#wanted to get involved in fandom or whatever

[fangdokja]

i keep rereading your yan marine corps! x fem reader. what was reader's role that she had to follow the marine's... adventure?

"You’ll never escape me—not when I’m the only one keeping you alive."

❤︎ Synopsis. In a world where death is mercy and survival means suffering, he claims you as his, promising protection through fear, control, and a twisted love that will leave you questioning if escape was ever truly possible.

♡ Book. A Heart Devoured (AHD) : A Dark Yandere Anthology

♡ Pairing. Yandere! Marine Corps x Fem. Reader

♡ Oneshot. #2 - The Devil Who Saved You

♡ Word Count. 3,153

♡ TW. dom + top + older yandere, non-con, possessiveness, psychological manipulation and conditioning, suggestive themes, fear play, emotional manipulation and abuse, psychological and emotional trauma, isolation, monitoring, lack of boundaries, non-con kissing and touching, forced relationship, BDSM, manipulation of circumstances, threats, descriptions of gore and human suffering, themes of violence and dystopia

♡ Note. Due to Tumblr content guidelines involving minors, some plot details of the original story were changed to fit the platform. If you want the true original story, please look at the author's official website or Ao3.

♡ A/N. I'm glad you enjoyed it :)). I'm surprised you're rereading it a bunch. But, I guess people do technically reread anyway. Sorry, slipped out of my mind. It just makes me happy seeing underrated works get credit, whether fandom or other stories I've written. So, thank you. Anyways. Technically, this was an ask. But it's a nice idea, and I've already had it in my drafts since before. I was just postponing lore dump with Yandere! Marine Corps, due to other works. Anyways. All I knew before, in all honesty, is that it's war time. But, time to pull out the fantasy skills and world build! Wooh! And to be honest, I'm hungry to write some gore crumbs like my familiar writing style, ahh. So, here, I present to you lore backstory (well technically part of the backstory). Hope you all enjoy it (also, sorry I talk a lot in notes).

♡ Music. Levee & Brick (Down to This) by Graffiti Ghosts

The world had fallen into an abyss so deep it seemed there was no end to its descent. The wars that came before—those waged for borders, ideologies, or resources—were merely preludes to this ultimate collapse. What erupted now was not war; it was annihilation. A calamity that turned cities into craters and humanity into prey. Every shred of civility burned away in the endless fires of desperation. The air was thick with the ash of the old world, a grim veil that painted the skies an eternal gray.

You had lived a different life once, one of relative normalcy in the dwindling days before the collapse. Back then, you had a future, a purpose, something as simple and human as hope. But that had been stripped away when the world’s powers unleashed devastation so complete it birthed horrors no living creature could comprehend. Technology had become a weapon of eradication, bioweapons and nanotech turning survivors into deformed creatures of flesh and steel, feral and mindless, hunting whatever moved. Rogue factions—remnants of militaries, mercenaries, and scavengers—rose like carrion birds, preying on the remnants of humanity.

In this hellscape, survival was no longer a matter of luck but of submission. Submission to those strong enough to carve their will into the earth and impose their dominion. He was one of those few. A towering force of unyielding violence, a soldier molded by decades of carnage, by a war that had reshaped him from a man into something closer to a machine of flesh and blood. The United Corps, once a venerated military institution, had fractured into splinter groups, each operating like a self-contained warlord’s regime. He was among their best—a leader, an executioner, a strategist, and now your captor.

You were assigned to him by pure chance—or perhaps cruel design. In this new order, value wasn’t measured by money or power but by the usefulness of flesh and mind. And you had been marked as useful. Perhaps it was your background—your knowledge, your resilience, or simply the misfortune of catching his attention when your convoy was intercepted by his unit. The corps didn’t merely take prisoners; they assessed, dissected, and consumed whatever remnants of humanity they deemed salvageable.

And he deemed you salvageable.

There were no illusions about the nature of his claim over you. It wasn’t love. It wasn’t mercy. It was obsession, possessive and cruel, born of a warped sense of necessity. “You belong to me now,” he had told you in that deep, unrelenting tone, the heat of his breath warming your face even as the chill of his words froze your soul. “Out there, they’ll rip you apart for the scraps on your bones. With me, you’ll live—if you behave.”

The battlefield was safer than the no-man’s land outside his dominion. That was the most damning truth. To run from him was to dive into a living nightmare where survival wasn’t a goal but a punishment. Outside his protection, death was not granted quickly.

You’d seen it. You’d heard the screams echoing through the wastelands, watched the crude factories churn with suffering. He’d forced you to look once, pressing your face against the window of a blood processing plant as tears streaked down your cheeks. “This is what’s waiting for you if you run,” he had whispered, his voice devoid of sympathy. “With me, you’re mine. Out there, you’re theirs. Decide.”

────────────

The smell hit you first. It wasn’t just the copper tang of blood; it was the rancid stench of rotting flesh mixed with chemicals—formaldehyde, acid, and something sour that clawed at the back of your throat. You gagged, instinctively raising a trembling hand to cover your nose, but he was quicker. His large, calloused fingers wrapped around your wrist, dragging your arm back down with enough force to make you whimper.

“Don’t look away,” he growled, his voice low and gravelly, vibrating like a distant explosion. “You need to see this.”

You didn’t want to see. You didn’t! But he held you there, his unyielding grip on your wrist a silent command. He stood just behind you, close enough that his breath fanned across the back of your neck, hot and suffocating.

The factory loomed before you like the mouth of some great beast, its jagged, rusted metal teeth glinting in the dim light of the sulfur-stained sky. The air outside had been foul, but inside, it was worse—a miasma of decay and despair.

The conveyor belts stretched endlessly, carrying bodies in various states of disassembly. Some were intact, their limbs hanging limply as they were dragged by crude metal hooks. Others were barely recognizable—mangled flesh and shattered bone mashed together in a grotesque parody of humanity. You tried to look away, to focus on the machinery, but even that was a nightmare of grinding gears slick with gore.

A loud, wet squelch drew your attention to a nearby station. A corpse—a woman, or at least what remained of her—was hoisted onto a steel slab. Her eyes were still open, glassy and staring, as if frozen in the moment of her death. A mechanical arm descended, its blade glinting dully under the flickering industrial lights. It carved into her chest with a precision that was almost surgical, splitting her ribcage open to reveal the organs beneath.

You felt bile rise in your throat as another arm extended, pincers gripping her heart. It yanked the organ free with a sickening suction sound, sending a spray of blood across the walls and floor. The heart was deposited into a waiting vat, where it joined dozens of others, floating in a viscous, murky liquid.

“They don’t waste anything,” he said, his tone devoid of emotion, as if he were explaining the workings of a simple machine. “Every part has a purpose. The skin for leather. The bones for tools. The organs for… whatever the hell they need them for.”

Your knees buckled, but he caught you, his arm snaking around your waist to keep you upright. “No,” he hissed, his breath hot and sharp against your ear. “You don’t get to faint. You’re going to watch. You’re going to understand.”

A scream tore through the air, high-pitched and raw, and you realized with horror that some of them weren’t dead. Your eyes darted to the source of the sound, landing on a man thrashing against his restraints as he was dragged toward another station. His legs were gone, severed at the thighs, and the stumps had been crudely cauterized to keep him alive.

“Please,” the man sobbed, his voice hoarse and desperate. “Please, just kill me. Just—”

The blade came down before he could finish, cleaving his remaining arm from his body. His scream turned guttural, the sound of a soul breaking, before it was cut off entirely by a needle plunging into his neck. The liquid injected was thick and black, spreading through his veins like oil. His body convulsed violently for a moment before going still.

You turned your head, choking on a sob, but he gripped your chin and forced you to face the scene again. His fingers dug into your skin, bruising and relentless.

“This is what happens without me,” he said, his voice a low snarl. “You think you can survive out there? Think you can make it without my protection? Look at them!” He shook you slightly, as if to drive the point home. “This is what you are without me—meat.”

Tears streamed down your face, hot and shameful, as you stared at the conveyor belts and the countless bodies reduced to parts. You couldn’t stop shaking, couldn’t stop the nausea that twisted your stomach into knots.

Another scream pierced the air, this one an elder's. Your head snapped toward the sound, and your heart plummeted. A thin figure, frail and sickly, was strapped to a table, his wide, terrified eyes fixed on the approaching machinery.

“No,” you whispered, your voice barely audible. “No, no, no…”

The machine didn’t care. The blades descended, and you squeezed your eyes shut, the image burned into your mind even as you tried to block it out.

He didn’t let you escape even that. His hand tightened on your jaw, forcing your eyes open. “Don’t you dare look away,” he growled. “This is reality. This is what’s waiting for you if you run.”

You broke then, sobbing uncontrollably, your body wracked with shuddering breaths. He held you there, unyielding, until you were too weak to fight. Only then did he pull you close, his grip on you shifting from punishing to possessive.

“That’s right,” he murmured, his tone softening in a way that was somehow more terrifying. “You understand now, don’t you? You’re mine. And as long as you’re mine, this will never happen to you.”

His lips brushed against your temple, a mockery of comfort as he whispered, “But if you ever forget, I’ll bring you back here. And I’ll make you watch again.”

────────────

The battlefield stretched like a bleeding wound across the earth, jagged trenches carved into the mud and ash. The remnants of what had once been cities were nothing more than skeletal buildings clawing at the smog-choked sky. The air was thick with the acrid tang of burning fuel and the gut-wrenching stench of charred flesh. Bomb craters bubbled with viscous, oily water that gleamed under the pale, radioactive sun. It was a place where hope had been smothered, where humanity’s last breaths came in choking, gurgling gasps.

He stood before you, his shadow long and oppressive, a monolith of muscle and bloodied steel. His armor—if you could call the piecemeal, blood-streaked remains of his tactical gear armor—clung to him like a second skin, the fabric worn thin and blackened with soot. In his hand, a rifle dangled lazily, as though he didn’t need it. And he didn’t. He was a weapon unto himself, his body and mind honed by decades of violence, cruelty, and war.

“Do you remember this place?” His voice was a low rumble, scraping against your nerves like a blade dragged across bone. His eyes, sharp and unyielding, bore into you with a force that made your knees weak. “Where I found you?”

You nodded faintly, though you didn’t trust your voice enough to speak. Your silence wasn’t just fear—it was a learned response, a survival tactic you’d mastered in the years since he’d claimed you.

“Do you know what they were going to do to you?” He crouched, bringing his face level with yours. His presence was suffocating, his frame dwarfing your own. His voice dropped lower, almost tender, as though sharing a secret. “No, you don’t. You only saw what they let you see. Let me show you the rest.”

He yanked you forward, his grip on your wrist unyielding, and led you toward the edge of the battlefield. The ground squelched beneath your feet, a revolting mixture of mud, blood, and something viscous that you didn’t want to identify. In the distance, the ruins of an old hospital came into view. The building leaned at an unnatural angle, its walls crumbling but still intact enough to conceal the horrors within.

“You’ve seen death,” he said, his tone conversational, as though discussing the weather. “But you haven’t seen what people do when death isn’t enough. When they want to break you first.”

The interior of the hospital reeked of antiseptic and decay. The sterile smell of chemicals clashed with the unmistakable odor of rot. The walls were streaked with dark stains, their origins uncomfortably clear as you stepped over discarded limbs, the flesh marbled with gangrene and crude surgical scars.

In the first room, a soldier lay strapped to a gurney, his body contorted unnaturally. His chest had been split open, ribs wrenched apart like the wings of a grotesque bird. His heart was missing, the cavity where it had once beat filled with a tangled mess of wires and tubing. The machinery whirred softly, pumping fluids through his veins and forcing his lungs to expand and contract in shallow, mechanical breaths. His eyes were still open, rolling wildly in their sockets as they locked onto you.

“He’s alive,” the man behind you whispered, his voice a mix of mockery and menace. “Barely. They like to see how far they can push the human body before it gives out. Sometimes they even stitch people back together, just to see how much more they can take.”

You gagged, your stomach lurching violently, but he grabbed your chin, forcing you to face the horror. “Don’t look away,” he commanded, his tone sharp and unyielding. “You need to understand. This is what was waiting for you.”

He dragged you into another room, this one colder, darker. Rows of tanks filled the space, each containing a murky, greenish fluid that distorted the shapes inside. At first, you thought they were bodies, but as you moved closer, you realized they were something worse. Limbs were fused together in impossible configurations, heads sprouted from torsos without necks, and eyes blinked independently in faces twisted beyond recognition. The creatures floated listlessly, their expressions a grotesque mix of agony and confusion.

“Human experimentation,” he explained, almost lazily. “They weren’t trying to kill you. They were going to use you. Turn you into something like this. A weapon. Or worse—a resource.”

You stumbled backward, but he caught you, his arm curling around your waist with a possessive strength that left no room for escape. He pressed his lips to your ear, his voice a dark caress. “I killed them all for you. Do you see now why you belong to me? Why you owe me your life?”

He pushed you onward, through rooms filled with horrors you couldn’t have imagined in your darkest nightmares. A man impaled on a series of metal rods, his skin flayed back to expose muscle and bone, still breathing through a series of tubes jammed into his throat. A woman with her limbs replaced by crude prosthetics, her mouth sewn shut but her eyes screaming. People of all ages locked in cages, their bodies twisted and deformed, their cries muffled by gags soaked in blood.

“This is what humanity has become,” he said, his voice cold and detached. “This is what I saved you from. You were a prize to them. A rare find. They would’ve broken you in ways you can’t even imagine.”

You fell to your knees, the weight of it all crashing down on you. He crouched beside you, his bloodied hand gripping your chin and forcing you to look at him. His eyes, sharp and unyielding, were filled with something dark, something terrifyingly close to affection.

“Don’t forget this,” he murmured, his thumb brushing over your cheek. “Don’t ever forget who saved you. Who you belong to. Because without me…” His voice trailed off as he gestured toward the carnage around you. “This is all you’d ever know.”

You sobbed, the sound muffled against his chest as he pulled you into his arms. His embrace was as suffocating as it was unyielding, a cage that you could never escape. And yet, in that moment, you clung to him, because the alternative was too horrifying to bear.

────────────

So you stayed.

Not because you trusted him. Not because you wanted him. But because the alternative was infinitely worse. And yet, staying came with its own horrors, its own chains. His obsession didn’t shield you from his cruelty; it only redirected it. He was a man who didn’t just command obedience—he demanded submission. Every glance, every word, every trembling breath was a reminder of your place beneath him. When he touched you, it wasn’t with gentleness. His hands were calloused and bruising, gripping and claiming, leaving marks that would never fade.

“Don’t look at me like that,” he would say when your eyes filled with defiance or despair. “You’re still alive because I allow it.”

The world outside was dead, a barren wasteland of mutilation and starvation, yet with him, the torment was suffocatingly personal. He didn’t just want your compliance; he wanted your surrender. His words were a scalpel, cutting into your psyche with surgical precision. He would pull you close, his breath hot against your ear, his voice low and gravelly as he whispered promises of protection intertwined with threats so visceral they made your stomach churn.

“You’re mine,” he’d say, his hand resting possessively on your throat. “Every inch of you. Every thought. Every breath. Try to take that away from me, and I’ll show you what real pain feels like.”

There were moments when his control slipped, when the line between protector and predator blurred beyond recognition. He would keep you close, his body a cage of muscle and violence, his gaze piercing through your facade of composure. The way his hands roamed wasn’t tender—it was invasive, a reminder that he could take whatever he wanted, whenever he wanted, and there was nothing you could do to stop him.

And yet, you didn’t resist. Couldn’t. Resistance wasn’t a choice. Not here. Not with him.

The world outside was unlivable. The world with him was unbearable. Between the two, you chose to endure.

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If you want to be added or removed from the tag list, just comment on the MASTERLIST of A Heart Devoured (AHD): A Dark Yandere Anthology. Thank you.

General TAG LIST of “A Heart Devoured”: @definetlythinkimanalien , @floooring

[0zzysn00k]

hello tumblr i present to you The Only Boyfriends Ever (i got obsessed with a new brain overnight)

[lithth]

“I love black butler!” “I ship sebaciel”

[dayurno]

so sick and tired of people writing fics about jeremy treating kevin like shit over kevin leaving jean at the nest like that is either 1) in character 2) something jean would appreciate or 3) fair. do you even bother to read the books you’re writing fanfic about or is the urge to create cheap angst so overwhelming you can’t see past the tropes you write for every other fictional pairing you like? the idea that jean would appreciate jeremy going out of his way to poke old wounds in his and kevin’s relationship when jean himself does not even like for jeremy to joke about kevin near him is absurd, and that’s without mentioning the fact that jeremy is not so clueless as to think he has any idea of what the nest was like, or why kevin felt he had to leave the way he did. if you need something to make your ship more interesting thinking beyond your flat interpretation of it is a lovely start, but don’t use kevin’s name and storyline if you’re just going to butcher it for the sake of a milquetoast sob fest the characters involved in would not even appreciate

[theoriginalbylergod]

Mike Wheeler is important and there's nothing wrong with analyzing him

Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!

We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.

Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.

In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.

There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?

Will's love for Mike

Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.

Let's do a quick recap of the very significant role Mike has played in Will's entire life:

Mike is Will's first friend.

They have grown up together and it can be assumed that they've reached important milestones together.

Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)

When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.

When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.

When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.

After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.

Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.

Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.

SO.

These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.

Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.

Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.

If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.

So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.

No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.

Mike's struggles

To name a few

Dysfunctional family

Has been bullied his entire life

Extreme self worth issues

Inferiority complex

Hero complex

Lack of self preservation

Suicidal ideation (has been on display since SEASON ONE)

Internalized homophobia

To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.

Moving on

I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.

If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?

If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?

Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.

I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.

And that leads me to my concluding point...

A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well

God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.

Here's a hypothetical:

Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.

Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?

Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.

Back to Mike!

Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.

Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.

And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.

And Mike is just as important to that conclusion as Will is.

And one last thing...

Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.

[topaziraphale]

"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.

[lady-quen]

I need to write more on the Mael and Isgarren plot, but will likely play JW for any extra lore beforehand. Still rotating them in my head, a lot, because petty immortals funny. Want to draw some shitposts for sure.

Anyway, Maol told Mael about the hidden Snargle book.

Context: Mael is pissy Garren essentially tortured a version of him in a fractal into becoming a demon (for the good of Tyria, but also something something, don't accidentally create a self-fulfilling prophecy) He then tried to kill Garren in an elaborate murder/suicide scheme, failed, got put in jail, got some theraphy, and now we have two exceedingly powerful magical immortals locked in a petty shitstorm because both of them know the other won't/can't kill them at the time as to not further endanger the future of Tyria.

Trust me, this was the TLDR. XD Also some context abt how I feel about Garren as a character in the tags 👍

[thegreatyin]

would greylu like terry, louise and the scientist's ice clone daughter

probably yes to all three. i could see him squinting at louise for like a minute straight before nodding approvingly and giving her the most polite and most friendly and also most terrifying shovel talk of her entire life. terry and the yearner on the other hand would probably get a lot more scrutiny, but like. there's a non-zero chance "scrutiny" just equates to "dragging both of them off to therapy against their wills". and also buying the yearner a lollipop along the way

[t1oui]

why think about the golden trio when you can think about the weird queerplatonic polycule you made between percy weasley, penelope clearwater, and adrian pucey

[autistic-katara]

there r fics that make u insane (so amazingly good it’s removed ur sanity) and then there’s fics that make u insane (you need to fistfight the author for how they did a specific thing that caused u to rant for hours)

[asgardian--angels]

you know it's bad when tumblr's being the more mature social media site when it comes to rancid takes on izzy's death

[thawthebeez]

saw someone on hq tiktok finally (FINALLY) agree that hinata and kageyama should be on separate teams post time skip and that it isn't actually as devastating some 'shobio fans' think it is AND THERE ARE STILL PEOPLE IN THE COMMENTS GETTING IT WRONG. "i'm sad that they're on separate teams" if you wanted to tell me that you only see hinata and kageyama as ""Shobio"" as opposed to individuals who happen to have some queer undertones you could have just said that y'know..

[thanatika]

low-coherency rambling in the tags

[petorahs]

my dudes i just had another idea for a ScarVio comic art thing thats also just fanservicey to me in particular... but it involves me drawing two more ideas i had before so now i Have to draw it all to fruition helpp. just when i thought the brainrot receded..

[themyscirah]

Philippus? Wym philippus this is a wholeass other woman?????? She's white?????? Guys come on now

ALSO cursed white Euboea in this same sequence.... homeboy she's Asian please stop

Joe Phillips I'm sorry but this is some shitty ass guest pencilling how can you not know anything abt what these people look like thats literally your job... you also just needed to read the issue before this to know?

Editors should have caught this one these are major Amazon characters

[risingsunresistance]

if we're mutuals and i unfollow suddenly and you happen to take notice of it, please do not take it personally i still love my friends n whatnot i am just. getting very tired and need to cut down the mcyt content on my dash

and if i unfollow and refollow a couple times that is just me testing the waters jdhfj idk what i wanna do man i just have to do something for my mental health