#we have a monster episode!

[baronafanas002]

Now kiss

[mayasaura]

Ten years later, I'm still in awe of what the BBC show Merlin managed to pull off. It's a silly show. It's cheesy, over the top fantasy full of dumb gags and physical comedy. It's the most compelling tragedy I've ever experienced

[official-brennivin]

No cause it's not funny at all when perisex trans ppl pretend to be intersex to "avoid trouble".

Being visibly intersex didn't protect me from trouble when I was 5 years old. It brought me trouble. I was 5 years old and people already made unwarranted comments about my lack of easily gendered features. I was never allowed to exist without my gender and sex characteristics being interrogated and punished repeatedly.

You're not protecting yourselves at all. Those who hate trans people hate us for not existing within their narrow scope of gender and sex. Intersex ppl have to face this from birth. I would know, man, I'm literally both.

If people are willing to call a child a "eunuch" and physically grope them as an act of public humiliation because they're intersex, as was done to me... Do you seriously think you're doing something by pretending? You're making things worse for yourself and for me. Stop it. I'm sick and tired.

And using intersexist terms while doing it, too, like "hormonal disorder/deficiency"... I'm not disordered or deficient for having a different body than you. Go directly in the bin if you think that's an okay thing to say.

I'm so tired of it. You don't understand. The violence inflicted on my body has happened since before I was old enough to know what my body parts were all called. You have no idea. You really, truly don't understand how exhausting it is. I'm not outraged anymore, not even upset. I'm just tired and want it to stop.

I want people to stop exploiting my body and I don't think that's too much to ask. Especially of other trans people who are supposed to hold community with me. The fact that other trans people are openly flaunting the fact they exploit bodies like mine for their own gain makes me want to throw up. You people are foul.

[deweyduck]

"That’s why I loved our vacations here. You and me, we were different together."

Draculaura & Heath in Monster High | 02x06a "Fangs for the Memories"

[episodes-without-incident]

10/24/2024:

20 episodes since Drawfee last referenced Cats (2019)

14 episodes since Drawfee last referenced Everytime We Touch (2005)

[monstermoviedean]

so chuck's original ending was low-jeopardy, uninspired, lacking cas. but because becky "gave notes," chuck wrote a new, worse ending out of spite. "awful, horrible, hopeless." then he killed becky's family in front of her and then he killed her too.

i generally do not believe the people who worked on spn had active contempt for the fans. but it's hard not to take this personally, especially given 15x20.

[carolperkinsexgirlfriend]

Steddie Upside-Down AU Part 96

Part 1 Part 95

Mom makes him go home when he starts dosing on Steve’s hospital bed. But it’s okay because she kisses Steve’s cheek before she leaves, and Eddie and Wayne stay parked by his side. 

The connection’s easier now. It’s like all that time straining for Steve has snapped something into place. He can feel them all the time, a warm buzzing in his chest. He wonders if he runs hot now. If the warmth will diffuse through his whole being, make coats obsolete even in the dead of winter. 

Hopper is waiting for them in the waiting room, El burrowed into his side. She looks wan, and tired, drooping into her extravagant coat, eyeliner running down her cheeks like she’s been crying. Something inside him twists when he looks at her.

Before he can untangle that knot of emotion, Hopper stands up, both hands slapping against his knees first the same way Mike’s dad does before he gets up from his recliner. “You ready to go?” he asks, not looking away from Mom. 

When Will glances up, Mom’s smiling up at Hopper in a way he doesn’t want to think about. The adults talk quietly in front, leaving El to stumble tiredly along beside Will. She’s staring at the side of his face. Will can’t bring himself to look back. 

“Steve,” she says, sounding the word out and making it longer like it still tastes foreign on her tongue. “He is okay?”

When Will gets up the courage to look over, her eyes are big and worried. He smiles at her helplessly. It’s almost funny how innocent she looks; like she’s a bunny dressed up in punk clothes. “He’ll be okay.”

She smiles, small and close lipped, but it still beams out of her like the sun. Will tilts his head to the side and tries to see what Mike sees in her. He wants to hide her in Castle Byers, build a fortress around her, and keep her away from all the lab people for the rest of her life. 

Is that howMike felt, hiding her in his basement, giving her frozen eggos and keeping his mouth shut? 

But then her lips thin and she looks forward again. The feelings vanishes. It’s just El, hia friend, despite how much of Mike’s attention she’d snapped up just by being herself. 

“I’m glad,” she says, looking at Hopper’s broad back as she takes two steps for each one of his. 

It’s quiet after that, the way it always is after; all of them too brittle and bruised and bone-deep tired for conversation.

Hopper’s truck rat-a tat-tats itself to life in the hospital parking lot. The radio croons out something quiet and thrumming until Hopper reaches over to shut it off.

El’s heads smushed into the window, vibrating against the pot-holed roads of Hawkins.

Will’s so tired he’s wide awake. 

He watches the familiar buildings of Hawkins flicker by. It's been a long time since knowing his surroundings brought any comfort. 

Monsters could live behind every door, every tree, every smiling face.

He’s not sure any of them will ever feel safe again. 

Will closes his eyes, locking the scenery out so he can focus on the bundle of warmth in his chest. They’re still huddled together, two sparks merging in his chest. 

The past couple days have been a necessary violation of Eddie’s private feelings. He’d bared them all with love confessions and grasping hands, trying to pull Steve back from the edge of immolation. 

He’s not even sure Steve knows, hopes he does. Steve deserves to hold that love delicately between his palms and choose what to do with it. 

He won’t crush it, even if it’s unreturned. He’ll hold it gently like he always does.

Will doesn’t realize he fell asleep, or that they’d arrived home until he’s in free-fall. It feels like one of those falling dreams where you wake up solidly in the middle of your bed, but this time he really is tumbling, only Jonathan’s arms keeping him from hitting the gravel. 

“Are you okay?” he asks shakily as he pulls Will into his chest, holding him tight enough to hurt. “I’m so sorry.”

“Oh, sweetie,” Mom murmurs, wrapping them both up in her arms, chin landing solidly on Jonathan’s shoulder, sandwiching Will between their bodies. “Everyone’s fine, right Will?”

Will murmurs his affirmation, feeling groggy and confused in the light of day. 

“I was with Nancy,” Jonathan whispers. “I was just with Nancy, and you were–I almost–”

“Shh,” Mom cuts him off, reaching up to cradle his face and smile up at him. Will barely catches the edge of his watering eyes from his restricted vantage point between them. “Everyone’s fine.”

“I should have been he–”

“Jonathan,” Mom interrupts again, sharper this time. “Everyone is fine. You deserve a normal life.”

“But Will–”

“I’m fine!” Will cuts in this time. 

Jonathan pulls back, looking down at him with worried, droopy eyes. “And Steve? Mike said he was possessed.”

Will feels that bundle of warmth in his heart, lets it shine through his smile as he looks up at his brother. “He’ll be okay.” As Jonathan droops with relief, Will feels his smile turn cheeky. “Eddie will never let you forget that you were on a date while we were fighting monsters, though.”

Jonathan closes his eyes, pained while Mom laughs. 

It’s not until they’re walking toward the front door that Will notices the lack of demo-dog bodies. There’s still puddles of black oil-slick blood, but everything else looks normal. Who covered their tracks? The lab? Hopper?

He settles down for the debrief, pillowing his head on Jonathan’s shoulder as Hopper’s even tones flit through his brain. 

Maybe familiar places no longer hold any comfort, but Jonathan’s bony frame is enough to lull him into a peaceful sleep.

Part 97

Taglist: @deany-baby @estrellami-1 @altocumulustranslucidus @evillittleguy @carlprocastinator1000 @hallucinatedjosten @goodolefashionedloverboi @newtstabber @lunabyrd @cinnamon-mushroomabomination @manda-panda-monium @disrespectedgoatman @finntheehumaneater @ive-been-bamboozled @harringrieve @grimmfitzz @is-emily-real @dontstealmycake @angeldreamsoffanfic @a-couchpotato @5ammi90 @mac-attack19 @genderless-spoon @kas-eddie-munson @louismeds @imhereforthelolzdontyellatme @pansexuality-activated @ellietheasexylibrarian @nebulainajar @mightbeasleep @neonfruitbowl @beth--b @silenzioperso @best-selling-show @v3lv3tf0x @bookworm0690 @paintsplatteredandimperfect @wonderland-girl143-blog @nerdsconquerall @sharingisntkaren @canmargesimpson @bananahoneycomb @rainwaterapothecary @practicallybegging

[squircatlies]

can't wait for the wwdits finale to give us quantum nandermo so we can keep arguing whether it's canon for the rest of eternity <3

[mylittleredgirl]

i'm so charmed by the letter trapper gets back from his wife in "kim"

louise mcintyre is hilarious actually

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[silentsockfeet]

with the obvious addendum that act 3 isn’t out yet and we can’t form true opinions until the show’s officially done, i’m still really feeling like it could have maybe benefited from a third season. they’re hitting all the right plot points and those moments are full of really intense emotion, but everything in the middle feels so underwhelming in comparison and so much of it still feels rushed to me. idk

[oswinunknown]

Dialogue taken from the episode The Duel with a Ghoul & Give up the Ghost. [Feat. AI RoboWife Kisara and Seto Kaiba]

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[episodes-without-incident]

6/13/2023:

4 episodes since Drawfee last referenced Cats (2019)

[legendaryrooftopscene]

hey why are we doing this. why are we releasing 2-3 episodes of a new show at once? why are we doing back-to-back release days? why are we going so fucking fast.

[bittersweetresilience]

say hi to me i don't know, i just remembered being so much brighter, i guess

cigarette ash like wildfire burning holes in the nighttime open scars feel like barbed wire white lies flying high like a ceasefire dropping flags on the shoreline this is as far as i can feel right 'cause what you don't know can haunt you

and all we ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think for a while

don't drag it out living like that doesn't mean a thing

so let's, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars 'cause happy endings hardest to fake

and i wanna let you know i wanna let you go but i just can't bring myself to speak but this is how it goes the end credits, they roll this bridge was built over kerosene but we can watch it and all i ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think

so let's run, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars you can wish away forever but you'll never find a thing like today