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nika-the-hunter · 4 years

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House of Mist [Ch. 11]

Central Seattle Ruins, Pacific Northwest. House Mist Territory +157 days

Nicole and Rykis walked down the path that had been worn through the tall grass. The old road surface was clearly visible here under the dirt. It was cracked and crumbled, resembling gravel more than the flat concrete it had once been. The other trees, not the evergreens, were starting to get their leaves again, and were bringing brighter shades of green to the pale urban ruins. This was her first spring, and it was wonderful, everything was so full of life.

Her meeting with Fort Discovery had gone well; so well in fact that she was absolutely convinced that working with the House of Mist had been the right decision. She and Rykis had spent the remainder of the day walking around the small settlement named after the original park it was built on. There had been a fort there before at some point in ancient history, but its name had been lost to time.

She met many Humans in the fort; over half of them had ties to the region that went back to before the Collapse. Those that had migrated over to Fort Discovery from elsewhere had interesting stories of the world outside the region as well. She had made it a point that return trips would be common for her. The children that her Ghost was entertaining followed him the whole time, trying to play tag with the mechanical ball.

Pedro and Athena had ideas for expansion that Nicole could help with. They had been in radio contact with a group of people due east that were worried about a band of Fallen lurking around their town. The town had been cautious about Mist, but stories of the friendly Fallen out west had apparently made the journey to them. They were willing to move into Mist territory but had no way to do it without drawing the attention of the local Fallen crew. Pedro had planned to bring it to the Kell’s attention soon, but the campaign against the House of Devils had kept the Kell busy. Now that things were calming down, he would bring it up and suggest that Nicole help convince the others that Mist was extra safe.

When Nicole finally left Fort Discovery, she found the Archon taking a video call with an Eliksni Vandal who wore a banner she did not know. Though there was a lot she did not know already. It was hard to tell the color of the armor with the screen glare from the angle they were at, but it looked green. Marakis had ended the call and turned to face the two who had approached. He briefly mentioned that he was speaking with the House of Exile, before asking about their tour. Later Rykis told her that the House of Exile was an Eliksni collective that lived up on the moon. Mist apparently had a trade deal with them regarding Ether.

On the flight back to the Archons compound, they all talked briefly, Marakis was interested in how she and Rykis were getting along. He seemed really excited with a Guardian and Eliksni living together and seemed to read the subtext of what was really going on quite well. Sparing them the embarrassment of just saying it.

The day was nearly over by then with the sunset lighting the sky in a bright gold. Their walk back towards downtown kept them in the shade already. Her Ghost spent his time orbiting around the two and occasionally flying off to scan something dangling in the old windows. The ruins were mostly empty, Mist Eliksni lived in the newer buildings that were further downtown. Those buildings were still old pre-Collapse construction, but they were in much better shape than the stone and steel skyscrapers that made up ninety percent of the city. Over the centuries after the collapse, those buildings had remained free of overgrowth and were still somewhat waterproof, unlike her hotel across the lake.

“So, are we headed back to the Kell to catch that truck back, or are we walking home on our own?” Nicole asked.

“No, the Kell gave you the choice of living elsewhere now. You’re not restricted to Baron Acskis’ outpost.” He replied.

“So... where are we headed then?” He did not really answer her question.

“We’re headed to where I lived before. I think that you might like it.” She could see the edges of his face move behind his mask in what she recognized as an Eliksni smile, then he shrugged. “If you do not, then we can go to your hotel tomorrow, or maybe somewhere else.”

“Oh, alright. It’s been a while hasn’t it?”

“Mm, not as long as you think, I visit it whenever you’re busy around Bellevue.”

Nicole nodded. “Well that’s good; I’d hate to keep you from home.”

There was a bleep from her helmet that was clipped to her belt. She looked down and saw something flashing on her visor. “Oh hey, give me a second.” Her helmet slipped over her head, but she did not activate the seal.

The blinking icon opened into a list that took up half of the view screen. The word Quests was in bold at the top, with little icons and what she guessed were the quests themselves listed on it. There were only a few entries. The currently highlighted ‘quest’ had a graphic of one of the metro trains she had seen in the tunnel over a banner for Umic. Memory Troubles was the name with the description “Locate Metro Security Records.”

The chirp of her Ghost sounded from the helmet’s internal speaker. “Hey! You finally checked out the Quest tab!”

“What is this?” She asked.

“Well, you seemed to be getting a lot of things to do, so I decided to put together some of my own quests for you. Usually these come from the Vanguard at the Last City but given how we’re not planning on going there any time soon, I’ll do it for you for now.”

“Okay... why did it just pop up now?” she stopped Rykis. “Hold on for a second.”

“Well follow the marker and find out!” the Ghost replied, at the same moment a diamond shaped marker appeared. He sounded excited which was very unlike himself.

Nicole nodded in the direction the marker showed and started to go. “Sorry Rykis. My Ghost found something he wants me to see. We gotta’ detour.”

“Then lead on, Neh-cole.”

The marker led back and over one block, to the front doorway of a tall office tower. The building's stone facade was crumbling in places, leaving piles of rubble underneath the trees. Once at the door, the icon appeared again further inside. It stopped at a stairwell leading down into the dark. “Alright, we’re here. What did you find?”

Her Ghost appeared from inside the doorway and played his flashlight over the remains of a sign hanging on the wall. The letters had faded but most were still legible. -Metro Transit Authority. Regional Security Office.

“I found the place!” He did a spin inside his shell. At first, she was not sure what he meant, but the name of the ‘quest’ connected the dots. The camera down in the subway tunnel had been looking right at where her body had been. It was still working and sending the data back somewhere and something was still giving it the command to record. Robust systems were still working somewhere. But if she wanted to find out what had happened to her, all she needed to do was go down and find the network hub. It was not a priority; she had actually forgotten about it up until now. The discovery of her cause of death was more of a hopeful curiosity than an actual objective. However, there it was... at the bottom of the staircase were some answers about her previous life. Under the helmet she bit her lip and gave it a good two seconds of thought. The answer was obvious.

Down she went. Quickly at first, but immediately slowing for caution; the stairs were slick and covered in moss. That was something she was used to seeing out there. Buildings, trees, rocks, and even growing on the side of Eliksni crates that had been sitting just a little too long; moss was everywhere. The bottom step was submerged beneath a few centimeters of water and somewhere deeper in the basement she could hear flowing water.

At the far end of the large open space, Nicole could see dozens of blinking green lights hidden behind a window. The working systems were a good sign that this was the right place. She stepped into the ankle-deep water and apologized to Rykis. He was not wearing any sort of water-resistant footwear, but he followed her anyway without complaining. Sloshing through the water, Nicole noticed that people had died down here fairly quickly. A few had died at their workstations, leaving their skeletons collapsed over keyboards and left computers in stand-by mode.

The sign on the side of the door said that it was the data-storage room. It was exactly what they were looking for. The blinking lights were the status lights for over a dozen large computer racks. The hum in the room was loud, and the air was warm. The doorway was raised higher than the water, someone had some forethought when they built the place in the basement, so there was no water inside. Once inside with the door closed behind them, Nicole could not hear the water flow anymore.

Nicole had no idea how to search all this for what they wanted, so she waved to the machines. “Okay Ghost, do your thing.”

He chirped and flew over to one of the stacks. “This might take a while. These cameras have been recording for centuries...” The Ghost flew from stack to stack, an optical beam connecting with each tower. “Just have to find the feed from your station and trace where it goes. It was Olympic... I think?”

“Well take your time, Ghost. It’s not like Rykis and I can do anything.”

After a few minutes scanning through the various racks, he had found the data. “I got it!” he exclaimed with all his fins expanding out from his core. “Well, are you sure you want to watch this, last chance.”

Rykis looked at the Ghost, and then to Nicole. “What did he find, what are we looking for?”

“Well he found the recording of how I died. The first time.” Nicole grimly smiled. “I'm hoping it’ll give me something to work with. So yes, Ghost, start it up.”

He floated over to a dormant computer station and interfaced with the monitor. The screen flickered and flashed to life. The multiple camera feeds from across the station appeared. There was even sound.

Olympic Park Station -28 minutes

Umic Security Officer Nicole Walker rushed down the escalator leading into the chaotic subway station. Her heavy plasteel ballistic vest almost knocked her off balance in the shifting sea of Seattle citizens. Thirteen hours ago, she had thought that the vest had been overkill; her regular uniform had woven strands of sapphire wire which was good enough to stop mid-caliber ammunition. But as the day progressed, she no longer felt that way, and was grateful for the vest.

Gunfire at the top of the stairs brought her around with her rifle, aiming the carbine towards the odd colored daylight streaming in at the top of the shaft. The citizens and refugees parted and dropped to either side, clearing a firing lane to the doors. At the top of the stairs her partner, USO. Keane, fired out the door and onto the street. An explosion rocked the shaft and people fell, more pushed deeper into the station. “I’m gonna’ close the doors!” Keane shouted. “Get in here now.”

He fired again, Nicole tried to get back up the escalator, but the parted sea had closed and everyone that was up near the top was making their way down whether she was in the way or not.

A cluster of blue energy shots peppered the wall above Keane. A large group of people finally made it through the doors, and he slammed his fist into the switch on the wall. The station’s storm shutters dropped from the ceiling and bounced once off their rubber seals.

They were locked in, and the bad stuff was locked out.

Another explosion from outside shook the ground again, more gunfire erupted nearby, it was all muffled by the storm shutters. “Everyone downstairs.” Nicole ordered. People that had remained on the stairs, even after the crowds fled, slowly got to their feet, and moved down to the station.

The trains were still running, “Thank the Traveler...” Nicole muttered. There were casualties and moving the injured on foot down kilometers of tunnel was just not going to work.

“Please form a line! Cue up at the marked positions!” A Transit cop in a high-visibility vest was directing the panicked people to where they could board the next subway car. “We’ll get you all out of here as fast as we can. The trains are running double-time and filling up at previous stations!”

Nicole walked over to one of the small coffee shops along the wall that had its lights still on. The windows were smashed, but two of the original employees were busy passing out water and snacks to anyone who came for them. She grabbed two bottles of water and a small bag of sugar cookies. Downing her bottle in one go, she headed back into the space between lines where Keane was wiping the sweat from underneath his helmet. “You alright?” She offered him the other water.

Taking the water, he also drained it. “Yeah... uh... just glad those doors are doing the job.” He nodded over to a group of Seattle Police Officers talking on the other side of the next line. “They got working radios. Military’s been trying to get up here for hours apparently. Something is bogging down the roads, and the weather is just insane.”

She nodded. “We could really use the help. A bunch of street cops and some deputized, heavily armed, and highly skilled, security guards ain’t going to help everyone.” Nicole smirked; trying to add some humor into the situation.

Keane returned the look with a thin smile. “Yeah, doesn’t mean we can’t try.”

The ceiling chimed. “Train approaching... train approaching.”

At the front of the lines, the Transit cop checked his wrist pad. “Alright people, this train is only two-thirds full! Stay in line and wait your turn. We’ll all make it out, just don’t push.”

The sleek subway train slid into the station and squeaked to a stop. The cars were packed, but apparently only part full. Once the doors opened, no one got off, and the lines began to squeeze in wherever they could. With a blow of their whistle, the crowds stepped back and allowed the Transit cops to get the doors sealed and sent the train on its way. “Next train arrives in... five minutes,” chimed the ceiling.

Two more trains came and went, but the population count in the station did not seem to be decreasing. People were just spreading out now that there was more room.

Nicole noticed a lone kid standing in the middle of the station clutching a stuffed animal. It was covered in dirt, but she thought it might have been an Orca. The little girl could not have been older than five, but she did not look scared or sad. Nicole walked over and took a knee beside her. “Hey there kid, where are your parents at?”

The girl looked at her and shook her head. “I dunno, mommy went to get daddy. She said to wait here.”

“Well which way did she go?” Nicole asked. Hopefully it was not far.

The little girl pointed the stuffed Orca up the stairs. “She went up there.”

Nicole looked up that direction and frowned. That was not good.

“Train approaching... Train approaching.”

Unknown to Nicole, the station security system picked up a conversation going on down one of the maintenance corridors, coming towards the station.

“Holy shit Sam, where did you get those?” Voice one spoke out, in audible surprise.

“From nowhere. I ain’t telling.” Voice two was gruff, and noticeably angry. “Here, take it, it's loaded.”

Voice one huffed and had to hurry to follow “What the hell are we going to do with them?!”

“We’re getting on that next train. I'm getting us out of this place.” A sharp click-clack sound was registered with the system. It was identified as the racking of a shotgun pump by algorithmic analysis.

It would have alerted the authorities if there was anyone left to pick-up. There was not.

Back in the station proper, the next train was slowly gliding into the station. It was only one fourth full. Plenty of room for evacuees. The door in the backside of the station burst open and out rushed two men. One had an assault rifle, and the other in the front was carrying a large gauge semi-automatic shotgun. He fired it into the ceiling once. “Everyone fucking back off. We’re getting on that train, you hear me?” the man bellowed. Chunks of plaster fell to the ground around them.

People froze in place, some dropped to the ground. The traffic cops had their hands on their sidearms, but nobody drew their weapons; not with a threat like that in a crowd of civilians. “Hey now, there's plenty of space for everyone. Just put the guns down.” One of the cops motioned slowly.

“Nah, we’re going. Now. Get everyone out of the way.” The guy in front swept the gun across the station. “Stay the fuck back.”

Nicole eyed the gunmen, both the shotgun and the rifle had large drum magazines, however the guy with the rifle seemed put off by what was going on. That did not change the fact that he was still waving the gun around the crowd.

One of the cops that had been back near the coffee shop came around slowly and half crouched. He looked like he was going to try and tackle the shotgun wielder. If shots started flying, things would go bad very quick.

Nicole threw herself in front of the kid who was just out in the open, well in the line of fire. Too many potential targets had been behind the kid.

The man with the gun reacted to Nicole's sudden movements and fired at her. Under normal conditions, if that shotgun had been loaded with buckshot, it would have just caused a few dents in her plate vest. However, that gun had been loaded with high-velocity solid slugs.

At the range they were at, there was nothing that could be done. The slug smashed into the center of her plasteel plate, causing it to deform beyond its threshold. Her chest cavity was crushed. The plate had stopped the bullet, but not in any manner that would have saved her life.

Central Seattle Ruins +157 days

Nicole watched her original self crumple to the floor and die. The others, who she did not know or recognize, took down the men with the guns. They tried to revive her, but it was no use, she was already gone. Her fellow security guard was visibly distressed and started to kick the guy who had shot her while he was detained. However, the officer in the bright yellow vest pulled him off and shoved him away. The girl was loaded onto the train with the Umic guard and sent away almost immediately.

The people that remained in the station pulled her body far out of the way, moving it to its final resting place on top of the mezzanine above the tracks. One of the people that helped carry her body placed her arms on her chest and draped a tablecloth from the store over her. He seemed to say a prayer and leave, but there was nobody else up there to witness it.

“Well there you have it.” Her Ghost blinked. “There is more to the recording near the end, but that's how you died.” The video sped up and the station eventually emptied, leaving her body sitting alone on the platform. Nobody else entered the station after the last train zipped down the track. “Huh...” She had expected some firefight with the cause of the collapse, not getting shot by fellow Humans. It did not change anything though, she had hoped that when she found the video of her death it would unlock the memories of that past life, but nothing came from them. No insight into who she was, or any of the people they had known. It felt almost like a wasted trip; the question of how she died was answered, but there was no extra reward. “I can tell you're disappointed. If you thought that it would help your memories, I could have told you that it wouldn’t.” The Ghost replied to the look on her face. “This bit at the end though might cheer you up a little.

Nicole sighed as the video clicked and moved on. With no movement it switched to an ‘extended event monitoring’ mode. There were only subtle indications on how fast time was passing in the station; a steady drip became a flood of water down the tunnels, drowning the track. Dirt piles slowly grew across the floor from the corners, eventually enough for plants to grow and sprout under the steady station lights. Her body rapidly deteriorated on screen, becoming food for moss and other things that made the station their home.

The video would briefly slow when the occasional animal triggered the cameras, or some big event like part of the roof caved in. The system timestamp degraded into error symbols before the first lightbulb went out.

When the station was looking similar to how it was when she was revived, the camera slowed down back to real time. Movement appeared from the other side of the platform and an Eliksni scurried in looking around the space. They were small and about the size of one of the Not-Dregs.

Rykis made a sound behind her, like a squeak almost, but she continued to watch.

The Eliksni on screen cautiously poked around the ruined metro station, digging through the shelves and boxes left in the cafe. They crossed out to the station mezzanine and came across the moss-covered remains of Nicole’s former life. The Eliksni knelt and picked up the old ballistic helmet, the skull still secured by the chinstrap. However now that it was disturbed the skull slipped free and fell to the ground with a loud thunk. A dull ache spontaneously formed on the back of Nicole’s head and then faded.

Setting the helmet upside down, the Eliksni carefully returned the skull to its place on the remains. Then they pulled a backpack out from under the moss and ferns that laid beside her body. Digging through it, they pulled out a tablet and what looked like a small stack of notebooks. They put the notebooks back into the pack and threw it over their shoulder but put the tablet into another bag.

The image froze in her head as the video went on. She had seen that bag before. It was so familiar, still covered in paint brushes and other small tools. Her eyes slid over to Rykis watching from beside her. The same bag was slung over his shoulder, looking a bit smaller after all the years. If an Eliksni could look any more guilty, she doubted it.

“Rykis is that you?” Nicole asked him. “Did you take my backpack?” She would not say he stole it; she was dead at the time after all.

Slowly, Rykis nodded. “Yes. that was me. Years ago.” His fingers tapped together nervously, and he seemed to think he needed to say more. “I still have your stuff; I was going to give it back when we got to my place.”

Nicole raised her eyebrow. “Oh, really now? How’d you know it was mine before we saw this recording?”

He nodded towards the screen showing the current status of the old station. “When we went down there on your third day. You stopped over where your body had sat for so long. I recognized it right away. Yours were the only bones in the station, and the only bones I had seen down there that day.”

“Well we just saw why. I hope that guy made it somewhere safe. We’ll never know though.” Nicole sighed and waved her hand in the air. “Alright, we found what we were looking for. It didn’t help me, but let's get out of this flooded basement. Rykis, lead on to your place.” “Yes yes.” he chittered. “Follow me.”

They headed back up to the surface and into the early hours of night. The occasional streetlights continued burning brightly through the trees that grew around them. Some lights were still on in the various buildings, making the skyline an odd patchwork of light and dark. The walk only lasted a few blocks, not long at all. It was actually directly behind the Kell’s hall. Rykis had probably gone home after her last meeting there. She was mainly mentally exhausted, there was a lot that had happened today.

The building Rykis called home turned out to be the old Art Museum. She smiled at that, of course the local artist would choose to set up shop in an art museum. The windows had all been patched over with metal scrap, just like he had done over in her building, and the door was sturdy and weather-proof. He held it open for her to go in.

“Anyone else live here?” She walked in and found herself inside a small tunnel made of hanging tarps. The light was provided by the warm Eliksni tube lights that stuck up from the floor every few meters. Her question was nearly answered by voices from behind some of the curtains that broke off from the tunnel. “Yes actually. Many of Mist’s more artsy Eliksni live in the building. But there is more than enough space that I can have this for my own,” Rykis replied. He closed the door behind him and latched it shut.

Taking the lead again, he took her up the stairs and through a set of double doors, to a half sphere structure in the middle of a room. Tarps and string lights spread out from the structure which was attached to the walls and ceiling of the big room they were in. Nicole could see faded and water damaged paintings hanging from the walls which had to be old Human art. The dome structure was obviously Eliksni construction with heat and light pouring out into the cold building from behind the curtain. “Come in, this is my... uh... home.” He pulled the curtain open and gestured her inside.

"It looks very cozy." Nicole followed him through the curtain and into the space. He had probably left it to warm up while he went to meet her.

There was a mix of Eliksni and Human furniture inside. In the center of the space was a table covered in small jars and brushes; she could see a few unfinished canvasses sitting around it. It appeared that Rykis was quite good at traditional painting.

Rykis had walked over to a locker leaning up against the wall. "Take a seat, let me see if I can find it..." He motioned for her to sit at the table with his lower arms.

Nicole sat where he pointed and watched Rykis dig through the locker. From there she was able to get at a better look at the canvases he had leaning against the bench.

She recognized the scene in the painting. The looming Spiderwalker in the snowstorm. Nicole had been standing a meter to the right when this had happened. It was the battle at the Pass, when Rykis had charged the tank with a flare to alert the artillery on the ridge.

One of the other paintings was of the interior of her hotel tower, after she had done some cleanup of the swamp, and made it more like a pond. The light was captured perfectly, and the colors were wonderful. Her art viewing time was cut short as Rykis brought her attention back to him when he placed a hard-backed case on the table. It looked just like the one from the video, just a bit cleaner.

“So, this was mine? From before?” Nicole picked it up and looked it over. The case was made from a slick stretchy material, and the edges cracked when she bent it too much. The straps had rotted away at some point and their remains dangled haplessly at the side.

“Yes, it should be everything.” Rykis nodded, sitting across from her. “I was young and looking for salvage back then, I had tried to trade your tablet, but it didn’t work and wasn’t worth anything. I did like looking through your sketchbooks though.”

“Sketchbooks?” Nicole pulled open the bag and heard the rubber seal peel apart, still holding strong over the centuries. Carefully, she emptied the bag and found an old data-pad, and a few notebooks.

“Yes, there were some really old, stylized drawings that I think you did. Just take a look.”

"Well if you say so." Nicole opened one of the old notebooks and slowly paged through them. The pages were remarkably well preserved; they were filled with drawings of places and things, as well as some random animals and creatures she did not recognize. They were not as good as Rykis' drawings, but they were fairly good. If these belonged to her, Nicole wondered if she had retained those skills as well as her warfighting abilities.

While carefully flipping through the pages, a small rectangle fell out from between them.

The piece of plastic material was a photograph; it was not even faded at all. Five people were standing in a semicircle, and they were posing with bright yellow guns which looked really strange. She saw herself near the middle of the group in a Umic hat and leaning up against a man wearing a vest with Mars Tactical stitched onto the chest. On the other end of the group was the other Security guard from the recording.

She flipped the picture over and found that it was not actually a piece of paper, it was something more advanced. The back flickered and began to form words across its surface. "11th Quinquennial Intersystem Defense Technologies Convention. SimFire Combat 3rd place team. Hosted by Clovis Bray"

"Huh," Nicole muttered. "Check out me back in the day." She passed the photo to Rykis and put the sketchbooks back into the bag.

The data-pad looked to be in okay shape, but when she tried the power switch nothing happened. At the moment, it was not really worth her time. She figured she could get her Ghost to fix it, but she should probably save it for later. A lot had happened today, and her head was a little fried.

Setting the data-pad back onto the table, Nicole ran her fingers through her hair and let out a sigh. "Well... This has sure been a day. Wanna take me to bed and call it a night with the newest member of Mist?"

Rykis let out more of a purr than a chitter. "Mmm... Yes Guardian."

He dropped the photo on the table and came over to pick her up. By the time they reached the bed on the other side of the room, her armor and her Ghost had made themselves scarce. Hopefully the neighbors did not mind the noise.

#destiny #destiny the game #fanfiction #fanfic #fan fiction #eliksni #fallen #guardian #hunter

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newyorktheater · 5 years

Text

These posters are from the Federal Theatre Project, a massive government program during the Great Depression to offer relief to artists, writers, directors, and theater workers by employing them. The just-passed $2 trillion stimulus deal, called CARES, does nothing close to that. The FTP created a system of regional theaters, encouraged experimentation, and made it possible for millions of Americans to see live theatre for the first time.

Congress passed, and the president signed, a $2 trillion stimulus deal that includes specific relief for arts organizations and artists, although advocates say not enough.

Officially titled CARES (Coronavirus Aid, Relief, and Economic Security), the law gives $75 million each to The National Endowment for the Arts and the National Endowment for the Humanities to pass on to institutions that need it and $50 million to the Institute of Museum and Library Services. There was also $25 million for the John F. Kennedy Center (although it didn’t stop the Center from laying off all 96 members of the National Symphony Orchestra with only a week’s notice.)

Arts advocates had asked for $4 billion.

“Germany has rolled out a staggering €50 Billion ($54 billion) aid package for artists and cultural businesses, putting other countries to shame” –Artnet

“Although $150 million isn’t chump change, it’s only 3.75 percent of the original ask. You could film a season of Westworld with that money; you will obviously not be able to restart an entire sector.” – Helen Shaw, New York Magazine.(who is counting just the NEA and NEH grants.)

“,,,the institutional damage done by the coronavirus looks at first glance to be especially devastating to theater. Even the biggest regional theaters have either laid off staff or are days away from doing so…Imagine, then, the plight of the smaller companies, the no-budget storefront and off-Broadway houses whose risk-taking productions supply the artistic fertilizer for America’s theatrical culture. Many of these groups—perhaps most of the smaller ones—simply won’t reopen when the crisis abates. As for the actors, directors, playwrights, designers and other professionals who make sure there’s a show onstage when the curtain goes up…well, they’re in can’t-pay-the-rent trouble…” — Terry Teachout, Wall Street Journal

Still, other provisions in CARES will likely aid these theaters and individual theater artists (F.A.Q. on Stimulus Checks, Unemployment and the Coronavirus Plan – NY Times.)

The $1,200 “paycheck” to individuals making less than $75,000.

Calculate how much your stimulus check will be (likely, $1,200)https://t.co/sKLsGs6yES

— New York Theater (@NewYorkTheater) March 26, 2020

$377 billion for small businesses with fewer than 500 employees, which may offer a boon to eligible arts businesses and nonprofits – Jamine Weber, Hyperallergic

Expanded Unemployment Insurance that includes coverage for furloughed workers, freelancers, and “gig economy” workers, which describes, for example, almost all actors, directors and playwrights. The bill increases such payments by $600 a week for four months, in addition to what one claims under a state unemployment program. – Hayley Levitt, Theatermania

What the theater industry would hope for the future:

“One of the things we’re talking about internally,” TCG’s Corinna Schulenburg told Helen Shaw, “has been the way in which the scale of this catastrophe — a wholesale shutting down of the field — is only really comparable is the Great Depression. We’re looking at 20 percent or higher unemployment! So what lessons can we find in the Federal Theater Project?” Under the New Deal, the government’s super-spending effort that put America back to work in the ’30s, the Federal Theater Project only accounted for 0.5 percent of the Works Progress Administration spending, which, if you applied that to the current bailout, would come to $10 billion. Schulenburg has dreams for that money. And oh, oh, oh — a new New Deal is a heady thought. We’re still surrounded by the structures the WPA gave us, including dams, bridges, airports, roads — and, yes, our regional theater system. Maybe a new one could bring it back.”

Summer theater canceled too?

Three Broadway shows that were scheduled to open in April are facing facts, and moving to sometime in the Fall: Roundabout’s “Caroline, or Change” and “Birthday Candles” and Lincoln Center Theater’s “Flying Sunset.” Since both “Hangmen” and “Who’s Afraid of Virginia Woolf” announced they would not be returning at all when Broadway resumes, that leaves 11 shows still officially scheduled to open in the 2019-2020 Broadway season.

No surprise: The 74th Annual Tony Awards will be postponed to a date that will be determined after Broadway reopens. It was originally scheduled for June 7th

A bad news/good news announcement: Ars Nova has canceled the remainder of its 2019-2020 season, originally set to conclude on June 30, 2020. But it’s committed to paying all 150 staff, crew and cast through June 30th.

New York City Center has announced the cancellation of Thoroughly Modern Millie, an Encores concert scheduled for May 6-10,

“As nonprofits around the country cancel all spring programs, the Oregon Shakespeare Festival halts performances through Labor Day, and will lay off 80 percent of its staff….Lincoln Center Theater has decided to move two summer productions to next season; the Public Theater says it is awaiting guidance from local officials before determining what impact the pandemic might have on its popular Shakespeare in the Park program. And in the Berkshires, a summer destination in Western Massachusetts with a rich concentration of cultural institutions, Barrington Stage Company has already canceled its first production, which was scheduled to run from mid-May to early June….“ — Michael Paulson, NY Times

To avoid any more little jolts of disappointment, perhaps we should just assume the following for all theater: Due to the COVID-19 pandemic, __ (theater) has announced the cancellation of __ (show) which was schedule for __ (months from now!)

— New York Theater (@NewYorkTheater) March 29, 2020

Hope Goes Online

A huge amount of theater is going online, which I’m trying to track by continually updating my roundup, Where To Get Your Theater Fix Online, Old Favorites and New Experiments

Some highlights in the last week:

TrickleUp, a new “grass-roots subscription platform” for $10 a month, hopes to raise money for artists in need. Launched March 23 by a group of downtown artists and artistic directors, It promises “videos of solo performances, conversation, and other behind-the-scenes goodies,” Its catalogue so far features such fare as Taylor Mac reading scenes from “Gary”, Sarah Ruhl reading some of her poems, Mia Katigbak singing La Vie En Rose, Dominique Morisseau doing a monologue from Skeleton Crew, Suzan-Lori Parks singing “Colored All My Life,” Lucas Hnath reading material cut from his play “A Doll’s House Part 2″

Starting April 2nd, and every Thursday thereafter, ‘National Theatre at Home” will stream FOR FREE on its YouTube channel a production from its NT Live collection, recordings of their stage productions that are such high quality that they are normally presented in cinemas worldwide. The first production online April 2 (and for seven days after that) is “One Man, Two Guv’nors,” the slapstick comedy with a Tony winning performance by James Corden.

PBS has unlocked a selection of its shows in its Live From Lincoln Center and Great Performances series, from April until the end of May. These includes a few of my favorite things (yes, “The Sound of Music” — not the movie — as well as “Red” and “Present Laughter.”)

Playing on Air, a decade-old podcast of original radio plays, announces its star-studded season of ten plays, unfolding each week through the end of May.

There is new immersive theater for the age of self-distancing. For details on these and other virtual theater, again, check out Where To Get Your Theater Fix Online, Old Favorites and New Experiments

My reviews of Theater Wit’s Teenage Dick and Rattlestick’s The Siblings Play, both stage plays that were recorded right before the theaters were shut down, and now presented online.

Anne (Courtney Rikki Green) teaching Richard (MacGregor Arney), who has cerebral palsy, how to dance, in “Teenage Dick,” Mike Lew’s update of Shakespeare’s play Richard III, streaming online through April 19.

Ed Ventura as Leon/Lee/Chookie. and Cindy De La Cruz as his sister Marie/Rie-rie/Sweet-pea, in “The Siblings Play” by Ten Dara Santiago, now available online

Other Theater News:

a closeup of the Coronavirus

Broadway and the Coronavirus: Updated Questions and Answers

Hey everyone. I just wanted to update you all that I’ve found out that I’ve tested positive for Covid-19. I’ve been in quarantine since Broadway shows shut down on Thursday, March 12th, and I’m feeling much better.… https://t.co/KwJSPgcRct

— Aaron Tveit (@AaronTveit) March 23, 2020

Congrats to playwright @willarbery, winner of $50K @WhitingFdn Award “intellectually audacious, formally sly, w/ the courage to let characters seize the stage with impassioned arguments” My review of his “Heroes of the 4th Turning”https://t.co/pSA2Ebywgj pic.twitter.com/OxCHztANU2

— New York Theater (@NewYorkTheater) March 26, 2020

On #WorldTheatreDay2020, a look at the world’s gorgeous theaters. We can’t enter them right now, but we can still celebrate theater in our hearts (and online) Theater is more than buildings. It’s 2,500 years of history, & literature, & tradition & lovehttps://t.co/i2RtwDGU3H pic.twitter.com/3tdoqBYHHM

— New York Theater (@NewYorkTheater) March 27, 2020

NY Theater Blog Roundup: Responding to COVID-19 in unexpected ways https://t.co/mRwicA4Sz5 pic.twitter.com/BX2ZgZchL3

— New York Theater (@NewYorkTheater) March 29, 2020

Great idea from @BroadwayWorld & @jenashtep — #BWWBookclub. First up Jennifer’s book, Untold Stories of Broadway Vol. 1 — free on Amazon via Kindle, and then discuss each chapter on Broadway World’s message board weekly starting Monday, March 30https://t.co/D8hyYZyrPM pic.twitter.com/7QpVSsPIBJ

— New York Theater (@NewYorkTheater) March 26, 2020

Advice and Uplift

Step-by-step advice for surviving isolation from an astronaut, a journalist, and a political prisoner, who each spent long stretches alone: Read. Exercise. Laugh.

Message from the medical personnel of an Emergency Room, via @MaudNewton, whose sister is an ER nurse. (My brother is an ER doctor) pic.twitter.com/1XmpE10gR2

— New York Theater (@NewYorkTheater) March 28, 2020

Cheerful https://t.co/g7TKl7rMgH

— New York Theater (@NewYorkTheater) March 29, 2020

Isolation latino style… pic.twitter.com/17AlnYHYIk

— Enrique Acevedo (@Enrique_Acevedo) March 28, 2020

What The World Needs Now….are virtual choirs and orchestras https://t.co/OrTJrNGMuH https://t.co/ijv1Z0wbOK

— New York Theater (@NewYorkTheater) March 29, 2020

Rest in Peace

McNally as a young man

Terrence McNally

Playwright Terrence McNally standing in front of Martin Beck Theater where “The Rink” was playing in 1984, the Kander and Ebb musical for which he wrote the book, his first musical on Broadway

McNally receiving Doctor of Fine Arts from NYU in 2019

Playwright Terrence McNally, 81, from complications of the coronavirus. (“Theater Changes Hearts…”:My gallery of scenes from some of his 36 plays and 10 musicals, plus his Tony Award acceptance speech..)

We love this quote from Terrence McNally—his response to Jonathan Mandell (@NewYorkTheater) asking, “Can theatre change the world?” We are sending love and light to his family, friends, and collaborators today.https://t.co/7pfmi99yqy pic.twitter.com/2A1vrEjU4q

— HowlRound Theatre Commons (@HowlRound) March 25, 2020

Mark Blum

Actor Mark Blum, 69, from complications of the coronavirus.A familiar presence on the NY stage: nine-time Broadway veteran (Assembled Parties), 26 Off-Broadway plays (Rancho Viejo, Amy and the Orphans),teacher (HB Studio)

With love and heavy hearts, Playwrights Horizons pays tribute to Mark Blum, a dear longtime friend and a consummate artist who passed this week. Thank you, Mark, for all you brought to our theater, and to theaters and audiences across the world. We will miss you. pic.twitter.com/NMVZFB5hPb

— Playwrights Horizons (@phnyc) March 26, 2020

David Schramm, 73, Broadway veteran and founding member of The Acting Company best known for playing Roy Biggs in the television series Wings

What the $2 trillion stimulus means for the arts and artists. Summer canceled too? Hope goes online. #Stageworthy News of the Week Congress passed, and the president signed, a $2 trillion stimulus deal that includes specific relief for arts organizations and artists, although advocates say not enough.

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