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felassan · 7 months ago

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Dragon Age: The Veilguard info compilation Post 2

[Link to Part 1]

Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user’s post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a ‘info that came out in snippets from articles and social media posts’ collection rather than a 'regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal’ post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this.

Character Creation

It is the best CC BioWare has ever made in a game [source]

The faction we choose will determine who we as protagonist Rook were before they were recruited to put a stop to Solas [source]

Certain conversation options are only available to Rooks of certain factions. For example, Grey Wardens get conversation options that are focused on the Blight, as they know more about it from other people. It also impacts how people talk to Rook (reactivity from characters and then faction reactivity from plots relating to that faction) [source]

Faction choice affects a lot of things [source]

There aren't unique missions (I think this means like the playable Origins in DA:O), but faction choice does set the course for Rook for the rest of the game [source]

"body customization and morphing. From more muscular characters, to curvier builds, and just about any shape you want to give your character, there are all sorts of toggles to adjust so you can give them any figure you want". "There's even features that let you choose proportions, so you can alter their height, give them wider shoulders, and much more" [source]

There are makeup options [source]

There are tattoo options [source]

The hair uses a "Strand system" to "make them behave and move in a believable way for the different races" [source]. (Fel note/speculation: I think "race" here refers to irl, as opposed to like human vs qunari or something, as the language they are using for human/elf/dwarf/qunari is "Lineage")

There are 4 voices to choose from for Rook: two feminine and tow masculine (one American, one British for each) [source]

In CC, 'Lineage' is the game's parlance for race i.e. human, elf, dwarf, qunari [source]

We can pick Rook's name, but the dialogue calls them 'Rook' [source]

In CC we can "make a few key decisions that will impact how The Veilguard begins" [source]

"I really do think its our most feature-ful character creator ever." [source]

Story and lore

In the opening segment of the game (see more on the story's opening moments here), we're too late and Solas' ritual worsens, so Rook and the companions go to stop him. When travelling to the next location (Arlathan Forest) in the chase after Solas, the characters travel through an eluvian [source]. The Forest is where his ritual is taking place. Varric then asks the player if he should confront Solas, and players then work to take down the surrounding statues in order to stop the ritual. "I won’t spoil what happens next, but I’ll just say the player and Veilguard have a tall task ahead of them if they want to save Thedas." [source]

Four of the 6 faction options for Rook (Mourn Watch, Lords of Fortune, Veil Jumpers, Shadow Dragons) are "rooted in northern Thedas" [source]

There aren't unique missions (I think this means like the playable Origins in DA:O), but faction choice does set the course for Rook for the rest of the game [source]

A line of dialogue Dorian had at the Winter Palace in DA:I about what Tevinter is like informed the devs' approach to bringing to life the setting of Tevinter: ""There's a line in Dragon Age Inquisition that we always like to call back to," Epler says. "Dorian goes to the Winter Palace, which, up to that point, is probably the most impressive thing you've seen [as the Inquisitor], and [he] says something like, 'Oh, this is cute.' And we had to ask, what does it look like? What is Tevinter if Dorian sees that [the Winter Palace] and thinks that?"" [source]

The fact that Minrathous used to be the land of the elves was factored into the location's design. John Epler: "You can see the architecture has changed. It's become a lot more elven focused. And something that we've kind of hinted at, but we've never really shown explicitly, is the idea that Tevinter is built on the bones of the ancient elven empire. Tevinter itself, Minrathous itself, all the magic you see, that's just a pale imitation of what the elves are capable of. So you'll start to see as you get deeper into the game, the elves, for example, worked Lyrium into their building materials. Tevinter can't quite figure out how to do that. So instead, you'll see more gold and gems, kind of imitating it, but not ever quite approaching what the elves are able to do, and really creating that continuity of the space. Obviously, Solas isn't too thrilled that this world is the way it is, because he lived in a time of miracles and magic, and even the most magical place in Thedas isn't magic like the elven people used to be able to do" [source]

At the end of the opening portion of the game there is a "jaw-dropping title card cliffhanger" [source]

On the opening sequence: ""One of the things we wanted to do with this game is make the prolog feel like the final mission of a different game," John Epler says. "We really needed to get the stakes, the spectacle, right off the bat. Obviously, players who had been waiting to confront Solas have been waiting for just this moment."" [source]

Each companion has their own storyline that runs parallel to the main story [source]

You cannot succeed without the companions. Each of them has a reason why they need to be part of your party, why they need to help you stop the end of the world [source]

All 7 companions are recruited in the game's first act [source]

The firey demon looking guys shown near the start of the Gameplay Reveal are Rage Demons. Demons in general got a revamp in this game "to more closely align their look", this can be seen with the shades and the Pride demons as well. "they’re creatures of emotion so they have a spectral nervous system look" [source]

The Pride demon the group fight at the Solas face-off in the Gameplay Reveal video "was more a direct tie to Solas than anything else, but it didn't escape us how much it echoed the beginning of DA:I". they wanted to show the stakes and the scale of Solas' power [source]

Characters, companions, romance

Harding was one of the earliest characters that the devs wanted to bring into DA4, because she was such a fan favorite. She is this game's 'traditional returning' character [source]

Each character's romance flavor or style is different. They don't want every character for the romance to feel the same. They want everyone to have their own flavor that's appropriate to them as a character [source] [two]

"We found as we were building a story, more than ever before, it's a story about the people around you; a story about building this team, and working with them." [source]

Each companion has their own storyline that runs parallel to the main story [source]

You cannot succeed without the companions. Each of them has a reason why they need to be part of your party, why they need to help you stop the end of the world [source]

All companions are pansexual (specifically pansexual, not playersexual) [source]

Their pansexuality may come through in what we learn about their backstories [source]

No companion romance is race-locked [source]

Companions reference their past experiences or partners, and they reference who they'll become romantic with. [source]

If you don't romance a character, they may find a different partner for themselves. This could be within the companion roster itself or outside of it in the broader world. [source] For example, if the player does not romance Harding, she may get together with Taash [source]

The game is rated M [source]

The game contains nudity [source]

We can start flirting with the companions pretty early [source]

All 7 companions are recruited in the game's first act [source]

It is not until later parts of the game that you really commit to romance and things get pretty spicy [source]

The nudity, spicy things etc is more towards the end of the game [source]

The devs want the companions to be relatable and fully realized. So things get spicy, but in a more relatable way for people than e.g. some of the more shocking and comical scenes of this nature in Baldur's Gate 3 [source]

How sexually explicit the scenes are varies between characters. Some are more spicy than others. They have diverse personalities like in real life. "Some of them are more physical, more aggressive, and some of them are more... we have a gentleman necromancer [Emmrich], for instance, that is more intimate and sensual." [source] "some characters may be a little more steamy while some characters maybe a little bit more innocent" [source]

The romance and relationship system is more fleshed out than in previous BioWare games. A character's romance will be better woven into their personal story arc and into their involvement in the core questline of the game [source]

"BioWare has also worked to ensure that getting to know your characters as friends feels just as satisfying - and that just because you're not banging your buddy, their (platonic) relationship with you will still continue." ""One of the things we tried to do with The Veilguard is it's not just romantic relationship building," Epler continued. "You need to get to know a person before you can really build that kind of relationship with them, and if you choose not to build a [romantic] relationship, we never want to feel like you're being cut off. There's no 'okay, well, their arc isn't progressing, I'm done'." We want to make sure the non-romantic relationships are deep as well, with friendships not just for companions and yourself, but also between companions across the party."" [source]

GDL reprises his role as Solas [source]

Gameplay, presentation, performance etc

The game has a photo mode [source]

Combat is fast-paced [source]

If you pause the game using the ability wheel you can scan enemies to learn more information about them [source]

Each of the 3 main classes is distinguished by how it generates and spends energy for abilities [source]

Each of the 3 subclasses for each 3 main class promise to offer some meaningful distinctions from each other [source]

for this, rogues have momentum. You build momentum by attacking, by dodging, by parrying, and you lose it by being hit, so there's really a focus with rogues on avoiding damage, avoiding attacks. They build momentum quickly, but they lose it quickly. Warriors have rage, which they build a little bit more slowly, but they don't lose [source]

Attacks can be cancelled [source]

Regarding enemy weaknesses, some of these are elemental. In other cases their defenses are more vulnerable to specific types of abilities [source]

Combat seems to be a matter of managing our abilities as best we can to whittle down enemy defenses and take advantage of their weaknesses [source]

Over the course of the game we get access to three abilities per companion as well as an additional two abilities we can slot, and an additional ability that coms off of items that the devs will not talk about for now [source]

Fully offline single player, no EA account linking, no micro-transactions [source]

The game uses advanced rendering tech in Frostbite, nice subsurface scattering, high quality meshes, while having a striking pseudo-painterly look [source]

There are blood spatters in the game [source]

Production values on the game have gone through the roof. It looks like a big improvement on what came before [source]

On the music: "lots of foreboding tunes mixed with epic flair" [source]

Good voice acting, great facial animations, good hair tech, busy-looking environments and worlds [source]

It's not open world. "There are open areas you can explore around in, but it's mostly structured/mission based, sort of like Mass Effect." [source]

There are difficulty options [source]

They will talk about PC spec stuff at a later time [source]

There is probably an option to see damage numbers [source]

There are many reasons why the game is M-rated [source]

There are lots of abilities, with 3 swapped in on the wheel at any one time [source]

There are a bunch of accessibility options and they will talk about these soon [source]

The ability wheel gives you flexibility to enhance your playstyle. If you don't want to use it at all, you don't have to and that's no issue as shortcuts are available [source]

[☕ found this post or blog interesting or useful? my ko-fi is here if you feel inclined. thank you 🙏]

#dragon age: the veilguard #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #long post #longpost #solas #lgbtq #mass effect #pls remember if you are following me you should be 18+ ^^

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skydaemon · 9 months ago

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Okay I’m awake again and something that really stood out to me with TSC was how different jean and neil are as protagonists. I expected they would be, but the thing I really noticed was how distinct their reactions were.

So, these books are HEAVY. There are many many traumatic events and the characters spend a lot of time in high-stress situations. Even when they’re not being attacked or threatened or XYZ, they’re often in a state of heightened physiological arousal (their sympathetic nervous system is going haywire). As a psychologist, the thing I find really interesting is that we see very different reactions that are all aligned with different adrenal responses, and I wanted to talk about it.

As a baseline, when your sympathetic nervous system is activated, you typically experience what some psychologists call the four Fs. Fight, flight, freeze, and/or fawn (some people use another word here but I don’t like it and think it’s less accurate to the situation). These can occur simultaneously or alone. And of the four characters who are most showing this response are the ones who are consistently in the highest stress situations, but who are also traumatised in such a way that even when they’re not actively in danger their sympathetic nervous system is overreactive and heightened.

So first off, we have Neil. He’s pretty clearly shown to have two responses: flight and fight. For his entire childhood, he’s been fleeing from danger and in the earlier parts of AFTG, we see this response - he tries to run as far as he can possibly get from anything that might be a risk. As a side point, this is pretty clearly a learned response from his mother. As Neil begins to feel more secure and his flight response is impeded (he can’t run away) we see the emergence of his other primary adrenal response - fight. I don’t feel like I need to explain this one, tbh, we’ve all seen how he runs his mouth. Fight is also typically shown when you believe you can defeat whatever’s threatening you, so I love what this says about how his confidence develops across the trilogy.

Then you have Andrew. He’s not a POV protagonist but I feel like his response might be the most obvious. His primary responses are fight and freeze (Andrew Minyard runs from/fawns for no man). Fight is pretty obvious - he’s a very violent person - but I feel like the most clear example of this is stopping Riko from attacking Neil. Andrew is obviously wired and his instinctive response is to protect. I love that for him. His other primary response, unfortunately, is freeze. Based on the most obvious time we see it (during Drake's attack), this is probably a response he developed as a child, before he felt strong/safe enough to fight back. God, these books make me sad sometimes.

Next is Kevin. He has a slightly more varied response - i can see the argument for him freezing, although i wouldnt say it's a primary response - but his main two responses are fight and fawn. Fight isn't necessarily literal, btw - the most obvious example is covering his tattoo. His fawn response is slightly more expanded on in TSC (mild spoilers if you haven't read that yet) when we see him responding to Riko's attack by begging first Riko and then Jean to intercede and stop the violence. he's trying to appeal to their affection for him, which is absolutely heartbreaking. Kevin i love you.

And finally, we have Jean, whose primary responses are only really made clear in TSC, although they are backed up by his appearances in the trilogy - freeze and fawn. We see freezing in Jean's response to sympathetic nervous system arousal, often from hearing about or recalling upsetting events/information. He closes in on himself and becomes unresponsive. Fawn is slightly more complicated, as we see it somewhat throughout AFTG. when he's loyal to riko and doing things he thinks riko will like in hopes of reducing any potential pain/threat he will experience, i'd call that fawning. an example at usc is him getting on his knees and handing coach rhemann his racket - he's not just submitting to punishment, he's trying to be helpful and well-behaved in hopes of lessening it. it's honestly a really strong response from him and it absolutely breaks my heart. jean in tsc is really struggling and i hope the last book brings him some peace. i also find it really painful that he's the only one of these boys without a fight response - he's never felt capable of winning against his abusers. i really hope the trojans and bee are able to help change that.

#tsc meta #tsc #tsc spoilers #the sunshine court #the sunshine court spoilers #aftg meta #aftg spoilers #neil josten #andrew minyard #kevin day #jean moreau #sky (the blogger) originals

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theunknownpoetandrewfoster · 4 months ago

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I want to take a minute to talk about the books that are in the therapist's office in 'The Gang Gets Analyzed'. Now, I've watched this episode at least ten times, and I never once paid much attention to them, but upon viewing it today, they finally stood out.

The first one that caught my attention was the Child Sexual Abuse book sitting atop the Lesbian Subjects one. I had to pause and rewind, and immediately I couldn't help but think they were referring to Dennis, Charlie and Dee (I've read speculation about her sexuality and it's a definite possibility as we know Glenn stated that all the characters are a little gay).

Let's look a little closer at the other titles - (I can't make out the very first one on the left, no matter how close I zoomed in), but from there we have Soul, Mind, Body, Medicine : A Complete Soul Healing SYSTEM for Optimum Health and Vitality (again, Dennis, anyone?), Psychological Research in Prisons (Mac and his daddy issues?), Power vs. Force (a book that explains how anyone can tap into their inner power to change their lives and the lives of those around them) (Again, this cries Dennis to me), Identity and Anxiety (Mac again), and finally, Listening Perspectives in Psychotherapy, a book that illustrates four distinctly different styles of listening that have emerged in psychoanalysis (Dennis and how he analyzes the other four).

I just found the titles not only interesting, but quite specific to the characters' traits.

Moving on...

Next up, on the top shelf, the first book Medicine Without Menopause felt like a dig at Dee, followed by Adult Children of Alcoholics (Dee, Dennis and Charlie), (And I Can only partially make the next one out) The Handbook of Psychiatric x (I can't make out the part in white but it sounds like something Dennis would've ingested at some point), Sex After Sixty (Frank, no doubt), and lastly Collective Behavior which the very definition of describes the gang to a t - {Excerpt from the book} Collective behavior takes many forms but generally violates societal norms. Collective behavior can be tremendously destructive, as with riots or mob violence, silly, as with fads, or anywhere in between. Collective behavior is always driven by group dynamics, encouraging people to engage in acts they might consider unthinkable under typical social circumstances.

Then we have the other books that are standing - The Human Animal (Charlie and possibly Frank), Adult Bipolar Disorders (Dennis, Mac?), When Life Becomes Precious (a book about taking care of a loved one with a terminal illness i.e. in reference to Charlie's Mom Has Cancer?), Woman Heal Thyself (another dig at Dee), and lastly, How to Live Well on a Shoestring Budget (Frank and Charlie).

This screenshot was taken in the last few minutes of the ep, and look! A new book has been added to the pile - Childhood Socialization. I don't know why I found that one to feel like it was calling out Charlie specifically, but could quite possibly refer to them all as well.

I feel like all of these titles weren't just mere happenstance and that someone picked these out to represent the gang as a whole or individually.

Either way, just thought there were a lot of interesting choices in the mold. Thank you for listening to my ted talk regarding the Gang Gets Analyzed.

#iasip #dennis reynolds #mac mcdonald #dee reynolds #charlie kelly #frank reynolds #the gang gets analyzed

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luimagines · 2 months ago

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Modern Dance (1800 Follower Raffle)

Our second place winner was @mickleloaf!!

They asked for a somewhat continuation of The Chain Hanging out in Modern! Reader's House, in which they find the music/Just Dance. Which you can read the "first part" right here.

You don't have to read it to get this one though.

Masterlist

Content under the cut!

“Alright boys.” You called their attention when the sun had already set and the movies had run their courses. After the Lion King, you had put on Pirates of the Caribbean and Kung Fu Panda- which probably wasn’t the best idea because now the boys were taking turns punching and kicking each other in an effort to replicate the movie. “We’re going to change the pace a bit.”

“By doing what?” Wind held a pillow threateningly over Sky’s head. The poor boy had fallen asleep a while ago and was dead to the world for all anyone knew. You had no idea how he managed to sleep through the chaos but everybody has a skill.

“We’re going to dance.” You grinned and turned on the video game console. “I’ve been meaning to introduce you to all our music, but there’s too many genres to choose from and you all have way too much energy for this time of night. We’re going to burn it all off.”

Many of the boys had settled down, watching in fascination as you turned on the systems and switched the controls. They all sat up a little straighter when the colors of the game turned on. It took a controlled effort to get them to step away form the screen instead of shoving their faces up to the characters.

You scrolled through aimlessly and picked an easy level to begin with.

“Rancher, Captain?” You asked sweetly. “Can you help move some of the furniture out of the way? I’m going to put multiplayer mode. We can have up to four at a time.”

“Meaning?” Wild chipped in, helping the other boys push the couch and the tables out of the way.

“Whoever dances the best or most like the person on the screen, wins.” You say gleefully. And maybe just a tad hint of evil.

These boys were competitive. You were to see them at each other's throats… metaphorically. …Mostly.

After giving a few more orders to clear the space, you stepped aside and selected the song. With a gleam in your eyes, you pointed at Wind, Wild and Hyrule. “You three versus me. Come on.”

Wind jumped front and center without hesitation, Hyrule walking forward with a curious tilt to his head. Wild was the only one who was hesitant to step up to the “platform”, so to speak. It made you calm down a little bit and smile softly. “Relax. It’s not magic. Everything you see will stay there. Just like the stories I put on earlier.”

“Do we even get an example?” Hyrule tilts his head.

“What do you think you are?” You giggle and start the song.

At once the lights flashed and the music started. Having already played this song a number of times, you knew the beats by heart and continued the routine without missing a strike or a pause. The other boys… were less coordinated. …But that’s you being generous.

You think Wind might have smacked Warrior by accident at some point in the attempt to do the moves, but you blame the Captain. He shouldn’t have been that close then.

You win the round. Perfect score. 100%, unsurprisingly.

“I want to go again.” Wild growls. “That’s not fair. You didn’t explain what we were supposed to do properly.”

“I’m next.” Legend raised his hand. “I actually did a dance battle before.”

“No. That means you wait.” Four shoved him playfully. “Give the rest of us a chance to make a fool out of ourselves before you dominate.

You laugh and turn to Time. “Do you want to try, Old Man?”

He grins before shaking his head. “These old bones of mine aren’t as spry as they used to be. I’m content to watch.”

“If you say so.” You shrug, already thinking of ways to wear him down just so he could dance to at least one song.

You step out so that other boys can step in and have a turn. Warrior, Four, Wild and Twilight take the next round. You tried to find another easy song that they would be able to follow without much difficulty, but here is where their competitiveness came through.

Wild tried to trip up Warrior. Twilight pulled on Wild’s hair. Warrior ‘nudged’ Twilight straight into the couch and Four won the round by blaming the hits that he dealt straight onto the other boys.

In an effort to save your house from burning down prematurely, you switched them all out and danced the next round with Wind, Legend and Hyrule.

No one wanted to wake up Sky.

You picked a harder song, if only to trip up Legend. But you should have known better. Not only did he already admit to doing a dance battle before, he already had two rounds to watch and observe what not to do and what to do to get points.

He would have almost won if you didn’t know about the bonus points for hitting the striking pose on the right beat.

“WHAT!!” He screamed. “How did you get double the points!?!?”

“You have to hit it with enough passion.” You teased and kept dancing.

It was the needed points for you to win the round, but goodness, did he give you a run for your money.

Switching out again, you began to work and tease and wear down Time to get him to dance.

It didn’t work.

Within the hour the boys started to fall asleep one by one. The others with the energy to do so helped move them to a bed roll and away from the dance floor so they wouldn’t be trampled on once the wrestling started. Because wrestling would start. That was not an if, but a when.

Time actually went down after Twilight did. Between those two and Sky, the other boys were way more hyped and loaded with sugar that they still needed to work off.

You played for three hours.

The only one that lasted the longest was Four and even then, you were willing to bet he could have kept going if you weren’t ready to fall over and pass out yourself. You groaned and turned off your console. “I’m going to pay tomorrow.”

“Why?”

“I haven’t moved like that in a long time.” You steal the couch and throw your legs over Sky. You’d doubt he’d mind. “I moved muscles that hadn't been moved since I was last home… I can feel them yelling at me.”

Four chuckled and also got down to take the lounge chair. You envied him. He was small enough to sleep comfortably there. “You won most of the matches. I’ve never seen you swing your arms around with such reckless abandon.”

“This is my house.” You grumble. “I had to defend my title and my territory… Besides, you’re all just as, if not, more competitive than I am. There was no way any of you were going to go easy on me.”

“Fair enough.”

“Good night, Link.” You smile, allowing your guard to fall for the first time in months and finally get some needed rest.

“Good night.”

#linkeduniverse #linked universe #linked universe x reader #lu x reader #modern! reader #a bit short #but i think it's fun

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physicallyimprobable · 7 months ago

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what's the 3-dimensional number thing?

Well I'm glad you asked! For those confused, this is referring to my claim that "my favorite multiplication equation is 3 × 5 = 15 because it's the reason you can't make a three-dimensional number system" from back in this post. Now, this is gonna be a bit of a journey, so buckle up.

Part One: Numbers in Space

First of all, what do I mean by a three-dimensional number system? We say that the complex numbers are two-dimensional, and that the quaternions are four-dimensional, but what do we mean by these things? There's a few potential answers to this question, but for our purposes we'll take the following narrative:

Complex numbers can be written in the form (a+bi), where a and b are real numbers. For the variable-averse, this just means we have things like (3+6i) and (5-2i) and (-8+3i). Some amount of "units" (that is, ones), and some amount of i's.

Most people are happy to stop here and say "well, there's two numbers that you're using, so that's two dimensions, ho hum". I think that's underselling it, though, since there's something nontrivial and super cool happening here. See, each complex number has an "absolute value", which is its distance from zero. If you imagine "3+6i" to mean "three meters East and six meters North", then the distance to that point will be 6.708 meters. We say the absolute value of (3+6i), which is written like |3+6i|, is equal to 6.708. Similarly, interpreting "5-2i" to mean "five meters East and two meters South" we get that |5-2i| = 5.385.

The neat thing about this is that absolute values multiply really nicely. For example, the two numbers above multiply to give (3+6i) × (5-2i) = (27+24i) which has a length of 36.124. What's impressive is that this length is the product of our original lengths: 36.124 = 6.708 × 5.385. (Okay technically this is not true due to rounding but for the full values it is true.)

This is what we're going to say is necessary to for a number system to accurately represent a space. You need the numbers to have lengths corresponding to actual lengths in space, and you need those lengths to be "multiplicative", which just means it does the thing we just saw. (That is, when you multiply two numbers, their lengths are multiplied as well.)

There's still of course the question of what "actual lengths in space" means, but we can just use the usual Euclidean method of measurement. So, |3+6i| = √(3²+6²) and |5-2i| = √(5²+2²). This extends directly to the quaternions, which are written as (a+bi+cj+dk) for real numbers a, b, c, d. (Don't worry about what j and k mean if you don't know; it turns out not to really matter here.) The length of the quaternion 4+3i-7j+4k can be calculated like |4+3i-7j+4k| = √(4²+3²+7²+4²) = 9.486 and similarly for other points in "four-dimensional space". These are the kinds of number systems we're looking for.

[To be explicit, for those who know the words: What we are looking for is a vector algebra over the real numbers with a prescribed basis under which the Euclidean norm is multiplicative and the integer lattice forms a subring.]

Part Two: Sums of Squares

Now for something completely different. Have you ever thought about which numbers are the sum of two perfect squares? Thirteen works, for example, since 13 = 3² + 2². So does thirty-two, since 32 = 4² + 4². The squares themselves also work, since zero exists: 49 = 7² + 0². But there are some numbers, like three and six, which can't be written as a sum of two squares no matter how hard you try. (It's pretty easy to check this yourself; there aren't too many possibilities.)

Are there any patterns to which numbers are a sum of two squares and which are not? Yeah, loads. We're going to look at a particularly interesting one: Let's say a number is "S2" if it's a sum of two squares. (This thing where you just kinda invent new terminology for your situation is common in math. "S2" should be thought of as an adjective, like "orange" or "alphabetical".) Then here's the neat thing: If two numbers are S2 then their product is S2 as well.

Let's see a few small examples. We have 2 = 1² + 1², so we say that 2 is S2. Similarly 4 = 2² + 0² is S2. Then 2 × 4, that is to say, 8, should be S2 as well. Indeed, 8 = 2² + 2².

Another, slightly less trivial example. We've seen that 13 and 32 are both S2. Then their product, 416, should also be S2. Lo and behold, 416 = 20² + 4², so indeed it is S2.

How do we know this will always work? The simplest way, as long as you've already internalized the bit from Part 1 about absolute values, is to think about the norms of complex numbers. A norm is, quite simply, the square of the corresponding distance. (Okay yes it can also mean different things in other contexts, but for our purposes that's what a norm is.) The norm is written with double bars, so ‖3+6i‖ = 45 and ‖5-2i‖ = 29 and ‖4+3i-7j+4k‖ = 90.

One thing to notice is that if your starting numbers are whole numbers then the norm will also be a whole number. In fact, because of how we've defined lengths, the norm is just the sum of the squares of the real-number bits. So, any S2 number can be turned into a norm of a complex number: 13 can be written as ‖3+2i‖, 32 can be written as ‖4+4i‖, and 49 can be written as ‖7+0i‖.

The other thing to notice is that, since the absolute value is multiplicative, the norm is also multiplicative. That is to say, for example, ‖(3+6i) × (5-2i)‖ = ‖3+6i‖ × ‖5-2i‖. It's pretty simple to prove that this will work with any numbers you choose.

But lo, gaze upon what happens when we combine these two facts together! Consider the two S2 values 13 and 32 from before. Because of the first fact, we can write the product 13 × 32 in terms of norms: 13 × 32 = ‖3+2i‖ × ‖4+4i‖. So far so good. Then, using the second fact, we can pull the product into the norms: ‖3+2i‖ × ‖4+4i‖ = ‖(3+2i) × (4+4i)‖. Huzzah! Now, if we write out the multiplication as (3+2i) × (4+4i) = (4+20i), we can get a more natural looking norm equation: ‖3+2i‖ × ‖4+4i‖ = ‖4+20i‖ and finally, all we need to do is evaluate the norms to get our product! (3² + 2²) × (4² + 4²) = (4² + 20²)

The cool thing is that this works no matter what your starting numbers are. 218 = 13² + 7² and 292 = 16² + 6², so we can follow the chain to get 218 × 292 = ‖13+7i‖ × ‖16+6i‖ = ‖(13+7i) × (16+6i)‖ = ‖166+190i‖ = 166² + 190² and indeed you can check that both extremes are equal to 63,656. No matter which two S2 numbers you start with, if you know the squares that make them up, you can use this process to find squares that add to their product. That is to say, the product of two S2 numbers is S2.

Part Four: Why do we skip three?

Now we have all the ingredients we need for our cute little proof soup! First, let's hop to the quaternions and their norm. As you should hopefully remember, quaternions have four terms (some number of units, some number of i's, some number of j's, and some number of k's), so a quaternion norm will be a sum of four squares. For example, ��4+3i-7j+4k‖ = 90 means 90 = 4² + 3² + 7² + 4².

Since we referred to sums of two squares as S2, let's say the sums of four squares are S4. 90 is S4 because it can be written as we did above. Similarly, 7 is S4 because 7 = 2² + 1² + 1² + 1², and 22 is S4 because 22 = 4² + 2² + 1² + 1². We are of course still allowed to use zeros; 6 = 2² + 1² + 1² + 0² is S4, as is our friend 13 = 3² + 2² + 0² + 0².

The same fact from the S2 numbers still applies here: since 7 is S4 and 6 is S4, we know that 42 (the product of 7 and 6) is S4. Indeed, after a bit of fiddling I've found that 42 = 6² + 4² + 1² + 1². I don't need to do that fiddling, however, if I happen to be able to calculate quaternions! All I need to do is follow the chain, just like before: 7 × 6 = ‖2+i+j+k‖ × ‖2+i+j‖ = ‖(2+i+j+k) × (2+i+j)‖ = ‖2+3i+5j+2k‖ = 2² + 3² + 5² + 2². This is a different solution than the one I found earlier, but that's fine! As long as there's even one solution, 42 will be S4. Using the same logic, it should be clear that the product of any two S4 numbers is an S4 number.

Now, what goes wrong with three dimensions? Well, as you might have guessed, it has to do with S3 numbers, that is, numbers which can be written as a sum of three squares. If we had any three-dimensional number system, we'd be able to use the strategy we're now familiar with to prove that any product of S3 numbers is an S3 number. This would be fine, except, well…

3 × 5 = 15.

Why is this bad? See, 3 = 1² + 1² + 1² and 5 = 2² + 1² + 0², so both 3 and 5 are S3. However, you can check without too much trouble that 15 is not S3; no matter how hard you try, you can't write 15 as a sum of three squares.

And, well, that's it. The bucket has been kicked, the nails are in the coffin. You cannot make a three-dimensional number system with the kind of nice norm that the complex numbers and quaternions have. Even if someone comes to you excitedly, claiming to have figured it out, you can just toss them through these steps: • First, ask what the basis is. Complex numbers use 1 and i; quaternions use 1, i, j, and k. Let's say they answer with p, q, and r. • Second, ask them to multiply (p+q+r) by (2p+q). • Finally, well. If their system works, the resulting number should give you three numbers whose squares add to 15. Since that can't happen, you've shown that the norm is not actually multiplicative; their system doesn't capture the geometry of three dimensions.

#math #numbers #human interaction #this took the better part of a day to write oops #although to be fair I haven't exactly been focused #Also hi Pyro! Welcome.#that silly fast food emoji post went wild #I've gotten 30 followers just from that one post #which isn't that many in objective terms but like it's 40% of my current count so #hello everyone #I might start reblogging things again now

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aethersea · 2 months ago

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still thinking about the trump voter I talked to the other day who was like "well the democrats have had four years to fix things," as proof that clearly they weren't doing that so they weren't worth voting for. and I just. do you think the democrats are our friends? do you think they're a bunch of saints? they're politicians! where did your cynicism go, man, the whole system is corrupt and dishonest and we've always known this. the difference is in degree. the difference is in what they do BESIDES and DESPITE the corruption.

god I just. idk I think this next complaint is old as dirt but people have GOT to stop thinking about politicians as friendly folks who are on your side. miss me with that. you can get that on a local level sometimes, but on a state or federal level, you will have a few radical outliers if you're lucky. a politician is not a buddy. a politician is a person who has power over your life, and a politician is a person doing a job, and it does not and has never fucking mattered if they're someone you could hang out and shoot the shit with! that is not part of their job! that is not the part of your life they have power over! they are not your friends!

the democrats have not fixed the country bc a) there are too many forces working against that, b) fixing a country is a convoluted goddamn problem and it'd take decades, not years, and c) they don't necessarily care all that much! they're just people doing a job! they care mostly about keeping their jobs!

look, there are probably a lot of politicians who do care deeply about helping people. there are also lots of politicians who don't give a fuck, but do a great job pretending they care deeply about helping people because they know that's how they'll get votes. I fundamentally do not care which one of these two people is in power so long as they pass and enforce laws that help people. yeah it'd be nice to have the first person, but so long as shit gets done we'll call it a win.

because there's a third, way more common type of politician, who not only doesn't give a fuck, but knows how to get ahead without actually following through on a single campaign promise. that politician is saying all the right things, just like the other two, but they don't pass a single helpful law and instead will pass a bunch of, like, food safety deregulations in exchange for cash from large companies that don't want to worry about health inspectors.

you know what keeps us safe from that? it's when 'doing some useful things for society sometimes' is a good way for a politician to keep their job. otherwise we will end up with no politicians who do useful things for society, out of sheer natural selection.

I'm just venting at this point but god. since when do we believe politicians are good people. obama was a godsend for this country and this world, he achieved so much good, and also he never so much as shut down guantanamo bay. the bar is in hell. the bar is in hell, and every single politician running for office will tell you otherwise, and we have got to stop listening to that and look at what they do. and keep demanding they do better, instead of replacing them with people who will do worse just because at least it's a brand new grifter.

#finx rambles #I am so sick of this #this man is older than my father and grew up in a military dictatorship #how his he falling for friggin ~anti-woke~ rhetoric like the greatest threat to society is political correctness #who fucking cares what we're calling each other. I want civil rights

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russellsppttemplates · 9 months ago

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Hi inês, hope you are well, could a request a blurb where the reader struggles with her mental health and the driver of you choice helps her through that, if you want you can include their children, thank you kisses

Note: I hope you're well, too!

Cw: mental health struggles related to parenting, immunity concerns regarding premature babies

"We're okay, baby boy, we're okay", you cooed as you bounced Fraser, walking along the nursery to hopefully soothe him to sleep. It had been like that for the past two weeks and it was getting to you. Matilda caught some bug in school and the minute it entered your home, Fraser was the second victim and he was struggling with it too, barely being able to sleep for long before he coughed and needed his nose unblocked.

Because he was a premature baby, you had to be even more careful with these things, and even though you knew they happened and it was all part of life, you weren't sure you could go another day without telling this to someone. Lando had been incredible at making sure you were all taken care of, and Matilda was dropped off and picked up from school so you could stay home for your maternity leave.

"Love, are you on the nursery?", Lando called as he climbed up the stairs, following the small noise from your footsteps and Fraser's whimpers, "there you are, hey gorgeous", he smiled, kissing your cheek before rubbing Fraser's cheek as he laid on your chest, "look at you so comfy, little man, mummy's chest us the best spot for a nap, isn't it? Mummy is the best", he nipped a few kissed on the top of his head until he heard your sniffles.

"Love, lovie, hey", he cooed back at you, cupping your face in his hands, "what's the matter? Hey - breathe with me", he encouraged, taking a few long, deep breaths with you, "it's okay, everything is okay", he checked over.

"He's so little, Lando, and he needs to be kept safe and sound, but it's not like we can get Tilly out of school just for that, and he's bound to have to build an immune system, might as well be now that my boobs gave the good antibodies stuff but still", you babbled.

Lando took Fraser away from your arms with your consent, setting him on his cot for a little bit when the little boy was settled, "now tell me all of that without being so worried, okay?", he encouraged again.

"I can't stop worrying about him, thinking he has a deficient immune system to begin with and I can't seem to keep him healthy and happy enough - it all goes through my head so many times a day and I can't think about anything else. It's the same thing, all the time", you admitted.

"How long have you been feeling like this? You could've told me, darling", he soothed softly, "you're doing such a good job with him, I'm in awe of you every day, Y/N. Sure, he's been a bit cough-y and his nose his stuffy, but you're doing your best - we're doing our best! He's got a sister who adores him so much and plays with him - she's even helping with his immune system", Lando tried to bring a smile to your face, achieving it, "He's got me, who will physically shove you into bed no matter how many times you say that you'll get him from now on, and he's got a wonderful, superwoman like mummy who needs some rest and reassurance, and that's okay", he kissed your lips softly, "we're in this together, darling", he confided.

"I feel alone and like I'm a failure, but then he's such a happy little one, look at that!", you pointed to the smiling boy, happily biting in his stuffed koala toy as he looked at both of you, "it's such a rush of things and I'm already thinking of what I need to do in case he does come down with something else - fever, tummy bug, stuffy nose - anything really", you rubbed your forehead, letting your husband pull you to his embrace.

"How about we have a cosy night in just the four of us? Movie night with Tilly, and I can e the one keeping an eye on that little dude and you can just relax - I don't like seeing you this worried, beautiful", he brushed some hairs behind your ear, "sounds nice".

After dinner, Matilda sat with you on the sofa and as per Lando's request, she kept showering you with "extra love", meaning she was more attentive than usual, "you also always make me my favourite breakfast everytime I ask for it", she said as she kissed your cheek again.

"Thank you, Tilly", you smiled, "I'm not done yet, mummy! I love you because you always take care of me, because you let me stay up late to watch daddy's races when they're at night or wake up really early to see him race when it's very far away, how you always let me know you love me, daddy and Fraser", she continued as you felt happy tears brimming your eyes from all the love she was showering you with.

"Little man is down, was absolutely milk drunk and went out like a light", Lando said as he walked inside the living room with Fraser on his arms, showing you his pout and chubby cheeks before he put him in the small basket you had in the living room, still able to keep an eye on him.

"Did you tell her to tell me all the things she loved about me?", you whispered on Lando's ear once Tilly was focusing on the movie cuddled up to your side, "I have no idea what you're talking about", Lando shrugged his shoulders even though the smile was on his lips.

"Sure, you have no idea what I'm talking about", you kissed his jaw, "thank you for this".

"We're in this together, no one gets left behind and no one feels like a failure in this house, ever!", he whispered back, his hand happily playing with your fingers while Matilda giggled sweetly as she watched the squirrel trying to get the acorn.

(Thank you for sending this in ✨️)

#lando norris blurb #inês writes blurbs #f1 blurb #f1 x reader

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beauty-and-passion · 5 months ago

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TBOB PART 2: OF FLATLAND, EXWHYLIA AND EUCLYDIA (1/4)

Oooooh, this is going to be fun!~

Welcome everyone, to part 2 of my trilogy of posts regarding Bill Cipher, The Book of Bill, all the lore we got, my obsession from 8 years ago rising from the ashes and my other, older obsessions for Flatland, dimensions and backstories in general. Maybe now you get why this part is gonna be long.

Here we will talk about three second-dimensional worlds and what they have in common, starting with Flatland and Exwhylia.

For all disclaimers and bla bla bla, refer to the first post HERE. In addition to them, I would like to add that:

There will be quotes from Flatland because I love this book (there’s a reason if I read it way before knowing Gravity Falls)

Everyone should read Flatland because it’s great (you can find it online HERE)

Everyone should watch the 2017 movie about Flatland on the official YouTube channel HERE. It perfectly portrays how 2D shapes work & how the world works. Also, it’s hilarious, it’s incredibly well made and A Sphere is my spirit animal. I bet he and Bill would’ve been good pals.

<- Previous part - Masterlist

_______________________________

PART 1: OF FLATLAND

“EDWIN ABBOTT ABBOTT HAS A DECENT IDEA” - Bill Cipher AMA

_____________________

A flat world

I call our world Flatland, not because we call it so, but to make its nature clearer to you, my happy readers, who are privileged to live in Space. Imagine a vast sheet of paper on which straight Lines, Triangles, Squares, Pentagons, Hexagons, and other figures, instead of remaining fixed in their places, move freely about, on or in the surface, but without the power of rising above or sinking below it, very much like shadows - only hard and with luminous edges - and you will then have a pretty correct notion of my country and countrymen.

This is how Flatland starts and we immediately learn that this world is like a vast sheet of paper in which the shapes move around.

And there is no concept of above or below:

You are living on a Plane. What you style Flatland is the vast level surface of what I may call a fluid, on, or in, the top of which you and your countrymen move about, without rising above it or falling below it. (...) for you have no power to raise your eye out of the plane of Flatland; but you can at least see that, as I rise in Space, so my sections become smaller. See now, I will rise; and the effect upon your eye will be that my Circle will become smaller and smaller till it dwindles to a point and finally vanishes.

_____________________

A world based on regularity

Soon we will also learn through the words of A Square, that:

our whole social system is based upon Regularity, or Equality of Angles.

So we have a flat world, dominated by Euclidean shapes (yes, Euclidean geometry doesn’t include just regular shapes, but lines too), based on regularity. Your angles should be regular and your sides equal.

_____________________

Social classes for regular shapes

Our Women are Straight Lines. Our Soldiers and Lowest Classes of Workmen are Triangles (...) Isosceles. Our Middle Class consists of Equilateral or Equal-Sided Triangles. Our Professional Men and Gentlemen are Squares (to which class I myself belong) and Five-Sided Figures or Pentagons. Next above these come the Nobility, of whom there are several degrees, beginning at Six-Sided Figures, or Hexagons, and from thence rising in the number of their sides till they receive the honorable title of Polygonal, or many-sided. Finally when the number of the sides becomes so numerous, and the sides themselves so small, that the figure cannot be distinguished from a circle, he is included in the Circular or Priestly order; and this is the highest class of all.

Flatland has a very precise, clear, schematic vision of society: you have six sides? You’re a noble. You have four sides? You’re a gentleman. You have five sides? You’re a doctor (a “physician” in the book). You have three sides? You’re a tradesman. You’re a straight line? You’re a woman. Yes, women are females only.

But what if you are an Irregular?

_____________________

About Irregulars

Since Flatland is dominated by Regularity and the idea of being regular, then you can imagine how all irregular/weird/divergent things are treated:

``Irregularity of Figure'' means with us the same as, or more than, a combination of moral obliquity and criminality with you, and is treated accordingly. (...) ``The Irregular,'' they say, ``is from his birth scouted by his own parents, derided by his brothers and sisters, neglected by the domestics, scorned and suspected by society, and excluded from all posts of responsibility, trust, and useful activity. His every movement is jealously watched by the police till he comes of age and presents himself for inspection; then he is either destroyed, if he is found to exceed the fixed margin of deviation, or else immured in a Government Office as a clerk of the seventh class; prevented from marriage; forced to drudge at an uninteresting occupation for a miserable stipend; obliged to live and board at the office, and to take even his vacation under close supervision (...)

So, well, the Irregulars are basically considered criminals and if not instantly killed or confined in a hospital, they live at the margins of society. Yay.

So irregulars (and, in general, deformities) are not accepted. But, like, not at all.

_____________________

About color

There is a huge portion of the book about color and it’s extremely cool - but also, too long to quote it entirely here. Long story short: color existed in Flatland, but it was suppressed and now they live in a black and white world. Because I suppose that society wasn’t shitty enough as it was, so why not making it even worse.

(Actually there is an explanation and for their kind of society it makes sense. Still, shitty world)

_____________________

About Recognition by Sight

The book vastly explains how these creatures can see and it’s a very clever to see, considering they live in a goddamn 2D world and all they see are fucking lines. And not even colored lines, that could’ve at least helped a bit. Nope, just gray lines. Yay.

Still, they developed a way to see and yes, all they can see are lines, with the edges that fade in the distance. The more blurred they are, the more angles they can find out - thus recognizing if they’re approaching a Square, a Pentagon or a Circle.

All of this works except for women, who are basically deadly spears with a pointy end, so they’re almost invisible. And that’s why they should wag their end all the time, otherwise other shapes might not see them and get pierced through.

Yep, this is fucking hardcore and I love it.

_______________________________

PART 2: OF EXWHYLIA

“I believe Bill came from a similar world that was mysteriously destroyed” - Ford Pines, Journal 3

_____________________

A flat world

Ford drew a perfect image of Exwhylia and we can see that yep, it’s a flat surface, with no above or below. It’s just a plane, exactly like Flatland.

_____________________

A world based on regularity

All we know from Exwhylia can be inferred through Ford’s pages. However, two pages are enough to make it clear that this world is based on regularity.

How can I be so sure?

_____________________

Social classes for regular shapes

Ford describes two of these beings as “an upper-class circle” and “a lowly triangle”. So yes, Exwhylia shares the exact same social structure of Flatland: according to your shape, you will get your social class.

It says nothing about women, but considering Ford spent something like 20 seconds inside it, it’s understandable. However, we know for sure that the Exwhylians’ bodies are razor-sharp, because Ford specified it. Pretty cool - and also another reference to Flatland.

_____________________

About Irregulars

Ford says that the inhabitants of this world “considered me to be an “Irregular” shape, which is vulgar in their society”.

Sooo… yes, I imagine that this world ostracized Irregulars too, just like Flatland does.

_____________________

About color

Ford says nothing specific about it, so we have no idea if the world is black, white and gray or if there are any colors. We just know that there is no sky and no sun.

However, when he talks about what the Exwhylians can see, Ford draws several lines, says that his eyes can’t help him distinguish these objects, but the Exwhylians can and will interpret the lines differently. This implies there is no color, because if there was, Ford would’ve been able to interpret the lines too, by referring to how they were colored.

So yes, there may be no color in Exwhylia.

_____________________

About Recognition by Sight

Judging from how Ford describes what the Exwhylians can see, we can safely assume these shapes also use Recognition by Sight, just like Flatlanders do.

_______________________________

And with that, we close the premise of what I want to tell about Euclydia. Keep this stuff in mind, it will be useful to understand the topic of tomorrow's post: Euclydia.

Next post ->

(How about a coffee? ☕)

_______________________________

📌TAGLIST: @mudpuddlenl @allmycrushesaredead @aquatedia @whatishappeningrightnow @effortiswhatmatters @bella-in-a-bag @doydoune @forever-third-wheeling @payte @hypnossanders @idontreallyknow24 @imcrushedbyarainbowoffical @patton-cake-and-crofters @hereissananxiousmess @purplebronzeandblue @cynicalandsarcastic @lost-in-thought-20 @andtheyreonfire @riseofthewerewolf @rosesandlove44 @arya-skywalker @csi-baker-street-babes @reesiereads @dracayd-universe @starlightnyx @stubbornness-and-spite @averykedavra @joyrose-fandomer @mihaela-tbg @igonnatalknothing @thatoneloudowl @grayson-22 @softangryfuckingdepressed @theotherella @nevenastark @coldbookworm @boopypastaissalty @varthandiveturinn @roses-bubbles @cuter-on-the-inside @snixxxsmythe @charmingcritter @analogical-mess @emphasis-on-the-oopsie @selfdestructivecat @yangwalkerao3 @the3rddenialist

#gravity falls #the book of bill #tbob #the book of bill spoilers #book of bill #book of bill spoilers #thisisnotawebsitedotcom #this is not a website dot com #gravity falls fandom #gravity falls meta #journal 3 #bill cipher #stanford pines #flatland #exwhylia #euclydia #analysis

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joys-of-everyday · 1 year ago

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SJ and the Pitfalls of Toxic Masculinity

Liking women wasn’t shameful in the least, but treating a woman as your savior, shrinking into her embrace in search of self-confidence—Shen Qingqiu needed no one to tell him how incredibly shameful that was. So he would rather die than tell anyone, particularly not Yue Qingyuan.

- Yue Qingyuan and Shen Qingqiu Extra

Hot take: og!SQQ had toxic ideas about masculinity, and it ruined him.

SVSSS is all about the ✨Toxic Masculinity✨ but this seems to be more associated with SY than SJ??? So yeah, lets talk about SJ (my poor meow meow).

There’s actually some subtlety here, because talking about SJ and masculinity naturally involves an interplay between historical and modern views on masculinity in China, which is something that has developed over time and has influences from other cultures (e.g. the west and our views on masculinity). (Interesting thing if you haven't already come across it) I am… not qualified to read the subtleties here.

To note, SJ is coded as masculine… sort of. He’s the head of the scholarly peak, a master of the Four Arts, which is one facet of ideal masculinity in traditional Chinese values. (Fluttering a fan around was very gentleman-like. Although also, expressing your emotions through poetry and copious amounts of tears was very masculine back in the day. 'Traditional masculinity' has and always will be an elusive ideal.) But I get the feeling nowadays ‘scholarly’ has more feminine connotations than ‘martial’, albeit a slightly weaker one than in the west. Also, on the topic of toxic masculinity, certain groups of people Who Shall Not Be Named would like you to believe that Real Chinese Men are stoic warriors and ‘gayness is a western thing’ (my rage is unreal but we will not talk about that).

Anyway, broad strokes, broad strokes.

Arrogance and Insecurity

A big part of toxic masculinity is a need for social recognition, to be the ‘alpha male’ (not an ABO pun and on a side note I literally cannot take anyone talking about alpha males seriously now, for many reasons, but this is the funniest).

SJ is obsessed with his cultivation, but more pertinently, he is obsessed with his reputation. He demonstrates this in a few ways. Firstly, he works his ass off, which is not bad in itself, but he does this to the extent it is detrimental to his health (that grindset lol). Secondly, he projects a certain image with his actions and mannerisms: reading in order to seem intelligent, looking down at people to seem superior etc. Thirdly, he responds to any perceived slights of his ability with violence. (Fighting with LQG is an example, but also drawing a sword on SQH when he pointed out that he was reading an upside-down book.)

Now interestingly, the unanimous vibe that Cang Qiong seem to get from SQQ is that he is ‘arrogant’. When in truth, all of this is compensating for his insecurity.

Shen Qingqiu was overly suspicious, always feeling as if everyone was talking behind his back about how he was still incapable of forming a core, didn’t accept his position, wanted to sabotage him in secret, and so on and so forth.

- Yue Qingyuan and Shen Qingqiu Extra

Sadly, SJ is justified in being afraid of other people’s opinion. His comfort and security rely entirely on his status, which in turn rely on other people’s opinion of his competence. Of course he wants to get to the top – he’s been under other people’s power before, and suffered terribly as a result. Why should he not desperately defend what he has worked so hard for? Yet ultimately it works against him, because when he’s in serious trouble, he hasn’t been able to build the human connections he needs to get help.

The problem is with the system. The idea that having strength allows you to do whatever you want hurts not only the people regarded as inferior, but also creates a collective sense of anxiety for those who find themselves ‘at the top’. Anyone can be kicked down and treated like scum. Everyone is afraid.

Dominance and Bullying

The phrase ‘toxic masculinity is fragile’ quite often, but to elaborate, these kinds of rigid ideas of masculinity are by nature constantly under threat. Because any crack in the perfect shell is regarded as failure, it requires constant, aggressive maintenance, which takes the form of bullying the weak in order to elevate oneself.

SJ’s treatment of LBH is complicated, but here I want to draw attention to a different character – Ming Fan.

SQQ (SY) would have you know that MF is not a bad kid, other than the fact he’s a huge bully to LBH. And in part that comes from jealousy of NYY’s crush on him, but what allows it to happen is the way SJ runs the peak. It's interesting to note that so much of SJ's bullying of LBH happens through MF, whether it be giving him the faulty cultivation manual, giving him chores or physically assaulting him. In doing this, SJ creates a system that firmly establishes himself at the top, likely in order to give himself some semblance of security.

But ironically, this is the very system that SJ has suffered under his entire life, recreated to it's extreme on the peak that he controls. When he was completely under the power of others (QJL, LBH) he suffered. When other people were under his power, he inflicted suffering. He encouraged other people to do the same. Again, the whole thing is a scam! He is putting all of his energy into things that aren't helping him, things that ultimately bring him down.

Real Men Don’t Cry – the Dangers of Emotional Repression

SJ has many, very justifiable reasons in life to be upset and angry. The things he went through are both terrible and extremely unfair. Being angry at everything is not a healthy outlet for these feelings, but he hasn’t exactly been taught an alternative either. On the streets, tears would have gotten him absolutely nothing. Anger at least gave him energy to fight back.

And this destroys him. He is angry at the fact he had no one in his life who loved him, his talents were wasted because of QJL/WYZ, nobody takes his abilities seriously… and with no healthy way of expressing this, he goes onto bully LBH. LBH then returns to destroy him, literally. More subtly, he is unable to express his fear and anxiety in healthy ways, so acts standoff-ish and aggressive to his those around him. As his relationship with them deteriorates, his fear and anxiety increases. Feedback loops.

SJ puts on a mask of anger and stoicism to the point that everyone around him (including himself) is convinced that he is unrepentant and evil. Suppresses and suppresses until it breaks him, until he has nothing – not his comfort, nor status, nor the one that he truly cared for:

He had single-handedly facilitated Luo Binghe’s today, and now who had single-handedly created this outcome for him? Yue Qingyuan was never supposed to have an end like this. In order to come to a decades-late appointment, to fulfill a completely useless promise. A broken sword and a dead man. It shouldn’t be like this.

A Note on Ambivalent Sexism

It’s funny because I think there’s a fandom vibe that SJ was the secret feminist of SVSSS. Don’t get me wrong, I love this in fanfics. Badass feminist SJ all the way. But my honest opinion is that I don’t think that was the case.

More explicitly, I don’t think SJ took women seriously. NYY, for example. Certainly, SJ valued NYY. But the expression of this care involved doting on her, hiding his treatment of LBH from her, and not particularly pushing her to grow. And PIDW!NYY wasn’t implied to be the most mature of the lot. Okay, while we don’t know a lot about PIDW!NYY (narrator unreliable), it’s probably safe to say some distance from SJ helped her a lot.

Another point – the Qiu massacre. SJ killed the men, but not the women. And while this says more about his distaste for men, it also indicates (possibly - I will float this idea but I won't die on this hill) that he straight up doesn’t see any woman as an enemy, or capable of being a threat. Which is possibly a natural conclusion he’s drawn from his experiences (QHT was not very perceptive, or very threatening) but also inaccurate as a worldview.

And his attitude towards the women he sees as saviours? Has the same vibe as ‘it’s so embarrassing to be protected by a girl’.

Okay, so being doted on and not being killed are positives compared to being abused or murdered, but this kind of attitude is the opposite side of the same coin to ‘women are incompetent and inferior’. And when it comes to raising kids, not allowing them to grow can be extremely harmful as well. See e.g. Ambivalent sexism.

Although I do want to mention that I do not think SJ was like… actively misogynistic. I think he genuinely liked women more than men. The point is you can be sexist without realising it.

Conclusions

To conclude, SJ had ideas of success and self-worth associated with toxic masculinity which were instrumental in his downfall.

Masculinity doesn’t have to be toxic. While the Cang Qiong family aren’t exactly the healthiest bunch, YQY’s calm and patient leadership, LQG’s steadfast loyalty, LBH’s ability to cry like a maiden and still be the strongest… these are all traditionally masculine traits that can be very positive. These are also people who can have feminine traits and explore their gender identity without being prissy or weak.

It's the great tragedy of SJ that he had many positive characteristics. He was talented, intelligent, articulate, perceptive, loyal, and caring… under the right circumstances, he could have grown into a great person.

And maybe he still had that chance, right until the end.

#svsss #shen jiu #original shen qingqiu #svsss meta #having said i would disappear i have things to dislodge from my drafts

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grogumaximus · 8 months ago

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As a performance engineer, he is the man who keeps an eye on all the data in a complex world like Formula 1 and leaves no stone unturned to see how to get even more speed out of the RB20. “For example, I can see how the tires behave individually, how high the temperature of the brakes is and how the hybrid systems of the engine behave,” says Hart in the Red Bull hospitality area.

Together with Lambiase, Michael Manning and David Mart, he is part of the regular group of engineers around world champion Verstappen.

“And GP is the one who talks to Max during sessions, so he has to filter all our information and assess what he finds relevant to pass on to Max. And then as a driver he now has an enormous library of experience. Max is ultimately the best sensor. He senses what he is up against and can make it very clear whether he wants to try something different and what exactly. He is very direct and knows what he wants. There is no room for politics or bullshit.”

In order to be able to empathize with Lambiase's work, Hart occasionally takes his position as race engineer, as was the case on Friday during both training sessions in Imola. Hart explains how a weekend is broadly divided.

“First we have to make sure that the car behaves as we expected. Then we look at how we can get more out of the speed over one lap. Where do we lose time in the bends, does Max feel limited somewhere at the beginning or at the end of such a bend? We then look at the longer runs and how we can protect ourselves against possible dangers.”

With the help of his engineer, a driver can adjust the necessary things on his steering wheel, for example when it comes to the brake balance or the differential. As far as Verstappen and Red Bull are concerned, the Azerbaijan Grand Prix last year is a good example of this. For Verstappen, that race in Baku was the turning point in the season.

“In those first four races, Checo (teammate Sergio Pérez, ed.) and Max were close together. But in terms of setup and the tools he uses, Max has gone in a completely different direction since that race in Baku. He has twelve so-called switch positions that he can use. He tested many of them in Baku, while normally you use two or three in a weekend. Max learned a lot then, and so did we."

Since that race in Baku, more than a year ago, Verstappen has not won only three races. While the Dutchman himself is almost never completely satisfied with how a race weekend is going, this also appears to apply to his engineers.

“Coincidentally, we were still talking about it together on Thursday evening. We as engineers are a bit like the goalkeepers in football. It's only when we make a big mistake that it becomes noticeable. We have to keep pushing to see if we can improve anything in areas where we are not yet performing optimally. And even if we are faster than the rest in every corner, we are still not satisfied and we look at where we have left something behind. Everything worked great in China, and then in Miami with the same car we didn't have the speed. And then afterwards you can understand so well why that is, here in Imola there is a completely different asphalt, the conditions are different and the tire compounds are also different.”

Given the immense pressure and expectations, Hart considers Verstappen's victory in 2021 in front of his own audience in Zandvoort as his personal highlight. The Englishman started working as Alex Albon's performance engineer in 2020 before being transferred to Verstappen the following year.

“With Alex we mainly looked at how we could close the gap with Max with the same material. With Max you look less at the other side of the garage. His experience, not only in Formula 1 but also with other cars, helps us. Actually, after a racing weekend I am also a kind of translator. In the debrief Max tells us what his limitations were. Drivers speak their own language. We then look at his words with the people in the factory in combination with the collected data.”

And yes, Verstappen may be the most important sensor, but he also sometimes has to rely on the information from his engineers on the pit wall and in the garage. They now have the complete overview.

“Especially in races where we play the longer game ,” says Hart. “We can see what the lap times of the other drivers are and how the different tires are worn. For example, if we say that Max needs to change something on his handlebars, he may well think: the balance is now just right. But then we have to prepare for later in the race. If you wait until the front tires are on, you will be too late. We always have to think one step ahead, otherwise you go too slowly.”

#i didn't know tom hart was the other guy whos always around max with gp n that he was alex albon performance engineer #also the baku'23 part is interesting #max verstappen #gianpiero lambiase #tom hart #better they fix whatever those imola setups tho 😄

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drifting-pieces-blog-blog · 1 year ago

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Breaking down the Comics: Writing a legend, building a history.

Today we aren't reviewing an issue of Moon Knight. Today we are going to talk about something important.

So who wrote Moon Knight?

"Easy!", you might say. "Doug Moench!"

Sure. But you'd be surprised to find that it's not as much as you'd think.

Doug Moench wrote issues 1-15, 17-26, 28-33.

He returns in 1998 for a 4 issue mini seires Vol 3 "Resurrection Wars" which revives Marc Spector, who had been killed off in the previous volume.

He continues in 1999 with Vol 4, another 4 issue mini series "High Strangers/Strangeness" which won an award for favorite limited series.

He also wrote werewolf by Night, which gave us the first iteration of Moon Knight. An instantly popular character that made appearances in other comics like "The Hulk" before he was given his own comic.

He had time to work on the designs with Bill Sienkiewicz. They built up the weapons, the costume, the cab, and the copter.

He also built up the side characters of Gena, Gena's two boys, Crawley, Frenchie, Detective Flint, and Marlene.

He set the ground rules:

Moon Knight system is Jewish.

Marc, Jake, and Steven are a part of a system and are not one man pretending to be someone else

Jake is the one that is friendly and loves being with the people.

Steven is posh, collected, and takes care of things.

Marc is the one with experience, has the skills needed to get things done, and holds all the pain.

They are former Mercenaries who did terrible things and have deep guilt.

Khonshu resurrected them to act as Moon Knight

They strive to protect any who would come to them for help that perhaps might not get it elsewhere

I would even argue that he was building up to the fact that Moon Knight himself was his own form of alter but it has since been glossed over and replaced with the idea that Marc is most often the one under the mask.

Pretty simple rules to follow to make it a Moon Knight comics, but you'd be surprised what some writers have done with it.

These comics were written long before DID was acknowledged and the different forms of PTSD and Dissociation were defined.

And yet, here we stand with a traumazied man from Chicago slowly working through a freshly cognizant system and trying to figure out how three (four) people can work together towards not just a life, but life as a superhero who wants to help people.

Further more, an odd thing happened in this.

We had a comic that often focused more on mental health than on super powers, heroics, or villains.

More often than not, we watched Marc, Jake, and Steven struggle with themselves and one another. We watched stories unfold from the villain's point of view, often just being ordinary people pushed too far by a system that failed them.

More so, we watched Moon Knight sympathise with these villains.

How often he let them walk away or he let them kill their abusers, wondering if he was doing wrong himself.

How can he help when sometimes the help he offers is not what is needed?

We even watched him fail. We saw him lose his temper and cause damage. We saw him curl into a ball and break. We saw him get lost in his own nightmares and dissociative fuges.

Moench stepped forward and often handled current events with raw emotion. We saw his characters cry over the loss of public iconic figures. We watched people struggling as they returned from war. We saw child abuse and poverty. We watched economic struggles with classism and we watched people struggle to deal with grief.

We even watched them deal with antisemitism over and over again. How many times were the victims of his stories Jewish and trying to survive in America? What about the story that took place with the mass shooting in the Synagoug? We heard stories of Generational trauma as elders struggled with survival after the Holocaust.

Moon Knight was a unique comic unlike any other I've ever come across. For it's time and for it's topics at the time. What's more, this comic continued.

It was no 'special of the week' comic and spanned multiple years as they grew.

What do we know about Moench? Who did he write this comic for?

The Moon Knight in the Were Wolf by Night certainly didn't have all this depth. He was just a man dressed in silver, fighting a monster and ultimately choosing the side of the monster.

Moench himself was from Chicago. He knew what it was like to live in the city and see the fall of factories and hard times on the streets. We know he witnessed the times of Vietnam veterans being forgotten and abused. He witnessed a lot of changes happening in the world and the places he was writing about.

He wrote about what spoke to him and what he saw around him.

And in his stories, there often were no clear heroes, winners, or villains.

But there was one issue that he chose to add into this comic that was already filled with so many things that other comics avoided.

Moon Knight wasn't written as Jewish in that one shot cameo. He wasn't written with DID either, but I'll get to that.

There are interviews of Doug admitting that "I didn't say, 'I'm going to sit down and create a Jewish character.'"

In fact, he picked a name and later found out it was a Jewish name. This made him do research. Not just into Judaism, but into the areas that Marc Spector fought in and where his family came from.

Do you have any idea how many writers of that time and our current time simply slap the label of "Jewish" on a character and refuse to actually look into what makes them Jewish?

I can't say how much he researched and how much he got wrong or right, but I do know that when he did choose to dive into topics that touched on certain issues, he handled them with a grace that is often overlooked.

The writer that came after Moench? Alan Zelenetz, a former Jewish day school principal from Brooklyn.

Zelenetz had been acting as an editor for a bit before he took a look at Moench's early start.

And it was in Issue 37 and 38 where we get the real backstory of Marc Spector. A man running from his Rabbi father.

Marc now became the son of an Orthodox Rabbi who had been forced to flee Czechoslovakia after the Nazi invasion.

Here, we get the story of Marc running to the Marines. Running to the mercenaries, and running from home. Perhaps even, running from G-d.

Zelenetz wanted to lean into the Jewish past and Jewish story. He explored themes of using a holy book to create a villain while playing with Jewish myths. He also explored Antisemitism without toning it down or hiding it under comic bookish villainy. He portrayed Moon Knight facing white supremacist vandalizing a Jewish Cemetery. He showed Moon Knight saving the Torah from a Synagogue fire. He also showed a strained relationship and the question of Moon Knight finding his own relationship in what he does with his father's views.

Alan Zelenetz edited/wrote shorts for issues 18, 21–22, 27, 32, Then wrote the whole story for issues 36–38.

Zelenetz voiced that he was looking to add some Jewish representation into his workforce and perhaps into the comic industry at the time. Considering his background, perhaps he was the only one at the time that had the proper knowledge to play with things the way that he did in the story of Elias Spector's death and Marc Spector's pain.

He did not stick around with Moon Knight for long after. Though, he admits that he wanted to play with the fact that Khonshu was an Egyptian god and Marc was from such a Jewish background. I am sad we didn't get to see that story.

After that, Moon Knight's original 1980s run was finished. The question of what to do with Moon Knight, where to take him, and who would take up the mantle of writing him now lay in the hands of Marvel.

Many failed after this. They failed to keep the heart of what Moon Knight stood for and who Moon Knight was. His Jewishness was forgotten and his mental health became a joke.

Not to say all of them failed. There are a few shining stars that gleamed in the darkness and I like to think that it was these moments that kept Moon Knight going all these years.

Moench didn't set out to write a story about mental health, and yet his approach is the most real I've seen. Hardly a shining picture of perfect representation, there is still something there in watching the character almost seem to push back against the unintended desire to push him into a corner.

No matter how often Jake and Steven and Moon Knight were seen as Marc pretending to be someone else, there was always ALWAYS that correction. Always that push back.

Call it the writer's curse of characters misbehaving and taking on a life of their own, but perhaps there was something more there. Perhaps he felt the weight of time and cry of the suppressed and overlooked.

So many of his stories danced the line of "I can't say it because it will get edited out by the big wigs at Marvel, but if you would just look... Just look over here for just a moment..."

And years upon years later, a writer did see the whispers there and said "I see the story of pain. I see the cry of mental health." Lemire told the story that Moench couldn't and from that, we are still pushing forward with McKay.

And more, perhaps we will see the Jewish story that hides in all that also get a spotlight again.

In the era of big battles, cross-over events, explosions, and super villains cackling about domination... I still look back at Stained Glass Scarlet, The Druid, the Music Box, And Colloquy.

As I finish the original 1980s run, I brace myself to dive into what comes next.

I think I'm trying to find where and how the original run ventured so far into the dark and insulting territory it did and the journey back into a revival that now means so much to so many.

In a way, perhaps it mirrors a journey into our own mental health. How easy it is to become lost in what everyone around you tells you that you are and how you are supposed to be until your own doubt sets in to drown you. Perhaps it is the journey of Moon Knight's character emerging from this to find a path to healing that is what kept us here so long.

#Moon Knight #Moon Knight comics #Analyzing the comics #Marc Spector #Jake Lockley #Steven Grant #Doug Moench #Moon Knight is Jewish #Moon Knight has DID #A system of hope #I'm rambling again #But this is important to me

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on-my-vigilante-sht · 2 years ago

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Capitol Punishment XII

Haymitch x Reader

Summary: The Capitol continues to torture it’s victors no matter how long ago they won through punishment, exploitation, and worst of all; their relationships.

A story in which Haymitch’s lover is a plaything for the Capitol.

Warnings: Canon level violence, rape, alcohol, murder, systemic poverty, exploitation, rebellion (?), more reliance on movie than book, suicidal thoughts, swearing, illness, pregnancy, miscarriage, torture, sexual torture, medical stuff

Word Count: 3.4K

Part XI | Masterlist | Part XIII

It had been six weeks since they escaped the arena, five since Haymitch had seen that godforsaken video of you and that man. According to Beetee more have come in but he destroyed them immediately. Haymitch wasn’t sure how many had come in but he suspected Snow was making a lot of money from you.

But despite his constant worry for you he continued to do is duties in 13. Mostly because he didn’t want to be sent back to rehab. So he sat in on meetings to help with battle and propaganda plans. But when he was called into a secret meeting with only Coin, Plutarch, Boggs, Gale, and a few other special forces he was elated.

“We’re here to discuss the rescue of the victors,” Coin began. Haymitch was the most excited he had been since he arrived in this cultish hell hole. Not every soldier held the same feelings though.

“Why?” one asked, silencing the others. “Are you actually suggesting we put soldiers’ lives on the line so some people can get their girlfriend or boyfriend back?” he scoffed. As much as Haymitch wanted to punch the guy, he had a point.

“It’s more than that. The Mockingjay has demanded Peeta’s and the other victors’ rescue and the Mockingjay is necessary for this rebellion,” Coin explained. “However, this is a volunteer only mission. I won’t forcefully send any of you into the heart of the Capitol.”

“I’ll do it,” Gale immediately volunteered.

“So will I,” Haymitch spoke.

“That’s very generous, Haymitch,” Plutarch began, “but according to our medical files you’re not fit for combat.”

“And I won’t send civilians in on a special forces mission,” Coin added.

“But this is volunteer based,” Haymitch pressed, “and I don’t see any other volunteers.”

“I’ll go,” Boggs volunteered. Four more soldiers followed suit.

“Thank you for your sacrifice and bravery,” Coin said, not unlike a robot.

“We ship out first thing in the morning, the plan will be relayed to those going tonight. Not a word of this to anyone else, especially Katniss, got it?” Boggs ordered. Everyone in the room uttered agreements as they filed out.

As Haymitch began to shuffle out, Gale caught up with him. “Thanks for volunteering,” he said. “Katniss was telling me how you struggle being sober.” Haymitch took slight offense to that comment but didn’t let it show. Everyone treated him as some sickly old man, hell he was only 41. Granted he had drank most of his liver away and going cold turkey had been hard on his body at first but he was getting better.

Haymitch took a deep sigh. Being sober had somehow lowered his inhibitions and he found himself being more honest more often with people even if he didn’t really want to. Besides, Katniss hated him for letting Peeta be taken, Finnick was a mess, and he wasn’t remotely close with anyone else in 12, Gale was the closest thing he had to a friend aside from Effie who was stewing in her dorm, angry she couldn’t wear Capitol luxuries anymore. “I just— after seeing her in the interviews and what the Capitol’s doing to her— I just wanted to be the one to save her. I wasn’t able to save her from Snow for the past 8 years but I wanted to pull her from his clutches for the final time.”

Gale nodded, sighing deeply. “I’ll get her out. I’ll tell her you volunteered for the mission and that you’re waiting here for her, right at the hangar doors.”

“Thanks,” Haymitch smiled. “Can I ask, how come you’re going? Thought you were in love with Katniss and hated Peeta’s guts.”

Gale’s sigh turned exasperated. “She’s not happy. Not with Peeta in the Capitol. I just wanna make her happy.”

“Well good luck.”

Haymitch stood in the control room anxiously along with Katniss, Finnick, Beetee, and Plutarch. District 5 had just brought down the dam, cutting power in the Capitol, shutting down their defenses. Allowing Beetee to go in and wreak all kinds of havoc to keep them unaware of the airship about to enter the Capitol’s airspace. As they approached, Cressida entered the room. “Finnick? Haymitch? Can you come with me?”

“What for?” Haymitch immediately asked, not wanting to miss your rescue.

“I asked her to film some propo,” Beetee filled in, “keep their broadcasts clogged.”

Haymitch hesitated but Finnick seized the opportunity to help. ��Okay,” he agreed, stepping out with Cressida. Wanting to not feel useless anymore, Haymitch followed the pair outside. Haymitch reveled in being above ground for the first time in six weeks. It was nice to breathe fresh air despite being surrounded by rubble and sinister white roses. Cressida directed them to the center of the rubble, lights pointed at them. “Okay, just take your time and don’t stop talking,” she instructed.

She held up her fingers, counting down from three before pointing one at the two victors, directing them to begin. Haymitch was admittedly not super comfortable in front of a camera so he let Finnick take the lead. “This is Finnick Odair, winner of the 65th Hunger Games.” He then paused.

“And I’m Haymitch Abernathy, winner of the 50th Hunger Games.”

“And we’re coming to you from District 13, alive and well. We’ve survived an assault from the Capitol but we’re not here to give you recent news. We’re here to tell the truth. Not the myths about winning the life of luxury or about gaining glory for your homeland.”

“The moment you leave that arena, you’re a slave,” Haymitch explained. “I won my games in a way I wasn’t supposed to and Snow slaughtered my family for it. But some punishments, whether earned or not, can last for years. It’s what happened to Finnick here, and my wife, Y/N L/N-Abernathy.”

“President Snow used to sell me and Y/N, or our bodies at least. We weren’t the only ones. If a Victor is considered desirable, the President gives them as a reward or allows people to buy them. If you refuse, he kills someone you love.”

“For seven years Y/N was ripped out of our bed in the middle of the night. Whether we were in the Capitol or in 12 they always came looking for her, never gave her a second to herself. And when she did return, I’d always find her battered and bruised. Usually in the same clothing she left in torn up into rags.”

“Now, to make themselves feel better, my patrons would make presents of money or jewelry. But I found a much more valuable form of payment. Secrets. See, I know all the depravity, the deceit and the cruelty of the Capitol's pampered elite. But the biggest secrets are about our good President, Coriolanus Snow. Such a young man when he rose to power. Such a clever one to keep it. How, you may ask, did he do it? One word. Poison. He stopped every mutiny before it even started. There are so many mysterious deaths to adversaries. Even to allies who were threats. Snow would drink from the same cup, to deflect suspicion. But antidotes don't always work, which is why he wears roses that reek of perfume. Help cover the scent of blood from sores in his mouth that will never heal. But he can't hide the scent of who he really is. He kills without mercy. He rules with deception and fear. His weapon of choice is the only thing suited to such a man. Poison. The perfect weapon for a snake.” Just as Finnick was about to continued Cressida stopped him.

“Wait,” she held a hand to her ear piece. “Beetee said they lost connection. The Capitol’s defenses are rebooting.”

Haymitch’s heart dropped. No, they had to get you out. They couldn’t be detected yet, he had to uphold his promise to protect you.

Probably thinking similar, if not the same, thing, he and Finnick both ran inside. They raced down into the control room just in time to hear Snow’s final words over the video. “Don’t you think I know your friends are in the Tributes Centre?” and with that all the screens in the room went dark.

There were various yells. Both from people trying to get in contact with the team and Katniss losing her mind. “We have to get them out, he knows,” she cried, turning to her mentor.

“There’s no signal, we can’t contact them,” Plutarch explained bluntly.

“No. Haymitch, he knew the whole time. He was taunting me.” Haymitch wrapped his arms around her in a fatherly embrace. “Did I lose them both tonight?” she cried into his chest, repeating the words over and over.

As much as Haymitch felt for the girl, he was grieving too. Grieving the loss of his wife as well as the broken promise he had made so long ago.

You had just been curled in a fetal position on your bed when Peeta’s broken voice called out. “Guys,” he caught everyone’s attention. You rolled over, spotting gas creeping along the floor. It was slowly crawling up the walls, climbing into the vents that led to each cell. You began to worry that it was a Capitol gas designed to torture you , similar to the fog Haymitch had talked about in the arena. But curiosity got the better of you as you pulled the thin blanket around your body tighter. Your hospital clothes had been destroyed so many times they had stopped bothering to give them to you. But you stepped off the bed, heading for the glass barrier where gas was just beginning to accumulate on your side. But just before you could reach it the chain around your ankle held, tripping you a little. Still defiant after weeks of torture you opted to get on your knees to stretch to try to reach the fog. But what you hadn’t noticed, as you carefully lowered yourself, was that the gas had really begun to fill the room. As you settled on the ground you caught a whiff of the gas, immediately making you lightheaded. Your limbs became heavy as it quickly lulled you to sleep, your last thoughts being of what the Capitol’s torture would be that required you to be asleep.

When you finally managed to pry your eyes open the first time you were blinded and hazy. You faintly heard someone yell, “Can we get her some clothes?”

You managed to turn your head to the side, realizing you were moving. Judging by the whiteness all around you, you were still in the hospital-torture place. But you soon lost consciousness again, not finding it until you were on the aircraft.

When you managed to open your eyes for good you were staring up at a black, dome like ceiling. Looking around just a little you could see the heads and shoulders of soldiers, judging by the all black gear. One face you spotted was Gale’s. His gaze, however, looked miles away as he stared at his feet.

You could hear the thrum of the aircraft, only ever hearing that when the Capitol transported you to the worst times of your life.

Adjusting yourself more you could now see your fellow prisoners also lying on the floor of the aircraft although you seemed to be the only conscious one. By now the soldier who’s feet you had been laying at noticed your movement. “Hey, my name is Commander Boggs, we rescued you from the Capitol. We’re taking you to District 13.”

District 13? The military man had told you that’s where the rebellion was operating out of. He said that’s where Haymitch was. You could cry you were so relieved. For the first time in your life you may know peace. Even if it’s just for a second before you have to finish this war.

Recognizing what you no doubt wanted to ask, the man spoke. “Yes, Haymitch is there. He’s waiting for you in 13.” Tears of joy slipped from your eyes for the first time in god knows how long. As you tried to sit up, Boggs gently pushed you back onto the collapsed gurney you were laying on again. “I need you to lie still. We suspect you have some internal injuries that need to be assessed before you really start moving.” You agreed, settling further on the hard cushion. You suspected that you had injuries that the Capitol wouldn’t bother to heal because they couldn’t see them. Largely from the harsh treatment of the men that had bought access to your body through Snow. Many of them had pulled out of you with blood coating them but it was always dismissed and you were left there, something clearly wrong but you were powerless to do anything.

“How long?” you managed to ask, your voice hoarse.

“About 15 minutes out. We’re gonna have to roll you in on the gurney though.” You didn’t really like the idea of being treated like you were mortally wounded but you nodded nonetheless.

Around you the others were starting to stir. The soldiers sitting above them murmuring comforts and explanations. No one really made a move until Johanna started screaming. She sat up, two soldiers immediately jumping on her to push her back to the ground. “Do you want us to sedate you again?!” One of the soldiers yelled. That finally got her to stop fighting. Once they released her she huffed, scooting over to another wall to lean against, sending everyone glares.

The next person to be fully conscious was Annie. You turned your head to find her already looking at you. “Annie,” you cried. You hadn’t caught more than a glimpse of her in weeks but you were all too familiar with her screams.

“Y/N!” she cried. She scrambled up from her spot on the floor, one of the soldiers moving to stop her but a signal from Boggs made them stop. She kneeled over you, pulling you into a hug. Despite the awkward positioning you began to cry at the first compassionate human contact you had had in weeks.

“You’re okay,” you said, observing her relatively untouched appearance. Her long red hair still flowed down her shoulders unlike Johanna’s shaved head. Her skin looked unmarred unlike you and the two other victors’ skin. The one thing that matched the three of you was how malnourished and tired she looked. You guessed that since she knew absolutely nothing about the rebellion and her fragile mental state protected her from Peeta and Johanna’s punishments.

“Annie,” Boggs caught her attention, “Finnick is waiting for you in 13.”

Tears filled her eyes. “He’s- he’s alive? Finnick’s alive?” she cried joyfully.

“Yes, he is,” Boggs smiled.

Your conversation was then interrupted by a man also dressed in all black gear walking into the cabin. “We’re landing pretty soon and are beginning to descend. Everyone should buckle in.”

With some gentle coaxing Annie went to sit on a proper seat beside the soldier whose feet she had been laid by previously. Johanna refused to move so they just let her hold onto something in her corner. Peeta was fine because he had stayed strapped to his gurney unlike Annie or Johanna because they didn’t require them. Meanwhile Boggs was reaching over you to strap you in. You gave him a startled, questioning look as he reached down. “It’s just to make sure you don’t slip out,” he explained. “Trust me you can get out of it anytime. See?” He unclipped the belt easily before fastening it again.

Relaxing a little you looked up at the ceiling, taking a deep breath as you felt the aircraft descend. When you felt the landing gear hit the ground you had a weird sense of feeling at home. You knew Haymitch was near.

Haymitch sat waiting with Katniss and Finnick for when you and the others would be back. The three victors sat in tense silence until the door slid open. Gale’s head peaked in. He didn’t need to speak, his presence said enough. The other victors were back.

Immediately he, Finnick, and Katniss were scrambling into the medical wing. There they found a scene of doctors and nurses running around trying to figure out how to help victims of torture. The first person Haymitch saw was Johanna. She looked so different, the only recognizable thing about her was her sneer as she fought the doctors.

“Finnick!” Annie’s desperate voice pierced the air.

The doctors then parted for a second, revealing you lying on a hospital bed, neck straining to find your husband. “Y/N,” Haymitch tried to call but it came out as more of a sob. The fact that you were confined to your bed wasn’t promising considering Annie had ripped an IV from her arm, leaping into Finnick’s.

As he got closer (he was in such a hypnotic-like state he was pretty sure he knocked a nurse over) he took in your appearance more. It actually broke him to see his wife look so frail, the Capitol clearly having starved you and men having abused you.

Once he reached your bedside he leaned over the rail, pulling you into a hug as best as he could. He could feel your nails dig into his back, trying to claw him closer as each of you began to cry into the crook of each others’ necks. “I love you,” he heard you whimper out.

“I love you too,” he cried. “I’m sorry. I’m so sorry. I never should’ve left your side.”

“No no. It’s not your fault.” Before you could say anything else a doctor interrupted you.

“Mr. Abernathy? We need to take her into surgery.” At the mention of surgery Haymitch reluctantly pulled away. He turned, finding a few medical staff standing behind the doctor ready to take you.

“Wh- why?” he stuttered out as the staff were already beginning to roll you away.

“No,” you cried, “don’t take me from him!” He faintly heard one of them trying to calm you down.

“We’re sorry but testing done in the field shows she has severe injuries to her reproductive organs. Most likely due to…” he hesitated with the next words, “repetitive rape. We’re going in to stop internal bleeding but we’re unsure of other things we’ll find. We’ll update you as soon as we can.” And with that the doctor rushed off.

Haymitch stood there helpless, unsure of what to do. He knew that you were safe and under the care of actual doctors who wanted to heal you but people died in surgery all the time, especially outside of the Capitol. He felt like you had been ripped from him all over again.

He looked around again, realizing he had yet to see one person. Peeta. He got his answer as to where the boy was when he heard a loud crash in another room. Rushing over he found Peeta with his hands wrapped around Katniss’ throat. Without thinking he ran at the boy, trying to pry him off the girl who he had once been madly in love with.

“Peeta let go!” Haymitch heard himself yell. He managed to get him off Katniss for a second before the boy managed to knock his former mentor off. Haymitch went stumbling backwards into some shelves as Peeta brought Katniss to the ground again. By now Gale and Boggs had entered the room, finding the same scene Haymitch had.

Gale immediately began trying to pry Peeta off of Katniss but even he was no match for the very determined Peeta despite his malnourishment. It took Boggs knocking Peeta in the head with an iron tray to get the boy off of Katniss.

Everyone took a second to breathe a breath of relief before they started aiding the two unconscious victors from 12.

Part XI | Masterlist | Part XIII

#haymitch #haymitch x reader #haymitch abernathy #haymitch abernathy x reader #thg #the hunger games #the hunger games x reader

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the-force-awakens · 2 years ago

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with it officially being disability pride month, I wanna talk about my favorite disabled headcanon, which is for the one and only, my most beloved Poe Dameron. Buckle up, because this is a long post.

I actually have a few different disability headcanons, most of which hold up to canon/are extrapolated from canon, so we'll keep that in mind as we go through. I expect this to have about...four parts total. Let's go!

Hard of Hearing

I think a good case can be made that Poe is hard of hearing, with a few instances that could point to this fact, primarily the very beginning of the Rise of Skywalker. Even though Chewie is sitting right beside Poe, Poe does not understand what Chewie has said, because his head is turned (at no other point does Poe have any problem understanding Chewbacca, so we know it is not a linguistics issue)

It's only when he turns towards Chewie and Chewie repeats what he said that Poe understands what was said. There's also the frankly adorable moment in The Last Jedi that's extremely easy to miss, because it's a far away shot and we just barely catch what Poe says:

BB-8 is beeping so fast trying to catch Poe up that Poe has to request that he slow down so Poe can understand him. Other possible evidence of him being HoH (beyond the comical amount of explosions he's constantly caught in) is that there are several shots where we see Poe carefully watching the lips of the person he's speaking to as they're talking, as if that might help him keep up.

And (I don't have a gif of this lmao I'm not giffing him getting hurt) when Poe gets shot in tros, @/dameronalone pointed out it could be evidence he didn't hear the approaching stormtroopers when he turned to look the other way. @/hermitmoss has also pointed to his line at the start of tfa while being snarky at Kylo as further possible evidence, about how it's hard to understand Ren with the voice modulator.

Essential Hand Tremor

Another fact pointed out to me by @/hermitmoss (thanks Braigwen) is that when Poe goes to cover Leia's hand with his own in the Last Jedi, we see that his hand is shaking:

I later noticed that this isn't the only time that we see Poe do this, we see it again in the Rise of Skywalker, where he cannot keep his blaster steady as Rey approaches the serpent at all.

These are the only two circumstances I can find of his hands trembling in the movies, though, and we know from plenty of other scenes that Poe ordinarily can keep a blaster extremely steady:

Autism & ADHD

Okay this one I don't consider to be a headcanon, lmfao. I genuinely believe that Poe was intentionally coded as autistic/ADHD by Oscar Isaac.

Oscar playing/coding Poe as something that is never explicitly confirmed by Disney is far from new: Poe is coded as a bisexual (or pansexual) man, because that's how Oscar Isaac saw Poe and chose to play him, and even if we weren't gifted with it being made explicit, it's still there in his performance.

If you happen to be a fan of Oscar Isaac, or just a Marvel and Star Wars fan both, you'll know he starred in the Disney+ series Moon Knight last year as the Moon Knight system (Steven Grant, Marc Spector, and Jake Lockley).

Shortly after the first episode premiered, Oscar Isaac revealed in an interview that while trying to figure out who Steven was as a person, he came up with the idea that the system be on the Autism Spectrum, and approached Marvel to see if he could include it into his performances, and it was green-lit.

The Lunar system is the best intentional autistic representation I've ever seen, there are so many things they do that are so minor that I doubt most people would ever consider to include, but they are things that me and my friends do.

And there's an overlap in how Oscar plays the various autistic habits and traits of the Lunar system in how he portrays Poe. Most notably, Poe and Marc have extremely similar meltdowns:

There's plenty more overlap (Poe does the same anxious stim Steven does, of rubbing the inside of his index finger with his thumb) but there's so much there I'm not sure where all to begin. I have gone more in depth on the various autistic traits Poe shows throughout the films in this gifset here, though.

I'll go ahead and include some of the moments we see him stimming, that I have evidence of:

(he also does this same hand thing when he starts to leave BB-8 and promises to come back.)

We also see him fidgeting anxiously with his hands during the briefing in the last jedi:

Poe also has a habit of running his tongue along his bottom lip while he's stressed or thinking something through. Here's three examples from across the trilogy (there are plenty more):

We're leaning a little closer into ADHD territory now. I don't really know how to explain why I think Poe is ADHD, to be quite honest, besides the fact that he just radiates ADHD energy to me and I heavily relate. This is a man who cannot stay still, and frequently talks with his hands:

But there's also the fact that Poe oftentimes has a tendency to not be able to fully see the potential of negative outcomes to his decisions - he sees point a to point b, and sometimes becomes laser focused on that. It's something I understand perfectly, because it's hard for me to pull away from something I've already fully committed to doing, and it's even more difficult sometimes for me to truly understand what (and what kind of) consequences my actions will have.

Other evidence of him being extremely autistic (and adhd) is just....that he makes autistic expressions?

Like this...is an autistic expression, I've seen my best friend make this exact fucking face before, I don't know how else to explain it.

Misc Thoughts

Aside from the above, it's pretty much canon that Poe has anxiety and depression — at the very least, Poe Dameron: Free Fall by Alex Segura certainly does not shy away from the suggestion, and is one of the most implicit portrayals we have of it outside the films — it is a series of catastrophizing his circumstances that leads Poe to joining Zorii for a little while as a teenager, following a joyride that ended in a crash that Poe explicitly wishes he had not survived.

The movies themselves also points to Poe having PTSD, partially through the writing but mostly due to the nuanced and thoughtful performance Oscar Isaac gives as Poe (that goes....woefully underappreciated, seriously he adds so much depth to every single scene as Poe, including the thread of anxiety in Poe's voice when Rey mentions Ren's ship is over Kijimi, or constantly looking out to make sure they're not being followed in tros).

(Good expanded material follows through on this, such as Poe's reluctance to discuss anything about what happened aboard the Finalizer in the Poe Dameron: Flight Log, and becoming irate at the thought of having to. He's an extremely traumatized man, and he certainly doesn't deserve to be thrown out of an airlock jfc and he isn't as arrogant as the fascist regime he is fighting, tbh he's not arrogant at all).

Conclusion

I believe that sums up the majority of my Poe is disabled thoughts, or at least the ones that I think holds up very well within the canon framework. He's extremely disabled and - in the case of being neurodivergent - this is critical to understanding him as a character, especially considering his arc ends up being focused on interdependence.

I wish all fellow disabled folk a happy pride month, and I wish all very ableds a very "please do not be ableist on this post". You will be blocked otherwise.

#nym speaks #disabled tag #autism #poe dameron #my meta #sui ideation cw

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tobiasdrake · 1 month ago

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Digimon Adventure: Our War Game, Part 2 of 2

Previously on Digimon Adventure: After recovering her hat from the Digital World in a wild spinoff adventure that lasted at least 45 episodes, Mimi went on vacation to Hawaii and is living her best life. All of her friends miss her terribly to the point that Jou ended up vandalizing her family nameplate out of grief, which goes to show what a vital and important cornerstone of this team she is.

Meanwhile Tokyo's phone system is glitching out 'cause too many people are prank calling each other or something. IDK the B-plot didn't seem that important.

While Taichi is contemplating how unbelievably difficult the task of getting a hold of Mimi has become, Koushiro returns.

Yuuko: Oh, welcome back. Koushiro: Thank you. What's wrong, Taichi-san?

His answer is to once again flop helplessly over the couch.

Cut to the interior of Susumu's office, where Koushiro's once again at work with the computer while Taichi lies helplessly on the floor. I choose to believe Koushiro dragged him in here by his ankles.

Koushiro: Hawaii, huh? Taichi: We're completely screwed! Koushiro: We won't be able to assemble everyone, will we?

Unless we have a way of reaching Mimi in Hawaii, no. For the first time, the team's going to have to make do with whoever they have on-hand, rather than the whole crew coming together for the big fight.

Well, I say 'first time' but two out of four Dark Masters and MetalEtemon were fought that way.

Taichi: By the way, where'd you run off to?

Koushiro holds up an unusual looking black phone.

Koushiro: This is a satellite phone. Taichi: Satellite? Koushiro: With this, we'll be able to directly connect with foreign access points without having to go through NTT's switchboard. Taichi: So then we can call Yamato and the others-- Koushiro: That won't be possible. Local calls still go through the switchboard. Taichi: Oh, what the hell!

Sat phone is going to bring us back from the brink of Complete Annihilation, but isn't going to solve all of our problems.

In the dub:

Yuuko: Hi, Izzy! Welcome back! Izzy: Thank you. So, uh... When's everybody coming over? Tai: NYAAAAGH!!! (flop) (Cut to office) Izzy: Cheer up already! Tai: What happened to the good ol' days when we were a team? Izzy: We are a team, Tai. But we're just kinda spread out right now. Tai: By the way, where did you disappear to? (Izzy shows him the sat phone) Izzy: Well, I went to pick this up. Tai: What is it!? Izzy: A satellite uplink. We can get onto the internet by tapping into the military satellite system! Tai: Izzy, you're a genius! How does it work!? Izzy: Well, do you know what a semiconductor is? Tai: ...a guy who works part-time on a train? Izzy: Never mind.

The dub misses the kind of important detail that we can't call the others on the sat phone. The put the semiconductor quip where that should go.

Which is a pretty good quip. XD A funny joke that also plays off the relative difference in Tai and Izzy's knowledge bases, so there's some neat characterization embedded in it.

The dub adds that we'll be accessing "the military satellite system" specifically.

Well, if we can't use the sat phone to contact the others, there's one other option.

Koushiro: Why don't you call 171 and see if we have any messages? Taichi: Oh, right, I forgot about that!

Taichi calls the number, and he and Koushiro listen in.

Recording: Playing message. Yamato: (beep) Moshi moshi? This is Yamato. What was so urgent? Koushiro: We did it! Taichi: I knew we could count on him!

The boys record a message for Yamato, and we cut to grandma's villa.

Koushiro: (beep) You both have your Digivices, right? Yamato: Koushiro...? (Back to Yagami residence) Takeru: (beep) We have them. Yamato: Hey, what's going on here? (Back to Grandma's) Koushiro: (beep) Please find a computer to use. A new kind of Digimon appeared inside the internet. Taichi: We need you to help us fight! Takeru: ...this is really bad. (Back to Yagami residence) Takeru: (beep) We have our Digivices, but there's no computer here at Grandma's house. Yamato: There may not be any at all. We're in Shimane, after all.

The Shimane prefecture is one of the least populated regions in all of Japan. They are deeply rural right now. This realization causes Taichi to flop right back over onto the ground.

Taichi: (overdramatic) WE'RE COMPLETELY SCREEEEEEEWED!!! Koushiro: (beep) Please, try to find a computer! There has to be a computer somewhere in Shimane!

Matt and Takeru sprint out of the house, descending a long staircase from their grandmother's home.

Yamato: Hurry, Takeru!

Fingers crossed 'cause it's a ten-hour train ride back to Tokyo. We're not gonna be able to ford the Tokyo Bay on Zudomon's back with this one.

In the dub:

Tai: Is it hooked up yet? Izzy: Almost. In the meantime, check the messages to see if anyone called back. Tai: Oh! I forgot! (Tai checks messages) Matt: Hey Tai, it's Matt. So what's the big emergency? Call me back? T.K.: WAUGH!!! Matt: Oh, I gotta go. Grandma fell asleep on T.K. again. Izzy: Good ol' Matt! Tai: I knew that somebody on the team would come through! (Cut to Grandma's) Tai: (beep) Hey Matt, did you and T.K. bring your Digivices with you? Matt: Did you pack them? (Back to Kamiya residence) T.K.: (beep) This is T.K. Of course we have them! What's going on? (Back to Grandma's) Izzy: (beep) An evil Digimon has taken over the internet. Agumon and Tentomon are fighting it now but they need help! Get your Digivices to a computer as fast as you can! T.K.: ...what do we do now? Matt: (beep) Guys, the closest thing our grandmother has to a computer is an egg timer! We're going into town to find one.

The dub snips a round of phone tag, including Taichi comically flopping back over and wailing about how screwed we are. But to avoid losing the vital exposition that computers are hard to come by in Shimane, they play Matt's final message over the footage of the boys racing down the stairs.

Izzy lies to Matt and T.K. here. Agumon and Tentomon are resting, not fighting Infermon right now.

With Yamato and Takeru now on-mission, Koushiro finishes reconnecting.

On the screen, the images of Kabuterimon and Greymon ready to fight appear. Uh, having somehow re-evolved to Adult-stage without Taichi and Koushiro connected to them. But Infermon's icon is missing.

Koushiro: Alright, we're connected! Taichi: The satellite phone worked! Koushiro: Hang on, it isn't there! Did it leave NTT? Taichi: Hey....

A new email comes in from Infermon. It has a new message, all in Katakana like the others. It reads "イナイイナイバ Inai inai ba!" Pretty sure the last letter is the creature making sounds, while いない inai in Hiragana means "Not here".

The message seems to be, "Not here not here BLEH!" Infermon is taunting them. More importantly, the email address it's using is "@@@@@@djm.dot.gov.ny.us".

Koushiro: Found it! This thing... It's in America! Taichi: America?

While that's going on, Yamato and Takeru roam the long stretches of land in Shimane searching for a functioning computer they can connect to the internet with. The first house they stop at is no good, as a man out on the porch explains to them.

Man: Computer? I have one, but it's broken right now.

At the next house, the now out-of-breath brothers are again turned aside by a middle-aged woman at the door.

Woman: A computer? I don't have anything like that.

At the third house, as the brothers now gasp for air, they're met with further failure from an elderly couple.

Old Man: A com... what? Com....

Leaving there, the boys wander the street looking for new options.

Yamato: Like I thought, there's no computers anywhere in Shimane!

Well, the good news is that when Infermon collapses society, Yamato and Takeru will be well-insulated where they are.

In the dub:

Izzy: The uplink's working! We're back online! Tai: Now let's exterminate that bug! Izzy: ...he left the phone company!? Now where is he? Tai: Look! He sent another email!

As with Infermon's previous messages, the dub rewrites the email in English. This one reads "I'm close to him." Presumably referring to Willis.

Tai: "I'm close to him"!? Close to who!? Izzy: He's in America! Tai: He doesn't even have a green card!?

By pure serendipity, this time we are in fact talking about the United States. The dub didn't have to change this one. Infermon is in America.

The following scene featuring the boys' search for a computer was cut.

Yamato and Takeru's search continues until, suddenly, they strike gold.

The boys discover a small storefront called タクシタでんきTakushita Denki, or Takushita Electric. Writing on the shop window generically advertises "あなたの街のでんきやさん Anata no machi no denkiya-san" or "Your town's electric appliance shop!" Probably don't need much of a pitch in Shimane.

It's not exactly Radio Shack but it's in the right ballpark so we should be able to--

Woman: I'm sorry, but I don't have an internet connection for this computer.

At this point Takeru is straight-up crying. The boys are so fucked that it provokes an argument between the man and woman running the shop.

Man: Oh come on, just let them use it. Woman: (pointed) Sho-chan, don't you have deliveries to make? Sho: I feel bad for them! Woman: (getting heated) But it doesn't connect to the internet! Man: (pounds fist on the table) Then hook it up! Woman: SHO-CHAN-- Yamato: Hey, hey, both of you....

Yamato puts a stop to this before it gets ugly, and we cut to the boys on Sho's delivery motorcycle.

Yamato: Where are we going!? Sho: Leave this to me!

Three cheers for the random deliveryman who wouldn't hang these boys out to dry.

As with the rest of the boys' search, the dub cuts the electric shop too. All we get is the boys on Sho's motorcycle, which is quickly recontextualized to explain who he is.

Matt: UNCLE AL!!! I SAID SLOW DOWN!!! Al: STILL CAN'T HEAR YOU!!!

As with "Sora's cousin Duane", the dub's invented a new relative to transport the Chosen Children. I wonder if the kids accepting rides from strangers made the censors uncomfortable?

Meanwhile, in the United States, Infermon rampages unchecked across American systems.

Devouring everything in its path, we see multiple effects of the havoc it's unleashing.

Bus destination signs flickering into gibberish. Cab drivers' navigation systems replaced by static images superimposed by Infermon's face. The same happening to the giant screens in New York City, as well as airplane and flight control instruments at airports.

There's also one really cool metaphorical shot, gradually zooming out on an American flag while Infermon crawls up one of its stripes like an infectious parasite. Gives me the heeby-jeebies.

Finally, we end Infermon's rampage on a shot of NYC at night, as lights flicker in every building and police sirens scream through the night.

Taichi: Bastard! It's having fun! Koushiro: Despite being Perfect-stage, it's still a newborn child. There's no way to know what it's going to do. Taichi: Can't someone do something about this? Koushiro: I'm sure there's adults out there who've figured out that they aren't dealing with an ordinary computer glitch. But they have no way of realizing that it's a Digimon causing all this. Taichi: Then... What can we do!? Koushiro: All we can do is have Agumon and the others fight it. Taichi: But even then....

Taichi is pissed. He whips out この野郎 konoyarou, one of anime's favorite vulgar Fuck Off And Die insults.

The dub plays Infermon's American rampage for fun times. They set it to the song "All My Best Friends are Metalheads" by Less Than Jake.

Izzy: Well, the Digimon's in New York. He's eaten all the data at Kennedy Airport and he's headed for the subway system. Tai: Good! That will definitely slow him down, for sure! Izzy: I'd better email Willis and let him know that Infermon is heading in his direction. I do have one question, though. What do you think that Digimon would have been like if the virus never attacked him? Tai: I have a question too: WHY ARE YOU STILL DRINKING THAT JUNK!?!? Izzy: Look, just because you don't like to eat healthy, doesn't mean that I don't. Tai: Don't say I didn't warn you....

This isn't even a different take; They flat-out replaced this scene with a brand new one. Referencing Infermon's new goal of finding Willis and making jokes (and foreshadowing) about Yuuko's recipes.

Also, Izzy ponders what Infermon would be like if it wasn't infected by the virus, which is a funny question to ask when the dub added that detail in the first place. Speaking from the Japanese side? The same, Izzy. It's the same. Without a virus, Infermon is the same.

Well. Less talkative, so the virus did change some things, but not as much as you might think.

Suddenly, the boys receive a videocall. Man, it's a good thing Infermon left NTT 'cause good luck finding a satellite phone in Shimane.

Taichi: Yamato! Yamato: Sorry to keep you waiting! Takeru: We have our Digivices! Koushiro: I see. That's good. You found a computer? Yamato: Uh, well....

Cutting to their perspective, we see that the brothers are at a computer in a barber shop. The barber does not seem very thrilled about letting them use his computer.

Barber: Are you sure it's okay to let these kids touch it? Sho: (jolts upright) Stop whining and let them use it!

While I doubt it was intentionally tactical, Takeru's waterworks worked. Sho is invested in getting the boys online. They are, however, not exactly in a private space.

Elderly Man: Those are Kinu-san's grandchildren. Elderly Woman: Life in Tokyo sure is different. Taichi: Hey! What's wrong, Yamato! Hey! Yamato: N... No... It's nothing.

Returning to Odaiba, Koushiro chugs his glass of oolong tea from the tray they brought.

Taichi: Whew. You know, I was worried there for a moment. Koushiro: Taichi-san, can I have your oolong tea? Taichi: Haven't you drank too much already?

Koushiro doesn't wait for Taichi's answer. He chugs Taichi's glass too.

In the dub:

Tai: Matt! Matt: We've got the Digivices! T.K.: Now what? Tai: Awesome! We'll tell Gennai to upload Gabumon and Patamon onto the net! Matt: You can do that? Barber: That sounds like fun! Usually I just play Solitaire on that thing, but I-- Al: (jolts upright) Careful, Floyd! You almost cut my ear off! Elderly Man: Kids today are so smart, aren't they? Elderly Woman: I still can't set the time on my VCR. Tai: Hey Matt, who are all those weird people? Matt: (loudly) They're not weird! They're my best friends! (bitterly mutters) Considering this is the only computer in town! (Meanwhile, Izzy chugs his glass) Tai: Gennai's transfer of the Digimon is almost completed. Izzy: Hey, can I have yours? Tai: (despondent) Izzy, you're the bravest kid I've ever known....

The dub adds the detail of Tai "having Gennai move Gabumon and Patamon onto the net", which is a pretty detail to add. The barber is also a lot more friendly about letting random children use his computer.

It's ironic that Random Stranger Sho is a lot more gung-ho and aggressive about helping these kids than Uncle Al. Al got them to a computer too, but he's not throwing hands with everyone in Shimane over it. XD

Inside the internet, Agumon and Tentomon fly through cyberspace, ready for another round.

Tentomon: Aren't the others connected yet? Agumon: If not, we'll just have to fight it again by ourselves. Tentomon: Yeah, but-- Gabumon: Agumon! Tentomon! Both: Hm?

Gabumon and Patamon enter the circuit they're flying through from another tunnel.

Tentomon: Ah! Gabumon and Patamon! Patamon: We're coming too! Gabumon: Sorry we're late! Yamato: We're counting on you, Gabumon! Takeru: Ganbatte, Patamon! Koushiro: I'll guide all of you. Digimon: Okay! Agumon: This time, we'll definitely defeat this thing!

Reminder: Ganbaru is the Japanese cultural value of perseverance through tremendous adversity via hard work and dedication.

Arrows appear along the path, marking the route and guiding the Digimon to a new virtual space. This one is full of floating construction beams everywhere.

Perched atop one of those beams is Infermon, along with a video game compass marker helpfully pointing it out and a sign. A sight that has only gotten funnier in this modern age of gaming.

It's not Koushiro doing that part, though. The sign's origin is clear from the fact that it's simplistically written in strictly Katakana, like Infermon's earlier messages. It reads コッチダヨーン Kotchidayoun, which translates to こっちだよーん Kotchida youn which translates to "Over here".

Yamato: Is it playing with us!? Taichi: Yamato, let's go all out! Yamato: Straight to Ultimate level!

Yes. Yes, it is playing with us. Its age can be measured in hours. This is all a game to it.

In the dub:

Agumon: We're going back in! Tentomon: I assume Izzy and Tai were unsuccessful in finding anyone else. Agumon: Then you and I will just have to beat that thing by ourselves! Gabumon: Sorry we're late! Patamon: I was surfing the net and I wiped out! Agumon & Tentomon: Huh!? Tentomon: Gabumon and Patamon! Patamon: Is T.K. on this ride? Gabumon: He's not tall enough. Yamato: Hey, Gabumon! T.K.: Patamon! Izzy: Say hello later! We have work to do! Tentomon: Keep your legs and wings inside this ride at all times! Izzy: Just a little further, guys. Just remember: He's dangerous so stay focused! (The Digimon spill into the new area of the internet) Infermon: I'm looking for the programmer; Don't interfere! Matt: He's teasing us! Tai: Oh, yeah!? Then let's get him! Matt: It's time to Digivolve!

Patamon "surfing the net and wiping out" is a nice bit of wordplay for his punny quip, though I'm not sure what it's supposed to mean in a literal sense.

Izzy does not offer to guide the Digimon to their destination, the message remains untranslated in Katakana, and Infermon explicitly wants them to stay away from him rather than goading them. So. I sincerely have no idea who put the pointing arrow over Infermon in this version. It just kinda happens.

As Taichi and Yamato agreed, it's time to evolve straight to Ultimate.

While Agumon and Gabumon Warp-Evolve, we jump around the globe once again to people watching their evolution sequences. This fight, too, will be broadcast worldwide.

I'm really fond of how this is presented. Show Me Your Brave Heart begins like usual when the Digimon evolve, but we jump to a different country and different group of people with each note of the song.

The dub uses their typical Warp Digivolve reprise of their opening theme, but they aren't able to time the shots to the notes for obvious reasons. It still flows pretty well.

Also, for Digimon: The Movie synergy, there's a blond boy watching in one of the shots that you could totally assume is Willis. Maybe he is! Or he could be Michael from 02. Who knows.

WarGreymon and MetalGarurumon take turns boxing Infermon around, making hit and run swipes at it.

Taichi: Nice! Takeru: Patamon, you evolve too. Patamon: Uh-huh!

A neat detail of Patamon's attempted evolution is that the stock animation footage appears diegetically on a screen directly behind him. We see him with the screen at an angle while the startup "Digivice meter rises and overtakes the Digivice" bit plays.

(This might be why Infermon can interfere with evolution sequences. Others have fucked with evolution before but not this directly. It's never been implied that a Partner Digimon in-universe stands there frozen in place for upwards of 40 seconds when evolving.

But we're not in the Digital World right now. We're inside the internet itself, so maybe the data stream is something that can be seen and interacted with. Or something.)

Whatever the case, Infermon's not letting them get away with this one. It lunges, undergoing its own evolution into Diablomon.

Yamato: It evolved!? Taichi: How is it so fast!?

I'm not sure if Taichi means it's moving fast, it evolved fast without a fancy sequence like the Partners have, or that it evolved quickly in the sense that it's gone from Digitama to Ultimate in the span of like a few hours. Honestly, all of these are valid questions.

In its new form, Diablomon has stretchy rubber-band limbs, which it demonstrates by punching Patamon out of his evolution sequence and pinning him against a girder.

Takeru: Patamon! Tentomon: Patamon--DAUGH!!!

Also, it has two arms, so Tentomon can have one too.

In the dub:

T.K.: Patamon, you'd better Digivolve! Patamon: Right! Patamon, Digivolve To.... Infermon: Infermon, Digivolve to: Diaboromon!

"Diaboro" is an obvious r/l mistranslation of "Diablo", the Spanish word for devil. What's less obvious is whether they did that by accident or on purpose. Might be an error, might be they fudged the name on purpose to remove the Satanic reference. Both are plausible.

Matt: What's going on!? Tai: He Digivolved.... Diaboromon: CABLE CRUSHER!!! (Diaboromon punches Patamon out of his evolution) T.K.: Look out, Patamon! Tentomon: I'll save him! (gets punched)

The stretchy arm punches are called Cable Crusher in the dub.

Gotta love T.K. yelling "Look out!" like a second after Patamon already got hit. XD THANKS. HELPFUL.

Takeru and Koushiro check on their pinned down Partners.

Takeru: PATAMON!!! ARE YOU OKAY!?!? Koushiro: Tentomon! Tentomon: I'm fine... Patamon.... Takeru: (crying) Patamon, I'm coming to you! Patamon! Patamon! Patamon!

Meanwhile, at the barber shop, everyone's dropped what they're doing to stare at these strange boys getting very emotional about whatever they're doing on the internet. Even Sho and the barber have stopped midway through Sho's shave.

Yamato: How dare you... HOW DARE YOU DO THAT TO PATAMON!!! Taichi: YOU'LL PAY FOR THIS!!!

Resuming the fight, MetalGarurumon goes for Diablomon first. MetalGarurumon unloads his freezing missiles, Diablomon gets pummeled by MetalGarurumon's shots. At speed, it's hard to tell if the blasts are hitting it or if it's dodging, but the freeze-frame clearly shows Diablomon getting tossed around.

Recovering, Diablomon returns fire with a fireball from its chest which hits MetalGarurumon dead on.

WarGreymon pushes through the smoke and closes distance. Diablomon tries to deflect WarGreymon's attack at range, using its own stretchy claw to break WarGreymon's right Dramon Killer off. WarGreymon adapts, turning a stab into a punch and breaking Diablomon's goddamn face.

Taichi: Tentomon! Look after Patamon. WarGreymon, stay on the attack!

Koushiro, next to Taichi, begins sweating and seems to be having, let's say, trouble with something....

As WarGreymon closes distance, the process repeats. Diablomon snaps off WarGreymon's other Dramon Killer, and WarGreymon connects an unguarded left hook into Diablomon's face.

In the dub:

T.K.: Ahh! Patamon, are you alright!? Izzy: Tentomon! Tentomon: I'm fine! What about Patamon? T.K.: Patamon! Speak to me! Come on, get up! Say something! I'm coming! I'll come get you! Matt: T.K.... You can't. (to MetalGarurumon) BUT YOU CAN!!! Tai: WIPE HIM OUT!!!

The dub names MetalGarurumon's missiles Ice Wolf Spikes, despite usually calling it (and most of his other moves) Ice Wolf Claw. Diablomon's fireball is Web Wrecker. WarGreymon's punch is just a punch, though to be honest I was expecting it to be Terra Force or, like, Nova Punch or something. XD

Tai: Tentomon, circle around! WarGreymon, attack!

For some reason, the dub has Tai tell Tentomon to "circle around" Diablomon, as if he's supposed to be moving in for a flanking strike. Um. No. His job is to go make sure Patamon didn't die a moment ago.

Unfortunately, while this is happening, Koushiro continues to have his crisis.

Koushiro: T-Taichi-san.... Taichi: Go! Keep it up! Koushiro: (straining) Taichi-san! Taichi: Right there! Get it! Koushiro: TAICHI-SAN!!! Taichi: The hell!?

Startled, Taichi finally turns his attention to Koushiro, who is visibly in a lot of pain.

As Taichi turns his attention to Koushiro, the line "Show me your brave heart" from their triumphant battle theme gets stuck. The soundtrack begins stuttering, playing that same line over and over and over like a broken record. Our first warning that things are now suddenly going awry.

Koushiro: I can't hold it anymore.... Taichi: What!? Koushiro: I have to use the bathroom, please....

Without another word, Koushiro stands up and staggers out of the office.

Taichi: (dismayed) Hey... Why now of all times...? Hey!

Meanwhile, in the fight, WarGreymon and MetalGarurumon both power up their attacks to throw at Diablomon.

Yamato: That's it! Finish it off! Taichi: Huh!?

The pair fire off attacks together that... Sort of look like Cocytus Breath and Gaia Force reimagined by a new art direction.

Taichi: Please! This has to hit!

It does not. Diablomon leaps straight up and hurdles their shots at the last second.

Taichi: FUCK!!!

Frustrated, Taichi smacks the computer monitor and causes it to Blue Screen. He freezes in horror when he realizes what he's done.

Yamato: What's happening, Taichi!? WarGreymon stopped moving!

This is karma for the Andromon episode of the Devimon arc, where Taichi kept smacking computers.

Taichi tries shaking the monitor a couple of times to try and get the connection back, but it's hopeless. Thankfully, Koushiro returns from the bathroom here to discover what Taichi's done.

Koushiro: Sorry about that. Taichi: (desperate, teary) It isn't working! Koushiro: Eh!? WHAT HAVE YOU DONE!?!?

Our polite little Koushiro shoves Taichi away from the computer so that he can get this fixed.

Taichi: I didn't do anything! It's your fault for using the bathroom at a time like this! Koushiro: It's useless.

Koushiro gives up on trying to get the system back on and hard reboots the computer instead.

In the dub:

Izzy: It's... no... use.... Tai: What are you talking about!? We're winning! Izzy: Owaaaaaaugh... goh... This could be it.... Tai: Yeah! Great, huh? Izzy: Not that! Tai: What's going on!? Izzy: There's something... wrong with me.... Tai: What is it!? Izzy: I think it's your mother's recipes.... (Izzy runs off for the bathroom) Tai: See!? I hate to tell you I told you so but... I told you so!

In the original, he just needs to pee. He drank too much oolong tea and now his body needs to drain the excess fluid. He leaves Taichi unsupervised with the computer for less than a minute.

Here, he's got some kind of indigestion or food poisoning going on, which will be similarly quick to handle.

Matt: Tai! Look! Something's wrong! Tai: Huh!? (The Digimon attack) Tai: Oh no! They're slowing down! (Diaboromon dodges) Tai: Huh!? COME ON!!! (Tai smacks the computer and it blue screens) Matt: Tai, where'd you go!? WarGreymon has practically stopped moving! (Tai shakes the computer a couple of times) Tai: Oh no! Oh no! Izzy: (returns) Ah, I feel a lot better. Tai: I didn't touch anything, I swear! Izzy: AH!!! (shove) TAI, WHAT DID YOU DO!?!? Tai: It wasn't my fault! Besides, who told you to go to the bathroom at such an important time!? Izzy: Like I had a choice!

In the original, Taichi and Yamato are gung-ho about landing these shots and finishing off Diablomon. The dub asserts that they're moving slower, which is a later plot point that the dub's incorporating early.

They may have brought this in early to explain why WarGreymon suddenly shuts down when Tai's connection breaks. It's never been a thing before that a Digimon suddenly goes into stasis if their Partner isn't nearby. That's a weird thing for the original to have happen, so the implied whatever-the-fuck could be an attempted story patch.

While the computer's rebooting, Koushiro vents at Taichi.

Koushiro: Why did you freeze the system!? Taichi: I didn't think that would happen! Koushiro: This is why you're bickering with Sora! Taichi: (wounded) I did nothing...!

Jesus. I don't think we've ever seen Koushiro this upset, and he once fought a guy that wanted to eat his parents. Taichi is silent for a moment, nursing the critical hit that remark struck.

Taichi: I just... (mutters) ...got her a present. Koushiro: A present?

We cut to Sora, sitting in her windowsill and watching a jet go by in the sky as Taichi finally opens up about what happened.

Taichi: Her birthday was coming up, so I got her a hairclip. But then she starts saying things like, "(sneering) Oh, you think this hat doesn't suit me!?" So we started fighting....

As Taichi finishes his story, we return to Taichi and Koushiro, with that same jet visible out the window. They're far apart, physically and emotionally, yet under the same sky all the same.

Koushiro: So that's it... Taichi: Yeah, but... I'm supposed to apologize, right?

Taichi's impression of Sora, literally the tone he uses when quoting her, is mean and uncharitable. But that's not unexpected for someone who's in the midst of a quarrel and doesn't understand what he could possibly have done wrong. So far as Taichi figures it, Sora snapped all of a sudden over the hairclip and started yelling at him for no reason.

Okay. We need to take a moment and talk about the hairclip. What did Taichi do wrong? Well. They don't give us a lot of information to go on. We never hear Sora's side of the story. This is all we get.

But from what we know of Sora, we can surmise some things. The explicit point of contention is Sora's hat. Taichi gave her a pretty hairclip and her kneejerk reaction was that he was telling her not to wear her hat.

This is what she's reacting so negatively to; The implicit statement Taichi hadn't realized he was making that Sora's hat is bad. Or, specifically, that it is 似合わない niawanai, unsuitable for her. That she is the kind of person who wears pretty hairclips and not the kind of person who wears hats like this.

Let's take a moment to think about the context Sora exists in. The longstanding personal drama of her life is her conflict with her mother's expectations. Her mother is iemoto, the grandmaster for a school of ikebana, a traditional art of flower arranging. Sora was born to step into the shoes of a very traditional and feminine discipline, which she did not take well to.

Rather than following eagerly in her mother's footsteps, Sora became more invested in sports, a traditionally masculine activity. She presents herself with long pants, short hair, and that big helmet over most of her head, which she's now swapped for a floofy winter cap. She has conversations with Mimi about how assertive and strong she is compared to the more feminine Mimi.

Sora has, for years, felt like her self-expression is under siege by expectations of traditional femininity. And then Taichi comes to her and implicitly says to her, "Hey, you should change your self-expression to be more feminine." Of course she blew up. Of course she did.

Taichi, of course, had no idea the hairclip would be taken that way. He's... just... terrible at understanding other people's feelings. This was stupidity, not malice. But even though Sora and Toshiko have reconciled, that doesn't mean all the sore spots have disappeared. Taichi stepped on an emotional landmine buried in the Demilitarized Zone that Sora and Toshiko's arguments left behind.

Not to be too charitable to Taichi since he was there when she explained all this. He's an idiot who doesn't think things through and isn't good at understanding people. But he didn't mean any harm by it and now has no idea why it created so much tension.

In the dub:

Izzy: Oh, why did you crash the computer!? Now I have to reboot! Tai: Well, it's not like I did it on purpose or anything! Izzy: Yeah, right! Just like it wasn't your fault with Sora! Tai: That wasn't... my fault... Oh, okay, maybe it was my fault. Izzy: What happened? (Cut to Sora) Tai (V.O.): It was stupid. I gave her this really great hairpin for her birthday and then she got all mad and said, "(sneer) Oh, you don't like my hairstyle!?" and I said "Who could tell? You're always wearing a hat!" and then she said "So! Now you don't like my hat, huh!?" It's very confusing. (Cut back to Tai and Izzy) Izzy: That's what you fought about? Tai: I tried to apologize to her but she won't return my phone calls!

Tai and Sora's argument in the dub is a bit longer. A subtle but critical difference here is that Sora in the original is getting mad over whether her hat is suitable to her while Sora in the dub is getting mad over whether Tai personally likes her aesthetic.

Suddenly, the computer finishes reconnecting with an audible chime.

Koushiro: Ah! We're back to normal. Taichi: WarGreymon-- Ah!

The boys reconnect to find the battlefield they left behind has become a debris field. WarGreymon and MetalGarurumon lay motionless, lifeless amid the debris.

Yamato: TAICHI!!! KOUSHIRO!!! WHAT THE HELL WERE YOU GUYS DOING!?!? YOU GODDAMN MORONS!!!

Koushiro's only crime was having to pee, and his Digimon was barely even a participant anyway. He probably doesn't deserve to be called 馬鹿野郎 bakayarou, which is the anime classic 馬鹿 baka or "stupid" but in a really mean and vulgar way. It's for when you wanna call someone baka but spit it like a curse word, no playing.

For Taichi, however, the obscenity is well-warranted.

Taichi: (teary-eyed) WarGreymon! WarGreymon! WARGREYMON!!! WARGREYMOOOOOOOOOOOON!!!

While Taichi's screaming for his Partner, we take another cuts around the globe. To all the people silently watching in stunned horror as he all but begs his Partner to be alive.

WarGreymon: T... Taichi....

Finally, Taichi's voice reaches WarGreymon and he opens his eyes again.

The dub catches that an audio cue is supposed to alert the boys, and uses that old 90's dial-up tone.

Izzy: Ah! We're back online! Tai: WarGreymon! (Debris field, half-dead Digimon) Matt: Hey guys, where were you!? You two sure picked a lousy time to take a lunch break! Tai: (teary-eyed) What happened to him!? WarGreymon! (Silence as we jump around the globe, then back to WarGreymon) Tai: WarGreymon.... WarGreymon: ...ugggggh... Tai, I can't move!

The emotions are dialed back quite a bit here. Matt gives them a snarky scolding instead of yelling obscenities in Tai's face while Tai's fear and grief doesn't quite match the bloodcurdling screaming that Taichi's doing.

Good news is that WarGreymon isn't dead. But this is still pretty bad.

Taichi: If I.... If I'd been here, this wouldn't have happened. Koushiro: You lost again? Taichi: WHAT!?!?

Taichi whips around like them's fightin' words to see Koushiro reading emails from the laptop.

Koushiro: And now from Canberra: "You were so close to winning. What were you doing!?" This one's from Berlin--

Out of nowhere, Taichi shoves Koushiro. Then he grabs him by the scruff of his shirt.

Taichi: The hell!? ASSHOLE!!! Koushiro: I was just reading the emails we received! Taichi: Koushiro, you piece of-- Yamato: Cut it out! This isn't the time to fight each other! (beat) Taichi: Keh!

Taichi pushes Koushiro back to the ground and returns his attention to the computer.

Taichi: What's with these emails anyway!?

What gets me about this bit is that it's not a misunderstanding. His この野郎 konoyarou comes before he clarifies, but even after, Taichi still gives him a 手前 temae. That's the second-person pronoun you use when you want to say "you" in a way that expresses contempt.

Taichi isn't confused here; He is legit trying to punch the messenger.

In the dub:

Tai: I let him down! I should have been there! Izzy: Your Digimon's a loser. Tai: What did you say!? Izzy: How could two Mega-level Digimon get beat by one lousy bug!? WarGreymon quit like a coward--OW!!! (Tai shoves Izzy and grabs him) Tai: YOU TAKE THAT BACK OR I'LL-- Izzy: I WAS READING AN EMAIL FROM ANOTHER KID!!! Tai: You didn't have to read it so well! Matt: Hey, you two! This isn't the time to be fighting! (beat) (Tai shoves Izzy down and goes back to the computer) Tai: Stupid emails....

The dub does play this more for misunderstanding. They take out the parts where Koushiro says "This one's from Canberra" and "This one's from Berlin", so it sounds to Tai like Izzy's being mean and cruel out of nowhere.

Tai doesn't apologize after Izzy clarifies, but he also doesn't double down like Taichi does.

Additionally, the kids emailing seem to be a lot better informed than in the original. It's not too big a deal that they can namedrop WarGreymon since Tai/chi says his name multiple times while begging him to be alive. But they also name-drop Mega Digimon and seem to understand what that means.

From here, we go to Diablomon in the depths of the internet.

It's holding a cute pink clock, revealed to be the true source of its weird cackling back in the first Infermon fight.

Clock: Yahahahahahaha! Yahahahahahaha! Yahahahahahaha!

Diablomon waves its hand over the cackling clock and makes it disappear. Cut to an ominous shot of the jet flying in the sky, and then back to the boys.

Diablomon appears on the computer screens in front of Yamato, Takeru, and Taichi. It doesn't send an email this time; It simply composes one in real-time for them to see, typing out letter by letter.

Diablomon types トケイヲモッテイルノハダーレダ Tokei wo motteiru noha daareda. Which translates to 時計を持っているのは誰だ Tokei wo motteiru noha daareda. Which translates to "Who has the clock?"

Incidentally, this message is sent from the FactoryMark server so it looks like Diablomon's back in Japan. It did what it needed to do in the U.S.

Takeru: Clock?

This message is then replaced by two entirely different things to freak out about. The first is a red timer counting down from ten minutes. The second is Diablomon's image in the background dividing into two, and then those two dividing into four. Then those four into eight.

Yamato: It's copying itself.... Taichi: These numbers-- Koushiro: What do we do!? Taichi: Huh!?

Koushiro isn't looking at the screen. He's still at his laptop reading emails.

Koushiro: A middle school student from Taiwan hacked into the Pentagon, and they say that a nuclear missile was launched from an American military base thirty minutes ago. Taichi: HUH!?!? Koushiro: It was fired by a computer error. (freaking out) Of course, it was actually that thing that did it! Taichi: Then this number is.... Koushiro: The estimated time until the missile reaches its target.

OH. OKAY.

THAT IS PROBABLY BAD.

In the dub, Diaboromon talks over the ticking of the clock, which is not itself cackling.

Diaboromon: Wahahahahahaha! Go back to the beginning....

His email is rewritten in English once again. This time he types out, letter by letter, "Who can count backwards from ten?"

Tai: Another email!? "Who can count backwards from ten?" Huh!? Is he giving us a math test!? (Cut to T.K. and Yamato) T.K.: What's that? (Timer appears and Diaboromon begins dividing) Matt: Hey, what's with the timer? Tai: He's making copies of himself! (Cut back to Tai and Izzy) Tai: He's multiplying! Izzy: It gets worse! The U.S.A. just launched two nuclear missiles! Tai: Huh!?

Yep, there's two missiles in this version. Also, they were recently fired, as opposed to having been fired half an hour ago.

The dub edits the footage again to remove Koushiro's Taiwanese pal and replace him with Willis.

Izzy: Willis says the government has no explanation for it, but he found out that Diaboromon's in the Pentagon's computers. I hope I didn't lead him there with my satellite uplink! (gasp) One of the missiles is headed for Colorado! THEY'RE GONNA LAND IN LESS THAN TEN MINUTES!!! Tai: That explains the timer. But what's in Colorado!? Izzy: I have no idea! In the meantime, Diaboromon keeps multiplying!

Willis, of course. One missile for the original target and a second missile for Willis.

We cut again briefly to the "jet" leaving its trail in the air. Now with an unsettling new context.

Taichi: Y-You're messing with me.... Koushiro: The nuclear missile is called One-Shot Peacekeeper. Range of 20,000 km, which is nearly the entire Earth. Top speed is 15,000 mph. Taichi: ...what's that in kmph? Koushiro: In parentheses, "Mach 23". Taichi: T... Twenty-three...?

The Earth is a little over 40,000 km in circumference so Koushiro's math checks out. Depending on which direction you shoot in, you can cover almost everything on the planet with that kind of range.

Additionally, the speed required to achieve orbital velocity is about 17,500 mph. So this missile can't reach orbit, but it's close.

As Koushiro says that, we cut to Mimi in Hawaii watching the "jet" suddenly streak by overhead. Seems to be heading westward from the continental U.S.

Mimi: Oooooo!

She has no idea what she's looking at. It's probably just a cool plane going super fast in the air.

Koushiro: But we don't know what its target is or where it is in the air right now. Only that it's going to detonate somewhere in the world... in nine minutes.

Meanwhile, in Shimane, the people in the barbershop have no idea. The elderly couple discuss dark clouds moving in over the region.

Elderly Man: It's getting cloudy. Elderly Woman: So quiet, though. I should probably go bring in the laundry right away. Elderly Man: Right away!

The old woman offers Yamato a grocery bag.

Elderly Woman: Would you bring these things to Kinu-san? Tell her they're from Yasuko. Yamato: ... Yasuko: Huh? Are you even listening?

They are not. Yamato and Takeru stare at the computer screen, paralyzed with terror by the reality in front of them.

An interesting note is that it's only one missile. Diablomon isn't going Full Skynet and trying to annihilate humankind. It only has one target it intends to utterly destroy.

In the dub:

Tai: But the military has the power to stop it, right? Izzy: Every country is trying to intercept them, including Japan. But Diaboromon has infiltrated all the computers and is rerouting them to fall harmlessly in the ocean near Hawaii! Mimi: (Hawaii) Ooooo, fireworks! Izzy: I've got the trajectory for the other missile. Let me calculate. ...carry the two, times three... TAI, IT'S AIMED RIGHT FOR THIS NEIGHBORHOOD!!! Tai: (frustrated) Ugh....

SPOILERS, IZZY. FUCK. I mean, I think most people already guessed that, but still.

Following Tai's incredibly understated groan, the Shimane scene is cut.

When Izzy says Diaboromon is "rerouting them to fall harmlessly in the ocean", the wording here is a little confusing. I think he means that Diaboromon's sending every country's counter-missiles to Hawaii? But the way he words it makes it sound like he's sending the two nukes to Hawaii.

It's a bit of a word salad to try and justify why Mimi's seeing a missile streak by in Hawaii. Which... is kind of a fair question, because Hawaii isn't between the continental U.S. and Japan. It's pretty far south, between Mexico and the Philippines. So I have no idea why the missile passed directly over Mimi's head.

(It heard how cool she was and wanted to swing by to see for itself. It has more than enough range for a detour.

Back at Taichi's home, more emails come in.

Koushiro: This email's from Indonesia: "You must defeat the enemy somehow." Over here, from Armenia: "You're the only ones who can defeat that monster." From Qatar: "Please ganbatte." Taichi: We should ganbaru...

Watching the screen, they're now up to 64 Diablomon and still dividing.

Taichi: But we can't defeat all of them! Koushiro: A nuclear missile can't detonate unless the fuse is activated. If this is supposed to be a game, then which one of those things has the clock? Defeat that one and the fuse won't activate. Taichi: But how do we find that one? Koushiro: That is... We'll have to defeat them one by one. Taichi: But that will take too long!

Koushiro slowly turns around to face Taichi, so Taichi can see how serious he is.

Koushiro: But that's the only choice we have. Taichi: (stunned) ....

Taichi is left speechless by how dire their predicament is.

In the dub... the hack and slash job continues. The scene continues, but they don't use the footage for it. Instead, remember that bit they cut out where Taichi cries "WE'RE SCREWED!" and falls over? Yeah, they past that part in for the footage of this section.

Izzy: Tai, look! Emails from all over the world! "Get that evil Digimon! You're our only hope!" Here's another one: "Be home by six o'clock!" ...oh, wait, that's from my mom. Tai: I'M TRYING TO SAVE THE WORLD AND YOU'RE READING FANMAIL!!! Izzy: WE JUST LOST OUR CONNECTION!!! Tai: (falls over comically) Greeeeeeeeat. Izzy: Don't worry, I'll get it back! Listen, I think if we defeat the original Diaboromon, the rest will disappear. Tai: (gets back up, excited) WHAT!?!? Izzy: All we have to do is destroy each one until we've found the original.

They then use a shot of the "jet" flying in the sky to reset the positions of the characters and join back up with the original footage at "But that will take too long!"

Tai: Sounds great! How many are there so far? Izzy: Oh no.... (Izzy slowly turns around) Tai: Spit it out, Izzy! How many are there! Izzy: ...there are over 75,000 and counting. Tai: (stunned) ...

In addition to the hack and slash job, we are now wildly off-script.

They keep the basic idea that there is one specific Diablomon we must defeat. But the relationship between that Diablomon, the detonation of the nuke, and the little clock Diablomon showed the camera earlier? Completely wiped off the board.

Along with it goes the characterization that Diablomon is still, even in this form, playing games.

In its place, we get the connection going out for like half a second, which adds nothing to this scene. That's clearly there because they cut out this comical footage of Taichi falling over earlier and wanted to use it somewhere.

And the dub also claims that there are now 75,000 Diaboromon. We're at like 64 or so. The Americans inflated the hell out of these numbers.

While Taichi struggles to process this situation, WarGreymon suddenly reaches out.

WarGreymon: Taichi.... Taichi: .... WarGreymon: Taichi...! Taichi: .... WarGreymon: Taichi! Taichi: (gasp)

That shakes him out of it, and he returns his attention to the screen. The Ultimate Digimon begin to move, ready to go once again despite their injuries and damaged armor.

WarGreymon: Taichi... Pull yourself together, Taichi, and let us handle this. Taichi: WarGreymon.... MetalGarurumon: Do we know where it is? Yamato: MetalGarurumon.... Koushiro: Guys.... (steeling himself) I'm sending the address now! MetalGarurumon: Please.

An exit from their current server appears, and the pair of Ultimates exit into the internet once more.

Taichi: (quietly) You're right. It's the only way. I'm sorry. Koushiro: (quietly) Yeah....

Meanwhile, in the kitchen, Yuuko checks on her cake.

Yuuko: Seven minutes left!

Across Tokyo, Jou scrambles to finish his entrance exam.

Announcement: Seven minutes left! Jou: (writes frantically) OH NO!!!

Seven minutes left!

Yuuko's cake provides a curious timeframe. It's been twenty-three minutes since she put it into the microwave, and the nuke was fired thirty-three minutes ago. This means the nuke was launched ten minutes before Yuuko put the cake in the oven. Ten minutes before the fight with Infermon, ending in Infermon using the NTT system to shut Taichi and Koushiro out of the internet.

The timeframe is honestly fascinating, as it implies that the nuke was one of the numerous errors that emerged during Kuramon's hatching. Like when Jou missed his train because the doors wouldn't open. The nuke was fired then, during the opening credit sequence, and has been in the air this entire time.

In the dub:

WarGreymon: Tai.... Izzy: What's that? It didn't sound like my stomach. WarGreymon: Tai! Tai: Ah! (Tai returns his attention to the computer) WarGreymon: Have faith! I'll find... the original! Tai: WarGreymon.... MetalGarurumon: Mrrrgh... I'll help you.... Matt: MetalGarurumon! Izzy: They're so slow.... It's because of all the emails! They're slowing down our Digimon's processing speed! I've gotta write to everybody and tell them to stop emailing us until the Digimon are back to full strength! Tai: Are you crazy, Izzy!? Do you know how long that will take!? There's no time! Now we're-- (Cut to Yuuko) Yuuko: --just about-- (Cut to Joe) Announcer: --FINISHED!!! Joe: (writes frantically) IT CAN'T END LIKE THIS!!!

Love what the dub does with those Yuuko and Jou cuts. Beautiful.

So here we get the explanation for all the "WarGreymon is slowing down for some reason!" stuff. The emails coming in are screwing with his and MetalGarurumon's processing speed.

This is actually a plot point from the original. The dub went ahead and introduced it way earlier so they could build up to it. And use it to explain that weird moment when WarGreymon suddenly froze up after Taichi disconnected. Good call. A+

Seven minutes left!

As WarGreymon and MetalGarurumon fly through the internet, more and more emails come in... including a couple of fairly significant cameos.

One is a certain little girl with purple hair that we'll be getting to know better next season.

Another is a boy named Ryo Akiyama. Ryo is the main playable character for a series of Adventure-adjacent video games that take place in the margins around the anime's continuity. We'll be seeing him cross over more and more into the anime proper with not only the next season of Adventure, but also Digimon Tamers.

Despite Tamers being in a separate continuity. It's weird.

Koushiro: There's so much email flowing in.... "Ganbare WarGreymon" from Costa Rica. "Don't lose this, MetalGarurumon," from the Philippines. Takeru: (gripping Yamato's shirt) Onii-chan... Don't give in.... Yamato: I won't give up... not to the very end. Taichi: I will never give up....

As the boys steel their resolve, the clock ticks down.

The dub plays a snippet of Here We Go by Jason Gochin here for a rock interlude. They snip out Koushiro's dialogue about the email, though they still use the footage so we see his lips move silently.

T.K.: Tell me... Will they make it...? Matt: I'm not sure, T.K. But they're gonna try. Tai: Don't give up, guys. No matter what happens, don't give up!

An interesting note is that the dub treats Tai and Matt as passive observers here while the original treats them as active participants. This is because they may not be the ones throwing the punches but it's their power that WarGreymon and MetalGarurumon are wielding.

Six and a half minutes left!

WarGreymon and MetalGarurumon arrive in an area that has been completely overrun with the growing Diablomon swarm.

Yamato: They're... How many of them are there? Koushiro: 4,000... 8,000... It copied itself again! 16,000! They keep making more!

In the dub, the Diablomon are uttering a chorus of "Don't interfere!" over and over and over again. Presumably referring to his plan to drop a nuke on Willis.

Matt: How many copies of Diaboromon are there now!? Izzy: To be honest, I don't know. I stopped keeping track a while ago. It's gotta be well over a million!

It is not. No reason not to use the original numbers; Dub team's scrawling in some extra zeros for American machismo.

No time to get our bearings. At once, thousands of Diablomon open fire on our boys.

WarGreymon and MetalGarurumon are forced to try and weave through the barrage of incoming shots. They don't last long. MetalGarurumon is the first to start taking hits.

Yamato: Ah! Taichi: MetalGarurumon!

While Taichi's eyes are on MetalGarurumon, several shots catch up to WarGreymon, pummeling him as well.

Taichi: Ah! Takeru: They're moving really weird! Koushiro: It's because of all these emails flooding in from around the world! Having so many emails come in is slowing down our processing speed! Takeru: If this keeps up, we'll lose! Koushiro: (typing frantically) To everyone around the world: WarGreymon and MetalGarurumon's responsiveness is dropping! I'm begging you to stop sending emails!

Anyone who's seen a thousand-strong office "Please stop Replying All" chain knows that ain't gonna cut it.

In the dub:

(MetalGarurumon is hit) Matt: Ah! Tai: METALGARURUMON!!! (WarGreymon is hit) Tai: Ah! T.K.: WarGreymon has started to slow down again! Izzy: It's the emails! They're coming in faster than ever! They're slowing down the processing speed even more! Tai: They're sitting ducks out there! Izzy: (typing frantically) Please, guys, stop writing! I know your intentions are good but you're really hurting our cause! Your emails are putting our Digimon in danger!

The dub seems to think the emails are only affecting WarGreymon. They may have gotten confused over the -tachi suffix. WarGreymon-tachi is being affected.

The -tachi suffix is how you pluralize a group of people in Japanese. When stuck to a name, it basically means, "and others in their group" using only two syllables. In this case, MetalGarurumon is the -tachi.

Despite Koushiro's best efforts, the damage is done. WarGreymon and MetalGarurumon float unmoving in the void once the barrage of enemy fire lets up.

Taichi: WARGREYMON!!!

Letting out slow, hollow breathes, Taichi slowly reaches for the screen. Reaches for his partner. Drawing closer and closer and--

Yuuko: (opens door) Koushiro-kun, will you be eating lunch with us? Koushiro: (doesn't notice; mutters) It's useless. I can't stop these emails. There's only five minutes left... What do we do? Yuuko: (smiling) I'm sorry for disturbing you.

Yuuko quietly closes the door. Then, suddenly, she opens it again.

Yuuko: Huh? Where did Taichi go?

A shot of the room reveals that, indeed, Taichi is gone. Koushiro is alone in Susumu's office.

In the dub:

Tai: (gasp) WarGreymon...!

In the original, the music is silent here. The only sound we hear is the echoing of Taichi's hollow, ragged breaths. The dub adds this incredibly loud, eerie background music that drowns out both Tai's breathing and also the new dialogue they gave him.

Tai: WarGreymon... I've got to help... There must be a way... Somehow.... (Yuuko enters) Yuuko: More juice, Izzy? I just squeezed some onions! Izzy: No thanks! I'm rerouting incoming data from the remote server into local memory. Yuuko: (clearly did not understand that) Oh. Whoops. I'll just leave you two alone. (Yuuko departs, then comes back in) Yuuko: Wait a minute! Where did Tai go?

Koushiro is both freaking out and hyperfocused to the point that he notices neither Yuuko entering the room nor Taichi's mysterious exit from it. It's an established character trait that he sometimes doesn't notice other people when he's hyperfocused.

(It got him thrown off a cliff once. By me.)

But Izzy has the presence of mind to briefly chat with Yuuko.

So, where did Taichi go? Into the computer, of course.

That big square window that the children appear in during all these fights? Taichi passes through his to enter the internet and reach WarGreymon.

He slowly descends until he reaches WarGreymon.

Taichi: WarGreymon! WarGreymon: ...

Some distance away, Yamato does the same. He passes through his light window and enters, floating down to MetalGarurumon.

Yamato: Metal... MetalGarurumon! It's me, Yamato. Can you hear me? Open your eyes! Taichi: Yamato....

Taichi watches Yamato for a moment, then does the same thing.

Taichi: I'm here! I'm here too! I came so we can fight together! WarGreymon: ... Taichi: You... You don't have to fight alone anymore.... WarGreymon: ... Taichi: I'm right here! I'm here with you, WarGreymon!

I love how the screens are angled to create the imagery of the children descending upon the near-dead Digimon like angels from heaven. I see what you did there.

In the dub, Kari's voice-over pops back up to try and explain this.

Kari (V.O.): None of us are sure how, but Tai's bond with WarGreymon was so strong that Tai himself became digital!

"None of us are sure how." Kari, go have some more birthday cake. You weren't even here for this.

This is neither the first nor the last time a Chosen Child's holy light will open a gateway between realities.

Tai: WarGreymon... I'm here.... (Matt descends from the other screen) Matt: MetalGarurumon! Wake up! Don't quit now! Why won't he answer me, Tai? Tai: Keep trying, Matt! (Tai looks down at WarGreymon) Tai: Listen. I don't have a whistle to wake you, but I want you to know you're not alone, okay? WarGreymon: ... Tai: And the mail keeps coming! It won't stop! WarGreymon: ... Tai: Kids from all over the world are writing to you. They need your help. You're the only one who can do it! Feel their hope! Feel their strength!

"I don't have a whistle to wake you" is a reference to Kari's whistle being used to wake Greymon in the first OVA's battle with Parrotmon. Since the OVA formed the first portion of Digimon: The Movie, they reference its events here.

Taichi's speech to WarGreymon is personal and focused on their bond with one another. Tai's speech is about how much the entire world loves WarGreymon, which does segue pretty well into this next bit.

WarGreymon: ...u...urgh....

In the dub:

WarGreymon: ...I feel them!

WarGreymon's body shakes slightly. He doesn't open his eyes; Instead, the holy light glows from within the eyeholes of his helmet.

All around them, a wall of emails appears, forming a barrier between them and the Diablomon swarm. WarGreymon and MetalGarurumon don't come to, but instead seem to vibrate and jitter.

Then WarGreymon disintegrates into data, which collects and pours inside his helmet. The same happens to MetalGarurumon.

Through those email boxes, holy light from all of the kids watching gathers, entering the data space in the glowing silhouette of each child. They collect, pooling into energy between the twin helmets of WarGreymon and MetalGarurumon.

Meanwhile, at the barber shop:

Barber: (suspiciously) Hang on, where did your brother go!?

The barber looks around for Yamato. Poor Yasuko, on the other hand, just watched a preteen boy phase inside of a computer screen and looks like she's about to have a heart attack.

Takeru: He's here.....

The energy forms the shape of an egg made of pixels, which then slowly peels back to reveal a new Digimon inside.

Koushiro: WarGreymon and... Takeru: ...MetalGarurumon... Koushiro: ...combined!

The technical term is Jogress Evolution. Jogress is a mechanic from the V-Pet that hasn't yet appeared in the anime, in which two Digimon fuse together to form a Perfect or Ultimate Digimon. Many of the Digimon we've seen throughout the anime could only be achieved through Jogress in the original V-Pets, such as Piemon or WereGarurumon.

The arrival of Omegamon, or Omnimon in the dub, marks the first time this mechanic has been brought into the show. We'll be seeing more of it in Adventure 02.

(The only reason Takeru and Hikari don't have a Jogress with each other is because EnbyAngemon would be so game-wreckingly badass that no villain could ever match them.

Or, more realistically, because predominately heteronormative writers often struggle with the idea of two characters from opposite sexes doing a Fusion. Their eyes bug out and they bluescreen while muttering, "But how would that even....")

The dub crops the barbershop to cut the barber out, though his reflection remains visible in the mirror, but leave Yasuko's stunned face. This is despite the fact that they cut the setup scene for this gag, with Yasuko saying goodbye to Yamato and Takeru.

Barber: Where'd you brother go!? Hjbyhjbyhjby....

They play the barber as freaked out and melting down. In the original, like Yuuko, he didn't see the disappearance happen (but Yasuko did). He just... doesn't trust these random kids to be unsupervised in his shop, and really doesn't like the fact that one stray child is now unaccounted for.

T.K.: They combined! (Omnimon is revealed) Izzy: Part WarGreymon.... T.K.: Part MetalGarurumon.... Izzy: They Digivolved together to become-- Omnimon: OMNIMON!!!

It's nice of Omnimon to introduce himself since we don't have rundowns to tell us about him. For the record, his signature weapons on his arms made from the helmets of his component Digimon are called the Garuru Cannon and Grey Sword. "Cannon" and "Sword" being the English words themselves, as usual.

With Taichi and Yamato perched on his shoulders, Omegamon is born.

The swarm opens fire immediately. Drawing his Grey Sword, Omegamon deflects all of their shots into a line of Diablomon, annihilating a huge chunk.

Koushiro: Amazing!

Koushiro hasn't seen anything yet. With his Garuru Cannon, unloads shot after shot into the enemy ranks. Each blast wipes out a huge chunk of the Diablomon swarm.

The dub uses this as an opportunity for another musical interlude, playing Let's Kick It Up by Paul Christian Gordon over the carnage. They also have Omnimon call these attacks, naming them Transcendent Sword and Supreme Cannon.

Only one Diablomon remains standing when Omegamon's done.

Koushiro: Right there! That's the last one! That one has the clock!

Awfully inconvenient that the one with the clock just so happens to be the only one who survived Omegamon's bombardment.

Diablomon starts moving quickly around the room, making evasive maneuvers to try and run down the clock. Every time Omegamon turns around and aims at it, it darts away again.

Taichi: It's not here! Koushiro: WE HAVE LESS THAN A MINUTE!!!

Cut to Jou desperately trying to finish his exam.

Jou: ONE MINUTE LEFT!!!

And Yuuko watching her cake cook.

Yuuko: (cheerful) One minute left!

Finally, we cut up to the "jet" in the sky... which turns out to actually just be a jet, as another much faster object enters the airspace, criss-crossing its contrail with the jet's. Closer inspection of the new object reveals it to, in fact, be the One-Shot Peacekeeper missile approaching Odaiba.

This, I should note, is the first we learn of its destination in the original. No one knew where it was in the air or where it was going to land.

In the dub:

Izzy: Tai, there's the original! Get him! We're running out of time! Tai: Omnimon, quick! Attack!

Awfully inconvenient that the original just so happens to be the only one who survived Omnimon's bombardment.

Like, they changed the plot mechanics behind this fight but this is still a glaring contrivance. XD You could have left it at "We have to destroy every last one" if you wanted to patch this.

Tai: Where is he!? (Diaboromon dodges more) Tai: One minute to go! (Cut to Joe) Joe: ONE MINUTE TO GO!!! (Cut to Yuuko) Yuuko: (cheerful) One minute to go!

Tai calls out the time remaining here rather than Izzy, even though he can't see the clock from here.

As the missile's coming in, the dub also adds some dialogue from some military guys.

Soldier: Squad leader to command: We were unable to destroy the target. The missile will impact. Repeat, the missile will impact!

This ties in with the added detail from earlier, that every nation in the world is attempting to intercept the nuke and failing.

Inside the battlefield, the last Diablomon is still moving too fast for Omegamon to get a bead on it.

Takeru: Onii-chan! You have to find it quick! There's no time left! ONII-CHAN!!! HURRY!!!

45 seconds left on the clock. Koushiro works the problem in his head.

Koushiro: Its speed is too high. At this rate, even with tremendous power, we're going to lose due to the difference in reaction time. What can we do?

Thirty seconds left. Cutting over to the barber shop for a moment, we see that Yasuko's husband has popped over to watch the screen too. No explanation is offered.

(I guess he wants to find out what all the commotion is about? Yamato fucked off all of a sudden and Takeru is shrieking at the computer like it's the end of the world. I'd be curious too.)

Takeru: THIRTY SECONDS LEFT!!! Koushiro: (gasp) That's it....

Koushiro looks at all the incoming emails on his laptop.

Koushiro: A transfer! I can forward all of this email to that thing's address!

Koushiro quickly types in the current address that Diablomon is at, presumably the FactoryMark server we last saw it at.

Koushiro: GO!!! (click)

Koushiro dramatically presses the Enter key. Inside the battleground, Diablomon lands on the wall and prepares to make its next move, but then stalls all of a sudden. It struggles, shaking in place, but can't move. A little Windows hourglass appears over it; the loading symbol for computers from that time.

In the dub:

Tai: He keeps moving! Every time we get him in our sights, he jumps somewhere else! He's too fast for us! (45 seconds remain) Izzy: We have the power to destroy him now, but we don't have the time. Willis was right; We have to find some way to slow down Diaboromon.

...Willis said that after the first fight with Infermon. That he foresaw this exact predicament that far in advance is fucking wild.

T.K.: THIRTY SECONDS LEFT!!! Izzy: (gasp) The emails! If I forward him all the emails, it will slow him down just like it did us! Keep sending them, kids! (Izzy prepares to forward) Izzy: YOU!!! GOT!!! MAIL!!! (click)

Using "You got mail" as a battle cry here is pretty fucking sweet. For those too young to remember, an early form of internet was AOL which had a robot voice chime "You got mail" whenever you received an email.

With ten seconds remaining on the clock, Omegamon moves in for the kill.

Koushiro: Ten seconds left!

Koushiro counts down the seconds while Omegamon moves in. A brief cut of the barbershop shows that now everybody's paying attention to what's happening on the computer screen. Even the barber.

At one second, the attack lands. Omegamon drives his Grey Sword through Diablomon's skull.

At the same time, Yuuko's cake is finished! She takes it out of the microwave to find it grotesquely burnt.

Yuuko: Ah!? It's ruined! That's so weird. It should be controlled by the microcomputer....

COMPUTER YOU SAY

One last bug for the road. Diablomon ruined Yuuko's cake.

Outside, time's up. The nuclear missile crashes into the Tokyo Bay. We briefly see Sora in her room. With Diablomon dead, Taichi's email finally makes it through to her.

In the dub:

Tai: TEN SECONDS LEFT!!!

Again, despite not being able to see the clock, Tai is the one who counts down the seconds in the dub rather than Izzy.

(Omnimon stabs Diaboromon in the head) Diaboromon: Connection... Terminated....

The dub not only gives Diaboromon a line upon being stabbed, but rearranges scenes. Two upcoming shots get moved up to here. The first is of Diaboromon's face melting away to reveal the stabbed clock. The second is the timer stalling out and flickering between 00:01 and 00:02.

This serves to assure the audience that we got it, we stopped the detonation, earlier than in the original. The original keeps the tension ratcheted up as the missile lands, with it not yet clear if we killed Diablomon fast enough.

Yuuko: (ruined cake) Ugh, lousy microwave. How come every electronic appliance has to have a bug in it!? (Missile crashes into the bay) Sora: (email arrives) Huh? It's about time!

I mean. By Dub Yuuko's own admission, this was the first time she ever used flour to make a cake. It's just as likely that she's the culprit here as it is the microwave. :P

As the missile lands, Koushiro sprints out onto the balcony, distraught.

Koushiro: We didn't make it in time!

Cut to the internet battlefield. Diablomon's face melts away, revealing the clock pierced by Omegamon's blade. The timer stalls out, flickering between 00:01 and 00:02.

Meanwhile, Sora reads Taichi's message and notices the little heart he accidentally added when Hikari startled him. She's touched.

Sora: Ehehe... (affectionately) Stupid Taichi....

Success! Taichi accidentally fluked his way into forgiveness!

Out by the bay, people gather to look at the undetonated nuclear missile. It tips over due to its weight and falls flat into the water.

Up on the balcony, Koushiro breathes a sigh of relief.

Koushiro: (exhausted) We... We... We.... Taichi: (exhausted, also on balcony now) We made it in time!

Which is where the OVA ends! Abruptly! On Taichi quite reasonably looking like he's about to cry and then pass out. What did you do for your spring break, kids? Oh, I thwarted nuclear motherfucking Armageddon.

There is an epilogue of sorts in the form of ending slides in the credits. We'll address that in another post.

In the dub, this final sequence plays out with The Impression That I Get from The Mighty Mighty Bosstones playing in the background. Sora reads Tai's English email.

Sora: (reading aloud) Dear Sora, I'm sorry I threw up, hat, so what's a few raindrops between friends, love Tai. ...aww... (affectionately) Stupid Tai.... (Missile tips over into the water) Izzy: (exhausted) I'm... about... to barf.... Tai: (exhausted) Wait 'til you try the cake....

The dub closes on one last Yuuko cooking joke. To be fair, the cake legitimately did come out horribly. :P

There will be no epilogue slides for the dub, because it segues into the third part of Digimon: The Movie from here. We'll talk about that when we get to Hurricane Touchdown.

#digimon #digimon adventure #revisiting digimon #revisiting digimon adventure

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