#was thinking about stuff i've drawn without posting while working on a drawing

[golyadkin]

don't remember when i last worked on this study but I'm never gonna loop back to it so here you go

[isatartdump]

Hi meet (some of) my ocs!!!

you can still look for ISAT pilled posts here btw, there just may be ocs from time to time... I've consistently tagged everything and I plan on doing this still!

Will start oc pilling my silly blog with a messy dump of oc sketches I love. Inconsistent as all hell because most of the drawings are from last year

^ Haden (He's a fallen angel, to sumarize. Although this information IS heavily prone to change DASHUDHASU. He's from Spes (Comic name- No there isn't any comic work done outside of a few points I've drawn already))

^ Shopkeeper (Yes, his name is also his profession... He's a character for a game I am working on. Don't- Don't ask about it I also know jackshit about code and it has been put into the oven again since I want to try to learn coding games and doing the assets with a smaller project)

^ Ignis (He's a fallen angel, just like Haden! I'm strying trying to figure out her past design... But! This one isn't going to change I'm sure. Well. 80% sure, at least. They're also from Spes!)

^ Maru (Shes an alien Idol! Sadly I didn't do much on her story yet but she's half alien half human, since I (sadly......²) only have her concept on hand. I haven't decided which world she belongs to yet but I'm thinking on putting her alongside my other gay aliens for the funnies. Would be nice if she was a bit of the reason why Vector wanted to become a pilot. No I won't give context now)

ANd last but not least- minecraft ocs!!!

From left to right- Cain, the creeper is a vocalist/guitarrist without a band. Pete, the slime is a hunter (yes he hunts while serving cunt). Sulfur, the Warden is a farmer.

That's it- that's the post. Ty. I will share more blorbos later. Probably. I've been sick today and just wanted to get stuff for my ocs here :')

[nana-b0b]

》🔞 These panels are censored, you can go to the last of the post to find out where to see them!

A little historical info to better understand:

♡♡♡♡♡!!! I really feel happy and overcome with these panels, I was thinking a lot about how to make them since there were several obstacles: I had never drawn something NSFW before as it should be 😅 I never got that far so to speak, there was always a line that prevented me from taking that step, since it is not the same to draw some small scene where you only see something specific to a whole pose as such and all that implies. But after many ideas and turns I managed to take that step (maybe small for some but for me it was like reaching the moon 😂) and the most important and most feared was that the essence of the drawings and the style would be lost but I could keep it well and make it coexist ♡.

Note: as for the text accompanying the panels I want to say that it's not my best work as a narrator hahaha I don't write anything since I was about fifteen and it was my era of fanfics and stuff, so I feel its very basic and empty! 😅 ♥!

Now, let's talk a bit about the panels! Well, as we all knew this moment was coming, it was no surprise -3- Ryomen really had to be patient to get what he had been thinking for a while, but he didn't want it to be something random as it could be with any woman he wanted, he was really curious to see how Aurora could look like with the full appearance of a lady of the Heian era and when he saw her, he just couldn't resist. One thing will be clear: Aurora won't wear black teeth again, there will be no way to paint her teeth again without someone losing a limb. As for her eyebrows: she's really mad about that, but I'll let it go.

And to close this post I come with a novelty (I've been thinking about this for days) now we are going to be able to have these drawings completely uncensored on patreon.

I'm not going to lie, using more than two social networks for me is already a lot 😥 if it were up to me I would only post everything in one place but we know how the rules are and we have to respect them, if just by showing a nipple (which is a pixel 😂 ) they almost censored me on Instagram I knew this would be difficult and Tumblr is not lagging behind, while there are things that it lets pass there are others that it doesn't and it's not nice to have to make such complex drawings so that the AI doesn't detect them as 🔞 since there comes a certain point that you get tired too and it loses the grace.

My patreon will be the place for all my works 🔞 without any censorship already, you are going to be able to enjoy both public and private content depending on the type of work ♡. I think also for me it's an incentive to be able to start letting go more of my ideas and continue with everything I want to do :)

To say goodbye first I want to always thank you for all the support you give me and all your messages 🖤 and second to warn you that this CAP of Ren will be in patreon already published privately but all the other censored drawings are public for you to see and enjoy them as they should ⭐

Here are the publications that I censored and that you can now see, there are not many at the moment x'D

[enquire]

Kindle

Well here we have it. One last design to complete the class. Rounding things off with Kakeru.

Notes this time:

Kindle is a kirin and bull hybrid. He doesn't have a cutie mark because of this.

I originally was going to make him a bull, but I couldn't resist giving him some kirin traits-it fits his courtroom persona too well! So he does have the ability to produce flames, if only a little. It's localized mainly to his horns and eyes. His hooves probably get a bit hot as well, but not enough to set fires or cause damage.

He has a little bit of plating on his back in little bursts.

I tried to get as many flame motifs in here as I could haha

Ramblings below the cut

A Canterlot courtroom isn't exactly the place you'd expect to see somepony like Kindle. But despite the countless uppercrust unicorns he's surprised, he's still made a name for himself as a lawyer.

His spirit is matched by his fire, and he's made it his goal in life to defend those who need it most. Because of this, he's gained a lot of nicknames in legal circles. Such as the "Blazing Bull" (or "Raging Bull" by his less gracious opponents)

However, despite him having managed to make several connections while working in Canterlot, such as the stern Saber Frost, or the insightful Stardust siblings, it's not a place he'd call home.

For outside of the courtroom, Kindle struggles to keep and hold friendships and communicate with others. The fast pace of the city, and the often shallow or elitist nature of some of its residents, doesn't mesh well with Kindle's nature, or his being a fairly nervous country-pony whenever he's not practicing law.

After all, Kindle's heart lies in his hometown. The place he grew up, and where his family, including his younger sister, live. It's for them that he became a lawyer in the first place, even if it takes him far away more frequently than he'd like.

He's met many ponies in the course of his travels, but only two have ever really stayed by his side beyond the friends and family back home. Mourning Dove, and Mercy Suture. Both of whom had similar experiences, traveling all over Equestria for their talents while always keeping home in mind.

The quieter, calmer pace of their conversations made it simpler for Kindle to be himself without worry. And the three of them are regular penpals, who often meet up to see each other across their travels. Whenever Kindle finds himself in a new town, he always looks for local gems to grab a bite with his friends. Donut shops and diners are his favorites.

Whew. The set is finally complete... Somehow, Kakeru seems like a perfect final pony here. If you're curious, Midori would also be a cow-kirin hybrid.

I've made 18 of these designs so far. Though they're definitely imperfect, especially some of the earlier ones, I've had a great time working on this silly little project. It's been really good just making art for the fun, and getting better at not worrying about how good the pieces are or how niche it is haha.

I'm definitely not done with this AU of course! Now that I have names and designs down for everyone, there's definitely some more things I'd like to draw, and moments I'd like to visit for this. What can I say? I've liked ponies ever since I was little, and got drawn right back in this past year.

Maybe if I'm feeling really brave I'll share some written stuff? It's a bit intimidating going from what I usually post to something as silly and niche as an mlp crossover AU though I have to admit haha.

I think this is enough rambling for now, but I'll be back. If you're reading this, thanks for sticking around. Especially if you're one of the few whose been following me going through all these haha.

With that, I'm signing off!

[nugatorysheep]

Great question.... hmmmMMM I've got a few things i think.... maybe more than a few.

...

Okay this will be a long one, I hit the image limit. buckle in boys

So, generally the art I'm the most proud of can be split into a few types: Stuff I like because the technical skill or work put into it, stuff I like because I captured a specific mood or energy very well, and stuff I like because of how the characters are drawn aesthetically, like if I could manage it, I would draw them that way consistently

ANYWAY.

Category one, which is prolly what this asker wanted from this ask lmao:

So. First I have this sort of painterly done art of Zach, one of my Pokémon OCs I barely touch. I dont do this style often cause it's a pain in the ass to do and tbh i feel like peaked here and cant really manage it again

Then I have his OC that I haven't touched in a bajillion years and prolly never will touch again. This is ANCIENT but i still like it a lot, and ironically I dont think I could pull this off again 'cause my art style has shifted to be too cartoonish and I couldnt manage realism of this kind without a few months to practice first.

There's this art of Hopeless (AU by @gaudess-schmoddess) that is not at all canon but I dont care because they look great and the mood is immaculate and I will NEVER draw them this good again *dies*

I could draw these three better now, but I still like them as-is.

The one of Sven looking up into Multiverse Pompeii still holds up to me and it's so fucking huge it lagged the shit out of FireAlpaca (the program I was using at the time). And the one guy actually in focus is from the back so it covers up the shittyness of my old style up lol

The other two are very emotional pieces to me and call it a placebo, but I genuinely think i draw better when I'm in the Feelings Sauce. I think about Druid covered in flowers and surrounded by rot more often than I'd like to admit

I'm just proud of the shading on Ponyx here ngl. I complained the whole time but I did have fun doing it! :3

Leo's cover is objectively one of the best things I've done recently, I actually got what I wanted out of it and that's a rarity these days. It was a no-brainer pick for my 2024 Art Summary. The mood, the characters, the background, all of it I feel came out really good

Category two! V I B E S

Art I'm filing under "super simple looking but captures a particular feeling or atmosphere in a way where less is more"

I don't have much of Druid where I feel like I get what i really want out of him (even though i draw him the most)... but this one of him half corrupted, half in light and half in shadow... where the beast is in the light, unobstructed and his humanity is in the dark... This one managed to do it a little.

The second is a character from an AU that I think is dead now but it was... fractured or framed or something with an F idk. Very happy that I visualized a Vibe that I do not actually have words for lol

Then there's Karma and even though the art is based on this post instead of being entirely original i got what i needed out of it. something unholy inside you wants to get out but you can’t let it. Peak Karmacore

SPEAKING OF KARMAAAA

Yeah there's a Feeling here alright. couldnt tell you what but man this image sure is that feeling. Yeah. yeah...

I love the art of the Askbox cover, too bad I fucked up and forgot Leo's whisker markings and didn't know until today FUCK ME I GUESS

Anyway I can't take credit for this composition since it's from some Welcome Home fanart, though the mood in that was slightly different than what I'm going for here, I just knew I wanted a sort of general sleepy vibe. The focus is really supposed to be on Sven here, secretly tired, stressed and over worked while everyone else rests peacefully, oblivious to how much this poor boy is being eaten up from the inside out

Keeping up with Sven being the guy I can Project on the hardest and get the Vibes of the best; The other image has nudity, but that's not the point, the point is the unwilling vulnerability of it, the exposure. Hands all over you, around you, in you, hands that in some way are your own but under the control of something else, a part of you that you buried so deep that you didnt even know it was there until it got dragged out of you

This is a screenshot redraw so prolly not the best example but. This is such a sinister moment and with Sven's cooler-toned lighting it's even more soulless and deadpan. Which works great thematically given his whole logic schtick. This is Sven at his weakest and his worst

Section Threeeee!! AKA I think I drew that guy Well

First things first, gotta put respect on my battle cuts banner. Im glad other people liked this one because the Pokémon version doesn't get nearly as much love whenever I share it haha

Sven seems to be the Guy I'm the best at drawing (surely there isn't any reason for that....) as far as like, what his general Shape is and even though all these are just little colored doodle dumps they're pleasing enough to me that I still use parts of them as icons on various websites. Also the Gaybo hours have arrived lol. I still adore the idea of the shine in Sven's eyes forming a heart when he looks at Sonny and feels something achingly familiar he cant name...

Not much to say about this. I hate my 'real' art style a lot when it comes to trying to draw people but... I dont hate it here. and the butterfly soup I drew on this I havent been able to replicate, but that's what Sven's butterflies look like in my mind.

For some reason FOM keeps eluding me lol i make stuff (written and visual) and like it at the time then hate it a few months later, repeat forever until the heat death of the universe. For now I think this is the best art I've made of them, but that may change in a month. Who knows. Still, they love each other your honor <3

This collection of young Heartbreak doodles were made when i was getting back into SU after the Year of Hell. I tried going back to the drawing board with everything, start from scratch and branch out. i still miss this era in my art, but I havent been able to recapture this look so... fuck me

This comic [link to full thing] is here for a similar reason. I dont usually like how I draw HB (can't seem to get the fucker right no matter what...) but in this comic I like most of what I did. This was made around the same time as the images above so it's hugging the canon SU style very closely and hey, maybe that's what the bastard needs to look his best.

CW for these last two as it gets a bit ~Spicy~.

This is Matriarch AU stuff (owned by @novantinuum). Nothing explicit is shown but i'll at least be transparent with you all about the nature of the AU as a whole even if most of it now is just... Emotional situationship turmoil and pages long character studies pfft

Anyway CW for partial nudity

I dunno what it is but I like this Druid. This is a good looking Druid. Just an old fart cleaning up. Slightly younger, de-aged old fart cause of the AU Lore but still an old fart lol

This image is peak autistic cringe and way more embarrassing than anything else I've ever made. it's got Witherbloom and Astrid stuff and I'll always be a little insecure about it (more so the Dryad/Druid than anything else) LOL but in a way that's why I like it so much

This image is the culmination of several months of deprogramming my brain from online purity culture bullshit and that's why Im proud of it, I'm proud of growing as a person enough to draw things that make me happy. It's dumb and cringe and selfish but I dont care anymore. I make art for myself when it comes down to it. I dont owe anyone shit, especially control over what I make. That's what creation is really about, bringing joy to yourself.

[gale-in-the-dark]

God, it's been so long since I've not only drawn Sonic, but been on friggin' tumblr.

Anyway, I'm Xeno, a transmasc artist, role-player and occasionally a fanfic writer. I was obsessed with Sonic when I was a little kid, played the first 3 games and read the archie comic, plus watched the old 90's cartoons. However, I eventually fell off because I couldn't afford the newer system and games at the time. They also stopped selling the comics at my local wal-mart then, and ... well the show stopped airing.

I recently watched all 3 films, still need to finish Knuckles, but man. I didn't expect to dive back into my old obsession this year, friggin' loved Sonic 3 though.... and now I'm in Sonadow hell. I'm also currently playing through Sonic x Shadow Generations to get a taste on what I've missed out on! I might check out Prime if I have the time for it, but I dunno.

Anyway, I needed an outlet for my shit, so here we are!

For the sake of my own sanity and because it fits my vibe in ships a little more, I'll be keeping my work to film verse most of the time. (That and I just love alot of things about the film's universe anyway.) However, I will post other sonic 'verses' be it games or more on occasion, but like I said, I'm sticking to films or... maybe whatever AUs sprout from my brain. While I can draw them in their original styles, I did develop something of my own, which sprouted from an experimental thought of what movie Sonic might look like if he were older... so yeah. lol;;; I hope that doesn't turn people off too much.

You may see me occasionally post crossover art involving another fandom ship too due to rp shenanigans with a friend...(bcuz I think it'd be neat if they met...). Don't expect that to consume much of my gallery though (unless its in high demand anyway). Anyway, hope you all enjoy my work! Rules

Be respectful, don't start drama. Especially ship wars. I fucking hate those because there's more important matters at stake in the real world that I'd rather be dealing with than fighting over a bunch of pixels.

Anti-LGBT+ rhetoric and sexist/racist shits not tolerated here.

This is a fun zone for myself to aid me in these trying times. I need this right now while my country is going to hell. However, this is also very therapeutic for me for personal reasons that I won't say too much on other then: I relate to Shadow on a deep and personal level that...I didn't think I would...

Not to get too political, but if you voted for Dump/Muskrat or hold terf or christo-fascist beliefs, don't fucking talk to me. We will not get along, for sure. And I don't want any of that shit near me (I already deal with it irl with my family...no thank you.)

Ah I should've added this but forgot to! So, I'm actually a fan of horror or mature themes, so I may dabble in that from time to time (especially when it comes to my writing). If you're not a fan of that sort of thing, my tag for it is ;spookyfun or ;TooDarkDon'tLook. Otherwise, might be best not to follow.

I'm not a fan of callouts, but only support such if the person in question actually did some pretty heinous shit. Otherwise, if its over some stuff that I find pretty petty, I'm not bothering with it. I'm for the freedom of artists and creators to create what they want as long as it doesn't harm anyone. However, on that note, that doesn't mean I'm going to enjoy what everyone creates either. I just support the freedom to create without being harassed about it. As stated above, there are more pressing matters at play right now and fighting over pixels or fanfiction is just really dumb to me in general, when compared to what I'm dealing with irl. Basically: Unless its a true crime, I hate fandom drama. don't bring it to me.

I'll add more here when I think of them, but really, just...don't be a dick or a weird creeper (in the bad way) and we'll be chill, I guarantee it.

[sleepy-pigeonn]

A Look Into My Hades Fan Animatic

I don't know to call this other than a collection of resources and reflections about the process of making the animatic. Hopefully it's interesting or helpful for someone. But feel free to ask questions if you'd like clarification/more info!

___

Inspiration (A non-exhaustive list)

It's possible that I've seen/read fan works that may have inspired me unconsciously, so there's no way I can possibly include references to them all. However, the ones I listed here are ones I recall looking back at repeatedly.

The fancomics "First Flight" and "Bonehead Boon" by Liana Sposto

Robbie Elliot Art's animation "Take Tonight"

Toastyglow's animation "Glitter & Gold" and PMV "This Year"

Storyboards posted by Paige Caldwell (@/papernewt) on Instagram

Zag admiring some of these beautiful fanworks.

The following sections are below the cut: References, Songs, Script and Thumbnails, Studies, Drawing, Editing, Random Facts

___

References

These were very helpful to creating the animatic!!

In-game references

Hades Wiki

3D Model of Zagreus by @/chunyou_ on Twitter

I also used screenshots I took while playing

General references

"How To Direct A Fight Scene" by Howard Wimshurst

Poses from the photo libraries of The Pose Archives and AdorkaStock

3D Model of Male and Female Heads by William Nguyen

I also just looked stuff up online or took videos of myself acting out some of the movements.

___

Songs

I thought of basing my animatic on any of the following songs:

"Icarus" by Bastille

"Dirty" by grandson

"Underworld" by CYPRSS *

"I'm Still Here (Jim's Theme)" by John Rzeznik

"I'm Gonna Win" by Rob Cantor **

"Could Have Been Me" by the Struts

They all have a varied degree of "Zagreus vibes" but I wanted a song that could be used to show as much of the game as possible. "Could Have Been Me" was the song that I could imagine more things for, so it is the one I ended up using.

* Look at this awesome Zagreus fan art based on this song

** Some of the lyrics for this song are so fitting for Zag but others are pretty ooc.

___

Script and Thumbnails

I've seen other artists annotate the lyrics to the song they are working with and attempted that here. But that process is a little confusing for me, so I kept these descriptions vague. It was helpful in keeping track of ideas, since some of them are faster to write down than draw. Especially for fight sequences.

I used Storyboarder for the thumbnails. I opted for this program because (1) it lets you add an audio file and (2) it has very basic tools. It can be used in a more nuanced way than I did. However, with 3 and a half minutes of frames to work out I needed something that helps me draft down ideas efficiently and without overwhelming me. And this was pretty good program for that.

The script and thumbnails happened in tandem a lot of the time. Think of it as brainstorming, both in vague writing and loose drawings. At this point I am trying to see if these ideas flow with the song, if they are readable, if they achieve what I had in mind.

___

Studies

Okay. So I am happy with my ideas. Now. How do I make sure the drawings are identifiable as taking place in the game?

This is where those in-game references came in handy. I looked back at my thumbnails and made a list of everything I would need. From characters to locations. Once I had these down, I made folders to make sure everything would be nice and organized.

I tend to avoid backgrounds like the plague. However, for some of these shots to work I need to give the viewer a sense of where the action is taking place. I know that I struggle imagining three-dimensional spaces while drawing digitally. So, using my thumbnails and the references I gathered, I did studies of all the locations I thought would be important using good old paper and ink. This also served to fine-tune shot compositions.

___

Drawing

The animatic itself was drawn using Krita. Usually, I worked on all the backgrounds using the studies as a base and then added the characters. My drawings started very rough for a couple of reasons. The main one was that with ~200 frames ahead of me I was afraid of letting my inner perfectionist get me stuck. I kept reminding myself that, being an animatic, the drawings could be rough as long as they are still readable. As I got more comfortable using Krita, I was able to create cleaner backgrounds.

Even so, I hit an art block around the two minute mark where I Could Not Draw. This is where I heavily relied on those References I Keep Talking About. They were my savior and are the main cause for the more "finished" look towards the end of the animatic. I think the best example of this was the shot featuring Thanatos. I was deep in the art block territory by the time I needed to go from thumbnail (top left) to final frame. No matter how much I redrew them, I didn't like how they turned out (top right). To work this out, I found references from The Pose Archives and used them as a guide (bottom left) to get a sketch that I liked (bottom right). I felt this look was more sketchy than I've would like so I ended up cleaning it. I followed a similar process for most of the frames following this one. As a result, the final frames of the video turned out cleaner.

___

Editing

Once I had all my frames ready to go, I imported them into HitFilm Express and made a composite shot where I basically just matched the timing of the frames to the music. Frames that have camera movements (like the very first frame) were made in their own composite shots. I ended up having to delete some frames so some sections didn't feel rushed. In the end, there's like 5 versions of the animatic because I kept making little changes. The biggest was adding Zag's dialogue at the beginning since I felt the video started up too quiet. I don't have any images for this stage. Please have this comparison instead.

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Random Facts ✨

Adding color was a last minute decision, it was mainly because I thought a colorful sunset would be prettier. My original plan was to shift the gray tones of the background into more yellowish tones once Zagreus reaches the surface, but keeping everything monochromatic.

If you pause quickly on the very last frame you'll see I accidentally made Zag's leggings black instead of red. I was on auto pilot at this point. Adding color was worth it overall but so time consuming. My respects to people who do fully colored animatics.

I wish I made Meg a pinker (or blue) hue rather than purple. In my mind I saved purple for characters related to Nyx (hence why Hypnos, Than, Chaos, and Charon have shades of purple). But I guess it is a sweet detail because of how Meg confides in Nyx in the game.

I kept a log of all my progress. Apparently getting the thumbnails done took about five months (August 2023 - January 2024)?? Anyways I leave you with these entries.

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Thank you for reading! I hope it goes without saying but I really appreciate all the support this animatic has received. All the hearts and comments and tags, they mean a lot.

[imflyingfish]

Hi fish hi fish!! :] hope you're doing swell- wanted to ask for some advice

I've been trying to learn how to draw wheelchairs for a while now, hardest part has been finding refs with people in em, do you know what terms to search up to find stuff like that? All good if not, just know you're pretty well acquainted with drawing em so figured I'd ask

First off I'm going to state that I'm not a wheelchair user. I have researched them in the past and have asked a family member who uses one for advice, but still don't take my word as absoultely reliable. The majority of my knowlege/observations comes from watching family members with chairs so it may be biased. I'm going to be mostly talking about manual chairs but the same suggestions should apply to powered.

Searching up "wheelchair drawing reference" can help, but I discourage using google images. Often the images will be unrealistic due to them being stock images, or of the wrong type of wheelchair for what youre drawing. (One that comes up a lot are foldable wheelchairs which are more associated with hospitals than practical life).

Instead, try to use reference collections made by wheelchair users. This is a really good collection by Criptid Cosplayer in both manual and powered wheelchairs. They also have a small guide to designing fantasy wheelchairs which was interesting.

I also reccomend learning what the different parts of a wheelchair are and do. This will make it easier to understand how the user uses the chair, the shape of the chair and make it easier to remember the different parts while drawing. I don't have a specific source for this using photo reference since I looked at real wheelchairs for this. However @/calvin-arium has a good guide to drawing chracters with wheelchairs with drawn diagrams here.

Also ensure you observe how real people use wheelchairs. I find that tutorials for using wheelchairs are a good source for this since they break down how each movement works. This will make it easier to draw Wheelchairs in montion/natural posing. Wheels2walking has a good video explaining rolling and one here for wheelies.

Other tips:

Give your characters wheelchair gloves, especially if they're going to be going longer distances than just being inside. Not all users use gloves but they do help protect the hands.

Consider if the character needs additional support/what type of chair they're needing. E.G. Seatbelts, cushions, cupholders, additional storage space, hight of handles/if they have handles, back height ect.

Check what type of wheelchair your character needs. One of my OC's needed to always hold a megaphone as her main weapon, so I gave her a powered wheelchair with a headrest to ensure that I could still have her move around the battlefield without taking away her disability. Other times you will need to consider the type of chair around their disability rather than design/character function. Make sure you research the type of chair for the disability and adjust if needed.

Wheelchairs have different functions. Sports wheelchairs and off-road wheelchairs look very different to regular wheelchairs so keep that in mind. Always research the right wheelchair

Also consider if your character can move their legs or not while posing.

To draw the wheelchair start with a circle with the figure to get an idea of the pose. Treat the chair as an extension of the character while drawing. Don't worry about the anatomical accuracy of the chair before you have a good idea of the pose/a basic sketch or thumbnail

Remember to draw the wheelchair using perspective. or dont.

Wheelchairs are even cooler decorated. Some people use stickers, covers, lights, fabrics, spikes.

It's okay to draw wheelchairs badly. I see a lot of people avoid drawing them for fear of getting them wrong but thats just. counterintuative. Make sure you research (even further than this post links to) and stop avoiding them.

Okay yeah, thats all I can think of for now. Keep in mind that I'm not disabled and so not everything I say is guarenteed to be accurate. But this should be enough to help you out I think.

If anybody else wants to add on to this feel free

[chacusha]

Kind of a random post, but sometimes I see a post going around Tumblr telling people to not think of their art as "content" but rather just call your art "art," call your fiction "fiction," etc. Don't call it "content." I am too lazy to find the post in question, but in any case, that's not the only place I've seen this sentiment, so the original post isn't necessary -- I now regularly see people outside that post criticizing calling one's fannish or creative outputs "content" (presumably after having read that post).

And while I can kind of see the connection between "content" and "content producer" and this sort of undesirable culture of, like, overwork, monetization, obsession with clout/following, and/or pressure to constantly produce and not go too long without a lull in a stream of "content," I'm just not sure it's the word "content," or thinking of your fic/art/whatever generically as "content," that's the issue? I think that pressure would still exist regardless of what you call your social media posting and, conversely, I think "content" can be a very innocuous and appropriate way of thinking about one's outputs/contributions/whatever you want to call them, at least in a fandom context.

Cutting the rest because this got kinda long:

Like, I am not someone entirely immune to the pressure to create ever more art, but output/productivity/clout/monetization has never been something I really struggle with or which motivates me on social media. I don't have productivity goals (in the sense of sheer volume -- I do have big projects I badly want to finish because they burn a hole in my mind, and I sometimes need productivity goals in order to make any progress on them at all). I also don't attempt to make money off any of my art (it actively kills my art drive to do so), and so I'm also pretty indifferent about the popularity of what I make (aside from social factors or other natural artist desires to want one's talent/skill/achievement/etc. to be recognized, which I don't think is unusual or unhealthy for an artist unless it becomes pathological), because I am not financially dependent on my social media posts having far reach or anything like that.

But specifically when it comes to fandom, when I contribute to a fandom, I tend to be very multimedia in the way I do that. I write fic, I draw, I make graphics, I write meta/essays/manifestos, I make memes, I create events/communities/social activities, I collect reference material, etc. etc. The easiest, most succinct, and most accurate way to describe what I do is that I produce... content for my fandoms. I guess you could call it "outputs" but that sounds robotic and business-speaky. Or you could call it "works" but I don't like that because fan stuff is what I do as a break from work; they don't feel like work and I wouldn't describe them that way. Also, calling some of things I make "works" sounds a bit grandiose for what they are! Calling all those things "art" doesn't work either because I need to be able to distinguish my art-qua-general-fannish-activities from my visual/drawn art, and, between those two categories, I don't think the word "art" is an appropriate way to describe the first, especially when it fits the second much better (it depends on context, obviously -- sometimes "art" is clear as a generic, but if I'm talking about both things at the same time, it will not be). "Fanworks" doesn't work either because not all the things I produce are fanworks. It's... content. Like, maybe I am missing something obvious, but I literally cannot think of a better/more accurate way of talking about my collective fannish output (other than "my collective fannish output").

Another helpful use of the word "content" is when you're in, like, rareshipper hell (which I am). Then it becomes very tempting to be like:

...whenever someone posts anything related to your rarepair, no matter how small, off-the-cuff, or modest. Or really:

Like, there's a level of desperation you reach in a tiny fandom where literally anyone contributing anything feels like a life-restoring drop of water in a desert... When you're desperate for literally anything, it seems fine to say what you are craving is "content." I suppose I could also say, "Finally, some good fucking literally-anything-at-all for this fandom" instead. But the word "content" does the job.

Anyway, what I'm trying to say is that I think the word "content" is getting a weirdly bad rap here. I do get the mental adjustment someone is urging you to make when they say, "Please don't think of your fic/art/whatever as content" because thinking of it as content first and fic/art/whatever second is an indication that you might be too preoccupied with ensuring you're always producing a steady stream of content without much care over what that content is, or thought as to why you feel pressured to keep churning out content. It could also indicate that you view your role as a fan or creative person as being a "content producer," someone whose value is dependent on how much you produce and whether you're producing, which can often be unhealthy (unless you do that for a job, are paid based on your level of output, and absolutely love your job -- then that's great!).

So I think that's a very valid and important PSA to make to creatives -- you need to be cognizant of when, like, you're becoming alienated from your art and especially your hobbies/fandoms/things you do in your spare time. I just also think there are legitimate uses for the word "content" specifically, especially in fandom (e.g. to describe your collective fannish output or your collective fannish intake when you're very multimedia in inclination) and so I personally haven't found the whole "content (derogatory)" attitude in fandom/on social media to be helpful to my particular situation, to be honest. Not contradicting the general sentiment of that post and its advice, but I just think thinking of your work as "content" is okay/appropriate, actually (situationally).

Anyway, sorry, I wrote a mini-essay again (I thought this would be "short").

[naughtynoodle056]

I wish I could comment but I can't so:

oh my godddd I know this is kind of counterproductive or, like, just pointless for me to say this as a white person adding noise to the conversation but please please PLEASE DO NOT LET THOSE PEOPLE GET TO YOU!

I've only found ur acc recently since I've joined tumblr instead of lurking and your art is some of the best I've seen.

I have Aphantasia and general face blindness irl, so defining features (not even ethnic features, just general appearances) in drawings are the main thing I've had to focus on my whole life because I struggle to accurately display them in my art.

I've practiced and studied countless art styles and ways people have drawn and depicted eyes, eyelids, mouths, hair, skin, lips, noses, faces, body types, etc. Of course it differs depending on the art style, but you literally managed to perfect the way you draw individual features in your characters that make them not only stand out from eachother, but as characters with unique and diverse backgrounds.

I don't wanna clog up ur inbox too much, so without repeating the whole thing again, I will say that I also saw @cheeseburgersinparadise's comment on your post and I was thinking the exact same thing.

Idk what these people want you to do short of making racial caricatures or stereotypical depictions of people.

So here's some things I really enjoy about your artwork instead:

Little differences in body type are noticeable and really cool to see

you're very consistent in your character's personalities and depictions, so even if in one drawing they have their hair tied up and in another it's just completely natural, I can still tell who it is at just a glance!

Despite what the armchair critics say, the skin tones you use are really good and I can tell they're well thought out.

Your lineart is awesome. I've never been able to use the uhhh the one effect (I forgot the name) that makes the lines all sharp and stuff without my drawing looking like a SBAHJ comic parody/shitpost, but in your drawings it looks super neat and has a cool kind of side effect where it highlights the colors and stuff, making it all really pop but at the same time feel really like.. story and held together? I'm terrible at describing visuals I'm sorry but just know it's good! You know how to actually use brushes and effects/overlays.

facial expressions. You nail them every time. 'nuff said.

Same Face Syndrome fears you.

"try exploring shape language" idk what crack these people are smoking because your art is like the pinnacle of good use of shape language in drawings. It reminds me of Canadian cartoons (IN A GOOD WAY. I GET CANADIAN RADIO/TV SIGNALS, I GREW UP WITH IT) where it's like 'less is more' in terms of line detail and instead putting the focus on the basic shapes in a way that can make even the quickest sketches/simplest versions of a drawing look lively

if nobody else got me, the tumblr crowd got me fr 🥹💖

It's hard to articulate how much this means to me (hence why it took a bit for me to answer this ask lol) because like. I don't know if y'all remember that one episode of iCarly where one of Spencer's favorite artists just blew him tf off and it lowkey ruined his life for a while, but I felt just like that fr

It can be really frustrating sometimes being a silly kink artist(TM) and feeling like because I have a particularly cartoony art style and don't often draw the most extreme WG art, I get kind of overlooked and treated like IDK what I'm doing sometimes, y'know? I never went to art college and studied drawing there, other than one cartooning class I took for funsies at a community college, my knowledge comes from what I learned throughout grade school and studied myself with online resources or books at the library. So sometimes it DOES FEEL A LITTLE like certain huge artists who did go to college for that turn a nose up at artists like me.

It's the craziest feeling when someone makes a criticism on your work that's just like, objectively unhelpful or even hypocritical, and then doubles down and like subtly paints you as one who just can't accept criticism. Because if I couldn't, then you wouldnt have such kind specific compliments on my art hahaha. My lineart is so clean because I took the advice from an art teacher when I was 16 and it was shaky. I keep facial features and whatnot simpleish and cartoony so I can depict expressions in a more fun way.

Hell, that artist's "fair criticism" about leaning into ethnic features more may have been referring to the fact that Shay doesn't have a noise here. This is seen in some other pieces of mine, too

but that was intentional... a gentle nod to certain anime facial expressions were they leave the nose out for Extra Effect

It's a little ode to the funny facial expressions in Sailor Moon that do much of the same

Speaking of the lineart effect, heh, I'm soooo touched someone noticed it omg?? ;0;

I like to duplicate my lineart and put the top layer on multiply with a lighter (usually warm) color and guassian blur it and then the bottom layer with a bright (often brighter) and then guassian blur it even more before setting it to glow dodge :^)

I feel vindicated that I wasn't just like. overreacting when I was DEEPLY offended by the "helpful criticism"

I feel like whoever made the skin color comment just. forgot about the concept of lighting in a dim room 💀💀💀 It was so crazy to me that she was talking to me like I haven't been drawing these characters for years at this point and use the same base skin color like. 98% of the time

ALSO DW I THINK THE CANADIAN CARTOON COMMENT IS A BIG COMPLIMENT CUZ I USED TO WATCH A LOT OF THEM ALL THE TIME!! 6teen is one of my dearly beloveds fr and a friend of mine said my art style reminded him of that so 🥺🥺🥺

TLDR: thank you for being a real one and the heartfelt ask I will be mentally hanging this up on my fridge 🙏🏾🙏🏾🙏🏾 (also sorry Tumblr is wack and wont let you reply to posts smh)

[taralen]

Announcement? Other things!

Hey, everyone, so besides commissions and all my SPECIL SALESMAN art, I would also like to share more things (like original art) and draw fanart for other things. Spamton G. Spamton is a mainstay on my blog. He is very important to me, and if you don't like him, then too bad!

My range of interests is absolutely massive, and as one fan/friend of mine said to me years ago, "You're like a mystery box of surprises!"

Here is what I plan to make art and possible theories or analyses for:

[[please note that a lot of my interests are 17-18+, but anything uploaded here will be kept SFW or cropped. All NSFW stuff will go to my Pixiv account. I highly recommend to NOT look up the origin if you are a minor or sensitive to explicit content.]]

Queen's Blade Franchise (17+) - I really want to make more art of my favorite character, Alleyne the Elven Fighting Master, and possibly her apprentice, Nowa!

Higurashi no Naku Koro Ni (17+ GORE HORROR. Do not look up if you are sensitive.) - Recently fell in love with this series. I consider the original anime from the 2000s to be a masterpiece. I want to draw my favorite character, Takano!

Taimanin universe (17-18+. Seriously don't look it up if you're a minor lol.) - I really love some of the characters of this series, like my waifu Ingrid. I've drawn her before, and I want to draw her again. Funny enough, one of my pieces is featured in the mobile game Action Taimanin as a poster on the wall for a level. Sometimes, I see people use my art as an icon. It's very flattering!

Dragon Half (15+) - One of my all-time favorite mangas ever made from the 1980s. I think it's long overdue I make a fanart for it.

Winx Club - I have numerous unfinished fanarts for this series. I love it so much, even though Sailor Moon is superior lmfao.

Shoujo Tsubaki (18+. BANNED WORLDWIDE. DO NOT LOOK IT UP if you are sensitive or if you are a minor) - I watched this two nights ago, and it's so sad... I plan to do an analysis of it. I honestly don't think it's the worst thing ever, but I can see why people find it offensive, as it touches upon A LOT OF taboo topics.

Psychonauts - This game series man... So good. I want to draw something of my favorite character, Helmut, and his husband, Bobby. I just absolutely adore them. 😭

Touhou Project - It's been a long time since I've drawn proper fanart for this series. I have A LOT on my DeviantArt account, but I'd like to draw my favorite girls again.

Super Mario Bros - Peach is my original waifu. I've tried drawing her many times in my style, but I've kind of failed. I also really like Princess Daisy's N64 version and want to draw her again. Rosalina/Rosetta, I will also think about it.

The Legend of Zelda - This one is a little... Difficult for me. This is one of my favorite game series ever, but I really struggle to make art for it. I want to since it heavily inspired my work, but damn is it hard... Hopefully, I can break out of my shell for this.

Various other Eroge titles (18+) - Eroge are any games with erotic elements that originate from Japan. There are so many I like that range from simply being romantic to utterly insane. If you're a minor, do not look up anything.

Runescape - How I love thee. It's been a while since I've drawn fanart for it. I love the Elves haha!

Creepypasta or ghost legends/stories - I've been listening to a lot of these lately and I feel a bit inspired to draw some of the things that pop up in my imagination.

That's all for the non-original stuff. I'm still hesitant to post OCs here because they got 100% ignored last time. xD

Stuff of mine I won't ever upload to this blog:

18+ NSFW. Obvious. Do you want me to get banned?? I can draw fanart for something adult without it being NSFW.

Fetish stuff. I know I get commissioned a lot to draw fetish art, but all this will remain on DeviantArt.

Anyway, that's all I can think of right now.

[nekosd43]

so in September I started a huge sketchbook and a discord channel with an extremely small group of friends. I historically have been really bad with sketchbooks, because I never finish them and I don't use them as SKETCH books (my brain tries to make me make every page a finished piece).

The goal was to just draw shit WITHOUT posting it on social media. I was getting too in my head about everything I make needing to be online, and it was making my art suffer I think. Not everything needs to be a finished piece, not everything needs to be shared.

(I did post it to the discord channel so the handful of friends could see it, so I could trick my brain into thinking it wasn't a "worthless" drawing, and they could help encourage me to keep going. it's worked really well, I've gotten way more comfortable drawing without feeling like I MUST show it to the entire world)

I'm actually on pace to probably finish this sketchbook within a month or two, which is INSANE for me I usually take forever before abandoning it eventually. And while not every page has something amazing on it, every page DOES have something on it that I'm happy with to some degree because I just let myself Make Stuff. Some of it is weird, some of it is badly drawn, but all of it is honest and fun and part of me.

A part of me is really proud of all the work I've put into it and wants to do one of those Sketchbook Tour videos... but I worry that goes against the thesis of the whole exercise? Like the point was I DON'T have to share it, it's just for me, it didn't need to be a complete piece for internet consumption. But at the same time I'm like... wow! There are hundreds of drawings in here! I did all those! I did all those for FUN and I had fun and I like them! I'm proud of that and I want to share it!!! So I'm butting up against myself on this one.

I've still got 40~ pages to make up my mind about it I guess.

[tallbluelady]

between you me and those two lalafall t posing that azure dragoon in submission in the corner there what is your favorite part about screenshoting writing or otherwise producing content for your character?

Buckle up cuz I've been rotating this concept in general for a while!

Okay, back in college (I still feel weird saying that) I lent a friend my notebook cuz he missed a lecture one time. He noted that I doodled all over them, and asked why I did so. My answer was something along the lines that I was going to burst if I didn't.

And it's still true for me to this day. I have to write or draw or do gpose/screenshots cuz otherwise I'm going to explode. An idea comes to me and stares me and compels me to execute it. Hell, when I get a good shitpost idea, it feels like my third eye snaps wide open and I cannot get any rest until I make some sort of token effort to try and make it real in some fashion.

As for a favorite part? I don't know! The Defunctland tweet about film making being the worst thing other than not making films is pretty accurate on occasion. I mean, I do enjoy the fruits of my labor. I was scrolling through my own blog smiling at the stuff I've made before I started writing this answer. But depending on the creation, creating the thing is more important to me than having the created thing.

Like this essay of an answer! Not only do I feel obligated to answer you, but I have to admit that writing this is going to be more satisfying to me than coming back to it later and reading it. And that's been true for most of my life. I remember goofing off with spriting at a young age and just enjoying editing the visual of Pokemon trainers without worrying about posting them for a while. It's just been this last year and like, high school that I would get consistent feedback on my creative endeavors. College and working at my last job didn't leave me with enough energy to do creative stuff and present it in a viewable fashion. So that leaves me wrapping my head around the idea that I am having positive human interactions because of my blorbos and blorbo related content.

As for Rowan being the central character of this content? She's more or less the character I've always made creative content for. Whether it be in a Night Elf form or original Elf form or Elezen form, she's just been the vessel for any creative endeavors that need a person-shaped avatar to fill. Now I can confidently say that Rowan is probably distinct from her predecessors by virtue of being worked on so much more lately, but she's just drawn from the same primordial muse ooze that I've always been drawing from.

I think I hit all the points I've wanted to here. Well, the peer-reviewed, undiagnosed ADHD is probably a big contributing factor as to why I feel like I'll burst as a way to combat boredom (and for how this reads lmao).

But, uh, yeah. Thanks for the ask, anon. I hope it wasn't far more than you bargained for XD

[jesterspestiilence]

I remember you posted something about Darkest Dungeon and Madness Combat, and I recently just got into DD so I'm curious if you have any more regarding that AU? 👀

darkest dungeon is a good (and mean) game, hope you have fun with it. thank you for showing interest in my stupid crossover stuff. as for the "AU", im not sure if i would label it as that, though i can see why you could. it wouldn't be too hard to draw the connection between The Machine and the Maker and Employers and such. there's an inherent horror in something that classifies you and the world around you as real being infected by something greater than it to the lovecraftian horror that DD draws from. it was more of just a translation of characters into classes. (possible mods one day, even. though i'd have to find somebody who can code.)

so far i only have Sanford and Deimos ironed out. i havent drawn deimos's hypothetical walking still because trying to match the cutesy proportions the sprites have piss me off. (skill issue on my end.) i'm not sure if you're actually interested in the mechanical aspects of them yet, so i'll save it. i will say that they would work best together, as sanford would be able to mark targets without having a skill that interacts with that and deimos would have skills that interact with marked targets despite not being able to mark them himself.

hank would have something to do with death's door, i think. playing around with the death mechanic in general. (ive not actually got any of the paid dlc myself so this very well could just be ripping of the flagellant. i know that freak plays with death's door.) 2b would also be a possible class, though he would be pretty bland mechanic-wise. he'd mostly serve to buff the party while having a focused range skill to deal damage. other than that, i've not got much. it's more like a crossover type thing. i don't actually have class names in mind, other than The Hooker.(sanford.) my main reasoning for it not being an AU is because it's just really funny to imagine deimos or so mentioning his (now useless) technology and the vestal or something having a heart attack on the spot. hank being a curt dickhead in modern terms. deimos running out of cigs and being offered a leaf to smoke, only to be sent to another dimension via an anachronistic-but-still-medieval hash. might be laced, considering who offers it.

[jekyll2life]

A Formal Apology for my Sudden Disappearance (10/18/24)

Hello everyone! It's Jester.

After a very extended break, I wanted to come back here and re-invigorate some life into this blog. But first, I believe I owe all of you an apology and an explanation for why I disappeared so suddenly and for so long.

At the beginning of this year, I found myself at a new job. And while I found my work very fun and fulfilling, it also left me significantly busier than I was before. I tried my best to keep uploading at my regular pace, but within three months I was burnt out. Maintaining the schedule on one platform was barely manageable, let alone two. So unfortunately, I decided to drop Tumblr first. Since I only use Tumblr on desktop (I don't have the Tumblr app on my phone because the version on the Apple app store censors certain tags. And trying to upload through browser causes it to crash), uploading pictures takes more time than uploading to Instagram directly from my phone.

As I've said though, I only managed to keep the schedule on Instagram for three months before burning out. Between March and July, I spent more of my time prioritizing my duties at my new job. Then once my tenure was over, I ended up moving to a different place, which was a hectic process all on its own.

As time passed, I became interested in other things, and debated about quitting altogether. The thing that ended up bringing me back was, quite fittingly, Jackson. With more free time after the move, I made Jackson a new outfit that I wanted to show off. And that ended up getting me to take pictures again. XD

Even so, it took me some time to find a new schedule that was actually sustainable for me. I've been getting more into drawing lately, and I wanted to find a balance between taking pictures and my other interests.

Which leads us to October. I've found a schedule that works for me now, and I believe I'm ready to go back to posting on two platforms.

Upon logging in again though, I found that I received multiple messages worrying about my whereabouts. It warms my heart that you all care about Jackson and his humble clown human so much. I'm really sorry I made you all worry. Tbh, I didn't think my online presence had much of an impact, so I didn't think about any possible consequences of just up and vanishing the way I did.

Thank you to everyone who sent me messages of concern while I was gone. I'm sorry I vanished for so long without saying anything, and I promise next time I take a break I'll say something before leaving.

In the meantime, I've loaded up the queue with all the photos I've take over the past few months. Lots of new pictures are coming.

Additionally, I've closed my Etsy shop in favor of getting a Ko-Fi. All the sewing patterns I've had before are there now, as well as some physical doll clothes and stickers I've drawn myself. Feel free to check it out if you'd like.

As always, I hope you all look forward to the continuation of Jackson's adventures. 💛

Sincerely,

The Clown Behind the Camera 🤡

TLDR: I disappeared from the internet because I was overwhelmed with irl stuff. But I'm back now.

[amalgamgooze]

"comic creator," in the beginning and ever shall be.

Okay. They're not good comics.

They haven't ever really been good comics and I doubt they'll ever be good comics.

In fact, I don't think I'll be sharing them any time soon.

But I'm drawing comics for myself again.

I drew comics nonstop back in like, elementary and middle school, and I stopped for a while after seventh grade.

It's been too long since I've drawn a square on a sheet of paper and started telling a story in that panel.

So tonight, for old time's sake, I've picked up the pencil again and have started drawing panels for another (angsty) comic.

...

Everything I've done these past seven-or-so years.

All the little practices that I did with the intent to get better at something.

I'm starting to see it really pay off now that I'm trying *actual* projects again.

And all the studying too.

For a long time, I was afraid that I wasn't really absorbing any information when I researched concepts (like posing and character design) without immediately putting them to practice.

And the semi-passive research too.

Most of the media I've consumed has been through an analytical lens (which, that doesn't mean I didn't also enjoy what I was experiencing!). As I've grown older, I've become better at analyzing stories and cinematography and stuff like that, and breaking it down into what makes what work.

...

But enough about growth. This isn't about how much I've grown.

It's about where I've sort of paradoxically come from.

Listen. I could talk about my own development and personality for HOURS. There's so much nuance and stuff that I'm still trying to figure out.

But it's not narcissistic self-talk. I'm not trying to, like, make myself the center of attention 100% of the time all the time.

I'm just more fascinated by what I was. Honestly, I'd probably be fascinated by who a lot of people were.

...

Math used to be such a miniscule part of who I was.

I was more focused on Making Stuff.

Like, Any Stuff.

Business models for lemonade stands.

Presentations on the history of board games.

Ideas for inventions and mobile apps.

And, of course, comics.

I'd stay up late at night, drawing comics on a clipboard under the light of a desk lamp that'd been clamped onto my bed.

...

God, I wish I were still that productive, hah.

...

And now here we are.

I make music, games, doodles, blog posts, and, well, math stuff too.

...

I guess I was kind of always a "smart kid" in that regard.

But I don't think that meant I was supposed to go into STEM or stuff like that.

...

I don't know. It's probably just better for me to make the things I like to do solely as passion projects.

...

Yeah. I think I'll leave it at that for now.

TLDR: I've re-realized my passion for making comics, but it's also evoked some confusion in me.

And I guess my internship also starts tomorrow.

Yippie.

All I can hope is that they make me do more programming this year.

Because I love programming and math.