#waiting for the invite

[projectorinsights]

What It Means To Be A “Projector” in Human Design

A good starting point for projectors who have recently learned their design type.

Projectors are meant to guide energy types.

The energy types are manifesting generators and pure generators. They are referred to as “energy types” because of their defined sacral center. Projectors aren’t necessarily here to guide the other non-energy types, such as manifestors and reflectors, but with the right invite, they can.

A projector’s strategy is to wait for the invitation.

In human design, “strategy and authority” refers to an energetic approach.

Although every projector must wait for the invite, their individual authority will differ. These authorities are: emotional, splenic, mental, self-projected and ego. For the best outcomes, an invitation should only be accepted or declined once confirmed by the authority.

The successful projector waits patiently to be invited and recognized for their unique skills.

Without proper recognition, the invite is dead.

Projectors have a penetrative aura. Because of this, their energy can come off as “pushy” or even “annoying.” Recognition allows the projector to feel seen, heard and confident in sharing their insights with others in 1:1 (preferred) and group settings.

Projectors only need to be invited for things along the lines of: giving advice, moving out, getting into a relationship, friendship and career movement.

Outside of that context, the world is a projector’s oyster.

You have to know that you have everything you need to reach your signature of success. First and foremost, energy management should be your focus. There’s not a lot of information online about practical, actionable steps projectors can take to achieve success because it is our job to create the system that leads to our success!

And self care is extremely important.

Working a 9–5 without the proper recognition/invitation will almost always lead to bitterness, the not self-theme, which could take years to recover from.

Projectors need to focus on energy management.

Taking care of yourself by resting, playing and learning skills that fascinate you will make you more susceptible to receiving invites.

And every invite isn’t meant to be accepted — that’s where authority comes into play. Being in the wrong environment will always bring about humiliation and/or bitterness for the projector type. Accepting the wrong invites will also lead to a series of unfavorable invites.

Projectors must be selective of the company they keep and the environments they frequent.

The waiting period for a projector can be long and boring at times, but that’s why they must keep themselves occupied with self care, fun, nature, rest and skill building habits.

Projectors ought to study skills tailored to their personal interests so that they’re ready for the invite when it comes. For example, if you want a relationship, work on your self love and treat yourself like you’re worthy of having a partner. Affirmations are a projector’s best friend in any capacity.

The insight and attention projectors have to offer is extremely valuable.

They must not allow the concept of “waiting for the invitation” to get in the way of living life, either.

As long as the projector isn’t giving away unsolicited advice and inviting themselves in situations that involve other people, they will be fine. The world is moving away from the “work hard” to “work smart” mentality. Projectors are being called to take their position in the world and show what they know.

What do you think of a human design projector guide filled with practical insights?

Use Projector Insights: How to Live Your Human Design as a resource. This eBook is a digestible reference point for projectors who are new to human design and those who are looking for more practical information.

An article from Fe Chi's blog. This information is not to be copy/pasted.

[flonflonflon]

Some fanart of the Under the Red Hood animated movie version of Jason Todd :'))) ilu son you deserve the world

[mysterydragon14]

continuing the cotl hyperfixation

this was my reaction when i first beat the one who waits

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[azvhaalk]

Hecate, my beloved.

[lilianade-comics]

snippets of post AGIT Cheese Melt because, well, I'm predictable. Also featuring post AGIT Dan because I love him~

[andstuffsketches]

gretabart besties forever

[hehearse]

unleashing a very innocent tiny art series for @orv-lovezine ^^

[tayloralisonswift]

"don't get me wrong, i hate taylor swift and everything she stands for, but-" should we tell everyone? should we throw a party? should we invite aimee

[what-am-i-doing-in-this-fandom]

I was wondering, does Fiddleford still have a wife in your Halloween au? And if yes, does she know about him being a vampire?

I've been sitting on this ask for a bit, but I think I should finally answer.

In my AU, Fidds is actually pretty old-- not like ancient or anything, but surely a few centuries?

Anyway, so way back, when he was human, he did have a wife and a kid!! But when he got bit and became a vampire, he actually outlived them :(

He tries to think about them often, but it's definitely one of the things he chooses to erase when he creates the memory gun

[poorly-drawn-mdzs]

MDZS x ISAT part 2: Grandmaster of Time.

(Part 1)

[catcze]

NO BC LISTEN.

WIRO REACTING TO HIS CRUSH/LOVER WEARING A SUIT. LIKE IT FITS THEIR FRAME SO PERFECTLY AND SNUGLY AND WDYM “WHY IS HE LOOKING” OFC HE’S LOOKING LIKE HELLO???

I can’t tell if he would shameless let his eyes roam or would avoid looking at them KDIDKSKSK WIRO BRAINROT IS SO REALL

KAJNSDSA BROOO OMG okokokok something along the lines but 👀

Reblogs are greatly appreciated !!

You're fiddling with the cuffs of your suit as you exit the changing room, a frown on your face. You're nervous— of course you are! It's not often that you're invited to a high-profile, black-tie event like this, and you'd rather not stick out like a sore thumb.

Wriothesley, who sits comfortably in a plush armchair, has been invited before though. But time and time again he's turned down the invites with some of the most ludicrous excuses. 'A monster is attacking the fortress' is one of his most used ones, closely followed by 'a bird shat on the shoulder of my suit.' But you wonder why he's accepted this time, despite his distaste for the limelight. Well, you shrug, pocketing the thought for later. At least you won't be going alone.

"What do you think?" You pose the question to him, still frowning as you look down at yourself. Did you look okay? Was the fit alright? Did this color wash you out? You had splurged on this (well. Wriothesley splurged on this, technically. He had said it's a gift) and had the suit custom-done, so it should fit your measurements to an exact, but... you frown, not able to shake off the nerves.

And it doesn't help that Wriothesley hasn't said anything since you've stepped out, either. Merely stares at you, eyes roaming your figure. Even at your question, he acts like he hadn't even heard it. Does the suit look that bad?

"Wrio?"

That seems to reach him, and he blinks, finally registering that he's been staring at you— and that you've begun to stare back.

"Oh, uh. Yeah, it looks nice on you. The tailor did a very good job," he says, glancing away, hoping you don't see the red tinge to his cheeks or his ears.

"Really?" You ask, evaluating yourself in the mirror with a frown. "I don't know. I feel like I look like a mess."

"if you look like a mess, then I dread to think what I look like," he says, glancing at you for a second, getting an eyeful of you in that damn good suit, and feels his mouth dry up again. Wriothesley turns his eyes to the corner of the room, finding the fake palm plant there incredibly interesting. Barely more interesting than you. In that very flattering suit. It emphasizes your body very well, he thinks. Makes him see just enough of you while still leaving some to the imagination. And the color you chose for it... red and black, to match what he'll wear, you said. He sighs, troubled, because just the mere memory of it has his heart racing and his palms sweating.

You keep criticizing your reflection for a while longer, and it takes just enough time for Wriothesley to work up the self-control to look your way. "You look good," he says at last. Then clears his throat. His face feels hot. "Better than good, even. You don't have anything to worry about, I promise."

It placates you, because you finally give your own reflection a rest. You back away from the mirror, humming. "If you say so. Thank you, Wrio," you tell him, flashing him a small, shy smile just before you back up into the changing room once more to take it off.

Once you're out of the vicinity, Wriothesley drops his head into his palms, groaning softly.

if he's this much of a mess around you at a fitting, he wonders how much of a fool he could make himself at the actual event.

[spitinsideme]

pomni tries to flirt but ragatha will always have the upper hand at this .. shes an expert (pomni enjoys it nonetheless)

[jessmalia]

I rewatched The Avatar and the Fire Lord a few days ago, and god, what a good episode. Revealing that Zuko is a descendant of both Sozin and Roku was a genius move (and that's not even getting into the Zuko/Aang parallels of it all). But there's something the show doesn't seem to think of, and that I haven't seen anyone in the fandom discuss either — the fact that Zuko isn't the only one descendant from both these men. Azula is, too.

The conclusion of this story that Iroh presents to Zuko at the end of the episode is that he alone — because of his lineage from both men the war was started from — is uniquely capable of cleansing the sins of his family and the fire nation and bringing peace to the world. But, the thing is, there's two sides of this conflict, and therefor two sides to its legacy. The external and the personal. The legacy of the external is the war, but the legacy of the personal is the sibling rivalries that kept repeating through generations of the royal family.

Though Roku and Sozin were not actually related, they were childhood friends as close as siblings and fucking shared a birthday, so the symbolism works. We know very little about Azulon's childhood or if he even had any direct sibling rivalries like this at all, but from what I can find on his wiki page, we know that Sozin favoured him over "other family" (I'm assuming his siblings). What we know very well, however, is what happened in the next generation between Iroh and Ozai. We know Azulon favoured Iroh over Ozai, and that this likely is the initial source of their hatred for each other, which resulted in perhaps the worst sibling rivalry of them all (what with the indirect patricide and throne stealing).

Then we go on to Zuko and Azula, whose upbringing kept going in the same patterns, but the key difference is them being the first ones to both be descendant from the men who started it all. If Zuko having this lineage makes him uniquely capable of ending the cycle of war in his country and restoring balance to the world, shouldn't that mean that both he and Azula having this lineage makes them uniquely capable of ending the cycle of brutal sibling rivalries and restoring balance to their family?

This conclusion I've presented seems to fit perfectly with the lesson Aang draws from the same story as well:

"Roku was just as much Fire Nation as Sozin was, right? If anything, their story proves that anyone's capable of great good and great evil. Everyone, even the Fire Lord and the Fire Nation, have to be treated like they're worth giving a chance."

I know this is supposed to be foreshadowing to Aang refusing to kill Ozai later, but I can't help but think it's even more applicable to fourteen year old Azula. It's really so ironic that the show runners thought Azula deserved what she got when their own show seems to be telling them that Zuko mending his relationship with her is what he ultimately should've done.

But, then again... that does sort of make her the perfect tragedy.

[dollypopup]

"all the negativity is killing the vibe"

"just be grateful for what you got!" "was it perfect? no! but we got some good stuff!" "people are just being so down about season 3"

There is a reason people are displeased.

We are consumers of this media. We PAID for this media. With time, with money, with subscriptions. We bought the merch, we watched the promos, we paid in attention, we paid financially, we paid literally and metaphorically.

And they did not deliver.

So, yes, we have a right to complain because objectively speaking, it was a bad ending. It just was! It was poorly written and poorly edited, it did not leave viewers happy, and there is a REASON the engagement of part 2 is much lower than part 1. Polin is not the problem, sidelining Polin is the problem. Writing Polin poorly is the problem. Shoving Colin to the side (half of the pairing) is the problem. Inconsistent characterization is the problem.

the fact that we came in with high expectations and they were let down for us? makes it a bad ending. makes it bad writing. the fact that we waited 2 years for it and then another month in between and did not walk away feeling as though that time was worthwhile? makes it a bad ending.

the writing was disjointed, characters were underutilized, Colin was pushed aside in his OWN SEASON, they tried to do a #girlbossfeminism narrative and then threw Cressida to the wolves because she did a few things that hurt the main heroine's feelings, even after showing us as viewers we should (and do) empathize with her. I mean, for fuck's sake, there was literally a big speech and everyone clapped moment. stakes were defanged, there were threesome scenes that cut any and all tension building between Polin, Eloise's character was written inconsistently for the sake of swift forgiveness, they threw Babies ever After at us, momifying the one character who was said to be plus size representation at NINETEEN, there were more sex scenes for Benedict than there were for the main couple Polin. Lady Whistledown was a black hole for good quality because instead of writing a narrative that suited the couple's ending, they wrote a narrative to keep her as a plot device by any means possible. This season was a roller coaster that went up up up and then stagnated.

there are legitimate criticisms to be had about this season. as if we don't have a right to demand good quality from something we paid for.

and the worst part of it is that they set it up SO. WELL.

I ended Part 1 pacing my apartment, giddy and kicking my feet and rewatching the ending over and over. Part 2? None of that. And the reason people have been so negative about it is that IT SHOWS.

Yes, in part, some negativity is homophobia for Michaela, who I honest to god adore and am so happy to see on screen. Yes, in part, some negativity is for Polin from haters, a couple I love with all my heart.

But most of the negativity comes down to poor writing. Inconsistency. A lack of bravery for dropping a plot device (Lady Whistledown) that the show has held onto not for Penelope or for Polin, but for Bridgerton's story moving forward that writers do not feel confident portraying without a narrator so it might crutch them.

Stop licking a plate of crumbs and claiming it a meal. They had 2 years to deliver a fantastic season. They didn't do so. That is not at all on the actors, because they are FANTASTIC, it is on the writers, and on the production. Was it beautiful? Sure. Was it well acted? Absolutely. Was it good? Well edited? Well written? Meaningful? Fun?

No.

There are parts of it that are, but when you fumble an ending, it sours the entire experience. The reason people loved Part 1 so much was because of the ending of Episode 4, which was done beautifully. It felt satisfying. And then Part 2 felt like an entirely different beast. If you settle for mediocrity, that is all you will get. So yes, I demand better of this season. I demand that we get more than just one thirty second scene of Pen and Colin being intimate after their marriage. I demand more characterization and time devoted to the main couple instead of useless side plots. I demand better writing. I demand better EDITING. Cressida was done dirty, Colin was done dirty, Eloise was done dirty, Penelope was done dirty. And at the end of it, VIEWERS were done dirty.

There's a reason Part 1 had such glowing positivity and then Part 2 is garnering horribly mixed reactions. It's because one is better than the other. And if this show is CAPABLE of delivering content like Part 1, then yes, I will absolutely demand it of part 2. One day, Bridgerton will learn how to write a proper final episode, a proper closing to an arc.

That day was not in Season 3.

[thatgaywizardoverthere]

Hey remember that time in 1.09 when Merlin went to take out wraith Tristan like “oh this’ll be SO discreet” because it was nighttime and then immediately proceeded to publicly light him up like a fucking Guy Fawkes Day effigy with a trail of fire leading directly back to him