher as they are fully made from plant or animal fibers but not both. her interest in design first came in high school when she was helping to craft costumes for a play and things spiraled from there. 

she realized that it was her passion, she attended the parsons school for design, and graduated with an apprentice ship under another designer who had long since been an inspiration for her own work.

elodie’s first collection to make waves happened a few years ago, when she was thirty and her mentor had agreed to take six pieces and let a capsule collection of elodie’s creation as part of their slot in paris’ fashion week. her luck in this mentorship was not beyond her and her good fortune has been at the forefront of her mind for years. seldom is there a night where she does not thank her lucky stars for all the things that have happened and continue to happen.

her mentor, in opening so many doors, also opened the door to the resort and has brought her into the light of one of her favorite places of inspiration. as part of her stay in the villas, she does frequently sketch her own designs and occasionally, when she brings back women to spend time with her, she’ll dress some of them up in her newest designs to see how they’ll functionally work.  

she’s quite likely to pull together a collection of women she wants to spend time with and there’s almost always some kind of sexual activity happening in her villa. whether fellow guests or employees of the villa, elodie’s indiscriminate in any girl she flirts with and wants to make a move on and we stan her for it. 

{  madelyn  cline,  23,  cis  female,  she/her,  pansexual  }  hey  there,  penny  rourke  !  you’re  still  a  lifeguard  and  you’ve  been  working  here  for  two  weeks  ?  and  you’re  living  in  room  202.  cool.  you’re  into  rimming  &  exhibitionism,  but  not  fisting  &  scat  ?  that’s  what  i  thought.  when  you’re  not  working,  you’re  at  the  spa,  right  ?  well,  makes  sense.  people  say  you’re  insightful  &  fickle,  but  i  think  they  should  get  to  know  you  for  themselves.  {  dottie,  22,  est,  she/her  }

introducing penelope jean “penny” rourke, a sweet natured girl with a petty streak who grew up in a small town in oregon and honestly only considers going back when the weather in the new york makes her forget about how bad the weather in oregon is. 

she grew up in a lovely home with a big family, her mother owning her own small business and her father a detective at the local precinct. solidly middle class, there was very little that penny craved or needed that she did not get. she took on a maternal role in her home, a natural adoption as the oldest of seven children, and she had a hand in their upbringing. while others may have seen that as a burden, it was something that penny enjoyed with her whole heart. 

when she went off to college, she applied to all of the ivy leagues and got a significant scholarship to columbia, which is where she met archibald hughes, son of a virginia senator and guy who she said, “you can’t sway my attention from my studies” to on their first day of meeting. she moved in with him in an off campus apartment their junior year of school. he was her greatest hype man and while they’d been having serious talks about marriage and their future. 

her relationship with archie ended rather abruptly when his paranoia hit an all time high at the behest of his father. insidious rumors, according to penny, accusations of things she’d promised archie long before that she would never do. her devotion to him was near unbreakable and archie had found the one straw that broke her back and everything came crumbling down: he put his trust in someone else. 

recently single, in need of a fresh start and a warm place to go for the summer, and on her summer break from law school, penny has been ready to engage in her first ever hoe phase and has already started it with some success. her ex has recently shown up on the property, though, and that’s made some of her more recent encounters awkward, to say the least, but she’s making it work. 

{  tommy  martinez,  26,  cis  male,  he/him,  pansexual  }  welcome,  jamie  flores!  you  make  a  living  as  a  famous  musician  /  drummer  for  the  raptors  outside  of  the  island  ?  cool.  you’ve  been  here  for  one  week,  right  ?  staying  in  room  401  ?  you’re  into  threesomes  &  body  writing,  but  not  bathroom  play  &  scat  play  ?  mr.  conway  will  be  sure  to  accommodate.  i  heard  you  were  most  excited  for  the  docks,  which  makes  sense.  rumor  has  it  you’re  charming  &  nosy,  but  i  think  people  should  get  to  know  you  for  themselves.  

introducing james sebastian “jamie” ibarra flores, known professionally as jamie flores. he makes a living as a drummer for the raptors, a band that has achieved critical success and have just wrapped up their first tour and the release of their first album. it was his idea to come to key passion in the first place and it honestly super tracks. 

he’s been with the raptors for about three years and prior to joining with them, he’d heard about the resort and promised himself when he had enough to comfortably afford to go after setting his parents up with making sure that their mortgage was paid for and it wouldn’t be the literally most financially irresponsible decision he’s ever made when there were other things and people to prioritize.

prior to coming to the island, though, did he drop like $3k on a girl’s amazon wishlist because he’s simpin’ real hard ? yes. can he afford to do it ? Yes. 

not particularly religious and verging on the edge of anarchist, jamie uses his platform to promote a lot of social issues and advocate for the reformation of most systems in the united states. he will not shut up when he talks about politics and one of his most used photos on his camera roll is a picture of his degree in political science from ucla. he’ll come at you with facts and an army of stans. 

though he’s typically a relaxed kind of person he’s under the belief that he’s Totally Chill and this is Not At All True. he constantly wants to know 103% of the drama without being directly involved but he’ll do it from his couch and creeping through stan twitter on a burner account so if he accidentally likes something, it doesn’t get back to the band. 

he loves ,,, reading fan fiction and reader imagines about himself. 

sexually very open and just wants to have a good time while coming off the success of his tour with his bandmates. 

[addictedforbooksquad]

B O O K  R E V I E W

╙ T H E  Q U E E N  O F  N O T H I N G  B Y  H O L L Y  B L A C K

genre: fantasy, young adult

publication date: 19th November, 2019

rating (1-5 scale):

writing:   ★ ★ ★ ★

characters & character development: ★ ★ ★ ★

could-not-put-it-down factor: ★ ★ ★ ★ ★

general rating: ★ ★ ★ ★ ★ 

WARNING: CONTAINS SPOILERS!

 “By you, I am forever undone.”

Exhilarating. Feels-inducing. Heart-attacking. I didn't just read this book. I devoured it. Inhaled it through my pores. Drank it in with haste and thirst as if indulging in faerie wine after a year-long fast. Perhaps from a storytelling point of view, this wasn't as good as “The Wicked King” but nevertheless, I revelled in every single page. I read it in one go, from cover to cover, and all I can say is that it was absolutely worth a sleepless night. And then it left me so satisfied and full of reflections and feelings, then I just cannot stop thinking about it. And aren't those books, which leave us content and sated, and yet somehow yearning for even more of a good thing, just the best? Now, onto the details, the good and (despite 5-star rating) the bad: I. the sister thing Anyone who knows me, knows that I absolutely hated Taryn in the first two books. Betrayal of her sister aside, I just found her utterly and unforgivably...boring. In "The Queen of Nothing" though, I was happy to discover depths to her character that weren't that fleshed out before. From killing Locke (YASSS!!!) to standing up to Madoc, side by side with Jude and Vivi, Taryn finally showed with her ACTIONS, not words, which side she is on. And look, this perhaps doesn't erase what she did to Jude in “The Cruel Prince” but I liked how the story unfolded between them in this last installment. This is not a series about pure-hearted good characters. They all did awful things. They all did some of those awful things to each other. So in the end, I'm glad there was no "grovelling" on Taryn's part, no act of "official" forgiveness. That's not how things work in Faerie. More than that, all the sisterly moments! Loved them! Whether it was Taryn trying to gossip about Cardan with Jude or the three sisters united against Madoc, it was great to see a positive sister relationship in a fantasy for once. I definitely prefer them together than apart and set up against each other. II. the trick thing I had lots of theories after finishing "The Wicked King" about Cardan banishing Jude from Elfhame and damn, do I have a satisfaction of getting it at least partially right. I know a lot of people hated what Cardan did in TWK but personally, I loved that plot twist. I thought it evened out the playing field between them and I always knew there was more to it anyway. And would you look at that, it was indeed a trick! When Jude and Cardan reunited and he was so utterly confused that Jude WASN'T proud of him for pulling one over her...priceless. He did it to impress her. He did it to protect her (and his kingdom). He did it to, let's face it, get back at her. It's so wonderfully twisted, my pitch-black heart rejoices and flutters. Added to that delicious cake of dark and twisted is a cherry of irony on top which is the fact that Jude did realize that she could pardon herself...and didn't. She, who is usually so smart and devious and quick to pick up on other people being smart and devious, wasn't able to see through the smoke screen and guess Cardan's true intentions. Which isn't that surprising to me, because when it comes to feelings, my daughter Jude is the most hopeless and oblivious person in that fantasy realm. That lack of trust in Cardan cost her and it only underlined what needed to change - to be able to rule together, Jude and Cardan need to lower their defences when it comes to one another. But more on that in the next point. III. the love thing Jude and Cardan's dynamic has been one of my very favourite things about this series from the start. I love them both as characters and I love them as a ship. I was happy to find out that what unravelled between them in this last installment was utterly (with some minor mishaps) satisfying. Their reunion, untangling the coiled web of mistrust and misunderstandings, learning to trust and be trusted...it was everything. I longed to see them as allies and a team, rather than enemies and reluctant/forced co-operators from the start (not that it wasn't fun to see them as enemies and reluctant allies, IT WAS SO MUCH FUN) and here I got what I wished for. Love scenes, their talk of lowering their shields, those that had been kept up for so so long, melted my heart. Cardan's love confession? Perfect! And so fitting for him in my opinion. Only he would say ILY in such an off-handed manner.

Basically:

"Hi you probably already know this because you're so smart (and I love you) but I've loved you for a long time, OK we got stuff to do BYE" Perfection 😍😂 Cardan was also, quite obviously, Jude's first stan, and I just live for relationships like that. And the longing between them was so palpable. Especially in Cardan's letters to Jude, I could feel how much he missed his Queen *ugly weeping* I'd say that Jude's confession could've been handled better, as in, there could've been even more build-up to it, considering how good she is at holding on to her walls and defences. Still, I loved it in its own way. IV. the character development thing I know there are some who were dissatisfied with the plot twist and the ending. Personally, I thought it was very fitting though. The decision that Jude faces? Between love and power, between her own humanity and the possibility of utter control over Cardan? That dilemma was the best way to capture the character development she had gone through throughout this series. Ever since the beginning, Jude had been wondering about one thing - where will she draw a line? Is there a line that she won't cross to get more power? She got her answer in this book. As Jude was making her choice between killing Cardan or killing her chances at ruling Elfhame, I was crying heavy tears of someone who had witnessed a painful yet utterly satisfying journey. Jude had always been scared. Jude had always resented being weak and human. Jude had always craved power and security for herself. Jude had always hated being vulnerable and relished in the control she gained over Cardan. And with her choice, she embraced so much of what she had once resented. She chose hardship and uncertain future and opened herself up to being hurt. She chose love. She chose being human and weak and what-the-hell-I'll-deal-with-it-because-I'm-not-weak-at-all. She chose Cardan. *this reviewer took a 5-minute break at this point to wipe off all the tears from her keyboard* The point is, I loved the character development this choice represented and yet, Jude also remained very much herself by doing this. V. the loose thread thing Not to be overly sweet on this book, there were also some loose ends, all right. For one, I wish the relationship between Cardan and his mother was explored more, same with more insight into Jude's biological parents, especially her mother. It seemed like it was teased a lot in two previous installments and yet, I didn't experience nearly as much delivery as I expected on those subjects. I just wish there was more on this. VI. other things

Cardan calling Jude his wife, THE FEELS ARE REAL

the not-so-subtle hinting at the possible Taryn-Ghost romance, I dig it

loved the conclusion to Jude and Madoc relationship, he got exactly what he deserved

onto punishment topic, I also loved that Cardan left that responsibility solely within Jude's power

underlining the fact that Cardan is very stable in his feelings, very un-faerie-like was very much appreciated, I love one (1) Faerie boy

Vivi and Heather getting their HEA as well, YESSSS

the symbolism of Cardan creating two thrones from one, my heart stopped

Cardan in the mortal world (P.S. I NEED MORE OF THIS, approximately 483949 pages more)

I could go on and on but there was just so much - and in such a (relatively) short book too. What I will say is this - The Folk of the Air had been shaping up to be one of my favourite fantasy series, and "The Queen of Nothing" made it into a fact. Which it could have very well failed to do, as it often happens with final books in a series. Because ever since I finished "The Wicked King", I've been holding my breath, waiting for the proverbial other shoe to drop and for this final book not to live up to the very high expectations I've had for a conclusion not only to a great series, but also some of my very favourite characters and relationships. But after reading this, "I feel as though I can finally breathe again."        

[hanscom]

Remember when I said I was writing a Sense8 au? Well, it’s been sitting on my computer for close to a year and I want it out there in the ether somewhere, so. Here, have this strange little thing.

This story probably won’t make sense if you haven’t seen Sense8, but basically Stan and the other Losers are psychically connected and can see and talk to one another even when they’re not physically together.

Patty is cooking breakfast when Bill shows up.

It’s a Sunday morning. Stan is reading the paper, a habit he refuses to give up even though these days he gets most of his news from his phone in real time. He’s dressed down in a silk pin-stripe pajama set. Any other day of the week, he’d already be dressed to the nines, crisp pants and perfectly ironed shirt and a tie knotted at his throat, just a little off-kilter from the way Patty gripped it when she pulled him into a goodbye kiss. But not today. Today is their day.

The whole house smells like the potatoes she’s frying, a hot oily smell that will cling to their hair if they don’t shower. Stan likes the smell. He likes the soft, sweet melody his wife is humming, and the way she rocks on her feet, a quiet mockery of a dance. He likes the way her hair curls around her ears and the way he catches a glimpse of her underwear beneath her sleep shirt whenever she sways too enthusiastically.

“You’re happy this morning,” Bill says. He sits down in the chair across from Stan. There’s one banana left in the fruit basket centerpiece, overripe just the way Bill likes it, and he reaches for it without asking.

Patty gives Stan a disapproving look over her shoulder, catching the way he leans towards the bowl. “Don’t spoil your appetite.”

“It’s not me,” Stan protests. “Bill’s here.”

Bill, across the table, peels open the banana and takes a huge bite. Stan can taste it, sort of - more like a particularly vivid memory than anything, a weird feedback loop, the taste of Bill’s imagination. Bill’s not physically here and neither are his tastebuds, and Stan knows that when Bill leaves his consciousness, the banana will still be sitting in the bowl, but that doesn’t change the fact that Stan can taste it on the back of his tongue.

“Hi, Patty,” Bill says through the mushy mouthful, though he knows she cannot hear him.

Patty slides her eyes around the room, then seems to settle on a spot remarkably close to where Bill is sitting. “Good morning, Bill.”

“You look beautiful today,” Bill tells her. He looks at Stan expectantly. “Tell her she looks beautiful.”

“Bill says you look beautiful,” Stan recites obediently, used to relaying the group’s messages to Patty, who can’t hear them for herself. He folds his newspaper and puts it aside. He won’t get any more reading done, not with Bill there.

Patty laughs. “Charming as always.” She abandons her post at the stove to press a brief kiss to Stan’s mouth.

“That kiss was for me,” Bill says smugly.

“You wish,” Richie chimes in, out of nowhere. “We both know she was thinking about me.”

“She doesn’t look nauseous enough for that,” Eddie says. He leans over Bill’s shoulder and breaks off a piece of the banana, popping it into his mouth before Bill can protest. He moans, eyes closed. “Mm, I’m so hungry.”

“Does Richie not feed you?” Stan asks, eyeing Richie when he sits down at the head of the table. He’s impossibly long, his legs stretched out, bare foot nudging Stan’s. It’s a whisper of sensation, like a memory of a touch. Stan nudges him back.

“I feed him plenty,” Richie says, smirking. “Just last night, I let him feast on my dick.”

Bill snickers and Eddie sputters. Stan levels Richie with a flat look. “You’re disgusting,” he says.

Patty turns around, her face alight. “Richie’s here?”

Richie wiggles his fingers in Patty’s direction. “Right here, sweetheart.”

“Eddie’s here, too,” Stan tells her.

Her smile brightens, then dims. She casts a dubious look at the stove, like she’s second-guessing their simple fried breakfast. “Should I cook something else?”

“No,” Stan says firmly. “If they don’t like what you cook, they can cook for themselves.”

“None of us can cook like Patty can and you know it,” Bev says. She circles the table quickly, kissing Richie on the cheek and Bill on the temple and Eddie on the top of the head, then comes to sit next to Stan, reaching for his hand. Their fingers lace together. “How are you, my darling?” she asks him.

“I’m wonderful,” he says. Patty grants him a small, private smile over her shoulder. Mike, appearing suddenly, peers around her at the oil hissing in the pan.

“Smells good,” he notes, looking like perhaps he’s not fully awake yet. His face is creased and sleepy, and he’s only wearing sleep pants, slung low on his hips.

“What a sight for sore eyes,” Richie sighs, leaning his elbow onto the table and putting his chin in his hand so he can stare at Mike with stars in his eyes. Across from him, Eddie makes an agreeing noise. Mike smiles at the two of them, then dances out of Patty’s way when she reaches for a plate, even though her hand would just sink straight through him if he stayed still.

“Where’s Ben?” Bill asks.

“I’m here,” Ben says, sounding breathless, and then suddenly he’s there. “Sorry I’m late. I went out for a run.”

He’s sweaty, his hair matted to his forehead, and the apples of his cheeks are brightly, fervently pink. His shorts expose his meaty thighs and his shirt clings to his soft belly. He looks vibrant. He looks good.

Patty laughs suddenly. “Ben must be here,” she says, gently teasing. “You look like you’re having a religious experience.”

Stan is not at all ashamed to find Ben attractive. All of them are beautiful in their own ways, but there’s just something special about Ben.

It happens like that, sometimes. It happened to Richie and Eddie, in fact. They’re all soulmates, tied together by the same psychic string, but the thread is a little stronger in some places than others.

Ben and Stan could be as in love as Richie and Eddie, but Eddie and Richie have the advantage of living together in some halfway-decent uptown apartment in New York. Stan has never actually met Ben in person. Ben has made several promises to come to Atlanta, but for now he’s in Tokyo, or Beijing, or maybe Hong Kong. His job keeps him busy and about as physically far from Stan as humanly possible.

Ben sits on the other side of Stan and takes the hand Beverly is not holding. “Good morning,” he says sweetly.

“It’s not morning for you,” Stan reminds him. He blinks, and then it’s dark outside the windows. The hotel room does not smell like cooking oil, and Ben looks very lonely in his California king. They’re alone. Well, as alone as they ever really are.

“I missed you,” Ben says.

Stan smiles. “I missed you, too.”

They’re drawn sharply back to Stan’s kitchen by Richie’s loud laughter. “Can you guys get a room?”

“We were trying,” Stan says.

Ben’s mouth twists like he’s biting back laughter, and then he looks at Patty and his smile smooths into something soft and earnest. “Hello, Patricia.”

“Ben says hi,” Stan tells her.

Patty turns around fully and her face is awash with unadulterated affection. “Hello, Benjamin.”

Something lovely and aching shivers in Stan’s chest, the way it always does when his wife talks to Ben. Ben is his soulmate, but so is Patty in some smaller but no less important way, and the idea that he can have them both, that they somehow both love him and each other - the idea that he doesn’t have to choose is just, it’s...

It’s both the best and scariest thing that has ever happened to him. Which is saying a lot, considering he shares his every thought and feeling and sensation with six other people.

[blackkudos]

Max Roach

Maxwell Lemuel "Max" Roach (January 10, 1924 – August 16, 2007) was an American jazz percussionist, drummer, and composer.

A pioneer of bebop, Roach went on to work in many other styles of music, and is generally considered alongside the most important drummers in history. He worked with many famous jazz musicians, including Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy and Booker Little. He was inducted into the Down Beat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.

Roach also led his own groups, notably a pioneering quintet co-led with trumpeter Clifford Brown and the percussion ensemble M'Boom, and made numerous musical statements relating to the Civil Rights Movement.

Biography

Early life and career

Roach was born in the Township of Newland, Pasquotank County, North Carolina, which borders the southern edge of the Great Dismal Swamp, to Alphonse and Cressie Roach. Many confuse this with Newland Town in Avery County. Although Roach's birth certificate lists his date of birth as January 10, 1924, Roach has been quoted by Phil Schaap as having stated that his family believed he was born on January 8, 1925. Roach's family moved to the Bedford-Stuyvesant neighborhood of Brooklyn, New York when he was 4 years old. He grew up in a musical home, his mother being a gospel singer. He started to play bugle in parade orchestras at a young age. At the age of 10, he was already playing drums in some gospel bands. In 1942, as an 18-year-old fresh out of Boys High School, he was called to fill in for Sonny Greer with the Duke Ellington Orchestra when they were performing at the Paramount Theater.

In 1942, Roach started to go out in the jazz clubs of the 52nd Street and at 78th Street & Broadway for Georgie Jay's Taproom (playing with schoolmate Cecil Payne). His first professional recording took place in December 1943, supporting Coleman Hawkins.

He was one of the first drummers (along with Clarke) to play in the bebop style, and performed in bands led by Dizzy Gillespie, Charlie Parker, Thelonious Monk, Coleman Hawkins, Bud Powell, and Miles Davis. Roach played on many of Parker's most important records, including the Savoy November 1945 session, a turning point in recorded jazz. The drummer's early brush work with Powell's trio, especially at fast tempos, has been highly praised.

1950s

Roach studied classical percussion at the Manhattan School of Music from 1950 to 1953, working toward a Bachelor of Music degree (the School awarded him an Honorary Doctorate in 1990).

In 1952, Roach co-founded Debut Records with bassist Charles Mingus. This label released a record of a May 15, 1953 concert, billed as 'the greatest concert ever', which came to be known as Jazz at Massey Hall, featuring Parker, Gillespie, Powell, Mingus and Roach. Also released on this label was the groundbreaking bass-and-drum free improvisation, Percussion Discussion.

In 1954, Roach and trumpeter Clifford Brown formed a quintet that also featured tenor saxophonist Harold Land, pianist Richie Powell (brother of Bud Powell), and bassist George Morrow, though Land left the following year and Sonny Rollins soon replaced him. The group was a prime example of the hard bop style also played by Art Blakey and Horace Silver. This group was to be short-lived; Brown and Powell were killed in a car accident on the Pennsylvania Turnpike in June 1956. The first album Roach recorded after their deaths was Max Roach + 4. After Brown and Powell's deaths, Roach continued leading a similarly configured group, with Kenny Dorham (and later the short-lived Booker Little) on trumpet, George Coleman on tenor and pianist Ray Bryant. Roach expanded the standard form of hard-bop using 3/4 waltz rhythms and modality in 1957 with his album Jazz in 3/4 time. During this period, Roach recorded a series of other albums for the EmArcy label featuring the brothers Stanley and Tommy Turrentine.

In 1955, he was the drummer for vocalist Dinah Washington at several live appearances and recordings. Appearing at the Newport Jazz Festival with her in 1958 which was filmed and the 1954 live studio audience recording of Dinah Jams, considered to be one of the best and most overlooked vocal jazz albums of its genre.

1960s-1970s

In 1960 he composed and recorded the album We Insist!, subtitled Max Roach's Freedom Now Suite, with vocals by his then-wife Abbey Lincoln and lyrics by Oscar Brown Jr., after being invited to contribute to commemorations of the hundredth anniversary of Abraham Lincoln's Emancipation Proclamation. In 1962, he recorded the album Money Jungle, a collaboration with Mingus and Duke Ellington. This is generally regarded as one of the very finest trio albums ever made.

During the 1970s, Roach formed a musical organization—"M'Boom"—a percussion orchestra. Each member of this unit composed for it and performed on many percussion instruments. Personnel included Fred King, Joe Chambers, Warren Smith, Freddie Waits, Roy Brooks, Omar Clay, Ray Mantilla, Francisco Mora, and Eli Fountain.

1980s-1990s

In the early 1980s, Roach began presenting entire concerts solo, proving that this multi-percussion instrument could fulfill the demands of solo performance and be entirely satisfying to an audience. He created memorable compositions in these solo concerts; a solo record was released by Baystate, a Japanese label. One of these solo concerts is available on video, which also includes a filming of a recording date for "Chattahoochee Red", featuring his working quartet, Odean Pope, Cecil Bridgewater and Calvin Hill.

Roach embarked on a series of duet recordings. Departing from the style of presentation he was best known for, most of the music on these recordings is free improvisation, created with the avant-garde musicians Cecil Taylor, Anthony Braxton, Archie Shepp, and Abdullah Ibrahim. Roach created duets with other performers: a recorded duet with the oration by Martin Luther King, "I Have a Dream"; a duet with video artist Kit Fitzgerald, who improvised video imagery while Roach spontaneously created the music; a duet with his lifelong friend and associate Gillespie; a duet concert recording with Mal Waldron.

Roach wrote music for theater, such as plays written by Sam Shepard, presented at La Mama E.T.C. in New York City.

Roach found new contexts for presentation, creating unique musical ensembles. One of these groups was "The Double Quartet". It featured his regular performing quartet, with personnel as above, except Tyrone Brown replaced Hill; this quartet joined "The Uptown String Quartet", led by his daughter Maxine Roach, featuring Diane Monroe, Lesa Terry and Eileen Folson.

Another ensemble was the "So What Brass Quintet", a group comprising five brass instrumentalists and Roach, no chordal instrument, no bass player. Much of the performance consisted of drums and horn duets. The ensemble consisted of two trumpets, trombone, French horn and tuba. Musicians included Cecil Bridgewater, Frank Gordon, Eddie Henderson, Rod McGaha, Steve Turre, Delfeayo Marsalis, Robert Stewart, Tony Underwood, Marshall Sealy, Mark Taylor and Dennis Jeter.

Roach presented his music with orchestras and gospel choruses. He performed a concerto with the Boston Symphony Orchestra. He wrote for and performed with the Walter White gospel choir and the John Motley Singers. Roach performed with dancers: the Alvin Ailey American Dance Theater, the Dianne McIntyre Dance Company, the Bill T. Jones/Arnie Zane Dance Company.

Roach surprised his fans by performing in a hip hop concert, featuring the artist-rapper Fab Five Freddy and the New York Break Dancers. He expressed the insight that there was a strong kinship between the outpouring of expression of these young black artists and the art he had pursued all his life.

Not content to expand on the musical territory he had already become known for, Roach spent the decades of the 1980s and 1990s continually finding new forms of musical expression and presentation. Though he ventured into new territory during a lifetime of innovation, he kept his contact with his musical point of origin. He performed with the Beijing Trio, with pianist Jon Jang and erhu player Jeibing Chen. His last recording, Friendship, was with trumpeter Clark Terry, the two long-standing friends in duet and quartet. Roach's last performance was at the 50th anniversary celebration of the original Massey Hall concert, in Toronto, where he performed solo on the hi-hat.

In 1994, Roach also appeared on Rush drummer Neil Peart's Burning For Buddy performing "The Drum Also Waltzes", Part 1 and 2 on Volume 1 of the Volume 2 series during the 1994 All-Star recording sessions.

Death

Max Roach died in the early morning of August 16, 2007, in Manhattan. He was survived by five children: sons Daryl and Raoul, and daughters Maxine, Ayo and Dara. Over 1,900 people attended his funeral at Riverside Church in Manhattan, New York City, on August 24, 2007. Max Roach was interred at the Woodlawn Cemetery, The Bronx, New York City.

In a funeral tribute to Roach, then-Lieutenant Governor of New York David Paterson compared the musician's courage to that of Paul Robeson, Harriet Tubman and Malcolm X, saying that "No one ever wrote a bad thing about Max Roach's music or his aura until 1960, when he and Charlie Mingus protested the practices of the Newport Jazz Festival."

Personal life

Two children, son Daryl Keith Roach and daughter Maxine Roach, were born from Roach's first marriage with Mildred Roach in 1949. In 1958 he met singer Barbara Jai (Johnson) and fathered another son, Raoul Jordu. He continued to play as a freelance while studying composition at the Manhattan School of Music. He graduated in 1952. During the period 1961–1970, Roach was married to the singer Abbey Lincoln, who had performed on several of Roach's albums. In 1971, twin daughters, Ayodele Nieyela and Dara Rashida, were born to Roach and his third wife, Janus Adams Roach. He had four grandchildren: Kyle Maxwell Roach, Kadar Elijah Roach, Maxe Samiko Hinds, and Skye Sophia Sheffield. Long involved in jazz education, in 1972 he was recruited to the faculty of the University of Massachusetts Amherst by Chancellor Randolph Bromery. In the early 2000s, Roach became less active from the onset of hydrocephalus-related complications.

From the 1970s through the mid-1990s Roach taught at the University of Massachusetts Amherst.

Style

Roach used traditional grip in his early activity but switched exclusively to matched grip as his career progressed.

Roach's most significant innovations came in the 1940s, when he and jazz drummer Kenny Clarke devised a new concept of musical time. By playing the beat-by-beat pulse of standard 4/4 time on the "ride" cymbal instead of on the thudding bass drum, Roach and Clarke developed a flexible, flowing rhythmic pattern that allowed soloists to play freely. The new approach also left space for the drummer to insert dramatic accents on the snare drum, "crash" cymbal and other components of the trap set.

By matching his rhythmic attack with a tune's melody, Roach brought a newfound subtlety of expression to his instrument. He often shifted the dynamic emphasis from one part of his drum kit to another within a single phrase, creating a sense of tonal color and rhythmic surprise. The idea was to shatter musical conventions and take full advantage of the drummer's unique position. "In no other society", Roach once observed, "do they have one person play with all four limbs."

While that approach is common today, when Clarke and Roach introduced the new style in the 1940s it was a revolutionary musical advance. "When Max Roach's first records with Charlie Parker were released by Savoy in 1945", jazz historian Burt Korall wrote in the Oxford Companion to Jazz, "drummers experienced awe and puzzlement and even fear." One of those awed drummers, Stan Levey, summed up Roach's importance: "I came to realize that, because of him, drumming no longer was just time, it was music."

In 1966, with his album Drums Unlimited (which includes several tracks that are entirely drum solos) he demonstrated that drums can be a solo instrument able to play theme, variations, rhythmically cohesive phrases. He described his approach to music as "the creation of organized sound." The track "The drum also waltzes" was often quoted by John Bonham in his Moby Dick drum solo and revisited by other drummers like Neil Peart and Steve Smith. Bill Bruford performed a cover on the album Flags (1985).

Honors

Roach was given a MacArthur Foundation "genius" grant in 1988, cited as a Commander of the Order of Arts and Letters in France (1989), twice awarded the French Grand Prix du Disque, elected to the International Percussive Art Society's Hall of Fame and the Downbeat Magazine Hall of Fame, awarded Harvard Jazz Master, celebrated by Aaron Davis Hall, given eight honorary doctorate degrees, including degrees awarded by Medgar Evers College, CUNY, the University of Bologna, Italy and Columbia University. While spending the later years of his life at the Mill Basin Sunrise assisted living home, in Brooklyn, Max was honored with a proclamation honoring his musical achievements by Brooklyn borough president Marty Markowitz.

In 1986 the London borough of Lambeth named a park in Brixton after him. Roach was able to officially open it when he visited the UK that year invited by the Greater London Council, when he performed at a concert in March at the Royal Albert Hall together with Ghanaian master drummer Ghanaba and others.

Roach was inducted into the North Carolina Music Hall of Fame in 2009.

Discography

Compilations

Alone Together: The Best of the Mercury Years (Verve, 1954–60 [1995])

As co–leader

With Clifford Brown

1954: Best Coast Jazz (Emarcy)

1954: Clifford Brown All Stars (Emarcy, [released 1956])

1954: Jam Session (EmArcy, 1954) – with Maynard Ferguson and Clark Terry

1954 : Brown and Roach Incorporated (EmArcy)

1954 : Daahoud (Mainstream) – released 1973

1955 : Clifford Brown with Strings (EmArcy)

1954–55 : Clifford Brown and Max Roach (EmArcy)

1955 : Study in Brown (EmArcy)

1954 : More Study in Brown

1956 : Clifford Brown and Max Roach at Basin Street (EmArcy)

1979 : Live at the Bee Hive (Columbia)

With M'Boom

1973 : Re: Percussion (Strata-East)

1979 : M'Boom (Columbia)

1984 : Collage (Soul Note)

1992 : Live at S.O.B.'s New York (Blue Moon)

Wikipedia

[getseriouser]

20 THOUGHTS: I thought you’d stopped doing this...

AND we’re back. But we’ve been reflective during our off-season and changes had to be made.

We needed our own 6-6-6, our own AFLX. Sure, it was a quiet summer, didn’t get up to much, just popped over to Oktoberfest with Jack Watts which was immensely low key, but the column for 2019 needed to get shorter, sharper, crisper, needed a trim down. Absolutely a commercial partnership opportunity with Lite’n’Easy or Weight Watchers or the Australian Coal Industry should be happening and no doubt my phone will ring any moment now.

But we’re a Round down, we’re glad to have it back, and I’m glad I’m back, as well, yes.. let’s get on with it..

 1.               Ah Essendon. Talk of the town since Sunday afternoon. Let’s get a couple things straight though. Essendon actually started ok, the first quarter in isolation was reasonably even, Shiel got a number of early touches, even had a shot at goal, five scoring shots to four at quarter time but Essendon went inside 50 14 times to 12. But once the Giants kicked away, yes, then Essendon sorta switched off, ran 147kms for the game compared to the Giants 242kms and for that you discredit them but gee, don’t undersell how good the Giants look.

2.               Last one on Essendon as I’m bored already – they got better last year when Woosha got nasty, cranky, menopausal, so less polite pharmacist and more strict headmaster for this group, clearly.

3.               Amongst all the Dons doom and gloom, the Giants were missing arguably their two best mids, their second tall forward and a bunch of other first 22 players and looked like a Rolls Royce. They may have lost a star every summer the last few but their best 22 is capable of finishing top four and winning three finals – no question.

4.               Steve Coniglio is elite, by the end of the year he will be discussed in the Fyfe, Martin, Dangerfield group. And at $21 for the Brownlow why not already move your kids from public to private school by just loading up on that tip, your wife will appreciate your smart economic decision making.

5.               The other bone of contention is rule changes so let’s give you the real story – they don’t mean four fifths of shit. Hate to be so subtle with that but it’s true. 6-6-6 was great for centre clearances, but in between goals we still see 34 players around the ball for stoppages, so the congestion has gone nowhere, thanks Steve Hocking.

6.               Quarters now go longer with the extra waiting before a centre bounce for players to get into the right position, so when your wife accuses you of post-game celebrations down King St as the reason you’re late, sure, you did pop in but genuinely games are going to go later by five minutes, close to ten if it’s a high scoring game….

7.               …Which it won’t, scoring was the lowest since the 1960s apparently, sure, little bit of poor goal-kicking, don’t want to name names, but I will – Collingwood – but the idea of Steve Hocking unleashing the dam waters of high-offence leading to monster score lines, I think it was famous philosopher Aristotle who said “yeah nah”.

8.               Weird game - in one way the Pies kick straight the first half, game over. But then the Cats after half time 15 shots to 7, so the Pies lucky to be close at the end. Cats have something to work with, 10 blokes 50 games or less, the Pies showed glimpses and came across rusty. Only 49 tackles.

9.               Last year, Round One, the Swans banged up the Eagles in Perth, Hawthorn were even better

against Collingwood. Long season, don’t throw the baby out with the bath water, firstly that’s a criminal offence and secondly, it’s all about momentum at the right time, the Pies started 0-2 last year, the Power started 3-0.

10.         Left Hawthorn out of my 8 because they've lost 40 touches a week in Mitchell. But they haven't lost Clarkson who is Winx to the rest of these coaches. Hawks for the eight, challenge top four, why not.

11.         Clarkson's assistants do well, Hardwick and Simpson the last two premiership coaches his former assistants. So let’s highlight two more this year, Cameron and Fagan, Giants flag chance, Lions sneaky 6th to 10th chance all going well. Mind you, yes, Neale a great get, but don’t think he was some amazingly free and expense-free acquisition, he is essentially directly replacing Beams, and in some way it was Beams and Pick 6 for Neale and pick 18. Beams didn’t want to stay, granted, but that deal looking like that is not value.

12.         With some continuity of Bont, Macrae, Libba, Hunter and Wallis, Dogs will be just fine. Bont is a top five player in the league, don’t forget that, has a Charlie sort of season in him one of these years. But whilst 2016 rode good fortune, you don’t fluke flags, so something still to work with down at the Kennel – a watch.

13.         Swans, Kennedy and Parker are elite but have no mates. Jake Lloyd is good but won’t win a final by himself, then its kids or flankers. Problems. Unless Heeney and Mills becomes midfield regulars, forward 50 supply going to be as reliable as Optus Sport during a World Cup.

14.         To use a soccer term Melbourne 'dropped points'. Yeah great, Port, Jack Watts, the kids, the Power will be ok, but the Dees are a quality side who will still annoyingly drop a few because, they are the Dees, they're not Hawthorn of the last decade… you never see value in them at $1.60 put it that way.

15.         This is the Freo I wanted 12 months ago. Tough bastards in the backline, Pearce, Ryan, Wilson, they've got high-end talent through the draft, Brayshaw, Cerra, Tucker, and now they have damaging talls. Will win at least 10 games, 10 kids under 50 games on the weekend too.

16.         Ross Lyon might come across a little off sometimes, and cops heat for taking a GF side in 2013 to far too many crap years the last few, but when he signed a four-year extension he didn’t need to then win a flag by Easter, he had the time to do it properly. The last three premiership teams had to go near the bottom to win, North hasn’t bottomed out and how’s that gone? Lyon is playing the long game here, because he can, and it works, and off a one-game sample size he might actually have been right all along.

17.         Speaking of long-game – I wouldn’t have recruited him for what it’s worth but why the hate on Dan Hannebery? Paying him 800k a year wasn’t getting in the way from getting anyone else, they’ve got him for four years so if he misses the first month of football, who cares, if he gets right and plays 75 good games for St Kilda when it’s all said and done, I don’t see anything wrong with that, Damian.

18.         Tassie - got a team in the U18s next season, they then have a VFL team in a couple years, its actually the exact template used for the Suns and Giants - so its definitely a chance. The AFL is probably 50-50 on it but Gil I reckon does want it, and AFL CEO's have form at making captains calls for as long as we can remember. 6 games in Hobart, 5 in Launceston, the sponsors and money would seemingly be there, and has the profit margins and attraction akin to Geelong - if run well a profitable business and retains players – sure they won’t have the high revenues of West Coast or Collingwood but gee, it'd be solid.

19.         1:10 this Sunday, North and Fitzroy get under way at Marvel, half an hour later the AFLW Grand Final between Adelaide and Carlton starts at Adelaide Oval. Would love to bag the AFL on this stuff up, and the conferences problem too, but stopping short of sliding the AFLW to begin pretty much during the Aus Open which would be problematic, there’s no ideal or easy way to schedule everything seamlessly. I would love to give it to them but as a rule if I don’t envy your position then I’ll keep the firearm in the holster on this one.

20.         And finally, keep an ear out on Channel Seven coverage, you might have heard “Docklands” more than “Marvel Stadium” from its on-air talent last Saturday night. Why? Theory is that because Marvel Studios have an agreement with Stan, the Channel Nine-affiliated streaming service, Seven doesn’t want to promote the ground’s new name in the long bow it potentially feathers Nine’s nest. Strange, but true, so unless the AFL has had stern words before the next Seven game I think April 14 you won’t hear Bruce or BT utter “Marvel” once.

 (27th March, 2019)