#walt disney music company

[haveyouseenthismovie-poll]

[courseyoulovemeyoudontknowme]

Encanto (2021, Byron Howard, Jared Bush and Charise Castro Smith)

31/05/2024

[p1325]

#fanvidfeed #pogo #tribute #80s #1988 #oliverandcompany #disney #waltdisney #waltdisneyclassics #waltdisneycompany #poslilutley ------------------------------------------------------------------------------------------------------ Song: Posilutley (Oliver And Company Remix) Artist: Travis Glover

[jonberry555]

Indiana Jones and the Dial of Destiny REVIEW

My review of the fifth and latest Indiana Jones Film: Indiana Jones and the Dial of Destiny.

Indiana Jones and the Dial of Destiny is Directed by James Mangold; Written by Jez Butterworth, John-Henry Butterworth, David Koepp, & James Mangold; Based on Characters by George Lucas & Philip Kaufman; Produced by Kathleen Kennedy, Frank Marshall, & Simon Emanuel; Starring Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, John Rhys-Davies, Toby Jones, Boyd Holbrook, Ethann Isidore, Mads Mikkelsen; Cinematography by Phedon Papamichael; Edited by Michael McCusker, Andrew Buckland, & Dirk Westervel; and Music by John Williams. Production companies: Walt Disney Pictures and Lucasfilm Ltd. Distributed by Walt Disney Studios Motion Pictures.

[o-the-mts]

Movie Review: Wish (2023)

Title: Wish Release Date: November 22, 2023 Director: Chris Buck, Fawn Veerasunthorn Production Company: Walt Disney Pictures | Walt Disney Animation Studios Summary/Review: Magnifico (Chris Pine), a seemingly beneficent sorcerer creates the island kingdom of Rosas.  Everyone who chooses to live there can give the king their deepest wish (forgetting it themselves) and monthly he makes those…

[gabe495]

i’ll give the jungle book remake the defense in that they at least were willing to do something different with the story (such as focusing more on mowgli’s wolf pack / family, which is from the original book) and the filmmakers knew how to actually balance animals that looked photorealistic but were still able to visibly express emotion (which was supported by solid voice direction). at the time of its release it actually was incredible technology that (unlike TLK 2019) didn’t detract from the story or characters and i’d argue it still holds up today.

i haven’t seen them but i’ve also heard similar positive comments for the 2015 cinderella and the 2016 pete’s dragon (which gets forgotten since it flopped at the box office and the original was a live-action/animated film that’s kinda forgotten), so i’m willing to give those a pass too.

everything else released after those remakes though, starting with beauty and the beast? nah man. it’s like a completely new guard of disney producers came in during 2016 are were just purely about getting that nostalgia bag of money. i really enjoyed the jungle book and i’m (of course) a fan of the original TLK, so i was hoping for favreau to replicate what he did there with the lion king, so reading/hearing how the remake turned out...that honestly hurt on a personal level, i was rooting for it to be good and he and his crew fumbled the ball so badly.

(as a final aside, my mom tells me that we saw the lion king musical on broadway in new york; but i was way, waaaay too young to even remember any of it. would like to see it again)

one day i'll make a video essay about how the disney live action remakes undermine both animation and musical theater as art forms and storytelling mediums

[nessa007]

"Under The Sea is the most complicated production number we've ever done. There is one live actor and everything else is digitally created. We thought, how do we do this? How do we begin? And I remember thinking about Fantasia (1940). I thought of Walt Disney and I remembered when he did Fantasia, the Nutcracker Suite sequence, he used the Ballet Russes as a template. He used their bodies to help him create the dancing flowers or the snowflakes or the mushrooms. I thought we should work with a dance company. So we brought the Alvin Ailey company over to London to work with them to create this musical number and we asked them to actually replicate these different sea creatures and how they moved. So that our CGI artists would have a body to work from and to mold from. It was insanity in a way. But I will say, at the end of the day, having that beautiful dance company there with us and being able to work with actual dancers was really the key. I think that was the key to getting into this [musical number] and figuring it out." - Rob Marshall THE LITTLE MERMAID (2023) Dir. Rob Marshall

[snakepixel]

I'm back!

This concept happened somewhat by accident. I was in the process of updating some old mockups. While looking at my original pitch mockups for Ducktales Remastered, I came across an old revamp of Chip & Dale on the NES back in 2014. Given that I had to isolate all the elements to apply the changes, I suddenly had workable game assets and some extra time on my hands. Things just snowballed from there.

One thing I did want to address from the original was to properly show the scale of things. The NES game was all over the place (mouse sized rhinos for example.) So making sure the big robot dogs from the first level where actually appropriately imposing was important. The game also implied you travel to locations by plane, but you never got to see it.

While the mockup is scaled for modern systems, I've composed the music and sound effects using SNES limitations to give it that old Capcom home-console flair.

This video is not endorsed or licensed by CAPCOM CO., LTD or THE WALT DISNEY COMPANY and is not a game under development. This is made only for fun.

[disneytva]

Disney Branded Television Greenlits ‘Sofia the First: Royal Magic,’ Sequel To ‘Sofia the First’ Slated For A 2026 Release Date.

Today, Disney Jr. announced a series greenlight for “Sofia the First: Royal Magic” a continuation of “Sofia the First” and remains one of the most successful global preschool franchises for The Walt Disney Company. The spin-off got picked up for development back in November 2022 under the working title ("Royal Prep Academy")

“Sofia the First: Royal Magic” follows Sofia as she attends The Charmswell School for Royal Magic, where princes and princesses from across the EverRealm will continue their royal studies and also learn all types of magic. During her time at Charmswell, Sofia discovers she is the most magical princess in the realm and must learn how to master her powers while making new royal friends. Each episode will contain two 11-minute stories, each with a new original song.  The sequel is created and executive produced by original series creator Craig Gerber. Ariel Winter (“Modern Family”), who voiced the role of Sofia, in the original series, is set to reprise her role. Additional casting will be announced at a later date. Many of the creative team from “Firebuds” are involved in this series, including Krystal Banzon as co-executive producer and story editor, Kris Wimberly as supervising director, and Craig Simpson as producer. The series is produced by Disney Television Animation. The new series is currently in production and is slated for a 2026 premiere on Disney Jr. and Disney+

Gerber added, “I’m incredibly excited for the chance to return to Sofia’s enchanted world and tell the next chapter in her story. At a new school specializing in royal magic, Sofia will learn how to master her magical abilities while discovering the power of friendship and teamwork from her new royal classmates. Over the years, I have heard countless stories of how much the original series meant to young viewers and I’m hoping the new show will delight the next generation of preschoolers.”

Ayo Davis, president, Disney Branded Television and VP of Current and Development at Disney Television Animation said, “Since its debut in 2012, ‘Sofia the First’ captured the hearts and imaginations of preschoolers everywhere for its beloved characters, memorable music, adventurous spirit and meaningful storylines. The enduring charm and appeal of Sofia is undeniable, and we’re excited to continue sharing her journey in ‘Sofia the First: Royal Magic.’”

The “Sofia the First” franchise still holds the record for the Top 3 cable TV telecasts for Girls 2-5 and, lifetime to date, has garnered over 755 million views on Disney Junior YouTube.

Sofia The First: Royal Magic is one of the many projects by Disney Television Animation to introduce the studio's iconic franchises and charactes to a new generation of fans, other projects include "The Proud Family: Louder And Prouder", Disney Junior's "Mickey Mouse Clubhouse 2.0", "Phineas And Ferb" as a revival and a reboot of "Darkwing Duck" by Point Grey Pictures (Nickelodeon Animation Studios "Tales Of The Teenage Mutant Ninja Turtles")

New interations of "TaleSpin" also by Point Grey Pictures (Nickelodeon Animation Studios "Tales Of The Teenage Mutant Ninja Turtles") & "Recess" with the original creators are in very early development at the studio.

[doyoulikethissong-poll]

Cliff Edwards - When You Wish Upon a Star 1940

"When You Wish Upon a Star" is a song written by Leigh Harline and Ned Washington for the 1940 Disney animated film Pinocchio. It was sung by Cliff Edwards in the character of Jiminy Cricket, and is heard over the opening credits and in the final scene of the film. It won the 1940 Academy Award for Best Original Song, and was therefore the first Disney song to win an Oscar. "When You Wish Upon a Star" is widely considered as the signature song of The Walt Disney Company and is often used as such in the production logos at the beginning of many Disney films since the 1980s.

Harline and Washington delivered "When You Wish Upon a Star" to the Pinocchio story crew in early autumn 1938, and they recognized it right away as a spotlight song that should be given prominence in the film. Disney decided that the song should play over the opening credits, and used as a musical theme throughout the film. The Library of Congress deemed Edwards's recording of the song "culturally, historically, or aesthetically significant" and inducted it into the National Recording Registry in 2009. The American Film Institute ranked "When You Wish Upon a Star" seventh in their 100 Greatest Songs in Film History, the highest ranked of only four Disney animated film songs to appear on the list.

In Japan, Sweden, Finland, Norway, and Denmark, the song has become a Christmas song. The song features in Disney's one-hour Christmas special From All of Us to All of You, originally broadcast in 1958 in the US, but now considered a Christmas tradition in the Nordic countries, where it is broadcast on Christmas Eve every year since 1959. 🎄⭐

"When You Wish Upon a Star" recieved a total of 65,8% yes votes!

[archangelasher]

Malachi Barton attends The Walt Disney Company's Emmy Awards Celebration at The Music Center on September 15, 2024

[the-sage-libriomancer]

Rewatched Princess and the Frog today and honestly it feels more like a celebration of Disney's 100 years than Wish. A classic fairy tale respun in interesting ways while still being undeniably Disney? Check. A traditional story with modern twists and a (narratively) strong female protagonist? Check. A return to 2D animation in a time when the medium was dying out? Check. Hell, it even takes place in the same time period (1920s) that Walt Disney released the first animated feature film and started a hundred years of magic. There are multiple references to older Disney movies, from classics like Pinocchio and Sword in the Stone to (then) recent films like Aladdin and The Little Mermaid. It features the fucking wishing star! In a more narratively sound manner than Disney's actual 100th year celebration!

And even beyond that, Princess and the Frog feels like it pays tribute to the magic of magic - the power of believing in stories, of having a dream, of working hard to reach your happy ending while never losing sight of what's really important. There is so much effort put into this movie and it shows: the animation is gorgeous, the story is creative and structurally sound, and behind the scenes reveals that the producers put their backs into making sure both the African American aspect and the New Orleans cultural aspect were accurately depicted. It was the first Disney movie in over a decade to return to the Broadway musical format, and they literally had to dust off the abandoned 2D art tools because the company hadn't used them since 2004.

Princess and the Frog was a labor of love through and through, a heartfelt tip of the hat to Disney's legacy while still being its own story. I don't know what could be more celebratory of Walt Disney's dream than that.

[courseyoulovemeyoudontknowme]

Sister Act 2: Back in the Habit (1993, Bill Duke)

16/04/2024

[i-am-roadrunner]

Sarah Shahi attends The Walt Disney Company's Emmy Awards Celebration at The Music Center on September 15, 2024 in Los Angeles, California. [x]

[o-the-mts]

90 Movies in 90 Days: A Goofy Movie (1995)

Every day until March 31, 2024 I will be watching and reviewing a movie that is 90 minutes or less. Title: A Goofy Movie Release Date: April 7, 1995 Director: Kevin Lima Production Company: Walt Disney Pictures | Disney MovieToons | Walt Disney Television Animation Summary/Review: There have been numerous cultural touchstones of the Millennial Generation that I initially missed out on by being a…

[eretzyisrael]

by Shiryn Ghermezian

Academy Award-winning Jewish American songwriter Richard M. Sherman, one of the creative geniuses behind some of Walt Disney’s most iconic and timeless songs, died on Saturday at the Cedars-Sinai Medical Center in Beverly Hills “due to age-related illness,” the Walt Disney Company announced. He was 95 years old.

The Walt Disney Company described Sherman as “one of the most prolific composer-lyricists in the history of family entertainment, and a key member of Walt Disney’s inner circle of creative talents.” The company added that it will announce at a later date its plans for celebrating Sherman’s life.

“Richard Sherman was the embodiment of what it means to be a Disney Legend, creating along with his brother Robert the beloved classics that have become a cherished part of the soundtrack of our lives,” said Bob Iger, CEO of The Walt Disney Company. “From films like Mary Poppins and The Jungle Book to attractions like ‘It’s a Small World,’ the music of the Sherman Brothers has captured the hearts of generations of audiences. We are forever grateful for the mark Richard left on the world, and we extend our deepest condolences to his family.”

Sherman and his late brother, Robert B. Sherman, made up the songwriting team known as the Sherman Brothers. Together they wrote music for the 1964 film Mary Poppins, including “Chim Chim Cher-ee,” “Supercalifragilisticexpialidocious,” “A Spoonful of Sugar,” and the lullaby “Feed the Birds.” The brothers won the Oscars for Best Score – Substantially Original and Best Original Song for “Chim Chim Cher-ee.” “Supercalifragilisticexpialidocious” made it on the Billboard Hot 100 chart in 1965 and “Feed the Birds” was one of Walt Disney’s favorite songs.

“You don’t get songs like ‘A Spoonful of Sugar’ without a genuine love of life, which Richard passed on to everyone lucky enough to be around him,” said Pete Docter, chief creative officer of Pixar Animation Studios. “Even in his 90s he had more energy and enthusiasm than anyone, and I always left renewed by Richard’s infectious joy for life.”

Born on June 12, 1928, in New York City, Richard’s family relocated to Beverly Hills in 1937. He attended Beverly Hills High School and later studied music at Bard College. He was drafted into the United States Army and served as conductor for the Army band and glee club from 1953 to 1955.

Walt Disney hired the Sherman brothers as staff songwriters for The Walt Disney Studios after the success of their song “Tall Paul,” which sold more than 700,000 singles. The brothers together ultimately wrote more than 200 songs for some 27 Disney films and 24 television productions. Their credit included The Horsemasters (1961), The Absent-Minded Professor (1961), The Parent Trap (1961), Summer Magic (1963), The Sword in the Stone (1963), That Darn Cat! (1965), Winnie the Pooh and the Honey Tree (1966), The Jungle Book (1967), The Happiest Millionaire (1967), The Aristocats (1970), Bedknobs and Broomsticks (1971), and The Tigger Movie (1998). Richard later wrote new lyrics for the live-action The Jungle Book in 2016 and two years after appeared in the film Christopher Robin, for which he also composed three new songs.

The Sherman brothers also wrote music for Disney theme park attractions around the world, including “There’s a Great Big Beautiful Tomorrow,” “The Tiki, Tiki, Tiki Room,” and “It’s a Small World.” In the early 1980s, they wrote songs for EPCOT and Tokyo Disneyland, including “One Little Spark” and “Meet the World.”

The Sherman brothers left The Walt Disney Studios in the early 1970s and went on to write music, songs, and screenplays for films such as Chitty Chitty Bang Bang (1968), Snoopy Come Home (1972), Charlotte’s Web (1973), The Adventures of Tom Sawyer (1973), Huckleberry Finn (1974), and The Slipper and the Rose (1976).

In 1972, the duo became the only Americans to ever win 1st Prize at the Moscow Film Festival for their film musical The Adventures of Tom Sawyer, for which they wrote the script and music. The brothers were inducted as Disney Legends in 1990 and into the Songwriters Hall of Fame in 2005. Three years later, the brothers were awarded the National Medal of the Arts.

In 2010, Richard and award-winning composer John Debney collaborated on the song “Make Way for Tomorrow Today” for Marvel Studios’ Iron Man 2.

Over the course of his 65-year career, Richard received nine Academy Award nominations, won three Grammys, and received 24 gold and platinum albums. Richard’s father, Al Sherman, was also a songwriter.