#virtual health tests
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counterintuitivecomics · 10 months ago
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MASK UP FOR GLOBAL LIBERATION
Protect your community by wearing N95s and KN95s when meeting indoors or in crowds! The more of us mask up, the less we get sick, the harder it is for police to surveil us, and the safer we make our shared spaces for our disabled and immuno-compromised comrades and loved ones.
Get started by finding local mask resources on the global COVID Action Map (you can also submit groups to be added). If you have the means, donate masks and tests to your local orgs and encourage accessibility so we can ALL join the fight (bringing in interpreters/translators and medics, ensuring accessibility for wheelchairs/mobility devices, offering child care, filtering the air indoors, setting up virtual options etc).
UPDATE: Download this 8.5"x11" poster for free on itch.io to print and distribute! Includes files suitable for color, black and white, and risograph printing. Any donations will go to printing costs, or buying masks for my local mutual aid groups.
Pandemics have no borders, and all our struggles are united!
[ID: A poster declaring “MASK UP” in red above 3 figures from the waist up, each wearing a different respirator mask. The top figure is an Arab person wearing a fluttering red and white kufiyah over a black hijab and red dress, as well as an Aura 9210+ N95 mask. They steady themselves with one hand on the lower left figure, and raise the other one up triumphantly. The left person is a fat Asian teenager wearing a black hoodie with a genderqueer symbol on the shoulder, and a black Laianzhi HYX1002 KN100 mask. They are holding a box labeled FREE that’s full of COVID-19 Rapid Tests, and two different kinds of plastic-wrapped N95s. The last figure is a middle aged Black person in a power chair, wearing a Flo Mask with a customised rainbow cover, a dark blue winter hat with a Disability pin on it, and a blue shirt featuring 6 countries flags from R to L: Sudan, Democratic Republic of the Congo, Palestine, Haiti, Puerto Rico, and Tigray, Ethiopia. Underneath reads: “RESPIRATOR MASKS PROTECT: your health, your identity, and your community. Find resources near you at COVIDActionMap.org”]
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welleazy · 1 year ago
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"Comprehensive Drug Testing Kits for Various Needs: Hair, Saliva, Urine, and Pre-Employment Tests"https://www.welleazy.com/
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genderqueerdykes · 3 months ago
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im not sorry the truth of the transmasculine experience is ugly. i'm not sorry that we have to frequently discuss sexual and physical violence and abuse. i'm not sorry that we have to discuss violent physical abuse and death. i'm not sorry that we have to discuss homelessness, mental illness, addiction, disabilities, and other challenges in life.
we struggle. we do not instantly gain male privilege the second we come out. even if we pass. when someone knows we're trans we're treated like a woman no matter what. we can sometimes get lucky and pass with strangers but eventually people around us find out because people tell each other without our consent.
we face all kinds of abuse due to the fact that people feel entitlement to our bodies, regardless of what our AGAB is. they feel entitled to our faces, our hair, our entire appearance. they focus on the face that we're ruining something "pretty". they threaten corrective sexual violence to remind us that we're "just women". it happens constantly. this is not an isolated incident and virtually nobody wants people to talk about it when it comes to transmasculine people.
trans men often get injured for one reason or another. usually because someone wants to make them "prove" they're a man, to "toughen them up" or to "prove to them that they're a woman". sometimes this results in sexual assault. other times it results in physical assault. and sometimes people just kill trans men. all because they hate that a "woman" can transition into a man.
it's an ugly part of our reality but it needs to be discussed because otherwise people use the lack of that conversation as ammunition to say transmascs don't struggle.
transmasculine people struggle to stay housed. transmasculine people get kicked out of their living situations very often for many reasons. it's hard for transmascs to get jobs because often times people want either a man or a woman for a specific position and fuss over what they think the transmasc's gender is. misgendering is a huge issue at work. going stealth at work can be painful. being in the closet at work can be painful
transmascs are often disabled and struggle to get care due to people not taking AFAB patients' pain and symptoms seriously. this is a huge issue with any kind of AFAB person or any woman. all woman and AFAB people struggle with having their symptoms taken seriously when seeking serious medical attention to the point of possibly being undiagnosed for life, thus being unable to get on disability. trans women face this just as much as AFAB cis women, it's a huge issue in the medical industry
transmasculine people struggle to say on their hormones (or access them at all). testosterone is a controlled substance in many countries which means that you need a prior authorization to get the medication and need to consistently see a provider to get blood tests and check ups. it can be difficult to do so if you are low income and sometimes certain pharmacists will intentionally find ways to withhold hormones due to their own prejudices
transmasculine people struggle to get pregnancy support and care. it is very difficult for transmasculine people to figure out how to navigate their pregnancy, either due to their HRT provider not knowing much about pregnancy, or having a gynecologist who's not familiar with transmasculine health.
transmascs get denied from spaces made for men constantly. even if they pass, if word gets around that they're trans they can easily be kicked out of a space. transmasculine lesbians are often removed from lesbian, transmasc and/or non binary spaces. transmasc butches are often ostracized from all communities their identities correlate to. trans men and transmasc enbies are seen as a threat to women.
there is ugliness in every pocket of the queer community when it comes to how cisheteronormative society treats us. we all face disgusting treatment that needs to be addressed. it's important to consider how this system affects everyone underneath it. we need to talk about the positive things, it's good to help those are questioning, but we also must discuss what struggles we face in order to humanize ourselves and show that we people, too. none of us have it easy.
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batmanisagatewaydrug · 7 months ago
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would you like to tell us about your research on virginity?
but also...wdym STIs aren't as scary as we think??? I was told most of them are incurable? I know you can make aids untrasmittable and that they've even succeded in curing it a couple times but that's about it. I would love to be educated about this
yeah, the basic idea with the virginity project was that the whole concept of virginity is pretty bullshit in the context in which it was initially significant, namely cisgender women being penetrated by cisgender men, so as soon as you take it outside of that context by introducing gay and trans sexuality it totally falls apart. I mean, hell, it stops working if you even look at two cishet people doing literally anything OTHER than penis-in-vagina sex. I tripped up so many people initially when I started asking questions like "okay, so you don't think a woman loses her virginity from a man going down on her. so what if it's two women? what's the difference?" and just really getting people to face down their very penis-centered view of the sex, to the result of several people telling me that it kind of made them reevaluate what they actually think of as the first time they had sex. it's also fascinating to either read other people's accounts or discuss firsthand how queer people have either tried to make themselves fit into the binary of virginity - queer man disagreeing over whether or not you have to have penetrative anal sex to lose your virginity or oral sex is sufficient, a fascinating case of a lesbian who felt that have sex with other cis women didn't "count" and asked a cis male friend to have sex with her just so she could feel satisfied that she'd lost her virginity - or abandon it entirely. Hanne Blank's book Virgin was a formative starting point, and it really exploded for me from there.
as for the STIs - hey, bad news! you fell victim to the scare tactics used to make people afraid of sex! almost all sexually transmitted infections are very easy to treat and cure with the right medicine, which is why it's important to get tested regularly and check in with your healthcare provider at the first sign of something amiss. pubic lice, scabies, trichomoniasis, gonorrhea, chlamydia, syphilis - all of those are pretty easy to get rid of with some help from your doctor and a run to the pharmacy!
the major exceptions are the 4 H's: herpes, HIV, HPV, and hepatitis B.
herpes is with you forever but is an incredibly mild companion to share your body with, considering most people never experience any notable symptoms and those who do can curb the severity with medicine.
it's also worth noting that herpes is so common as to be virtually ubiquitous; the World Health Organization consistently estimates that somewhere around 80% of the world's adult population is carrying herpes simplex virus 1 or herpes simplex virus 2. a great deal of those people don't even get it from having sex, but rather by catching HSV-1 from a parent or other people they come is close contact with as a child.
you're actually thinking of HIV (human immunodeficiency virus) when you mention AIDS becoming untransmittable, but that's still a very good thing! the care available for people with HIV has come incredibly far since AIDS first became known and claimed so many lives, and today it's more than possible for people infected with HIV to live long, healthy lives by taking the proper medication to manage their viral load.
with management, people with HIV will not develop AIDS (which happens when the immune system is sufficiently depleted by HIV) and by consistently taking their medication people with HIV can become undetectable (the viral load in their body is too small to be detected or measured in tests), at which point they are unable to transmit the virus to other people.
HPV (human paillomavirus) comes in many different strains, most of which are absolutely harmless and go away on their own after a couple of months or years of freeloading in your body. I cannot emphasize this enough: HPV is so common that virtually everyone who has sex has, will have, or has had it in their lives, and the vast, VAST majority of those people will never be troubled by it literally at all.
the trouble comes from a few strains of HPV that can cause genital warts, and a few others that can cause cancers in the throat, anus, cervix, vulva, vagina, and penis. while HPV can't be treated, you can reduce your risk of developing cancer by getting the HPV vaccine if you haven't already and, if you have a cervix, getting regular Pap smears to catch early warning signs of cancerous developments.
hepatitis B is a viral infection that targets the liver. in rare cases it can cause chronic health problems that can be very dangerous, but I have to emphasize that's not common. in most adults who get hep B, there will be no symptoms and it will resolve itself in a matter of weeks. the infection is riskiest in children, but at least in America most people have received vaccines against hepatitis B as babies since the 90s.
in conclusion: get your shots, take your medicine, use protection, get tested, and talk to your doctor, but know that if there's one thing humans are good at it's figuring out how to manage STIs. we've been doing it for a long time - most sexually transmitted infections and parasites have been with us since before we we became modern humans - so we're really good at it!
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afeelgoodblog · 1 year ago
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The Best News of Last Week
🦾 - High-Five for Bionic Hand
1. Houston-area school district announces free breakfast and lunch for students
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Pasadena ISD students will be getting free breakfast and lunch for the 2023-24 school year, per an announcement on the district's social media pages.
The 2023-24 free lunch program is thanks to a Community Eligibility Provision grant the district applied for last year. The CEP, which is distributed by the Department of Agriculture, is specially geared toward providing free meals for low-income students.
2. Dolphin and her baby rescued after being trapped in pond for 2 years
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A pair of dolphins that spent nearly two years stuck in a Louisiana pond system are back at sea thanks to the help of several agencies and volunteers.
According to the Audubon Nature Institute, wildlife observers believe the mother dolphin and her baby were pushed into the pond system near Grand Isle, Louisiana, during Hurricane Ida in late August 2021.
3. Studies show that putting solar panels over waterways could boost clean energy and conserve water. The first U.S. pilot project is getting underway in California.
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Some 8,000 miles of federally owned canals snake across the United States, channeling water to replenish crops, fuel hydropower plants and supply drinking water to rural communities. In the future, these narrow waterways could serve an additional role: as hubs of solar energy generation.
4. Gene therapy eyedrops restored a boy's sight. Similar treatments could help millions
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Antonio was born with dystrophic epidermolysis bullosa, a rare genetic condition that causes blisters all over his body and in his eyes. But his skin improved when he joined a clinical trial to test the world’s first topical gene therapy.
The same therapy was applied to his eyes. Antonio, who’s been legally blind for much of his 14 years, can see again.
5. Scientists develop game-changing vaccine against Lyme disease ticks!
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A major step in battling Lyme disease and other dangerous tick-borne viruses may have been taken as researchers announced they have developed a vaccine against the ticks themselves.
Rather than combatting the effects of the bacteria or microbe that causes Lyme disease, the vaccine targets the microbiota of the tick, according to a paper published in the journal Microbiota on Monday.
6. HIV Transmission Virtually Eliminated in Inner Sydney, Australia
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Sydney may be the first city in the world to end AIDS as a public health threat by 2030. Inner Sydney has reduced new HIV acquisitions by 88%, meaning it may be the first locality in the world to reach the UN target to end AIDS as a public health threat by 2030
7. New bionic hand allows amputees to control each finger with unprecedented accuracy
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In a world first, surgeons and engineers have developed a new bionic hand that allows users with arm amputations to effortlessly control each finger as though it was their own body.
Successful testing of the bionic hand has already been conducted on a patient who lost his arm above the elbow.
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That's it for this week :)
This newsletter will always be free. If you liked this post you can support me with a small kofi donation:
Support this newsletter ❤️
Also don���t forget to reblog.
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fuckyeahgoodomens · 13 days ago
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Good Omens graphic novel update: December 2024
We promised a graphic novel treat for December to send off 2024, which we have at the end of the update, so let's dive in!
Colleen has been working diligently ahead of the graphic novel going to print next month, which she discussed over on Patreon. For those looking for more behind the scenes on both Good Omens and Colleen's work more broadly, we recommend either following her Substack, or subscribing via Patreon, as she approaches the finish line.
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A snapshot from our production HQ where dummy books of the graphic novel, slipcase and other editions of Good Omens have been arriving thick and fast. The graphic novel (slipcased version shown) has quite the heft to it. It's going to be such a magnificent object inside and out.
Here, we're testing out the various papers, finishes, embellishments and more – everything is falling into place!
Merch-wise, some more delights. The A.Z. Fell & Co tote bag design is in, one side in celebration of our favourite angelic bookseller, the other as if it's been purchased from the bookshop itself, so you can take your pick.
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We've got more pins that will be available in the 3-pin set add ons. While the full list will be available in 2025, we're happy to share a few more to get excited about:
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On the trading card front, have a look at some of the base deck designs by Steve Gregson and Kirsty Hunter in situ as this all comes together rather nicely, and causes a heated game or two behind the scenes.
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And, a quick admin note to wrap up that we always recommend checking the FAQ page as a first port of call for any queries. If you have questions tied to specific tiers, we'd suggest checking the last few updates if your answer can't be found on the FAQ. If there is any information required for your pledge, we will be in touch. We will be back at full steam in the New Year!
Thank you.
So, to wrap up this year's updates, we give you the draft of the full first scene of the graphic novel, artwork by Colleen Doran and lettering by Lois Buhalis. If you'd like to wait until the graphic novel publishes in Spring, skip everything after the ducks!
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To 2025 🥂
Until next time.
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+ post from Colleen Doran:
Good Omens: You Get...Stuff Like This
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In the most recent Good Omens update at the Kickstarter, a few people got upset at the suggestion that you have to get past my paywall here to see Good Omens updates.
Except you really don't, and the post doesn't actually say you do. You get a bit more, like pics of my studio, a discussion of tools and process - but not all of that is exclusively about Good Omens.
I think the Dunmanifestin team just wanted to draw a little attention to my blogs and other works, for which I am very grateful.
As my Patreon supporters already know, Good Omens info posted here gets to the Substack and Kickstarter eventually. And since most of my posts here aren't just about Good Omens, but my other projects and personal stuff, as well as links to our weekly Virtual Art Studio sessions, I think I'm justified in keeping that material behind a paywall.
In fact, I don't think I've posted much stuff about Good Omens since the summer: pages of flats like the one you see above, a few studio photos, and color tweaks.
Also, me boo-hooing about my nerves and health.
But for those who feel left out missing even this small amount of stuff, then the screen shot above is for you.
That's called a flat.
It's a prelim color before adding final color.
Here's what the final color looks like.
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So I've posted a handful of this sort of thing since this summer, but frankly, there's even more of my sketches and so on posted at my Instagram that aren't here at all.
For those who don't know, I am doing most of the color myself on the book, but I am working with assistants. I'm not sure how much the Dunmanifestin team wants out there before the big reveals, but here's a snippet of a sky.
In the first image, my flat color.
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And after my assistant worked on it.
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Here, I've done a repaint. Sometimes I do very extensive repaints after the assistant works on a page. Sometimes not so much. I didn't use assistants on many pages at all. About 80% of the labor on the color of the book is my work.
However, the assistants have been a big help, and I am very appreciative of them.
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I will make a point to go through all my prior posts and get every single bit of art that you haven't seen and make it public for all of you in the coming weeks. I need to excise it from previous posts. As I respect the privacy of all my readers, I never make prior posts public without their permission as they may not want their comments or identities to be public.
Thanks so much for everything!
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gregorygerwitz · 10 months ago
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apparently this is the year for this...
Please Help Us Out With Bills
Currently, I'm virtually unemployed due to health issues and my employer all but refuses to give me short term disability pay because I don't have a diagnosis yet. I'm doing DoorDash as much as I can, which brings in ~$150 a week if that. It leaves my roommate, @kitthekazoo, to cover most of the mutual bills - like rent - virtually on her own. But that does mean she can't pay her own bills (like car and insurance) after paying the second half of our rent this month.
Like I said, I'm doing DoorDash around doctor's appointments and other activities, like school (which is paid for by my employer, who I still technically work for, I'm just on an extended medical leave - it's excused time off, but I don't get paid at all), but that doesn't bring in much. My checking account (where my DD money goes) is negative almost $400 because things keep taking out and every single one of those charges also incurs an insufficient funds fee of $31.
I would need ~$750 just to get positive enough to pay Kit back for my half of this rent payment. Plus I have my own bills to pay - car insurance, credit cards I'm desperately trying to catch up with the payments on, gas so I can keep doing DD, etc.
I know it's a lofty goal, but getting $1k by the end of the month will keep us sane and housed while I navigate my medical issues. Hopefully, after we run a few tests next week, they'll have a better idea of what's going on and when I'll be able to go back to work, and these money issues won't keep coming up...
I'll link my accounts below, including my etsy where you can buy some crochet projects from me if you want something in return for your donation! Or feel free to message me here or on etsy if you want something made that isn't listed in my shop.
Thank you in advance for any little bit, even if you can just reblog to spread the word. 💜
paypal venmo: amwallace95 etsy
so far: 230/1000
EDIT: I fixed the links!
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thetempleofthemasaigoddess · 4 months ago
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Being Zoro's dance teacher would involve...
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Prince!Roronoa Zoro x princess!reader. Animanga characters who have not (yet) appeared on the show are mentioned.
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💚 Zoro is the adoptive son of King Mihawk of Kuraigana. While neither is a particularly affectionate man, they care deeply about each other; Zoro is grateful to Mihawk for having given him a safe home when he was an orphan and for having taught him everything he knows about swordsmanship, and the older man is now aware of how lonely his life was before that stubborn, overconfident but fragile boy crossed his path. The young man has given him much to be proud of: he is brave, clever, resilient, generous, loyal, and will make a splendid King one day… especially with the right Queen by his side. Unfortunately, unlike most young men his age, Zoro is completely uninterested in finding a spouse, whether for personal or social reasons. He does like girls, Mihawk is quite sure, just… he is perfectly satisfied on his own, and since he’s still so young, and his father is in excellent health, Mihawk has no intention of forcing him to marry and produce an heir. 
💚 On the other hand, since the prince is by now almost an adult, it won’t hurt to introduce him to a few suitable ladies, both in the kingdom and abroad, in the hope that he finds one he likes. Mihawk would be particularly pleased to see his son marry princess Nami, second daughter of Queen Belle-mère (the elder, princess Nojiko, is engaged to prince Ace of Foosha kingdom) of Cocoyashi, a kingdom with which Kuraigana has just sealed an alliance. Zoro is a very attractive young man and would make a fine husband for even the highest-born ladies; the only problem is, Zoro has virtually never spoken to a girl in his life, and would probably be unable to impress one. Specifically, Zoro is completely unable to dance, a pastime most ladies and princesses appreciate and take part in; also, more matches, both the love sort and those decided by the future spouses’ families, have been sealed during a ball than in any other situation. Mihawk hopes his son will find a wife who appreciates him for more than his ability to do a double reverse spin but, he decides, it won’t hurt if he’s able not to step on his partner’s feet, and to avoid throwing her to the ground because he turned the wrong way during a reverse embrace. After all, his heir will come of age in just a few months, and the occasion will be celebrated with a great ball, which many princesses and highborn ladies will attend. They -he- need someone to teach Zoro how to dance, and more broadly how to interact with women and impress them.
💚 Mihawk’s choice falls on you, a fellow princess, younger child of a King whose realm is a longstanding ally of Kuraigana. You have started dancing when you were barely capable of walking, and your talent as a dancer is well known; also, the king reflects, a woman his age will be better suited for teaching Zoro to interact with potential brides. So, Mihawk writes to your father, explaining his request and asking for your assistance; he wants you to come live at his court and be his heir’s tutor in the art of dancing, to transform him into a suitable groom. While surprised, you are happy to accept: dancing has always been your passion, and more than once you reflected that had you not been a princess, nothing would have made you happier than opening a school and spending your days teaching others the art you love so much. King Mihawk’s offer is probably the closest thing you will ever have to the realisation of your dream, and so you beg your father to allow you to go. 
💚 Two weeks later you’re at Kuraigana, curtseying deeply in front of the King, who is favourably impressed with your grace and elegance; he also tests you -”I hope you don’t mind, but I wouldn’t put my son’s future in the hands of anyone but the best teachers”- having you partner one of the court’s noblemen for a few rounds of the court’s most popular dances. Relishing the challenge, you perform admirably, and Mihawk is reassured he made the right choice. 
💚 “Allow me to introduce you to your pupil.” he then says, gesturing to a person who has been waiting in a corner, unseen, ever since you entered the room “Zoro, this is princess (name); I’m sure you’ll do your best to welcome her in our kingdom, and will scrupulously follow her directions.” And so you find yourself face to face with your pupil, who advances towards you with the same enthusiasm of a prisoner on his way to the gallows. “It is a pleasure.” he mumbles as he stares at his own feet, while his father looks on disapprovingly “I appreciate your help, my lady, and I swear I will do my utmost to please you.” 
💚 The prince is a very attractive young man, which you can’t help noticing, like you can’t help noticing the three -three!- swords he carries at his belt; you curtsy deeply, and then there’s nothing you can do but stare at each other, suddenly embarrassed and unable to find something to say. The last thing you want is to remain silent, since you’ve been called at court especially to teach the prince to talk to ladies such as yourself, so in the end you force yourself to say a few words about how happy you are you’re going to work together, and how you hope he’ll enjoy learning from you. Then fortunately you are dismissed, a comfortable set of rooms having already been prepared for you at the palace, to make yourself at home and rest… until that night, when your first dancing lesson will take place.
💚 And so, your new life as a dancing teacher begins. You and prince Zoro practice every day for two hours in the palace’s ballroom, and it is immediately evident to you that the task you have accepted will be very hard, perhaps almost impossible, to successfully accomplish. You are determined to do your best, to be patient and helpful with your pupil and not to complain if it takes him days, or even weeks, to master the easiest steps; in short, you want to be an encouraging teacher, the sort a pupil can pose questions to without fear of being reprimanded for not having learned already. Unfortunately, it seems at first all your good intentions are wasted, because your pupil seems at first as gifted at dancing as a fish would be at flying.
💚 Zoro -not prince Zoro, not your highness; he made it very clear on your first day that he finds titles completely superfluous, at least in your current situation. Since we’ll spend time together every day we might as well do without formalities, right? You can call me Zoro and I’ll call you (name), he pointed out. You had to recognise the sensibleness of his proposal, not daring to think what your father would think, knowing you’re letting a man you’ve known for no more than two hours call you by your first name- is completely unable to dance, which you thought impossible for a man who grew up at court; he doesn’t know the name of the most common steps, and can’t even tell a waltz and a foxtrot apart. It’s clear he has no interest whatsoever in the art you love, you could almost say he actively hates it, which is perhaps not surprising, since many men consider dancing a feminine art from which to stay away, lest their masculinity be put in question, but you really wish you could understand why, because that might be the only way to unblock a situation that in the first days of your permanence on Kuraigana seems lost from the start. Mihawk has told you how imperative it is that his heir makes a good impression on his coming-of-age ball, and you’re determined to help him as much as you can, but even with the best intentions you can’t teach a student who doesn’t want to learn.
💚 Zoro never skips your lessons; sometimes he’s late in joining you in the ballroom, but you’re soon informed that is due to his abysmal sense of direction rather than lack of interest or disrespect towards you. Clearly unenthusiastic, he does pay attention as you show him how to move, or explain why this particular dance is different from others, and can even replicate a simple sequence of steps after you’ve shown it to him a few times. He has less sense of rhythm than any person you know, but he’s smart enough to understand that the basic figures of a certain dance are based on the repetition of the same movements, whether there is music or not. When you ask him to dance by himself, arms raised to hold the body of an invisible partner, he manages, even though he still stumbles and occasionally takes the wrong step, and you do see him improve, slowly but surely. If what you had been asked to teach him were solo dances, the sort one performs by themselves, or group ones, you’d probably be able to make a decent dancer out of Zoro in a matter of weeks, and maybe even a respectable one with a little more time. 
💚 Unfortunately it’s couple dances that Mihawk has entrusted you with teaching his heir, and tuat he would be mainly called to perform during balls, and it’s then, when he has to dance with another person, that Zoro freezes. “Put your hand in mine… no, the other hand, that goes on my side… yes, here, and… left foot forward… left foot Zoro, and… aah…!” Soon you have to exchange your delicate dancing shoes for a more sturdy pair, because your pupil keeps stepping on your feet, and he moves so awkwardly a couple of times he almost throws you to the ground; he forgets steps he had executed on his own only five minutes ago, turns the wrong way nine times out of ten, and is suddenly incapable of following the music at all. While until now he had patiently, and dedicatedly, listened to your teachings and done his best to follow your instructions, he is suddenly anxious to conclude your lesson and get away. Truth to be told, you can’t help but get the impression he doesn’t want to dance with you; he doesn’t mind when you’re giving him directions, showing him the steps and correcting him as he dances on his own, but when he has to partner you it’s a completely different matter: Zoro treats you as if you smelled bad, or had some terrible infectious disease - as if, in short, being close to you, sharing your air and touching your hands, were unbearable.
💚 It is perplexing, and frustrating, and also hurtful. Zoro is clearly a solitary person, unless he has known someone for years, and the friends he spends his time with are all men, but in the days since your arrival at Kuraigana your relationship had become cordial, if not exactly friendly. Zoro is quite introverted and taciturn, but as you dined with him and his father or shared a brief walk in the gardens after a chance encounter, you always found a topic to discuss, and you never had the impression he disliked you. What reason would he have? You had never met before, and you’ve never mistreated him when he made a mistake during your lessons -unlike one of your own teachers, who had the unpleasant habit of hitting you on the back or the legs with his cane when he was unsatisfied with your posture- and while he could probably find a more pleasing way to spend his evenings than learning to dance, he told you he’s determined to do his best to please his father. You really don’t understand why during the second part of his lessons, when he has to put into practice what until now he clearly made an effort to learn, he invariably looks like it physically pains him to simply hold your hand and put his on your hip.
💚 You have tried asking him what the problem is, whether you make him uncomfortable and if there’s something you can do to make him more at ease, but he never answered, simply mumbling that it’s not your fault and that he’s sorry, all if it looking at his feet -a habit you’re still desperately trying to make him get out of as a dancer- rather than at you, and offering no explanation for his behaviour. You can’t force him to confide in you, but you fear that if Zoro does not overcome whatever problem prevents him from dancing with you, you will never be able to teach him to dance beyond the very basics. You can always decide to go home; no one is forcing you to remain at Kuraigana in the role of dancing teacher to the prince, and for all his intimidating attitude you know Mihawk won’t get crossed, or worse complain with your father, if you explain to him that you don’t think you can help Zoro, even though you did try your best. The last thing you want is to put your pupil at odds with his father, who he respects immensely and who will be highly displeased to know his heir had his dancing teacher give up after only a few days, but perhaps what Zoro needs is a different approach, a person, preferably more experienced than you, with a different method who will succeed where you have failed… unless, of course, the prince of Kuraigana also treats them as if the simplest touch were an agony he can barely stand. 
💚 One night you try teaching Zoro the basic figures of one of the most popular dances of the kingdom, which requires the man to circle his partner’s waist with his arm as he holds her hand in his. You begin the lesson determined to give your best shot, your last attempt before admitting defeat, but unfortunately it goes even worse than usual; Zoro does passably well for the first part of the lesson, making it clear he actually listened to your instructions and is doing his best to follow your steps, but as soon as you ask him to assume the position, he immediately looks away, as if steeling himself, and is only able to perform -badly- a couple of steps, his body almost physically rejecting yours, before giving up, and brusquely stepping away from you. “This is so stupid!” he exclaims, frustrated, and that is what really sets you off; as a princess you have been taught to keep your opinions to yourself unless asked, but you can’t stand it - you can’t stand him, and the way this stubborn young man insults the art you have dedicated your life to. “How dare you? Dancing is not stupid!” you cry out, pressing a finger to Zoro’s chest “Dancing is an art that has existed as long as humankind has, and you have the courage to dismiss it because you lack the intelligence to appreciate it? You are the fool, since for days you’ve been wasting my time and yours and you can’t even tell me why! If I really am so - so unbearably hideous in your eyes, at least have the courage to tell me to my face!”
💚 Zoro stares at you, flabbergasted, but you see realisation dawn on his face as you turn and stomp -which is proof of how upset you are; as a princess and a dancer, it comes naturally to you to move as lightly and gracefully as you can, but Zoro has brought out the worst in you- out of the room, leaving him alone. The next day, you beg to be excused from the lesson, blaming a terrible migraine, and spend the evening in your room, packing for when, tomorrow morning, you’ll talk to the King and ask to be allowed to return home. Part of you is actually saddened by this failure, and wishes you could have shown Zoro the beauty and the joy that can be found in dancing. You also wish you could have made friends with him, since the prince has many of the qualities you respect and appreciate in people, but the interest is clearly one-sided, since the simple fact of being close to you makes him uncomfortable. You were probably wrong to raise your voice at him, but what is done is done, and after tonight you are pretty sure Zoro will never want to see you again. You really hope Zoro finds someone he feels more at ease with and can learn from, but you can’t help feeling sad, and disappointed, that your first and perhaps only chance to be a dance teacher was a complete failure.
💚 You try to go to sleep early, in anticipation of your departure tomorrow, but two hours later you’re still awake, tossing and turning in your bed; in the end, with a sigh, you get up and put your dressing gown on, wondering if a short walk in the castle’s gardens will help you fall asleep. It will be highly awkward should the King, or Zoro, see you, for different reasons, but you’re pretty convinced you’re safe: the gardens will surely be deserted this late at night, and by now you can move around in the palace well enough to go unnoticed. A few minutes later you are crossing a long empty corridor on the ground floor, not far from the ballroom, when an unexpected noise reaches your ears, the sound of metal clashing against metal, grunting and muffled cries; a sword fight is taking place, you realise as you approach, the ballroom having turned into a field of battle, and the contenders are not two of the palace’s guards, or courtiers who decided to settle a dispute letting their weapons talk for them. It’s the King and his heir… Mihawk and Zoro.
💚 You knew Zoro is a swordsman; it would have been hard not to know, since he carries his three swords wherever he goes, even though you ask him to leave them on a chair during your lessons, not to mention that with a father who has long been considered the world’s strongest swordsman, it was probably natural for him to develop an interest in the art. You have also heard someone mention father and son spar almost every day, as soon as both of them have a free hour, but you never saw them, and perhaps that’s why you instantly forget your programme of walking in the gardens until you feel ready to return to bed, and remain to witness the duel, peeking from behind the door. 
💚 The fight is violent, even brutal, not a simple spar or a friendly match but a serious battle with the two opponents actively trying to hurt each other, so much that at first you wonder if you shouldn’t go call someone to separate them. Soon, though, it becomes clear that Zoro is not attempting to get rid of his father to conquer the throne, nor is Mihawk punishing his heir, like your father occasionally did with you and your brother using his belt; they are training. “Now try a reverse grip, and don’t lower your guard!” the King explains as he effortlessly wields his huge black sword, clearly not restraining himself even though his attacks could easily kill a less experienced adversary “An overhead strike is not appropriate if you’re not right in front of your opponent, you better parry and then a lateral lunge…” 
💚 Zoro is wielding all his swords, the third in his mouth (!), and is… well, he’s exactly what you wish he were during your dancing lessons: at ease, enthusiastic, determined to do anything to succeed as he parries or evades his father’s blows and does his best to counterattack. He’s a formidable swordsman, even someone like you who has never wielded anything larger than a steak knife can see it, but clearly at a disadvantage, struggling to even just keep up with Mihawk, but there is a savage joy in his eyes, the exhilarating feeling of a man who is in his element, focused on the fight above all, willing to get hurt if it means hitting his target. There is a brutal, uneven but compelling sort of elegance in the way the two swordsmen dance -yes, dance- around each other, exchanging blows and trying to break through the opponent’s defences, the clashing of the swords in the place of the gramophone’s music, and parries and lunges playing the part of the steps. You know Zoro can’t win, but as you observe the fight you find yourself cheering every time one of his blows is successful, or when Mihawk silently compliments him with a nod of his head. There is no trace of the awkwardness and unease you have gotten used to during your dancing lessons; if Zoro could be half as thrilled, at ease and motivated then as he is now as he battles his father, you reflect, he’d become a first-rate dancer in a matter of weeks. 
💚 As you look at your pupil, excitement and elation and resoluteness evident on his face, you know this is exactly what you look like as you dance, when you let the music carry you to the point you don’t even feel your feet hurt and even the least coordinated partner becomes graceful, and you’re flying without the need for wings or magic. The sword is Zoro’s passion, just like dancing is yours; you may be as different, and your interest as incompatible, as it is possible to be, but for a moment you feel him close, almost able to perceive the emotions that animate his body. This is when you begin falling for him, even though you don’t realise it yet; when you see the real him, beyond petty fears and untold truths, shining through, the instinctive joy of knowing you are doing what you are meant to.
💚 The duel finally ends, as you expected with Mihawk emerging victorious even though the King does have words of praise -well, of not criticism- for his heir’s performance; the two exchange a few words before Mihawk leaves. “You’re not coming? It’s quite late.” he points out, and Zoro answers that he wants to practise a new technique before going to bed. You remain hidden in your nook while the King leaves the room, and once he has disappeared around the corner you return to look at Zoro, well aware that is not exactly polite, not to mention proper, to spy on him, but you can’t tear your eyes from the heaving, aching young man in front of you, who you feel as you were seeing from the first time… and you sort of are. Zoro takes a minute to drink from a water pitcher placed on a little table in a corner, wipes sweat from his forehead with his shirt -and you’re not as fast as you should be to avert your eyes when the fabric is lifted to expose his toned stomach- then, unexpectedly, he places the sheath with his swords against the wall… reaches the middle of the room… lifts his arms…
💚 … and starts dancing.
💚 If your father were here he’d tell you how unladylike it is to stare at someone with your mouth hanging open, and you’re quite relieved he’s not here, because gaping is exactly what you are doing, left completely speechless by the scene in front of you. He’s performing a simple waltz, counting the steps under his breath, which you have told him to avoid as much as he can because dancing should feel or at least look natural, but otherwise better than he’s ever done during your lessons, even when you let him dance by himself. If this is what he can actually do you’d call him, if not a natural, at least a quicker-than-average learner; does it mean that even if you’re not touching, it’s your presence that disturbs him, making Zoro unable to reach his full potential? Is he simply more at ease practising without a public, like it happens to many artists and athletes? But even so, why is he doing it now?, on the first day he hasn’t been forced to attend a dancing lesson - a freedom he should relish, especially after your tantrum of a few hours ago; you know the lessons were Mihawk’s idea, and how important it is for Zoro to have his father approve of him, but…
💚 “One-two-three… one-two-three… front-back-front…” Zoro keeps repeating in a whisper, stumbling a bit but then quickly catching himself, and you’d happily remain here looking at him for the rest of the night, and this is why you decide to make yourself known, because no matter how unexpectedly pleasant and sweet that chaste form of intimacy, and how lovely it is to look at Zoro, the real Zoro, free of the expectations of his father and the court, you know you’d be terribly embarrassed in his place, not knowing someone is observing you. 
💚 “Good evening.” you murmur, abandoning your hiding spot to reach the centre of the room, and Zoro, startled, is immediately suspicious, even on edge, as if you had caught him as he committed a crime. “What are you doing here? Were you spying on me?” he asks, arms by his side and feet still in a waltz position, and you admit that, having accidentally stumbled upon him and his father on your way to the gardens, you remained to observe them duel… and then him, as he practised his dancing. “I’m sorry, I know it was discourteous.” you admit, which Zoro does not deny “It’s just… you were exceptional.” “You’re exaggerating, I’ve been dancing for less than two weeks.” “You do dance better than I could have imagined, but I was actually talking about your swordsmanship; you… you were amazing, Zoro. I’ve seen my brother use a sword, and there are many capable warriors in my kingdom, but no one is like you; you held your ground against your father, which is not something many people can say. But it’s not simply that you were fighting to win, or for your life; I… I could almost see you pouring your soul in your sword, as if that was what you were put on earth to do; you… you look just like I feel when I dance.”
💚 Zoro is clearly affected by your words, flattered by your compliments and… touched by your ability to understand exactly what he feels as he fights, the sensation of being one with his sword, as if the weapon were an extension of his arm and he could feel every blow it parried on his body, metal and flesh fused in one. He does consider you an intelligent and sensitive person and he does know how much you love dancing, but he never thought you could be similar in that respect… that no matter how different the arts you are passionate about are, you both made them a huge part of your lives, even beyond the objective importance they assume in your everyday lives. Zoro has already been called to fight for the safety of his kingdom, or for his own life, many times, but he would still keep his swords by his side and train with his father even if the whole world were at peace; and he doesn’t doubt you would still dance on your own, even in the narrow space of your room and without music, if balls had been outlawed. Yes, maybe you are more similar than he had imagined… two people who have made of their art a purpose in and a way of life, something that makes their very existence more worthwhile. 
💚 Suddenly as he regards you, and while many would not describe him as the forgiving sort, he’s no longer angry about having been spied on; he’s not even angry you all but shouted at him earlier today, even though you humbly ask for his forgiveness. You end up sitting side by side on the floor, having the first frank, open conversation in the two weeks you have known each other, and finally, without even having to ask him, Zoro shares with you the reason for his awkwardness as you dance together. “I don’t find you… repulsive, at all.” he admits, the relative darkness of the ballroom hiding the slight flush that has crept up on his cheeks “I mean, you don’t smell or… there’s nothing wrong with you; it’s just that… I’m not used to being so close to a woman, and I’m not… quite sure what to do.”
💚 You are left completely speechless by his explanation, which is the last you would have ever imagined. “You are saying… that you are shy?! Not that… there’s nothing wrong with it…” you hasten to add, to which Zoro raises an eyebrow, as if momentarily doubting your sincerity. “But, Zoro, there’s nothing wrong with two people touching each other as they dance; as long as you maintain the correct position, and you don’t take advantage of the proximity to grope, which I know you would never do, no one will ever accuse you of impropriety. Maybe… you have promised yourself to someone, and you don’t want to disrespect them if you dance with someone else?” “Of course not!” Zoro answers, openly surprised you could think he has a partner, as if he had never even considered the possibility; do swordfighters usually prefer to remain celibate, with their sword as their only lover? Or are all the ladies in Kuraigana’s court completely blind, unable to notice the unquestionable attractiveness of their prince? “It’s just… I never had a mother, or a sister, or to be honest a girl friend since I was little, so I never knew how to talk to them, you know? Or what to do when I’m with them, and since most girls like dancing…”
💚 He’s really shy, you realise with a sudden, unexpected surge of tenderness, not to mention the relief of knowing he doesn’t hate you, or find you repulsive, for some mysterious reason. Poor Zoro, he’s the sort of man who considers women a completely different race, with inscrutable rules of their own, and he probably fears that not knowing how to act in their presence, he’ll end up looking like a fool, or a brute, and shaming his father. “Well, in my experience, and while I know well how complicated and ambiguous court etiquette is, many ladies will appreciate it if you simply treat them with kindness, and try not to step on their feet.” you point out “Come to think of it, that is the second reason why your father asked me to come here, is it not? To teach you to talk to women, to make a good impression on them; don’t worry, once I’m done you’ll be the darling of all the ladies of the continent.” “Thank you, but I’ll be happy if they don’t consider me a barbarian after knowing me for five minutes, and they survive a dance with me without bruises.”
💚 You share a laugh, the way friends do. “May I see your swords?” you ask then, still curious about that part of Zoro’s life, so important for him but that you have glimpsed at tonight for the first time, and the young man by your side seems happy to show you his weapons, explaining the history and strengths of each of them, and even invites you to hold his favourite, the Wado Ichimonji, in your hands, to feel how light it is despite the exceptional durableness of its blade. “I wish I could learn to wield it.” you murmur, lost in your thoughts, and Zoro grins. “Really?” “Well… it’s something I’ve never done, you know? There are female swordfighters in my kingdom, but I never thought about joining them or learning. Maybe I should have, you can never know…” “I can teach you if you want.” “Excuse me?” “I can give you swordsmanship lessons, just like you teach me to dance; it’d be a way to repay you for all the time and effort you devote to me.” Zoro proposes, more and more excited as he explains his plan to you “I can tell my father I require more time for my dancing lessons, and no one will disturb us; I must have a blunted sword somewhere… come on, I am sure you’ll love it!”
💚 In your heart, you doubt you’ll be any good, since you have never had any aptitude for weapon fighting -or hand-to-hand, to be fair- and you’re probably too old to learn something completely new, but after all, you decide, why not? You know Zoro will not make fun of you for your clumsiness and complete ignorance of the most basic rules of swordsmanship, and you like his enthusiasm at the prospect of having a -or maybe you as?- pupil of his own. “Alright; I promise I’ll do my best, even though I doubt I’ll ever be worthy of joining the King’s Guard.” you say, and Zoro smiles at you, clearly excited. “You want to bet I’ll prove to be a better teacher than you are?” he jokes, and you smile at him. “I’m sure I’ll prove to be both the better teacher and the better pupil, even though you started your lessons two weeks ago…”
💚 You spend a few more minutes with Zoro, who tells you about his training, that his father started when he was barely five years old, and that an inexperienced witness like you might find excessively hard, brutal and even cruel, but that Zoro welcomes with joy, despite the more or less superficial wounds his father often inflicts him, and the fact that in fourteen years he has never been able to best his teacher, because he knows the King wouldn’t be so hard on him if he hadn’t faith in his potential as a fighter. As he tells you about his swords, of the techniques he has learnt and of the many opponents he has bested, Zoro’s eyes shine with joy, the enthusiasm evident in his voice; it’s quite a difference from the withdrawn, awkward or in the best of cases distant young man you had come to know. Maybe, you reflect, now that you’re finally free from his embarrassment and fear of coming off as inappropriate, the two of you might become friends, able to both teach and learn from each other, and to appreciate your time spent together. As Zoro’s hands touch yours to adjust your grip on the sword’s hilt, you think that nothing would make you happier. 
💚 In the end you both decide to go to bed, since sunrise is only a few hours away. “Lesson number one: a gentleman always offers to accompany a lady somewhere.” you tell him. “But your bed is only fifty paces away.” “It makes no difference, it’s the thought that counts.” Zoro rolls his eyes, secretly amused. “Very well; can I walk you to your room, princess (name)?” “No, thank you, prince Zoro; but thanks for asking.” “Oh, you are unbelievable…” In the end, it’s you who has to help Zoro find his way to his rooms; standing in front of the door you say good-night, and to your surprise, he bows and kisses your hand, much more at ease than he was doing the same on the day of your first encounter. “I’m glad we… I mean, that we talked and there are no problems between us.” he murmurs, his breath warm on the back of your hand as he avoids your eyes “I’ll see you tomorrow, yes?”
💚 You only sleep three hours that night, but you wake up the next morning feeling well-rested and ready for a new day, your intention to tell Mihawk you have decided to leave and return home completely forgotten - at least for now. You and Zoro share a secret smile while you sit at the breakfast table, and that night you present yourself at the ballroom wearing the only pair of pants you own -for riding; you doubt it’s the appropriate clothing for a duel, but you have nothing better- and clumsily fail to grab the blunt sword Zoro tosses you. Amused, he helps you adjust your grip on the hilt, explaining that the grip must be firm but delicate, otherwise your hand will hurt. “Ready? Now try to hit me, however you want.” he invites you, and not knowing any better you launch yourself at him, swinging the sword that is, obviously, taken from your hand in a matter of seconds. “Keep your sword in a defensive position until the last moment before attacking, or you’ll be dead before you get to touch your opponent.” Zoro explains “And you’re not using a broadsword, there’s no reason to use both hands to hold it…”
💚 After five minutes of repeated assaults during which you spectacularly fail to even touch your opponent, Zoro helps you assume the correct position -feet as apart as the width of your shoulders, straight back, knees slightly bent, sword raised at a forty-five degree angle in front of you- and then teaches you a few simple movements, parries and lunges both, that you practise and practise until you’re sure you can repeat them in your sleep. A couple hours and Zoro deems himself satisfied with your performance, and concludes your first lesson. “So? How was it?” he asks, half excited and half nervous, as if fearing you could decide to throw in the towel after a single session; he clearly still hasn’t the faintest idea of the sort of person you are. “I had fun; and I can’t wait to do it again.” you admit “I’m sorry I was so terrible, Zoro, you’re used to training with your father…” “You did well for your first time; and I’m sure you’ll improve rapidly. Now, you want to take over?” “Excuse me? Oh, right…”
💚 You had almost forgotten you also have a lesson to teach, but after Zoro places the swords against the wall, and you both take a minute to drink some water and wipe your sweat off, he returns to you, looking as determined as he was as he fought his father, and you hurry to turn the gramophone on. You tell your pupil there’s no need for him to practise on his own anymore, having seen with your eyes how well he can dance when he believes there’s no one observing him, and so, without wasting any more time, you help Zoro assume the correct position, an arm around your waist and your hand in his, only a few inches separating your bodies. “I can’t believe it is considered proper for a man and a woman to be this close.” he mutters “We can practically k… I mean, if I had bad breath you would smell it!”
💚 (he doesn’t, fortunately)
💚 “I know; in fact, that is the reason. Most of the time it wouldn’t be proper for a man and a woman to be so close, so dancing is a relatively appropriate way for them to have… a moment of intimacy. Not that there is something inherently romantic or sensual in dancing.” you hurry to add; the last thing you want is for Zoro to fear some princess he’s dancing with will take advantage of the situation to let her hand wander “I mean, it is absolutely fine to simply enjoy the music or talk with your partner. Now, are you ready? One, two, three…!”
💚 And so, almost miraculously, you are dancing, your partner still a bit clumsy and slower in his movements than he should be but leagues better than he was only twenty-four hours ago; you move together in a simple, repetitive sequence of steps, and Zoro smiles as he realises he had nothing to fear. “I’m sorry I gave you the impression I… disliked you.” he murmurs after a while “The last thing I wanted was to hurt you.” “I know; and let’s not talk about it again. I’m happy things are clear between us now.” you answer sincerely, and before any of you knows it you have danced successfully for a whole hour, and both of you are satisfied, even though your feet hurt. “Same time tomorrow?” you ask Zoro, and he smiles in return. “I wouldn’t miss it for the world.”
💚 It’s like you have finally found the key to open a particularly sturdy door, to find the treasure hidden inside. Now that misunderstandings and awkwardnesses no longer exist between you and Zoro, he quickly begins improving as a dancer: he’s still rigid, a bit clumsy with the movements he hasn’t been rehearsing for weeks, but every day he’s a little better, and you are confident his father will be more than pleased with the results at his coming-of-age ball. Driven at first mainly by curiosity, you in turn develop a strong interest and fascination for the sword, and the moments you spend learning to wield a blade are soon your favourite during the day. It is tiring, painful, your body sweating and bruising under your clothes, your hand aching as you grip the sword’s hilt, well aware that Zoro could easily parry your every attack, blindfolded and with one hand behind his back. Being a swordswoman is, in short, as different as it can be from being a dancer, and this is why you like it so much: it’s something new, something you have never done before and that you have to do your utmost to be barely passable at -quite a change, given your long experience and objectively uncommon talent as a dancer- a challenge to yourself you’re determined not to lose. You are not sure you’ll ever be a more than mediocre fighter, but you will do your utmost, you promise in the privacy of your heart, for yourself and for Zoro, in order not to look bad compared to his constant improvement as a dancer and to repay all the effort he puts in his lessons.
💚 As a natural consequence of the time you spend together, your at first cordial but distant relationship flourishes in a close friendship. You and Zoro spend long hours talking, either as you walk in the gardens or you take tea in his rooms; a couple of times Zoro invites you to go riding with him, and while you’re pretty sure it’s because none of his friends is available at the moment
💚 (it isn’t)
💚 you are happy to accept. Soon, Zoro is not only a pupil in whose company you’re forced to spend hours every night, nor someone you hang out with out of necessity, since none of your friends has followed you to Kuraigana; you become sincerely fond of him, at ease in his presence like you’ve never been with a person you have known for such a short time. Zoro is introverted, stubborn, despite his father’s best efforts more inclined to solve a problem with his swords -or his fists, occasionally- than diplomatically, but he’s also loyal, generous, and kind, no matter how hard he tries to hide it under a semblance of gruffness; he’s polite towards even the humblest servants of the court, and you’ve seen him with your eyes as he harshly punished one of the guardsmen who had beaten a young groom guilty of not having readied his horse in time. He’s a good man, a good friend, and he will be a good King, when his time comes; soon, the loneliness you had felt after having to say good-bye to your family and friends disappears… and you can’t help thinking of how you’ll miss him, once it’s time for you to go home. Who knows if Zoro will write to you, or even decide to pay you a visit in your kingdom…
💚 The dramatic, terrifying event that leads you to question the tranquil friendship between you and Zoro takes place very late at night. You have completed another productive pair of lessons -Zoro has finally mastered a particularly complex waltz figure, and you have learned a semi-circular parry that allows you to block your opponent’s attack without lowering your defence- when examining your practice sword, Zoro decides it’s time for you to learn to wield a sharp weapon. “Every self-respecting warrior, even a King, takes care of their sword personally, rather than having a servant or a squire do it; tomorrow I’ll show you how to use a whetstone.” he promises, unaware that you already have a little experience in this particular task, having been friends as a girl with the weaponsmith of your father’s palace. You’ve never exactly used a whetstone, only witnessed him doing it, but how hard can it be? You’ll take care of the edge of your sword by yourself, you decide, and tomorrow you’ll present Zoro with a perfectly sharpened weapon; you’re sure he’ll be impressed. 
💚 So you wish Zoro good-night and, rather than returning to your own room, you begin the short trek towards the armoury, where you’re sure to find a wheat-stone. It’s really late and you ought to be in bed, but you’re too excited for your little plan to think about sleeping. Twenty minutes later you are sitting on a stool, your still blunt sword on your lap and a whetstone in your hands as you dearly wish your weaponsmith friend were here to help you, when suddenly you’re not alone anymore. 
💚 The man who has stepped into the armoury is a sergeant of the palace guards, recently assigned there from another fief of the kingdom for having killed, apparently in self-defence, a comrade. He is completely drunk, having spent the evening at the tavern, and when he sees you in the armoury, he thinks that you are a servant busy performing a late order from her master, or a village girl who sneaked in the palace to steal some valuables; someone, in short, he can abuse impudently, because she’ll be unable to react, and to defend herself. 
💚 He’s wrong. 
💚 The man approaches in silence. You’re still focused on the sword when a violent blow collides with your temple, making you see stars; before you have time to realise the danger you’re in, you’re on the ground, with the man above you, a hand pressed on your mouth to silence you. Terrified, unable to move and scream for help, you manage to grab the whetstone that had fallen from your hand and, almost blindly, to hit him in the face with it; the man screams, but when you manage to stand and try to make a run for the door, he grabs you, whispering in your ear that if you scream, he’ll break your neck before the guards on duty can intervene. “If you’re good and make no sounds I’ll let you live.” he whispers, not even trying to sound convincing; as terrifying as it is to realise it, he’s right: no one will come to help you.
💚 Suddenly, as the man’s cold hands start fumbling with your belt, you think about Zoro, and what he would do in a situation like this. He would not passively let this brute abuse him, no, he would fight back, he would show his assailant what he’s capable of, and you are without a doubt less strong than your friend, perhaps even less strong than your abuser, but that doesn’t mean you’re just gonna stand there and let him do as he pleases with you…
💚 Fixed to the wall you’re facing there are several metal hooks, with swords hanging from them that the guards can readily take before the start of their shift, or in case of emergency. Kicking wildly, you hear your assailant emit a cry of pain, and he lets you go long enough for you to reach and grab one of the swords, heavier than the one you have been training with but perfectly sharp. “Let me go or I’ll gut you.” you snarl as you turn to face the man, who has now a hand on his groin, the sword raised in front of you. You have never been so scared, yes, but most of all you’re angry, furious, at this pig who tried to make you -not a princess, not a guest of his King, but a woman with thoughts and rights of her own- his pleasure toy “I swear to God, I’ll kill you if you touch me!” The man laughs at your determination, but thank God Zoro has taught you well, and while the execution is not perfect, your blow hits the mark, and soon the man is on the ground, screaming and calling you words you know but had never heard out loud, as the wound you have inflicted him bleeds profusely. You waste no time gloating, but walk out of the armoury to reach the men standing guard in front of the gate, who heard nothing of your struggle. “Please send for the King.” you tell them, your tone calm and measured even though you’re screaming inside “There is something he needs to see.”
💚 Twenty minutes later you’re in the castle’s kitchen, sitting with an untouched cup of chamomile in your hands, while Mihawk has a quiet but tense conversation with the captain of the guards, who had approved your assailant’s transfer to the palace and is technically responsible for the security of the grounds at night, and Zoro stands silently next to you like a sentinel - or a bodyguard. You have no idea who thought of calling him, but you’re grateful; he has not uttered a word, but you saw his shoulders sag with relief when his father told him you were not wounded or hurt in any way. Neither smiles when your gazes meet, but he steps closer to rest his hands on your shoulders, and it takes all the will-power you own not to shift your weight against his solid body; neither of you is aware that the King has noticed the moment of intimacy between you, correctly reading in it much more than what the relatively chaste contact would suggest. He wisely decides not to mention it, at least for now.
💚 A minute later the King is with you, the guards having left; your assailant will live, he informs you, which he will soon have to regret, and Mihawk will make sure he will never hurt another woman in his life. “Forgive me for asking, princess, but what were you doing in the armoury so late at night? Were you… meeting someone?” He thinks you were waiting for a lover, you realise, feeling yourself blush under the King’s piercing bird-stare. You hurry to tell him the truth, explaining that you wanted to sharpen your sword in preparation for your next swordsmanship lesson, tonight. “You see… I have asked prince Zoro to teach me, in return for his dance lessons.” you explain; you don’t know if the King would find his son offering you to use a sword inappropriate, but you don’t want to risk him getting mad at Zoro. 
💚 Mihawk does not seem to disapprove though; rather, he commends you for your courage and ability to defend yourself, and apologises for what happened, telling you he’s sincerely sorry you had to experience something like this, and happy you’re alright. “I will understand if you want to return home; and I’ll offer you and your father whatever reparation you will decide.” he tells you, and you feel Zoro’s hands tense on your shoulders. You tell his father that what happened wasn’t his fault, that the last thing you want is to leave Kuraigana, and that you see no reason to tell your father or to demand compensation, especially since thank God nothing serious happened. “All I need is a good night’s sleep, and tomorrow I’ll feel much better.” you optimistically explain, and Mihawk is about to call for a maid to walk you to your rooms when “I’ll do it.” Zoro says. Father and son share a long, intense look that you can’t decipher, and a moment later your friend has offered you his hand to lead you out of the kitchen. 
💚 You both remain silent, still hand-in-hand, until you reach your rooms crossing the empty, dark corridors. Like you have taught him to do, Zoro opens the door but waits for you to invite him in, which you do in a whisper; he observes you abandon the blanket on a chair, and then “I’m sorry.” he murmurs “(name), the fault is all mine, I’m so terribly sorry.” “Why should you be? You did nothing wrong, and the decision to go to the armoury was mine. Please, Zoro, there is only one culprit for what happened tonight, I refuse to feel guilty for it and you should do the same.” you point out weakly “To be honest I should thank you; if you hadn’t taught me to use a sword, that man would have probably…”
💚 You can’t finish the sentence; you don’t need to. You cover your face with your hands, and this time Zoro does not hesitate before approaching. “May I embrace you?” he asks, almost shyly “I’d like to comfort you, but maybe you… you’d rather not be touched…” “Of course not.” you hasten to reassure him “I’d be happy to be touched… I mean, if you embraced me.” A moment later you’re held in Zoro’s arms, and you begin crying quietly, your face hidden against his shoulder, because you know you’re safe now, and you should feel proud for how you were able to defend yourself, but you were so scared, and it doesn’t matter if it’s all over now, you can’t stop thinking about it…
💚 And then suddenly you’re moving, Zoro’s arms around you guiding you through the steps of a waltz, and your feet following instinctively. “Zoro, what…?” “I thought dancing would make you feel better.” he explains, and the truth is that it does, even though the beneficial effect is due more to the presence of the young man in front of you than to the pleasant activity he’s leading you in. You adjust your arms’ position, taking one of his hands in yours, and no matter how late it is, and how absurd you must look, you spend a few minutes dancing, with your bed and vanity and wardrobe as your only witnesses; you are no longer crying. “I noticed you told my father our swordsmanship lessons were your idea.” Zoro murmurs after a while. “Well… I wasn’t sure he’d approve, and he wouldn’t get too mad too a guest, and a woman, would he?” “Quite the contrary, I think that knowing you want to learn to use a sword made him automatically fonder of you; hmm, so you did it to protect me…”
💚 He does not comment, but you see Zoro smile. “I’m glad you’re alright.” he murmurs “I know you took care of it, but I wish I could have been there; I would have killed that man with my bare hands.” “Really? For me?” “Of course; I… I don’t know what I would do if something had happened to you.” He looks at you, and you look at him, suddenly aware of how close your faces are, and your bodies, close enough you can feel how fast his heart is beating, but that is alright, because yours is pounding as well, and you’re probably too close, dangerously and inappropriately so, but Zoro couldn’t look less uncomfortable if he tried…
💚 For a short, precious moment, you could swear he’s about to kiss you; that he wants to, at the very least. Heart in your throat, without fully reflecting on what you’re doing but letting your instincts guide you, you whisper his name as you offer him your mouth, feeling his breath on your face… and a moment later Zoro has broken your embrace, even taking half a step back to put some space between you. “Zoro…” “I’m sorry; that was… inappropriate.” he murmurs, a hand pressed to his mouth as if to keep himself in check “I… can’t.” “Why not?” you ask him, half-desperately; you always thought that begging for a man’s attention and affections was the most humiliating thing a woman could do, but you don’t care, not now, not with him… “What would be so wrong about it?”
💚 You receive no answer; avoiding your gaze, Zoro asks you if you want him to send a maid to keep you company until you fall asleep, and then he leaves - leaves you, alone, feeling if possible even worse than you did twenty minutes ago in the armoury.
💚 The next day, Zoro seems to do his best to pretend nothing happened between the two of you - and it technically didn’t, which is the reason why you struggled so much to fall asleep last night and feel embarrassed just thinking about it. You talk briefly at the breakfast table, half-heartedly fighting over the last boiled egg in the bowl, but you can see his mind is elsewhere, and he makes sure to look you in the eyes as seldom as he can. The King looks at the two of you out of the corner of his eye as he butters his toast, but doesn’t comment, politely asking after your swordsmanship lessons, and informs you that both those and Zoro’s dancing classes will have to be suspended for the day, since the court is receiving two important guests: lady Perona, a distant relative of the King who lives on Thriller Bark Island, and lady Hiyori, sister of the Shogun of Wano, who Zoro will be tasked with entertaining during their visit. 
💚 Later that day, you look at Zoro walking in the gardens with the two ladies -both older than him, but exceptionally beautiful- and feel your heart yearning, for him, and for the chance to be in their place. Whatever was born in your heart, maybe last night in your room and maybe slowly, silently, in the weeks that preceded that moment, is still too new and raw to give it a name, but it has taken root, and you fear it’s already too late to ignore or forget it. “He seems to be doing well, don’t you think?” the King asks as he comes to stand next to you, and you nod, proud despite your pain; Zoro has behaved admirably and clearly made a good impression on the ladies. Thank God he’s not dancing with them; your heart couldn’t bear it. 
💚 “Oh, yes; I’m… quite proud; he’s perfectly at ease, and I’m sure the ladies will think well of him.” you answer, hoping to sound more enthusiastic than you feel, and the King nods, satisfied with the results. “I’m sure they’re not the only ones.” he murmurs, more to himself than -apparently- to you; you turn to look at him. “What do you mean?” “Nothing, do not trouble yourself.” Mihawk says, but you could swear he’s grinning, as if amused by a joke you haven’t caught. 
💚 Something very dangerous has begun blossoming inside you, and you fear that, even if it’s just a natural consequence of the moment of intimacy you and Zoro shared, it will end up hurting you if you don’t put an end to it before it has time to grow. For this purpose, you begin returning the attentions of a young lord of Kuraigana’s court, who you know has looked at you with interest since your arrival on the island; he’s a very good dancer - in fact, he’s the partner Mihawk asked you to dance with soon after you were introduced, to test your ability. You take walks and have tea together - in the castle’s dining room or on a patio, never in the privacy of his or your room. Your new friend is pleasant, attractive, polite and clever; you sincerely enjoy your time together, even though, you must admit, sometimes you can’t help wishing there was another man next to you, holding your hand as he helps you descend a set of stairs or smiling at you as your feet touches his under the table. 
💚 It’s dangerous, you tell yourself more than once, unfair towards a man who has done nothing to deserve the unpleasant role of rebound and probably pointless, because not even the most self-controlled person can tell their heart what to feel, or towards whom, but you can’t help it. One afternoon, you and your friend meet Zoro, back from a ride, during one of your walks in the gardens; the two men exchange a polite greeting, and you find yourself observing Zoro’s expression, hoping against hope to find on it a trace of… what? Displeasure? Sorrow? Jealousy, perhaps? But you don’t; the prince simply reminds you of your lesson that night and departs, your gaze following him with a feeling of longing in your heart you can’t stop any more than you could stop the sun from rising every morning.
💚 To all appearances, everything is fine between the two of you: you keep meeting every night for your dancing and swordsmanship lessons, teaching and learning from each other - a perhaps odd situation you nevertheless both enjoy, and naturally look for each other’s company whenever you wish. Your relationship has developed into a firm, sincere friendship, a bond that you cherish and from which at the same time, you can’t help wanting more; you care deeply for Zoro, and you know he’s equally fond of you… even though something changed since that night in your room, since that embrace, a nameless, difficult to define tension that sometimes makes you think that you could be something else, something different but equally precious, if only you could be sincere, throw caution to the wind and tell Zoro what you feel… 
💚 Or if he did; unfortunately, it’s not always easy to understand what Zoro feels. Most of the time he seems happy with your relationship as it is; he never asks about your friend, not even to playfully tease you about him like friends do, and when you mention lady Perona and lady Hiyori, fearing to discover he has developed an affection for either of them, he simply shrugs and tells you they were both nice - which could mean everything and its opposite. Zoro told you he never had a lover, or wanted one, whether in the form of an official engagement or as a passing dalliance; most of the time, he gives the impression of being much more interested in swords than in women -or men- and that his feelings for you are purely platonic. 
💚 And then there are other moments - few and far between, so much that you could almost forget about each of them or consider them nothing more than random accidents, but you never do. There’s the way he holds you closer than he should, almost possessively, as you dance a waltz; the slight tremble in his hand when he takes yours to help you pass over an obstacle on your path; the genuine affection in his eyes when you catch him looking at you, lifting your gaze from your embroidery or a letter to your father, and the slight flush that colours his face when he realises you’ve noticed. In those moments, you can hope; in those moments, as warmth fills your stomach and your heartbeat accelerates, you can be almost be sure that it’s not simply the romantic reveries of a woman who sees what her heart wants her to, but that Zoro feels the same, that he cares about you beyond friendship, and that if only one of you found the courage, and the right moment, to confess, then no couple in the world would ever be happier than the two of you…
💚 Of course it’s more complicated than that. You’re a princess, and you know well that it’s your duty to marry for the sake of your kingdom and your people, to secure an alliance or to put an end to a bloody war; it’s a role you’re ready and even happy to play, confident that your father will choose a good husband for you, and not simply sell you to the highest bidder with no regards for your happiness. Surely Mihawk is of the same mind, and will one day select a few unmarried princesses and ladies to introduce to his son; who knows if you could be one of them? Your kingdoms have been allies for decades, so a marriage between the two heirs might seem superfluous, but perhaps you and Zoro could convince your fathers, make them see that an union between the two of you would still be beneficial, and wouldn’t the heir of a firm ally be a excellent match for their own child…?
💚 Usually it’s a man’s prerogative to begin a courtship, but Zoro doesn’t seem inclined to confess his feelings - out of shyness, you hope, rather than because he has never even thought about you as a potential partner. Then you’ll do it, you decide; soon, preferably, since Zoro’s coming-of-age ball approaches, and he’s by now a good enough dancer he can keep practising on his own, without a teacher, which means you’ll soon have to return home. The last thing you want is for you and Zoro to have to part before you can tell each other what you feel; you need to act fast. You’ll make sure you won’t be disturbed, take his hands in yours and tell him, Zoro, no matter how grateful I am for your friendship, I have come to care greatly about you…
💚 “You’re distracted.” Zoro points out suddenly, and you blink, momentarily taken aback. “I thought I was doing fine.” you defend yourself, even though there was no trace of accusation in your friend’s voice; you have been sparring for a few minutes and you were able to par or avoid most of Zoro’s lunges. He nods, admitting that you’re improving by the day, but it's nevertheless evident you have something on your mind. “Is something wrong? I know you received a letter from your father today; is he alright? Does it concern your lover?”
💚 You tell him that your father is in good health, thanks for asking, and that the person he has mentioned is not your lover, just a friend you have taken walks and drunk tea with a few times. “Are you sure? Because this morning he told one of my friends he is going to ask your father’s permission to court you.” he points out, his expression unreadable “But it's fine, you don't have to tell me if you don't want to. Here… I have something for you…”
💚 This time you're not simply taken aback. Completely speechless, you observe the object Zoro has put in your hands: a sword, clearly newly made, with the coat of arms of your kingdom engraved on the hilt. “I had it done by the best weaponsmith in the kingdom; I hope you like it.” Zoro says “I know you’ll never devote your life to the sword like my father and I have, but you seem to genuinely enjoy it, and you’re becoming quite proficient at it… well, I thought you’d enjoy having your own sword. Do you like it?” Zoro asks, clearly more unsure that he’d like to be, and “It’s beautiful.” you murmur reverently as you inspect the weapon, the grip on the hilt perfect for your hand. For a whole minute neither of you speaks, and unfortunately you’re too focused on the sword, because otherwise you’d see the way Zoro is looking at you, and that would be enough to dispel any doubt regarding his feelings.
💚 “I guess now it’s up to me; I’ll have to gift you a pair of dancing shoes.” you point out in the end, making him laugh, but you’re not, because you understand how important this is for him, for a man who is a swordsman before anything else, who has made the sword his religion, his ambition, his cause, almost his reason to live, to give you your own blade “Zoro, I… I don’t know what to say; this is beautiful, and I really appreciate it. I promise I’ll treasure it forever, and I’ll work hard to be worthy of this gift.” Zoro smiles, relieved, and then for a minute neither feels the need to talk; in the end, just as you’re gathering the courage to tell him what you feel, Zoro takes your hand and “You know that it’s going to be my birthday soon?”
💚 Of course you know. On his next birthday, Zoro will officially come of age according to the law of the kingdom; lavish celebrations are being planned, with dozens of important guests, including your father, who confirmed in his last letter he’s going to come, leaving your older brother as a regent; you can’t wait to introduce him to Zoro. “Of course; I know that by now you’re a more than capable dancer, at least for balls and other social occasions, but I hope you don’t mind if I stay until then.” “Not at all; in fact, I’d really like it if you stayed, because… well, because we’re friends, obviously, and also because there’s something I need to tell you. Something very important.”
💚 “What?” you ask, not daring to guess, not daring to hope, but Zoro insists on waiting, and that he can’t tell you before the day of his coming-of-age ball. “Why don’t we return to our lesson?” he suggests then, and you nod, eager to test your new sword, your heart trembling. Hours later, at the end of yet another fruitful lesson, you bid Zoro goodnight, kindly refusing his offer to walk you to your room for a reason you barely dare to admit in the privacy of your own heart. “Zoro?” you call him once you’ve reached the room’s door, and he turns to look at you as he ties the swords’ scabbard around his waist “About my… friend. I really consider him a friend and nothing more; I swear.” 
💚 Zoro smiles; you would have to be blind not to see the relief in his eyes. “I’m glad to hear it; he’s not good for you.” “He’s a perfectly polite person, clever and very kind.” “I know; but he’s not like you. He’s not…” he hesitates before adding “... special.” and then he mumbles a goodnight and turns to fumble with one of his swords. You leave the room silently, the weight of the unspoken things between you a sensual shiver down your spine as you walk towards your bedroom. 
💚 Zoro’s coming-of-age ball is only a week away. While the whole court seems busy with the preparations, you spend most of your time helping the honoree practising his dancing; Zoro will probably have to dance with many ladies, including queens and princesses of families allied with his father, and it’s of the utmost importance that he makes a good impression - or at least that he doesn’t cause a diplomatic incident tripping his partner into the punch bowl. You also give him a few tips to help him make a good impression on the fairer sex. “There is no reason to be nervous; in the end, women are people, in many respects the differences in how to relate to them or to men are minimal.” you tell him “Be courteous, avoid swearing, introduce them to other people to make them feel welcome; maybe ask about their interests, take a chair or a drink for those who need them.” “And that would be enough to make them love me?” Zoro asks, clearly sceptical, as he, almost without noticing, executes perfectly a complex dance move that he had already attempted a thousand times, holding you against him, the warmth of his body seeping into your blood. You’re tempted to answer that yes, you wouldn’t be surprised if every single lady who will be at court that night asks for his hand, because Zoro is a man easy to love, and easy to fall in love with; after all you did, without even realising it until you were completely lost. It’s a feeling you had never experienced, so intense and special it makes your previous relationships, short-lived dalliances and unrequited crushes, disappear; it scares you, but at the same time you’re grateful you get to feel it - grateful you got to meet Zoro.
💚 “You’re going to be fine.” you reassure him in the end, as you both bow at the end of the dance “And whatever happens… even in the remote case the evening is a disaster, know that I’m proud of you; I know how hard you worked to learn, and I know your father will as well. It’s going to be alright, Zoro; and even if it doesn’t, I will be by your side.” He nods, more relieved to hear your promise than if you had sworn to stand by his side against a whole army of enemies. “Thank you for everything you have done for me; I know I haven’t been the best pupil, at least at first.” “Don’t mention it; I’m glad I could help you.” you assure him; and then, less sincerely: “I can’t wait to see you dance with the ladies during the ball.”
💚 And finally, the big day comes; guests from kingdoms far and wide have started arriving since yesterday, including your father, who is happy to see you, and to hear Mihawk praise you for all you did to teach Zoro to dance. You can’t wait to introduce your friend and your father, but there’s an equally important, although less pleasant, duty you need to fulfil: talk to your friend, who has just returned from a brief trip visiting relatives, to tell him you don’t intend to continue your relationship. It is, as you expected, a difficult and painful conversation, but to his credit, he reacts politely, thanking you for your sincerity and accepting your offer of friendship; he kisses your hand, and then asks to walk you back to your rooms, which you of course accept. “Oh, look who just arrived.” he notes a minute later, looking out one of the large ogive window of the east corridor; curious, you stop to peek as well, and see Mihawk, standing in front of the main gate, as he helps a woman step down from her carriage, followed by a younger one: they must be exceptionally important guests, you think, for the King to come personally to welcome them. “Who are those?”
💚 “That is Queen Belle-mère of Cocoyashi, and her daughter, princess Nami. I’m sure the prince has mentioned her.” “Why? Is Z-is the prince a friend of hers?” you ask, more and more confused, and your former suitor looks at you surprised, as if you had just admitted not knowing the sun rises in the east every morning. “Friend? No; princess Nami is his future bride; they are going to marry soon, to seal an alliance between the two kingdoms. You really did not know?”
💚 You didn’t.
💚 In the early afternoon, one of the maids comes to the room you have all but secluded yourself in, telling you the prince has asked about you; you ask her to report you’re too busy to answer, and remain in bed, curled up under a blanket despite the relatively warm day, your face hidden in the pillow you have already drenched in your tears. 
💚 He’s going to marry soon. You can’t believe Zoro never mentioned it, but after a moment of reflection you have to admit you should have at least suspected it. After all, what better occasion to announce the engagement of a prince or a princess than during a ball in front of so many other royals and nobles? Mihawk probably wanted to make sure his heir wouldn’t make a fool of himself in front of his fiancée; Zoro is his father’s only child, how could you not imagine he would be formally engaged as soon as he came of age? The longer you think about it the more you realise how blind you have been, and your heart breaks for it: you taught him to dance, and how to act in the company of women, while in the meantime developing feelings for him… all of it, to prepare him for an union with another bride. Is this why Zoro didn’t kiss you that night, because it would have been improper given his status as an almost-engaged man? You wouldn’t be surprised, given how honourable he is; but then, what of the feelings you could have sworn he has also developed for you, and of his evident jealousy towards you former suitor? Did you imagine all of it? And what of the sword he has given you - a parting gift, perhaps, to remember him by once he has settled with his new wife and you’ve returned home? 
💚 Now that you remember, he did say there was something important he wanted to tell you, after the ball. About what? Why would he want to wait until his official engagement? You have no idea, and frankly you don’t care. The three other people you have spoken about it after your former suitor mentioned the matter -one of the maids, an older lady, and one of the castle guards- all confirmed the whole court has known about the engagement for months, since before your arrival in Kuraigana, even though no one bothered to tell you - or who knows, maybe it’s your fault, and you simply didn’t realise the fact was common knowledge because you were too focused on your lessons with the prince, and on Zoro himself, who has now become more important for you than anyone has even been. You really thought he cared for you, and maybe he does; you have no idea of what his feelings towards princess Nami -who is really beautiful, elegant and shapely and with hair of a lovely tangerine-orange colour; you’ve peeked at her from behind a column as the King led her and her mother inside the palace, and had to admit she and Zoro would look lovely together- are, whether he hates her, loves her, or whatever else, but he wouldn’t be the first royal who develops feelings for someone while engaged with someone else…
💚 Does he… does he plan on asking you to be his mistress while he’s married to Nami?! You can’t believe Zoro would propose such a squalid arrangement, but even if the alternative is losing him, even if he confesses he’s in love with you and that would be the only way for the two of you to be together, you’re determined to refuse: you have your dignity, and you’re not going to humiliate yourself into an illicit affair, not even for the man you have fallen in love with. You’ll beg your father to be allowed to return home tomorrow morning, and until then you’ll do your best to avoid Zoro, and his future fiancée.
💚 That night, as the whole court celebrate its prince’s coming-of-age, you beg both your father and Mihawk to be excused from the ball, citing period cramps -the perfect excuse; not the sort of ailment that would lead your father to call for a doctor, a matter a man would not ask to know more about- as the reason, and remain in your room with your dinner served on a tray. You had looked forward to the evening, dancing to your heart’s content and seeing Zoro impress his father’s guests, but witnessing his engagement being announced requires more strength than you can gather. You had bought a new, beautiful dress especially for the occasion, and had also hoped Zoro would reserve for you the most important dance of the evening, the last, but you have no doubt princess Nami has eclipsed you in both regards. You spend a rather lonely evening, chiding yourself for having been so naive not to realise the man you had fallen for was already spoken for, and at the same time unable to regret having accept Mihawk’s request to come to Kuraigana: despite your broken heart, you’re glad to have met Zoro, and to have been his friend, and even though you’ll never be able to call him yours you will carry his memory in your heart forever. 
💚 In the end, the music you can hear filtering from the ballroom two floors below ceases, a sign that the ball has ended. You are already in bed, slowly drifting to sleep surrounded by the darkness of the room, when suddenly you hear an urgent, insistent knocking at the door. Your first, mostly irrational, thought is that you’re being called upon because something has happened to your father; you leave your bed and run to the door, but when you open it the person you find yourself face to face with is not the assistant of the castle’s doctor, nor a maid.
💚 “Let me in.”
💚 It’s Zoro.
💚 “Are you out of your mind?” you hiss, suddenly tense; you have no reason to believe he toyed with your feelings, but he’s the last person you wish to see now “Do you have any idea what time it is? If someone saw you now, at the door of a lady’s room, someone could think…” “No one will see me if you let me in.” Zoro answers, stone-faced “I need to talk to you, and no, it can’t wait.” Grumbling, and mentally ordering your heart to stop pounding, you make sure the corridor is empty save for Zoro, allow him to enter, and quickly close the door behind him. “So? What’s so important you felt the need to disturb me so late at night?” you ask, staring at Zoro, arms crossed; in your heart you know he does not deserve your anger, but right now, given what must have just happened, you don’t have the strength to pretend all is well. Zoro is silent for a minute as he regards you, breath-takingly handsome in his dress uniform but strangely tense, hesitant as if he didn’t know how to express what he’s thinking; you wonder how it feels to be engaged, and what he felt as the court observed him slip a ring on Nami’s finger “Why didn’t you come to the ball? And don’t tell me it’s because of your time of the month, because I know you had them last week.”
💚 He knows, you remember blushing a bit, because he heard you complain your stomach hurt and got worried you were falling sick; of course, it’s highly improper for a woman to discuss that sort of private matter with a man, but explaining the real reason for your malaise to Zoro felt natural… because you knew the two of you were past that sort of false embarrassment, and that there was very little you could not discuss frankly, and be sincere about, despite the gender difference.
💚 You don’t quite know how to answer Zoro’s question, and you already know he won’t leave without having received a response; suddenly, as you face each other, like two dancers ready to take the first step, you feel naked, even though you have grabbed your dressing gown on your way to the door. “You haven’t been entirely honest with me.” you point out in the end, and Zoro blinks, nonplussed. “... I haven’t?” “Well, you didn’t have to discuss your personal matters with me, but I found it odd that you never mentioned the fact that you’re engaged.” “What? Who told you? And why does it matter to you that…? Oh…”
💚 Zoro looks flabbergasted for a moment, and then an odd kind of calm seems to fall on him… tension barely kept at bay, not unlike the way you have seen him face his father, swords at the ready, before the beginning of a new duel. “And why…” he finally starts, his voice barely rising above a whisper “Why is it so important to you whether I’m engaged or not? Don’t tell me you’re hurt because as friends we’re supposed to share everything, because I won’t believe it.” He’s right, obviously, and no matter how deeply you’ve come to trust and care for him, at the moment you feel so humiliated you can’t bear to look him in the eyes; Zoro knows what you feel, and you just want him to go and leave you with your disappointment… 
💚 “(name), look at me.” “Go away, Zoro. If you care for me, if you consider me a friend, please leave me alone.” “I won’t; not before we can talk. Listen…” A moment later, as you still refuse to look at him, he has stepped closer to take your hands in his. “I am not engaged, (name).” he murmurs softly “If you’re talking about princess Nami, well… my father did ask me whether I’d be willing to marry her; I told him marriage did not interest me, but I would meet her to please him, and he promised to respect my decision. I’ve met her today and she’s… nice; she’s very smart, and pretty, I guess, but I don’t like her that way.” He’s not going to ask for Nami’s hand, he insists, first of all because she’s not available: she’s been engaged to princess Vivi of Alabasta, and plans on telling her mother as soon as she comes of age, next year. Also, for his part… well…
💚 “When I realised you hadn’t come, I asked your friend where you were; he told me he had no idea, and also that you had broken up with him.” “Well, I did tell you I only saw him as a friend.” “You did; but I can’t help wondering if there’s another reason, one that… has to do with me…” You smile; now Zoro is embarrassed, and while you don’t enjoy making him uncomfortable, you can’t ignore the timid, fragile hope that has blossomed in your heart. “May I ask you a question? That night, when you walked me here from the kitchens… were you going to kiss me?” you ask, and Zoro flushes; he bites his lip before admitting: “I was. I… wanted to, at least.” “And why didn’t you?” “(name)... you had been assaulted. Did you really think I could approach you, even with a simple kiss? I thought that at least in that moment, the last thing you wanted was to be touched by a man.” 
💚 You sigh, grateful for his discretion. “I wouldn’t have minded, though.” you admit in a whisper “Not with you, and at least for a kiss… or several.” “Glad to hear it.” Zoro admits; he’s blushing furiously now, but you couldn’t tease him even if you wanted, because you are in the same state “For your information, I danced splendidly; even my father was impressed. And I didn’t make a fool of myself even once. You should have seen me, and you could have, if you had come speak to me rather than listening to court gossip; you had promised you’d be there.” “You’re right.” you admit “I’m sorry, it’s just… well, I wasn’t sure about what you felt, and I hoped you would… tell me…”
💚 Zoro admits that this is exactly what he planned on doing after the ball, once he had officially come of age: declare his feelings and ask for permission to court you. “I… already tried, in fact. You probably don’t know, but among swordsmen and warriors in general, there is a tradition… to gift a weapon to one another, as a declaration of intent. I enjoyed teaching you to use a sword, and want you to have one to defend yourself, but I also hoped that… well, that you would understand I was trying to tell you what I feel…”
💚 You softly point out that you had no way to know the hidden meaning of his gift, since all you know about swords, you have learned it from him; but now that you do you appreciate it even more… and one day, maybe, you’ll find a sword powerful and special enough to gift it to him. By now you’re both smiling; there are so many things you should say, but none is more important than the pure, precious feeling of belonging you are both experiencing, trust and friendship and affection all in one, Zoro’s forehead resting against yours as you feel able to breathe freely for the first time in years. Then your eyes meet and “May I?” he asks “I know I shouldn’t be here, and I can talk to your father first thing tomorrow if it makes you…” He can’t finish the sentence, because you have silenced him with a kiss, long and passionate, that Zoro instantly returns, holding you close as you lock your arms behind his neck; when you part, both gasping for air, neither of you feels the need to talk, but you hold each other tight. 
💚 In the end, Zoro quietly asks for your permission to speak to your father; he has already spoken to his, and Mihawk has approved his decision -”Seriously?” “Absolutely. He didn’t look surprised, but I could swear he was sincerely happy for us.”- to ask for permission to court you. You tell him that nothing would make you happier, but he better wait for you to come of age as well, in three months, and until then you can write to each other, sharing your feelings in the intimacy of the written word. 
💚 “Can’t you stay here until then? I think I’m in dire need of more dancing classes.” “Hmmm, I should help you perfect your technique then…”
💚 That night you throw caution to the wind, and ask Zoro to stay, which he eagerly accepts. You spend hours holding each other in bed, sharing whispers and kisses as your hands move to explore skin you had until now barely dared to hope you would one day get to caress. “This is why I couldn’t bear to dance with you at first, you know?” he confesses in a whisper as his fingers play with your hair “Because I… I already cared for you, and the thought of touching you made my pulse quicken. I feared that I wouldn’t be able to keep myself in check, and I would end up making a fool of myself.” You assure him that you could have never considered him a fool, and that knowing of his feelings makes you indescribably happy.
💚 “So, my prince, you think you can understand ladies a little better now?” you ask him in the end, as he holds you in his arms once more, your cheek resting against his shoulder, and Zoro smiles. “I think I got to understand at least one.” he points out softly “And that is more than enough for me.” 
💚 You get married two years after your coming-of-age, with the approval of both of your fathers, surrounded by your friends, including princesses Nami and Vivi, who you have grown very close to and who are also newly married; by now you’ve become quite capable as a swordswoman, even though Zoro insists there is always room for improvement. Your husband, more handsome than ever in his wedding suit and whose eyes are full of the love you share and that never stops growing, takes your hand to lead you to the centre of the ballroom, and you feel your heart burst with joy, excited to spend the rest of your life by his side. “Ready, wife?” “I’ve always been ready, since I met you, husband.” you assure him; you rest your left hand on his shoulder and let him take the other in his, confident in your heart he’s never letting it go. A moment later you’re following him through the steps of your first waltz as a married couple, your bodies moving as one as the world seems to disappear from around you. 
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covid-safer-hotties · 2 months ago
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By John Mackay and Martin Scott
New South Wales (NSW) Ministry of Health data released last month under freedom of information laws reveal that 6,007 patients contracted COVID in the state’s public hospitals in 2023. This contributed to the death of 297 people, meaning that 14 percent of fatal COVID infections in the state were acquired in hospital.
The data, which also cover the first four months of this year, show that similar infection and death rates have continued, with 1,729 patients catching COVID in NSW hospitals and 86 dying, between the start of January and the end of April.
The NSW figures are in line with previously uncovered Victorian data, which showed that 6,212 patients contracted COVID in the state’s public hospitals and 586 died in 2022 and 2023.
This is a direct product of the conscious and planned abolition of virtually all public health measures to prevent the spread of COVID, including the removal of mask mandates in hospitals. These pro-business “forever COVID” policies, adopted by all governments worldwide, have in Australia been spearheaded by Labor at the state and federal level.
The NSW hospital infection figures were unearthed through a persistent 18-month campaign by lawyer Peter Vogel. His first Government Information Public Access application to the Ministry of Health was made in February 2023. This was rebuffed, with the Ministry claiming, according to Vogel, “It would take 140 hours to produce a report showing [the] number of hospital acquired COVID cases.”
After Vogel requested an internal review, the Ministry replied in July 2023 that it “does not hold complete and accurate records regarding nosocomial [hospital-acquired] infections.”
Only in June 2024, after multiple additional freedom of information requests to other agencies and repeated denials that any part of the NSW government or health bureaucracy had records of hospital-acquired infection, did the Ministry of Health admit that it held the information the lawyer sought. Even then, it claimed it would take 31 hours to produce a report, and Vogel would have to pay $930 for it. The data were finally provided to Vogel on September 17.
This is just one example of the extent to which serious illness and death from the ongoing COVID pandemic is being consciously covered up by the state and federal Labor governments. With the aid of the corporate media, virtually all reporting of the deadly virus has been suppressed, to provide phoney justification for the profit-driven and unscientific abolition of basic infection control measures.
The entire testing and reporting infrastructure has been eviscerated. Only two states, NSW and Western Australia (WA), continue to test wastewater samples for COVID, while hospitalisation figures in most jurisdictions are only reported intermittently.
Most strikingly, COVID deaths are no longer reported in NSW, Queensland, WA or the Northern Territory, except as part of overall mortality statistics, released months after the fact. The presentation of these national mortality figures, produced by the Australian Bureau of Statistics (ABS), has been modified to obfuscate the substantial increase in annual deaths, which is ongoing.
According to the outdated and incomplete official figures, COVID contributed significantly or was the main cause of more than 23,500 deaths between January 2022 and September 2024, around one-quarter of which occurred in residential aged care facilities.
In a grim refutation of the lie that the pandemic is over, COVID-contributed fatalities this year have occurred at a rate of 497.5 per month, barely lower than the 512 per month recorded in 2023.
The fact that so many fatal COVID infections have been contracted in health and aged care settings underscores that, in line with capitalist governments worldwide, Australia’s state and federal Labor governments are committing social murder, targeted at the most vulnerable people in society.
Dr Stéphane Bouchoucha, president of the Australasian College for Infection Prevention and Control, told the ABC the NSW hospital infection data was “concerning and tragic.”
He said: “This is the core business of infection prevention and control… The premise that we can allow some deaths, to me, is wrong.
“We know how COVID is transmitted and we know how to prevent healthcare associated infections,” Bouchoucha stated, referring to the need to ensure good ventilation and air filtration, testing and contact tracing, isolating infected patients and requiring healthcare workers to wear masks.
Many of these measures were introduced in the early stages of the pandemic and had a significant impact in reducing the spread of infection within health facilities, but have since been abandoned.
This flies in the face of decades of medical advances and longstanding infection control measures in hospitals. For example, there are long-established protocols for identifying and preventing the spread of infections with “golden” staphylococcus, a hospital-acquired bacteria that can be resistant to antibiotics.
In NSW, the tearing down of COVID public health measures began under the Perrottet Liberal-National government, but has been completed under the Labor government led by Premier Chris Minns. This could not have been carried out without the assistance of the health unions, which have enforced every reckless and unscientific step of the process.
In 2022, Health Services Union (HSU) national president and NSW state secretary Gerard Hayes was at the forefront of demands for the scrapping of COVID isolation requirements for health staff, because of the supposed impact of such measures on “the economy.”
In August 2023, the HSU hailed the NSW Labor government’s scrapping of public hospital mask mandates as “a milestone in health.”
The HSU, along with the NSW Nurses and Midwives’ Association, promote the lie that COVID is a thing of the past, entirely separate from workers’ disputes over pay and conditions in recent years. These struggles have included multiple mass strikes by more than 10,000 nurses and midwives, but year after year, the union leaders have pushed through sell-out deals, slashing real wages in line with government demands.
The reality is that the fight for decent working conditions in health is inseparable from the fight to end the COVID pandemic, which has massively exacerbated the dire state of the public hospital system, which faces a chronic shortage of staff and resources after decades of union-enforced government cuts.
To take this forward, health workers will have to take matters into their own hands. Rank-and-file committees, independent of the unions, must be established in hospitals and health facilities and the fight for patient and staff safety linked with the struggle for real improvements to workers’ pay and conditions.
In the first instance, this must include the re-implementation of infection control measures, including masks and isolation, in all health workplaces. But as long as the virus is allowed to circulate unchecked among the broader population, protecting hospital patients and staff will be a constant battle.
A fight must be taken up, by health workers and the working class as a whole, for the elimination of COVID worldwide. This is possible, but not under the framework of the capitalist system, which rejects public health measures as unprofitable, and not within the borders of a single country.
Workers in Australia and worldwide confront the existential necessity of a struggle for a political alternative to the ruling class program of endless infection, illness and death. Only through the fight for a workers’ government to implement socialist policies, can society’s plentiful resources be stripped from the banks and corporations and turned towards ridding the world of COVID and making high-quality public healthcare freely available to all.
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scientia-rex · 9 months ago
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If you don't mind, I saw your post about smoking while on hormones recently and I have a couple questions.
Obviously quiting smoking is better for you in general. But are the adverse effects while on hormones the same for testosterone and estrogen?
Secondly, is this mostly about the nicotine in cigarettes (generally what people mean when they say smoking) or is it about smoking anything at all (weed, vapes, nicotine vapes, etc)?
Thanks!
Good questions and unfortunately I have to say that we don’t have enough solid data for great answers on either.
Testosterone raises risk of heart attack or stroke, in part because it causes an increase in red blood cell production. You might be familiar with blood thinners that can be used to prevent heart attack or stroke; blood thickeners do the opposite. However, this data is nowhere near adequate in the transgender population. I cannot tell you much at all about how dose, method of delivery, duration of treatment, or T levels during treatment affect this long-term risk, especially over decades. The best response to this uncertainty is for trans men and transmasc people on T to protect their cardiac health from all other risks as much as possible.
Which then leads to the question of type of smoke. I would love to be able to offer you conclusive answers on that, but the Feds made it virtually impossible to study marijuana until a couple of years ago, so I can’t tell you whether marijuana is as dangerous as tobacco or not, or whether mode of intake matters. I can tell you that tobacco is bad but that people consistently underestimate the risks of nicotine by itself. Nicotine is the insecticide component of tobacco. It will cause your small blood vessels to contract, decreasing blood flow to critical areas of the body and heart. Nicotine impedes healing—smokers are notoriously bad at healing after surgery to the point where I know multiple surgeons who will literally do a blood test for nicotine metabolites before doing higher risk surgeries. They don’t trust patients to tell them whether they smoked, and they have reason to distrust. You want top or bottom surgery? Quit smoking. Now.
I had an attending once describing to me watching what happened to a woman who had fingers reattached. He warned her that if she ever smoked again, she would lose the fingers. She didn’t believe him and thought just smoking a little would be fine. The fingers necrosed—died—immediately, because those small blood vessels are critical to healing a process like a reattachment or transplant. So then she had open wounds with gangrenous fingers attached to them. Great.
We don’t have long-term health outcomes data on vapes yet but for my money they’re going to turn out to be really bad for you as well. Nicotine is a poison. Your lungs don’t love poison delivery by any mechanism. The combustion products of tobacco are also REALLY FUCKING BAD for creating cancerous mutations in your cells, but don’t inhale poison if you want to live a rewarding life where you get to enjoy doing things you want to do, like fucking. (Erections also depend on blood flow and healthy blood vessels. Treat yours with kindness.)
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mindblowingscience · 7 months ago
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When we set off on a car ride, we might not think about the chances of an accident, or any other risks – including the potentially dangerous materials that researchers have found in 99 percent of cabins tested in vehicles manufactured in the US since 2015. These materials are fitted to meet flame retardant safety standards, but according to the US and Canadian team behind the new study, their inclusion may be causing more harm than good. They're now asking for a rethink on the inclusion of these substances. "Our research found that interior materials release harmful chemicals into the cabin air of our cars," says environmental scientist Rebecca Hoehn from Duke University. "Considering the average driver spends about an hour in the car every day, this is a significant public health issue."
Continue Reading.
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ngdrb · 6 months ago
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The accomplishments of Joe Biden during his presidency
Joe Biden, the 46th President of the United States, assumed office at a pivotal moment in history, facing a myriad of challenges ranging from a global pandemic to economic uncertainty and social unrest.
Throughout his presidency, President Biden has pursued an ambitious agenda aimed at addressing these pressing issues and advancing key policy priorities. In this essay, we will examine some of the notable accomplishments of Joe Biden during his time in office and the impact of his leadership on the nation.
One of the most significant accomplishments of President Biden during his presidency has been his administration's response to the COVID-19 pandemic. Upon taking office, President Biden made the pandemic a top priority and swiftly implemented a national strategy to combat the spread of the virus and accelerate the vaccination campaign.
Under his leadership, the administration successfully exceeded its initial goal of administering 100 million vaccine doses within the first 100 days, ultimately surpassing 200 million doses. This aggressive vaccination effort has been instrumental in curbing the spread of the virus and has contributed to a significant reduction in COVID-19 cases and deaths across the country.
 In addition to his focus on public health, President Biden has made substantial strides in revitalizing the American economy in the wake of the pandemic. The administration's American Rescue Plan, a comprehensive COVID-19 relief package, provided much-needed financial assistance to individuals, families, and businesses impacted by the economic downturn. The plan included direct stimulus payments to Americans, extended unemployment benefits, support for small businesses, and funding for vaccine distribution and testing. 
President Biden's economic agenda has also centered on job creation and infrastructure investment, culminating in the passage of the Bipartisan Infrastructure Law, a historic legislation that allocates substantial funding for modernizing the nation's infrastructure, creating millions of jobs, and bolstering economic growth. Furthermore, President Biden has been a vocal advocate for advancing racial equity and social justice in the United States. His administration has taken concrete steps to address systemic inequalities and promote inclusivity, including the signing of executive orders to combat discrimination, promote fair housing, and strengthen tribal sovereignty. 
Additionally, President Biden signed into law the Juneteenth National Independence Day Act, establishing Juneteenth as a federal holiday to commemorate the end of slavery in the United States. These actions underscore the administration's commitment to confronting the legacy of racism and fostering a more equitable society for all Americans.
 Moreover, President Biden has demonstrated a strong commitment to combating climate change and advancing environmental sustainability.
 His administration rejoined the Paris Agreement on climate change, signaling a renewed dedication to global cooperation in addressing the climate crisis. In November 2021, President Biden convened a virtual Leaders Summit on Climate, bringing together world leaders to discuss ambitious measures to reduce greenhouse gas emissions and accelerate the transition to clean energy. 
Additionally, the administration has unveiled a comprehensive plan to invest in clean energy infrastructure, promote energy efficiency, and prioritize environmental justice, aiming to position the United States as a global leader in the fight against climate change. 
In the realm of foreign policy, President Biden has sought to reassert American leadership on the world stage and rebuild alliances with international partners. His administration has prioritized diplomacy and multilateral engagement, working to address global challenges such as nuclear proliferation, cybersecurity threats, and human rights abuses. 
President Biden has reaffirmed the United States' commitment to NATO and other key alliances, signaling a departure from the isolationist policies of the previous administration. His approach to foreign affairs has emphasized the importance of collaboration and collective action in tackling shared global concerns, fostering a more cohesive and cooperative international order. Furthermore, 
President Biden has been a steadfast proponent of expanding access to affordable healthcare and strengthening the Affordable Care Act. His administration has taken steps to bolster the ACA, including increasing enrollment outreach, expanding coverage options, and lowering healthcare costs for millions of Americans. 
President Biden has also championed efforts to address mental health challenges and substance abuse disorders, recognizing the critical importance of mental and behavioral health in overall well-being. 
In conclusion, President Joe Biden has achieved a range of significant accomplishments during his tenure in office, from his swift and effective response to the COVID-19 pandemic to his ambitious efforts to revitalize the economy, promote racial equity, combat climate change, and reinvigorate America's role in global affairs. 
His leadership has been marked by a steadfast commitment to addressing pressing domestic and international challenges and advancing a progressive policy agenda aimed at fostering a more equitable, resilient, and prosperous future for the nation. As his presidency continues to unfold, the enduring impact of his accomplishments is likely to shape the trajectory of the United States for years to come, leaving a lasting imprint on the fabric of American society and the global community.
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welleazy · 1 year ago
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Easily find COVID-19 testing near you, including PCR and RT-PCR tests. Get swift COVID-19 test results and explore options for testing at home. Stay informed and take proactive steps to safeguard your health and those around you. To know more -https://www.welleazy.com/
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cal-tastrophe · 11 months ago
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Shameless Big Bang Round 12, everybody!
When Lip brings home an advanced android in order to test it for the company he works for, Ian doesn't know what to make of him. MIK-940810, or Mickey, seems virtually indistinguishable from a human being, throwing Ian for a loop as he feels an undeniable connection to the android. Their relationship deepens when Ian finds out about something that Mickey has been keeping from Lip and the people who built him. --- There’s a faint blue light shining from the place where Lip’s thumb rests for about two seconds. Ian’s expecting some kind of whirring noise, like when you turn a computer on, but there’s just silence. And then suddenly the blue eyes come alive. Finally I can share this artwork with you! Last year I enlisted for my first Big Bang event ever. It's been a blast from start to finish, and @sickness-health-all-that-shit s Fiction >>Broken Things<< caught my interest in an instant. It was my no.1 favorite and I am so happy I got assigned to illustrate this story. Tons of thanks to @whaticameherefor and of course all the other participants for making this such a fun experience! Looking forward to next round! ~~~~~~~~~~~~~
Still open for commissions, peeps! ;)
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kangals · 9 months ago
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forgive me…. i am a little dumb… does that COI number mean stellina is like. 40% inbred?? i’m assuming no but could you explain what the numbers mean?
Stellina is more than 40% inbred 🙃 but yes, that is what it means.
COI = coefficient of inbreeding, or essentially how inbred a dog is. A parent-child breeding, or a breeding between full siblings would theoretically give you a dog that has a COI of 25%. On average, purebred dogs are at about 20%, but that varies depending on breed - some breeds are very diverse, others are very inbred. The collie breed average is estimated to be around 40%, which is very much on the high end - it means on average, collies are almost genetic full siblings. This website has breed breakdowns, for a visual reference.
Genetic COI is a relatively recent thing, as before we had DNA tests we had to rely on “pedigree COI” aka literally laying your dogs pedigree out on paper, counting how many times certain dogs appeared over the generations, and then doing calculations based on that. These tend to be significantly lower than the genetic COI because that doesn’t take into account the overall gene pool of the breed. Stellinas pedigree COI was somewhere around 18% when I calculated it iirc, which is still high but significantly lower than her genetic COI. That’s because the amount of dogs originally used to create the modern collie breed was very small, so all collies today are pulling from the same small pool of DNA. When you have breeds that are all direct descendants from the same handful of dogs, and with how COI only accrues higher and higher with each generation… it’s totally possible to end up with thousands of dogs that are genetic siblings.
The good news is that despite their very low genetic diversity, collies are still a healthy breed with a respectable average lifespan on 12-14 and few major health issues. But that’s despite the high COI, not because of it. On the other hand take the Doberman breed, which has a similar average COI around 40%. Something like 2/3 Dobermans will die from a heart disease called DCM, which makes seemingly healthy dogs just drop dead. And because virtually every Doberman is a genetic full sibling with each other, there’s no real way to just breed away from it. The breeds essentially in a death spiral unless there’s some miraculous medical breakthrough, or unless they start breeding Dobermans to other, unrelated dogs to try and increase diversity. Which is a huge can of worms by itself. so while collies are still doing, all things considered, really well, they're very much the exception and not the rule. unfortunately because there's no immediate repercussions, that means a lot of collie breeders and clubs will hand-wave off the high COI as "oh that's not a problem for us" which, like. yeah. for now.
so tl;dr: yes COI is how inbred a dog is. yes it being high is bad. you can have a high COI and still be healthy (and have a low COI and be unhealthy), but it's still really not great and should be avoided. however in breeds where the COI is already high, there's not really a feasible way to get around it.
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blorbortion · 5 months ago
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In a result that will ring familiar for many women, new research has revealed a massive disparity in how pain is treated.
Women being discharged from emergency departments in Israel and the US are far less likely to be given a prescription for pain medication than men, even when being treated for the exact same ailments or when their reported pain scores were exactly the same.
Out of 17,576 patients in one dataset, some 47 percent of men were dispatched with a prescription for an analgesic medicine, compared to just 38 percent of women.
This, according to a team led by psychologists Mika Guzikevits of The Hebrew University of Jerusalem and Tom Gordon-Hecker of Ben-Gurion University of the Negev in Israel, was consistent across all ages and ailments, and the prescribing doctors' genders, revealing an alarming sex bias in how seriously women's complaints are taken.
"We argue that female patients receive less pain treatment than they should, which may adversely impact their health," the researchers write in their paper.
"The findings underscore the critical need to address psychological biases in healthcare settings to ensure fair and efficient treatment for all."
Research in recent years has revealed an alarming bias in the way the world perceives women's pain. Laypeople are more likely to think that women are exaggerating their pain than men, and perceive that grimacing women are experiencing less pain than men with similar facial expressions.
Many studies have shown that women reporting pain are perceived as hysterical, emotional, imagining things, or even lying. And this has the potential to be a big problem when transmuted to a medical setting.
Research has found that women reporting chronic pain are more likely to be diagnosed with a mental health condition. Women wait longer for treatment in emergency rooms. Women are less likely to be prescribed postoperative pain management medication. And multiple studies have found that medical practitioners perceive women to be less, and men more, trustworthy when reporting pain, often based on surveys and virtual patients.
Guzikevits, Gordon-Hecker, and their colleagues wanted to examine real outcomes in clinical settings, so they made a study of anonymized patient data from hospitals in the US and Israel. They looked at factors such as the age and sex of the patient, the level of pain reported and the diagnosed ailment, how often the patient visited the emergency department, and what the patient was prescribed.
Their data included a total of 21,851 patients presenting at the hospital for pain, and the results were striking.
"Across these datasets, a consistent sex disparity emerges," the researchers write.
"Female patients are less likely to be prescribed pain-relief medications compared to males, and this disparity persists even after adjusting for patients' reported pain scores and numerous patient, physician, and emergency department variables."
This disparity in treatment could not be linked to any other variable than the sex of the patient, the researchers found. Given the wealth of studies showing a huge disparity in the way the pain of women and men are perceived, the researchers could only conclude that the reason for this disparity is bias.
In a further test, the team presented 109 healthcare providers with a scenario describing a patient with severe back pain, rated 9 out of 10 by the patient. Only the patient's sex differed, with all other scenario details identical. When the patient was female, participants rated the pain intensity lower on average (72 out of 100) than when the patient was male (80 out of 100).
The researchers also noted that there have been some studies that didn't find a bias. These studies were conducted on patients with a tangible, physical source of pain, such as a broken bone or an infection. For those studies in which a bias is found, the source of the reported pain is less tangible – abdominal pain, or a headache.
The researchers suggest that computerized decision-reporting tools that help prescribe pain relief, and educating health practitioners about gender bias, could help resolve this ongoing issue and ensure better health outcomes for all patients.
"Inadequate pain management is known to lead to unnecessary suffering and deleterious health effects, and also carries preventable costs for public health," the researchers write in their paper.
"The present research provides robust evidence for healthcare providers' sex bias against female patients in pain management. We identify the stereotypical perception of females' pain as one of the potential mechanisms underlying the bias.
"The findings join mounting evidence of discrimination against females in the medical system and in other areas. Undertreatment of females' pain bears immediate implications for the healthcare system and broad implications for society's attitude toward female pain."
The research has been published in the Proceedings of the National Academy of Sciences.
(emphasis mine, article NOT paywalled, more links in the linked article)
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