#we can always trust them

[friedrice15]

[uncanny-tranny]

The whole "breasts shouldn't be politicized because the primary purpose of breasts is to feed babies!" can be a fine jumping-off point, but I really wish people thought deeper than that when we talk about the ways in which bodies are politicized and restricted.

Like, why's it that when we talk about breasts, they must have some Higher Purpose? It's true that breasts aren't inherently sexual, but they aren't valuable solely because they can potentially feed a baby. A human body doesn't have to serve a Higher Purpose in order for it to not be legislated against or policed, and I just wish people would remember it isn't always about babies, about other people, about anything else other than the people who have that body.

[skitskatdacat63]

Vettonso complaining about each other not respecting schrondinger's track limits on the radio compilation + Seb's commentary that made me a bit feral

Must include these sexy ass pics okay, it makes me feral how hard they race each other.

Also SO upset that we got this vid and there's also pictures(and presumably a vid out there somewhere) of Fernando, back then, ALSO debriefing this race. And yet we never got them together?????? Evil. Fucked up.

Imagine seeing them complaining about each other but also having to (begrudgingly if you're Fernando) compliment each other IN FRONT of each other. Maybe its a good thing it doesn't exist, bcs then I'd have a heart attack.

[fumifooms]

Dungeon lord Chilchuck

What would his wish as a dungeon lord be? What would he be like? Headcanons & speculation post for fun. But I’ll start with analytic lead up because that’s always fun for me, though feel free to skip and skim.

When it comes to what Chilchuck’s dungeon lord desires could/would be like we have mainly 3 hints: His nightmare, his succubus and what the winged lion says to him.

Why: — From what we see nightmares are based on the person’s worst fears and insecurities, both Laios’ and Marcille’s nightmare were closely tied to their dungeon lord wishes (Laios’ dream monster being summoned to crush the ghosts of relationships that represented the pressure to fit in and belong, Marcille seeking control over death and aging through magic to avoid loss), the fuel behind their desire/goal if you will. Fear and deep-seated desires are seemingly closely tied, something also supported by Thistle and Mithrun’s reigns as dungeon lords (Thistle proving his worth through fulfilling his given duty + protecting his loved ones, being listened to instead of having to listen, Mithrun escaping rigid two-faced elven society and living in a wonderland where he has no enemies and he’s loved, free from everyone he knew yet propped up by the person symbolizing his brother being chosen over him, the bastard child).

— I’ve talked about the significance I assign to the succubi often by now, but rundown: What we see of each character is all very telling if you care to listen, it shows not only someone’s "ideal form" but what they want from it. Izutsumi’s is familial, offering a hug and comfort, Marcille’s is romantic with a character she knows and loves, offering a kiss on a hand and a connection regardless of how distant it actually is, and Laios’ is platonic, arguable at first but then Laios’ fear of judgement is placated and he is offered the picture perfect friend group that accepts his interest (if you want my full look at Laios’ succubus go here). They take on the most alluring form, most ideal person of their victim, even uncovering deep subconscious desires, so precisely and effectively to the point it leaves victims physically frozen before the object of their desire. Succubi and the demon are themselves tied in lore and it’s easy to see how similar their core skill are. Succubi don’t give a good idea of what a character would wish for on their own but they certainly give hints on what they crave, regardless of how you want to read it.

— Last bit is self-explanatory. To placate Chilchuck and win his compliance over, the monster that reads your soul like an open book offers to give him something specific. But! It’s also important to remember that the lion isn’t offering to fulfill Chilchuck’s dream world wish here, it’s a second prize, because his goal with what he promised Laios is that they’d stay in this world, away from everyone and everything else. Chilchuck wants to get away but is kept back, and it’s here the lion placates him with "hey it’s okay! You can’t do that but I can still give you this! This is enough right? It’ll make everything easier on you".

What each bit says: — Long version in another post. Tldlr: His daughters and family are obviously important to him, and this reinforces that he takes on the role of protector a lot, he’s constantly worried for his party members’ lives and implicitly his family’s. Safety and stability, both economical and otherwise, are his core values and goals, and he berates both others and himself if someone fails on those fronts. Here, there’s the fear of not being enough, of not having been able to protect, and of course of loss.

— Chil’s succubi are obviously sexual, and not only that but agressively and straightforwardly so. It’s not like Marcille’s where there’s personality involved, all they do is give him sultry looks and pretty smiles before jumping on him. His succubi aren’t like Izutsumi’s, always the same exact person and appearance, so it’s not someone but an appealing general idea. The idea of a sexual being he can regard as simply a gorgeous piece of meat and a good time no strings attached. In my interpretation, especially with my reading of Laios’ succubus where even with deep-seated desires negative emotions can be too intense to effectively freeze a victim, I think this doesn’t contradict his character. Relationships have been painful to him in the past, in the succubus scene when his wife gets mentioned his immediate reaction is to yell "Don’t bring her up now!", like with his habit of drinking and as a tallman liking his senses feeling dulled, it’s about not having to feel emotions with how difficult they are to deal with sometimes and just feeling good, or at least not having to think, for a while. If a succubus showcases someone’s ideal connection with an ideal person, then Chilchuck’s is with a pretty person that doesn’t stir any negative memory or drama, someone low stakes and low maintenance that doesn’t require him to manage or talk out feelings because there’s none involved in the first place.

— Once more, wife and family are important! He does long for his family, not only his wife but his daughters, and vice versa. This suggests not only that he wants good relationships with them but that he wants them to be with him, a family life. Far from the cut communication they all more of less have during canon, and perhaps far from their life pre-canon when he worked away from home a significant amount of time. We’ve seen recreations of people by the winged lion before with doppelgangers and monsters (naga), and though he claims he can make satisfying imitations, what we’ve seen is that they base themselves on the best memories of that person, like with Marcille’s dad, or twist behavior to be more pleasant, like Mithrun’s lover (and possibly twist appearances depending on the person’s view of them, but that’s Mithrun analysis). The line does suggest Chilchuck would want his family members as they are in reality and not idealized versions, but the circumstances are chaotic and urgent enough in the scene (and again the lion isn’t fulfilling Chilchuck’s wish but trying to make him content for Laios’) that it could just be the winged lion saying what he needs to to convince him the fastest possible, and like we see with Laios that can crumble to give way to deeper or more complex desires.

On top of that we just have general info on Chil. How does Chilchuck deal w his issues? What does he like to do? He likes alcohol and ignoring his problems. We have to remember there is a split between what someone would consciously wish for and what their soul uncontrollably irrationally craves. As always with Dunmeshi, there’s a narrative of irrational deep-seated desires vs active wants, what you crave vs what you strive for, what you dream of vs what’s actually good for you, the animal vs the human inside you, heart vs mind. Chilchuck craving a harem of hot babes in his fantasies but wanting his family life & wife back again is not mutually exclusive. You may crave becoming a monster and tasting what humans are like a little but still want to save the world & your friends more.

Btw can we adress the irony of him terrified of being the last one alive, of being left by his daughters and wife, of having left and coming back home one day to see everything gone or rampaged, yet not caring about dying of liver failure himself, knowing every time that he enters a dungeon there’s a real risk he may not come out. Die somewhere I can’t see you. I prefer leaving you than being left behind. He’s selfish and shortsighted like that… Chilchuck is selfless in many ways of course, but perhaps also due to his own relationship with his parents, he often undermines the effects he has on others in his relationships, both the good and the bad (he talks himself down about being cowardly and greedy yes, but never hints at his bad health habits, alcoholism and starving himself, may have affected his loved ones, doesn’t question his wife falling into a bad mood the night before she left, and talks about the possibility of dying here and there very casually, though obviously he tries his best to stay alive when it doesn’t concern his health).

Chilchuck king of "Let me just avoid and ignore my problems surely they’ll go away, things might work out and if they don’t well tough luck I’ll survive and I probably deserve it anyways". If I don’t look at it it will dissapear <3 Why care when you can simply not think about it.

You might not understand Mister "my love will stay strong through months of work travel and also 4 years of separation" and Mister "well idk my siblings and me are kinda strangers and my dad is dead but that’s kinda whatever", but typically relationships need some form of maintenance and emotional availability…

The actual headcanons finally

I kinda have 2 routes in mind for dunlord Chil and both of them are centered on "I care too much, i wish things were easy", so first is a lot like his succubi, it’s full on indulging in his guilty pleasures like alcohol and bodies and it’s to keep him in a constant state of thrill and euphoria and distracted, unfeeling about stuff that really matters. "Nothing matters except that I’m enjoying the moment!" vibe. He gets to live a life worthy of Dionysus, with alcohol and women and debauchery and like— never having to think again, never having to feel anything but pleasure again, never have to feel guilty or shitty or angry or sad. He has a harem and gets everything on a silver platter.

Breaking news demon magic-induced rush of euphoria and power still not enough to cure this man of his self-hatred nor his capacity for thought!! But in his case a state of euphoria is what he seeks I think, to kinda mask or replace the Everything Else.

The other is what I think closer to what canon suggests, with what WL implied too with "I’ll make you a new wife and kids like the originals!! 😊", it’s a (spoilers) Wandavision type thing where it’s a slice of life where he’s never at work and always at home and the family eats lunches at the dinner table together and everything and everyone at any moment is just. Happy. No issues. It was all a dream, this is real and everything is fine and your family is perfect and happy. I like to think the timeline would be wonky, his daughters would fluctuate in age, but he’d want to be there for what he missed, would want them to still rely on him and look up to him like when they were young, would like to forget that they’re now independent adults and the distance that grew between Chilchuck and his siblings is happening between them as well. Chil would want doppelgangers of his family imo, at its core just a general wish for a peaceful happy family life with no drama, no need to compromise, a little paradise of unconditional love and no consequences. It’s for sure straightforward, but Chilchuck is a man with straightforward desires…

But see Chilchuck is a greedy man, and he wants it both ways without having to sacrifice anything or expanding any efforts himself. He wants to have his cake and eat it too. I think playing with these two opposite directions and mixing and matching is most fun. Him leading a life where he indulges in all his worst habits while still having everything he wants… Him getting to have BOTH his wife and any woman he can imagine up, his life like two sides of a coin he can flip at any moment where he’s partying then he’s at home enjoying the quiet and his toddler daughters playing with toys on the carpet. Christ when you remember it’s all an illusion that’s terrifying, the doppelgangers and succubi from the winged lion playing chilchuck ping pong.

A safe little haven both security-stability wise and emotionally. Gets to have both the relaxing and the thrilling in any dose he wants, mixed or separatedly. What I’d argue he had pre-canon too: Can live it up in taverns away from home, stays away from home for long periods of time, and can come back to home aka the symbol of relaxation and safety whenever he decides to. Something he can leave and come back to at will, an anchor he can trust in (until it’s taken from him and his wife leaves. Or in his worse nightmare people rush in and kill his daughters). The ideal of a house and family to a working man, perhaps…

I think it’s fun to think on wether or not these desires would be interesting at all to the winged lion… In canon he seeks out "rare/complex desires", common simple things like I imagine riches, sex, substances and pleasure would be are boring to him, he’s eaten those so many times already. So perhaps he wouldn’t last long as a dunlord, the WL would want to eat him fully quick, can’t keep him interested or waiting long for a meager meal, too much effort raising the cattle and too low quality meat. By making it more twisted or layered Chil’s desire would become more desirable to the demon, it’s part of what’s fun with the third option to me. But whatever. Has he ever eaten a guy with this much repression and self-sabotage... Like trying to get the meat out of a walnut, enrichment…

Other dunlord Chil takes I’ve seen that are fun and good:

@feelo-fick and @pluvio-floret have a dunlord Chilchuck AU project dubbed "tragedy AU" where Chilchuck is said to be "on vacation", in a weird delirious state, only half-there half of the time… From which he doesn’t want to wake up </3 Quoting Feelo, this is why the vacation thing is only a half-joke cause he is 1) letting all his responsibilities go 2) indulging in himself and 3) "spending time with his family" <- lie but you get what i mean. Additional comments that have me vigorously nodding: because changing is hard why cant things just be okay right now without the effort !!! Life is hard he’s so so tired he just wants to feel good… he just wants life to feel nice and easy for a sec while he can learn to breathe again and lose the stress and trauma he’s accumulated…….. spoiler alert yes !!! in fact a depressed person can suck themselves into their job and lock out the world who wouldve thought !!!

And then Cabinette I know posted about his dunlord take once but I don’t have the link, in which Chil has a lot of nosebleeds because of mana overload which is fun and interesting to think about imo~

In dunmeshi, where characters get underground pockets of the world as their playground disconnected from everything outside and the rest of the world, it’s important to remember to face reality even if it has conflict and people with different views and stances from you, it’s something Chilchuck and Marcille and everyone needed to learn, and the thing with a dungeon lord AU is that you imagine a timeline where he fails to <3

A timeline where his dungeon lord wish is to desire nothing bc hope and want has only ever hurt him would also go so hard. Very universal thing though I suppose.

… And this is why a Chilchuck-centric Coraline AU is really really interesting and fitting and topical— Ok that’ll go in a separate reblog/post at @Fumiku I need to let this end

[avocado62524]

[danwhobrowses]

Okay yeah I wasn't ever gonna be contained with just one post so, Callowmoore stuff that's on rotisserie in my brain from ep.94

Long and deep looks at each other and a hug right off the bat!

When asked by Laudna if they were okay in ep. 91, Ashton deflected with 'say that again?' and 'are any of us?', but when Fearne asks they give a genuine answer and then also ask her how she's feeling, because she's been quiet and they care

Ashton, despite hurting when they're touched and exhausted so the chronic pain is as intense as the first time, still wanting to cuddle with Fearne - and feeling at ease when they do

And like, the way they were trying to articulate it implies that they've wanted to ask for quite some time, but the timing has been off or situations have gotten in the way, and they don't want to wait any longer

But also they don't ask if they can cuddle they ask if Fearne wants to; they want to, but they ask Fearne if she doesn't want to sleep alone, because her comfort is as important or more important than their own

Fearne given her past experiences with people of course thinks they mean the other kind of company, which she notes she does want (so that's not off the table) but asks if they could just cuddle - to which Ashton doesn't entirely deny either, but notes that they're tired and in a lot of pain right now so they too was asking for the same

Also the fact that Fearne, who has been in a threesome inside a corrupted haunted wood, will later flirt with a dark echo of herself, and spooned with a ghost pirate captain, got so flustered about asking Ashton that she just wants to cuddle

Despite the awkwardness they still just laugh and joke together through it, they're awkward but it's in a sweet way

All of Ashton's immediate action the second they realised Fearne was missing - similar to how they wanted to find her after the shard incident but this time in a position where they could take action - no nonsense, no pissing contest with Chetney about her scent being on their bed, "Find. Them. Now."

And then still being soft after seeing Fearne again, because all that matters right now is that she's still here. And another post I saw said it better but, Ashton never seeks to change or 'correct' parts of who Fearne is; she can still follow cute animals just next time bring a buddy along (which given how they were in bed together would imply meaning them), they love her for her, fae and all, they just want her to be safe

Not entirely ep. 94 but given how on 91 Ashton pointed out that they needed to sleep and 'figure out who they wanted to be', and then here ask Fearne to be there beside them so they could have someone to wake up to, it to me at least says a lot about what Ashton has already decided; and how despite both of them having dealt with grief and anger and helplessness by bottling it up, hiding away, and shouldering it alone, this time they both wanted to just feel at ease with each other

[hephaestuscrew]

Books and reading are really important to Clara Entwhistle. She bonds with Jasper the cabbie over having read The Grey Book, with Titus Byrne over Captain Swift novels, and with a random pickpocket over Figgler's Prestidigitation. She sees the right reading material as a potential solution to any uncertainty in her life. Trilling's Arts of Detection can teach her how to be a detective. Posner's A Guide to Business for Gentlemen can tell her how to make Fleet-Entwhistle Investigations a success. She only moved to London in the first place because she read Horrocks' Tales from the City in the Harrogate Herald.

I find this particularly interesting because we have significant evidence that Clara's access to reading material has been tightly controlled and subject to judgement for most of her life. She tells Fleet, "once, when I was young, Mother caught me reading a sensation novel and threatened to send me to the Mesmer Institute". She considers this a formative enough experience that it's one of the first facts she lists when wanting to share information about herself with Fleet. As a child, her reading choices were something shameful, something that indicated she wasn't the kind of young woman her mother wanted her to be. And even as an adult, arriving into London for the first time, she is chastised by her mother for wanting to buy a newspaper: "What need have you for a newspaper?... You can read my copy of this month's All a Lady Need Know. Disagreement resolved." In the world Clara has been trapped in, the ladylike thing is to only access a very limited sphere of appropriate information and not to read anything that falls outside of that sphere. And those boundaries of ladylike-ness will be rigidly enforced.

So perhaps it's no wonder that after Clara arrives in London, she's devouring everything from taxi regulation manuals to adventure novels, repeatedly calling the librarian for recommendations in the middle of the night, taking out 20 books at a time and then realising she's underestimated how long it will take her to read them. No wonder she's so often telling people about books she's read. For Clara Entwhistle, being able to do any of those things openly is a new and thrilling kind of freedom.

[elericelery]

“I hope one day you can forgive me for getting tangled up in all of this. I hope that one day you’ll be able to read this letter and stop yourself from getting tangled up in it too.”

[ahalliance]

qsmp francophone cubitos and their dynamic drive me wild, they all know they’re mutually lying and obscuring the truth to one another, they all know they’re keeping each other at arm’s distance, they all know they’re not as open as they once were when it was just them and the aftermath of a plane crash, but the love is still there. the worry and the concern. they pry information out of one another in supposedly subtle ways that really just convey how much they still care about each other. what’s your stance on the federation. how’s your code arm doing. even if in the end you don’t turn to me, please call out to someone. maybe looking out for yourself is looking out for others as well. i don’t know you anymore but i will protect the unknown anyway

[lgbtlunaverse]

I don't think we talk about xiyao exes to lovers enough. I understand that in canon the "breakup" ended with death and imo it was never going to end any other way (I have a lot of feelings about how jgy is doomed from the start) but even in aus where survival is an option I barely ever see their full potential realized. The fact that there is this heartbreaking gap that is between them now, and yet that, despite it all, they can't stop loving each other. When you have drama this good, why is the conflict relegated to outside threats and we end up with little to no exploration of internal strife, of the fact that these guys have been living a domestic lie for a decade (I cannot stress this enough, the amount of parralels between xiyao and jgy's marriage to qin su are staggering.)

And let me be clear I will NEVER begrudge anyone their hurt/comfort and wanting their faves who are denied happiness and peace at every turn to find it. god knows I need that sometimes. Or even the less healthy but so emotionally devastating fics where the caring isn't good, and it doesn't fix anything- might only make things worse, actually- and xichen ends up recreating his father's fate. I love all of those things. But. Man. This divorce was over 11 years in the making it should take AT LEAST that long to resolve. What do you do when the person you trusted the most lied to you for years? What do you do when the only person who's ever believed in you loses that faith so completely they'd hurt you over a lie without hesitation? I need me some xiyao who try to get over each other for 20 years and fail. I need them to meet after not seeing each other for years and have it hurt like no time has passed at all. I need arguments where no one raises their voice but that feel like a screaming match anyway. Do you see my vision?? Do you see what we could have?

(if fics that do exacly this are out there, recs are of course welcome)

[mars-ipan]

some postgame doodles for pride month

[dollypopup]

like. . .are any other Polin fans out there that do not give a singular flying fuck about Debling? we should form a club lol because from the very bottom of my heart and with my whole chest: I could not care less about him. Not sorry, I'm tuning into S3 for Pen and Colin and Pen and Colin alone

[hopeinthebox]

tagged by the exceptional @cordiallyfuturedwight and @cosmicdreamgrl thanks ever so much my loves <33

now tagging some heroes @aprylynn @thvinyl @visionsofgideontheninth @hoseeok @btscontentenjoyer @jihopesjoint @monismochi @raplinenthusiasts <333 and everyone else

[front-facing-pokemon]

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: THE CITADEL (PART 2)

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Maj. Kaidan Alenko With: Councilor Donnel Udina, Councilor Tevos, Councilor Laiel Sparatus, Cmdr. Armando-Owen Bailey, and Kai Leng And a Special Guest Appearance by: The Illusive Man But sometimes the way a thing goes down does matter, Sophie. Later- when you have to live with yourself. Knowing that you acted with integrity- then it matters. Mass Effect 3: Legendary Edition (2021)

[hephaestuscrew]

I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...

Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.

This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.

When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.

Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.

If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.

I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.

In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.

Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.

Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry."  A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.

Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.

I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.