#vis thoughts

[fangstyteen]

love/hate my wolfdog roots. too dog–like to be with the wolves, too wolf–like to be with the dogs. domestic enough to be a pet, but wild enough to let loose. why should i be both? why can’t i pick a side? too vicious to be affable. too affable to be vicious. too normal to be outcasted. too outcasted to be normal. is this still about wolfdogs?

[fangstyteen]

well actually im the cool hot guy boyfriend to my loser boyfriend so jokes on you fools

everytime i make a post about being a loser boy every transmasc ever reblogs it. come on we cant all be the loser boyfriend to a cool hot guy some of you have to be confident

[the-fatal-impact]

There are two kinds of people, separated by the way they dealing with heart shuttering break up:

They becoming sad alcoholic hobo with no sense of personal hygiene...

2. ...or career overachiver.

[outlanderalien]

Arcane really was just like, the love was there and it changed everything.

[molotovgrifter]

LOOK ON THE BRIGHT SIDE

[fangstyteen]

my username is a play on the phrase ‘angsty teen’, but ‘fang–sty teen’, because i kin jeremy capello from my best friend is a vampire :3

ALTERHUMANS I GOT A QUESTION!!

How did you come up with your username? I think they're all so cool and I'd love to hear I'd they have any significance or if you just think ur user's cool!

I'll go first.. quack is from the fact I really like the streamer quackity and he's been one of my long time hyperfixations... and woof is beacuse well.. I WOOF!! :3

also thank u for all the responses oh my dog they're all so cool

[astorkes]

well, her guard needs work

[silentsockfeet]

the fact that the vi vs jinx fight was foretold from the beginning. the fact that the opening credits ends with their fight immortalized in stone, so that every episode you watch is a reminder of the immutable truth of it. the fact that every moment is building to this, that the show will culminate in this. this was always going to happen, they told us this from the beginning, and nothing anyone could do will ever change that.

[fangstyteen]

it’s me !!! it’s really really me !!! its actually me !!!

source / source

[fangstyteen]

accurate — i am a cowboy and my name is jack

Look up your name in the gifs and show the first gif that comes up

@absurdumsid @inka-boi @childofthest4rzz @tobi-draws @largefound

[thesparringpanther]

Jinx restoring her family back from the absolute brink of destruction, only to have it violently ripped apart in front of her eyes once more in the same manner she lost it is exactly why I will be seated for anything this staff does in the future they are DEMONS

[jane-asmo]

Here’s a quick review of the amazing opening of Arcane season 2:

Vi seems to be struggling with her identity / Loss of identity

Vi is wearing the tank top that I believe is the one she wears under her enforcer uniform. That’s the outfit she’s wearing throughout the opening.

Jinx, who was hiding behind, rises and steps into the light—maybe a way of showing that she’s grown symbolically, that she’s now 'bigger.'

Ekko with his shadow resembling a clock winding back time.

Caitlyn is shown in her turtleneck (also what she wears under her enforcer outfit ? ), With a curtain to suggest a stage, she takes a deep breath before stepping into the light with a fake smile. Honestly, if I analyze it, we can say without much risk that she's in inner conflict, that she has to step into the spotlight and is showing a different face from how she really feels.

There’s so much to say about the other scenes, but others will handle that perfectly; I have a special focus on CaitVi (😂). Here they are again in the same outfits—the turtleneck and tank top. It’s an interesting way to present them, and there’s a lot that could be said, which I won’t go into, but I wanted to point it out. Cait and Vi are more vulnerable in these outfits; it’s very intimate, as are all the shots with them in this opening. We’re really in deeply intimate territory.

The looks are very intense, filled with hatred or something else? (my poor babies).

At first, I thought they were kissing, but now I think they’re fighting. They could be kissing or strangling each other in that shot; it’s hard to tell. In both cases, it’s very interesting because this little backlit scene with its colors is very intense. And, as I read elsewhere, very lesbian flag.

And Caitlyn is still struggling, with her shadow looking like the Evil Queen, I think (lol 😆). And the effect on her hands gives the impression that she has blood on them.

And I really like this shot because that's my Caitlyn; she has the look of someone who’s realizing, who understands. And maybe she’s coming back to her senses? So, there you have it—just my initial thoughts. I was so awestruck by this new opening that I just had to watch it again and again.

[the-fatal-impact]

Ekko: That thing with Powder broke my heart, because I used to have a crush on her. But I got over it, as there is no use on dwelling into unsuccessful relationships. I have other things to do in life.

Meanwhile Jayce, Viktor, Caitlyn and Vi:

[stxrsiren]

scissor me september.

[redrum-alice]

"What a shame, you always had such beautiful hair..."

"You must be so tired...my little flower."

[WIP!!!]

[lullabyes22-blog]

"I think the cycle only ends when you find the will to walk away."

Got a lot of Q's for this in my inbox. Figured I'd just address them here.

tw: mentions of suicide, suicidal ideation

Re: the ending of S2:

Jinx did not die.

She symbolically killed her old self, and with it, her last ties to the past that imprisoned her. She understood that for her sister to move on and live her life - be happy without guilt - she'd have to renounce the bonds that held them together.

Her talk with ghostly Silco was the 'sign-off' she'd been waiting for, ever his dutiful daughter. Throughout S2, she kept hoping he'd haunt her, and in doing so, offer some impetus given her aimlessness. Maybe just straight up boss her around, and tell her how she's supposed to exist now that he's no longer there to be a (subversive if loving) guiding hand.

But it was the promise of time (as represented by Ekko) healing old wounds, and the courage to feel, as she once had - a hopeful child with a hopeful future - that allowed Jinx to commit impetus to action.

Her blimp-ship in the climactic battle is a tribute to Isha - but also to the child in Jinx's own fractured psyche: Powder. She's letting both little girls have one last hurrah before she takes care of business - and cuts off the last oaths, duties and commitments that bind her to a past whose parameters she's outgrown.

Better still, she knows she's got the capacity to outgrow them.

That was the point of Jinx's arc with Isha, and why, no matter my misgivings on Isha's character herself, I found Jinx's trajectory towards a more nurturing and fun-loving figure more life-affirming and positive than the straightforward 'Daddy's Villain Goes Postal' shtick.

It's even why there's a minigame titled Jinx Fixes Everything. It's Jinx, struggling and stumbling, as she tries to rewrite her narrative, and finds in herself the capacity to do good.

To fix things that seem irreparably broken.

And to understand why she's reached this stage, we've got to let go of our tendency to project our own stuff onto Jinx (precious meow meow, unrepentant terrorist, manic pixie crazypants, edgy hot psycho) and acknowledge the purpose she plays in Arcane's thematic structure.

Jinx's character comes off as a death-seeker, and that's no shocker. She is hounded by terrible guilt and loss. She's got blood on her hands, and ghosts on her heels, and no matter what she does, she can't seem to be rid of them. Her inner mind's fractured, her mannerisms ooze pure chaos, and she seems a creature of pure feral impulse and no mercy.

That's the Jinx we're accustomed to seeing in S1 - except that's also both the front she's most likely to put on during that timeline, and the persona that is necessary for her to inhabit to survive, as Silco's daughter and his top enforcer.

Then Silco kicks the bucket, she symbolically fulfills his dream by shooting at the Council HQ, she accepts that she must inhabit this path of shadows and loneliness (as symbolized by her starkly decorated chair in the tea party scene), she accepts the fragmented push-and-pull between past and present, and...

And now what?

Silco's given her a semblance of direction for six years, and he's gone. Vi, the sister she'd hoped would return, and whom she'd hinged so many childishly idealized hopes on, is herself traumatized, and afraid of what her sister's become.

Jinx has her shadows and her loneliness. Jinx is traumatized. Jinx is suicidal.

But Jinx is still, whatever else, alive.

And all living things need connections.

That's why we as the audience enjoy her little found family dynamic with Isha and Sevika. It's Jinx, taking the first tentative steps to reach out to people beyond Silco and Vi, and realizing, wow, she enjoys the pay-off.

And all throughout S2, we see Jinx growing more and more comfortable in this newfound space - even jealously guarding it at the expense of Zaun's liberty, and Silco's wishes, because she can't bear to lose what she's found.

And what she finds empowers her enough that, when Warwick shows up, she's actually willing to reach out to Vi, and call upon their family connection, because Jinx is learning the value of bonds, not as baling hooks of guilt, but as buoys to carry her forward.

That's the story Jinx's relationships serve to tell in S2. Each one shapes the choice she makes in the finale. Until she learns to accept the past (Vi), to lay the monsters to rest (Silco and Vander/Warwick), forgive herself (Caitlyn) trust that time heals all wounds (Ekko), and hope for happier new beginning (Isha), she'll never trust herself enough to just seize the chance.

Jinx's culminating arc is not about death, much less self-erasure. It's about resurrection, and embracing the sublime chaos of a freed mind, and a lightened spirit. That's what she craves beyond simple death, and what her baptism by fire, blood and riverwater, has been about.

Each trial grinds her down into someone else. Someone new.

Someone closer to who she is meant to be, rather than who she's expected to be.

That's why she's so glad to make the sacrifice for Vi. She's not dying as an act of self-immolation. She's giving her sister - the one who's proven she'll never give up on her - the ultimate gift, and showing Vi that she deserves to live.

She needs Vi to live, so Jinx, the persona, can finally die.

"He (Silco) didn't make Jinx. You did."

She's basically saying, "I love you, I will always be with you, but you are no longer responsible for my actions. Please move forward with your life, and grant me the choice to do the same."

It's two sisters embracing everything they've meant to each other, acknowledging the pain weighing them down on both sides, and welcoming the new so they can each slough off old paradigms and live life as a whole person - or at least take steps to remembering what wholeness feels like.

That's the reason the show's final shots linger on the Hexgate tunnels, Jinx's monkey bomb, and the aircraft.

It's the show's way of reminding us that Jinx has ascended to a different version of her identity - one removed from the past that haunted her. It's Jinx, finally striking out alone, away from the sister whose memory she clung so desperately to, and who was, in turn, horrified by her hand in making Powder a monster (perceived guilt or real, fandom may debate ad nauseum) due to past mistakes and abandonment.

The ending of Arcane isn't tragic. It's deeply hopeful, and serves as a reminder that no matter how damaged you think you are, and no matter how monstrous the world finds you, there are still ways to come back to yourself - or to walk the path toward a new you.

Jinx is symbolized by crows. Jinx is shown with firelights emerging from her mouth. Jinx is depicted holding a torch like Janna ushering in the winds of change.

Thematically, Jinx is change.

And the best way she can embody that change is to write her story, and make it her own.