#walk away short

[kippykasey]

Axe Man

Summary: Alexa goes to a haunted attraction with Lemar, John, and Olivia.

Word Count: 910

Characters: Alexa Walker, John Walker, Olivia, Lemar Hoskins.

Authors Note: This little blurb litterally just came to me with in the last 6 hours. So it might be a bit of a mess but I thought it was a cute little side back story for Alexa and John Walker.

Kippy’s Spoopy Saturdays Masterlist

Going to a haunted house with John, Olivia, and Lemar wasn’t exactly what I expected to be doing a week before Halloween but I wanted to go and the only way my parents would let me go was if John took me. So that was how I ended up in line between Lemar and John waiting to enter the haunted house. Olivia was huddled close to John already spooked by the actors wandering around outside. Lemar laughed as a vampire looking woman ran past cackling, making me jump. 

I elbowed Lemar and he gently pushed me into John who huffed but made sure that I didn’t fall. “I swear if you have a heart attack in there and I have to tell mom you died..” John looked down at me and he had that annoyed older brother voice going on which made me roll my eyes.

“She won’t have a heart attack, right Alexa?” Olivia smiled at me which made me smile back at her with a nod of my head.

It was only a few moments later that the four of us entered the haunted house. The darkened hall was only illuminated by a dull orange ambient light. Lemar was leading the pack followed by Olivia and John. Olivia quickly took a hold of my hand so as not to lose me in the darkened building. Right off the bat a black hand and arm reach out of the wall grabbing towards Olivia and myself. Olivia jumped back into me knocking me over onto the ground. John laughed as he helped me up off the ground and moved me to be in front of him yet behind Lemar.

We entered the first room that was styled to look like an abandoned bedroom with two beds. Looking around I couldn’t see much through the haze of the smoke machine running and the darkened room. A person popped out of the wall, making me grab onto the back of Lemar’s shirt and try to duck away only to be face to face with an identical person leaning around a corner with a wide grin. 

  Lemar reached around himself to try and offer me comfort as we entered the next room, a bloody bathroom. As we walked past the covered bathtub all I kept thinking was “Something is going to pop out of that curtain. It’s going to scare us.” Sure enough just as Lemar and I passed the curtain flung up and an actor wearing a pig mask swung a meat cleaver down in between John and I causing Olivia to cower against my brother who had gone pale at the scare.

We moved through a darkened hall that opened up into a circus themed area. Before we entered the circus tent entrance an actor dressed as a cymbal monkey moved, crashing together the metal disks in front of Lemar’s face. Hoskins ducked around putting me in front now. We walked through the circus themed area with the older male using me as a human shield to block the jumpscares from the actors from getting to him. Byt the time we left the circus area I pulled myself from Hoskins’ hold on me and moved away to be at the end once again, where I might be targeted for scares but at least I wouldnt be used as a shield. 

We moved onwards this time through a tunnel where three actors would slide by on their knees making sparks against the concrete as they laughed. It was a brief moment of calm before we were thrown into a woods setting. Olivia moved farther back to be closer to me as John and Lemar now walked next to each other. Suddenly from behind a man dressed as leather face ran from behind a prop tree wielding a chainsaw. We were chased further into the ‘woods’. Just as we slowed down another actor popped out wielding a prop axe. Lemar and Olivia ran one direction while John reached for me before running further through the maze of prop trees. However the hand he grabbed wasn’t mine. Not but some magical luck was it his girlfriend’s or best friend’s. 

The three stood there in the now lull in the haunted woods looking at each other. “Did John just..?” Olivia started pointing from the youngest Walker towards where John sprinted off to.

“Run off with the scare actor? Uh huh.” I laughed softly and nodded my head. A second later John’s screaming yell was approaching us. He spotted us still standing there and quickly grabbed my shoulders and ducked behind me as the axe wielding lumberjack actor chased him back. The actor lowered his axe seeing how my brother was now cowering behind his teen sister. The actor looked at his prop then over at me before handing it over. 

I laughed, grabbing the axe and turning towards my older brother. John quickly ran towards the other three in our group as I chased him out of the area. I stopped a few feet out before turning to hand the prop back to the actor, “Thanks!” I laughed softly before running to catch up with the older three. They had raced out of the exit by the guidance of John who was panting and looking around spooked as I calmly walked over to my brother.

“Awe, does Johnny boy have a fear of axe men?” I teased.

“Shut up Alexa.” John grumbled, crossing his arms. 

[heich0e]

au in which touya ends up having to watch natsuo put his hands all over you because you took something offered to you at a sketchy warehouse party that has you panting and whimpering and burning up and his own hot hands can't provide you any comfort but his little brother's cool-quirked touch can

[carnivalcarriondiscarded]

context <3

[assmaster-8000]

no because what if gojo satoru had found another special grade child. a child whom the jujutsu higher-ups wanted satoru to mentor because they'd be a useful trump card to the jujutsu society so naturally they'd want this child's talent to be honed till they potentially surpass satoru and be used. but satoru had seen too much of what this world had done to the person he'd love the most and he wouldn't ever be the one to subject another person to it like a tool. like a weapon. like a machine. so of course he takes them under his wing and gives them the guidance he never had, suguru never had. a 20 year old prodigy fresh with wounds of loss and grief taking in a child with greatness sitting on their head like a heavy crown cutting into their skin underneath his cape of power and blood stains. satoru is an enigma and even he himself doesn't know if it's because he wants to mold more strong jujutsu sorcerers who will change this world (because what greater irony than the child you wanted to utilize like a cold knife being the one to bring reform right to your door?), or if he wants to give them everything everyone else didn't have (please, he can't have someone follow in suguru's footsteps.), or if being number 1 was too tiring for him (but he doesn't know if it's selfish bringing them up to this blinding spotlight.)

years pass and he vehemently denies the higher ups control over his protégé, his student, his brat. he'll give them control and the means to break out of the shackles of this damned hierarchy. and even if satoru cannot outwardly say it, they're his child. as though he was there at their birth and has been ever since. his child and his best friend and he's their father and their best friend. it's either he sees too much of himself in them or too much of suguru because they're rising to the top fast and he's proud of them and so full of dangerous hope their wings aren't made of wax. (but he'll be there to catch them if they'll ever fall, of course!) they're so strong now. if he was blessed by the heavens and the earth then perhaps they were born of it because look at them go! giving the great gojo satoru a run for his money! not everyone can do that, you know? they're such a great student and person! isn't he such a great mentor?!

so he decides to have faith in them. bring them along with him to shibuya to deal with those reports of special grade curses he was being told about. this is how your teacher deals with these curses! better watch closely because you'll probably have to do it too! he has them positioned on the sidelines to ensure the civilians aren't hurt and if anything, to aid him because they're gonna be the strongest some day too so they can't be lazing a round on their ass all the time.

and they're doing so well until kenjaku comes along. satoru's breath stops and his heart rattles against the prison bars of his ribcage but it isn't the stupor of seeing his lost love that doomed him to the box. his special grade student lurches to -- what, attack kenjaku? pull satoru away? run? it didn't matter what. it was all a blur -- wards him and his body moves on an instinct that's even stronger that the compass needle pointing to suguru's body.

no, no.. that isn't suguru. it's his body and that's not him. somethings not right. but his student is right infront of him and that's them and he can't let anything bad happen to them now. flexing infront of his student can be saved for another day. but it's this mistake that ends up setting him right into kenjaku's trap and the box. the moment his gaze snaps to them and his body is torn between suguru infront of him and them kenjaku sees an opportunity and snaps it up like it's golden.

satoru doesn't even get the mere moment of chained freedom before he's fully trapped in the box. with the special grade student there, kenjaku needs to make it quick. make it count. he does. satoru is pulled into the box and satoru can't even say anything to his student. and he worries in his infinitesimal prison. satoru never usually worries unless if it's his leftovers have gone bad in the fridge.

they'll be alright.

they'll be alright.

they'll be alright, won't they?

they're strong.

they're capable.

they're smart.

he's raised them well they'll be okay they've got friends.

they'll do the right thing.

...

and when satoru finally exits the box he's sees faces changed. they tell him a lot about what they've been through, about what has changed since he's been gone, what changed about them.

he sees yuuji has been weathered with pain and a unique sense of hope.

he sees megumi has been puppeted with the strings of despair by sukuna.

he sees maki has faced the fiery trials and tribulations of this cruel world and bears it like her trophy.

he sees...

he sees nothing of his student. his special student. where are they? injured? somewhere off in the game? will they be back soon? time's a-running out, you know.

he sees the looks his students exchange and his heart drops. he knows. he knows. he knows what must've happened.

they're dead, aren't they?

and he's brought back to the time he carried riko's dead body in his arms and he was met with the disappearing suguru in the crowd and suguru slumped against the wall.

it's happened again.

they tell him they were a hero. that in satoru's absence, they did the heavy lifting and protected shibuya from the full-on destruction it would've suffered if not for them. that if not for them, the jujutsu world would've been left in even deeper disrepair. they saved some of their fellow sorcerers from certain death and suffering! they were the one to grapple with sukuna when he let all havoc ravage the city.

they paid with their life.

all because they were too worried about getting these normal civilians back home safe. about keeping their friends and mentors safe. and satoru wonders if there was someone else worrying about keeping them safe.

... atleast he didn't have to worry about them following in suguru's footsteps and the hatred of regular civilians. they were good of heart and soul. they were strong.

they did the right thing.

and satoru has a hard time wrapping his head around the fact that the person he's raised for, what, 10 years? is dead. gone. deceased. that's just preposterous! he was there when they were a snobby little kid and he was there when they were going through that awkward phase and he was there when they were learning more and more as a teenager and where are they now?

sukuna asks him that. "where's that miniature personification of yours? hah, don't tell me they died the last i saw them. have the special grades of this era started to slack off?"

satoru has all the more reason to kill sukuna now. he has to show his students who are watching that he can do it.

even if they will no longer watch him do anything.

[pcktknife]

no but seriously do u know how much u gotta use a heartline to annoy me...its one of my favorite looks and they are using her to death

[tsaomengde]

The Ones Who Found The City

Ursula K. LeGuin's "The Ones Who Walk Away from Omelas" is a classic short story, and obviously I knew of it, but I'd never actually read it until recently. Well, I finally got around to it, and as many timeless classics do, it got stuck in my brain. This story is my - response? homage? sequel? pale imitation? - to it. I suggest you go and read "The Ones Who Walk Away from Omelas" if you haven't. Not because it's actually required reading for this story - I think it stands on its own more or less okay - but because it is a classic for a reason.

---

Initially, no one is quite certain of what they’ve found when the Animus breaches the next manifold layer.  This is in and of itself expected, of course.  Exploring psychspace is by its very nature an unpredictable venture.  Each of the various infinite layers is unique and bizarre in its own way, reflecting the archetypal underpinnings of an entire species present, past, or future across an infinitude of possible realities.  The crew of the Animus, therefore, has seen things so utterly alien and inexplicable that only the rigors of their training and the care put into their psychic warding saved them from insanity.

It is somewhat disappointing, then, to find that this sub-domain is just a city.  Definitely not Terranic, certainly not, but still following the Terranic modality, with no more than a seven-degree quantum drift.

“Towers,” Thromby says into the recorder as they sit at their post at the nose of the Animus’s command center.  “Following the standard skyscrape pattern.  Unclear if they’re domiciles or business centers or both.  Coastal city, bay appears to be oceanic rather than lake.  Pleasing blend of urbanization with natural setting.”  They glance at Vigil.  “Anything on the lifescope?”

Vigil shakes his head.  “Nothing.  It’s empty.  Totally empty.”

“That’s odd,” Katrina speaks up from the helm.  “The city doesn’t show signs of decay or reclamation by nature.”

“Entropy may not work in the usual way in this sub-domain,” Teasha reminds her.  “The city itself could be the natural growth, reclaiming the artificial countryside.  We’ve seen things like that before.”

Thromby feels Katrina’s unconscious bristling at the subtle reminder that she is the newest member of the crew and thus less experienced in the vagaries of psychspace than everyone else.  Next to Vigil, who is only nineteen, she is also the youngest.  “I would expect,” Katrina says, her voice cool, “that in a sub-domain so obviously based on human archetypes, entropy and nature-versus-civilization tropes would function more or less as usual.”

“I’m certain you would,” Teasha replies, her voice equally cool.  “When you’ve been at this as long as me and Thromby, you’ll learn better.”

“Enough of that,” Thromby says before Katrina can reply.  They love Teasha, but she tends to be too harsh on new crewmembers.  A defense mechanism, they know, to insulate her from the all-too-common pain of losing them.  But Katrina has too much to prove.  The clash is natural and to be expected, and even useful at times, but now is not one of them.  “Vigil, get me readings on atmosphere, microbiome, and psychic radiation, if any.  Katrina, pick a spot on the coast and bring us down there.  I want to see if the ocean is actually an ocean or a liminality representation.  Teasha, get the Animus tuning to this sub-domain’s resonance frequency.  I don’t want any dissociation issues.”

The orders are mostly unnecessary, since everyone already knows what they’re about, but they serve their intended purpose, which is to re-focus everyone on the task at hand and redirect their nervous energies, particularly Katrina’s.  Thromby still isn’t sure she’s going to make the cut after this expedition is over, but there’s potential there.  They would be foolish to ignore someone with Katrina’s strength of identity grounding. 

There are plenty of sub-domains out there where it’s useful to be entirely certain of who you are, and not everyone can be.

---

The first day’s worth of exploration yields more questions than answers, which is normal and expected.  Thromby is indeed certain that Katrina’s initial assumption that this is a human-archetypal sub-domain is correct.  Human atmosphere, human shadow- and ontological concepts, Terranic fish in the very-real ocean.  But the iconography is sparse and mostly nonsensical.  It’s clear that the city was able to actually function as a city, but it feels purposeful, designed, in a way that actual cities outside psychspace rarely do.

“It’s a metaphor,” Vigil says as they sit around a campfire on the beach after the first day.

“Well, obviously,” Katrina agrees, and Vigil lights up – both visibly and psychically – at her concordance.  Thromby knows Vigil has been nursing burgeoning feelings for Katrina since she joined them, and has so far seen no need to make anything of it.  “But a metaphor for what?”

“We don’t have enough data,” Vigil replies.  “But I’m certain of it.  We just need to keep exploring.”

Thromby takes a bite of the fish they’ve been roasting over the fire.  It’s a pleasant change of pace to be able to eat something real, instead of the platonic nourishment suggestions dispensed by the Animus.  “Agreed.  I’m curious to see what the point of this place was.  We have five more days before we have to resurface and the expedition has been quite successful already.  I think we can spare the time.  Teasha?”

Taking a bite of her own fish, Teasha purses her lips as she chews.  “I concur, but I’m uneasy.”

Teasha is their psychometry specialist, so this makes all of them sit up a little straighter.  “Are we in danger?” Katrina asks.

“Of course we’re in danger, we’re in psychspace.  But in this particular sub-domain?  Metaphorical danger, as Vigil says.  Ideological or memetic patterning rather than physical.”

Thromby nods.  “I suspected that might be the axis of it, here.  We will need to split up to cover the necessary ground in the time we have left, so everyone stays in contact while exploring.  Mechanical and psychic.  No exceptions.”

None of them are particularly happy with this pronouncement, but they see the wisdom of it.  It’s distracting and somewhat draining to keep a four-way psychic connection going, especially over distance, but their implanted transceivers sometimes don’t function properly, depending on the sub-domain.  Electromagnetism and causality both seem to be standard here, but such things have been known to change in an instant depending on whether the sub-domain is actively malicious or not.

Thromby doesn’t feel any such malice here, though.  That doesn’t mean it isn’t present; such things are often quite good at hiding themselves.  But they’ve been exploring psychspace for seventy-eight years subjective.  They’ve learned to trust their instincts.

---

Two more days of exploration are frustratingly unrevealing.  The city is the size of a proper metropolis, and they know it will be impossible to actually explore any significant percentage of it in only a few days, but Thromby is still irritated by their lack of progress.  They find evidence of cultural signifiers, rituals, and traditions, but again, the iconography is vague and appears opaque to standard Jungian-Jingweian analysis.

Teasha spends the two days on a different investigative track than the rest of them.  “Psychometrically speaking the city is remarkably healthy,” she said on the morning of their second day.  “Most locations, metaphorical or otherwise, bear the echoes of trauma or strife, but this place seems to have been almost entirely peaceful.  Totally voluntary anarcho-communism or ordnung-socialism, perhaps, without the usual markers of systemic violence inherent to capitalistic or fascistic systems.  But there’s a thread somewhere that I keep detecting the edges of.”

“A thread of what?” Thromby asked.

“Pain, of course.”

It is on the evening of their third day in the city that Teasha calls them to her.  She uses their transceiver link rather than a psychic summons.  “To avoid contamination,” she explains.  “I’ve found the source of the thread.  Double your usual wardings and enter seclusive patterning before you come inside.”

Thromby does so, of course, though they dislike cutting themselves off from their extrasensory perception.  It feels like trying to see with only one eye.  When they arrive at Teasha’s location, however, they immediately understand why she insisted on it.  The possibility of psychic contamination here is very high.

“What is this?” Katrina asks, holding her nose in disgust.

“The point of the metaphor, of course,” Teasha replies.  She indicates the filthy cellar in which they’ve found themselves, the only part of the city so far that has seemed actively decrepit.  “I guarantee you that even if we spent the rest of our lives exploring this city we would find only this one place showing any signs of entropy.”

The cellar stinks of excrement, a combination of ammonia and fetid shit, despite the physical processes creating such smells having terminated long ago.  The floor is dirt.  There are no windows.  In one corner there are two mops, their heads stiff with drying waste, and a bucket, the metal bands around its circumference orange with rust.

“They concentrated all of the city’s entropy into a single space?” Vigil asks.

“Not entropy,” Teasha tells him.  “Cruelty.”

Katrina gapes, her hand falling away from her nose for a moment.  “Come again?”

“Something lived here,” Teasha explains to her.  “Or, more precisely, was forced to live here.  It functioned as a psychic magnet, of sorts.  The functioning of the city relied entirely upon its imprisonment and use as a scapegoat.”

“What was it?” Vigil asks.

“One of the innocence-sacrifice archetypes.  An animal or a child.  I suspect a child; an animal can feel pain and misery, certainly, but it doesn’t conceive of injustice in the same way a child does.”

Thromby feels their stomach turn a little.  “Ah.  I see.”

“See what?” Katrina demands.

“The point of the metaphor indeed,” Thromby replies.  “This entire city and all its inhabitants, predicated on the suffering on a child.  It’s a morality construct, and a good one, too.”

“A good one?” Vigil asks.  “It’s grotesque.”

“Your deontological leanings are showing,” Katrina tells him.  “From a utilitarian perspective it’s perfect.  Nothing exists without imposing an energy burden on the system in which it exists.  Even the nourishment suggestions the Animus feeds us in liminal space between manifolds is distilled from universal krill.  But this?  The concentration of all of a society’s utility burden onto a single individual.  The ultimate maximization principle.”

“And your teleological leanings are showing,” Teasha sniffs.  “You’re missing the point of the metaphor entirely, Katrina.  It isn’t about utility.  It’s about cruelty.  The cruelty is the point.”

Katrina’s nostrils flare and Thromby cuts in before she can start really arguing.  “Enough,” they say.  “A conflict here in this space could be dangerous.  We’re at the focus of the sub-domain and things have a way of rippling.  We’ve discovered the point of the metaphor, so we can go back to the Animus and leave in the morning.”

Both Katrina and Teasha look ready to argue the point with them, but then they master themselves and both nod.

“Do we have to wait until morning?” Vigil asks, looking around the cellar in transparent disgust.  “I would prefer to leave sooner rather than later.”

“You know the rules,” Thromby replies.  “We don’t transit without everyone being rested.  A tired mind is a vulnerable mind.”

Reluctantly, Vigil nods, too.  The four of them walk away from the cellar, their thoughts opaque to one another.

---

Thromby is jolted out of sleep by Teasha screaming.

They sit bolt upright and look down at Teasha in the bed next to them.  She is clutching at her head, shaking, writhing beneath the sheets.  “Teasha!” Thromby snaps.  “Focus!  Center yourself!”  They grab her by the wrists and pry her hands from her face; her nails are leaving bloody marks in her skin.

“Too much, it’s too much!” she shrieks.  “I’m lost!”

Thromby forces their way into her mind.  She previously gave them her consent for this, knowing that it might be necessary in a moment like this one.  What they see there –

“Aquinas,” they say aloud.  The implants in Teasha’s cochlear nerves pick up on the trigger word and activate, sending the kill-signal to other implants deeper within her brain.  She stops screaming and slumps, unconscious, temporarily brain-dead.  When Thromby says the word again she will be switched back on, but for the moment she is safe from the psychic contamination that was attacking her along her psychometric vector.

Which, of course, means that Thromby has to deal with this issue alone.

They dress quickly and exit the Animus into a beautiful summer day.  Pennants and banners wave atop the rigging of ships in the harbor, bells sound from the city, and people, so many people, cavort and revel on the beach, in the waves, in the streets.  There is laughter, merriment, the intoxicating psychic swell of happiness and excitement.  Thromby threads their way through the crowds in the streets – mothers carrying their infants, children running through the streets in elaborate games of some variation of Terran tag, huge parades of horse-drawn carts with animalistic balloon totems floating in the air above them.  Vendors call out to Thromby, offering delicious food, intricately made jewelry, amazing clockwork-mechanical toys, sensory-enhancing drugs, and a thousand other variegated temptations.  Street musicians play upon cunningly crafted instruments – strings, pipes, percussion, keys – and revelers cavort to the tunes.

Thromby can feel the bright sparks of all of these people in their mind.  These are real, thinking, feeling beings.  They belong to the metaphor, certainly, but Thromby could speak to them, touch them, verify their self-consciousness and interiority, even invite them to come and join them onboard the Animus and explore psychspace.  They could bring them up into the real, return home with them, have a life with them.  That is how it has to be, of course.  Thromby knows they themself may belong to a different metaphor of a different order, after all.  The real is only real because enough people agree it is.

But they do none of these things.  They just walk, stolidly, back to where they know they have to go.

Katrina is waiting for them outside the cellar, barring the way in.  Thromby has their wards up at triple strength and has been in seclusive patterning since before leaving the Animus, but they don’t need to be psychic to read her mind.  Everything she is feeling and thinking is there in plain sight – the proud and defiant way her chin is thrust out, the blaze in her eyes, the way she has her arms crossed and feet at shoulder width.  She is ready to fight.

“Let me through,” Thromby says without preamble.

“No.”

Well, that’s their respective positions, Thromby thinks, articulated clearly and easily enough.  “Why not?” they ask.

“Vigil consented.”

“Vigil is in love with you and you know as well as I do that consent is a matter of framing,” Thromby snaps.  “Move.”

“No.  I explained everything to him and he consented.  It has nothing to do with whatever feelings he might have for me.”

“That’s bullshit and you know it, but fine.  For the sake of argument, tell me how you explained it.”

Katrina hesitates, and Thromby can tell she wasn’t expecting them to actually offer her a chance to proselytize.  “The point of the metaphor is that no matter how great and beautiful the society, if it’s predicated on cruelty, it’s unjust,” she says.  “Deontological thinking, obviously, but cruelty is by definition nonconsensual.  I explained to Vigil that if he allowed it, we could collaboratively put blocks in his mind, purposefully regress him to a childlike mental state, and put him in the cellar to suffer for a specific length of time.  Then we can pull him back out, remove the blocks, and even erase the memories of the trauma.  The child-Vigil won’t, can’t, consent, but it also won’t exist for more than a day, and pragmatically speaking never will have.”

Thromby massages their temples.  “Congratulations.  Once again, you have missed the point of the metaphor.”

“Damnit, Thromby, I’m not a child!  I have the same training and grounding in theory that you and Teasha do.  Everything I’m doing is teleologically sound, and Vigil agreed that with the steps we’re taking –”

“You’re trying to outsmart it,” Thromby cuts her off.  “That’s how I know you’ve missed the point.  You can’t outsmart this, Katrina.  There is no perfect set of circumstances you can construct to get around the simple fact that this city functions, exists, because of deliberate and terrible cruelty.  That’s the entire point of it, just like Teasha said.  Teasha, who, by the way, is currently in a coma.  I had to put her into it to keep Vigil’s misery from damaging her.”

“It’s a thought experiment,” she argues, obviously not addressing the point about Teasha because she knows she won’t win that argument.  “There’s always a correct answer for them.  The trolley, the Gettier, the –”

“It’s about fucking sin,” Thromby sighs.

“Are you joking right now?  You’re going back to the religious well?”

“Yes, because that’s what’s happening right now.  The city is a sin, Katrina.  The excesses of its beauty, its wonder, its perfection, are obscene precisely because of how and why they function.  It’s rooted in the ideology of disgust and taint.  Utility, teleology, all of these justifications and rationalizations exist and have their use, but at the end of the day, answer me one question: will you trade places with Vigil?”

Katrina hesitates.

It’s only a bare moment, less than a second, even, but it’s there.  And Thromby sees it, and Katrina sees it.

“Yes,” she says, finally.

“I knew that would be your answer.  But you know that the answer doesn’t really matter, does it?”

Katrina lowers her head.  “No.”

“You know why you hesitated.”

“Yes.”  She looks back up at them.  “But – there’s no such thing as absolute morality, any more than there’s a single objective reality.”

“Of course there isn’t.  And yet, you hesitated.”

They just lock eyes for a few seconds.  Then she lowers her gaze again.  “And yet, I did.”

Thromby steps past her and opens the cellar.

[ask-funnybunnydoll]

Does Pomni like Ragatha or Jax better?

J: I bet I'm your favorite hehe

R: It's soooo mee!

P: It's actually the Anons

[rustchild]

one of the wild things about people’s stubborn insistence on misunderstanding The Ones Who Walk Away From Omelas is that the narrator anticipates an audience that won’t engage with the text, just in the opposite direction. Throughout the story are little asides asking what the reader is willing to believe in. Can you believe in a utopia? What if I told you this? What about this? Can you believe in the festivals? The towers by the sea? Can we believe that they have no king? Can we believe that they are joyful? Does your utopia have technology, luxury, sex, temples, drugs? The story is consulting you as it’s being told, framed as a dialogue. It literally asks you directly: do you only believe joy is possible with suffering? And, implicitly, why?

the question isn’t just “what would you personally do about the kid.” It isn’t just an intricate trolley problem. It’s an interrogation of the limits of imagination. How do we make suffering compulsory? Why? What futures (or pasts) are we capable of imagining? How do we rationalize suffering as necessary? And so on. In all of the conversations I’ve seen or had about this story, no one has mentioned the fact that it’s actively breaking the fourth wall. The narrator is building a world in front of your eyes and challenging you to participate. “I would free the kid” and then what? What does the Omelas you’ve constructed look like, and why? And what does that say about the worlds you’re building in real life?

[booksbyadesi]

I never thought I would be the person that would ever walk away but as Mahmoud Darwish said:

"You will meet a person who will make you regret your kindness"...

[fatedroses]

I know I design him with the intention that he becomes an evasion tank, but there's an irony I find very amusing in making his new magitek armor lighter than his original.

[s0ckh3adstudios]

Nauseous at school? I have a solution for you and it's to draw these guys in copious amounts

Featuring grumpy integrity crossovers and drawing @rheakira 's soul designs in general I LOVE THEM SO MUCH,,

With Lilac from @squidpedia of course and an Alexander appearance from @capt-summer because he always worms his way into my POSTS

Just wanted to draw those guys after yesterday <3 For the funnies

[mionkings]

The Deep Lands 🏕

Amity Park is strange; even without the ghosts' destruction, the ectoplasm is enough to change and make things strange. The residents just as eccentric and weird. But they can be friendly when they want!

However, the national parks near or in Amity Park are terrifying.

People disappear mysteriously to never be seen again without explanation or are found eventually either dead or alive in the most unexpected places ands strange circumstances.

Those that do come back, become different. There is no true explanation.

Amity Parkers or Ghosts take notice that there is just something— ancient and primal deep in the mountains, where stone and trees older than humanity bleed with energy of even the most deepest parts of the Infinite Realms. It is enough to ward ghosts to indulge in their obsessions away from nature and into Amity Park, something familiar.

Has the land changed with them? Or has it always been there, untouched until now?

For when Phantom flies by the large vaste land, he takes caution. Entering in with the respect one would have towards a home, or rather a haunt.

It calls to him.

[shortstorytournament]

SHORT STORY TOURNAMENT - FINALS

THE CASK OF AMONTILLADO by Edgar Allen Poe (1846) (link) - tw: death

“I drink,” he said, “to the buried that repose around us.”

THE ONES WHO WALK AWAY FROM OMELAS by Ursula K Le Guin (1973) (link) - tw: child abuse

Do you believe? Do you accept the festival, the city, the joy? No? Then let me describe one more thing. In the basement under one of the beautiful public buildings of Omelas, there is a room. It has one locked door, and no window. ... In the room a child is sitting.

THE YELLOW WALLPAPER by Charlotte Perkins Gilman (1887) (link) - tw: depression, insanity

John is so pleased to see me improve! He laughed a little the other day, and said I seem to be flourishing in spite of my wall-paper. I turned it off with a laugh. I had no intentions of telling him it was because of the wall-paper — he would make fun of me. He might even want to take me away.

[opal-owl-flight]

IF I HAVE TO BE SPAWNCAMPED BY AN E-LITER ONE MORE TIME IM GOING TO THROW A DUALIE INTO THEIR FOREHEAD SO HARD IT GIVES THE FUCKER A CONCUSSION

[carnivalcarriondiscarded]

thank fuck im home by myself bc im having a Category Five Laughingstock Moment

[skala]

and the universe said I love you

and the universe said you have played the game well

my son, I am so very proud.