#we love a happy family <3<3< /div> Explore tagged Tumblr posts

[shima-draws]

Just got back from seeing Sonic 3 and HOOOOOOLY SHIT y’all. Oh my fucking god. OH my god. Ohhhh my g o d

[thefrsers]

Happy 10 years🍾

[chaosinterlude]

“lucifer is sadistic and mean!! he’s so serious and scary!!”

meanwhile,

he’s just a silly man who wishes for a domestic life with his partner and dog <3

[lunarharp]

Scrappiiiees i love kitchen :)

[starry-bi-sky]

mmmm musical cultivator shen yuan again. Feng Xuanlu, the Wind Song. He has this well-loved wooden pipe he inherited from is adoptive father that he uses on occasion. When the traveling day gets slow and he doesn't feel like singing, when he's stressed, when night falls and he's sitting around a fire with his troupe and they've all had a little bit to drink.

His hair is long and black, always tied up into a ponytail or a braid of some sort. When he's in camp he loosens it up until its splayed messily over his shoulder. He has crows feet around his eyes that scrunch up when he smiles. His eyes are bamboo green and his hands are rough and callused from years of plucking strings and work. He has scars on his back that he won't explain the origins of.

His voice is low and warm like a fire, it gets raspy in the mornings or when he's been humming or singing for too long. He speaks like there's sunshine dripping off his tongue. He speaks soft, he speaks and his voice takes up the entire room. He's spent over a decade hearing his praises getting sung and he still gets shy over it sometimes.

Whenever he goes into town he has to have at least three other musicians with him at all times -- not his decision of course, but the unanimous choice of his companions. Shen Yuan gathers admirers everywhere he goes, and his companions have long since learned that their dear friend and leader is completely unaware of it. So they have to beat off these suitors with sticks.

[scoriarose]

The Language of Love

If you are already convinced snakes are incapable of love, this post is not for you. But if you are open to the possibility that maybe they do, and maybe they love us too, this post explores that thought. Perhaps snakes feel it differently, perhaps they feel it the same humans do- though even humans experience love, be it platonic or romantic, differently from individual to individual. Different people also show their love in different ways as well! Yet still even with a divide between species most of us have felt love from our furry and feathered friends. Perhaps our scaly friends are also telling us they love us, we just might not understand.

When I first got my girl Scoria, if I could tell her only one thing it would be, "I love you." When I held her, I wondered if she understood how much I cared about her, and would do anything to protect her. When I pet her, I wondered if she knew how amazing I thought she was and enjoyed spending time with her.

And then I started watching livestreams of wild snakes, and how they act toward each other. (The above still is from Project Rattle Cam!) When the babies see a trusted adult, they slither all over them! How many times had my girl happily slithered all over me going no where in particular? I imagine that my finger petting her soft as a feather was probably quite similar to another snake greeting her in such a way.

Sakura is much more shy, yet wants to form a bond with me. I see it when she fights her fear to vibe with me. Sometimes she'll sit for hours at the edge of her tank nearest me, not wanting to come out, but just be near me.

Snakes like rattlesnakes and garter snakes will vibe peacefully with each other, with baby rattlesnakes sleeping near the adult rattlesnakes they trust to keep them safe.

Perhaps, when our shy snakes sits with us, facing their fears they're saying, "I'm scared, but I want to be closer with you." And maybe when our snakes slither all over us, going nowhere in particular, like their wild counterparts do with each other they're saying, "I'm so happy to see you! You're my favorite to be with!" I wonder if they could tell us one thing it would be "I love you, best friend!" And it's okay, best friend. I love you too, and already know. <3

[raihanijulie]

Eclipse' Strong Guardian!!!

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[namtanlovesfilm]

Hello!! Found your blog while scouring the internet for Anything relating to Analog Squad, which I’ve binged today. Got any other Thai drama recs by any chance? I’ve already added Burnout Syndrome and Ready Set Love onto my watch list

analog squad mentionned, yessssss!!! hi hi :) do I have other thai drama recs???? hell yeah friend let's go, you loving analog squad AND adding burnout syndrome & ready set love to your watch list tells me you have great taste so let's go 💅

I told sunset about you: literally a masterpiece from beginning to end. if you liked the character exploration of analog squad, you'll love this one! very VERY dramatic but very VERY good. my fave!

not me: literally my fave show of all times, lives rent-free in my head, changed my mind, I made it my master's thesis topic, I'm beyond obsessed with it. by the same director & with the same pairing as burnout syndrome so I recommend watching that one first to see what you're getting into, this show is so special & different than any others. you'll love it!

project s: skate our souls: the 3rd show in my holy trinity. changed my life & my outlook on my own mental health, has great actors adjacent to the ones in analog squad & ready set love (google nadao bangkok & you'll get it), and it's just the most beautiful underrated gem of all time :)

project s: side by side: same overarching show as the previous one, this one is super bittersweet & will get you in your feels in an analog squad fashion. a banger imo.

the gifted: another banger, this one is more adjacent to ready set love in terms of scope & grandeur of the moving elements needed to make this show work. it's very different & very good!

sleepless society: insomnia: idk exactly why I feel like you'd like this show, but I feel liked you'd like this show. or perhaps I'm just recommending you all of my personal faves lol. anyways super underrated show that it straight up a banger & super different. I really recommend it.

theory of love: if you're signed up for burnout syndrome & you enjoyed I told sunset about you, you'll LOVE theory of love. same pairing as not me & burnout syndrome, toxic af, dramatic like itsay, will make you question your sanity at times... legit so good. this show has haters but it'll always have me as a fan. I think you'll love it!

the revenge: legit my roman empire. no one watched this show but it's some of the best shit I've ever seen! it has some of the soul of analog squad & the social criticism of ready set love, except this show is super fucked up lol. very very good, could not recommend it more!

3 will be free: queer, messy & has some social commentary, I feel like this show would please you if you liked analog squad & added ready set love & burnout syndrome to your watch list. it feels like a show completely different from these three, but also the perfect amalgamation of all three. a cultural reset imo!

midnight motel: this one is short, dark & fucking greatly executed! same main actor as burnout syndrome, not me & theory of love (and my fave actor in general) and a great social commentary. could not recommend it more!

happy birthday: I feel like happy birthday & analog squad occupy a similar space in my heart. it's bittersweet, heartwarming & a tear-jerker all at once, and it deals with an important topic. this one is so good, and has stayed with me since I watched it years ago.

great men academy: this one is maybe tonally most similar to ready set love, but I also want you to watch it for jaylerr, who was also in analog squad, and whom I love dearly. he's excellent in this role.

in family we trust: same thing as gma, this also has jaylerr & I am indeed trying to make you a jaylerr stan with this rec list lol. this is so good, mysterious, has good social commentary, amazing acting, & will keep you on your toes. on top of making you a jaylerr stan, of course.

xxx

[rinisdrawing]

memories that stick with us (and to the fridge)

[keibea]

her name is fiorella and i lubs her very much goodbye

[homeforclones]

The true context of the “I’m not THEM” quote from the Season 3 trailer

Omega, Crosshair, and Tech have all escaped and they’re at the store waiting for Hunter and the rest to pick them up. Tech is off trying to find some new glasses.

Omega: Can we get this Mantell Mix? Please?

Crosshair: No.

Omega: The others would have gotten me Mantell Mix

Crosshair: WELL I’M NOT THEM

And then Hunter and the gang come and get them and they’re a family again and we don’t have to see them get hurt anymore.

[whaliiwatching]

Hey, my cat is getting put to sleep tomorrow and your noirpunk fic has been helping me process this and is very comforting so thank you a million times for it, I hope you have a fantastic week

fuck, dude, i’m so sorry. i lost my cat a while ago too. it’s awful and i still miss her.

i’m glad my writing could help a little. couldn’t finish this today, but here’s a sketch based on a fic idea i’ve been cooking for a bit. i hope it makes you smile. take care of yourself <3

[vancalox]

hiiiiiiiiiiiiiiiiiiiiiiiiiiii merry christmas love u all <3

[kimjunnoodle]

WE GOT THE KEYS TO THE BEACH HOUSE BABY

[moregraceful]

EVERYBODY SHUT UP!!!!!! PAT SIELOFF IS PREGNANT!!!!!

1. Birthday cake from Sierra and Kelly; 2. Gritty soft serve ice cream cup; 3. Sign for Erik Johnson's 1k celebration; 4. Jersey Devil Christmas tree ornament.