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hyperesthesias · 30 days ago

Text

Simon "Ghost" Riley x Female Character

summary: Simon "Ghost" Riley makes the mistake of intervening on the behalf of a woman stuck in an abusive relationship. The only reason it's a mistake -- he has six months of leave, and he's falling for her. When he ships out, he promises that if she's ever in danger again, to call him and he'll come running. Ten years later, he receives that call -- only to find it's her daughter who's asking for his help.

author's note: this idea came to me while i was falling asleep, and it bothered me all night until i could write it today. i apologize for the chicken scratch. it's really just three ideas in a trench coat. i love this idea so much i might turn it into a book at some point. if that happens, i will probably delete this. but for now -- enjoy!

content: unformatted & not proof-read; references to past sexual assault; references to torture; abusive relationship (not perpetuated by Ghost); graphic sex; kidnapping; canon-typical violence; PTSD.

words: 10,692.

if you'd like music while you read, these songs are what i wrote this to: whiskey sunrise by chris stapleton // just pretend by bad omens // vore by sleep token.

He is on leave. He is attempting to assimilate into the usual crowd of a parking lot, but no matter how aware he is of his gait, or how many times he looks over his shoulder, he can't shake the feeling that he is inherently out of place. He's been home three weeks, back on English land, where the sea and river air feel damp on his skin, and he realizes home is an idea, not a place. He'll never feel the way he did all those years ago, when he was once a person he no longer recognizes.

He is content to stock up on the regular supplies: alcohol and caffeine -- caught in the perpetual sedative-stimulant cycle. He can make do with whatever else he has at his flat; it's sparse and barely furnished, but he's certainly had worse. He doesn't want to think of worse right now. He wants to think about getting a couple of six packs, and sitting in that in the living room chair that's too soft, and that's too difficult to get out of, he wants to think about putting his feet up, and pretending to watch football. He wants to pretend to be normal, if only for a few hours, until night falls and sleep waits in the corner for him.

But he's too observant for his own good -- it's always saved his ass, but sometimes, like today, it's a curse.

He sees a man in the far end of the parking lot, with the distinctive glint of a blade in his hand. He's growling behind grit teeth something Simon can't hear clearly. The man has gotten out of his car, and is slashing the tires of another man, who's trying to stay as far away from the sharp end of the knife as possible; there's a woman seated in the passenger's side of the aggressor's car, she's still as stone, terrified to move.

Simon swears under his breath, knowing he's not obligated to do a damn thing while on leave -- and knowing he's more than obligated, despite. His appearance is still obscured, he's wearing a black surgical mask, with a black aviators, and a cap; he looks like someone pretending to be tougher than they are. But no one needs to know otherwise.

He intervenes in the situation, trying to deescalate as quickly and as quietly as possible. Using a light pole and the position of the two cars as cover from the security cameras in the parking lot, he places himself between the aggressor and the victim -- who is now taking photos of the tires for insurance. Simon has one eye on the girl inside the man's car, and the other on the shaking hands of the coward in front of him. After his attempts to talk him off the ledge fail, Simon easily disarms the man and sprains his wrist as he twists the hilt of the knife out of his palm. He lands a punch into the man's gut, and tells him to stay down as he doubles over onto the pavement. When he doesn't obey, Simon kicks him in the head to make sure he doesn't wake up for a while. He briefly glances at the man whose tires were slashed, but he only turns a blind eye, still preoccupying himself with his insurance photos.

Simon makes his way to the passenger side, still avoiding the cameras, where the woman remains paralyzed from the violence that has occurred in front of her. He leans one arm on the roof of the car as he peers into the window, and ushers her out.

"You could do a lot better than him, you know," he says.

She looks her behind her to the man on the ground, then to the one who is standing above her. She doesn't say anything, but follows the instruction to exit the car.

"My advice --" Simon says, without prompting, "take this as a win. Leave him behind. A man like that will only bring you down."

It takes her a moment to register what he's said, but ultimately she agrees. She half expects him to be gone by the time she looks back at him -- like a vanishing stranger clad in all black -- but to her surprise, he's still there. He's standing beside her, looking at his smartphone. "Th--Thank you," she says.

He gives her half a look as he continues to fiddle with his phone. "Don't mention it."

She takes it as a command, rather than a pleasantry.

"I can call you a ride," he tells her, and hands her his phone -- a burner. "Put your address in, and I'll make sure the bastard doesn't start coming to."

She shakes her head. "I live just down the block. I'll just...walk home."

"He know where you live?"

"Yes," she answers, a cling of shame to her voice -- for a reason she can't quite discern.

Simon deviates from his plan, and instead puts in an anonymous tip to the police about a man causing a disturbance at the grocery’s address. The victim with the slashed tires isn't going anywhere any time soon, and would still be there to give a statement. "He won't be bothering you for a few days, at least. Long enough for you to get somewhere he doesn't know about." He walks her home.

She introduces herself as Cecelia, and all he replies is: "Simon".

He never got that beer. The next day, he goes to a different store, hoping he doesn't run into another moment of conscience.

The next week, he makes the misguided attempt to check on her. He debates for a while on whether or not it would come across as predatory that he remembered where she lived. He never vacillates in the field, but every time he remembers he's not in the field, he questions whether his decisions are appropriate for 'normal' life. He's made peace with never being 'normal', but for a moment, he'd like to not feel so unfit for human society.

Cecelia answers the door, and a part of him is disappointed -- disappointed that she wasn't far away from her ex-boyfriend, and disappointed that now he has to actually speak to someone.

"Simon," she welcomes him, to his surprise.

At her bidding, he steps inside her flat; he checks the corners around the door and the foyer, a habit of which he's painfully aware. "You always invite masked strangers in?"

She chuckles at the oddity, and closes and locks the front door. "You would be the first. But I don't consider us strangers -- not after your help last week. I am grateful."

"You able to find somewhere safe?" he asks.

"They're keeping him for now. He can't afford bail."

He nods and looks around at her apartment, that prickly feeling of being out of place starting to get worse, and more intense at the forefront of his skin. She has houseplants, a warm, well-used couch, paintings hanging from the wall. There's an electric tea kettle on a breakfast bar, with a lipstick stained mug sitting next to it. Her home looks like something out of a dream he had on occasion as a child -- after watching too many sitcoms on television. Everything always looked happy, everyone always laughed and got along. It was just as well it was on television, nothing like that could be real. Until it is, and until he's standing in the middle of it -- ill-fitted.

"I didn't mean to interrupt," he says, hoping for a quick and quiet exit. "Just wanted to make sure he hadn't come back to give you trouble."

"Please -- can't I offer you tea?"

She had the good kind in a glass jar on that breakfast bar, and his well-engrained comforts gave him a moment of pause. It was just enough of a pause to let her move from him to the kettle, where she was already making him a cup. She tells him it's the least she can do for him. He waits until she takes a drink of hers first. It is damn good tea.

She tells him her ex's hearing will be in a couple of weeks. Simon tells her he'll check on her then.

Over the next few weeks, he keeps in regular contact with Cecelia. Every time he comes over, she makes him a cup of tea, updates him about the case against her ex, and then they sit in silence. It's become a routine. After two months, he starts coming to her house even without cause from her ex's case. He starts to feel like those feral cats she feeds on her patio. But the silence is nice. Sitting in the warmth of her living room, instead of his own -- cold and rigid -- it was a pleasant change. There's a subtle, subconscious thought that he's afraid to let come to the surface -- that in a way, she has saved him as much as he helped her that day.

"When do you go back?" she asks one afternoon, breaking the silence between them.

Immediate suspicion grows within him, and he doesn't answer for a while, he only stares at her.

"It's not a difficult assumption that you're military," she explains. "I had a brother in the Navy." She pulls out a gold pendant necklace from beneath her sweater and shows it to him, hoping the display of vulnerability might help him feel more comfortable to answer. "This was the last thing he gave me. He sent it to me while he was overseas. He never stopped worrying about me, even while he was in active duty," she smiles, but it's a sad smile.

The stiffness in his shoulders softens only mildly, and he breaks his gaze from her. "I ship out in four months."

She only nods. A part of her was hoping that it'd be longer, that they'd have more time to get to know one another. The mystique was enticing, but the comfort she felt sitting in his company was something she hadn't felt in a long time. She would miss it when he was gone.

"What happened to your brother?"

"He was killed," she answers. "In a training exercise. That never sat right with me, though. I always felt they weren't tell me the whole truth."

"Probably weren't," he says.

"I don't know whether or not that's a comfort or if it just makes it worse."

"Whatever the truth is, probably worse. Better to take what they give you."

"You always take what they give you?"

He looks at her again. This time, not with suspicion, but with guilt. Guilt of following orders, guilt of not. The weight of betrayal. The heaviness of killing the people who were meant to have his back -- the people he was meant to trust. The anger and despair that he keeps caged somewhere just below the surface of being double crossed by those meant to guide him. It's a long time before he answers: "No."

They don't speak again for the rest of the afternoon. He leaves, as he always does, but this time he washes the mugs before he goes.

Another week passes, and in the middle of the night, he's startled by his phone ringing. It doesn’t wake him, but it disrupts the cycle of blended thoughts and memories that blanket him at night. He has half the mind to let it go to voicemail; it's just his burner phone, no one important has that number -- besides Cecelia. The static of worry crawls beneath his skin, and he looks at the caller ID. It's her.

"You alright?" he answers.

"Simon --" panic is set into her voice. "I think someone's trying to break in."

"Lock yourself in the closet. I'm on my way."

He's armed to the teeth when he gets to her flat. The glass patio door has been jimmied open, and her apartment has been tossed. The paintings are broken and hanging crooked on the wall, the soil from the plants is spilled and pressed into the carpet by footprints. Simon stalks from room to room, until he hears Cecelia scream from her bedroom. He raises his weapon and pushes open her bedroom door -- the ex is pulling her out of her closet by her hair, with a baseball bat in his other hand.

"Drop it!" Simon demands. It surprises her attacker, that his grip lightly loosens from her -- she's trying to wriggle free from his hand beneath him. "Drop it, or I drop you."

"You! -- You bastard!" he yells back. "This is your fault! Look what you've done, huh! Look at it!"

Simon doesn't take his eyes off her attacker, but he can see Cecelia clawing at the man with every might of strength she has -- she's pulling blood from his arm. "Let her go. I'm not telling you again."

The man releases Cecelia's hair, and grips the bat with both of his hands. He lunges at Simon with full force. Simon deflects the bat with one arm, feeling the impact of the wood absent of any armor. He follows his hand around the bat and grabs its handle, flipping it out of the attacker's grasp. He holsters the gun -- wanting to draw as little attention to himself as possible; and in that same sentiment, he refrains from hitting the man in the head with his own bludgeon -- regardless of how much he wants to. With a powerful swing, Simon cracks the bat against the man's tibia. The bone snaps audibly and the man collapses to the floor, wailing in agony. Whether out of the assurance of safety, or out of the flame of revenge, Simon takes one more pass with the bat and breaks both of the man's kneecaps.

He once more calls the police, and her attacker is taken to the hospital for his injuries under police escort. Simon encourages Cecelia to be seen by the paramedics, even though she insists she's fine. But no matter how many times she refuses, Simon tells her she needs to. They take her to the hospital for a concussion. He makes himself scarce.

He debates visiting her the next day. Much to his chagrin, and no matter how much he tries to deny it, he's grown attached to her. He knows it's not inherently a negative thing, but it is a liability. Regardless of how much of an asshole her ex was, Simon couldn't help but feel there was some truth to what he said: that if he hadn't intervened that day, nearly three months ago, that none of this would've happened. He tries not to think about the long term consequences of his actions.

He visits her in the hospital anyway.

He brings her flowers in an awkward gesture -- though it’s no less heartfelt.

"You have someone you need me to call?" he asks.

She's lying in her hospital bed, scraped and bruised, still mildly concussed, but grateful her injuries weren't worse. "No. It's just me."

"No friends?"

She sighs. "Not anymore. He made sure of that."

He nods, knowingly. His own father isolated his mother, Margot, as much as he could, until she'd had no one left. "I heard the doc say he’s gonna release you later today."

"I wish I was happier to go home."

"You don't have to be happy," he says.

As cynical as it sounded, it relieves the pressure from her shoulders of having to put on a front. "I could use some clothes, though."

"I'll get 'em for you," he tells her.

He returns to her flat and packs her an overnight bag. Her flat is a wreck, and the doors are still compromised. When she is discharged, he brings her to his place instead.

"You take the bed," he tells her when they step through his door. "I'll have the couch. I'd offer you tea, but it isn't any good." Even when he's joking he never sounds like it.

She's gotten accustomed to this timbre, and looks at him with a smirk. "I guess I'll have to settle for a beer, then."

She can't see it, but he's returning the smirk. At his place -- which he doesn't call a 'home' -- he takes off the black surgical mask, and the cap; he takes off his gloves, and puts them all by the front door. It's one of the rare times she's seen him so bare.

He helps her get settled, and gets her the beer. She's seated on his couch and he joins her. "It's as cold as it's gonna get."

She stays with him for a week; the patio door is being repaired by the insurance and the landlord. She doesn't mind, she feels safer at his place anyway -- even if it is lacking warmth. He's always awake before her, and every morning, she's woken by the scent of coffee. When she comes out of the bedroom and into the living area, there's always a cup waiting for her on the table.

Simon adds reinforcement to her front and patio doors. "Don't tell anyone where you got this," he tells her as he installs the locks and alarms for her. He helps rehang her paintings, and scrub the carpet. It takes his mind off of other things that try to come to the surface. His mind is emptier of its evils than it has been in a long time, and he's acutely aware that this is temporary.

When Cecelia is settled in her place again, she asks him to stay. He doesn't want to say no.

So he doesn't.

It's a whirlwind romance -- one they both know will end in only a few months' time. Despite the fact that he's only known her for a brief period, he can't recall feeling so comfortable. He won't say safe. He'll never say safe. Because he never is. He won't say at peace. And he won't say happy. But he is comfortable. It's a foreign feeling, one that he distrusts if he thinks about it too long. But when he's lying next to her at night, the brutal images in his head are less vivid, the screaming voices are quieter, sometimes he even sleeps.

They haven't had sex. It's not a subject he's even broached, and neither has she. When she lies beside him, the most contact they have is her hand on his chest, and her face nestled into his side.

She kisses him on the cheek once, and it takes him a moment to process it. He's still and quiet, his eyes are downcast as he's contemplating it. She asks if she's done something wrong. He tells her no -- not at all.

One evening, when he's staying at her place — as he often does — they're on her couch after a couple of drinks. They were at one point watching television, but they've since been ignoring it -- talking, and in between whispered words, soft kisses. One thing leads to another, and she's sitting on his lap, his arms are around her, and he's kissing her deeply. He forgot how to kiss like this -- he didn't think it was still possible within him. That there was still some form of passion and intimacy that was in his spirit. He's hungry -- and with every kiss he's getting hungrier. She's laughing and enjoying herself. The way she feels on top of him feels good, it's just enough movement and pressure to turn him on. It feels good -- until suddenly it doesn't.

Simon immediately pulls away and stops. The passion in him is walled up, shut up, and where there was once heat beneath his skin, it's now cold, concrete.

Cecelia stops and looks for his eyes. "Are you alright? What happened?"

He tries to get himself to talk. But nothing comes out. He's not supposed to talk. He's not supposed to say anything. He's trying to squirm away from her now, and she takes the signal quickly. She gets off his lap, and sits beside him, still trying to figure out what happened. She gets them ice water instead of asking any more questions. He looks like he's still dissociating by the time she comes back, and she has to prompt him to take the water.

Simon goes back to his place that night. He lies in bed staring at the ceiling, until the nightmares come.

He's startled awake the next morning by a sound that doesn't exist. It takes several minutes for him to catch his breath -- his heart is in his throat, and he can't focus on anything in front of him. Eventually, he's able to discern his own sheets, he's able to tell he's in England, that he's nowhere near Mexico — his captors. He's still shaking by the time he finally reaches for his phone on the nightstand.

There's a text from Cecelia. He opens it, expecting the worst: that she never wants to talk to him again after what happened last night. That his rejection of her was insulting, and that he was less of a man for it. It was for the better, he thinks. It saves him a messy departure later.

But the text is very different than what he thought:

She apologizes. She thinks his reaction had something to do with her.

It couldn't be further from the truth.

Cecelia was indescribably incapable of the evil done to him. He just doesn't know how to explain that to her.

Well, how to explain it to her and still maintain some kind of dignity and confidence.

It would be easier if he doesn't reply, he thinks. Again, it would save him a messy ending with her. If he ghosts her -- no pun intended, he thinks to himself, but fitting regardless -- he never has to explain himself. He never has to tell the truth. Even to himself.

But that would be cowardly.

He's a lot of things. But a coward isn't one of them.

He doesn't reply.

Instead, he's on her doorstep later that evening. Just like one of those feral cats.

Cecelia answers the door, and he can't look her in the eye. "I come in?" he asks, his head still on a swivel, both out of instinct, and also to provide an excuse as to why he won't look at her.

She agrees, and closes and locks the door behind him. She doesn't say anything for a minute, waiting for him to make the first move, but instead he's standing in the middle of her living room, awkwardly -- like a video game character in the loading lobby.

"I didn't think I'd hear from you," she says. "I hope I didn't --"

"It's not you." He cuts her off. "You didn't do anything." He takes his hat off, and runs a gloved hand through his hair as he tries to figure out what to do with himself. He still won't remove the mask. He needs something -- some kind of barrier.

"I'll put the kettle on," she says. It's going to be a long night, she can feel it.

It's been years, it's been a lifetime ago. But some things don't stay dead. Like memories. All those weeks under Roba's influence of torment, retreating into ugly corners of his mind to escape the evil being done to him at the drug lord's hand, and all those under Roba's command -- viscerally having his body and mind being used and crushed in the attempt to break him. He hasn't talked about it, except in veiled mutters under his breath -- only once -- to Price. Even then, he wasn't entirely sure he understood, Simon made no effort to clarify.

He doesn't go into detail with Cecelia. She doesn't deserve to hear about the gore, the blood and violence. But he gives her clear implications, with bullet points of what transpired after he clawed his way out of Roba’s torture, out of Vernon's grave: the deaths of his mother, his brother and sister-in-law, his nephew.

Hours have passed since he showed up without warning, and yet their time together has been mostly silence. His words few and far between, he said most of what he meant without speaking. She didn't interrupt him.

At last she asks: "Did you get them?"

He looks at her, for the first time since he arrived. But he can't hold her eyes long, and he nods. "I got 'em."

"Good."

The next week, they're on her couch again -- two drinks in, with the television mindlessly on mute -- and this time, he lowers her onto the cushions, where he settles on top of her.

Foreplay last for several days. He gets to a point where he can be shirtless, or have his pants unzipped, until he backs down. He lies on her chest instead, and falls asleep as she runs her hands through his hair. She tells him more than once he doesn't have anything to prove. He knows, he tells her, it's something he wants to do; his mind and body need to do some catching up, is all. She waits.

It's the weekend, and she's invited him to stay over the next few days. She'll make them dinner. He comes by with a six pack and some fresh bread. There's a box of condoms in his back pocket, but he's not going to tell her that -- he doesn't want to promise anything and then not deliver.

But it happens. And it happens because they're not trying to make it happen.

They move to the bedroom; he has half his clothes off by the time she follows him. She's in her bra and panties as she gets on the bed -- she regrets it's not the matching pair, but it doesn't even look like he notices. At his request, she doesn't sit on top of him, she sits beside him as she rubs her palms into his chest, down his abdomen, trailing every outline of his body with a single finger.

She has a cute nose, he thinks -- it scrunches as she smiles, and she hasn't stopped smiling since they ran to the room like teenagers trying not to get caught. He cups a hand on her face, tracing her nose and the lines of her smile. He leans to put a kiss on her mouth, her hands taking his jaw gently. Every movement is gentle and deliberate. She moves her lips from his, down his neck, where they follow his sternum, his stomach, to the trail of soft hair that leads beneath his briefs. With his help, she removes them, and puts them with the pile of clothes on the floor.

He's already getting hard, and she wraps her hand around his cock, gently pumping him to help him along. She feels him twitch as he takes a deep breath, and when she looks at him to see if he's alright, he brushes a lock of her hair behind her ear. She dots gentle kisses along his tip and frenulum, and his hand moves from her hair to twist into the sheets beneath him. She laughs as she takes him into her mouth, and the vibration of her laughter onto his cock makes him swear.

Simon takes another breath and watches as she bobs up and down his length, now fully erect. As she feels his body tense, she stops and returns to putting kisses along his shaft.

"You're teasing me," he says.

"I'm warming you up," she laughs again.

He reaches for the box of condoms on the floor, and rips open the package to use one. He sits up and pulls her close, onto his lap. He buries his face into her the crook of her neck, breathing in her scent.

Cecelia takes him, inch by inch, as she sits on his lap, and the moan that escapes her sets his mind on fire. He pulls her closer to his chest, and grabs the pile of her hip as she starts to rock back and forth against him. She's whining as he tenderly bites into the soft skin of her neck -- leaving a pleasant mark behind in his wake.

He starts to feel unsure of himself, unsure of the position they're in, when Cecelia stops and nestles her nose into his hair. She puts another kiss on the top of his head, and they sit there for a moment -- barely moving, except for the rising and falling of their breathing.

Simon initiates the next movement, where he begins to thrust into her. One hand behind him among the pillows to balance him, the other holding her hip to keep her steady, he's looking into her face as she puts her hands on his shoulders. She begins to rock back and forth again, finding a rhythm with him, and as she does, she puts her hands behind her head, fanning out her hair as she seems to dance on top of him.

He has a brief moment of feeling foolish -- in believing she looks like some ethereal spirit, or a nymph. Like one of those paintings that he's seen on the walls of great leaders. But his doubts are drowned out by her leaning on him and putting her mouth on his.

They stay in this rhythm for some few moments, until he gently turns her on her back, and settles himself between her legs. He takes one of her feet and kisses it, before he wraps her legs around his waist.

He keeps a steady pace into her, the feeling of pleasure wafting through his body with unfamiliar electricity, his appetite suddenly whetted, and his thrusts become harder. Her moans and whimpers getting louder, more intense, as she touches herself. Simon reaches his hand to massage her sex, and her whole body tenses -- her core grips around him in soft waves. He comes -- intensely, and at the feeling of her, at the sight of her lost in the pleasure of him. A gasp sputters from him at the sensation of satisfaction that takes hold of his mind and body.

She reaches up to him and takes his face in her hands again as she puts her brow to his. His breathing is heavy, and it washes over her damp skin, sending a shiver of cold throughout her.

He lies beside her again that night, as she puts her hand on his chest, and her face into his side. Except this time, he turns to her, to see her -- face on. He usually tries to obscure himself as much as possible, but just for this moment -- just for the time he has left with her, he wants to be seen. Just for now.

Simon lives at her flat for the remaining weeks he has left of leave. He tries not to lean into the fantasy as hard as he wants to -- but when she invites him to the market to get ingredients for dinner, he can't refuse her. He's on edge the entire time -- searching the crowd for anyone who might become a threat, the sinking feeling of waiting for a detonation to occur when there isn't one keeps his eyes fixed on the periphery of the farmer's market. He briefly loses track of her, and he's ready to pry her from the arms of an enemy that isn't present -- he finds her picking fruit from a basket at a vendor's stall. It's the moment he knows he can't ever have a normal life. It's something he's always known, but the image of its reality is materialized as he watches her smell peaches from a distance.

His recall date is approaching faster than he wants it to. As strong as he is, he can't slow Time. Every night when he lies awake in bed, he watches her sleep. With the images of her bedroom, and of her living room, and the breakfast bar with the kettle and well-worn mugs upon it, with the image of her sleeping peacefully, cuddled beneath her blankets beside him, he builds a new place in the dark corners of his mind. Somewhere into which he can retreat when the night gets ugly. When the job gets uglier.

The night before he's recalled, they make love again. He adds the blissful memory to that place in his mind. He holds her tighter, fucks her with an intensity and a desperation he couldn't speak in words; he keeps her as close as he can until the moment he has to give her up.

Cecelia wakes up early the next morning, before dawn, to see him off. His bag is already packed, the coffee is already made, with her mug, full on the counter, just as it always is.

"Will I ever see you again?" she asks.

He stops. He heard her get up, heard her come out of the bedroom, but even still, he was hoping to leave unseen. He doesn't have an answer for her.

"No," he says. He still doesn't look at her.

She stays quiet, but sits at the breakfast bar, where her cup of coffee is waiting for her. He's still in the kitchen, washing the dishes he used to make her breakfast. She sees him put his head down, thoughts flooding themselves behind his brown eyes. But still, he says nothing.

After he finishes leaving no trace of himself in her home, as he readies himself to leave, his duffle bag in hand, his mask and gloves fitted against his skin, he stops before he opens her front door.

"Come here," he tells her.

A part of her hopes that he'll change his mind -- that he'll say he'll be back whenever he gets leave again. But she doubts they will let him go for a very, very long time.

"Look at me."

Her eyes are wet, but she tries to hide it. She does as he says nonetheless.

"If you are ever -- ever -- in trouble..." he pulls a piece of paper from his pocket, "...you send this to this address." On it is written a word: 'MAYFLOWER', along with an encrypted email address. "I will come running." He hands her the paper and she takes it with a trembling hand. "Memorize this. Then burn it. Do you understand?"

She nods as she studies the paper. She tries to hold back her crying, but the harder she tries, the louder she sniffles.

Cecelia wraps her arms around his waist and holds him, just for a moment. Her tears stain his jacket, but she can't bring herself to care. When she lets go, she kisses his mask. She feels him return it, despite the barrier between them.

She watches him leave, before the sun is up. He vanishes from her life as quickly as he entered it.

-----------------------------------------------------------------------

TEN YEARS LATER

Ghost is preparing to ship out on an assignment to Eastern Europe with the rest of the 141 in two weeks. He and MacTavish are paired together to arrive first before the rest of the crew. They are currently both in England, going over the plans for the next assignment.

He sold his flat a long time ago, he no longer has permanent residence in England. He rents out places in cash when he needs a temporary place to stay. Simon and Soap are staying together while they prepare, then they will fly out to the drop zone.

As Simon prepares for the next assignment, he receives a transmission on an encrypted email. It is reserved only for emergent scenarios, usually used by his other teammates or superiors when an assignment goes sideways. As he opens the encrypted message, he anticipates that he and Soap will have to ship out sooner than expected.

The message reads:

'MAYFLOWER'

He gave this specific code only to Cecelia. No others have it. He remembers his promise.

In the ten years since their separation, he has not heard from Cecelia, nor has he sought her out in the time he is on homeland. But he thinks about her in moments when the dark begins to suffocate him. He thinks about her during the springtime, and when the world comes alive again. He shares this with no one. Not even Soap. Now, he might have to.

MacTavish sees Simon gearing up, as if he were ready to leave for the hanger at any moment. "You goin' somewhere without me, Lt.?"

Simon stops, and deliberates. A gnawing feeling tells him not to confide in a teammate again -- to not make the same mistake he did with Sparks and Washington. But when he turns and looks Soap in the eye, he knows that honesty -- even obfuscated honesty -- is what will help Cecelia in that moment. "You trust me?"

He tells Soap to pack as they talk, and he debriefs his partner with as little information he can get away with: he promised a woman a decade ago that if she ever needed help, he'd come running. She was calling in the favor.

"What's so special about this woman, then?" Soap asks.

They're driving to the location from which the message was sent -- a house in Manchester, that was bought under her name. She moved, then, he thinks -- from a flat to a house, he hopes she's doing well enough for herself. And whatever family she might have. It would be foolish to think she wasn't married with kids by now. It was just statistics.

"Lt.?"

Ghost takes a breath, as silently as he can, before he answers: "She helped me out. Just returning the favor." It's as close to honesty as MacTavish was going to get for now -- if ever.

The house is visibly disturbed by the time they get there -- the front door is broken, there are signs of a struggle in the living room. There are no police on the scene, neighbors seem to mind their own business. Simon takes the front of the house, while Soap takes the rear. Every room he enters is clear, the house is empty.

"You seeing anything, Lt.?"

"Negative," Ghost answers. "The house is clear."

"I'm doing a perimeter sweep," Soap says.

"Report back."

"Copy."

Ghost tries to piece together what happened as he steps through the chaos that transpired -- they entered through the front door, and tossed the entire place. Desks and dressers tossed; a file cabinet thrown on its side and emptied. The nightstand in the master bedroom rifled through, the closets emptied. There's a child's room adjacent to the master bedroom -- also tossed and empty. A child’s bedroom…It was just the statistical probability that she'd moved on, he reminds himself.

A noise comes from the secondary bathroom in the hallway, and Ghost raises his weapon. He pushes the door to the bathroom open and sees nothing. He prods at the shower curtain — nothing.

There's a linen closet. He raises the rifle, stands to the side of the door, and opens it -- waiting to hear a barrage of gunfire. But there was nothing. He sees the interior of the linen closet in the bathroom mirror:

A child is hiding inside of it, huddled with her hands over her head.

"Perimeter check," he radios Soap.

"Clear, Lt.. Converging on you now."

He checks her for weapons before he continues. "What happened here?" Ghost asks the child.

She's shaking and looks up at him with terror.

"Your mother called me to help."

"She -- She told me to c-call you."

"You sent the message?"

She nods.

"Do you know who did this?"

She shakes her head.

Ghost lets a silent breath, as he looks around the bathroom again -- even the medicine cabinet was tossed. "Whoever they were, they were looking for something." He lets his rifle fall to his side, and he helps the girl out of the closet. "Are you hurt?"

She shakes her head.

"Was there anyone else in the house?"

"No. Just me and mum."

"Is anyone supposed to come home?"

"No. It's just us."

Soap arrives at Ghost's side, surprised to see the girl. "Casualty?"

"Just shellshocked. Get ‘er a blanket."

MacTavish does as he says, and pulls one from the girl's room. "We're the good guys," he tells her. "Give it a minute, an' when you've had a breath, tell us what you remember." He leads her from the bathroom, to somewhere warmer in the house, careful that she shouldn't step on anything broken on the floor. "D'ye have someone we can call, then? Gram? Da? A friend from school?"

"I -- I don't know."

"Alright, it’s alright. Let's start with somethin' easier, then." He adjusts her blanket and helps her put on a pair of shoes that was left by the doorway. "How 'bout we start with your name? How 'bout that? What's your name, love?"

"My name is Margot."

Simon stops. He looks at the girl, he studies her. She looks much like her mother, yet a part of him thinks he saw a resemblance of himself. But it’s just his mind playing tricks on him, he insists. It makes no difference anyway.

"Margot. Pretty name, lass, very classy," Soap tells her.

"Call child welfare," Simon says.

"No!" Margot turns and stops him.

"It's only temporary -- 'til we find your mother," Soap tells her.

"No --"

“This isn’t a discussion," Simon snaps.

Soap looks at the Lieutenant, knowing him well enough to hear something other than the weight of the mission beneath the surface of his voice. He looks back at the girl, who keeps trying to take off her blanket, and ties it around her. "Like a cape," he tells her. "We're very good at what we do, lass. You'll be back with your mother in no time."

"You're not listening!" the girl finally says, she stands, facing Simon. "I don't know who they were," she tells him, still trembling, "but I know what they were looking for."

The girl doesn't seem to be intimidated by either him or Soap, and he finds it unusual. That sinking suspicion settles itself at the forefront of his mind, and he keeps it in check. "What were they looking for?"

"They said -- they said they were looking for something my uncle gave my mum." Tears are coming back to her, and she cowers at the feeling of guilt.

"The necklace?" Simon asks.

"But she doesn't have it. She gave it to me." She pulls out the gold pendant from beneath her shirt.

"Sir, can we have a word?" It's more of a demand from Soap, rather than a request and he turns to Margot. "Don't take off the cape." He pulls Ghost to the side, and speaks as quietly as he can, hoping not to scare the girl: "They're gonna find her eventually. I don't think child welfare is the best option for her."

Simon still hasn't taken his eyes off of Margot, he's still studying her -- her features, her nose, her eyes. She has brown eyes, but so does her mother. Even if his suspicion is true, it still doesn't mean anything, he convinces himself. He wouldn’t be able to be there for her in any way that matters, he tells himself.

"We can offer her better protection. We track the bastards, neutralize the threat, and get her mother back. We send her into foster care, she's a sitting target once they realize her mother doesn't have what they want."

He hates it when Soap is right.

Finally, he looks at his partner, and they mobilize. Soap helps Margot pack a bag out of what remnants of clothes and necessities are strewn all over the house. Simon is standing in the master bedroom, he tells himself he's looking for any sign of what the attackers were after, but he knows it's a lie. He wants to see what has become of Cecelia. But he knows he shouldn't linger.

They regroup at the house Soap and Ghost are renting. Simon asks Margot to hand over the necklace; she does, although she hesitates for a moment, a thought crossing her mind that it might be the only thing of her mother's she'll have left when this is all over.

"I'll give it back," he tells her.

She looks up at him, into his eyes -- he's still wearing that balaclava and all his gear. The greasepaint obscures the depth of his eyes, but she can see their glint in the low light of the living room. She's trusting him as much as he's trusting her. She gives him the necklace.

Simon holds it in the center of his gloved hand -- it looks no different than any other pendant one might find at a jewellry store. It was a plain circle, with no ornamentation, except for an asymmetrical raised texture in the center. He turns it over, there's no stamp indicating the carat or quality.

"All that trouble o'er a necklace?" Soap asks, looking over Simon's shoulder at the small thing.

"She said it was the last thing she ever got from her brother," Simon tells him. "She tell you anything else about him?" he asks Margot.

She shrugs somewhat, still clinging to the blanket around her shoulders. "He was in the Navy. But he died, though. I never met him."

Simon shakes his head once. "No, you wouldn't've. He died overseas, she said. Training mission gone wrong. MacTavish, check records," he tells Soap. "We find out what he was doing when he died, we might find out who's after this little bugger."

The adrenaline finally wears off, and Margot crashes. She's asleep in the master bedroom, curled underneath the blankets, still terrified, even in her sleep. Simon can see it -- her shoulders are tense, her head is tucked, her breathing is rapid. He wonders if every Riley is cursed with poor sleep.

Soap isn't having any more of his bullshit. They're talking in the other bedroom, while combing through personnel records and calling in favors to find out more about the 'training exercise' Cecelia's brother was involved in.

They haven't spoken in a while, which is unusual for Soap -- the air almost feels absent without his gabbing. But Simon knows he isn't being silent for courtesy's sake, Soap is irritated with him.

"Is she yours?" he finally asks, without looking up.

But Simon looks at him, unsure how to reply. Unsure of the answer -- but certain all the same. He doesn't reply for a long time, and Soap doesn't push him; even no answer is an answer.

Simon looks back at his laptop. "She's the right age."

They don't say anything for a while more. Simon is finding it difficult to concentrate, but he compartmentalizes, until Soap interrupts his thoughts again.

"You know I've got your back."

His other teammates, Sparks and Washington, said the same thing. Until they were taken, and turned. Until his family was all murdered in cold blood during Christmastime. He tries to tell himself it's not the same -- the present isn't the past. Yet, the past has a funny way of repeating itself.

He wasn't turned by the torture inflicted upon him, he tells himself. He'd like to think MacTavish wouldn't be, either, whether or not it's true.

"I know, Johnny," he says.

"You need your rest," Soap tells him. "I'll take watch and keep looking. You get some shut eye." He leaves the bedroom and sets up in the living room.

He tries to sleep -- he falls into a restless slumber. It feels like he's closed his eyes for only a moment, when Soap comes back into the room to tell him his watch is over.

It's still dark outside. Simon gets up. He checks on Margot.

She's still lying in bed, curled into a ball. But her breathing has changed -- he thinks she might've fallen into a deeper sleep, but he realizes she's awake, she's crying. He's tempted to turn and leave, to give her space, or to absolve himself of vulnerability. But he knows it's not the right thing to do.

"You should be sleeping," he says.

He hears her sniffle. She doesn't move for a while, until she sits up and looks at him. "I tried. I can't."

He sighs and enters the room, closing the door halfway behind him. "What's keeping you awake?" He sits on the edge of her bed.

"I keep...thinking." She wipes her tears on her sleeve.

"About what?"

She's trying not to look weak in front of him, but she can't help it -- she starts crying again. "All I did was hide. Mum told me to hide. But I didn't want to -- But I was scared..."

He doesn't think less of her. He sees a lot of himself in her, from when he was a boy. "Sometimes the best strategy is to hide. You're no good to anyone dead. Especially not to your mother."

Margot settles, taking hiccupped breaths until she can breathe again. "She said you'd come."

"I told her I would."

The crying has passed for now, she doesn't feel like she can anymore. But she likes sitting beside him. She wonders what he looks like -- he's still wearing that balaclava. "Do you sleep with that on?"

"Sometimes."

"Why?"

"So people don't know what I look like. To protect myself."

"That must be annoying."

He scoffs. "Sometimes."

"Mum told me you wear a mask all the time. She told me a lot about you."

Immediate suspicion rises in Simon, and his mind interprets her words as a threat at first. But he proceeds with tempered rationality. "What'd she say?"

"You both loved each other, she said. You have a job that's really dangerous. She talks about you all the time."

It would've been better if Cecelia had forgotten all about him, it would've been easier for him. But to know that she kept him alive, in memory, somehow hurt worse than being forgotten. "She tell you anything else?" he's fishing, and he hopes Margot takes the bait.

She hesitates, she's thinking, debating -- unsure of herself, unsure of what he'll say. "She said...she tells me that you're my dad. Is that really true?"

He's never one to believe something without concrete proof, he's distrustful by nature. But he knows it's true. It's more than conscious, it's something visceral inside of him that knows something better than the doubt at the forefront of his mind. He only nods. "It's true."

Margot sits in silence, thinking.

"I'm going to find your mother," he promises her. "I’m going to make sure both of you are alright." He speaks to her, but also to the family he lost all those years ago: to his mother, to his brother. He has the chance to right the wrongs of the past. To change the future. "Get some sleep."

"What if I can't?"

He takes a deep breath, trying to find some kind of parental guidance to give her. "I don’t sleep good, either. A long time ago, I saw a shrink. He told me to relax your body -- from head to toe. And imagine you're floating in a canoe on a lake, with nothing else around. Don't think about anything else. Just you...in the lake, breathing deeply. Can you do that?"

She nods.

"I'll wake you when it's morning."

He leaves Margot to her rest and continues to search for reasons why Cecelia's brother may have been a target.

He wakes up Soap at dawn. "We've got a lead."

Simon explains that Cecelia's brother, Gabriel, was involved in a classified assignment to infiltrate a weapons dealer syndicate. He was supposed to eliminate the head of the syndicate, and destroy his compound. Gabriel completed his assignment, and eliminated the syndicate head, and burned the compound to the ground. However, the official report states that Gabriel was killed during the raid -- he was killed by his other teammates, for treason, and for turning on his superiors. Simon managed to find a buried statement from another teammate who had been on the mission, which said Gabriel was killed days after the raid, and his body was dumped at the compound after it was destroyed. Gabriel found that the officer in charge of his assignment was supplying a portion of the weapons being sold. The officer was using his team to clean up evidence of his involvement in the syndicate.

The officer buried anyone else who knew the truth.

Simon and Soap conclude the necklace must have something else to it, that Gabriel had to have sent it to for a reason. Simon examines the ridge in the center; he finds that the circular pendant is made with two pendants flat pieces soldered together. He halves it with a knife, jimmying the pendant open like an oyster. Inside, is a micro-SD card.

"That's what they were after."

"Obair mhór, Gabriel," Soap mutters.

"Mum's necklace..." Margot stares at its pieces in Simon's hand as she comes out of the bedroom.

"It was for a good cause," Simon says.

"But why --" Soap asks. "Why after all this time? Why go after it now?"

"The good Admiral is up for a political promotion. He's trying to clean house."

"So the Admiral finds out that Gabriel had a contingency, and he knows that the last contact Gabriel had was with his sister. So he puts the pieces together, figuring she knows more than she's saying."

"We need to find her. Now."

They're holding Cecelia at an abandoned farmhouse. It takes them thirty-six hours to track her down, by nightfall Ghost and Soap are converging on the target. Margot is left behind, locked inside their safehouse, with the doors and windows fortified.

They're outnumbered, but they have the element of surprise. Quietly, they close in on the farmhouse from opposite directions, using blades to wound and eliminate the men in their way, utilizing the ignorance of their presence to its maximum capability. Until an enemy fires his rifle, and the secrecy is over.

Ghost breaches the front of the house, firing two shots into the guard at the other side of the door -- chest and throat. He pushes the body to the side, and crouches, hearing more men on their way. He takes cover against the corner of a hallway, and fires two shots into the face of the next assailant who charges him. He uses the bleeding body as a shield, and moves into the line of fire, feeling the impact of the bullets pierce the corpse in his arms. He fires around the body propped against him, and lands three bullets into the torso of the man in front of him.

He throws the corpse to the floor, and moves into the center of the house. There's a locked bedroom door, and he pushes his blade into the jamb to free the lock. He can hear Soap's bullets from the opposite side of the house.

The lock breaks, and Ghost stands to the side of the door as he opens it -- he enters with his rifle raised. There are no men inside the room.

Cecelia is tied to a chair in the center.

"I've got eyes on the target," he radios Soap.

"Copy, Lt.. Three more guards inbound on the east of the complex."

"Copy." Simon cuts her bonds, and helps her stand. "We need to move. Can you walk?"

"Yes," she says, panting.

Ghost has one arm around her, practically pulling her out of the house as he rendezvous with Soap.

Soap covers them as the two limp off the complex -- into the cover of a copse in the distance. Their vehicle is waiting for them there, and Ghost puts Cecelia in the back, pushing her head down beneath the seats. Bullets collide with the metal sides of the doors, and Ghost returns fire as Soap jumps into the driver's seat and finds cover in the trees.

"They won't follow us," Ghost says.

"You'd better be right."

"Margot -- Where's Margot?"

"I got her -- She's alright."

"I'm sorry --" Cecelia says, out of breath.

Simon shakes his head. "Don't be."

They get back to their safehouse, and Margot is holed up in the bedroom until she hears the door. Simon gave her a pocket knife, and she's ready to use it -- when she hears her mother's voice.

"Mum!" she runs out of the bedroom, into her mother's arms.

Cecelia holds her tight. Simon only watches, and glances to Johnny when he puts a hand on his shoulder. He feels that out-of-place sensation once more, seeing mother and daughter embrace. Cecelia is checking Margot over, holding her small face in her hands, wiping away her tears. Simon doesn't know what to do with himself. He leaves them to their reunion. He hides -- in the other bedroom.

Later, he's triaging Cecelia's wounds. She's scraped up, she's got a black eye. The sight of it sends a rage through him that he can't put into words.

"I wanted to tell you," she says.

"I know."

He's bandaging her wrist, but he can't look at her. It's the same dance between them as it was a decade ago. Somehow, it feels like home.

"I don't know what they wanted from me," she tells him.

"I do. Your brother was a smart man. He knew he couldn't trust anyone above him. So he sent the intel he gathered to the one person he could trust. You." He looks up at her.

"What are you going to do with it?"

He gently puts her hand in her lap. "I'm going to do...what I wish I could've done many years ago." He grinds his teeth, and swallows. "I'm going to expose the bloody bastard for what he is: a traitor."

Simon arrives at the Admiral's office the next day. The Admiral is not expecting him, but he is aware of Ghost's reputation, and it precedes him. The Admiral has no reason to suspect Ghost is behind the attack on his off-books operation the previous night. As far as he's concerned, Ghost is scheduled to ship out in less than a fortnight, and he believes his visit has something to do with the upcoming mission.

"What can I do for you, Lieutenant?"

Simon chooses his words carefully. Everything he wants to say -- everything he's endured at the hands of men without honor -- floods to the surface of his stomach, to the surface of his face, and he holds the man's eyesight with a sharp edge of hatred.

He's kneading his fists open and closed as he stands there, still trying to get himself to speak. "I want to know if it was worth it."

"I'm sorry?" the Admiral scoffs, bemused and insulted.

"You're not sorry now. But you will be. Before that -- I want to know if it was worth it. The money. The job. The commendations. How many lives was it worth to you?"

The Admiral now realizes it was him who attacked the farmhouse the night before. His face grows hard, and he narrows his eyes. "I'd tread carefully if I were you, Lieutenant. Your reputation can only protect you so far, before enemies in high places turn on you."

"Was it! Worth it!" Simon yells. "You pricks -- who decide who lives and dies, who decide who turns on who -- you pricks, who let the job lead you to believe that you're God," he points. His face burns, his throat hurts. Memories claw their way to the front of his mind, just like he clawed his way out of Vernon's grave.

"If you kill me, you will be hunted for the rest of your life."

Simon shakes his head. "I'm not gonna kill you. You're not worth my bullets. I'm going to watch...as the world tears you apart. As you lose...everything."

The Admiral scoffs again, and moves towards his desk, where his service weapon lies locked in a drawer. "I doubt that. Surely, you didn't think you could come here and threaten me, and get away unscathed." He loads the chamber, and aims the barrel at Ghost's chest.

Simon doesn't flinch.

"Where is the SD card?" the Admiral asks.

"I've already given it to the press."

Military police storm the office, and take the Admiral into custody.

Ghost and Soap are taken off their upcoming assignment, they're needed for debriefing on the scandal that is unfolding regarding the Admiral. Cecelia and Margot are also asked to give account of what happened. The doors of their home are repaired, and they're left to pick up the pieces -- figuratively and literally.

Three weeks have passed; the trial is still in preparation stages; Margot is back at school, and Cecelia has set up therapy for her. Simon encourages her to be seen by a shrink, herself. She refuses, and he pushes her, telling her he'll take her himself if he has to.

"This feels familiar," Simon says, as he helps rehang a painting in her living room.

"Let's hope it never feels familiar again."

He wants to laugh, but he can't. He just shakes his head, and straightens the frame. "I'll be back to check on you tomorrow."

"Wait -- can't I make you a cup of tea?"

It's the offer that got his heart into trouble in the first place. But he still can't say no -- the pause he gives, gives her enough time to head to the kitchen, where she boils some water, and hands him a well-worn mug of tea. The good kind.

He stays with them for several weeks. Weeks turn to months. He tries not to give into the fantasy. Cecelia knows as well as he does, that he can't stay. Even if he wants to.

He wants to.

He has too many enemies. If he retires, if he gives into the dream, it will only put targets on their backs. Cecelia knows. She doesn't fight him on it.

"Just...don't let another decade go by...before I see you again," she tells him.

"I won't." He has her hands in his, pressed to his mouth. He's getting ready to leave, a new assignment is waiting for him on the other side of the door, and for the first time -- ever -- he feels human enough to wish there was nothing waiting for him. No assignment. No dossier. He feels human enough to wish — for anything at all. Even a family.

He takes a deep breath, and lets go of her hands. He pulls from his pocket an envelope filled to the brim with money, an accumulation of many years' worth of combat pay. "Use this. For her. Anything she needs -- anything at all. You get it for her, with this. Get her into a good school, get her an education -- don't let her do what I do. Promise me."

"I promise."

He kisses her, and turns to Margot's bedroom to say goodbye. She's holed up there -- she doesn't understand why he has to leave. He doesn't think she ever will. He doesn't understand it fully, himself.

Simon sits on the edge of her bed. He doesn't know what else to say.

"Will we ever see you again?" she asks.

"You can't get rid of me that easy, love."

She crawls to him, and embraces him.

Something flips inside of him, feeling her arms around him. His own child -- the bone of his bone, the flesh of his flesh. A weight sinks into his heart, and he takes a deep breath, suddenly feeling like it's the first and only breath he's ever taken. He puts a kiss on the top of her head, and they linger there for a long while.

When he, at last, pulls away to leave, she follows him. "Goodbye, Dad."

It's a searing knife wound to the center of him. But he turns and touches her face. "Goodbye, love."

Simon leaves, seen off by the two at their doorstep.

It's a home he can return to. Over, and over again. A feeling, and a place -- people who welcome him. Where his bed is always warm, where arms wrap around him and the blood washes down the drain. And where December never hurts as much.

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