#we had the night we met

[azures-grace]

They played Meet Me In The Woods first and I actually just started ugly crying

[chloesimaginationthings]

Abby went into the pit and made a FNAF friend..

[unshallow-feelings]

You're as beautiful as the day I lost you

[dead-enby-detective]

I wonder how much this scene plays a role in Monty choosing to target Edwin over Charles after Esther sends him to befriend the boys and then later how it impacts him falling for Edwin.

Edwin is the first one to enter so he’s the first one Monty sees.

Monty doesn’t crow when Edwin enters the house but waits until Charles enters. Does he already like Edwin better? Did he see Edwin and see something special?

Charles immediately responds to the crowing by telling him to hush. Did Charles’s words stick with him after Esther gave him a human body and mind and feelings? Were his feelings hurt or was he just annoyed by it?

Edwin pulls his gloves off as he passes Monty’s cage, does he think about that after becoming human? The way Edwin takes off a piece of his armor right before going into danger?

After Edwin tell his partner he believes in Charles’s ability to open the lock, Monty crows, and Charles sasses back. Edwin pays him no mind. Does that frustrate him, later when he’s human?

After Charles opens the lock, Edwin is the one who figures out that cabinet is a trick door.

I may not like Esther but she is clever. Was Monty learning from her the entire time he was her familiar? Does he take after her in that way? Always learning, always being wanting to be clever?

Monty, is shown soon after becoming human, to have a vast knowledge of zodiac signs. Did he learn all that in that short time span or was some of it things he’s taken in from Esther over the years? How much had he learned from her, from her spells, her books over the years?

Was he “raised” to appreciate cleverness even as a crow? Did he admire Edwin’s cleverness from the beginning?

Did he become human and immediately think back to when they first entered the house and wonder if Edwin would appreciate cleverness in return? Would appreciate the opportunity to learn something new from him? Hoped that they could be clever together?

There’s just so much to this scene from Monty’s perspective that I think we should consider.

Did he ever wonder if he was clever enough, would it be enough for Edwin to give him a chance?

Like he said, he never asked to be human… did he hope that, when the time came, with all his cleverness, that Edwin would understand that?

That he had never really had a chance in the first place?

[beargyufairy]

I had all

And then most of you

Some

And now none of you

Take me back to the night we met

[everytaylorswiftsongisaboutcats]

[valtsv]

my dreams need to stop giving me fucked up ethical dilemmas i'm sorry but i don't think like that. if you put me in a survival situation i will simply do whatever i want.

[roots-symphony]

I had all and then most of you some and now none of you t a k e m e b a c k t o t h e n i g h t w e m e t

[icantalk710]

Very glad my team gets the option to work from home for quarter-end week 😌☕🥐

[arospecsyourblockdudes]

Slay The Princess is really fun when you view it from the angle of being boyfriend and girlfriend

[fifien99]

[beebundt]

i love making new college friends but by god does it seem to always be a gamble if they're secretly racist, sexist, or homophobic when you're living in the south

[jonsnowunemploymentera]

It's interesting how the themes of love and duty are presented in the histories of two characters who couldn't be more different from one another: the last hero and the Night's King. When presented with the choice of doing your duty or loving, the answer seems obvious—do our duty to the end, for it seems like the right thing to do. Maybe you'll even be rewarded for it. But then the last hero and the Night's King present a grey area. The Night's King followed his desire and the result was a tarnished reputation and his name being blotted out of history for all eternity. He was punished for it. So you'd think that the last hero, having done the opposite and followed his duty to the end, would fare better. But his name has been blotted out of history as well! He picked the "right" thing, but his reward is uncertain; almost nonexistent. No matter what you do, you lose—well, you lose if your name means something to you. The resulting dichotomy then is fascinating—the Night's King actually feels human where the last hero does not. He loved and he lost, but as old Maester Aemon said, the gods fashioned man to love, and love is sometimes the bane of honor (Ned Stark could tell you as much). Old Nan can speculate on who the Night's King was, but she doesn't even bother to try and name the last hero. Almost like he did his duty and was forgotten as was expected; as he should have been. And that's a sad state of affairs. Dehumanization vs a tarnished reputation.....I don't really know if the choice is all that clear tbh :/

[vuliyshenanigans]

(Smoke doesn't show unless clicked hhhhhhh. Transparency issues.)

Due to circumstances involving some VERY angry Wardens and an ongoing satyr hunt, Wicker has decided to lay low by taking on a new form.

Say hi to Teacher Mara, totally unrelated worgen woman who just so happens to talk in the same way as Wicker and has his exact fur color scheme. Don't worry about it!'Say hi to Teacher Mara, totally unrelated worgen woman who just so happens to talk in the same way as Wicker and has his exact fur color scheme. Don't worry about it!

[bigcats-birds-and-books]

Books of 2025: METAL FROM HEAVEN by August Clarke.

This is pitched as For Fans Of GIDEON THE NINTH (by which they mean: ow, and messy lesbians, with a side of immersive worldbuilding) and THE PRINCESS BRIDE (by which they mean: Inigo Montoya and Fantasy Politics). Personally, I would also comp it to ARCANE, for the aesthetics and Loadbearing Mysterious Malleable Resource and class warfare and explicit sex scenes lol.

The titular metal from heaven is ichorite, a weird and versatile substance that's kicking off an industrial revolution. The book opens with the brutal strikebreaking massacre that sets young Marney (our hella dyke--sorry, crawly--MC) on her quest for revenge: She's going to kill the foundry owner who had her entire family of striking workers gunned down. She gets adopted by crawly bandits and becomes a notorious highwayman and prepares for her revenge (because we hate capitalism in this house, and we're working for our Hereafter beyond it).

I loved the prose, I loved the POV fuckery, I loved the worldbuilding and religions and names and community and colors and aesthetics and the ichorite weirdness. I loved the exploration of gender and of grief, of revolutions and of cycles of violence. As soon as I finished, I immediately reread the first paragraph, and holy shit it broke my brain a little (affectionate, astounded).

If you're looking for a messy, raw, tragic, brutal struggle with grief and takedown of capitalism, this might be the book for you--it's definitely not for everybody, but it sure was for me!

[beargyufairy]

I knew you in another life

You had that same look in your eyes