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#we raise our hands
ran-orimoto · 2 months
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Olympics have reminded me in Italy we call our gymnasts (female sector) Fate, which means “Fairies”. Izumi, you would be such a good gymnast for our country in another life.
But no, let’s make her a model. She could have still become a gymnast in Japan, but nope better making her a model and giving the male mc a sportive goal (I like Takuya as a football player but you know…)
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inkskinned · 1 year
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you were raised in comparison.
it wasn't always obvious (well. except for the times that it was), but you internalized it young. you had to eat what you didn't like, other people are going hungry, and you should be grateful. you had to suck it up and walk on the twisted ankle, it wasn't broken, you were just being a baby. you were never actually suffering, people obviously had it worse than you did.
you had a roof over your head - imagine! with the way you behaved, with how you talked back to your parents? you're lucky they didn't kick you out on your ass. they had friends who had to deal with that. hell, you have friends who had to deal with that. and how dare you imply your father isn't there for you - just because he doesn't ever actually talk to you and just because he's completely emotionally checked out of your life doesn't mean you're not fucking lucky. think about your cousins, who don't even get to speak to their dad. so what if yours has a mean streak; is aggressive and rude. at least you have a father to be rude to you.
you really think you're hurting? you were raised in a home! you had access to clean water! you never so much as came close to experiencing a real problem. sure, okay. you have this "mental illness" thing, but teenagers are always depressed, right. it's a phase, you'll move on with your life.
what do you mean you feel burnt out at work. what do you mean you mean you never "formed healthy coping mechanisms?" we raised you better than that. you were supposed to just shoulder through things. to hold yourself to high expectations. "burning out" is for people with real jobs and real stress. burnout is for people who have sick kids and people who have high-paying jobs and people who are actually experiencing something difficult. recently you almost cried because you couldn't find your fucking car keys. you just have lost your sense of gratitude, and honestly, we're kind of hurt. we tell you we love you, isn't that enough? if you want us to stick around, you need to be better about proving it. you need to shut up about how your mental health is ruined.
it could be worse! what if you were actually experiencing executive dysfunction. if you were really actually sick, would you even be able to look at things on the internet about it? you just spend too much time on webMD. you just like to freak yourself out and feel like you belong to something. you just like playing the victim. this is always how you have been - you've always been so fucking dramatic. you have no idea how good you have it - you're too fucking sensitive.
you were like, maybe too good of a kid. unwilling to make a real fuss. and the whole time - the little points, the little validations - they went unnoticed. it isn't that you were looking for love, specifically - more like you'd just wanted any one person to actually listen. that was all you'd really need. you just needed to be witnessed. it wasn't that you couldn't withstand the burden, but you did want to know that anyone was watching. these days, you are so accustomed to the idea of comparison - you don't even think you belong in your own communities. someone always fits better than you do. you're always the outlier. they made these places safe, and then you go in, and you are just not... quite the same way that would actually-fit.
you watch the little white ocean of your numbness lap at your ankles. the tide has been coming in for a while, you need to do something about it. what you want to do is take a nap. what you want to do is develop some kind of time machine - it's not like you want your life to stop, not completely, but it would really nice if you could just get everything to freeze, just for a little while, just until you're finished resting. but at least you're not the worst you've been. at least you have anything. you're so fucking lucky. do you have any concept of the amount of global suffering?
a little ant dies at the side of your kitchen sink. you look at its strange chitinous body and think - if you could just somehow convince yourself it is enough, it will finally be enough and you can be happy. no changes will have to be made. you just need to remember what you could lose. what is still precious to you.
you can't stop staring at the ant. you could be an ant instead of a person, that is how lucky you are. it's just - you didn't know the name of the ant, did you. it's just - ants spend their whole life working, and never complain. never pull the car over to weep.
it's just - when it died, it curled up into a tight little ball.
something kind of uncomfortable: you do that when you sleep.
#writeblr#warm up#my dad was actively doing bad shit to us and we STILL were told we were lucky . and to a point i do think im lucky#i just think also there's somethin to be said about like. how about we stop using comparison to dismiss ppls individual struggles#yes there are people who have no perspective. for the reference tho having perspective actually made me really unwilling to get help#for what was a serious and debilitating mental health issue. bc i thought i didnt DESERVE IT#and i would rather have 600 ppl who aren't THAT bad get help and get heard and get seen#than make any 1 kid. do the math that i did: look at the world that is dying and the people who are hurting and say#''oh. okay. others have it worse. they are probably better people than i am. i am being unreasonable. i cannot ask for help#i am not good. i am taking too much space. i am not worth saving.''#bc our WHOLE lives we are taught a scarcity mindset - that you can 'steal' from someone. so that instead of changing a system that doesn't#actually offer fair support to everyone#we put the impetus on the individual to just... demand less.#and here's something - there are probably ppl who think i DIDNT deserve to get help#bc i DID have it better than other people#and something about that is ... so sickening. bc i think all of us in some way at some point WILL need help.#we were supposed to make communities. we were supposed to offer our hands. we were supposed to raise the barn#instead we said: it could be worse. now handle it yourself
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hg-aneh · 2 years
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I think it was about time I introduced tumblr to my book Crowley... who eventually became a walking love letter to Latino culture lmao
(You can think of him as a Book Crowley who spent way too much time in south america)
Language wise, he's an amalgamation of all latin american spanish dialects (+pt-br) so,, have fun translating some of the things he's saying
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greencarnation · 10 months
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I went to an Ilan Pappé talk yesterdays - I really recommend his books if you've not checked them out already. He's arguably one of the worlds leading experts on Zionism and the "Israel"-Palestine conflict, so obviously everything he said was great, but what I want to highlight:
Someone asked him if he thought the protests and petitions and calling you reps and shit would work, and he said no, it never will. It's still important to do that but the powerful will never surrender their power to the powerless just because they ask for it. Asking the UK and the US to cut ties with their imperial outpost in the Middle East is like asking an animal to gnaw off it's own limb - it won't do it unless its only other choice is dying completely.
So who does have the power to put a stop to this, we asked. The working class of the imperial core. That's us, and we are the most powerful people in the world right now, because this war machine can't function without us. Movements like this can only be built from the ground up, so stop looking to the government and start looking to your community. We need to make it more unprofitable to support Israel than it is to cut ties with it.
This is a call to action. The people HAVE the power, and we have to use it. Yes, that's you. Contact your trade union, your workplace, your school, your church, your university. Your friends, family, any connections you have. As many people on board as possible, with one goal: shut it down. Take direct action now.
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dan and phil are like jesus in that they’re dramatic ass fruity men in their 30s always going like “i am making this SACRIFICE for THE PEOPLE” and everyone is like “no one asked you to do this in fact we’d all rather you just did not do this” and they’re like “IT IS TOO LATE NOW YOU HAVE TO LIVE WITH THE CONSEQUENCES THIS IS WHAT YOU WANTED” and we’re like “no no we didn’t want this actually and you made this decision with your whole ass adult brain you truly could have just not done this and we’d all be better off for it but now we all have to suffer because YOU refuse to say no to shit” and i think that’s ridiculous stupid annoying awful beautiful
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faaun · 2 months
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we sang in the aeroplane over the sea tgth ☆
#27% circle line with a lovely friend of mine rail tracks screeching etc etc u know the usual. im just gonna write down memories#a few weeks ago my friend read thus spoke zarathustra by the fire to the music she was dancing it was her silhouette#against the flashlight lit up gold and royal blues and tiger's silk i tried not to fall in love with her. in bordeaux we searched#for pomegranates he sent her 300 quid by the beach she cut it open with a knife her hand covered in red we each had a taste of her work#sweet red wet the sweetest grit. too barely clothed to go into the cliffside church they painted my eyes we painted hers#8 shots of gin she screamed joyfully IT'S ALIVE! at the book she said become the child i said i feel like a monster she said i was insane#i tried to believe her. fortified wine and later a red pen crossword defiled by humidity her hair in my hands two king sized beds#pushed next to each other she took her top off she told us to watch her arms raised up the musculature on her back was precise cut from#marble we saw oceans we saw the birds take cold baths the midnight sun over a wasp-infested pool our chemicals in their bodies#gold flakes dark skin gold cross shoulders against mine drawing some form of each other on the train i didn't hesitate#to say her eyes were beautiful over and over monks at the soapshop with titanium credit cards i loved you like i loved no other#he tied his hair up and walked us into the river he held a bullet between his lips i never held his hand he said what an honour#you own too much capital your mother thinks i'm a natural i realised i haven't told my mother i loved her in years she's always been mother#never mom i'll watch you watch seaweeds this is terminal akrasia i'll feel your fingers smear perfume on my lips your girlfriend grins#bite into the straw take the shot hold my hand get it all wrong draw in the sand kiss him right stab through leather shower in chlorine#you're the determinable vicissitude is all yours we won the Game AND the Battle AND the War i'm proud of you like crazy we feed each other#saffron cliffside lovers well-fallen brothers fat cats blue windows southwest sun ALife SynBio design aXAA grow us a city in silico#we've grown to the ends of glee fire-jumper ocean-eater sure-footed lists on lists hands on eyelids не устану искать тебя#...anyway ive put my face on this blog b4 but hiii again#feel free to rb btw the rants r not personal
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necromancy-savant · 5 months
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Tumblr is like a medieval manuscript the way people spell penis in such different and creative ways
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sergle · 1 year
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I love telling Hugo, a dog who I raised and whose surroundings I control, that he's a City Boy for being confused as hell on a farm
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laceratedlamiaceae · 2 years
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Izzy & Stede & Swords
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sailermoon · 8 months
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this is how it felt in my seminar
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twotales · 22 days
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Can people stop saying gen alpha is awful? my kid is four years old ffs and the oldest ones are fourteen - so maybe we could idk stop blaming them? - Because they're like, and I know this is a crazy concept, but they are CHILDREN
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ikemenomegas · 2 years
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Omega!Gojo Satoru x Alpha!Reader
I believe we are fated to do the things we choose anyway*
gege akutami is the kind of mangaka who makes fun of almost all their characters. with utmost affection, gojo deserves to be bullied a bit. we love that he's a little heartless, a little frivolous, that he's powerful as a fact, that he cares a little bit strangely, so doing him a bit of justice, here's the mirror to Getou's youth story
tw: canon character death, spoilers for the manga, gojo's emotional constipation and egotism
Toji Zenin cut so many threads the day he arrived on the Tokyo school grounds, but the one between you and Satoru survived. It's already a miracle that Riko was the only one who died that day. The miracle of surviving should have been enough, but now you've lived long enough to find out how much you could love someone too. You get to see how afraid someone is of loving you. Gojo Satoru had one friend. Gojo Satoru had one mate. That was it, that was all he could let himself have.
Springtime Tokyo is still cold. Not as cold as up north in the mountains, but the winter uniforms are blessedly warm. An assistant manager drops you off at Tokyo Jujutsu Technical School on a milky March morning where you are met by Yaga-sensei, the first year teacher.
This teacher has some kind of idea about building community, which is why he's clustered the four of you first-years in the same building, around a loud blue-eyed boy who barely takes one look at you, squinting around a pair of blackout sunglasses, at your purposeful non-expression, before he is grinning, far too wide and it feels like he gets even louder, movements expansive to pull you into the range of an argument he's having with a tall slim boy with long hair tied at the back of his head.
Yaga-sensei just shakes his head and introduces you to Ieri Shoko, who is physically leaning away from the noise as if to escape some blast radius and has the most distant smile you've ever seen in your life on her face.
It's unsettling is what it is. The dark haired boy is just rolling his eyes at the one who had somehow both dismissed you and pulled you into his orbit. The automatic response is to try and get that attention back, but you have at least a little more self respect than that. You climb the stairs to take a room on the same floor to Shoko-san's and leave them to their snipping. You don't see Gojo fall silent for half a second before carrying on bickering, Yaga now stepping in to separate them.
School hasn't quite started yet. It's a boarding school so everyone is just around, getting the lay of the school, setting up their rooms, exploring Tokyo, running into one another and trying to figure out how their pieces fit together.
Satoru has already sorted you all into neat little piles of adjectives
Polite: the boy with the long dark hair, Getou Suguru, although this doesn't necessarily mean nice he notes gleefully. Self righteous and reactive, as in he can be baited into a no holds barred fight, which is new for him. He hasn't been able to fight someone who could hold their ground for more than a minute since he was thirteen. Subversively irreverent.
Morbid: the shortie with the short hair, Shoko Ieri. She discovered her abilities somewhere and even Satoru has to admit some of the diagrams she pulls up are admirably disgusting. Neutral. Satoru has never met someone else who sticks so close to their own whims before but she isn't like anything he expected, dismissive, meandering, goading. And she can't explain how she does what she does, which is aggravating because he can't do it.
And you, the new one. The last to arrive. Fresh meat. Quiet, wary.
You catch him not following you, but showing up near where you are a little too frequently to feel coincidental while you're making a point to meet the upperclassmen. He adds opportunistic and watchful to the list when he notices you do this, but some of the older students seem to find it vaguely endearing - the clan ones like a small animal they can toss treats, the recruited students who aren't trying to suck up to the clan kids with the cautious familiarity of greeting another outsider.
He tries tossing you a treat, granting you some offhanded attention in the common space of what is now the first years' block. Suguru laughs at him when you mostly look confused and apologetically tell him you've never seen either of the movies he wants to debate before refilling your water bottle and wandering back out onto the school grounds with your umbrella.
School starts regardless with some tentative unspoken agreement between the four of you to try and be friends, or at least classmates. There is after all, no one else to be friends with.
Class is boring, so Satoru watches his classmates. Where Shoko is passive and watchful and Satoru is staring into the air, you're openly attentive and Suguru more casually mirrors your attention. Which makes him want to call you another boring small-town bumpkin
Except you are in the same the advanced mechanics elective he is, and you and Shoko become animated discussing the curse anatomy lectures. Yaga takes you away to practice hand-to-hand with his dolls while he lets Satoru and Suguru pummel each other, which makes him think you must be too fragile to handle the two of them. Most people are, so he doesn't think much on it.
Satoru sometimes goes out alone to train when he can't sleep. He lashes out at the wooden dummies on the practice field, ducking under wooden arms and lashing out to see sections of it spin faster. On one of these nights, a week or two into the first year, he sees you standing outside the track, leaning on a railing, face buried in a thick scarf. He's aware of your vague attention, watching him without any particular interest, like how one might watch water sliding under a bridge, but when he sneaks a glance around the practice dummy, you're just as often more fixated on the sky. The moon is full and you're watching the clouds chase across the deep blue expanse, listening to Gojo Satoru's knuckles impacting on wood. And then at some point, he looks over and you're gone, your weird cursed energy signature fading in the dark.
Satoru only sees your technique the first time a substitute makes you spar with everyone else during training while Yaga is away. Apparently the teacher is someone you know because you get into the first argument he's ever seen before you send a spear flying so fast it hits the center of a target and topples it over.
The same teacher makes you fight Satoru, to already defeated attempts at appalled refusal. He'd usually help you push back just on principle, but he hasn't gotten to go on a mission with you yet and his sometimes oppressive curiosity has settled on whether you actually can keep up with him after all.
You can't, but this is Gojo Satoru at fifteen, not fully realized, and the first time he fights you he amends how he feels about "opportunistic". He flies right at your face and swears he makes contact, but you step back at the last minute and he feels an impending impact from his left that is almost the same strength as his own attack. He tries again and you twist out of the way much faster than he had expected. He tries to throw you and you end up descending slowly to the ground, trying to get the teacher to end the bout. Eventually Satoru overwhelms you and breaks your arm when you try to block too many hits in rapid succession. Shoko fixes it, and you wince with gritted teeth and tears in your eyes but don't cry or sob or glare at him with the kind of face that is calling him names you can't say out loud. The demonstration has him, fortunately or unfortunately, folding you into the energy of your little first year group like you'd been there all along.
He's a shaman clan kid, so it's interesting to see you now as not necessarily opportunistic but curious about the other sorcerers, about other people. What a novelty, to be inconsequentially curious. If he'd been too curious as a child he would be either lectured on responsibility or nearly drowned in related gifts meant to appease his moods
You don't appease his moods and the attention of him, one of the strongest sorcerer of the generation, doesn't appease you.
Satoru tries to bait you and things go right over your head. He tries to disrupt your silent, invisible schedule and you let him drag you away with minimal fussing, especially when Shoko or Suguru is involved, but will wander to the side on outings and either find some accidental trouble or something that makes him a little surprised at the intensity of your focus.
He forces you into a combat-determined wager that demands you stop using honorifics with his name and Suguru's name and Shoko's name (without asking the other two) and there's no way for you to get out of it or win so that forces some artificial closeness that becomes real. Language is very important for creating distance, for creating hierarchy and Satoru somehow isn't interested in a hierarchy between you.
He is however far more self conscious of his omega status than Suguru is. He won't say it, but it's a relief when none of you make a big deal out of it when you find out and also a surprising comfort when you and Shoko who don't have to suffer through the literal additional headache of heats try and make them comfortable
For Satoru this involves distracting him by playing video games with him, watching movies, or tossing balls of paper at him while he tries to stop it with his technique. Mostly he's with Suguru, especially if they sync up, but Satoru doesn't have the same heat symptoms as him. During first year even though he sleeps more than he does as an adult, it's typically less than the rest of you might want. Where Suguru gets tired, Satoru will get cranky and mean because he's bored and feverish and Suguru is too tired to entertain him. His family also was never very comforting during his heats so he knows what to do as far as nesting, but having people around is new for him.
He likes to call and text you if you're on missions during these times, which is typical given his clan's sensitivity to him being around alphas at these times.
So even when you're on campus, you and Shoko only spend a few hours with him at a time. Sometimes you play games and the heat makes him almost slow enough to beat on a DS link game. Sometimes he makes you do his homework. Sometimes he likes to throw throwing things at you to see how you use your technique to deal with it.
He adds "sentimental" to the list of adjectives when he realizes he can so easily pressure you in these times into revealing more of yourself to him than you usually do. He's bored and there's only so many things to talk about before you start telling him about an encounter with one of the rare cats that will tolerate living around the cursed energy of the campus, when you grimace and tell him about a terrible noodle stand in Yamanashi province that you still crave somehow, when you tell him about saving fallen leaves in a heavy dictionary you use for that purpose, or the one time you reveal that you've kept every pair of shoes your parents bought you to wear on the first day of school. You tell him these things and it makes him feel like maybe, someday, he might want to tell you things too.
It's not soft but there's a softness to it. A genuineness in the four of you together, in Satoru's and Suguru's growing strength and self surety. Satoru tries to make himself the center of the world, because it's fact that is where he has been all along. But he's not so easily the center of your world. You didn't come from his world.
Satoru doesn't fall. He doesn't think hard about why it becomes so. He barely thinks about it all. He just knows at some point that you're one of his. You're one of his and he wants you to pay him the attention he' accustomed to as center of the world (except he doesn't maybe. He'll be able to say it one day that what he loved was you treating him like he was as human as he could be)
He's terrible at acknowledging whether this possessiveness is anything in particular. After a sparring session, you watch Shoko patch a cut on Suguru's arm with so much longing and a pang of something worms its way in Satoru's chest. He crowds in next to Suguru before Shoko's done, draping over Suguru's shoulders. You don't see the way Satoru's eyes flicker from Shoko's steady hands to your wide-eyed gaze.
He's jealous the way a child is jealous of a favorite toy, hooking his arm around your neck if any omegas outside of school talk to you in the street. If you brush him off when he's trying to use you as a tool for self-affirmation, he sulks around until you acknowledge him in some other way and he will not admit to a single soul why it matters. When he's forced to go home for holidays like oban and returns in a terrible pique, you may fight with him if he lashes out in the worst, most personal ways. You push back and talk to instead of around him or through him and you also don't realize that is why he backs off.
He realizes slowly that he has to be careful with you. He forgets sometimes that you're more fragile that Suguru, that you need help Shoko doesn't need. On what you call the "worst school trip in existence" and Shoko calls "lucky we didn't all die" and Suguru smiles and calls "well we all made it out in the end", even Satoru got injured, yet he feels invincible, like he caught a bullet and threw it back.
When Toji nearly kills him and everyone he ever cared about, he awakens with the power to keep it from happening ever again. He thinks he can carry the world for all of you, for everyone, reveling in his power. He doesn't realize that his presence, the gravity well he made in the monster class's lives, doesn't exist the same way while he's not there because he has a tendency to think everything will be easy for him to fit back into when he returns, or not to think on the fact things could change at all.
Then Suguru leaves and the center of Satoru's world, his reference point, collapses
You're there in Shinjuku the day it happens. It's getting cold again. You're there to meet Shoko. Suguru has gone missing, Satoru is... away. Again. Still. He's been absent whenever he is around anyway. The jujutsu world doesn't have the resources to devote to hunting curse users in particular so the effort to find Suguru has been halfhearted at best and even if he's on your minds, you have jobs to do still.
You're there in Shinjuku and when you don't find the person you're looking for, you find someone else, It shouldn't happen, but it does. You run into Satoru, mind reeling at Suguru's betrayal. You nearly don't see him and he nearly doesn't see you except he sees everything and he's been walking around the district like a ghost.
He appears like a ghost too, tall and pale and ridiculous eyes. You'd tried to see if the world reflected in them once, but now it's more obvious to you than ever that it's just him, nothing more and nothing less.
"Let's go back," he says, and for the first time in months, you return to the college, side by side on the train, feeling like there should be more people in the near-empty car. You get as far as you can before you get to a station that's closed where you can no longer transfer and then you get out and walk in silence.
You walk like there's another person jostling for space between you. When you get to the school, Shoko meets you at the red tori gates. When you get to the mostly empty dormitory building, now a little emptier, Satoru looks at you. And looks and looks and looks. This time, he feels like you might disappear in the pre-dawn light casting your faces in blue.
Maybe it's because he's already lost one precious thing long before he noticed it was gone that he grips your shoulders tight, so tight you almost wince, but turn into it instead, tilting your head as though, were you less careful people, you might brush your cheek against his hand. Just for a little bit of comfort, for a little familiarity.
Then Shoko makes a noise at the top of the stairs, the scuff of her foot, the tap of her palm on the banister. What a terrible day it must be if Shoko is interfering. And you step away.
Satoru doesn't go to bed. For the first time in his life he feels like he doesn't know who he is. He watches your light come on and then go off. He doesn't see you stand at the mouth of the hall leading to Suguru's room with a blanket around your shoulders until eventually you turn away and fall asleep on one of the common room couches, near to where a year of his body in the same spot had left an indent. He doesn't think about the world where you aren't here, where he never sees you again, because he can't quite fathom it.
Because even when he was gone, he never felt like he had let any of you go
It makes him feel sick to his stomach, the closeness of someone else, but it feels worse to push you away so you sit shoulder to shoulder with him some time in the morning. He pretends not to see the new dark shadows in your eyes. You sit and watch the mist burn off and pretend his warmth can hide how the world is a little colder.
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*I didn't fall in love with you. I walked into love with you, with my eyes wide open, choosing to take every step along the way. I do believe in fate and destiny, but I also believe we are only fated to do the things that we'd choose anyway. And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you ― Kiersten White, The Chaos of Stars
#gojo satoru x reader#gojo satoru#a/b/o#a/b/o dynamics#omegaverse#alpha!reader#omega!gojo#reader insert#gn#i'm sorry this is so much longer than the getou one#I changed styles to write something else and couldn't get back to the broad strokes style of the getou bit#i want to expand on both#this show is really good and the potential here is too much to resist#the quote came to mind because the six eyes user has a specific kind of fate#but the idea of fate has a lot of interesting discussion around it in between religions#jjk plays a lot with buddhist/shinto/christian imagery including the idea of a fate thread tangled between certain power centers#i was raised in a christian centered culture which has certain beliefs about predetermination that can get incredibly depressing.#fate is generally defined as a predetermined and inescapable path of action or consequences#you can't escape it no matter what choices you make#which seems glum#karma on the other hand has something more to do with tendencies - the things you do to yourself/by yourself that lead to consequence#karma is separate from fate. even if you escape the cycle of karma or samsara you cannot escape fate#little interaction with fate are common - seeking explanations of future fortune or charms to pull you in the direction you want to go#ultimately there is a tension between the human ability to act at will (karma/free will) and fate#How do you justify acting if everything is predetermined? one can trap themselves in ontologic questions about purpose and actions#there is an inevitably and circular in accepting that maybe we can't escape fate but that fate also can't escape us#our actions were always going to matter#io.omegas
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akkivee · 11 months
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i think the tl gets this across great but for full context, the saying kuukou’s using here is transliterally ‘the buddha’s face thrice over’ which is an analogy used to say that even the most gentle of people will lose their cool when repeatedly subjected to injustices
but kuukou follows this up with ‘i’ll laugh it off no matter how many times’ which is him telling us no matter what life throws at him he’ll be positive thru it all and face with a smile
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trebuchet151 · 16 days
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"Tell me why we shouldn't kill you now. The Conclave is destroyed. Everyone who attended is dead. Except for you."
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(Remain silent.)
Having some fun with screenshot redraws lately
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yellowlaboratory · 2 years
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Oh I have to send another ask to talk about more Jiara how much did you love how both times JJ dropped the treasure hunt and the trip with John B and Big John to save Kiara? Everything with Jiara was amazing this season all except no second kiss and the finale didn't have as much with them. The reunion had to be my favorite where he was asking if they hurt her in a soft voice. How are we going to get through this hiatus? I could barely wait when we had a week left.
i have literally not stopped thinking about jj consistently choosing kiara over the treasure since i watched. JJ's line in the first episode when they are looking at the painting of the burning boat - "it's about the gold, not kiara. it doesn't help us." like WHAT. it so clearly shows where his head is at and what he considers important and it makes me want to SCREAM. and in episode 9, when they are waiting to go save Big John, he was so antsy and he was so upset that everyone was literally, like, five minutes late and he needed to go but then kiara's not there and he KNOWS something is up. He goes from not waiting to wait even a second longer to delaying his whole trip by 8 hours and telling the other pogues to go on without him because he needs to save kiara. LIKE.
i do wish we got a second kiss in the finale but i think s4 is going to serve. i also LOVED the reunion on the dock scene - it's between that and the high five after they get on the plane to South America for my favorite scene.
hiatus is gonna be something for sure alkjdsfhlkasjdfhsdf but here's to hoping early renewal means early filming means early release!!!
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allthebestcowgirls · 5 months
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made him laugh so fucking hard today. he said "that was an all-timer" we r sooooo back
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