#we should really be used to this from shounen jump protagonists by this point

[kaleidoscopic-quiddity]

as someone who's personally never been a big dad for one fan, why don't you like it? 👀

obligatory disclaimer that ppl can headcanon/theorise whatever they want, im fully aware that AUs are just ppl having fun and dont necessarily reflect what they want to/think will happen in canon, etc etc

okay so, to me dad for one is fundamentally antithetical to who midoriya is as a character and his position within the narrative. midoriya is not a chosen one. yes he was literally chosen by all might to inheret ofa, but midoriya is different from a lot if shounen protagonists in that there was nothing inherently special about him other than his heroic spirit. he doesnt have a demon inside him like naruto, or saiyan abilities like goku, or even a hyper genuius intellect like senkuu. midoriya is literally Just Some Guy who happened to get noticed by all might. which is actually what makes his story all that more powerful. yes, midoriya being quirkless ends up working to his advantage with ofa and the whole 'last holder' thing does kinda feel like destiny but ultimately, all might chosing midoriya wasnt predetermined. there wasn't some grand prophecy or legend, there was no fates whispering in all might's ear, its just that in that moment with the sludge villain, all might saw midoriya be a hero and knew that he was the right person to inheret ofa.

objectively i get the appeal of 'ofa, a quirk born out of defiance to afo, is passed onto his hero son who takes him down' as like this cool narrative parallel but to me it undermines the whole basis of midoriya's character. he didnt get involved with ofa and afo and all might because of some hidden deeper connection between them all linking their destinies or whatever. midoriya is involed with everything that hes involved in because regardless of the circumstances of his birth, regardless of whether or not he got a quirk or met all might or got into UA, he was always going to be a hero no matter what.

with shigaraki, the whole sereniputous narrative thing of 'the grandson of one of the ofa users is groomed by afo to be the 'next him' and is the super villian nemisis of the current ofa user' works because shigaraki's defining character trait, his core theme, his 'origin' if you will, of hatered, is literally a product of the relationship between ofa and afo. shigaraki would literally not be the character that he is without his life, before it even began, being shaped by ofa and afo. but midoriya's origin is completely seperate from that, his origin is that of being a hero, no matter what, before he even knows a single thing about ofa and afo, before his life is shaped by them in any meaningful way.

i think there are two moments in bnha that make it blatantly obvious to me that dad for one was never going to happen.

first is back during the sports festival when, after hearing todoroki's backstory, midoriya kinda breaks the 4th wall a bit and thinks 'if we were in a comic book, he'd be the main character'. and the thing is? thats totally true!! yes 'kid with no powers in a world where everyone has powers' is a quintessential shounen manga story set up, but its not a super-hero story set up, as far as western hero comics (which horikoshi obviously takes massive inspiration from) go, todoroki with his tragic backstory and special dual-power would be the main character, which is what makes it all the more poignant that midoriya is instead. yes he inherets this great legendary power from the greatest hero ever and gets embroiled in this centuries long battle between good and evil, but prior to that, theres nothing about midoriya, other than his overwhelming heroism that made all might choose him, which is a choice wholly made by all might rather than some predetermined destiny thing, that makes him a main character.

the second is during the paranormal liberation war when afo tries to steal ofa and critises all might and the other vestiges for allowing the quirk to fall into the 'wrong hands' by ending up with midoriya, who he deems as weak, only for yoichi to defend all might's choice in selecting him as successor and his + the other vestiges' choice to remain within him. that has nothing to do with midoriya being some perfect, narratively appropriate, parallel inspired chosen one, hell its even before the 'you'll probably be the last user because your quirklessness makes you perfect for ofa in a way that quirked people arent' reveal. yoichi and the other vestiges' support and defence of midoriya, just like all might's chosing of him to be his successor, comes from nothing other than the understanding that midoriya is a true hero through and through.

'but leo! doesnt the fact that midoriya is a true hero mean it would be even more poignant if he were the son of the greatest villain ever' i hear you all cry, and the answer is no.

because if midoriya is all for one's son then it makes too much sense that he inhereted ofa. he goes from being this true hero who embodies the will of everything ofa and its users stand for, who is ready to carry on their legacy and offer the world hope in a time of despair, to being the ~perfect~ narrative choice to inheret ofa to fulfil a circle of fate and break a generational curse.

in the canon universe, if all for one is midoriya's dad, midoriya goes from being this character who's sheer conviction to win and save, to be a hero, despite his non-suited circumstances, and nothing else about him, makes all might, who had already planned to go to UA and select a student to be his successor, pick him, out of all possible people, to inheret ofa, to suddenly being the only possible successor. if dfo is true then it doesnt matter that in another life mirio or bakugou or someone else couldve been the 9th user, because by being all for one's son midoriya is put in such a narratively perfect position to inheret ofa that its obvious it was literally never going to be anyone else. which to me, wholly and completely undermines all the poignancy and narrative weight in midoriya, who had absolutely nothing to do with ofa and afo but who was such a genuine hero that all might and the ofa vestiges chose him regardless, being the one to inherent ofa.

so yeah, i dont like dad for one, (and villain deku AUs for pretty much the same reasons), and thats why im convinced it'll never happen. because for all his many flaws horikoshi definitely knows how to craft a narrative, and i think hes both too smart and too good a writer to undermine his own protagonist's origin like that.

[roydeezed]

Weekly Shonen Jump Manga Round-Up(2023-03-26)

It’s the weekly manga review once again! I’m going to be talking about any thoughts I’ve had on manga that were released this sunday. The ones which I care about and have extensive thoughts on will get their own sections while the others will be packaged into one paragraph at the end. Click the ‘Keep reading’ to take a look!

Tokyo Demon Bride Story(Chapter 28)

Again, the impending feeling of cancellation looms over the series as the stakes are racheted through the roof with a once in several centuries evil threat rising and attacking our heroes while a wistful narration weaves through. I think until it ends, Tokyo Demon Bride Story will get its own paragraphs, as it's a useful vehicle to talk about how Shonen Jump cancels its stories. I understand it’s a business but it feels as if over the years, the editorial has gotten out of touch with the fact that it sometimes takes time to develop and find the core of the story, especially in a magazine like Shonen Jump. In the past, they let stories like Shaman King and Katekyo Hitman Reborn! meander for around 30 and 60 chapters respectively. Doing so not only allowed the story to develop it’s characters and dynamics but also establish a rhythm to normal life that felt absolutely earth shattering when it was disturbed. With how often I talk about Reborn! and Shaman King, I should really go back and talk about them. But to get back to the point, letting the story find it’s core paid off, as Shaman King utilized it’s easy going early chapters to find a balance between the zen and buddhist nature of it’s story and the need for shounen action, whereas Reborn! did the same with slice of life comedy and action. Tokyo Demon Bride Story has a strong core of slice of life moments that, if focused on, could lead to interesting story dynamics in the future, but it feels all a little too late to talk about. I personally think that the ideal balance of slice of life story and drama amongst shounen battle necessities was achieved in Lucifer and The Biscuit Hammer, as we found out about our characters lives while they waited for the next attack. Comparable stories also include Neon Genesis Evangelion and the Persona games. With the downtime between threats forcing the characters to commit to and live life to their fullest, we get a lot of beautiful moments. I hope future manga get a chance to flourish, Shonen Jump has to realize this isn’t a sustainable strategy.

Ginka and Gluna(Chapter 27)

This manga definitely benefits from being binged, though this week's chapter packed a punch regardless. The story had been moving at a rather breakneck pace before this, but finally we slowed down, only to get hit with a gut punch. We miss out on a lot of memories in between, but we see Ginka’s tragic backstory, and see the mistakes he’s made as well as the mistakes he thinks he’s made. We also find out he has a deeper relationship with Magaraka than was previously assumed. Ginka’s always been aloof and I feel like it’s always been somewhat of a false front as there’s moments where he genuinely struggles. He’s supposed to be the Overpowered protagonist stereotypes like other contemporaries such as Saitama, Sakamoto and Mashle, but in truth he’s a lot more vulnerable. He’s looking for a way to restore his body and he’s not as strong as he once was. And even though his mantra when teaching Gluna was that there’s nothing a wizard can’t do, he doesn’t believe and it’s quite evident at times. So it’s even more devastating that, in a burst of confidence, he challenged a foe they couldn’t defeat and his pupil had to suffer the consequences. It explains the crushing negativity he’s experiencing and it’s totally warranted. I also love how this manga dips into absolute horror and despair quite often, as with the circumstances surrounding Ginka’s childhood and his sister. It’s a sign of confident storytelling that this manga can dip between Gluna’s optimism and wonder at the world and the absolute crushing reality of their circumstances. I really like how they’ve established Magaraka as the bad guy, he’s been sprinkled throughout and I could see him slinking away and building power like Ganndorf. We haven’t had much face time with him, but he’s already despicable in a really unique way that still makes you root for his defeat. Though I do want to see Gluna’s memories restored as I love the characters, but it might be more interesting to continue the journey without doing so. 

Fabricant 100(Chapter 15)

I’ve been somewhat hesitant to label Fabricant 100 as ‘good’. There have been flashes of brilliance but I wasn’t sure if those were coincidences or not. But with this chapter a lot of these moments really come together to prove how intentional all of it was. With the second major and emotional story about the Fabricant’s we see a clear pattern develop. Underneath it’s disguise of a shounen series, Fabricant 100 seems to be concerned with questions of life and humanity and has set about examining them in quite profound ways. We have these beings who seem to feel no remorse but they understand all of the elements to it. So we have to ask the question ‘what separates understanding and feeling?’ and suddenly we’re thrown into a discussion on empathy. And these few moments after the Fabricant dies where we see them express what appears to be regret and sorrow, is that real? Is the manga saying death is what makes them human or is it that they never had the chance to grow and would’ve learned if given enough time? It’s somewhat of a cosmic horror that these powerful beings are compelled to act in such an unnatural way. We, as the readers, want so badly for them to be able to break these bonds but the manga sticks to its guns regarding those rules, rendering the atmosphere discordant and horrific in a hard to describe way. I could care less about the shounen elements but I am fully invested in its story now, and eager to see how Fabricant 100’s quest for answers about herself lead to further enlightenment. I love her character so I can only hope for some sort of emotional development.

Cipher Academy(Chapter 17)

Each week, I look forward to Cipher Academy more and more. After the incredibly dense murder mystery game we get a little breathing room where we learn about our cast of characters. But before we talk about that, I just wanna gush about the art. I love the character designs in this manga so much and I absolutely adore the way Toshusai’s group always poses. It’s so ridiculous and endearing and while it’s taken a while for my perception of her as the villain to fade away, these things help to show how dorky she really is. One thing I am a little unclear on is the stakes of Cipher Academy. Obviously the decorum of this world is it’s own thing, with characters being exaggerated caricatures the norm, but is there an actual possibility of the students dying? The world of Cipher Academy takes an investment as even though it’s set in our world and references it quite heavily, a lot of the behaviors and modes of conduct betray more of an isekai plot setting. I haven’t had the pleasure of reading or watching the authors other work so I can’t say for sure if this is his style but I really like how unique it is. Okay, now let’s get back to this chapter. We see Iroha excited that he doesn’t have to solve ciphers but soon after see him not only begging for them but examining everything in the context of a puzzle. This place has done some major damage to my boy. We also see a lot more of his classmates acknowledging him and more of a sense of community develop, even before the bonding exercise. And it’s this exercise, which Yosaimura suggests, that catapults her to the frontrunner in the class private race. I don’t know how many of Iroha’s other classmate’s share his goal of peace but Yosaimura seems to be a kindred spirit. Here’s also where I acknowledge that I don’t see why Iroha needs to become the class private other than his desire to treat everything seriously or gather more allies. Yosaimura seems to like the perfect candidate for the private role as not only was she able to suggest an acceptable activity, showing clear understanding of the task and her peers, but she was also able to weave in her own desires and gain admiration from her peers as well. Alls that to say that I’m a fan. The dynamics established so far are really interesting as well. The main players right now are Iroha as our hero and Kogoe as the somewhat villain. Ensa is the first of what appears to be Iroha’s subordinates and Toshusai is his rival. It’s with Yosaimura’s introduction into the story that we see what Anon’s role is going to be. Where Toshusai is his rival, Yosaimura and Anon are much more capable than Iroha, representing a sort of paragon of good and evil respectively to strive towards. As we appreciate the warmness of camaraderie amongst our cast, Yosaimura drops the proverbial bomb, in which she reveals her goal was to show how people in war don’t get to enjoy what they just had, shedding so much light on her character all in one instant. She also is able to almost single handedly alter the mood of the entire class, once again painting her as the obvious choice. And that’s why I think that she won’t be able to win the nomination and if the stakes are really death then she might even die. But it does provide Iroha a good example to strive towards. At the end of the chapter we see Anon conspiring with Kogoe and we see them once again propped up as villains. 

Witch Watch(Chapter 102)

We haven’t met another weirdo in such a long time that I just have to talk about this chapter. I love Fran so much already. A Frankenstein based shut in is such a good addition to the cast. Her method of rejecting people is also hilarious. And I don’t know about her, but Rui and Miharu’s exchange sounded suggestive the whole time through. At first I thought he was talking like that because he knew Fran was listening but it’s even funnier knowing it’s just the way he talks normally. It’s a 100% consistent with his trickster identity. I also love Fran’s character design so much, it was easy enough to tell that she was based off of Frankenstien but her seeking to make robots instead of flesh monsters is a nice change as it helps keep it PG. One thing that’s really neat about Witch Watch is that if characters are a part of a certain character’s world, they only interact with character’s outside of their social circles organically. It’s built up quite a living and breathing world through that. 

Akane-Banashi(Chapter 55)

These two new characters that we’ve been introduced to, Tama and Kaichi, are really interesting. It seems like it’s a running trend with the great character introductions this week. I wasn’t sure what I found interesting about them until I realized that a point was made about their newness to the scene. These two characters create an interesting dynamic because they seem to be the first few characters that Akane doesn’t need to learn things from but are still her peers. And besides the dynamic, they’re interesting characters in and of themselves. Kaichi devoting himself to Rakugo later in life and his wistful way of talking coupled with the sly info drop of him being a salesman paints an interesting character to pair with his expository older brother type personality. Tama is definitely the more interesting characters as he lacks confidence but is still somehow able to hold his own enough to apprentice under who seems to be as formidable as Ikken. The exposition this round also helps to prop up Akane as the prodigy she is, and gives her some much earned credit. And one last thing I want to mention, I love Akane's signature look, as shown in the panel above, of having her arm before her in a sort of defensive stance. It calls back to Bruce Lee thumbing his nose before a fight while also being a distinctive character pose. It shows her defensive nature but also that she's ready to attack at any moment.

Undead Unluck(Chapter 152)

I love this chapter so much. Using Billy’s initial trait of untrustworthiness and not having faith in others to turn around and have his power become acknowledging and trusting others is such a beautiful way to tell his story through technical plot elements that I can’t get over it. And not only does this manga pull that off magnificently, it also weaves it through his backstory while justifying his viewpoint before having Fuuko shatter that viewpoint. It’s hard to be eloquent and in depth about something as intelligently and empathetically done as this. The story has immense love for it’s character’s and treats them with respect. And once again, having Billy’s power represent his change from wanting to shoulder all the burdens himself to trusting others in such a way is genius. Also the fact that Fuuk achieved such a feat, changing a man’s entire worldview in one moment in such a believable way is such a testament to the writing as well as Fuuko as a character. She’s grown so much since we first saw her and I love how the above displayed page shows off her intensity and empathy.

The Ichinose Family's Deadly Sins(Chapter 18)

And so the other shoe drops. While everyone else has tried to go on living after the accident, the past 17 chapters have been inside Tsubasa’s head as he dreams during his coma of four years. We watch as his mom mourns her son and feels guilty about the dreams she’s been having. She goes to the roof to probably kill herself only to find Tsubasa’s dad there as well, about to jump off. The chapter ends as they both come to the conclusion that they’re having the same dream. Taizan5 finally hits us with the sobering reality in this chapter and it’s absolutely tragic. But through whatever dream magic this is happening, they’ve been given a literal second chance. I’m curious to know if Tsubasa’s other family member’s survived. This development in the story tee's up for one last permanent change. Though it won’t change the past, this revelation is the Ichinose Family’s one last chance to make it right. It’s honestly a brilliant way to portray the themes of growth and change. This manga did it’s best to put forth the message that it’s never too late to change the way you live going forward, but doing it through the plot device of repeating time loops felt off and kind of hollow. But now, with the reveal that everything is permanent? It presents the perfect opportunity to fully cement those themes.

THE LEFTOVERS

Today’s release date also coincided with another release of Naruto: Sasuke’s Story-The Uchiha and the Heavenly Stardust(Chapter 8.2) where Sasuke continues his battle against the dinosaurs alongside his pet raptor. Yup, Sasuke has a pet raptor in this. There’s a reason why I don’t talk about this much. It was nice to see a side character that had been teased to have deeper motivations finally take the limelight with Meico finally solidifying her desire to beat Roboco in this week's chapter of Me & Roboco(Chapter 130). Ichigoki’s Under Control!!(Chapter 16) also seems to be in its final arc as they’re setting about to restore Misao to her normal height. Going on a Dragon Ball style hunt, they end up in a heavily stereotyped American prison and help to reform it. I don’t know if it was funny but it was definitely interesting… Tragedy strikes in Jiangshi X(Chapter 10) as our main character’s father gets stabbed while trying to help him escape. I’d always wondered about the colour in the titles but now it pays off with red blood on the last page. It was a well emphasized and earned moment. We get to see the new additions to the cast in an adorable chapter of Mission: Yozakura Family(Chapter 171). For the first time in a while, I didn’t have many complaints, this was quite a fun chapter. I really like the character’s the kids and it’s fun seeing Taiyo and Mustumi as parents. Mashle: Magic and Muscles(Chapter 149) once again uses Mash’s superhuman strength as it’s one and only punchline as he strikes a deal to come back to life. The art’s good though. This week’s chapter of The Elusive Samurai(Chapter 103) begins in a bizarrely dreamlike sequence before hurtling back towards battle again. In Blue Box(Chapter 94) we get a bittersweet story that contrasts Hina And Taiki with Natsu and Yumeko. It’s nice to see Yumeko develop and I find her to be a really engaging character but it’s always a rough chapter when Hina’s sadness is brought to the forefront. Here’s hoping for some happiness in her future, the manga needs to stop doing her dirty. In Sakamoto Days(Chapter 112) we get some insight on Sakamoto’s choice to have a family. We also get a rare look under Sakomoto’s stoicism through the sweet moment he has with Konomi. We get a little development for Mina and also learn about how we got to the current circumstances of the battle in My Hero Academia(Chapter 383). In Black Clover(Chapter 355) we get the start of the battle.

[makeste]

BnHA Chapter 314: ...Or You Live Long Enough to See Yourself Become the Villain

Previously on BnHA: Some random assholes were all “let’s throw exploding spears at All Might and see if it activates his Conqueror’s Haki” and SURPRISE, MOTHERFUCKERS, IT DID!! Elsewhere, Lady Nagant confusingly tried to capture Deku alive by shooting him in the stomach, but to be fair I guess that’s what happens when you send an assassin to do a bounty hunter’s job, so yeah. Deku was all “ouch”, and then because this is a shounen he basically just straight up forgot about it, and did a big fancy Smokescreen thing, and then activated his mildly incomprehensible new ki-blasting quirk which he got from the Third. En and the Third were all “hey Deku maybe let’s not just impulsively activate all this shit in the heat of battle when you don’t know how to use it yet and you’re already injured,” and Deku was all “thanks for the quirks guys but I’ll take it from here” and snuck up on Nagant and grabbed her arm and so now what’s going to happen I wonder.

Today on BnHA: Nagant is all “[shoots Deku again]” because of course she is lol. Deku is all “tell me about AFO!” and Nagant is all “why would I tell you anything?” and then proceeds to tell him her entire life story which is FILLED WITH SO MUCH MURDER, YOU GUYS. Holy shit. So basically she was an assassin for the HPSC, which we already knew, but somehow it’s one thing to know that, and another to actually see her running around capping dudes in the forehead and being covered in more blood than the elevator from The Shining. Anyway, so you’ll never believe it, but all that murder had a negative impact on her psychologically, and eventually led her to question everything she believed about hero society, and so she killed her creepy boss and was promptly sent to Tartarus. This extremely fun chapter ends with Overhaul showing up all “HI, HELLO, I’M STILL HERE”, because for some reason he is still here. Why are you still here, Overhaul.

“the beautiful Lady Nagant” oh you know your audience don’t you Horikoshi

well all right then! so I’m guessing this means that she is not, in fact, going to roll over and die just because Deku’s out here all “GOT YA!” like they’re playing a game or tag or something. ffff may the manga gods have mercy on our young suicidal protagonist

lmao so Deku is all “GOD I’M SO SMART, WHAT A GOOD STRATEGY I HAD, CAPITOL JOB THERE OL’ CHAP, CAPITOL” and lol, okay. I mean, it was a good plan though. but I’m still waiting for the other shoe to drop here

“I’ll make you give me information on All for One” well there you go, lol. Deku Angst arc still fully engaged. still no light in his eyes either of course. just a lil chaotic ball of sleep deprivation and rage

lol, fucking THANK YOU though

oh my god what the hell did she do to him lol

did she shoot him with her elbow??? fucking look at this?? THIS IS WHY WE LISTEN TO HAWKS oh my god Deku are you dead

WHAT’S HAPPENING, IS THIS GOOD OR BAD, WHO’S WINNING

things that I wish I could tell from this panel which I unfortunately cannot tell

did she stab him or shoot him?? can you imagine if it was the former lol. why does Horikoshi keep stabbing all my kids. look Kacchan now the two of you can match

did she actually hit him or did he get away??

or did she hit him and then he jumped away?? just, what

well anyway, so now Deku is asking her why she sided with AFO, but he seems a lot more pissed off than when he was interrogating Muscular, though. probably because she shot him three times. fair enough

oh my god

does Lady have a blog here on tumblr dot com?? -- does Horikoshi have a blog here on tumblr motherfucking dot com?? why do I suddenly feel like this man is out here sneakily reading up on all our discourse

oh my god Deku it’s almost like getting up close and personal with someone who can shoot custom bullets from any distance and any position with deadly accuracy was a terrible fucking idea

IF ONLY SOMEONE HAD WARNED YOU NOT TO ENGAGE WITH HER AT ALL COSTS. IF ONLY SOMEONE HAD HAD THE FORESIGHT TO DO THAT sob. can you imagine how much shorter this series would be if characters actually listened to Hawks. Hawks, and Momo. why do we even let anyone else run the show ever

OH MY GOD

DEKU, RUN

OH MY GOD WHAT IS HAPPENING

this looks a lot like what happens to me whenever I play One’s Justice. those fucking combo attacks that you can’t fucking escape from and so your character just has to stand there getting their ass whalloped repeatedly while you wonder why you paid $40 for this

but anyways though. so Lady who did you kill?? I bet they deserved it, don’t worry I forgive you

(ETA: ANYWAY SO FRIENDLY REMINDER THAT LADY NAGANT DID NOTHING WRONG EVER IN HER ENTIRE LIFE. aside from murdering all those innocent people and shit. but there were CIRCUMSTANCES, and THEY WERE EXTENUATING, OKAY.)

-- holy shit

looks like the HPSC arc is back on the menu boys

so are we about to learn that the HPSC was going full Hydra on people’s asses? secretly dispatching anyone they deemed a threat to society?? “taken care of” as in you fucking shot them??

so then was the “hero” she killed actually one of the guys who was giving or carrying out these orders?? holy shit Lady, up until now I’ve mainly just been stanning you for your flawless eyebrow game and metal af quirk, but this shit could actually get real very quickly, and I am prepared to genuinely and sincerely love the shit out of you depending on what we learn next about your backstory

oh my god?!?

so wait, hold up. am I reading this right?? basically the HPSC started murdering vigilantes because they were worried they were gaining too much of the public’s favor?? holy fucking shit???

oh my GOD oh my god

“it’s been a while since I scarred you all with the dead dog and the graphic slaughter of an entire innocent family, huh,” Horikoshi says thoughtfully. “anyway so what do you all think of my new creation, the Spaghetti Bullet.” well, Horikoshi, so you know that squished-up face that Kermit the Frog makes sometimes? yeah. that’s what I think, if you must know lol

holy hell the juxtaposition

I’m actually kind of surprised to learn she had a lot of fans? what with her M.O., I was expecting her to have been an underground hero like Aizawa, but apparently not? then again I still have absolutely no idea how any of that works. I really need to read Vigilantes already

oh snap

nothing like a sweet dose of assassin trauma to finally round out our BnHA Trauma Bingo!! well done guys, we finally collected all of the traumas! hooray!

noooo Ladyyyyyyy

holy shit what a fucking chapter. like, this man promised us an assassin, and went and fucking delivered. I was not expecting it to be this dark, lol, but holy shit I am here for it

you know, at some point you have to start questioning the logistics of this, though

I mean, how do I put this... her quirk isn’t exactly subtle. that murder scene from a few pages back looked like the first season of Dexter for fuck’s sake, that’s not exactly “disappearing” people now is it?? and I mean, her bullets are literally made from her own fucking hair; it seems like it would be impossible not to leave any evidence behind. did no one start to wonder who the fuck was going around murdering all these people? or did the people who asked too many questions wind up getting conveniently “disappeared” themselves??

and hey, speaking of asking too many questions

holy shit is he blackmailing her??!? or no, wait -- what the hell is he reaching for in his pocket boy you better not

(ETA: what exactly was this man expecting fdslkjd. “uh oh my unstoppable hair trigger assassin who is literally always armed is asking questions, better announce that I am going to shoot her and then reach into my pocket veeeeeery slowly while she stands there all of two feet away.” how did this guy ever function as the head of a shadow government with these decision-making skills, I’m genuinely baffled.)

OH MY GOD LADY YES

this. right here. is why “run the fuck away” was damn good solid fucking advice. oh shit. but my god did this dude have it coming

so wait lol has she just been narrating all of this out loud to Deku this entire time

okay but can we just stop for a moment and appreciate the fact that they’re having this deep conversation about the dark secrets of hero society right in the middle of their intense mid-air sniper free-for-all lol

holy shit you guys, Nagant’s the one that should have made the tell-all video. I mean, no offense to you, Dabi, I’m sure you worked very hard on your video and did a ton of crunches every day so that you would look good with your shirt off while you told the world all about how your dad was a jerk. but seriously...

this is already like 100x more convincing than what he put out. also, gasp, is it another flashback

yes it is oh my gosh

so the HPSC Chairladyperson whom ReDestro killed used to be this guy’s direct subordinate, huh? I wonder if she kept the whole assassin program going after she took over. can’t say I was feeling any particular kind of grieving way about her death before, but certainly not now lol

but unfortunately Nagant has finally lost me at the same place where all of the villains inevitably do, which is to say when they somehow make the dubious mental leap from “society sucks and is bad” to “let’s just be openly fucking evil lol, worth a shot.” because when heroes murder innocent people and cover it up, that’s obviously bad (and I mean, it absolutely fucking is lol, don’t get me wrong); but when villains murder innocent people straight up out in the open without giving a fuck, they’re righteous revolutionaries? just -- is there really no non-murdery middle ground here?? I guess that’s what Deku and co. are for, hopefully

anyways oh shit Deku seems to have spotted something?? and he’s doing something weird with Blackwhip what

oh, he spotted her, I guess

lmaooooo

new favorite Deku panel right here. a masterpiece

oh my god you guys our little boy is starting to grow up before our eyes

you love to see it. and you can tell with those elipses that he’s gearing up to say something really cool and determined and badass like the shounen protag he is, yes please, Deku ilu so much please do your thing

ahhhhhhhhhhhhhhhh

IS THAT A TEENY TINY LIL EYE SPARKLE THERE OMG. still not anywhere close to his usual standard, but that’s some clear resolve there in his eyes there at long last! it always shines the most clearly when he’s being true to himself and his ideals, so I love that it finally shows up again here, when he’s reaffirming his resolve to help others no matter what

uh oh so what’s Lady going to do now

is it time for a trump card?? kinda sounding like it’s time for a trump card

???

I lied btw, this is my new favorite Deku panel. but anyways what is she up to now lol

ohhhhhh, lol

why does she seem shocked, lol. here I thought this was part of her plan, but apparently she forgot all about ol’ “Look Ma, No Hands” back up there

and so I guess that’s it for this week! so we’ve learned basically everything now about Lady and her quirk and her history with the HPSC and why she agreed to work for AFO. pretty much the only question that still remains is why the hell she decided to drag this asshole along for the ride! because I still cannot figure that out dsklkjlkf

(ETA: actually now I’m kind of wondering if they maybe have some past connection we don’t know about yet. when exactly was Nagant sent to Tartarus? is it possible she was ordered to track down and kill Overhaul at some point before that, but never got around to it? or something else along those lines? idk but now I’m curious.)

anyways Deku, I know that your empathy has no bounds and that you’re on a “saving villains” kick right now, and good on you... but also, if you decide to just like, skip all of that shit just this once, absolutely no one will hold it against you, I’m just saying. just, all I’m asking here is maybe let’s think twice before we start trying to reform guys who imprison and torture little girls for profit. I think maybe that’s a good place to draw the line. next week is going to be a very interesting chapter lol

[snakeassassins]

Rabbit Dad Theory: A Weapon to Surpass Dad for One

okay so. I know that the theory about local big bad of the series being the protagonist’s father , but I’m pretty sure the real reason that midoriya’s dad hasn’t shown up in the plot is because he’s a rabbit

no really

[ WARNING: LONG post under the cut ]

Part 1: Rabbit Motifs

To get this party started properly, let’s begin with a bunch of the rabbit symbolism regarding Midoriya himself.

The most notable of which being that his hero costume is literally him dressing up as a rabbit

His freckles are even stylized to look like little rabbit whiskers. fuckin naruto kinnie

It bleeds into his fighting style too

Two big innovations he has that aren’t based on previous users of one for all

are hopping from place to place

and his big, rabbit-like kicks.

(which would also go a ways to explain why the plot thought Midoriya having legs was a big deal)

A lot of this goes into his characterization as well. The most notable bit being how much the first chapter of bnha parallels the story of the moon rabbit.

(Sometimes referred to as the jade rabbit which. Green)

Anyway, the story goes that a rabbit, along with a bunch of other animals (it varies depending on region) decided to gather food for the full moon as an offering, believing that the best one will bring a reward from the gods.

All of the animals bring plentiful amounts of food, sans the rabbit, who brings only grass.

Eventually, a starving old man comes along.

The other animals have food to give him, but refuse to do so to meet their own ends.

The rabbit, sympathizing with the old man,throws itself into a fire he was kindling so that he can be fed.

The old man, touched by the rabbit’s actions, reveals himself to be a god and saves it.

In honor of the rabbits deeds, the god imprints his image on the moon, bestowing special gifts to him.

Along with this there are a number of other mild rabbity traits tho.

Such as his skittishness.

Not to mention his general resourcefulness.

The show regularly conflates Midoriya being himself with him looking and acting more and more like a rabbit. This isn’t too hard to understand from a Doylist perspective; Horikoshi blatantly just likes bunnies. (I mean just look at Miruko)

What’s interesting here is that we’ve never been given an in-universe explanation for why midoriya himself identifies this way. In a series that is otherwise really invested in dissecting the ideal versions of themselves that characters want to live up to, the show doesn’t provide any justification for a character motif Midoriya has that is almost as present as all might himself.

Judging from the title of this post, you can probably guess what my reasoning for this choice is.

**Part 2: Hisashi’s Quirk **

“But snake,” you may be asking yourself, “We already know what Hisashi Midoriya’s quirk is. He breathes fire.”

This is true. he probably does. Consider what we know in-universe, though.

Characters with heteromorphic quirks don’t have their physical attributes listed as a part of their quirks if they have a secondary characteristic.

Tokoyami is the most obvious example. He’s a bird person, but his quirk is dark shadow. The fact that he’s a bird man goes unmentioned because as far as anyone is concerned, the shadow monster is his power.

Characters like Spinner have their animal attributes listed as quirks, but that’s only because he can’t do anything a gecko wouldn’t. If he didn’t make his lizard powers his quirk he’d have nothing to put.

If Midoriya’s dad happened to be, say, a rabbit that could breathe fire, the fire quirk would be listed while the rabbit bit went unstated. In fact, in a roundabout way, the fire quirk makes rabbit dad even more plausible.

You see, most of the animal character designs in bnha are actually recycled from an old series horikoshi did called oumagadoki zoo. Mind you this isn’t a knock at horikoshi or anything. A lot of mangaka do this sort of thing. I’m mostly bringing it up because one of the main characters is a rabbit called Shiina

and one of the early gags in the series is him smoking a carrot like a cigar.

This would be very easy to translate to my hero academia’s setting if said character happened to breathe fire.

I should also say for those keeping score at home that I don’t necessarily think Hizashi is a Shiina expy specifically (tbh I kinda imagine him being more like a fluffy spike spiegel). At most I think it’s probably just some design motifs and some VERY loose plot points.

There is also the somewhat mild rebuttal of Midoriya never attempting to do anything rabbit-like while trying to see if he had a quirk, but I think that’s self explanatory. If Izuku was a rabbit he’d notice right away, so of course he didn’t bother checking.

**Part 3: Why He’s Absent **

Of course, another big question that might be on your mind is why he’s not present if that’s the simple truth of his identity. Why have him fail to show himself for what has now been 300 chapters?

I can think of two simple reasons:

1) It’s really funny

Just fuckin. The Mystique of it all. You can’t tell fans a character is going to show up eventually and fail to have them appear without piquing someone’s interest. It’s bound to make fans speculate, especially with the canon dabi twist hanging in the air. Years to imagine what his presence might entail if it was something big enough to be worth planning ahead for.

And then. Boom. Bunny.

Fucking. Hysterical.

2) The themes. Oh god the themes

You might have noticed by now but Horikoshi has a tendency of making like. The Shounen Jump equivalent to that rpg character you make as a joke that then has like. an undeniably tragic life when you’re actually forced to tackle with the implications of your own character building.

I would not be surprised if the Midoriyas ended up falling into that category.

So let’s get into that.

One of the big things that my hero academia attempts to tackle is the concept of normalcy.

Mostly how it’s kinda bullshit and, in many cases, outright harmful.

What makes this bit interesting within the context of Midoriya family is Izuku’s sort of. Artificial Plainness.

He is a character deliberately designed to look as normal as possible. The key word there is look. Basically anyone who’s been following the series long enough to be reading this post knows that the kid often struggles to keep his head down

which also makes it interesting that the only two scenes where Midoriya wears his rabbit cowl are scenes where he is actively questioning the status quo.

Methinks there is some symbolism here.

Which I guess brings us back to square one.

At the end of the day, the concept of Midoriya’s dad being a rabbit is funny because it’s so unexpected. Without him around, the Midoriyas look like a normal family.

But that’s also the kicker.

Without him around, the Midoriyas look like a normal family.

A lot of people are quick to call Izuku’s dad an absentee father, but technically speaking, we don’t quite know that yet. We’ve only been in a position where we don’t see him as the audience.

And, well, when your kid is being bullied for something as banal as being quirkless, you might not want to give society more ammunition to use against him.

It wouldn’t strike me as strange if he just avoided being seen in public with his son to keep him safe in his own way.

They say that the nail that sticks out gets hammered down the most. Under those circumstances, it’s not too hard to understand why the loosest nail might just feel safer wriggling out of the wood altogether.

[siratrem]

I need to nerd out about Haikyuu right now (Season 1 Episode 1) (manga spoilers)

I have nobody that I can nerd out about Haikyuu with so I’ll do it here.

My first introduction to volleyball was through Haikyuu and watching reactors from coaches and players on YouTube really expanded my understanding of this manga/anime. Now that I’ve finished the manga and watched all available episodes (more than once) I want to see why I find this shounen sports anime so bloody compelling.

A good beginning sets up the middle and end. The opening scene of Haikyuu is the famous “a tall, tall wall looms before me…”. Before the rewatch, I had it in my head that the scene after the opening (Hinata seeing the Little Giant on TV) was the first scene. So, no, Furudate-sensei actually started this chapter at the end – Hinata is already in the Karasuno gym, he’s already scared of the block, and he’s lining up with the shoes of five of his teammates. This is a common framing technique – sets up the question of “how did we get here?”.

On my first watch of Haikyuu, I didn’t know anything about volleyball. I have, however, watched a fair amount of anime, including shounen. I think my inexperience actually helped me understand why Hinata was so awestruck by the Little Giant when he saw him on TV.

I knew the premise of the anime – tiny Shoyo wants to play a sport made for tall people – but rewatching it actually confused me. This scene is set 3-4 years before even making it to Karasuno, so Shoyo is, what, 11? He doesn’t know how tall he’s going to be, so why was he fixated on this “small” player going up against the bigger blockers? I mean, he could still be small for his age and be self-conscious about it, I guess, but not like he would be at 15. Then I thought – maybe it’s because the Little Giant jumped so high?

Shoyo is small, yes, but he can jump high. This is a defining aspect of his character. This was also the moment Shoyo became interested in volleyball, from what I can tell. So, if he’s as inexperienced as me, he wouldn’t be able to see the technique that the Little Giant used to defeat the big blockers. In his little kid head, maybe he assumed that the Little Giant beat the blockers because he jumped so high. So, perhaps little Shoyo thought: hey, I can jump high → I’ll be good at volleyball.

Themes

What are the overarching themes of Haikyuu shown in this episode?

Friendship. This is a Shounen anime, after all. Hinata makes friends wherever he goes, but it’s not until the match in this episode (and later Karasuno) that he finds a place that he belongs. Hinata has a wide variety of friends and is lovable enough to both get Izumi and Koji to join his team and make them emotional about the game.

Kageyama takes a liking to him from this match (although whether Mr Grumpy himself even recognises this is up to interpretation). From the moment they snap at each other in the hallway outside the gym bathroom to that beautiful jump that scores the first genuine point for Hinata’s team, Kageyama is intrigued by the bouncing ball of sunshine. After the match is finished, Kageyama snaps at Hinata “what were you doing for the last three years?”. He’s the first person to see Hinata’s potential, although Hinata takes it as an insult. It’s okay – they just don’t know each other yet.

Rivalry. Kageyama vs Hinata. Later (ep 6 minor spoilers??): Karasuno (Hinata and Kageyama) versus Aoba Johsai (Kunimi and Kindaichi). Shoyo sees Kageyama as the biggest barrier to his dream of playing volleyball. He wants to defeat him with all his being: if he can defeat the strong player, then he will be the strong player.

Victory and defeat. Duh. It’s a sports anime. One team plays another in a game where only one can win. Hinata is sure he is capable – he’s over-confident and inexperienced. He doesn’t know what good volleyball looks like, let alone how to implement it. But he’s also a show-off – a facet of his personality I didn’t really grasp until season 4. He wants the recognition the Little Giant got. He wants a stadium of people to go “wow, did you see him jump? Did you see how he beat the three-man block? Oh my god, he’s so amazing”. I’m sure the cool nickname – the Little Giant – caught his attention as well. So if he tries hard and jumps high enough, he’ll win, right?

Yeah. Poor baby learns a very harsh lesson. This defeat is crushing. He jumped high, like the Little Giant, but he couldn’t defeat the block. Those looming hands haunt him – “a tall, tall wall looms before me…”. This is a barrier he can’t overcome and he doesn’t know *why...*You can see it on his face after the block – ‘huh? I copied the Little Giant’. This sets up the goal of the first season: Hinata needs to learn how to see what’s at the top, the other side of that tall wall. He needs to hit rock-bottom before he can start climbing up.

Kageyama’s team won because it was a better team. Kitagawa Daichi is a powerhouse on the Miyagi junior high volleyball scene. I don’t know if it’s a private school, but it’s a feeder school for Aoba Johsai, which is a private school. Both seem to have a specialism in volleyball training. Maybe if Hinata went to Kitagawa Daichi, [Manga spoilers] if he’d been introduced to volleyball as early as Kageyama was, maybe he’d already be a monster. Or maybe his natural instincts would have been trained out of him. It’s important to the story that Hinata starts off as an untrained underdog, deprived of good volleyball and hungry for victory.

Team versus the individual. Kitagawa Daichi was the favourite to win the whole tournament. It’s a powerhouse team with more players than can fit on the bench. They’re tall, they’re scary, they’re elite. The team members often go on to Aoba Johsai, a high school powerhouse. Hinata’s school didn’t even have a team until he came along. They’re small (exactly 6 players, no reserves, no libero). His teammates don’t even know the rules for the game. Hinata had to fight tooth and nail to get on the court. However, he’s encouraging to his team members and dedicated. He’s glowing at just being there. He wants to win, of course, but most of all he wants to play volleyball.

Volleyball is a team sport. “The team that wins is the one with the strongest six players”. However, at times, it seems like both Hinata and Kageyama are the only ones really playing on their teams. Kageyama is giving it his all, yelling at his team for not keeping up with him and slacking off. Hinata is the only one on his team who wants to be there, the only one who wants to play. He’s hitting the most spikes, jumping the highest, playing the best (not that that’s saying much). This match, in a large way, is Kageyama versus Hinata.

Talent. Kageyama is a genius setter. (Manga spoilers:) He was raised in a family of volleyball players (one of which is an alumnus of Shiratorizawa for christ’s sake). He’s enamoured with the sport – obsessed with it. He lives and breathes volleyball. (Manga spoilers:) he keeps a volleyball journal where he records and analyses every play, practice and game he’s ever made. He’s tall and strong and athletic. He goes to a school with a good volleyball training programme. He’s built for this game.

Hinata is (superhumanly) athletic. He can run fast and jump high. But he’s short and untrained. His talent is raw and unrefined. But it’s still enough to catch Kageyama’s attention.

Characters

Furudate-sensei is a fan of the Meaningful Name™ convention. This is actually fairly common in Japanese culture anyway: traditionally baby names are carefully chosen to reflect the parents’ aspirations for the children. (I also don't speak Japanese so I'm going off other people's translations for the kanji).

HINATA SHOYO (日向 翔陽) - “sun place” “soaring sunlight”. He’s a bouncing ball of sunshine who makes friends wherever he goes and jumps really high. He’s a shounen protagonist to his core: boundless enthusiasm, determination, friendship, the underdog. He’s also a magnetic hero.

This episode needs to cement the key aspects of Shoyo’s personality. He’s outgoing and “magnetic” – he makes friends with people from all walks of life. He is an underdog. Everyone loves an underdog, right? Effort and passion should be rewarded. The good guys should win. This episode really sets up how hard little Shoyo had to fight to be on the court and how he’s willing to fight to stay on it. The flashback occurring the moment he walks into the gym for his first tournament demonstrates this nicely: his junior high school didn’t have a team or a real club, none of his friends was interested in volleyball (although they were athletes of various persuasions) and he spent most of his time practising by himself against the wall or begging his friends to set the ball for him.

It’s okay, though: he has the magnetism of a true Shounen protagonist and not only manages to talk his friends into occasionally throwing the ball to him but also drags them to a tournament of a sport they’ve never played and don’t really understand. He’s also managed to talk some first-years into joining the team. Shoyo is very magnetic and I wonder how much he’s aware of it at this point. He’s not exactly reflective or a deep thinker.

He’s enthusiastic and determined. He will play volleyball to his full capabilities until the match point. When his teammate worries about getting hurt after watching him run into a wall, his response is “I don’t understand [why you want to slow down]. We haven’t lost yet”. It ain’t over until it’s over.

KAGEYAMA TOBIO (影山 飛雄) - “Shadow Mountain” “Flying Hero”. What are his main traits? He’s volleyball mad, he’s ambitious and competitive, he’s tall, he’s athletic and strong, and he’s grumpy. Also intimidating – to his opponents and his teammates. The second-years on his team are scared of him. He hates to hear them trash-talking other players as they are only benchwarmers. He’s a setter – a control freak who takes every match he plays seriously, no matter the opponent. He will win at his best, dammit, and without holding back. He especially seems annoyed that the benchwarmers on his team place themselves above Hinata, even though they’re not even good enough to be regulars. “Don’t ride the coat-tails”, he tells them.

He wants to beat the block and the faster the attack, the better the hit, he believes. If people can’t keep up with him, that’s their fault. His sets are perfect. They need to keep up with him. If only they were as fast as Hinata, and capable of hitting difficult sets like when Izumi fumbles the ball and Shoyo leaps to save it and hits it anyway. They score their first genuine point off that, and Kageyama is impressed.

Kageyama and Shoyo are opposites, but they’re also mirrors of each other. Both are reckless: Kageyama throws reckless sets and Shoyo will leap for the ball even if he has to crash into walls and what-have-you. Both want to win. Both have their talents. Both love volleyball.

Something I found interesting is how the characters are in “sets”. Shoyo and Kageyama, obviously – their relationship is one of the major focuses of the whole series. The secondary characters too: Kunimi and Kindaichi to Kageyama and Izumi and Koji to Shoyo. They share the same jersey numbers: Kindaichi and Izumi are #5 and Kunimi and Koji are #6. These “sets” of minor characters only exist in the narrative in relation to each other. If Kindaichi appears, Kunimi is never far behind.

Izumi and Koji are third-years at this point, so why are their numbers lower than the first years? I realised (at the end of the episode) that Shoyo actually talked the first years into joining the volleyball club, not just the tournament team. Shoyo inspired a new generation of volleyball players – something he continues to do throughout the series.

Kindaichi and Kunimi are often showed in the background of Kageyama’s shots. Kunimi is the first person to serve in the game – he gets a few service aces. Kindaichi is the ace(?) of the team, often shown spiking Kageyama’s sets. This is an example of the subtle manipulation of the audience: hinting that these faces will reappear. It’s the same kind of story-telling that makes the reactors I’ve watched feel so smart when they predict something. The author wants you to notice them. The author is practically hanging a sign over them saying “remember these two!”.

When Kindaichi almost misses a reckless toss from Kageyama and expresses surprise that they managed to score from it, Kageyama responds “Faster!”, which makes Kindaichi irritated. Kunimi complain about his sets with him – Kunimi makes a comment about not having to work so hard as they’re outclassing Hinata’s team by miles – but Kageyama is taking the game seriously.

Kunimi and Kageyama squabble over Kunimi’s “laziness” – he doesn’t run for balls when they’re far enough in points, he doesn’t see why they have to try hard against such a weak and untrained team.

Kindaichi and Kageyama argue over Kageyama’s sets. Kageyama is the self-centred King of the Court after all. I think Kindaichi is actually a friendly sweetheart – and he seems to interact with Kageyama the most and deals with most of his sets. These missed friendships are missed opportunities for the three of them. (Manga spoilers): Kageyama shows he wants to be friends and play with them as adults.

Then, there are the Karasuno players. No faces, just those awesome black club jackets. I love those things. I now know that they are Suga, Daichi and Tanaka, but Furudate-sensei is good at building tension and anticipation by hiding their faces.

They appear in the stands at the junior high tournament, talking about Hinata and Kageyama’s match. Suga comments on Kageyama being “the King of the Court”. Ep 2 spoiler: Suga is a setter. Of course he’s going to appreciate Kageyama. Daichi also appreciates the overwhelming talent. It’s Tanaka who bets on Hinata becoming a threat. Tanaka seems to like Hinata’s spirit and athleticism. Ep 2 spoilers: He’s also the main hitter for the team at this point, so as the setter recognises the setter, the hitter acknowledges the hitter.

We later see them upon Shoyo’s arrival at Karasuno amongst the other clubs gathering applicants. Shimizu is also there. Daichi comments on the limited selection of applicants – this sets up the fact that Karasuno has been in decline: the “flightless crows” and such. There’s character establishing moments: Suga trying to cheer up Daichi and Tanaka flirting (and getting shut down) by Shimizu.

The Little Giant. Shoyo’s inspiration and hero, who shapes the entire course of his life. The 170 cm wing spiker makes him fall in love with volleyball and determined to enter Karasuno High School. Interesting how Shoyo never mentions his name. Maybe he doesn’t know it? He doesn’t really seem to understand the Little Giant at all. (Manga spoilers): I think this is why, by the time we meet Tenma Udai, he isn’t upset about his hero leaving volleyball behind. Now that he understands volleyball, he knows that he could never be the Little Giant anyway. Their play styles are different. Their positions are different. Shoyo can now be himself, forge his own playstyle – Ninja Shoyo, the ultimate decoy.

One thing I like about the characters is how their personalities/character development reflect their play styles, which becomes more apparent later on.

Motifs

“A tall, tall wall looms before me…”. This is the opening (and closing) of the season. It’s Shoyo’s greatest barrier – a literal wall holding him back from scoring. He can’t overcome it on his own, so, as shown in the opening scene, he needs the five other players on his side to get through it.

Crows (obvs). I find it funny to watch non-weeb reactors who don’t know what “Karasu” means. There are crows everywhere in this anime*.* The first time Shoyo sees the Little Giant jump, he sees black crow wings over the arms and gets blasted by crow feathers. Inspiration – seeing a human fly. Shoyo is now hooked on volleyball. When Shoyo’s running to the volleyball gym on Karasuno campus, he startles a crow who drops a feather in his face.

King of the Court. Before Shoyo even hears Kageyama’s nickname, he sees him wearing a cape and crown. The crowd (which Furudate-sensei often uses for exposition) also give him that name, and then Suga repeats it. When Kageyama appears in the hallway outside the bathroom, Shoyo sees him wearing the same outfit. Of course, Shoyo thinks this is a great thing – a reflection of his talent and powerful aura. Kageyama sets too fast for Kindaichi during the warm-ups and criticises him. Kindaichi rolls his eyes and half-heartedly apologies. The coach scolds him and tells him that the best set is the easiest for the hitter to spike.

Face receives. 2. 1 with a football (soccer) to Shoyo’s face, the other when Koji misses a receive.

“I can jump”. Shoyo says it to Kageyama while he’s being chastised for talking big. Izumi says it to Shoyo when they’re trying to sike themselves up for their match.

The pre-game bathroom break. Shoyo gets nervous after seeing Kitagawa Daichi and runs to the bathroom, only to run into players from the opposing team. This is a running gag throughout the series.

I don’t know if this counts, but I saw Shiratorizawa jackets in the crowd at the junior high tournament.

Many Youtube reactors commented on how Shoyo runs everywhere. He runs through the Karasuno campus on the way to the gym. The bouncing ball of sunshine has one gear: zoom. Similarly, Kageyama sets fast while Shoyo can cross the volleyball court in the blink of an eye. Their play styles complete each other.

Jersey numbers. Shoyo is 1, Kageyama is 2. When they get their jerseys (spoiler maybe?), Kageyama is 9 and Shoyo is 10. This is the only time Shoyo’s jersey number is higher than Kageyama. (Manga spoilers): in the V-league, Kageyama is 20, Shoyo is 21, then 9 and 10 again in the Olympics. As mentioned above, Kindaichi and Izumi are #5 and Kunimi and Koji are #6.

“One more” - mou ikkai. Hinata will forever ask for one more chance to play volleyball. He asks Izumi to set for him despite his complaints.

“The strong get to remain on the court”. Shoyo has to be good at volleyball to play volleyball. He wasn’t good enough to beat Kageyama, so he only got to play 31 minutes before having to leave, while everyone else got to play more games. Kageyama is used to winning at this point and only values people who can stay on the court.

Plot

Kageyama versus Hinata. This is arguably the main plot point of the series. Hinata wants to win and Kageyama defeats him. Hinata sees him as a good player, so if he also wants to be a good player, he needs to be able to outplay him. Kageyama envies his natural jumping height and speed. They argue and fight and challenge and inspire each other – destined rivals. Such a shounen trope.

Hinata is an underdog who had to fight to stay on the court. He didn’t have a coach, he didn’t have a team. Kind of an aside, but somehow he has good jumping form (according to Coach Donny) which seems to confuse volleyball players who react to Haikyuu. They wonder why he doesn’t know how to change his spike direction and forget that he’s new to the sport. As someone who doesn’t know anything about volleyball form, I found this interesting.

Hinata is willing to put the work in to develop his skills. At the beginning of the episode, he is horrified when a teacher suggests he joins the girl’s volleyball team but asks them for help (along with the 1st years who seem to be permanent members now) at the end of the episode during the montage. He also studies for the High School entrance exams and makes it into Karasuno – his determination has paid off and he wants to go to his dream school even if he has to bike over the mountains every day.

Kitagawa Daichi is in the newspaper/magazines stating their defeat. This is foreshadowing the downfall of Kageyama and the King of the Court and sort of the big plot twist at the end of the episode:

“I’m finally at Karasuno!” Shoyo thinks, running to his first meet at the gymnasium. Then...Boom – Kageyama. His sworn rival is now his teammate.

I'm sure I missed a whole lot of stuff but this was what caught my attention.

[skinner17]

Dissecting Red Spider Arc-The arc that non shipper find it disturbingly (For those who mind) Shippy

I’ve been watching gintama for the past couple of weeks. And since lately I encounter sleeping problem, lets turn this energy to talk about one of my favorite arc. The controversial arc that invite polarized opinion among Gintama fans.

For  Tsukuyo fans, Red spider is a certain favorite together with Yoshiwara in flame and Courtesan of the nation.  This arc fleshed her background and deepen her bond with yorozuya, especially Gintoki

For casual fans, this arc is the first time they see a glimpse of gintoki past, The first time  gintoki in a berserk mode, the first time he act by his own volition. And somehow he appeared like a true shonen hero saving the heroine.

By then tsukuyo was far from heroine status. She just recently introduced a couple episodes back. Yoshiwara in flame focused more on Hinowa and seita story. But Tsukuyo already  rose in ranking because her unique character design (in sacchan word, she has a lot of ‘hooks’) aside being badass in general.

For naysayers, Red spider arc is that arc that destroy Tsukuyo character. Reduced her into damsel in distress, mere love interest and what not. Of course its people’s right to interpret a work however they see fit. People enjoying entertainment in a different way afterall. Maybe they are a strict feminist type who wanted a true xena like character?  disappointed when a strong female charachter ended up saved by the male hero? (Tho I wonder why they don’t care with preceeding events where Tsukuyo saved gintoki a couple of time)  

The other would say this arc is such a big jump from previous arcs. A sudden transition they would say. And heck they’re right. Red spider arc  Is different compared to other serious arc before it.  Its lustrously dark, whispery,  not much emphasis on family nor comedy, not much explosion nor machismo.

And more importantly, its uncharacteristically Intimate.  

What do you expect? It took placein Yoshiwara-The Red light District- afterall.

The curtain raised with Jiraiya, the ex teacher of Tsukuyo, the main villain of this arc, On his post coital glow pondering about his object of creation. After enjoying the service of yoshiwara, He looked at the moon and probably feeling another rush of excitement reminiscing his dear beautiful student and the plan he’d set for her.

Not long after, Tsukuyo feel someone dangerous infiltrating her city. She and her Hyakka squad has been working hard to push down the crime that on the rise after the city lost its night king. Nearing their limit, she turned to Yorozuya, wondering if they can help with the drug problem.

Somehow, Tsukuyo and Gintoki teamed up just the two of them investigating the shady group with spider tattoo trademark. The result was assortment of classic romantic comedy skit : To-Love-Ru type of ‘accident’ and pretend couple.

Ok at this point its just natural that people start to see the two as potential couple. When they bicker they’d scream their heart silly, forgetting  whatever  adult persona they had in mind. Yet when the time come, they play along really well with the others bullshit act. They are on the same frequency already.

Back to the story, Later, they found out the drug lord is Jiraiya who apparently the long dead master (teacher who take care of  protegee under their wing) of Tsukuyo. With his unique ability he nearly killed Gintoki and captured Tsukuyo.

Some Naysayers disappointed at this point because Tsukuyo who supposedly a good fighter became useless in front of jiraiya. Ok let me use this opportunity to explain the technicality of how that’s possible.

She was shocked.

It was a surprise attack

Jiraiya, knew his student fighting ability the best and knew how to immobilize her.

Even Gintoki Almost killed because of his weird technique

She used the last of her strength to saved gintoki from jiraiya’s final blow.

“Huh? But gintoki didn’t turned into a useless mess when he met his long dead master alive?”

Lol what are you smoking? The old master  would split gintoki’s head from his body if not because Kagura’s help.  Also Utsuro/Shouyo goal was to crushed the rebels and nothing to do with Gintoki. While Jiraiya’s goal was to capture Tsukuyo. Understand the difference?  

Ok now that its out of my system lets continue.

Later Gintoki learned about the nature of Jiraiya and what this student-master relationship actually are from Zenzou. She-who believed every word of him and followed his foot step- was his creation and his prey at the same time. This method is sickening for Gintoki who loved his master to death.

For Gintoki a master should be more or less like shoyo. Strong, kind, wise and selfless. The kind of sage who gave his life for his student. Its infuriating to learn that a good women like tsukuyo has a psychotic monster as a master.

“see..Its not because of Tsukuyo that gintoki willingly revert to his shiroyasa self. Its because the master-student thingie that made him mad af”

Was the stuff I read from naysayers.  And for this one, I kinda agree. The main thing that infuriate gintoki about Jiraiya was that he used  master student relationship for some psychotic goal. As we know later, whenever topic about his own master brought on, Gintoki turned into a different beast.

Even I can see this arc’s intent beside telling tsukuyo’s past and cementing her as one of the recurrent character was also to foreshadow  Shoyo related arcs in the future.

However among all of that baggage brought by this arc, theres this one dialogue that caught my attention.

G : "give up already, theres nothing in your web. This entire time there was only a pathetic little spider spinning thread into sky while gazing at distant moon"

J : "What are you babbling about?I already knew that long ago"

The ones who ascociate Tsukuyo with the moon are the one who cherish her like hinowa and the hyakka squad  or the bastard who obsessed at her like Jiraiya. It’s a secret nickname people gave to her beside Shinigami Tayuu / courtesan of death. Wt  

At that  moment, Gintoki  speak about what Tsukuyo is to Jiraiya existence : A moon to a little insignificant spider. This confirm that Gintoki understand Tsukuyo’s epithet-wich means at that point of story he is familiar toward  Tsukuyo more than the viewers aware of.

To add, This is probably just me but the way he said that stuff about Jiraiya, whispering  while gazing at the sky, as if its applied to him aswell.  

Well, I just think that because throughout the fight he keep rambling about being on the same level as Jiraiya.

G: Do you know how to survive the spider nest? By eating the spider.

G : She is stronger than you ever be. A coward like me is enough for a coward like you

To Fight Jiraiya, Gintoki  drew parrarel between himself and Jiraiya. And its not impossible that parrarel extended until that moment.    

I  came to the conclusion At that moment Gintoki  already  admire Tsukuyo. Wether  her virtue, her  face, her quirk  or her phisycal attractiveness, it could be anything. The fact is Tsukuyo basically embodies everything gintoki like in a women.   

However because of his mindset and his self sabotaging lifestyle, he understood Jiraiya’s point of view of admiring an existence that is too good for them.

The episode ended with Tsukuyo learning his master’s past  and accepting his flaw after killing him. The moment when Gintoki implied that he would never be a good student to their master as tsukuyo is pretty touching too.

The last episode of this arc is a short one with majorly comedic skits. Another To Love Ru accident. And  a classic wingman setup to force a couple to be alone together.

Lol too much couply stuff happening in this arc.

Later after the crazy terminator drunken stupor, Tsukuyo asked gintoki if she didn’t has this scar, would her life be any different?

At this point I realize the pain endured by her, even though she said she was fine, physically and mentally, she actually struggling with the realization that all her past was something different than she perceived to be, that rather than genuine student master relationship, its an elaborate plan by her master to kill himself.

Its like realizing that we are adopted after all this time living in a loving family. From the surface it might not changed anything because its all in the past, But it changed everything within. It changed the foundation  of what we stood upon all these time.

Gintoki then assured her that her life is one that she choose, No one make her choose that. wether it’s  driven by a psychotic manipulation or a trust in a teacher who wanted make her strong. The life is still hers to behold and cherish

Gintoki further assured that her face Is not ugly, Its pretty face carrying clean soul. Or something to that effect (since translation vary)

As you see “Soul” is the overarching concept on Gintama. Its like “Adventure” on One piece and “Hard Work” On Naruto. It’s the Idea that the shounen protagonist holds dear.  

Shoyo first teaching to Gintoki was  how to protect his soul. In the war Gintoki choose to kill Shoyo to save his master’s soul. Means he choose Shoyo over his friends and himself. In effect, one of the friend’s soul was corrupted. While Gintoki turned himself into a vessel  whose purpose was merely to protect people he deemed fit and procasinating on his own growth.

Gintoki speak about Tsukuyo’s soul in her face is another testament of how deep their trust and bond has formed. 

Even though Gintoki has innate ability to peek into the human character, its not his fashion to directly address it. He usually find a roundabout way to make the others understand that they are being understood. But with Tsukuyo, everything he do about her  is direct.

“Don’t be a stranger, Lean on me, laugh with me and cry with me. I’d be there, cry and laugh with you ” Said Gintoki to tsukuyo.

 The Gintoki who often avoid emotional baggage from a stranger.

In conclusion, Red Spider Arc is such an awesome arc. The vibe is cool, the soundtrack is awesome and its has an intense emotionally charged action.

It is also the breeding ground for gintsu shipper, wich probably gonna make some part of fandom upset. But it is what it is and we can just enjoy or choose not to.

[mangamushi]

Thoughts on Saikyou Densetsu Kurosawa

FUKUMOTO Nobuyuki, 11 volumes, published from 2003 to 2006 in Big Comic Original (Seinen)

Saikyou Densetsu Kurosawa (Legend of the strongest man Kurosawa) follows the story of 44 years old construction worker Kurosawa as he realizes he spent most of his life without any meaningful connections with anyone nor any special achievements. He decides to change his life so that he can become proud of his own accomplishments and efforts, and earn respect and appreciation from the people around him.

(spoiler warning)

So I’m currently binging Fukumoto manga, after having them on my “plan to read” list for several years…I started with Kaiji, but initially the first manga of his that caught my interest was Kurosawa. The themes of it are right up my alley, and I like main characters that are not teenagers or young adults.

Kurosawa has a sequel, Shin Kurosawa: Saikyou Densetsu, which is a direct continuation. I’ll mostly be focusing on the first part here. 

The art is typical Fukumoto style. Odd at first, definitely not the prettiest nor the most impressive out there, but it does the job and I really grew to like it. He doesn’t hesitate to give exaggerated features to his characters, and I actually find the deliberate ugliness of the character designs refreshing. It certainly fits the story of Kurosawa, makes the characters very expressive and works well with the often comedic tone. 

Although the art looks simple, Fukumoto can deliver very intense pages when he needs to. 

His forte is in his use of narration combined with the picture, rather than in the drawings alone. He is a master at using a narrator’s comments or the character’s thoughts to raise tension and make the manga flow better.

 Kurosawa is definitely written with a lot of heart. Both the manga itself and the titular character, feel very genuine. Kurosawa is very flawed and very human. He is rough but powerful, his desires are simple, and he is straightforward in his reactions, to the point that his impulsive nature and lack of social restraints put him in trouble, especially when it comes to women...

There are a few instances however where he comes close to harassing women, which is played for laugh, which I disliked. Those scenes made me less sympathetic towards him as he actually deserved the repercussions of his actions here.

But besides those chapters, Kurosawa is overall a likeable character, easy to sympathize with and to root for as we see him at a low point of his life.

He is clumsy in his interactions with his coworkers, which, coupled with his hot-temper, often leads to misunderstandings and prevents him from getting closer to them despite his best efforts. I actually found Kurosawa’s failed attempts at achieving popularity reminiscent of Watamote. The beginning of both series, in which a pathetic main character fails repetitively at gaining the appreciation of their peers through outlandish strategies, elicits the same mixture of pity, second-hand embarrassment, and amusement.

Kurosawa also gets into a fair number of fights. While those fight-focused chapters were not bad, I was personally less into them.

Drawing literal fist-fights in not what Fukumoto’s best at. His character’s postures are somewhat stiff, which he compensates for with heavy use of speed-lines. It is okay-ish, but I want read a fight scene, there’s plenty of fighting manga out there that can do a better job. 

 I like Fukumoto more when he writes more psychological battles, like in his gambling mangas. Of course, psychological elements and strategies where not totally absent from the fights, but it was nowhere as much as in his gambling manga. Sometimes I think Kurosawa was a bit too lucky in the fights, as he is not a very athletic person nor someone with a lot of experience in fighting. It did not feel very convincing to me.

Besides, it is through these battles that Kurosawa gathers allies, a reputation and respect. But most of his opponents are teenagers, even middle-schoolers ! Granted they are very scary teenagers, but I still fail to see how a 44 years old man throwing hands with teenagers is such a praise worthy thing...

 I think I prefer to see Kurosawa fight and struggle to improve his life in a less literal way that actual physical fighting.

I haven’t read that many of Fukumoto’s works yet, but I feel like an important theme in them is perseverance/resilience. He puts his characters through a lot, but they tend to have some form of resistance that shines through as admirable. Kurosawa’s will to fight and to push back against adversity is sometimes the only thing he has left, and it is extremely important.

However, that is not an innate ability that comes to him easily -at times Kurosawa hides, flees, cowers. He hesitates, and he needs to think things through before he actually decides to fight.

Fukumoto: You know how protagonists in shonen manga do things like jump in to stop their classmate from being bullied without thinking about how they might get beaten up themselves? I always felt that wasn’t real. So with Kurosawa, I wanted to make a manga that shows hesitation, and how it actually isn’t so easy to defend people like that.

(Excerpt from this interview)

I like this kind of manga where characters reflect about what is the right decision to take and on how they should be living their life. And how the reader has access to their inner turmoil and thoughts. 

 His strength is often born from sheer desperation and desire to survive. It is when he is cornered that he can manage to act and fight even when the odds are against him. He has to make do with the very few tools and options he has, which leads him to elaborate unconventional tactics to win over his opponents. 

Having cornered underdogs characters winning over more powerful, but less desperate, opponents seems like a running theme in Fukumoto’s manga (cf. the made-up E-card Game from Kaiji, in which The Slave is the only card that can win against The Emperor, precisely because it is so low that it has nothing to lose anymore).

In a way, one could argue Kurosawa follows a formula reminiscent of classic shounen manga: a character who is below average at first rises to a heroic status through willpower, effort and after fighting a string of opponents. However, there are major differences that set Kurosawa apart, besides the older characters and more adult setting (Kurosawa’s worries are grounded in reality: growing old alone, financial problems...) Kurosawa does not provide escapism and dreams. The story begins with Kurosawa as a single old man, and ends with him an even older still single man. He does not become an amazing fighter through power boost and magic training like a shounen character might.

He does want to dream big, but all things considered, his achievements are fairly modest. He is not saving the world or becoming hokage.  At most he is just helping some other marginalized people from his neighborhood.  

Even if he puts his life on the line to fight, what he accomplished will fade into oblivion at some point.

But, even so, his efforts and struggle are still admirable.

Besides, Kurosawa is not about friendship, at least not the kind of friendship you find in shounen manga.

In Fukumoto’s manga, people may stick together for survival, they can share intense emotions when put through the same ordeals, but it’ll rarely turn into true companionship. Kurosawa is alone from the start, and while he does connect with other people throughout the story, in the sequel those relationships are left behind as he leaves on his own to start a new life. 

Fukumoto: My protagonists, on the other hand, are always alone – not only do they not have followers, they don’t even have friends. (laugh) [...]  I can’t do manga where the characters readily make friends that they risk their lives for. I started out by drawing short human drama pieces, but even then – partially because I wasn’t doing long-term series, but – they weren’t generally stories about friends.

I was kind of expecting Asai, one of Kurosawa’s coworker, to have a bigger role, but that didn’t happen. (I liked the part where he tried to comfort Kurosawa after he got humiliated so I was hoping for more!)

The story isn’t very cohesive or straighforward, it just follows Kurosawa’s life, who wants to change but lacks a clearly defined goal or road to follow. There isn’t one big coherent plot, instead the story goes in different directions, shifting from one genre to another from chapter to chapter. Kurosawa even admits it himself !

The quality of the chapters and different arcs is in my opinion rather uneven. 

 There are some really powerful scenes, notably the very end of the manga which is very touching. Kurosawa successfully leads a group of homeless men to defend themselves against some delinquents who were threatening them, but as a result of his injuries, he is implied to die. (The sequel manga reveals he actually just goes into coma for 8 years). It is bittersweet ending as he finally achieved something and is surrounded by human warmth.

                  Shin Kurosawa, the sequel, is similar to the first part, though slightly more light-hearted and focused on humor (even though Kurosawa’s situation technically worsens!). It seems to be less liked than the first part for those same reasons, but I personally enjoy Fukumoto’s humor and his more slice of life-y mangas. It has many genuinely funny moments. Once in a while there are still some chapters that feel deeper/more thought provoking, as Fukumoto likes to reflect about society, life, and humanity in his stories.

For anyone looking for other manga with similar themes, I can recommend Furuya Minoru’s excellent Wanitokagegisu . Both feature very lonely adult men who wish to turn their life around, and oscillate between humor and psychological drama.

[natsspammityspamspamham]

Dino Watches Anime (Nov 15)

BOI, I HAVE A MIDTERM ON TUESDAY AND TEST ON WEDNESDAY. SCREW THAT. I’M GOING TO TALK ABOUT THE ANIME I’VE BEEN WATCHING IN BETWEEN STUDY SESSIONS! Yeah, the studying is like 2% while the anime and games are like 98%... I’m working on that, okay? Anyway, I’m going to cover mostly seasonal stuff with some other stuff.

Let’s go over the seasonal stuff first. Summer had so few anime coming out whereas Autumn/Fall came in like, “OPEN THE FLOODGATES! LET’S GO!!!” I haven’t even gotten around to all the anime airing this season that I want to like Yuukoku no Moriarty, Majo no Tabitabi, and Adachi to Shimamura. I missed some last season too like Deca-Dance which I just didn’t want to commit to if it was only for the good animation.

Taisou Samurai (DROPPED) 

I dropped it after two episodes. MAPPA has two major series this season, but they clearly gave more time and attention to the one that was actually going to make money here (which I’ll talk about later). This one seems like a passion project without the passion in it anymore. It’s like opening a bag of chips and finding out they went stale long before you even reached into the bag.

Taisou Samurai, at its core, has a premise that I found really promising. I happen to like watching gymnastics sometimes, and the idea of an athlete who doesn’t want to retire is interesting. They went wrong with the execution. I don’t know what they were trying to pull here, but with unlikeable characters and a terrible run at it, it’s like they weren’t playing with a full deck of cards here.

Also, if you don’t know what a gyaru is, one of the supporting characters will look like a racist caricature. Also, this bird has no other point than to try to make up for this show’s lack of usable humour by using Kappei Yamaguchi’s range and going, “Please, save this show. I beg you.” 

I didn’t even bother giving this show three episodes to drag me in because I just couldn’t see myself wasting another 20 minutes here. Maybe I’ll have a change of heart, but for now, I should be having better things to do.

Munou na Nana (WOULDN’T RECOMMEND)

I know everyone has made this joke already, but this is really just My Hero Academia x Among Us. I feel like if there was some more... budget put into this anime, they could’ve made it a lot better. The manga had a lot more detail, so a lot of the gruesome scenes with zombies or killings, etc. were muted and toned down beyond belief. Not to mention, I guess watching it after I read the manga just made me feel stupid. This is such a junkie show that pulls tricks that everyone knows is coming. Nonetheless, I can’t find some big reason to say “do not watch this” because it’s still a very mediocre show. It has its good points, but its presentation devalues it, the voice acting is meh (especially since Yuuichi Nakamura is playing THREE overpowered main cast characters this season), and the jig is up after the first episode, so the twists are just to make you sympathize more with the imposter. I haven’t seen a show like this for a while though, so I guess you can watch it if you want something refreshing like that. I don’t think you’re supposed to like this cast of characters, so I won’t say anything against not liking this cast. 

Kamisama ni Natta Hi (CONDITIONALLY RECOMMEND)

Jun Maeda... the man who manages to incorporate baseball into every anime he does... seriously, every anime I’ve watched by him has it from Angel Beats to Charlotte to that unfinished Little Busters I just left on hold. Anyway, Kamisama is no exception. Jun Maeda has a reputation for building touching stories that start off strong then really lose their footing once he realizes that he’s not going to get 24 episodes and needs to squeeze all of those 16 episodes of story left into 4 episodes or so. It also doesn’t help that sometimes he goes off on useless storylines that pay no use to the story. 

Hina is really funny sometimes (but can be annoying). Narukami is funny. Really, everyone has some valid point about them that makes the show better compared to the previous entries. 

Seriously, some little kid comes up to you and goes, “The world is ending, I am God, and I’m going to stick by you.” Meanwhile, you’re just a simp that’s trying to get your childhood friend to fall for you.

Honestly, I’m still having a blast watching this. As much as Maeda’s writing can really suffer from tonal shifts (mostly in the end), I still wanted to watch this anime simply because I always like his storytelling in the beginning, and the laughs it brings can sometimes still muddle out the bitter taste that’s left in your mouth when the series finishes. I can already feel this train going down a slide and off a cliff. I already paid for my ticket though, so I’m obligated to stay on this shootshow until the end.

Seriously, I do not like where some of these relationships are heading. 

Maoujou de Oyasumi (CONDITIONALLY RECOMMEND)

This anime is relatable. It can get stale fast for a lot of people, but every time I think I’m going to get sick of it, it pulls one of the same gags that makes me go, “This. This is why I’m sticking with this.” I’m not sure how much more there is to say. It’s just an abducted princess who couldn’t care less that she’s a hostage and instead, takes this newfound time to take some good ZZZs. What a life.

Oh yeah, this princess is also willing to commit murder, mutilation, theft, and assault to get the sleep she wants. 

Tonikaku Kawaii (CONDITIONALLY RECOMMEND)

I’m not dropping this show... even if it makes no sense. The premise is astoundingly stupid, but it pulled a Zombieland Saga on me. It sounded so stupid, but once I gave it one episode, I found myself being entertained and almost rooting for the characters and their relationships. 

Imagine this: You are about to get into the high school of your dreams when you see the girl of your dreams cross your path. You want to ask her out so you jump over the barricade and get hit by a truck. You’re on the brink of death when you realize you can’t die there without confessing your love. You chase her down with blood coming out of your head and confess. She says that she’ll only go out with you if you marry her. You then... somehow survive, drop out of school, then get a job to search for her. I kid you not. This is the setup. It’s as stupid as it sounds, and the anime knows this. It doesn’t try to fool you into thinking that this series is supposed to be anything but some highway fast-track way to convince you into watching a married couple. I think what irked me the most is that the character designs didn’t change from when they were in middle school to when they were adults. It wasn’t the being hit by a truck and not being sent to another world, it wasn’t this girl who stopped the truck without ruining her hair, it wasn’t anything else but their character designs staying the same. 

Anyway, this anime is cute as long as you can jump some hurdles. It’s basically puppy-love marriage with anime stupidity through and through. I don’t know what about this series people, including myself, find charming. 

Jujutsu Kaisen (RECOMMENDED - BUT DON’T COMPARE TO DEMON SLAYER TOO MUCH!)

It’s Shonen Jump. “Will it be the next Kimetsu no Yaiba? The next big Shonen Jump series? One of the next big three? Five?” No, I don’t think so. I’m not enjoying this nearly as much as I did binging KNY. The cast isn’t nearly as likeable, but I’m still having a good time. It’s not all that fair to make that comparison anyway. The cast for Jujutsu Kaisen is passable. I like some of the main cast, but I feel like they lack the same kind of depth with its main heroine. I know she gets more stuff done in the future chapters, but her backstory so far is, “I had a friend once... No, she’s not dead. She just left our small town.”

The fight scenes are actually so much fun to watch. MAPPA gave this series a lot more time and budget than say that first anime I mentioned. It’s fluid, the camerawork is amazing, the choreography is on-point. 

The voice acting for this anime is spectacular among the main cast... when character dialogue allows it.

I feel a bit of imbalance, but Yuuji does offer a good protagonist template. Junya Enoki makes his lines so funny and gives this nonchalant approach that is the polar opposite of his performance in Tonikawa. This is definitely his season.

Junichi Suwabe voicing the main demon thing is amazing too. It fits so well, and he sounds so cool and evil. It’s great.

Gojou is also one badass mentor played by Yuuichi Nakamura. Overpowered, part of the main cast, etc. Insert your reverse Kakashi joke here. Just give him more Sharingan genjutsu, I dare you. 

Yuuma Uchida is back playing another tragic character that’s serious and uptight. I can’t say much more about him.

The opening and ending are both worth listening to even if you don’t want to watch the anime. Lost in Paradise by ALI has been on repeat for me.

Besides that, I’m going to go over some other anime that I’ve been watching.

Hunter x Hunter (AS IF THIS HASN’T BEEN RECOMMENDED ENOUGH)

Slowly. Slowly but surely. 11/148.

I know this is going to be amazing... I just want to be in the right mood to full savour it. I don’t want to be consumed by stress and not pay attention. The reason why I like a lot of those seasonal anime is because I don’t pay the same kind of attention. 

If you told me these characters’ ages, I probably would’ve believed everyone... except Leorio. The guy looks like a middle-aged money-hungry gangster.

What I would give to have the energy and serotonin of a Shonen Jump protagonist. 

Haikyuu (YEAH, IT’S GOOD)

I’m watching this one with my mom and sister as they go “OMG OMG OMG” as we watch while I’m sitting there like -_-

Don’t get me wrong, it’s a good show, but sports anime are made like shounen battle anime (because they are in a way) with different stakes. I’ve felt more “nervous” about some of the Haikyuu matches than I did with some of the Hunter Exam. Worst case scenario in Haikyuu, you lose the match. Worst case scenario in Hunter x Hunter? You die. 

I knew what I was going to get into when I was watching Haikyuu, and it’s given me what I remembered (since I did watch 10 episodes of it a few years ago) and expected.

SKET Dance (HIGHLY RECOMMEND)

Unfollow me. Unfollow me right now. This is what I’m going to be talking about for the next month. I can feel it. I’ve had this show for like 3 days and watched around 33 episodes along with some of these other titles. I have a problem. I know that, but I don’t feel like fixing it. This show is just too good.

I get why people call this a poor man’s Gintama, but it’s not quite that. I can get the similarities, but it’s like eating an empanada and saying that it’s just like that dumpling you tasted last week. It looks alike on the surface... if you’re not that great at... telling the difference between things... but once you get to the meat of it (PUN HAHA), you realize that they are completely different, and you were a fool for thinking otherwise. 

That’s our main heroine! Go go go!

Dude, episode 25 hit me out of nowhere, AND I READ THE SPOILERS! I won’t say any more than that.

The cast is one of the best that I’ve seen in a while. Their chemistry is basically the entire show. Without one of the main three, you wouldn’t have the show anymore. It handles its female characters better than some of its fellow competitors at the time, and it may have what some may call a “token fat character”, but the character never makes fun of her for being fat. They make fun of her for saying “Yabasu” every single sentence. It hurts that the manga ended with some loose ends, and this anime isn’t getting a season 2.

But at its weird and mushy core, this show is about three people with heavy and complex pasts who simply want to help people work out their issues in their own... unique ways. 

I don’t want to say much else, but I wish more people would watch/read it and create/post most content for it even if it’s a bit old because it deserves it. I’m almost a decade late, and this anime still holds up.

I gave Mairimashita Iruma-kun its own post.

[kari-izumi]

001-Yugioh 002-Sheith 003-Renji Abarai

I probably should clarified one per ask lol :p

I'm gonna break this off into three separate posts since i have people outside of V/D who are in one of the other two fandoms who have Sheith blacklisted and because line breaks never work for me on an OP from mobile. I'll start with Yu-Gi-Oh (and legit thanks for the variety in fandoms BTW!)

001 | Send me a fandom and I will tell you my:

Favorite character: Seto Kaiba, without a doubt. Even for all the other interests this blog has shifted towards and the volume of VLD content that damn near came close to dethroning it, Seto Kaiba is still my #1 tag.

Like, he's overcome so much and I'm really glad current fandom sees that 1) he's a teenager (the youngest in the group, in fact!) 2) he's a survivor of abandonment even before the adoption and 3) that even though he's not murdering people these days over cards that abuse doesn't just go away and that he's trying.

He's my disaster son, and I live him :)

Least Favorite character: Gozaburo. We know why

5 Favorite ships (canon or non-canon):

Violet/Pup/Kaijou

Prideshipping

Silentshipping (don't @ me over it, I've heard all the howls about it over dialup)

Wishshipping

Buddyshipping

Character I find most attractive: huh. I don't get much into that aspect of the characters for this fandom, but if I had to take a stand, I'd got for Kaiba after his ab game got turned up to 11 in DSOD. NICE 👀

Character I would marry: I thought about this, but tbh that's a blank for me

Character I would be best friends with: Yugi ❤️ cuz he's best friends with everyone!

a random thought: I can never figure out exactly what Pot of Greed does

(😉)

An unpopular opinion: L!ttleKurib0h's bad charicature of Tea went a long way towards fostering the irrational hatred this fandom has of her. There's a whole lot about the guy in general that doesn't sit right, most of which has been lost time time and aren't mine stories to tell, but nowadays most of the ppl who hate her usually came by the Abridged series before actually watching the show and not because she got in the way of their yaoi ship of choice.

My Canon OTP: we have none

My Non-canon OTP: Nakamashipping, which is the name for Yugi/Honda/Jou/Anzu

Most Badass Character: Jou, by a long shot. Somewhere in the depths of this blog was a post on how much of Jou's fighting ability and strength was downplayed or removed in DM and it's a shame he, like Renji, got put in to solely comic relief category.

Most Epic Villain: honestly, are there really any "badass" epic villains in this series? Like, they're either cartoonishly evil like the way early antagonists pre-Duel Monsters or victims of circumstances beyond their control. Yu-Gi-Oh really doesn't have a Sosuke Aizen or a [insert JJBA villain of choice here]. Even the Kaibas' adopted dad was just more crazy and given a few panels in the manga.

Honestly, I've never given that any thought before now. 🤔

Pairing I am not a fan of: Kaiba/Pegasus. I have a hard time thinking Seto is going to push aside him using Mokuba in his plans to revive his wife anytime soon, but it's not a hill I'd die on tbh. Truthfully, it's hard for me to hate ships these days.

Character I feel the writers screwed up (in one way or another): Do I have pick just one?

I could pick the usual ones of Honda, Anzu, Ryou Bakura (and I was tempted for the last one)

But honestly, I think the one who gets shafted most is Yugi himself. You know how in OItNB where Piper stopped being the focus by mid season 3 and thank God cuz really? It's like that for Yugi after Duelist Kingdom where he just takes a backseat as Yami/Atem gets all cool story.

And even Shounen Jump shafts hi, too. I think it was a post by @engelchenyugi who pointed out that the Jump Force game identified Atem as Yugi in game play footage. That's just...really bad coming from the official publishers. Yugi Mutou might be the most misunderstood and underrated protagonist in their entire library, and I'm saying this as a Bleach fan who's had to hear how supposedly "boring" Ichigo is because he doesn't fight for an overarching goal.

Favourite Friendship: All of them...? But mostly Joy and Yugi for being soft bois who openly love one another.

Character I most identify with: for all the love I give Kaiba, I'm gonna have to go with Mokuba. Poor kid gets dragged along into his brother's reckless ideas and has to sit back until he comes back into reality. Sounds like the story of my life *sigh*

There's a reason this icon hasn't changed in all the time I've had this blog beyond just laziness

I promise I'll finish that one fic one day

Character I wish I could be: hmmmmm, maybe Honda, cuz his family is probably the only normal one in all of canon, even if they don't question that he disappears for that whole weekend where Duelist Kingdom took place. Hey, look, it's the same canon where Kaiba got a dog collar slapped on his and Joy's mom left him with an alcoholic, Mr. Honda gets some slack here 🤣

That's all for that! And if others want to send more, the meme is here! :)

[murfpersonalblog]

The Fall of Bleach: 4 Years Later - SuperEyepatchWolf

I disagree with so much of this video. Eyepatch isn’t “apologizing” for much of anything, really, as he doesn’t do anything but double down on his first Fall of Bleach video (which he recently unlisted, wow):

I love Bleach, it's in my Top 5 anime. I appreciate different viewpoints and analyses, but TBH, I don't give a crap about Ichigo's drive as a protagonist, repeating storybeats, or Deus Ex Machina/Chekhov's Guns. My ONLY problems are Bleach's filler arcs, which dragged the momentum when it first aired (I couldn't just skip past them how I do now); and the boring AF Fullbringer Arc.

Bleach is COOL. It's stylish, bombastic, funny, and gets you hyped for fights. That’s why I love Bleach.

I never watched it expecting logical resolutions in what is actually a wildly unfair and unequal power divide between characters--I think the whole point Kubo's making is highlighted by the fact that our protagonists can only ever win in the hopelessness of existence itself by keeping everything close to the chest: never reveal your hand; work at everything in total secret; and surprise your foes AND friends with something completely unexpected (Uryu's hidden Quincy skills, Chad's hidden Fullbringer status (IIRC Orihime's a Fullbringer too), and Ichigo's entire hidden mixed bloodline). Playing by the rules won't get anyone anywhere; you can see that in Soul Society itself -- the afterlife is AWFUL. Even if you're a good person or even a KID, when you die you're going to some crappy slum in feudal effing Japan. The only thing that matters is (spiritual) POWER and PRESSURE. Yhwach himself said that Ichigo represents rapid/unrestrained Growth & Potential. Ichigo's true power is how he insanely increases his spiritual energy, to the point that he can overrule the rules/norms of those wildly unfair and hopeless encounters, and win through brute force. Additionally, those recurring power-ups all represent the different aspects of Ichigo's lineage/blood that he's unknowingly unlocking bit by bit -- his Shinigami side from his dad with the Bankai, his Quincy side from his mom with Old Man Zangetsu/the Fullbringer, his Hollow side from White, etc etc. You might see it as a Deus Ex Machina, but I don't -- Urahara & Yoruichi say early on that Ichigo's ability to learn semi-Bankai in 2 days rather than 10 years is the only way to beat the Gotei 13--again: breaking the rules of "the system" meant to keep everyone else down. IMO Ichigo's powers are not a Deus Ex Machina, they're Chekhov's Gun, since Kubo teases out these things very early on: how TF were Ichigo (AND his sisters, don't forget!) able to see ghosts? They're part Shinigami/Quincy. Why does Ichigo have a Hollow? The red herring is Urahara's training technique--Yhwach & Aizen put sent White after his mom while she was pregnant with Ichigo. My ONLY real issue is the Fullbringer arc -- I can't speak fully to it, since the entire arc just bored me; I didn't like the "feel" of it and I disliked all of the characters and their stupid powers. I consider it a glorified filler arc, as we wasted time waiting for Urahara to finish the sword Rukia used to restore Ichigo's powers--which I wish had been used at the end of the Aizen fight instead. Eyepatch calls Ichigo purposeless & reactionary--as are SO MANY anime/manga protagonists, BTW--but IMO the one good thing about the Fullbringer arc is that it finally shows how hollow (lol) Ichigo feels when he's NOT a shinigami. He LOVES being part of that world, and we see that he FINALLY has dream/purpose: he wants to be a soul reaper. But again, Kubo's saying something about power & status & social inequality/mobility: as amazing as Ichigo is, Bleach ends and Ichigo's NEVER made a captain or lieutenant or seated, cuz at the end of the day he's still a ryoka (and worse: he's part Quincy). Technically, Ichigo should be the next Kenpachi, as he beat Zaraki (and we see that Ken-chan does sorta take Ichigo under his wing a bit). But Ichigo's still an outsider, an aberrant even in the human world: he mentions more than once that he got picked on for his orange hair, but that if he wanted to fit in he'd've dyed it black. But in the end, Ichigo and his family live normal mundane lives. Life isn't fair. *You can beat unsurmountable odds, and still not get to reap any of the benefits.* Kubo became a successful mangaka, but Shounen Jump ran him ragged and he was sick the whole time and couldn't even enjoy his success. Hollow victories indeed. That's what I think Kubo meant. And I love Bleach for it.

THOUSAND YEAR BLOOD WAR ANIME REBOOT 2021 HYPE! ^0^

[deltaengineering]

Spring Anime 2019 Part 1: git gud

I was trying to wait until something really good came along. This ran into a problem. Yes this is a day behind but not because of... that.

Amazing Stranger

What: Otaku dipshit buys a figurine that turns out to be an alien robot girl from an anime.

❌❌ Otaku dipshit nonsense about perving on a figurine-sized robot girl. It’s bad, yo.

❌ Execution is as questionable as the content. I’ll give it a star for using 3DCG and 2D animation where they respectively make sense.

♎ Only ⅓ runtime so it ended before I could get mad.

Bokutachi wa Benkyou ga Dekinai

What: Overachiever gets conned into tutoring a bunch of girls with specialized talents and general uselessness. The twist is that they don’t look identical.

♎ Basic ass harem setup with little to distinguish itself. And if it’s not a real harem it’s just a lacklaughter comedy.

♎ Characters aren’t terrible but sort of just there. Their talents are also too cartoonish to take seriously but not outlandish enough to be funny.

♎ You guessed it, production is workmanlike/undistinguished as well.

❌ Didn’t I just watch this? In any case, this lacks Quintuplet’s trademark sass so it’s just painfully mediocre.

Fruits Basket

What: Poor but optimistic high school girl gets involved with a harem of supernatural critters.

♎ This seems incredibly derivative and unoriginal. Seems of course, because Fruits Basket is the OG so all the others ripped it off in the first place. Doesn’t change the fact that I’ve sampled and discarded dozens of otome harems exactly like this.

✅ The production is aware that they’re adapting a classic over here, so the production values are high. It looks nice.

✅ It’s directed quite competently as well, especially the comic bits have the right timing.

❌ I don’t like the characters much. Tohru is a little annoying and the boyz are a big nothing. That’s not good for a romantic comedy. Side characters fare much better but hey, side characters in a show like this don’t matter.

♎ I have no attachment to Fruits Basket so this will have to stand on its own. So far it looks watchable, but very middle of the road.

Hitoribocchi no Marumaru Seikatsu

What: Kiraralike about a class of middle school girls that are all named after their personality. The main character (Bocchi Hitori, natch) is lonely and made of social anxiety.

❌ Dealing with #relatable topics is always sketchy, but Bocchi talking to herself for the majority of the episode just gets really old no matter what.

✅ However, once she starts actually talking to other people it gets better. Slightly above average for a show like this, which means inoffensively cute and very mildly comedic.

♎ This is a Kiraralike where all the characters are named after their personality, so I wouldn’t expect any depth. Not that that’s unusual for the genre.

♎ I’ll probably give this 3 episodes because these shows live and die by the cast, which we haven’t seen much of so far. If Bocchi’s character development sticks and we get a few good support characters, it might be fun.

Joshikausei

What: the sound of one thigh slapping

❌ but

✅✅ though

Kimetsu no Yaiba / DEMON SLAYER

What: Edgy shounen about a dude whose family gets KILL BY DEMONS (no, he isn’t the demons (his sister is the demons)).

✅ Actually better than that sounds, it’s pretty serious with its approach to the whole revenge thing. The edginess is also only apparent on the margins, so tonally it’s more or less fine.

✅ The main guy isn’t terrible and his superpower (a superlative sense of smell) is fairly subdued for the genre. You could tell a story with this.

✅✅ This is ufotable and it looks REALLY good. ufotable shows are always very elaborate, but their aesthetics can be questionable. This, however, keeps the postprocessing to a minimum and uses CG only where appropriate. I’d say it rivals Emiya-san for the best looking thing they’ve ever done.

❌ The OP shows a bunch of supercool superdudes fighting like they're in a shounen anime, just in case you’re wondering.

❌❌ Three words: Weekly Shounen Jump. This is an instant death sentence for the long run, since it will be stretched until nobody cares anymore, then get swiftly killed - with some lipservice to closure, if you’re lucky.

❌❌ In case you’re willing to take your chances, WSJ is still a magazine for babies and imbeciles, so get ready for its “distinctive” writing style. Here it isn’t quite as bad as in Promised Neverland, but you’re still getting 100% wall-to-wall voiceover coverage explaining things that you either don’t need to know or are blindingly obvious. 

Kono Yo no Hate de Koi wo Utau Shoujo YU-NO

What: 90s eroge protagonist starts hopping dimensions to look for his dad or something.

❌❌ Those 90s eroge protagonists sure were hilarious, what with their lechery etc. Rest of the cast fills the genre template nicely as well, which is to say they suck.

❌ Doesn’t look outright terrible so far, but it already shows signs of slight jankiness that would lead me to suspect this is a candidate for a production collapse in the future.

❌ Story? Surely you jest. All that happens in the first episode is vague exposition and naked girls falling from the sky. I hear the game gets real good 100 hours in, btw.

❌ This isn’t just some 90s eroge, it is the 90s eroge. You know, before KEY came along and made them all respectable (ostensibly). In any case, YU-NO is regarded as some stone cold classic of epic feels. I have experience with those, and they usually are only great for as long as you can’t read them.

Midara na Ao-chan wa Benkyou ga Dekinai

What: High school girls hates men because her father happens to be one. Understandable, since he’s also a tiny dirty old man caricature from the 60s. Can love bloom on the ecchifield?

♎ This is mostly inoffensive...

❌ ...except when it isn’t, of course. Which isn’t that often but still too often.

❌ It would also be appreciated if it could be less offensive in those instances because hot damn.

❌ Even if it removed the main source of irritation it would still be nothing much. Something like Hitoribocchi or Benkyou ga Dekinai has at least some potential, this doesn’t look like it’s going anywhere.

❌❌ My man Kenjiro Tsuda is wasting his time on this goblin’s comedy voice.

Mix - Meisei Story

What: Some kids play baseball, very slowly. You’re supposed to care because you presumably cared about Touch (which Mix is a very far removed sequel to).

❌ I did not in fact care about Touch. Nor about baseball, for that matter.

❌ Seriously, the entire selling point for this is “Sequel. To. Touch.” It cares not for your indifference towards Touch and would rather you go away.

❌❌ The languid pace is a killer. I know baseball is a boring sport but Mix doesn’t even attempt to make it interesting. This could work as an iyashikei-type show but in that case it would need different hooks, such as characters whose personality goes beyond “good at THIS aspect of baseball”. Maybe they’ll get to that but with this pace it’ll take a few seasons.

✅ I think the 80s design with a few contemporary animation frills looks quite nice. They’re probably doing their job right over there.

Nobunaga-sensei no Osanazuma

What: One “Oda Nobunaga” is an otaku and somehow also a teacher. Girls looking for his better known ancestor approach him with marriage plans, and since they’re looking for a Sengoku warlord, they come with era appropriate sensibilities.

❌ Do not care much for anime about 14 year old time travellers falling onto some dork’s dick, sorry. Unless they’re real good. Which this isn’t.

❌ I suppose i should be thankful this isn’t an all-out ecchi show, but unlike the characters, “lmao they can’t fuck” gets old.

❌ Besides the obvious, this fails at pacing, comedy, heartwarming, production, etc. I’m getting tired of spelling it all out again, this season definitely has an overabundance of not-quite-terrible-but-subpar-in-every-way romantic comedies.

Senryuu Shoujo

What: Senryuu is poetry that’s pretty much a haiku, but not hella deep. A quiet weirdo girl and a delinquent type write some of those.

✅ This has low ambitions, but manages to meet them. It’s chill and cute and the characters are likeable.

✅ Half length, which is the correct runtime for something as slight as this.

♎ It’s cheap but not to the degree that it detracts from the experience.

✅ It’s the second coming of Go Go 575 and I’m all about that. Check it out!

ULTRAMAN

What: uLtRaMaN is an ultrasequel to UlTrAmAn in which Ultraman is now Ultradad and has to take care of his Ultrason.

♎ Decent looking by CG TV anime standards, though the amount of action is so low that it raises the question why it isn’t just live action, especially since it’s partially mocapped already. I would have expected more pizzazz, especially with Kenji Kamiyama AND Shinji Aramaki directing.

♎ Old man superhero has some charm, but the show suggests and Wikipedia confirms: He’s about to get his ass kicked and his much more standard progeny takes over. There goes your selling point.

♎ Apart from that, this appears to be a competent but not especially engaging sequel to Ultraman (i.e., it’s most definitely not SSSS.Gridman). I have no special affinity for Ultraman.

[arcaneranger]

Final Thoughts - 2018 Long Shows

It’s finally here! I’m so close to being done with 2018 (...mostly. We’ll get to it) that I can taste it, but in the meantime, this list is gonna be weird, because there will be things that were already on other lists since I revised my rules of what should be classified how. This post is specifically for any show that ended in 2018 and lasted longer than 13-ish episodes (including shows that aired a second season during the same year or within six months of finishing the previous one), which means that there’s about as much on it as a usual season of shows, but they all had more time to impress - or disappoint me. I’m doing a better job in recent seasons of getting to everything, but last year there were unfortunately things that I missed (I was burned out in the winter) and just have to leave aside for now because I can’t wait any longer for these lists.

Anyway! As usual, let’s start with what I skipped!

* The Seven Deadly Sins: Revival of the Commandments, The Disastrous Life of Saiki Kusuo S2, Cardcaptor Sakura Clear Card, Garo: Vanishing Line, and Mr Tonegawa: Middle Management Blues because I haven’t seen their previous seasons or parent works. (Yes, even Cardcaptor Sakura. Y’all can shoot me later.)

* Hakyuu Hoshin Engi, Beatless, and Basilisk: The Ouka Ninja Scrolls because by the time I was rounding things up, I hadn’t heard a single positive thing about any of them.

Next comes what I dropped -

WORST OF THE YEAR: Steins;Gate 0 (4/10)

What a fucking mess this show was. Aside from a very noticeable downgrade in production talent from its predecessor, the plot meanders and flirts with maybe actually happening this time before just dropping out again, over and over, to the point where I was perfectly willing to drop it two episodes from the finish line because it was such an insult to fans of the original. (Also, continued disgusting mistreatment of the transgender character.)

Gundam Build Divers (4/10)

Taking the Build series from being a well-written kids show to an averagely-written kids show that hides itself in decent mech designs.

Katana Maidens (4/10)

I remember so little about this show, and granted that I did drop it after one episode almost nine months ago, but what I did remember was that it gave me strong KanColle vibes with laughably inconsistent animation and flat characters. Meh.

Darling in the FRANXX (5/10)

This should probably be lower on the list, but I got out of Darling while the getting was good, sixteen episodes in. I understand that future episodes of the show cemented it as crappy right-wing nonsense in addition to pushing worldbuilding out of its fortieth-story window, but the moment it lost me was much sooner, when the crazy yandere female lead was reduced, almost instantly, to Good Anime Waifu as a reward to the protagonist for going against his friends with his selfish motives.

Persona 5 the Animation (5/10)

In addition to not actually finishing in 2018, Persona 5 just did not give me a single reason to watch it when I’d already finished the source game, with middling-to-bad visuals (thanks to the switch from Production I.G. to A-1 Pictures, and not even the team that created the much better-looking Day Breakers OVA before the game was released in the U.S.) and phoned-in music, which is especially unacceptable in a Persona adaptation. Also, we all absolutely called that the studio couldn’t tell the story of the entire game in just 26 episodes.

Record of Grancrest War (6/10)

There’s people that like this one a lot, but I didn’t see much that interested me in the first two episodes. I’ve heard better things about the manga.

Golden Kamuy (6/10)

I had problems with the first half of Golden Kamuy that the second half simply didn’t fix, and it became difficult for me to keep watching - the show still interrupted almost every fight scene with a dick joke, but still wanted to maintain a serious and occasionally frightening tone - and those things simply don’t go together. It needed to either spend more time being funny, or keep its lowest-common-denominator humor out of the fights.

Next, I have two shows that are (potentially permanently) On Hold, simply because it’s time for me to move on and I don’t have the time or energy to marathon them when the Winter shows are starting to wrap up:

Kakuriyo: Bed & Breakfast for Spirits, because even though I initially dropped it, I’ve heard a lot of good things since and I want to eventually give it another shot.

Yowamushi Pedal Glory Line, because despite the fact that I still enjoyed the previous season, this one started right in the middle of my burnout and I only heard bad things about it. I’ll get to it eventually, but it’s a shame that this series has been on a clear trend downwards since its revival.

And finally, the stuff I finished!

The Ancient Magus’ Bride (6/10)

Keep in mind that this is here entirely on the merits of its aesthetic and its side characters - in the end, Ancient Magus’ Bride is a Beauty and the Beast story where the beast gets what he wants without learning to be less of a dick or even apologizing for his clearly wrong actions.

Major 2nd (7/10)

Always pleased to have even just Good sports shows around, and this one is a very effective reboot of a classic series that’s never made its way stateside (man, the underperformance of Big Windup! really did a lot of damage to this genre in the West). With good character development and a decent second-generation premise, Major 2nd has the potential to be the beginning of a solid baseball story, assuming that it gets a needed followup.

IDOLiSH7 (7/10)

I dropped IDOLiSH7 when it first aired, and though I wound up enjoying it after I was very strongly urged to revisit it, the problems it started with never quite left it behind - that is, it has an okay cast of characters but doesn’t present even passable performance sequences, and if you’re going to include big song-and-dance numbers, they have to be good, or you may as well just be UtaPri.

ClassicaLoid Season 2 (8/10)

In 2017, I gave the first season of ClassicaLoid a near-perfect 9/10, and while this season gives us a satisfying conclusion to the story, it does things both a little better than the first, and also not quite as great. It’s story is much more well-integrated over the runtime so it doesn’t happen all at once in a few chunks, and the jokes that work are still absolute genius, but there’s simply too much that doesn’t quite land correctly, and a little too much immature humor, for it to reach the same lofty Hall of Fame heights as the first season. Still, one of the most underrated shows I’ve ever seen.

My Hero Academia Season 3 (8/10)

God, Izuku in that onesie is too damn cute.

My problems with Hero Academia are frustratingly persistent - the show is at its best when the students are competing with other students, because outside of last season’s Stain (a villain whose motivation is specifically related to the world of MHA), the villains are just not at all compelling and they all seem a little too generic for their own good. I just want Horikoshi to be a little bit less predictable of an author and do a little less reading of the Standard Shounen Playbook. Luckily, when it works, it works magnificently.

March Comes in Like a Lion S2 (8/10)

March remains director/auteur Akiyuki Shinbo’s most accessible work, and one of his masterpieces, as a well-paced and marvelously moody story of a depressed shogi prodigy learning to be a normal teenager before his youth completely passes him by, and the fantastic characters that surround him with their own complex problems and motivations. I just really, really hope it gets a third season eventually, because this one did not leave off on a satisfying conclusion.

Speaking of which...

Food Wars! Shokugeki no Soma S3 (9/10)

It’s almost a shame that My Hero Academia became hugely popular purely based on its accessibility to American audiences, because Food Wars pretty squarely deserves to be the reigning Shonen Jump king - each season has only improved on the previous one, and this one was based entirely on a continuing arc that could only have happened in the universe of this show, Fighting Food Fascism. That being said, it also leaves off right in the middle of the arc (because it had almost caught up to the manga), meaning that we have to hope that it can remain relevant long enough for there to be enough source material for another season. I’ll be crossing my fingers until they snap.

Banana Fish (9/10)

Yes, this has risen a point since my review, but Banana Fish still deserves to be thought of as both a complete masterwork of crime fiction, being fantastically paced and expertly plotted in the use of its many, many twists, and a work that disappointed the side of me that hoped that, in adapting it into the modern day, MAPPA could have managed to get the author to let them depict what is clearly a queer relationship with the authenticity and legitimacy that it deserved. It’s still amazing, though, and Amazon should be pushing it with their most lavishly-made originals. At least it was the last noitaminA show they’ll get to totally bury.

And, finally, the one you all saw coming.

BEST OF THE YEAR: Lupin the 3rd Part V (10/10)

Lupin is, quite simply, one of the pinnacles of the medium. A simple idea that can (and did) go in thousands of different directions, handled by highly creative writers and an animation staff that has been knocking it out of the park for years, despite the fact that it is criminally (heh) unrecognized in the West. To put it simply, there’s a very, very good reason that it’s been around since the 70′s.

Okay! All I have left to do is finish Dragon Pilot (waiting on a friend) and we can get the last two lists out of the way! We’re almost done...

[waterlinkedgirl]

Shinteni ch. 262-264 liveblog

In which I basically half (3/4) translate the chapter and half (1/4) point out the things I like. There are maybe slightly easier to follow if you have the scans by hand, which *are* in fact online by now (just do a jp search for jump square issue 6 ^^) I def plan on making this a thing btw! So without further ado, let’s get to it! (quick note before we start, I abbreviate Oswald Delon’s name as Os, so don’t get confused!) Long post below the cut.

I'm amused that Momo goes 'whoa he can even duplicate himself more than Eiji-senpai' esp since we had an another story ova with... slightly more duplications syjsrthstgstgh but that's not conform the manga, so it's cool

I feel this reminds me of a certain kamehameha meme. So if you haven’t guessed these are actually dolls and the mastermind is--

I’m laughing, Os did this in a certain Houkago too. OK SO THE QUESTION IS did Konomi make the houkago canon, or did he communicate the future developments to the houkago person

'hurry up and go clear the field of those dolls' you go, referee France is so deliciously extra

Yanagi's nose has power today

I still remain this is a very cool panel, like, man, look at that perspective. It’s interesting, because you don’t expect the ‘where did he go?!’ (above) trope to apply to tennis, yet here we are, hehe.

MUKAHI FEELS OFFENDED BY THE JUMP BTW (or impressed, but the latter is funnier)

so Sanada immediately uses rai on the shot Os put perfectly on the baseline, Os immediately knows to use the underside of the racket, however Sanada also immediately pulls one dragon strike that'sa  lot of head-on, hahaha Sanada has balls! (and makes a pun on them echoing the technique Os used earlier) Whereas Os... Uh, good luck srtjhsrtgshrtfg it's kind of cute how Os mangles his jp but Sanada also, in hiragana, addresses him as ‘ojaaru’ when you’d expect him to use the proper name instead of the nickname.

I've kind of missed that smirk

it's fun how Momo and Eiji get shown twice to be amazed and point, basically confirming Os as the acrobatic rascal player.

’Increasingly-More-Net no jutsu’ (thx, Holy ^^) Os what are you-- don't give me that 'With that the opponent will become aware of the net being higher than usual and make the ball go out,' random spectator, you don't. You don't get to put another net on the court xD

Sanada says he’s seen enough of this farce and Double Black Dragon strikes the ball in to make it 6-4 for Japan. Yukimura has a note in, saying that the opponent might be able to make full use of his various expressions of his ninjutsu tennis, but that with the current Sanada, finally after a long time put in singles again, none of them will work.

It’s never a good sign when the chapter title ‘ Revival of the Emperor’ drops immediately on the second page of the chapter, when Sanada’s ahead with 5-0.

ah, Os seems to have a breakdown about having practiced ninjutsu for (I presume) the past 12 years (either that or since he was 12 .-. I'm fuzzy) but saying it's impossible after all for a foreigner like himself to become a ninja To which Sanada tell him to pick up his racket-- and he tells him that “The act of dropping your blade before the battle is finished is against the bushido code!! In that, it does not matter whether you’re a foreigner or not.”

I feel like the sentence Os throws him in thanks could be interpreted as a pun by Konomi on Os’ nickname but my translation skills/ninspeak are insufficient to really trace it >.>

Tanegashima says that Sanada’s patience has really grown stronger. By only being chosen to play doubles, he's faced his own tennis head-on and reached an answer. When it comes to heart, body, and technique, if you combine them, he’ll lose to no-one.

After a tight rally, Sanada’s shot goes out, (while Os’ heart is racing like, ‘that was dangerous...!’) and the score is revealed to be 1-5 for France-- Os has taken a game. It’s Sanada’s serving game, and he’s serving for the match. (the note at the bottom of the panel explains that this is basically when you only have to keep your service game in order to win)

Oswald says in true shounen protagonist fashion) that for his grandma in the village, he’ll hit any number of shots back de ojaru (”But I thought ninjas always ended their sentences with de gozaru??” yes.)

But Sanada’s serve, of all things, goes out! Sanada tells himself he’s put too much power in, and yet, his serves keep going out and out, until it’s 2-5 France. Marui says he's never seen Sanada miss so many serves in a row before.

I agree, Yukimura.

--When we have a scene with Sanada correctly identifying the thing on Os’ racket being an elusive 290 gr Southern style Iron Paperweight Doll, to which it is Yanagi’s turn to nerd out;

“While not at all an expensive object, it’s a hard to obtain thing because of its popularity during its peak-- It’s what we too have always looked for”

Os is gracious and has two! So he says he’ll give one to him as a present de ojaru, Sanada accepts gratefully.

To which France tells us that it has finally started. Os’ scary style of tennis isn’t at all those flashy ninjutsu, but--

The ‘Gosha (lit. 5 vehicles) no jutsu’

Ohmagari recognizes it, and says this match might become dangerous after all.

(he’s grown up so fast ;v;)

Os returns the double Dragon Strike (on his own!)

(meanwhile, Yukimura is beautiful--) Kirihara yells that he must really be a ninja to be able to get to it, to which Yukimura responds with “No... There is doubt in Sanada’s shots.” And it becomes 5 all as Sanada’s shot hits the net.

Out once more, and Sanada rams his racket into the court in anger;

Kaidoh comes in with “what happened to ‘ishiki goryou, kannin juuryou’?” which extremely loosely means (Opinions are worth five, patience ten) that it’s important to listen to other people, but also to endure your anger and be patient (which... Sanada does not seem to be doing)

So we finally get the explanation for the ‘gosha no jutsu’ from Ohmagari; “It’s a most scary psychological skill with which you can cleverly control the opponent’s emotions; his feelings and heart.”

Translation by @imperfekti! “‘Kisha’ creates an opening by praising and flattering the opponent. ‘Dosha’ creates an opening by angering the opponent and making them lose their composure. ‘Aisha’ creates an opening by showing the opponent a piteous appearance and conduct, inviting sympathy. ‘Rakusha’ creates an opening by gifting them with something that attracts the opponent’s interest and using that weak point.” Kite: “…Oh? Isn’t one still missing, Oomagari-senpai…?” Osval: “Even though you fought and lost to Echizen-kun once… Isn’t it hard being S2 after him?” Oomagari: “And the most scary one is ‘Kyousha’… By conveying the realities the opponent doesn’t want to experience, and their worst predictions, breaking their fighting spirit.”

Yukimura’s hair is simultaneously too straight and too messy, haha.

The French themselves reveal that mr. PariColle was done in by ‘Rakusha,’ that even the prince fell happily to ‘Kisha,’ Jonathan himself to ‘Aisha’ thanks to that story about that fawn, and Edgard explains that ‘Dosha’ made him lose his temper and caused him to show an opening. Os makes a shot, and Sanada doesn’t reach for it at all. Camus, I presume, says that “He took all of them. It’s pitiful but this match...”

Unpredictable, like the shadow.

Sanada hits it back, in the lines. Os is unable to react.

Byoudouin makes a mental monologue about how Sanada was finally chosen for singles. And that, in order to defeat his opponent on the same battlefield, he had his blade drawn on the jutsu from the beginning. He was just pretending.

“It's the end. I will show you the philosophy of my tennis!”

Sanada was very cool in these chapters, haha! I was a bit worried that the match might be played for mostly comedic relief, as his opponent is literally a weeaboo, but I feel it’s good that Konomi used Oswald’s endearing appeal this way. Truly, the horrors of comedy tennis. (or at least, something that runs on the same principles, except a bit more detailed.) I’m not too sure how to feel about Sanada only pretending to have his balls go out, but I feel it should be a sign of Sanada having a good look at his own style of tennis. By simply not being affected, he could have nullified Oswald’s psychological game... but perhaps, he’d have shifted the battlefield to one more advantageous to him, and we know that Sanada dislikes to throw away a head-on battle. Even if, in this case, it causes him to be as dishonest as his opponent.

[makeste]

BnHA Chapter 275: YAAAAY but Also AHHHHH

Previously on BnHA: Endeavor was all “I’M FIGHTING TOMURA AND YOU CAN’T STOP ME” and set everything on fire. Unlike SOME people, however, it turns out fire is NOT Tomura’s weakness, so he basically just shrugged it off. But before things could progress any further, AFO was all “psst, go get One for All” and Tomura was all “? One for All?” and Endeavor was all “?? One for All?” and Deku and Kacchan, who were listening in on their earpieces, were all “!!!” Having thus realized that Tomura was targeting him, Deku sped off to lead him somewhere away from the civilians... accompanied by his good friend Bakugou “274 chapters of character development have all been leading up to this” Katsuki. Because like hell are you going to have an EPIC BATTLE with the FINAL VILLAIN without him, you damn nerd. Who’s he going to heroically sacrifice himself for if you’re not there?? Hahh!?

Today on BnHA: Deku and Kacchan fly off to battle Tomura after confusing Endeavor into giving them his location (which wasn’t very hard lmao). En route, Deku finally thinks to ask Kacchan why he’s tagging along, and Kacchan is all “DON’T GET ME WRONG, IT’S JUST BECAUSE I WANT REVENGE ON TOMURA, AND DEFINITELY NOT BECAUSE I CARE ABOUT YOU AT ALL, HOW DARE YOU, WHY WOULD YOU EVEN SAY THAT”, which is super convincing and didn’t make me roll my eyes at all. Anyways so then Tomura shows up and is all “EYO TIME TO KILL YOU NOW” and Deku and Kacchan are all “OH SFFKDFK”, but fortunately Gran shows up to save them in the nick of time, because BnHA is literally the only shounen manga in which grown-ups will see kids trying to lead a battle and be like “lol wtf” and actually try to stop that shit instead of being all “what are your orders, children.” The chapter then ends with the heroes doing EXACTLY WHAT THEY SHOULD BE DOING??Namely, having the guy who can TURN OFF QUIRKS battle the guy with the ultimate death quirk! I’m so proud. But also I swear to god, if Tomura so much as breathes suspiciously in his direction...!! What the fuck. HORIKOSHI.

y’all what in the fresh hell is this bs

not yet there isn’t son but if you keep trolling like this I can give your nervous system something to actually be nervous about

anyway. this was his comment from last week’s issue of Jump, and I have absolutely no idea what it’s referring to, is the fun part! did he cry because of something he was working on in a chapter that’s coming up? or is he just tired from a combination of stressful mangaka schedule + 2020 in general?? or hell, for all I know he just recently watched Titanic or some shit

(ETA: KILLING AIZAWA SHOUTA WOULDN’T MAKE SOMEONE CRY OUT OF JOY, THOUGH. RIGHT?!)

anyways I guess it’s time to read and see if I feel like sadly happily crying for two hours afterward

-- oh shit I just realized there are two scanlations out for this?? one from readjump.com, and one from readheroacademia.com. lol now what. uhhh

lulzes. I guess I’ll go with RHA for now and keep checking back to RJ after each page and I’ll go with whichever translation I liked better

LADIES AND GENTLEMEN, OUR MILLENNIAL VILLAIN

or would he actually be gen z. he was already in his twenties when this manga started like six years ago, so I’m going with millennial. but on the cusp though I guess. anyway, he plays video games though is the point

and I see he’s already decided to contradict me and my inane speculations not two panels in! I GUESS I AM JUST A FOOL. that’s really interesting though. I wonder if it’s just Monoma’s quirk that doesn’t take the accumulated “save data” from the people he copies from, then? guh. how many of my AFO/OFA theory notes do I have to scrap now

and there’s a little quirk blurb about Search, which is fairly useless given that we already know how it works (actually in even greater detail than shown here), but at least it comes with a cute little picture of Ragdoll in her hero costume, to make us all sad and stuff

so anyways Tomura who are you looking at?? this was a topic of some contention last week! also why were you only seeing nine people then. Ragdoll had seen everyone in 1-A along with Aizawa and her fellow Pussycats at a minimum, so is this confirmation that Tora and Mandalay and Pixie-Bob are all really dead then, because I CAN AND WILL HUNT DOWN A MAN AND MAKE HIM CRY FOR A GOOD DEAL LONGER THAN TWO HOURS IF THAT’S REALLY THE CASE. was Kouta not traumatized enough already?? LET’S JUST ORPHAN HIM AGAIN WHY NOT THAT’S A GOOD PLAN

(ETA: I really hate that we are still up in the air regarding this? and I mean, sure, why not, we only had like a dozen lady heroes to begin with, so why not just kill off two more of them, offscreen, in one fell swoop??)

WHAT IS A SHAME. TOMURA. DAMN IT

(ETA: ??)

-- well hello there

OR MAYBE I WAS NOT A FOOL AT ALL?? lol guys. please do not tell me my hobo husband is flying his vengeful ass over to where Tomura all heedless of the danger because I really do not need that just yet. CAN MY FAVORITE CHARACTERS PLEASE FUCKING TAKE TURNS BEING IN TERRIBLE DANGER INSTEAD OF ALL AT ONCE

sob we’re cutting back to Endeavor and Deku and Kacchan. ACTUALLY THAT’S GOOD THOUGH why am I complaining. I’m just gonna have to get used to the fact that no one is going to truly be safe for the next god knows however many chapters, and make my peace with that. hahaha. yeah right

lmao Deku. “HEY WHAT’S UP, ME AND MY FELLOW CHILD HERE ARE GONNA LURE SHIGARAKI TOWARDS US, BUT WE’LL EXPLAIN OUR REASONS FOR THAT LATER. IF YOU SEE HIM MAKING ANY SUDDEN MOVEMENTS PLEASE INFORM US SO AS TO AID US IN THIS PLAN.” Endeavor if you just go along with this I will lose so much respect for you lmao

lol he is trying to argue a bit but then he’s suddenly cutting off. so in hindsight I don’t know why I said “lol”, really. I’M JUST NERVOUS OKAY

btw in the other translation Deku straight up asks if Endeavor can redirect Tomura towards them. “sure no problem bucko, let me just tell the walking apocalypse exactly where he can find you, my two sixteen-year-old interns whose safety I am responsible for. I was just thinking to myself that I hadn’t had my fill of crazy ill-thought-out plans with a high risk of death today”

holy --

okay I have not the SLIGHTEST clue what’s going on here, even after analyzing both scans, except that someone, probably Tomura, either just went CRONCH or just GOT cronched just now lmao. let us read on to find out who was cronched and who did the cronching

the rest of this page is not really much more helpful

but I am becoming increasingly suspicious that those were in fact Tomura’s new, improved and ridiculously thicc legs doing the cronching as he did a Marvel Superhero Landing from the most RIDICULOUS ANGLE POSSIBLE

LMAO NOW WHAT

so he just cronched onto the ground and fooshed Endeavor and then went flying off again huh

LMAO AT EVERYTHINNNNNG

THANK YOU ENJI. HE’LL LURE HIM AWAY. lols WHY THE FUCK DID YOU TELL THEM WHICH WAY HE WAS HEADED YOU BOOB

he really just fucking hung up on him afterwards too. just, “got it thanks amigo just leave everything to me, [CLICK]”

OH MY GOD

BECAUSE WE CAN’T HAVE ANYONE ELSE CONVENIENTLY INTERFERING WHEN YOU HAVE YOUR LITTLE THROWDOWN OF DESTINY HUH. THAT WOULD JUST BE TERRIBLE

-- oh shit

that’s just. a SLIGHT change in meaning, there. silly me. thinking “get rid of them” meant “get rid of their communications as opposed to FUCKING KILLING THE ONE YOU’RE NOT ACTUALLY AFTER. hmm. well that’s not good

(ETA: never have I been so happy that a translation was wrong lmao.)

so now Endeavor’s shouting at everyone else that Tomura is heading southwest and that he has “SUPER REGENARTION” (sic) and is no longer THE SAME THUG HE WAS BEFORE and yeah RHA you have officially won me over, flaws and all. listen up boyos. this ain’t your granddaddy’s Shigaraki Tomura. this one regenars

also “that damn kid...” like why the hell did my son have to go and befriend two protagonists. why is this my life now

AHAHAHAHA

“MIDORIYA IS IN DANGER...!!” STORY OF THIS MANGA. AHAHA. KACCHAN HE’S COMING. HE’S COMING, KACCHAN. for you two. someone please help me I am both terrified and thrilled beyond all recognition and my body doesn’t know how to handle the conflicting emotions. honestly crying for two hours is starting to sound more and more appealing

oh my god I forgot they didn’t know, though

fff. Kacchan especially didn’t know, because unlike Deku he doesn’t have random bits of other people’s souls going “heyyyyyyy... transcendent being at 12 o’clock.” what has this kid so bravely and stupidly gone and gotten himself into

look at them go

damn Deku can you really not float yet?? that’s going to be really inconvenient if that’s the case

(ETA: my boy really would have just straight up died. he would have died so hard.)

OH MY GOD

NOW YOU WANT TO ASK HIM LMAOOOO. well it’s because of all the character development!! if you must know

THAT’S NOT AN ANSWER BLASTY MCANGERTY

you’re not as smooth as you think you are, you know. we all know why you actually followed him. but fine, be that way

okay so now he’s giving a real-er answer though

“understand the situation”, the situation being that your best friend and his secret-trump-card-in-the-battle-against-evil quirk were being targeted by the guy who just obliterated this entire city. got it. you put it quite succinctly

and Deku is all

and Kacchan is all

love how he throws that protagonist crack in there too. because we all know that Deku absolutely is the protagonist lol, and so if that part’s obviously not true, we can make some inferences about the rest of what he’s saying too now can’t we

ohhhhhhhhhhhhhhhhhhhh snap

YOU SURE DO!! and he does with you too!! :) it’s gonna be one big happy reunion! :) :) :) oh gosh golly

OH NO KATSUKI WHAT ARE YOU DOING

what are you doing to me, I should clarify. please be considerate of my feelings. you can’t just DUMP sudden Kacchan Kamino Angst on me without any warning, you have to let me know in advance so that I can buy some thank you cards

THERE’S MOREEEEE???

YOU REMEMBER TOO, DON’T YOU DEKU. HE WAS ALL CRYING AND STUFF. IT WAS A LOT. IT’S POSSIBLE THAT I HAVE NEVER PERSONALLY GOTTEN OVER IT

AND IT LOOKS LIKE HE NEVER QUITE GOT OVER IT EITHER

:’)

by the way in the other translation he says “I’ll make up for what I did that day.” so yeah. BOOM. right to the heart. shot of me collapsing to the ground in slow motion

but it’s interesting though that he still can’t admit to having selfless motives yet! even after everything he’s been through and all his character growth! he’s still all GET RID OF THE REFERENCES TO ME CARING ABOUT YOU, WE CAN’T LET PEOPLE KNOW WE HAVE FEELINGS

but even his Kamino feels are notably first and foremost about him feeling responsible for failing All Might. so yeah, buddy. where does that leave you? even your feeble excuses are still rooted in selflessness, JUST GIVE IN AND ADMIT YOU’VE BEEN SECRETLY GIVING A SHIT BEHIND EVERYONE’S BACK. and honestly he might be better off at this point if he didn’t! BUT HE DOES. and that’s that

anyways Deku I sure hope you and your big hero brain can see right through this nonsense

god. you’re both in so much danger though, do you even have any idea?! of course you fucking don’t. god

HELLO BAKUGOU NARRATION!?!

well that’s one hell of a rare sight!! all fresh and chock full of shrewd observations about his best rival’s current skillset. ah what a time we’re living in

ooooh

gonna hold off commentary until I read the next part of this lol

OOOOOH

goddamn. Horikoshi really went off this week. just a whole chapter’s worth of Stuff Makeste Really Likes, goddamn is it my birthday or what

so do you guys think he’ll be able to keep pace all the way up to 100%? I can see this part being interpreted in two totally different ways if I’m being honest. on the one hand we have the more pessimistic (some would say realistic) view that Bakugou is desperately trying to convince himself that he’s still on the same level as the rival he so desperately wants to surpass, but with the sinking feeling that he’s actually not going to be able to keep up for much longer. and then on the other side of the coin we have the more glass-half-full perspective that he actually is capable of keeping up with him right to the bitter end. that even as Deku grows stronger, he’ll continue to push himself and use that as motivation to keep getting stronger too. that Deku isn’t out of reach; that his goal isn’t out of reach

and I’m not completely sure which way this is leaning myself! I personally would like to lean more towards the second interpretation, because y’all know I love me some rivals. and also because imo one of the most commendable things about Bakugou’s development has been how he hasn’t once been envious of Deku’s strength or of his position as All Might’s chosen heir since he learned about OFA. he hasn’t once shown any kind of resentment towards him for it, or doubted whether or not he deserves it. and as minor a detail as that may seem to some people, I cherish it. and I don’t want that to change! but I guess we shall see

so now we’re getting the clearest shot we’ve had yet of the new AFO holes in Tomura’s palms as he gets ready to combine some more quirks. also! more information about the quirks he has and is using! fucking thank you, where was this last week

so “radio waves” is clearly going to be used here to disrupt the heroes’ communication, which is a shame for them, but I’d be lying if I said I wasn’t relieved given the alternative! the RJ translation is clearly just a hot mess lol. but I still adore that one “I’ll make up for what I did” line though

WOW

THE DISRESPECT. LOL DID YOU JUST FUCKING KILL HIS ASS

(ETA: I just realized he’s nowhere to be found after this, though, so... did he?? or is he now lying somewhere now all wounded and waiting to be found by one, or, dare I say, two of his sons? ...)

LKDFJLSDKGHOSIDGHOISDflkwejfdfsdklggdflgnfdlgndakgalkgldfdfkwlfwiowelKLDSGKSL:DKGJL:DKFM?G?SGSDLKG?SDFSDF??LKJ@L!

HOLY SHIT HOLY SHIT HOLY SHIT HOLY SHIT HOLY SHIT HOLY SHIT

HOLY SHIT HOLY SHIT HOLY SHIT HOLY SHIT

even if you ask him nicely??! somehow I just can’t help feeling that he probably shouldn’t oblige you, though!?!?!

anyways. THAT AIN’T SAFE. and what the hell is happening in that bottom left corner ahhhhhh

AHHHHHHH

GRAN DM ME YOUR ADDRESS I WANT TO SEND YOU SOME FLOWERS AND A BASKET OF FRUIT AND CRACKERS AND SOME LITTLE CHEESES AND SAUSAGES

jesus christ it completely slipped my mind that there was one other person currently in the vicinity who knows about OFA. my good sir, maybe you would like to introduce these two dunderfucks to the concept of a “plan.” and maybe you can also find the single shared braincell they apparently dropped and lost somewhere back there in all the city rubble

oh fuck me

(ETA: does Kacchan look so rattled here because he is being lectured, or because he just saw a vision of his own death and is now having it explained to him just how close he came to being decomposed. you decide! I’ll just sit here and bask in the angst.)

fuck. main character gods were really working overtime here. anyways so how are you all doing this fine Friday afternoon. me, I’m just sitting here wrangling with the knowledge that Tomura’s quirk is even deadlier than I realized, and that my two little boys came within inches of dying horrible deaths just now. but anyways it’s not as humid today as it was yesterday so that’s really nice

anyways so now Gran is continuing to lecture the mayor of Dumb Ideas Town here, along with his friend the deputy mayor who still thinks he outranks the actual mayor

SHH NOW AND LISTEN TO YOUR GRANDPA

-- ohhhh shit son are they mounting a counterattack?? don’t tell me!!

also is Gran seriously faster than Tomura. that makes no fucking sense, and yet these two are only alive now because of it so I’M SURE NOT GONNA QUESTION IT

YESSSSSSSSSSSSSSSSSSSSSS

AND IS AIZAWA ON HER BACK THOUGH???

AHAHHAHAHAHAHA

AH, BUT IT AIN’T GONNA WORK THOUGH, IS IT!!! AHAHAHA YESSSSSS

excellent question sir. the short answer is “they’re idiots”, and the long answer is just a longer version of “they’re idiots” but with some more complicated BakuDeku feels mixed in. I’ll tell you all about it if you just promise me that you’ll actually live through this, all right?

“is he after the two of them?” listen boy if you don’t finally put two and two together after this I’m gonna be fucking beside myself lol. (though honestly, Deku and Kacchan have been targeted by the League so many other times already that he might just simply accept “yeah they’re after them again” without any further explanation)

my dear gentlefolk would you fucking look at how the lord has blessed us on this day

Aizawa Fucking Shouta and the motherfucking dramatic intro to end all dramatic intros. finally this man gets his moment

someone please teach me how to cast a force field. teach me how to reach into the manga and slap this man and tell him to stop talking about how everyone’s noble sacrifices to protect him and his eraser quirk have led him to this day and to this one encounter. my guy. my fucking dude. THERE HAD BETTER BE SUBSEQUENT ENCOUNTERS AFTER THIS

NOOOOOOOOOOOO

ISN’T HE THOUGH??? Tomura I love you sweetie but you better BACK THE FUCK. OFF

well FINE THEN! BE THAT WAY. it’s not like my life revolves around you and your stupid manga anyway!! it’s not like I’m obsessed with it or anything!! I have other hobbies!! well I actually do have other hobbies, so that doesn’t really work as sarcasm, so let’s see though. maybe something more like, “this isn’t by far my favorite out of all my hobbies!!” I don’t spend 80-90% of my free time on any given day either actively or passively daydreaming about this series and writing essays in my head and reading fanfic and scrolling through art on tumblr!! etc.!! whatever!! enjoy your break!! have fun living your life!!

please don’t kill Aizawa

[banndsand]

If there’s one thing I’ve learned

it’s that I can’t manage to stick to one hobby for long. So why not just make a variety blog?

Today’s theme:

Anime

Or more specifically, fall 2018 anime. What’s been good? What’s been meh? What’s been just awful? (Just kidding we don’t talk about that last one.)

Run with the Wind

I knew this would be near the top of my list in the first few minutes of the first episode. When Haiji asks “Hashiru no suki ka?” and Unison Square Garden takes it away... I just, oof. I knew I’d watch this one to the end.

But for those not immediately sucked in by the first 2 minutes, what the heck is it?

Run with the Wind is a show about a rag-tag group of college guys who have been gathered together in a mad attempt to run the Hakone Ekiden, a big ol’ relay marathon type race in Japan which afaik is a Big Deal TM. These dudes generally have little experience running, so it seems ludicrous that they could accomplish such a feat, but that’s honestly not what matters.

Like running itself, it’s every step you take along the way that matters, not the finish line. These are good boys (plus one very good dog) who are just doing their best to improve. Skepticism gives way to hope as you see these boys progress and come together as a team. There are of course challenges along the way, clashing of ideas, and even rivals and potentially some big dramatic twists. That last part I just figure is coming based on what I’ve seen so far.

Of course the show also looks great. The style reminds me a lot of Haikyuu which I super enjoyed (it’s actually the show that got me into sports anime)! Sometimes you can tell CG models are used, such as when there are just way too many runners on-screen at once, but tbh they look fine. CG has come a long way and the technique is used pretty sparingly in this show.

The characters are great. Everyone’s got motivations for taking part (or not taking part) in this race. They’ve all got their own personalities and struggles in this, and you can probably find yourself in at least one of them at some point in the show.

So yeah, Run with the Wind. I highly recommend it.

Next up...

That Time I Got Reincarnated as a Slime

Oh no, another isekai?! Oh yes, another isekai!

Lately I’ve been giving a lot of isekai shows a chance and have been pleasantly surprised on numerous occasions. I quite enjoyed Overlord, though I came close to dropping it a few times. I found How Not to Summon a Demon Lord uh... fun, if only in the way where you can just turn your brain off and try to laugh at the ridiculous fanservice. These shows where the protagonist is OP as heck have regained some freshness after the likes of Konosuba and Re;Zero have redefined the genre by turning it on its head.

You may be asking yourself “so what’s this got to do with Slime show?”

Yes, yes, I’m getting to that.

In That Time I Got Reincarnated as a Slime, the titular Slime character (who I will refer to as Slime-san) used to be a regular human, until he went and died. His dying words were used to generate his new form in a new world. But people say weird stuff when they’re dying, don’t they? Oh yes.

Slime-san us the result of some borked interpretations of regular, if slightly odd, statements. Making far-flung interpretations is the kind of thing that I love to do just as a mental exercise, and is thus a great start. This was probably the lure that brought me to the hook.

Awoken in this new world, Slime-san does what any person in a strange world would do, they interact with their environment in the only way they can, by absorbing stuff in their slime body. This leads to the character combining more weird stuff together to get weird results in ways that take me back to the days of Kirby 64, where combining abilities was amazing and novel. Oh yes, this hook looks tasty.

And of course, the art style is great. Even in a cave, with a character who is for all intents and purposes just a soft orb of slime, this show looks great! Every episode I am again floored by the wonderful art style and animation bringing this world to life.

And you know what’s the best part?

For the first month or so of watching, there were almost no boobs in the show at all!

Now, don’t get me wrong, I have no problem with boobs, but in this day and age of isekai shows that are more fanservice and self-insertion than anything, I am so freaking ready to have a break from the squishier parts of female characters. We have our squishy main character, Slime-san, so why should we need anything more?

(Of course there are some more fanservicey characters and scenes later on, but it feels a lot more manageable and not just forced on the viewer from the start.)

The one flaw I hear often for this show is that the main character is overpowered, so it gets boring after a while. I can see how folks would come to this conclusion when reading the manga, but when watching the anime week after week, it feels like there is still enough tension and/or uncertainty for things not to get stale, especially when you take into account the show’s other redeeming factors. ...Plus I’ve seen plenty of shounen series go on forever with undefeatable main characters (I won’t point any fingers) so I’m not really sure what people are expecting.

All in all, if you feel you might get tired of that kind of thing, then it might be worth skipping That Time I Got Reincarnated as a Slime, but I honestly feel like the show has so many redeeming qualities that I just can’t seem to get tired of it. I look forward to seeing how far this series may go before that happens.

Zombie Land Saga

Hey do you like idol shows? No? Well how about giving this one a spin anyway?

Honestly, I have to watch more of this show. The main thing holding me back is the fact I like it so much that I want to share it with people, and then scheduling problems get in the way.

This show is absolutely hilarious. I don’t know if the plot will ever make sense, and I honestly don’t care. I just want to see these zombie gals try their best to make sense of this situation they’re in. And of course I want to see the manager shout. I just need more of manager man’s shouting in my life. I don’t know why.

The characters are funny and endearing, all exceptionally cute waifu material, and they’ve all got their own background (i.e. previous life) to grapple with before they can really shine as idols. Their goofy antics as a group make for some really crazy shows, which is refreshingly different from (as far as I know) just a bunch of CG idol girls jumping around in fancy costumes for 4 minutes per episode.

So just give it a look. If you aren’t into it after an episode or two, that’s fair. But otherwise it is way too easy to overlook this crazy rollercoaster ride of a show.

Anyway

this post is getting obscenely long, I’m gonna wrap things up and say to go check out these shows. I think when the season ends I’ll try to put together a more cohesive overview of the season’s anime. I’ve got a few ideas.

Of course I also want to hear what y’all have been watching in the comments below. I am always down to check out any shows I may have overlooked! That’s usually how I find my favourites. So don’t be shy!

[snk-furbies]

I thought Eren's birthday would be a good time to post my thoughts on Eren that I've been meaning to post ever since I first got into SNK around a year ago, but that came and went so this is a little late. But anyway...

Back when the first anime season was what everyone was talking about I of course heard of SNK as well, but was never interested in watching it myself. One article I read on it had something about how the story moves away from the typical shounen fare where the dumbass hotheaded protagonist saves the day with his passion and willpower, and instead portrays Eren's attitude in a more negative light and requires him to rely on his more level-headed friends just to survive, let alone achieve anything. But what I got from this was just that it's yet another dumb and reckless shounen protagonist, I've already seen enough of those so no thanks. Seeing audience comments of Eren being a constantly angry brat who does nothing but scream about revenge didn't help either. 

However once I finally read the manga properly years later it turned out that Eren's character became my favourite thing about the whole series. Part of that is because of the aforementioned treatment of typical shounen tropes which makes for an interesting change from what I'm used to seeing, but also because of I didn't find Eren that dumb or impulsive to begin with. Though do note that I'm comparing him to shounen heroes I'm familiar with, and being smarter and more sensitive than Luffy is not exactly a high bar to clear, but then again what else would I measure him up against if not my past experiences with other media in a similar category.

One thing that stuck out to me pretty early about Eren was how the unexpected amount of humility. Sure in the early series he is pretty confident in his ability to kill titans, but that doesn't last very far. For example when he fails at the 3dmg balance test at the beginning of his training he doesn't throw a temper tantrum at the shock of not being as amazing as he imagined or for being bested by his perceived rivals, but instead is worried for his future and asks for advice from his peers who had laughed at him earlier. 

But most importantly I really like Eren's attitude towards his superiors. For starters we don't get stuff like this (read right to left):

Instead Eren gets pushed around pretty harshly, but we don't really see him disrespect those above him, or even think unkind thoughts thoughts about them to himself or talk trash about them when they're out of earshot like Mikasa. Even when Oluo is repeatedly outright rude towards him we never see Eren think any less of him. Or when Levi talks very dismissively about how Eren should figure out the situation himself in the forest in the Female Titan arc instead of getting offended Eren's first reaction is "I see, I don't get it because I'm new and he wants me to use this as a learning opportunity". I remember that a big moment for me getting into SNK was when I realised that Eren uses polite language when talking to his superiors even when he normally speaks like what you'd expect from a hotheaded shounen protagonist. Overall I find that he's quite a disciplined soldier and can follow orders just fine, and we don't have to suffer through plot points where the overly emotional protagonist ruins a plan and jumps into action where he doesn't belong because he just couldn't control his feelings (to the point that we do get a plot point where his team dies specifically because he chose to follow the plan and not his own instincts). And when he does oppose his superiors in the serumbowl it's an entirely different kind of situation.

Then there's the topic of intelligence, and even there I don't think Eren's quite the short sighted muscle brain I expected him to be. There are plenty of scenes where he identifies his situation or at least tries to come up with some kind of plan through the story, for example how he killed two of the kidnappers as a child, how he understood what was up with the trial and didn't hold a grudge towards Levi for the assault or how he tries to think of how to deal with being captured by Reiner and Bertolt. Or when the army sees his titan transformation as a threat in Trost he plans to use his titan power to "somehow" escape and get to his basement (which isn't really much of a plan but we're comparing to the likes of Luffy and Naruto here), but most importantly he has a plan B, which is admitting that the first plan isn't realistic and trusting that his smarter friend is able to talk them out. Which I think is a pretty good and humble plan, especially from a supposedly dumb emotional shounen protagonist in such a dire situation (plus it's a great moment with him and Armin).

However I may be completely off the mark with my interpretation when it comes to what Isayama had in mind when writing Eren's intelligence since the databook gives him only 3 out of 10 for wits, which is the same as Connie "forgot why he went to the bathroom" Springer (and lower than Sasha's 5). Also the fact that Isayama seems to often talk pretty dismissively about Eren and asked the anime team to make him dumber doesn't help... Usually I think it's best not to argue against the author, but in this case I think I'll call Death of the Author; regardless of how you interpret "wits" I don't think manga Eren should have a value that low.

None of this is trying to suggest that Eren is not at all hotheaded or somewhat dense though. He repeatedly starts fistfights in the dining hall, is the only one unable to understand Hitch's feelings for Marlowe and (at least according to my interpretation) has no idea what is really going on with him and Mikasa's relationship, and as a kid one of the first things we see him do is believe the bullies are afraid of him when in reality it's Mikasa they fear. In the beginning of the series he has a very naive black and white worldview, and when it's challenged he has trouble adapting to it. But specifically the fact that he is impulsive and not the smartest guy out there is what I like so much about him; I really like seeing a shounen hero like that who isn't defined just by these traits and who the story doesn't let get away with his recklessness and stupidity. I'm used to free spirited power fantasy shounen protagonists being allowed to do whatever they want regardless of rank or social norms, or alternatively being the meek and insecure underdog on their way to become less meek and insecure, but I can't remember reading any other series where the hotheaded hero doesn't get his way just with passion and willpower alone, and instead has to follow a lot of rules and behave himself. For example Fullmetal Alchemist also has a quick-tempered teen in an army, but it has a completely different tone, and in it Ed can disrespect his superiors as much as he wants and the quirky officers just laugh it off.

I've seen other people write about how Eren would very much like to be your typical shounen protagonist, but to his misfortune he's stuck in a series which doesn't allow it. Which I find very accurate, and indeed when put into a less serious story like Spoof on Titan or the Jr High spin off Eren becomes a lot more annoying in my eyes: in them he's often reduced to being the loud dumbass who needs other characters to babysit him to get anything done. Now that I think of it, the Jr High Eren is pretty much what I thought I was going to get from the main series.

Finally, the above is based on the pre-timeskip Eren. As for 19-year-old Eren I really like how Isayama has allowed him to grow up from being reckless and dense, and the change feels like a believable evolution from the stuff he has gone through. While what he has done has been shall we say questionable, I love how composed and totally in control of his emotions he has been and how he has managed to pull off an undercover mission like this, and I can't wait for Isayama finally feeling like revealing what's really up with him.