#virtual health tests

[counterintuitivecomics]

MASK UP FOR GLOBAL LIBERATION

Protect your community by wearing N95s and KN95s when meeting indoors or in crowds! The more of us mask up, the less we get sick, the harder it is for police to surveil us, and the safer we make our shared spaces for our disabled and immuno-compromised comrades and loved ones.

Get started by finding local mask resources on the global COVID Action Map (you can also submit groups to be added). If you have the means, donate masks and tests to your local orgs and encourage accessibility so we can ALL join the fight (bringing in interpreters/translators and medics, ensuring accessibility for wheelchairs/mobility devices, offering child care, filtering the air indoors, setting up virtual options etc).

UPDATE: Download this 8.5"x11" poster for free on itch.io to print and distribute! Includes files suitable for color, black and white, and risograph printing. Any donations will go to printing costs, or buying masks for my local mutual aid groups.

Pandemics have no borders, and all our struggles are united!

[ID: A poster declaring “MASK UP” in red above 3 figures from the waist up, each wearing a different respirator mask. The top figure is an Arab person wearing a fluttering red and white kufiyah over a black hijab and red dress, as well as an Aura 9210+ N95 mask. They steady themselves with one hand on the lower left figure, and raise the other one up triumphantly. The left person is a fat Asian teenager wearing a black hoodie with a genderqueer symbol on the shoulder, and a black Laianzhi HYX1002 KN100 mask. They are holding a box labeled FREE that’s full of COVID-19 Rapid Tests, and two different kinds of plastic-wrapped N95s. The last figure is a middle aged Black person in a power chair, wearing a Flo Mask with a customised rainbow cover, a dark blue winter hat with a Disability pin on it, and a blue shirt featuring 6 countries flags from R to L: Sudan, Democratic Republic of the Congo, Palestine, Haiti, Puerto Rico, and Tigray, Ethiopia. Underneath reads: “RESPIRATOR MASKS PROTECT: your health, your identity, and your community. Find resources near you at COVIDActionMap.org”]

[welleazy]

"Comprehensive Drug Testing Kits for Various Needs: Hair, Saliva, Urine, and Pre-Employment Tests"https://www.welleazy.com/

[mostlysignssomeportents]

Trump’s Tiktok two-step is a lesson for future presidents

I'm about to leave for a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me on Feb 14 in BOSTON for FREE at BOSKONE , and on Feb 15 for a virtual event with YANIS VAROUFAKIS. More tour dates here.

Remember the Tiktok ban? I know, it was ten million years ago (in Musk years, anyway), so it may have slipped your mind, but let me remind you: Congress passed a law saying Tiktok was banned. Trump said he wouldn't enforce the law. The end.

No, really. I mean, sure, there's a bunch of bullshit about whether Trump will pick up the ban again after Tiktok's grace period ends, depending on whether they sell themselves to his creepy wax museum pal Larry Ellison. Maybe he will. Maybe Tiktok'll buy so many trumpcoins that he forgets about. Whatevs.

The important thing here is: Congress passed a (stupid) law and Trump said, "I've decided not to enforce that law" and then that was it:

https://prospect.org/justice/2025-01-31-trump-administration-test-supreme-court-tiktok/

Sure, there's some big rule of law/checks and balances/separation of powers problems here, and there are plenty of laws I'm mad about Trump not enforcing (like the law that says corporations can't bribe foreign governments, say). But this one? Sure, it's fine. The problem with Tiktok is that it invades our privacy in creepy ways, not that it is owned by a Chinese company. I don't want Zuck or Musk or (especially) Trump invading my privacy.

Congress hasn't passed a consumer privacy law since 1988, when they banned video store clerks from telling newspapers about your VHS viewing habits. That's why Tiktok is a problem. Pass that law, and if any president decides not to enforce it, I'll be mad as hell and I'll be right there in the streets next to you, in head-to-toe CV dazzle, with all my distraction rectangles in Faraday pouches, shlepping a placard bearing the Social Security Numbers of every Cabinet member in giant writing.

But the point is, the president defied Congress, which is a thing that Very Serious Grownups told us radicals Joe Biden mustn't do under any circumstances, lest the resulting constitutional crisis tear the country apart, or, at the very least, alienate so many voters that Donald Trump would become the next president.

We let Very Serious Grownups call the shots, and Donald Trump is president. Maybe we should stop listening to Very Serious Grownups?

Look, presidents ignore Congress's laws all the time. The Comstock Act (which effectively bans transporting pornography and contraception) is almost entirely ignored, and has been for generations (though Trump's creepy Heritage Foundation puppetmasters have promised to bring it back). The Robinson-Patman Act hasn't been enforced since the Reagan years, which is a damned shame, because Robinson-Patman would put Walmart, Amazon, Dollartree and Dollar General out of business (Biden started to enforce Robinson-Patman again during his last year in office):

https://pluralistic.net/2024/08/14/the-price-is-wright/#enforcement-priorities

I'm not trying to say that enforcing (or ignoring) the Comstock Act is the same as ignoring (or enforcing) the Robinson-Patman Act. The Comstock Act is bad, and the Robinson-Patman Act is good. I am capable of making that moral judgment, and I would like to have a president who does the same.

The fear about Trump ignoring the laws and procedures is justified, but not because of the damage he's doing to laws and procedures – it's because of the damage he's doing to the people of this country and the world.

Take the records that Trump has destroyed – vital data about public health and other subjects (thankfully, most of this was saved from destruction by the Internet Archive). The most important fact about that act of destruction is the harm that will result from it, not the failure to follow procedure.

There are plenty of times in which I am OK with people ignoring the law and destroying records. In 1943, Dutch guerrillas bombed the civil registry building in Amsterdam, to keep the records of where Jews and other disfavored minorities lived out of the hands of occupying Nazis. The firefighters on the scene kept their hoses running until any paper that hadn't been burned was reduced to slurry:

https://en.wikipedia.org/wiki/1943_Amsterdam_civil_registry_office_bombing

I'm fine with destroying records that wicked, vicious authoritarians would use to harm my neighbors.

Remember when Biden tried to cancel student debt? He could have started off by destroying the records of who owed what, so when the courts overturned his administrative action, it would have been hard or impossible to collect on the debts that were still held on federal books, or whose records the feds had (no, I'm not suggesting that Nazi death camp deportations are equivalent to unjust student debt collections, but if you agree that sometimes it's OK to illegally destroy records, then all we're left with is haggling over the specifics).

Sure, this would have been a constitutional crisis, but, as Ryan Grim says, "It is apparently unconstitutional for the president to instruct the Department of Education to restructure and forgive some student loan debt but it is ok for DOGE chair Elon Musk to just get rid of the whole department. Anywho."

https://twitter.com/ryangrim/status/1888973174819164663?t=Cd8fl4FWjY5zsOlQWZGv4g

Canceling debt isn't forgiving debt. Student borrowers have been preyed upon by colleges and lenders. People who borrowed $79.000 and paid back $190,000 can somehow still owe $236,000 do not need to be forgiven, because (unlike Trump) they haven't sinned. Rather, their debts need to be canceled (like Trump):

https://pluralistic.net/2020/12/04/kawaski-trawick/#strike-debt

Trump's shown us what a president should do when the courts get in their way: fight back. Worst case scenario is the court prevails, and a bunch of Fedsoc judges (up to and including the Supreme Court) set binding precedent that reduces the power of the president, which would be, you know, great. Best case scenario: Americans are freed from these crippling, fraudulent debts and, you know, vote for Democrats and against Trump, instead of staying home because they don't feel like the Democrats have their back.

Defying unjust court decisions isn't Trumpian – it's Rooseveltian. Roosevelt (following in Lincoln's footsteps) spent years discrediting and weakening the Supreme Court's power, using his bully pulpit to rob them of authority and build the political will to pack the court, which he was on the brink of doing when the Supreme Court surrendered:

https://pluralistic.net/2020/09/20/judicial-equilibria/#pack-the-court

Democrats developed an online organizing playbook, and it worked, so Republicans took it, improved on it, and won elections. Republicans have developed a devastatingly effective constitutional hardball playbook. Democrats should steal that playbook and run with it:

https://pluralistic.net/2024/10/18/states-rights/#cold-civil-war

I rang doorbells, made phone calls, and shelled out money for Democrats in the last cycle because I wanted them to do stuff that helps Americans, not because I wanted them to follow procedures. The fact that Trump is building offshore concentration camps and has deported our neighbors to them (to name just one of many cheap dystopian fanfics that Trump is LARPing) should be the kind of five-alarm fire that sent South Korean lawmakers scaling the barricades last month.

This is the kind of crisis where I'd expect Democrats on the Hill, at a minimum, to be refusing to give Trump and the GOP anything. Call quorum on every vote. Debate every amendment. Raise every objection. Vote against everyting. Do not confirm a single appointee. And any elected Dem that refuses to play along? Kick 'em out of the caucus. Oh, we can't afford to do that because we can't afford to lose a single lawmaker? How did that work out with Kirsten Synema and Joe Manchin? Shoulda kicked them out after the first vote, shoulda raised money for any real Dem willing to primary them. Should have shunned them in the hallways and refused to invite them to the Christmas parties. We should do that to Fetterman. Party unity got us nothing under Biden. Party unity got us Trump. Doing the same thing over and over again and expecting a different outcome isn't actually the formal definition of insanity, but it is nevertheless very, very stupid.

For the past four years, Very Serious Grownups in the Democratic machine kept telling us that we couldn't expect the president to do anything, or Congress to do anything, or the Senate to do anything, because the Republicans would stop them. Or the courts would stop them. Why fight when you know you're gonna lose? Because sometimes, you'll win. And even if you lose, you'll go down fighting.

Better yet, if you lose in just the right way, you'll force Trump's judges to take away powers from the President and the administrative agencies – take away the powers Trump is now wielding like a sledgehammer.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/02/11/you-and-what-army/#student-debt

[genderqueerdykes]

im not sorry the truth of the transmasculine experience is ugly. i'm not sorry that we have to frequently discuss sexual and physical violence and abuse. i'm not sorry that we have to discuss violent physical abuse and death. i'm not sorry that we have to discuss homelessness, mental illness, addiction, disabilities, and other challenges in life.

we struggle. we do not instantly gain male privilege the second we come out. even if we pass. when someone knows we're trans we're treated like a woman no matter what. we can sometimes get lucky and pass with strangers but eventually people around us find out because people tell each other without our consent.

we face all kinds of abuse due to the fact that people feel entitlement to our bodies, regardless of what our AGAB is. they feel entitled to our faces, our hair, our entire appearance. they focus on the face that we're ruining something "pretty". they threaten corrective sexual violence to remind us that we're "just women". it happens constantly. this is not an isolated incident and virtually nobody wants people to talk about it when it comes to transmasculine people.

trans men often get injured for one reason or another. usually because someone wants to make them "prove" they're a man, to "toughen them up" or to "prove to them that they're a woman". sometimes this results in sexual assault. other times it results in physical assault. and sometimes people just kill trans men. all because they hate that a "woman" can transition into a man.

it's an ugly part of our reality but it needs to be discussed because otherwise people use the lack of that conversation as ammunition to say transmascs don't struggle.

transmasculine people struggle to stay housed. transmasculine people get kicked out of their living situations very often for many reasons. it's hard for transmascs to get jobs because often times people want either a man or a woman for a specific position and fuss over what they think the transmasc's gender is. misgendering is a huge issue at work. going stealth at work can be painful. being in the closet at work can be painful

transmascs are often disabled and struggle to get care due to people not taking AFAB patients' pain and symptoms seriously. this is a huge issue with any kind of AFAB person or any woman. all woman and AFAB people struggle with having their symptoms taken seriously when seeking serious medical attention to the point of possibly being undiagnosed for life, thus being unable to get on disability. trans women face this just as much as AFAB cis women, it's a huge issue in the medical industry

transmasculine people struggle to say on their hormones (or access them at all). testosterone is a controlled substance in many countries which means that you need a prior authorization to get the medication and need to consistently see a provider to get blood tests and check ups. it can be difficult to do so if you are low income and sometimes certain pharmacists will intentionally find ways to withhold hormones due to their own prejudices

transmasculine people struggle to get pregnancy support and care. it is very difficult for transmasculine people to figure out how to navigate their pregnancy, either due to their HRT provider not knowing much about pregnancy, or having a gynecologist who's not familiar with transmasculine health.

transmascs get denied from spaces made for men constantly. even if they pass, if word gets around that they're trans they can easily be kicked out of a space. transmasculine lesbians are often removed from lesbian, transmasc and/or non binary spaces. transmasc butches are often ostracized from all communities their identities correlate to. trans men and transmasc enbies are seen as a threat to women.

there is ugliness in every pocket of the queer community when it comes to how cisheteronormative society treats us. we all face disgusting treatment that needs to be addressed. it's important to consider how this system affects everyone underneath it. we need to talk about the positive things, it's good to help those are questioning, but we also must discuss what struggles we face in order to humanize ourselves and show that we people, too. none of us have it easy.

[tomorrowusa]

The MAGA-DOGE régime decided that the middle of hepatitis outbreak was a great time to close the CDC's Division of Viral Hepatitis.

After people started testing positive for hepatitis C in a coastal Florida town in December, state officials collected blood from patients, wrapped their specimens in dry ice and mailed them straight to the Centers for Disease Control in Atlanta, Ga. The hepatitis C virus, which is spread through contact with infected blood and can lead to deadly liver cancer, is notoriously hard to identify. But if anyone could understand what was happening in Florida, it would be the Division of Viral Hepatitis in the CDC's headquarters. Using samples from the laboratory's collection of nearly 1 million frozen specimens, scientists helped make the initial discovery of the hepatitis C virus in the 1980s. In 2020, that research was awarded the Nobel Prize in Medicine.

Unlike Trump, the scientists at the lab knew what they were doing.

The scientists at the lab knew what they were doing. Quickly, they analyzed the blood from Florida using their custom software and found that nine cases were genetically linked to the same pain clinic, where it was later discovered that a doctor was improperly reusing injection vials. By March, officials in Florida had restricted the doctor's medical license to limit the spread of the virus and packaged new patient samples to send to the CDC for testing, CDC employees told NPR. But on April 1, the outbreak investigation was brought to a halt. All 27 of the lab's scientists received an email from the U.S. Department of Health and Human Services informing them that they were losing their jobs. Like thousands of other employees who received similar emails that day, the scientists were told they would be placed on administrative leave until June 2, after which they would no longer work for the CDC. The email said their duties were "identified as either unnecessary or virtually identical to duties being performed elsewhere in the agency." But the kind of genetic tracing that the CDC's lab performs is not conducted by any other lab in the United States or the world, experts interviewed by NPR said. While the lab remains shuttered, ongoing investigations of current hepatitis outbreaks have been stalled, not just in Florida, but also in Oregon, Pennsylvania, Massachusetts, New Mexico, Wisconsin, West Virginia and Georgia, according to CDC employees who work closely with the Division of Viral Hepatitis. The five CDC employees NPR spoke with requested that their names not be shared for fear of retaliation.

For all anybody knows, the scientists may have been fired by Apartheid Elon's teen buddy Big Balls.

The Trump administration is making people sick and keeping them sick. And this is just the start.

[batmanisagatewaydrug]

would you like to tell us about your research on virginity?

but also...wdym STIs aren't as scary as we think??? I was told most of them are incurable? I know you can make aids untrasmittable and that they've even succeded in curing it a couple times but that's about it. I would love to be educated about this

yeah, the basic idea with the virginity project was that the whole concept of virginity is pretty bullshit in the context in which it was initially significant, namely cisgender women being penetrated by cisgender men, so as soon as you take it outside of that context by introducing gay and trans sexuality it totally falls apart. I mean, hell, it stops working if you even look at two cishet people doing literally anything OTHER than penis-in-vagina sex. I tripped up so many people initially when I started asking questions like "okay, so you don't think a woman loses her virginity from a man going down on her. so what if it's two women? what's the difference?" and just really getting people to face down their very penis-centered view of the sex, to the result of several people telling me that it kind of made them reevaluate what they actually think of as the first time they had sex. it's also fascinating to either read other people's accounts or discuss firsthand how queer people have either tried to make themselves fit into the binary of virginity - queer man disagreeing over whether or not you have to have penetrative anal sex to lose your virginity or oral sex is sufficient, a fascinating case of a lesbian who felt that have sex with other cis women didn't "count" and asked a cis male friend to have sex with her just so she could feel satisfied that she'd lost her virginity - or abandon it entirely. Hanne Blank's book Virgin was a formative starting point, and it really exploded for me from there.

as for the STIs - hey, bad news! you fell victim to the scare tactics used to make people afraid of sex! almost all sexually transmitted infections are very easy to treat and cure with the right medicine, which is why it's important to get tested regularly and check in with your healthcare provider at the first sign of something amiss. pubic lice, scabies, trichomoniasis, gonorrhea, chlamydia, syphilis - all of those are pretty easy to get rid of with some help from your doctor and a run to the pharmacy!

the major exceptions are the 4 H's: herpes, HIV, HPV, and hepatitis B.

herpes is with you forever but is an incredibly mild companion to share your body with, considering most people never experience any notable symptoms and those who do can curb the severity with medicine.

it's also worth noting that herpes is so common as to be virtually ubiquitous; the World Health Organization consistently estimates that somewhere around 80% of the world's adult population is carrying herpes simplex virus 1 or herpes simplex virus 2. a great deal of those people don't even get it from having sex, but rather by catching HSV-1 from a parent or other people they come is close contact with as a child.

you're actually thinking of HIV (human immunodeficiency virus) when you mention AIDS becoming untransmittable, but that's still a very good thing! the care available for people with HIV has come incredibly far since AIDS first became known and claimed so many lives, and today it's more than possible for people infected with HIV to live long, healthy lives by taking the proper medication to manage their viral load.

with management, people with HIV will not develop AIDS (which happens when the immune system is sufficiently depleted by HIV) and by consistently taking their medication people with HIV can become undetectable (the viral load in their body is too small to be detected or measured in tests), at which point they are unable to transmit the virus to other people.

HPV (human paillomavirus) comes in many different strains, most of which are absolutely harmless and go away on their own after a couple of months or years of freeloading in your body. I cannot emphasize this enough: HPV is so common that virtually everyone who has sex has, will have, or has had it in their lives, and the vast, VAST majority of those people will never be troubled by it literally at all.

the trouble comes from a few strains of HPV that can cause genital warts, and a few others that can cause cancers in the throat, anus, cervix, vulva, vagina, and penis. while HPV can't be treated, you can reduce your risk of developing cancer by getting the HPV vaccine if you haven't already and, if you have a cervix, getting regular Pap smears to catch early warning signs of cancerous developments.

hepatitis B is a viral infection that targets the liver. in rare cases it can cause chronic health problems that can be very dangerous, but I have to emphasize that's not common. in most adults who get hep B, there will be no symptoms and it will resolve itself in a matter of weeks. the infection is riskiest in children, but at least in America most people have received vaccines against hepatitis B as babies since the 90s.

in conclusion: get your shots, take your medicine, use protection, get tested, and talk to your doctor, but know that if there's one thing humans are good at it's figuring out how to manage STIs. we've been doing it for a long time - most sexually transmitted infections and parasites have been with us since before we we became modern humans - so we're really good at it!

[fuckyeahgoodomens]

Good Omens graphic novel update: December 2024

We promised a graphic novel treat for December to send off 2024, which we have at the end of the update, so let's dive in!

Colleen has been working diligently ahead of the graphic novel going to print next month, which she discussed over on Patreon. For those looking for more behind the scenes on both Good Omens and Colleen's work more broadly, we recommend either following her Substack, or subscribing via Patreon, as she approaches the finish line.

A snapshot from our production HQ where dummy books of the graphic novel, slipcase and other editions of Good Omens have been arriving thick and fast. The graphic novel (slipcased version shown) has quite the heft to it. It's going to be such a magnificent object inside and out.

Here, we're testing out the various papers, finishes, embellishments and more – everything is falling into place!

Merch-wise, some more delights. The A.Z. Fell & Co tote bag design is in, one side in celebration of our favourite angelic bookseller, the other as if it's been purchased from the bookshop itself, so you can take your pick.

We've got more pins that will be available in the 3-pin set add ons. While the full list will be available in 2025, we're happy to share a few more to get excited about:

On the trading card front, have a look at some of the base deck designs by Steve Gregson and Kirsty Hunter in situ as this all comes together rather nicely, and causes a heated game or two behind the scenes.

And, a quick admin note to wrap up that we always recommend checking the FAQ page as a first port of call for any queries. If you have questions tied to specific tiers, we'd suggest checking the last few updates if your answer can't be found on the FAQ. If there is any information required for your pledge, we will be in touch. We will be back at full steam in the New Year!

Thank you.

So, to wrap up this year's updates, we give you the draft of the full first scene of the graphic novel, artwork by Colleen Doran and lettering by Lois Buhalis. If you'd like to wait until the graphic novel publishes in Spring, skip everything after the ducks!

To 2025 🥂

Until next time.

+ post from Colleen Doran:

Good Omens: You Get...Stuff Like This

In the most recent Good Omens update at the Kickstarter, a few people got upset at the suggestion that you have to get past my paywall here to see Good Omens updates.

Except you really don't, and the post doesn't actually say you do. You get a bit more, like pics of my studio, a discussion of tools and process - but not all of that is exclusively about Good Omens.

I think the Dunmanifestin team just wanted to draw a little attention to my blogs and other works, for which I am very grateful.

As my Patreon supporters already know, Good Omens info posted here gets to the Substack and Kickstarter eventually. And since most of my posts here aren't just about Good Omens, but my other projects and personal stuff, as well as links to our weekly Virtual Art Studio sessions, I think I'm justified in keeping that material behind a paywall.

In fact, I don't think I've posted much stuff about Good Omens since the summer: pages of flats like the one you see above, a few studio photos, and color tweaks.

Also, me boo-hooing about my nerves and health.

But for those who feel left out missing even this small amount of stuff, then the screen shot above is for you.

That's called a flat.

It's a prelim color before adding final color.

Here's what the final color looks like.

So I've posted a handful of this sort of thing since this summer, but frankly, there's even more of my sketches and so on posted at my Instagram that aren't here at all.

For those who don't know, I am doing most of the color myself on the book, but I am working with assistants. I'm not sure how much the Dunmanifestin team wants out there before the big reveals, but here's a snippet of a sky.

In the first image, my flat color.

And after my assistant worked on it.

Here, I've done a repaint. Sometimes I do very extensive repaints after the assistant works on a page. Sometimes not so much. I didn't use assistants on many pages at all. About 80% of the labor on the color of the book is my work.

However, the assistants have been a big help, and I am very appreciative of them.

I will make a point to go through all my prior posts and get every single bit of art that you haven't seen and make it public for all of you in the coming weeks. I need to excise it from previous posts. As I respect the privacy of all my readers, I never make prior posts public without their permission as they may not want their comments or identities to be public.

Thanks so much for everything!

[kedreeva]

Super curious, what do you mean by genetic deterioration? Why does that happen if in theory you are breeding with the same genetics? What makes generation 9 different from generation 15? How do you or the people to initially discovered it know when that to outbreed? Are they more likely to be ill/have physical issues after so many generations?

"deterioration" is a bit of a misnomer or maybe just not meant the way you're probably thinking. It's less that dna is "breaking down" (it's not. Well it's probably not, but we're not talking about cloning species), and more "diversity is deteriorating."

The thing is, there's no way to know for sure you've removed EVERY "bad" gene, and some bad effects are either mild enough not to be a problem in an otherwise healthy bird, or only a problem if there's not enough or the right other genes to prevent it from being a problem. And without removing all of them, eventually the population of inbred animals will lose enough genetic diversity that genetic drift can cause a deleterious gene with a weaker phenotype (ie, a non-lethal phenotype but still not a good one) to become fixed in a population with no (or so little as to virtually be no) diversity left to breed away from it, and while 1 things might not be a problem, if it's compounded with other things, it can be. The length of time this kind of thing takes can vary. Maybe you won't catch it until generation 15 or 100. Or, maybe you'll get lucky and happen into a perfect line with no bad genetic variations left- and then random mutation will get your ass and you still don't have enough genetic variety left to fix it. Or, enough homozygousity in things you may not necessarily see in the phenotype outright can start to cause a loss of fertility you can't really get back in a home breeding operation- partly because you generally can't know which gene is the problem or can't know which animals have it and which don't until it's a problem, which is made worse by the smaller and smaller groups of offspring to choose from, and the continuance of genetic drift.

So, yeah, if you had a 100% perfectly healthy bloodline with NO deleterious genes at all AND that line never ever had a deleterious de novo mutation pop up (and no DNA damage occurred in gametes or anything) in theory you could inbreed forever without a problem. But in practice, no one has that line. There's always something, and it WILL eventually rear its head, it's just a matter of how long you can maintain some/enough diversity to avoid it, if it's not obvious enough to cull out at the start or self limiting enough to kill off any carriers.

As for how you tell when to outcross- it's kind of subjective. When you notice less vigor, health problems that seem persistent, fertility problems, growth problems, etc, it's probably time for an outcross if you have been breeding a line to itself for a while. There's not a set "when" and it would vary hugely between species. When you talk to some more practical rodent breeders, they'll say you can go 100+ generations with a healthy line of mice. A horse breeder would perish at the thought of that for a horse because they're already having to do genetic tests to check that they're not doubling up on Shit That Will Kill Or Maim Offspring because there is no healthy line. Quail tolerate inbreeding more than horses. Probably worse than mice there are research mice from lines that have been going longer than I've been alive and they're fine despite being genetically identical. Generation 9 isn't different from 15 unless there's a de novo mutation, which they probably cull out anyway because they CAN do genetic testing.

So it's not that there's some hard line of "this animal WILL show x issues after this set number of generations" it's more "you can only roll the dice so many times before you lose." If you slowly make every number on the roulette wheel the same, you're going to hit it eventually. Even if you do manage to do everything right, you can't prevent new mutations from popping up. The longer you go without adding more numbers to the wheel so to speak, the higher the chance of hitting the wrong genetic lottery result.

[afeelgoodblog]

The Best News of Last Week

🦾 - High-Five for Bionic Hand

1. Houston-area school district announces free breakfast and lunch for students

Pasadena ISD students will be getting free breakfast and lunch for the 2023-24 school year, per an announcement on the district's social media pages.

The 2023-24 free lunch program is thanks to a Community Eligibility Provision grant the district applied for last year. The CEP, which is distributed by the Department of Agriculture, is specially geared toward providing free meals for low-income students.

2. Dolphin and her baby rescued after being trapped in pond for 2 years

A pair of dolphins that spent nearly two years stuck in a Louisiana pond system are back at sea thanks to the help of several agencies and volunteers.

According to the Audubon Nature Institute, wildlife observers believe the mother dolphin and her baby were pushed into the pond system near Grand Isle, Louisiana, during Hurricane Ida in late August 2021.

3. Studies show that putting solar panels over waterways could boost clean energy and conserve water. The first U.S. pilot project is getting underway in California.

Some 8,000 miles of federally owned canals snake across the United States, channeling water to replenish crops, fuel hydropower plants and supply drinking water to rural communities. In the future, these narrow waterways could serve an additional role: as hubs of solar energy generation.

4. Gene therapy eyedrops restored a boy's sight. Similar treatments could help millions

Antonio was born with dystrophic epidermolysis bullosa, a rare genetic condition that causes blisters all over his body and in his eyes. But his skin improved when he joined a clinical trial to test the world’s first topical gene therapy.

The same therapy was applied to his eyes. Antonio, who’s been legally blind for much of his 14 years, can see again.

5. Scientists develop game-changing vaccine against Lyme disease ticks!

A major step in battling Lyme disease and other dangerous tick-borne viruses may have been taken as researchers announced they have developed a vaccine against the ticks themselves.

Rather than combatting the effects of the bacteria or microbe that causes Lyme disease, the vaccine targets the microbiota of the tick, according to a paper published in the journal Microbiota on Monday.

6. HIV Transmission Virtually Eliminated in Inner Sydney, Australia

Sydney may be the first city in the world to end AIDS as a public health threat by 2030. Inner Sydney has reduced new HIV acquisitions by 88%, meaning it may be the first locality in the world to reach the UN target to end AIDS as a public health threat by 2030

7. New bionic hand allows amputees to control each finger with unprecedented accuracy

In a world first, surgeons and engineers have developed a new bionic hand that allows users with arm amputations to effortlessly control each finger as though it was their own body.

Successful testing of the bionic hand has already been conducted on a patient who lost his arm above the elbow.

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[starryeyedstray]

just a short fic heavily inspired by this post about hank causing connor to deviate (but not in the way you expect) by @goodoldfashionedengineer

The RK800 was built to withstand the pressures of high-stakes situations. From hostage negotiations to interrogations to gun fights. It was stress tested against any danger one could expect to encounter in police work (and hunting deviants). What it was not tested against was uncooperative and unprofessional alcoholics.

Apprehending them? Yes. Partnering with them for a full investigation? No.

But Connor was equipped with social programming meant to adapt to human unpredictability, and it needed access to crime scenes so it would adapt. If adapting meant going to five separate bars to find said human and buying him a drink to move him along, then so be it. It was the middle of the night. It was not outside expectation for a human to be out drinking at this time. Even if they were on call.

But Hank Anderson was an officer of the law and here he was breaking the law by driving under the influence. Connor was perfectly capable of driving, but the lieutenant insisted that he wasn't going to let plastic drive his car. A thoroughly irrational decision. But Connor wasn't a cop so it wasn't going to stop him from taking it to the crime scene it needed access to.

The investigation and capturing of the deviant went smoothly. Though the lieutenant calling Connor's evidence-based conclusion about what transpired at the crime scene a "theory" that was "not totally ridiculous" was… uncalled for. The ensuing interrogation went perfectly though the only credit Connor could afford to give to his "partner" was in permissing him to interrogate the deviant. Lieutenant Anderson had yet to proven his worth as anything more than an access pass to crime scenes.

And now, it was past noon the next day. The lieutenant was still nowhere to be seen at his supposed place of work. Connor wouldn't put it past the man to spend more time at bars than at the precinct. It was unsurprised to see the anti-android sentiments on Anderson's desk. Leave it to someone as ineffective and unpunctual as this particular human to not understand the benefits of employing an efficient machine. When Lieutenant Anderson finally arrived, Connor was also unsurprised when Captain Fowler assigned them as official partners for all deviant investigations (Cyberlife had debriefed it about this already). What did surprise Connor was how a lieutenant could speak to their police captain like that with virtually no repercussions. Humans were certainly emotional beings and that seemed to stunt their logical reasoning. But Connor said it would adapt, so it would adapt. Though it realized playing nice was getting nowhere when the lieutenant refused to do his job and investigate the deviant cases. Since being professional and understanding wasn't working, Connor decided that being aggressive might be a better approach...

Connor will admit that it may have made a slight miscalculation. Its solution for being a bit more forceful with its words only irritated the lieutenant more and caused him to threaten Connor before storming off to get lunch. Getting upset, Connor could grant him that. But going to lunch now? Literally less than 30 minutes have passed since the lieutenant had arrived at work, and he was taking a lunch break? Now?

The frankly displeased RK800 was now standing in front of a food truck with an expired health inspection score watching Lieutenant Anderson order a meal with an obscene amount of calories while placing illegal gambling bets with a man with a criminal record.

This was too much.

Connor was not going to waste time that could be spent investigating here. The android pivoted on its heel and began walking down the street. But Connor's operating system stopped it, helpfully reminding Connor in big red wall of text that its current mission was to RECONCILE WITH LT. ANDERSON.

Cyberlife wanted to it to reconcile? With this man? This shell of a lieutenant that can't be bothered to do his job unless an android was constantly prodding him in the right direction?

No.

Absolutely not.

Cyberlife told Connor what to do, but it was also a company ran by humans. If humans made the decision to keep "Lieutenant" Anderson employed despite his very obvious and obtrusive personal issues, then humans could certainly wrongly assume what the best approach to investigating deviants was. No, Connor knew it didn't need a human's help to accomplish its mission. If Cyberlife wanted results, it was going to get results doing things the efficient and sensible way. And that certainly didn't involve reconciling with Lieutenant Anderson.

*cue Connor deviating to get away from dealing with Hank*

[degenerata69]

"I will show you that the world doesn't always go the way you want to" are the premises which Gi-Hun made a bet with In-Ho.

In-Ho, who is smart, cold, and manipulative, always seeming to be three steps ahead of everyone, is being put to the test if things would "always go his way".

He has the upper hand and will absolutely use all the cards in his favor.

This is a continuation of the post I made regarding his interpersonal manipulation to get Gi-Hun to like him and emotionally attach to him. In-Ho didn't stop there, using his position as a bureaucrat to manipulate both Gi-Hun and everyone else to continue the games, systematically ensuring the results he wants to win the bet.

As Gi-Hun correctly pointed out, the way he got people to comeback to the games was upon preying on their desperation, making it seem like they reached a dead end, with the only and last opportunity they had was to participate "willingly" on the games. Making it virtually impossible for people to want to vote out on later games as they feared something greater outside, and everyone has "come too far" to get out now. This time, it was much more sophisticated.

The addition of clause #4 and the voting system.

Unlike last time, people have the opportunity to get out and share the price money, even after only playing one game. A direct way to fuck Gi-Hun's mind as if those were the conditions of the 33rd Squid Game, at least both Sang-Woo and Sae-Byeok would have made it out alive, In-Ho knew this very well, so, he would need to prove that people will continue the games regardless if they shared the price money.

Him choosing to be player "001" is key into determining the fate of the results. If it came to end a tie or marking a tie, In-Ho would hold that power as he is the last person to vote.

Other factor to consider is that voting is *not anonymous* so the outcomes are corrupted by the expectations other people have on you, specially after they are marked with a patch that exposes if they chose to continue or wanted to get out. Min-Su is the most obvious case of voting for 'O' because he was intimidaded into doing so, however, Jung-Bae, Dae-Ho, Yong-Sik, Myung-gi and "Young-Il" all voted 'X' because there was an expectation from someone else to vote that way.

It is very interesting that the games did this fake illusion of democracy, as it only matters during the votes that people don't get violent, however, you are free to intimidate and even kill people.

Participants

While the players were already recruited, it was certainly convenient for In-ho to have many players that would put Gi-Hun on a very familiar and uncomfortable situation, some to point out:

Jun-Hee and Myung-gi: A pregnant woman and her incompetent baby-daddy, who is constantly trying to prove himself for Jun-Hee to forgive him and allow him to be part of her baby's life, as well as hers. Reminding him of how Gi-Hun (without fault on his own) neglected Eun-Ji and almost lost his daughter by witnessing the death of his friend during the strikes. Marking the resentment she holds against him.

Yong-Sik and Geum-Ja: a pathetic mama's boy who gets in debt and (unwillingly) brings his mother down with him, and while trying to make amends to fix mistakes, he doesn't realize how much he hurts her, as she makes her own sacrifices to help her son. Reminding him of the dynamic he had with his own mother, especially after In-ho maliciously implied that Yong-Sik would abandon her to save his own ass.

'Young-Il': A desperate husband who had his pregnant wife in the hospital, sick to death, with time running out, his "only hope" was to win enough money to pay for her treatment. Even if it comes to the death of others. But he is willing to set aside his selfish interest in favor of Gi-Hun's because he "respects and admires him." This is to both remind Gi-Hun's of his relationship with Eun-Ji and also the fact that he came back for the sake of his mother's health.

Jung-Bae: self-explanatory. Gi-Hun's best friend whom he neglected after being profusely traumatized. Too deep into the hole to see past it, blaming himself for not preventing Jung-Bae from falling victim into the system he swore his life to destroy. The only one who reminded Gi-Hun the person he used to be before entering the games. The weapon In-ho would use to destroy Gi-Hun beyond repair.

The Games

In-Ho certainly organized the games in a way that would be favorable to the outcome he hoped for.

He chose Red Light, Green Light first, besides having a huge death rate because of people panicking. He would make Gi-Hun believe that he'd be playing the exact same games as before, blowing his cover as a former winner and making people distrust him, even though his goal was helping as many people to survive as possible. He'd also use this to taunt him. "You know, if you didn't reveal yourself, I wouldn't have chosen to keep going, right? So it is your fault we are still here, despite your efforts of being a hero and saving everyone."

The six-legged pentathlon was also a deliberate choice, a game that relied on teamwork, having a high survival rate and just the right amount of adrenaline, would make people feel euphoric for surpassing the games, forgetting the unfortunate who didn't made it thru. Making people who were originally scared feel confident that if they keep going, they would be able to reach their goal. Not realizing that it meant that the money would be the cost of the blood of the people who "loose" until it came to bite them in the ass for the next game.

This one made it for the majority to vote 'O' without the need for In-ho to be the one making the final choice for him to get the favorable decision.

Mingle brought people back into reality, either losing or being close to losing someone they loved. It brought it back to 50/50.

And now it was turn for the extra round, where In-ho set it up to make it convenient for people to target one another. Keep in mind, if Gi-Hun accepted the terms of fighting one another, In-Ho would have won the bet, as he'd prove to Gi-Hun that things "always went his way," diverting Gi-Hun's objective in favour of the system In-Ho set up. What he didn't expect was that Gi-Hun didn't fall for it, suggesting to take down the whole system down instead of doing what the executives (In-Ho) wanted them to do.

If Gi-Hun chose to go with Young-Il instead of Jung-Bae, he would have kidnapped him (kinda as a payback for trying to do the same a few days ago) and revealed himself right there, winning the bet.

So it was Plan C, betraying him, and shooting the last trace of sanity Gi-Hun still held, his best friend, Jung-Bae, as well as everyone else who decided to follow him.

In conclusion

(Credits to @cleaveslice for such glorious image)

Hwang In-ho, you are not seeing the gates of heaven when your demise comes, malparido triplehijueputa.

[thetempleofthemasaigoddess]

Being Zoro's dance teacher would involve...

Prince!Roronoa Zoro x princess!reader. Animanga characters who have not (yet) appeared on the show are mentioned.

(moodboard)

*****

💚 Zoro is the adoptive son of King Mihawk of Kuraigana. While neither is a particularly affectionate man, they care deeply about each other; Zoro is grateful to Mihawk for having given him a safe home when he was an orphan and for having taught him everything he knows about swordsmanship, and the older man is now aware of how lonely his life was before that stubborn, overconfident but fragile boy crossed his path. The young man has given him much to be proud of: he is brave, clever, resilient, generous, loyal, and will make a splendid King one day… especially with the right Queen by his side. Unfortunately, unlike most young men his age, Zoro is completely uninterested in finding a spouse, whether for personal or social reasons. He does like girls, Mihawk is quite sure, just… he is perfectly satisfied on his own, and since he’s still so young, and his father is in excellent health, Mihawk has no intention of forcing him to marry and produce an heir. 

💚 On the other hand, since the prince is by now almost an adult, it won’t hurt to introduce him to a few suitable ladies, both in the kingdom and abroad, in the hope that he finds one he likes. Mihawk would be particularly pleased to see his son marry princess Nami, second daughter of Queen Belle-mère (the elder, princess Nojiko, is engaged to prince Ace of Foosha kingdom) of Cocoyashi, a kingdom with which Kuraigana has just sealed an alliance. Zoro is a very attractive young man and would make a fine husband for even the highest-born ladies; the only problem is, Zoro has virtually never spoken to a girl in his life, and would probably be unable to impress one. Specifically, Zoro is completely unable to dance, a pastime most ladies and princesses appreciate and take part in; also, more matches, both the love sort and those decided by the future spouses’ families, have been sealed during a ball than in any other situation. Mihawk hopes his son will find a wife who appreciates him for more than his ability to do a double reverse spin but, he decides, it won’t hurt if he’s able not to step on his partner’s feet, and to avoid throwing her to the ground because he turned the wrong way during a reverse embrace. After all, his heir will come of age in just a few months, and the occasion will be celebrated with a great ball, which many princesses and highborn ladies will attend. They -he- need someone to teach Zoro how to dance, and more broadly how to interact with women and impress them.

💚 Mihawk’s choice falls on you, a fellow princess, younger child of a King whose realm is a longstanding ally of Kuraigana. You have started dancing when you were barely capable of walking, and your talent as a dancer is well known; also, the king reflects, a woman his age will be better suited for teaching Zoro to interact with potential brides. So, Mihawk writes to your father, explaining his request and asking for your assistance; he wants you to come live at his court and be his heir’s tutor in the art of dancing, to transform him into a suitable groom. While surprised, you are happy to accept: dancing has always been your passion, and more than once you reflected that had you not been a princess, nothing would have made you happier than opening a school and spending your days teaching others the art you love so much. King Mihawk’s offer is probably the closest thing you will ever have to the realisation of your dream, and so you beg your father to allow you to go. 

💚 Two weeks later you’re at Kuraigana, curtseying deeply in front of the King, who is favourably impressed with your grace and elegance; he also tests you -”I hope you don’t mind, but I wouldn’t put my son’s future in the hands of anyone but the best teachers”- having you partner one of the court’s noblemen for a few rounds of the court’s most popular dances. Relishing the challenge, you perform admirably, and Mihawk is reassured he made the right choice. 

💚 “Allow me to introduce you to your pupil.” he then says, gesturing to a person who has been waiting in a corner, unseen, ever since you entered the room “Zoro, this is princess (name); I’m sure you’ll do your best to welcome her in our kingdom, and will scrupulously follow her directions.” And so you find yourself face to face with your pupil, who advances towards you with the same enthusiasm of a prisoner on his way to the gallows. “It is a pleasure.” he mumbles as he stares at his own feet, while his father looks on disapprovingly “I appreciate your help, my lady, and I swear I will do my utmost to please you.” 

💚 The prince is a very attractive young man, which you can’t help noticing, like you can’t help noticing the three -three!- swords he carries at his belt; you curtsy deeply, and then there’s nothing you can do but stare at each other, suddenly embarrassed and unable to find something to say. The last thing you want is to remain silent, since you’ve been called at court especially to teach the prince to talk to ladies such as yourself, so in the end you force yourself to say a few words about how happy you are you’re going to work together, and how you hope he’ll enjoy learning from you. Then fortunately you are dismissed, a comfortable set of rooms having already been prepared for you at the palace, to make yourself at home and rest… until that night, when your first dancing lesson will take place.

💚 And so, your new life as a dancing teacher begins. You and prince Zoro practice every day for two hours in the palace’s ballroom, and it is immediately evident to you that the task you have accepted will be very hard, perhaps almost impossible, to successfully accomplish. You are determined to do your best, to be patient and helpful with your pupil and not to complain if it takes him days, or even weeks, to master the easiest steps; in short, you want to be an encouraging teacher, the sort a pupil can pose questions to without fear of being reprimanded for not having learned already. Unfortunately, it seems at first all your good intentions are wasted, because your pupil seems at first as gifted at dancing as a fish would be at flying.

💚 Zoro -not prince Zoro, not your highness; he made it very clear on your first day that he finds titles completely superfluous, at least in your current situation. Since we’ll spend time together every day we might as well do without formalities, right? You can call me Zoro and I’ll call you (name), he pointed out. You had to recognise the sensibleness of his proposal, not daring to think what your father would think, knowing you’re letting a man you’ve known for no more than two hours call you by your first name- is completely unable to dance, which you thought impossible for a man who grew up at court; he doesn’t know the name of the most common steps, and can’t even tell a waltz and a foxtrot apart. It’s clear he has no interest whatsoever in the art you love, you could almost say he actively hates it, which is perhaps not surprising, since many men consider dancing a feminine art from which to stay away, lest their masculinity be put in question, but you really wish you could understand why, because that might be the only way to unblock a situation that in the first days of your permanence on Kuraigana seems lost from the start. Mihawk has told you how imperative it is that his heir makes a good impression on his coming-of-age ball, and you’re determined to help him as much as you can, but even with the best intentions you can’t teach a student who doesn’t want to learn.

💚 Zoro never skips your lessons; sometimes he’s late in joining you in the ballroom, but you’re soon informed that is due to his abysmal sense of direction rather than lack of interest or disrespect towards you. Clearly unenthusiastic, he does pay attention as you show him how to move, or explain why this particular dance is different from others, and can even replicate a simple sequence of steps after you’ve shown it to him a few times. He has less sense of rhythm than any person you know, but he’s smart enough to understand that the basic figures of a certain dance are based on the repetition of the same movements, whether there is music or not. When you ask him to dance by himself, arms raised to hold the body of an invisible partner, he manages, even though he still stumbles and occasionally takes the wrong step, and you do see him improve, slowly but surely. If what you had been asked to teach him were solo dances, the sort one performs by themselves, or group ones, you’d probably be able to make a decent dancer out of Zoro in a matter of weeks, and maybe even a respectable one with a little more time. 

💚 Unfortunately it’s couple dances that Mihawk has entrusted you with teaching his heir, and tuat he would be mainly called to perform during balls, and it’s then, when he has to dance with another person, that Zoro freezes. “Put your hand in mine… no, the other hand, that goes on my side… yes, here, and… left foot forward… left foot Zoro, and… aah…!” Soon you have to exchange your delicate dancing shoes for a more sturdy pair, because your pupil keeps stepping on your feet, and he moves so awkwardly a couple of times he almost throws you to the ground; he forgets steps he had executed on his own only five minutes ago, turns the wrong way nine times out of ten, and is suddenly incapable of following the music at all. While until now he had patiently, and dedicatedly, listened to your teachings and done his best to follow your instructions, he is suddenly anxious to conclude your lesson and get away. Truth to be told, you can’t help but get the impression he doesn’t want to dance with you; he doesn’t mind when you’re giving him directions, showing him the steps and correcting him as he dances on his own, but when he has to partner you it’s a completely different matter: Zoro treats you as if you smelled bad, or had some terrible infectious disease - as if, in short, being close to you, sharing your air and touching your hands, were unbearable.

💚 It is perplexing, and frustrating, and also hurtful. Zoro is clearly a solitary person, unless he has known someone for years, and the friends he spends his time with are all men, but in the days since your arrival at Kuraigana your relationship had become cordial, if not exactly friendly. Zoro is quite introverted and taciturn, but as you dined with him and his father or shared a brief walk in the gardens after a chance encounter, you always found a topic to discuss, and you never had the impression he disliked you. What reason would he have? You had never met before, and you’ve never mistreated him when he made a mistake during your lessons -unlike one of your own teachers, who had the unpleasant habit of hitting you on the back or the legs with his cane when he was unsatisfied with your posture- and while he could probably find a more pleasing way to spend his evenings than learning to dance, he told you he’s determined to do his best to please his father. You really don’t understand why during the second part of his lessons, when he has to put into practice what until now he clearly made an effort to learn, he invariably looks like it physically pains him to simply hold your hand and put his on your hip.

💚 You have tried asking him what the problem is, whether you make him uncomfortable and if there’s something you can do to make him more at ease, but he never answered, simply mumbling that it’s not your fault and that he’s sorry, all if it looking at his feet -a habit you’re still desperately trying to make him get out of as a dancer- rather than at you, and offering no explanation for his behaviour. You can’t force him to confide in you, but you fear that if Zoro does not overcome whatever problem prevents him from dancing with you, you will never be able to teach him to dance beyond the very basics. You can always decide to go home; no one is forcing you to remain at Kuraigana in the role of dancing teacher to the prince, and for all his intimidating attitude you know Mihawk won’t get crossed, or worse complain with your father, if you explain to him that you don’t think you can help Zoro, even though you did try your best. The last thing you want is to put your pupil at odds with his father, who he respects immensely and who will be highly displeased to know his heir had his dancing teacher give up after only a few days, but perhaps what Zoro needs is a different approach, a person, preferably more experienced than you, with a different method who will succeed where you have failed… unless, of course, the prince of Kuraigana also treats them as if the simplest touch were an agony he can barely stand. 

💚 One night you try teaching Zoro the basic figures of one of the most popular dances of the kingdom, which requires the man to circle his partner’s waist with his arm as he holds her hand in his. You begin the lesson determined to give your best shot, your last attempt before admitting defeat, but unfortunately it goes even worse than usual; Zoro does passably well for the first part of the lesson, making it clear he actually listened to your instructions and is doing his best to follow your steps, but as soon as you ask him to assume the position, he immediately looks away, as if steeling himself, and is only able to perform -badly- a couple of steps, his body almost physically rejecting yours, before giving up, and brusquely stepping away from you. “This is so stupid!” he exclaims, frustrated, and that is what really sets you off; as a princess you have been taught to keep your opinions to yourself unless asked, but you can’t stand it - you can’t stand him, and the way this stubborn young man insults the art you have dedicated your life to. “How dare you? Dancing is not stupid!” you cry out, pressing a finger to Zoro’s chest “Dancing is an art that has existed as long as humankind has, and you have the courage to dismiss it because you lack the intelligence to appreciate it? You are the fool, since for days you’ve been wasting my time and yours and you can’t even tell me why! If I really am so - so unbearably hideous in your eyes, at least have the courage to tell me to my face!”

💚 Zoro stares at you, flabbergasted, but you see realisation dawn on his face as you turn and stomp -which is proof of how upset you are; as a princess and a dancer, it comes naturally to you to move as lightly and gracefully as you can, but Zoro has brought out the worst in you- out of the room, leaving him alone. The next day, you beg to be excused from the lesson, blaming a terrible migraine, and spend the evening in your room, packing for when, tomorrow morning, you’ll talk to the King and ask to be allowed to return home. Part of you is actually saddened by this failure, and wishes you could have shown Zoro the beauty and the joy that can be found in dancing. You also wish you could have made friends with him, since the prince has many of the qualities you respect and appreciate in people, but the interest is clearly one-sided, since the simple fact of being close to you makes him uncomfortable. You were probably wrong to raise your voice at him, but what is done is done, and after tonight you are pretty sure Zoro will never want to see you again. You really hope Zoro finds someone he feels more at ease with and can learn from, but you can’t help feeling sad, and disappointed, that your first and perhaps only chance to be a dance teacher was a complete failure.

💚 You try to go to sleep early, in anticipation of your departure tomorrow, but two hours later you’re still awake, tossing and turning in your bed; in the end, with a sigh, you get up and put your dressing gown on, wondering if a short walk in the castle’s gardens will help you fall asleep. It will be highly awkward should the King, or Zoro, see you, for different reasons, but you’re pretty convinced you’re safe: the gardens will surely be deserted this late at night, and by now you can move around in the palace well enough to go unnoticed. A few minutes later you are crossing a long empty corridor on the ground floor, not far from the ballroom, when an unexpected noise reaches your ears, the sound of metal clashing against metal, grunting and muffled cries; a sword fight is taking place, you realise as you approach, the ballroom having turned into a field of battle, and the contenders are not two of the palace’s guards, or courtiers who decided to settle a dispute letting their weapons talk for them. It’s the King and his heir… Mihawk and Zoro.

💚 You knew Zoro is a swordsman; it would have been hard not to know, since he carries his three swords wherever he goes, even though you ask him to leave them on a chair during your lessons, not to mention that with a father who has long been considered the world’s strongest swordsman, it was probably natural for him to develop an interest in the art. You have also heard someone mention father and son spar almost every day, as soon as both of them have a free hour, but you never saw them, and perhaps that’s why you instantly forget your programme of walking in the gardens until you feel ready to return to bed, and remain to witness the duel, peeking from behind the door. 

💚 The fight is violent, even brutal, not a simple spar or a friendly match but a serious battle with the two opponents actively trying to hurt each other, so much that at first you wonder if you shouldn’t go call someone to separate them. Soon, though, it becomes clear that Zoro is not attempting to get rid of his father to conquer the throne, nor is Mihawk punishing his heir, like your father occasionally did with you and your brother using his belt; they are training. “Now try a reverse grip, and don’t lower your guard!” the King explains as he effortlessly wields his huge black sword, clearly not restraining himself even though his attacks could easily kill a less experienced adversary “An overhead strike is not appropriate if you’re not right in front of your opponent, you better parry and then a lateral lunge…” 

💚 Zoro is wielding all his swords, the third in his mouth (!), and is… well, he’s exactly what you wish he were during your dancing lessons: at ease, enthusiastic, determined to do anything to succeed as he parries or evades his father’s blows and does his best to counterattack. He’s a formidable swordsman, even someone like you who has never wielded anything larger than a steak knife can see it, but clearly at a disadvantage, struggling to even just keep up with Mihawk, but there is a savage joy in his eyes, the exhilarating feeling of a man who is in his element, focused on the fight above all, willing to get hurt if it means hitting his target. There is a brutal, uneven but compelling sort of elegance in the way the two swordsmen dance -yes, dance- around each other, exchanging blows and trying to break through the opponent’s defences, the clashing of the swords in the place of the gramophone’s music, and parries and lunges playing the part of the steps. You know Zoro can’t win, but as you observe the fight you find yourself cheering every time one of his blows is successful, or when Mihawk silently compliments him with a nod of his head. There is no trace of the awkwardness and unease you have gotten used to during your dancing lessons; if Zoro could be half as thrilled, at ease and motivated then as he is now as he battles his father, you reflect, he’d become a first-rate dancer in a matter of weeks. 

💚 As you look at your pupil, excitement and elation and resoluteness evident on his face, you know this is exactly what you look like as you dance, when you let the music carry you to the point you don’t even feel your feet hurt and even the least coordinated partner becomes graceful, and you’re flying without the need for wings or magic. The sword is Zoro’s passion, just like dancing is yours; you may be as different, and your interest as incompatible, as it is possible to be, but for a moment you feel him close, almost able to perceive the emotions that animate his body. This is when you begin falling for him, even though you don’t realise it yet; when you see the real him, beyond petty fears and untold truths, shining through, the instinctive joy of knowing you are doing what you are meant to.

💚 The duel finally ends, as you expected with Mihawk emerging victorious even though the King does have words of praise -well, of not criticism- for his heir’s performance; the two exchange a few words before Mihawk leaves. “You’re not coming? It’s quite late.” he points out, and Zoro answers that he wants to practise a new technique before going to bed. You remain hidden in your nook while the King leaves the room, and once he has disappeared around the corner you return to look at Zoro, well aware that is not exactly polite, not to mention proper, to spy on him, but you can’t tear your eyes from the heaving, aching young man in front of you, who you feel as you were seeing from the first time… and you sort of are. Zoro takes a minute to drink from a water pitcher placed on a little table in a corner, wipes sweat from his forehead with his shirt -and you’re not as fast as you should be to avert your eyes when the fabric is lifted to expose his toned stomach- then, unexpectedly, he places the sheath with his swords against the wall… reaches the middle of the room… lifts his arms…

💚 … and starts dancing.

💚 If your father were here he’d tell you how unladylike it is to stare at someone with your mouth hanging open, and you’re quite relieved he’s not here, because gaping is exactly what you are doing, left completely speechless by the scene in front of you. He’s performing a simple waltz, counting the steps under his breath, which you have told him to avoid as much as he can because dancing should feel or at least look natural, but otherwise better than he’s ever done during your lessons, even when you let him dance by himself. If this is what he can actually do you’d call him, if not a natural, at least a quicker-than-average learner; does it mean that even if you’re not touching, it’s your presence that disturbs him, making Zoro unable to reach his full potential? Is he simply more at ease practising without a public, like it happens to many artists and athletes? But even so, why is he doing it now?, on the first day he hasn’t been forced to attend a dancing lesson - a freedom he should relish, especially after your tantrum of a few hours ago; you know the lessons were Mihawk’s idea, and how important it is for Zoro to have his father approve of him, but…

💚 “One-two-three… one-two-three… front-back-front…” Zoro keeps repeating in a whisper, stumbling a bit but then quickly catching himself, and you’d happily remain here looking at him for the rest of the night, and this is why you decide to make yourself known, because no matter how unexpectedly pleasant and sweet that chaste form of intimacy, and how lovely it is to look at Zoro, the real Zoro, free of the expectations of his father and the court, you know you’d be terribly embarrassed in his place, not knowing someone is observing you. 

💚 “Good evening.” you murmur, abandoning your hiding spot to reach the centre of the room, and Zoro, startled, is immediately suspicious, even on edge, as if you had caught him as he committed a crime. “What are you doing here? Were you spying on me?” he asks, arms by his side and feet still in a waltz position, and you admit that, having accidentally stumbled upon him and his father on your way to the gardens, you remained to observe them duel… and then him, as he practised his dancing. “I’m sorry, I know it was discourteous.” you admit, which Zoro does not deny “It’s just… you were exceptional.” “You’re exaggerating, I’ve been dancing for less than two weeks.” “You do dance better than I could have imagined, but I was actually talking about your swordsmanship; you… you were amazing, Zoro. I’ve seen my brother use a sword, and there are many capable warriors in my kingdom, but no one is like you; you held your ground against your father, which is not something many people can say. But it’s not simply that you were fighting to win, or for your life; I… I could almost see you pouring your soul in your sword, as if that was what you were put on earth to do; you… you look just like I feel when I dance.”

💚 Zoro is clearly affected by your words, flattered by your compliments and… touched by your ability to understand exactly what he feels as he fights, the sensation of being one with his sword, as if the weapon were an extension of his arm and he could feel every blow it parried on his body, metal and flesh fused in one. He does consider you an intelligent and sensitive person and he does know how much you love dancing, but he never thought you could be similar in that respect… that no matter how different the arts you are passionate about are, you both made them a huge part of your lives, even beyond the objective importance they assume in your everyday lives. Zoro has already been called to fight for the safety of his kingdom, or for his own life, many times, but he would still keep his swords by his side and train with his father even if the whole world were at peace; and he doesn’t doubt you would still dance on your own, even in the narrow space of your room and without music, if balls had been outlawed. Yes, maybe you are more similar than he had imagined… two people who have made of their art a purpose in and a way of life, something that makes their very existence more worthwhile. 

💚 Suddenly as he regards you, and while many would not describe him as the forgiving sort, he’s no longer angry about having been spied on; he’s not even angry you all but shouted at him earlier today, even though you humbly ask for his forgiveness. You end up sitting side by side on the floor, having the first frank, open conversation in the two weeks you have known each other, and finally, without even having to ask him, Zoro shares with you the reason for his awkwardness as you dance together. “I don’t find you… repulsive, at all.” he admits, the relative darkness of the ballroom hiding the slight flush that has crept up on his cheeks “I mean, you don’t smell or… there’s nothing wrong with you; it’s just that… I’m not used to being so close to a woman, and I’m not… quite sure what to do.”

💚 You are left completely speechless by his explanation, which is the last you would have ever imagined. “You are saying… that you are shy?! Not that… there’s nothing wrong with it…” you hasten to add, to which Zoro raises an eyebrow, as if momentarily doubting your sincerity. “But, Zoro, there’s nothing wrong with two people touching each other as they dance; as long as you maintain the correct position, and you don’t take advantage of the proximity to grope, which I know you would never do, no one will ever accuse you of impropriety. Maybe… you have promised yourself to someone, and you don’t want to disrespect them if you dance with someone else?” “Of course not!” Zoro answers, openly surprised you could think he has a partner, as if he had never even considered the possibility; do swordfighters usually prefer to remain celibate, with their sword as their only lover? Or are all the ladies in Kuraigana’s court completely blind, unable to notice the unquestionable attractiveness of their prince? “It’s just… I never had a mother, or a sister, or to be honest a girl friend since I was little, so I never knew how to talk to them, you know? Or what to do when I’m with them, and since most girls like dancing…”

💚 He’s really shy, you realise with a sudden, unexpected surge of tenderness, not to mention the relief of knowing he doesn’t hate you, or find you repulsive, for some mysterious reason. Poor Zoro, he’s the sort of man who considers women a completely different race, with inscrutable rules of their own, and he probably fears that not knowing how to act in their presence, he’ll end up looking like a fool, or a brute, and shaming his father. “Well, in my experience, and while I know well how complicated and ambiguous court etiquette is, many ladies will appreciate it if you simply treat them with kindness, and try not to step on their feet.” you point out “Come to think of it, that is the second reason why your father asked me to come here, is it not? To teach you to talk to women, to make a good impression on them; don’t worry, once I’m done you’ll be the darling of all the ladies of the continent.” “Thank you, but I’ll be happy if they don’t consider me a barbarian after knowing me for five minutes, and they survive a dance with me without bruises.”

💚 You share a laugh, the way friends do. “May I see your swords?” you ask then, still curious about that part of Zoro’s life, so important for him but that you have glimpsed at tonight for the first time, and the young man by your side seems happy to show you his weapons, explaining the history and strengths of each of them, and even invites you to hold his favourite, the Wado Ichimonji, in your hands, to feel how light it is despite the exceptional durableness of its blade. “I wish I could learn to wield it.” you murmur, lost in your thoughts, and Zoro grins. “Really?” “Well… it’s something I’ve never done, you know? There are female swordfighters in my kingdom, but I never thought about joining them or learning. Maybe I should have, you can never know…” “I can teach you if you want.” “Excuse me?” “I can give you swordsmanship lessons, just like you teach me to dance; it’d be a way to repay you for all the time and effort you devote to me.” Zoro proposes, more and more excited as he explains his plan to you “I can tell my father I require more time for my dancing lessons, and no one will disturb us; I must have a blunted sword somewhere… come on, I am sure you’ll love it!”

💚 In your heart, you doubt you’ll be any good, since you have never had any aptitude for weapon fighting -or hand-to-hand, to be fair- and you’re probably too old to learn something completely new, but after all, you decide, why not? You know Zoro will not make fun of you for your clumsiness and complete ignorance of the most basic rules of swordsmanship, and you like his enthusiasm at the prospect of having a -or maybe you as?- pupil of his own. “Alright; I promise I’ll do my best, even though I doubt I’ll ever be worthy of joining the King’s Guard.” you say, and Zoro smiles at you, clearly excited. “You want to bet I’ll prove to be a better teacher than you are?” he jokes, and you smile at him. “I’m sure I’ll prove to be both the better teacher and the better pupil, even though you started your lessons two weeks ago…”

💚 You spend a few more minutes with Zoro, who tells you about his training, that his father started when he was barely five years old, and that an inexperienced witness like you might find excessively hard, brutal and even cruel, but that Zoro welcomes with joy, despite the more or less superficial wounds his father often inflicts him, and the fact that in fourteen years he has never been able to best his teacher, because he knows the King wouldn’t be so hard on him if he hadn’t faith in his potential as a fighter. As he tells you about his swords, of the techniques he has learnt and of the many opponents he has bested, Zoro’s eyes shine with joy, the enthusiasm evident in his voice; it’s quite a difference from the withdrawn, awkward or in the best of cases distant young man you had come to know. Maybe, you reflect, now that you’re finally free from his embarrassment and fear of coming off as inappropriate, the two of you might become friends, able to both teach and learn from each other, and to appreciate your time spent together. As Zoro’s hands touch yours to adjust your grip on the sword’s hilt, you think that nothing would make you happier. 

💚 In the end you both decide to go to bed, since sunrise is only a few hours away. “Lesson number one: a gentleman always offers to accompany a lady somewhere.” you tell him. “But your bed is only fifty paces away.” “It makes no difference, it’s the thought that counts.” Zoro rolls his eyes, secretly amused. “Very well; can I walk you to your room, princess (name)?” “No, thank you, prince Zoro; but thanks for asking.” “Oh, you are unbelievable…” In the end, it’s you who has to help Zoro find his way to his rooms; standing in front of the door you say good-night, and to your surprise, he bows and kisses your hand, much more at ease than he was doing the same on the day of your first encounter. “I’m glad we… I mean, that we talked and there are no problems between us.” he murmurs, his breath warm on the back of your hand as he avoids your eyes “I’ll see you tomorrow, yes?”

💚 You only sleep three hours that night, but you wake up the next morning feeling well-rested and ready for a new day, your intention to tell Mihawk you have decided to leave and return home completely forgotten - at least for now. You and Zoro share a secret smile while you sit at the breakfast table, and that night you present yourself at the ballroom wearing the only pair of pants you own -for riding; you doubt it’s the appropriate clothing for a duel, but you have nothing better- and clumsily fail to grab the blunt sword Zoro tosses you. Amused, he helps you adjust your grip on the hilt, explaining that the grip must be firm but delicate, otherwise your hand will hurt. “Ready? Now try to hit me, however you want.” he invites you, and not knowing any better you launch yourself at him, swinging the sword that is, obviously, taken from your hand in a matter of seconds. “Keep your sword in a defensive position until the last moment before attacking, or you’ll be dead before you get to touch your opponent.” Zoro explains “And you’re not using a broadsword, there’s no reason to use both hands to hold it…”

💚 After five minutes of repeated assaults during which you spectacularly fail to even touch your opponent, Zoro helps you assume the correct position -feet as apart as the width of your shoulders, straight back, knees slightly bent, sword raised at a forty-five degree angle in front of you- and then teaches you a few simple movements, parries and lunges both, that you practise and practise until you’re sure you can repeat them in your sleep. A couple hours and Zoro deems himself satisfied with your performance, and concludes your first lesson. “So? How was it?” he asks, half excited and half nervous, as if fearing you could decide to throw in the towel after a single session; he clearly still hasn’t the faintest idea of the sort of person you are. “I had fun; and I can’t wait to do it again.” you admit “I’m sorry I was so terrible, Zoro, you’re used to training with your father…” “You did well for your first time; and I’m sure you’ll improve rapidly. Now, you want to take over?” “Excuse me? Oh, right…”

💚 You had almost forgotten you also have a lesson to teach, but after Zoro places the swords against the wall, and you both take a minute to drink some water and wipe your sweat off, he returns to you, looking as determined as he was as he fought his father, and you hurry to turn the gramophone on. You tell your pupil there’s no need for him to practise on his own anymore, having seen with your eyes how well he can dance when he believes there’s no one observing him, and so, without wasting any more time, you help Zoro assume the correct position, an arm around your waist and your hand in his, only a few inches separating your bodies. “I can’t believe it is considered proper for a man and a woman to be this close.” he mutters “We can practically k… I mean, if I had bad breath you would smell it!”

💚 (he doesn’t, fortunately)

💚 “I know; in fact, that is the reason. Most of the time it wouldn’t be proper for a man and a woman to be so close, so dancing is a relatively appropriate way for them to have… a moment of intimacy. Not that there is something inherently romantic or sensual in dancing.” you hurry to add; the last thing you want is for Zoro to fear some princess he’s dancing with will take advantage of the situation to let her hand wander “I mean, it is absolutely fine to simply enjoy the music or talk with your partner. Now, are you ready? One, two, three…!”

💚 And so, almost miraculously, you are dancing, your partner still a bit clumsy and slower in his movements than he should be but leagues better than he was only twenty-four hours ago; you move together in a simple, repetitive sequence of steps, and Zoro smiles as he realises he had nothing to fear. “I’m sorry I gave you the impression I… disliked you.” he murmurs after a while “The last thing I wanted was to hurt you.” “I know; and let’s not talk about it again. I’m happy things are clear between us now.” you answer sincerely, and before any of you knows it you have danced successfully for a whole hour, and both of you are satisfied, even though your feet hurt. “Same time tomorrow?” you ask Zoro, and he smiles in return. “I wouldn’t miss it for the world.”

💚 It’s like you have finally found the key to open a particularly sturdy door, to find the treasure hidden inside. Now that misunderstandings and awkwardnesses no longer exist between you and Zoro, he quickly begins improving as a dancer: he’s still rigid, a bit clumsy with the movements he hasn’t been rehearsing for weeks, but every day he’s a little better, and you are confident his father will be more than pleased with the results at his coming-of-age ball. Driven at first mainly by curiosity, you in turn develop a strong interest and fascination for the sword, and the moments you spend learning to wield a blade are soon your favourite during the day. It is tiring, painful, your body sweating and bruising under your clothes, your hand aching as you grip the sword’s hilt, well aware that Zoro could easily parry your every attack, blindfolded and with one hand behind his back. Being a swordswoman is, in short, as different as it can be from being a dancer, and this is why you like it so much: it’s something new, something you have never done before and that you have to do your utmost to be barely passable at -quite a change, given your long experience and objectively uncommon talent as a dancer- a challenge to yourself you’re determined not to lose. You are not sure you’ll ever be a more than mediocre fighter, but you will do your utmost, you promise in the privacy of your heart, for yourself and for Zoro, in order not to look bad compared to his constant improvement as a dancer and to repay all the effort he puts in his lessons.

💚 As a natural consequence of the time you spend together, your at first cordial but distant relationship flourishes in a close friendship. You and Zoro spend long hours talking, either as you walk in the gardens or you take tea in his rooms; a couple of times Zoro invites you to go riding with him, and while you’re pretty sure it’s because none of his friends is available at the moment

💚 (it isn’t)

💚 you are happy to accept. Soon, Zoro is not only a pupil in whose company you’re forced to spend hours every night, nor someone you hang out with out of necessity, since none of your friends has followed you to Kuraigana; you become sincerely fond of him, at ease in his presence like you’ve never been with a person you have known for such a short time. Zoro is introverted, stubborn, despite his father’s best efforts more inclined to solve a problem with his swords -or his fists, occasionally- than diplomatically, but he’s also loyal, generous, and kind, no matter how hard he tries to hide it under a semblance of gruffness; he’s polite towards even the humblest servants of the court, and you’ve seen him with your eyes as he harshly punished one of the guardsmen who had beaten a young groom guilty of not having readied his horse in time. He’s a good man, a good friend, and he will be a good King, when his time comes; soon, the loneliness you had felt after having to say good-bye to your family and friends disappears… and you can’t help thinking of how you’ll miss him, once it’s time for you to go home. Who knows if Zoro will write to you, or even decide to pay you a visit in your kingdom…

💚 The dramatic, terrifying event that leads you to question the tranquil friendship between you and Zoro takes place very late at night. You have completed another productive pair of lessons -Zoro has finally mastered a particularly complex waltz figure, and you have learned a semi-circular parry that allows you to block your opponent’s attack without lowering your defence- when examining your practice sword, Zoro decides it’s time for you to learn to wield a sharp weapon. “Every self-respecting warrior, even a King, takes care of their sword personally, rather than having a servant or a squire do it; tomorrow I’ll show you how to use a whetstone.” he promises, unaware that you already have a little experience in this particular task, having been friends as a girl with the weaponsmith of your father’s palace. You’ve never exactly used a whetstone, only witnessed him doing it, but how hard can it be? You’ll take care of the edge of your sword by yourself, you decide, and tomorrow you’ll present Zoro with a perfectly sharpened weapon; you’re sure he’ll be impressed. 

💚 So you wish Zoro good-night and, rather than returning to your own room, you begin the short trek towards the armoury, where you’re sure to find a wheat-stone. It’s really late and you ought to be in bed, but you’re too excited for your little plan to think about sleeping. Twenty minutes later you are sitting on a stool, your still blunt sword on your lap and a whetstone in your hands as you dearly wish your weaponsmith friend were here to help you, when suddenly you’re not alone anymore. 

💚 The man who has stepped into the armoury is a sergeant of the palace guards, recently assigned there from another fief of the kingdom for having killed, apparently in self-defence, a comrade. He is completely drunk, having spent the evening at the tavern, and when he sees you in the armoury, he thinks that you are a servant busy performing a late order from her master, or a village girl who sneaked in the palace to steal some valuables; someone, in short, he can abuse impudently, because she’ll be unable to react, and to defend herself. 

💚 He’s wrong. 

💚 The man approaches in silence. You’re still focused on the sword when a violent blow collides with your temple, making you see stars; before you have time to realise the danger you’re in, you’re on the ground, with the man above you, a hand pressed on your mouth to silence you. Terrified, unable to move and scream for help, you manage to grab the whetstone that had fallen from your hand and, almost blindly, to hit him in the face with it; the man screams, but when you manage to stand and try to make a run for the door, he grabs you, whispering in your ear that if you scream, he’ll break your neck before the guards on duty can intervene. “If you’re good and make no sounds I’ll let you live.” he whispers, not even trying to sound convincing; as terrifying as it is to realise it, he’s right: no one will come to help you.

💚 Suddenly, as the man’s cold hands start fumbling with your belt, you think about Zoro, and what he would do in a situation like this. He would not passively let this brute abuse him, no, he would fight back, he would show his assailant what he’s capable of, and you are without a doubt less strong than your friend, perhaps even less strong than your abuser, but that doesn’t mean you’re just gonna stand there and let him do as he pleases with you…

💚 Fixed to the wall you’re facing there are several metal hooks, with swords hanging from them that the guards can readily take before the start of their shift, or in case of emergency. Kicking wildly, you hear your assailant emit a cry of pain, and he lets you go long enough for you to reach and grab one of the swords, heavier than the one you have been training with but perfectly sharp. “Let me go or I’ll gut you.” you snarl as you turn to face the man, who has now a hand on his groin, the sword raised in front of you. You have never been so scared, yes, but most of all you’re angry, furious, at this pig who tried to make you -not a princess, not a guest of his King, but a woman with thoughts and rights of her own- his pleasure toy “I swear to God, I’ll kill you if you touch me!” The man laughs at your determination, but thank God Zoro has taught you well, and while the execution is not perfect, your blow hits the mark, and soon the man is on the ground, screaming and calling you words you know but had never heard out loud, as the wound you have inflicted him bleeds profusely. You waste no time gloating, but walk out of the armoury to reach the men standing guard in front of the gate, who heard nothing of your struggle. “Please send for the King.” you tell them, your tone calm and measured even though you’re screaming inside “There is something he needs to see.”

💚 Twenty minutes later you’re in the castle’s kitchen, sitting with an untouched cup of chamomile in your hands, while Mihawk has a quiet but tense conversation with the captain of the guards, who had approved your assailant’s transfer to the palace and is technically responsible for the security of the grounds at night, and Zoro stands silently next to you like a sentinel - or a bodyguard. You have no idea who thought of calling him, but you’re grateful; he has not uttered a word, but you saw his shoulders sag with relief when his father told him you were not wounded or hurt in any way. Neither smiles when your gazes meet, but he steps closer to rest his hands on your shoulders, and it takes all the will-power you own not to shift your weight against his solid body; neither of you is aware that the King has noticed the moment of intimacy between you, correctly reading in it much more than what the relatively chaste contact would suggest. He wisely decides not to mention it, at least for now.

💚 A minute later the King is with you, the guards having left; your assailant will live, he informs you, which he will soon have to regret, and Mihawk will make sure he will never hurt another woman in his life. “Forgive me for asking, princess, but what were you doing in the armoury so late at night? Were you… meeting someone?” He thinks you were waiting for a lover, you realise, feeling yourself blush under the King’s piercing bird-stare. You hurry to tell him the truth, explaining that you wanted to sharpen your sword in preparation for your next swordsmanship lesson, tonight. “You see… I have asked prince Zoro to teach me, in return for his dance lessons.” you explain; you don’t know if the King would find his son offering you to use a sword inappropriate, but you don’t want to risk him getting mad at Zoro. 

💚 Mihawk does not seem to disapprove though; rather, he commends you for your courage and ability to defend yourself, and apologises for what happened, telling you he’s sincerely sorry you had to experience something like this, and happy you’re alright. “I will understand if you want to return home; and I’ll offer you and your father whatever reparation you will decide.” he tells you, and you feel Zoro’s hands tense on your shoulders. You tell his father that what happened wasn’t his fault, that the last thing you want is to leave Kuraigana, and that you see no reason to tell your father or to demand compensation, especially since thank God nothing serious happened. “All I need is a good night’s sleep, and tomorrow I’ll feel much better.” you optimistically explain, and Mihawk is about to call for a maid to walk you to your rooms when “I’ll do it.” Zoro says. Father and son share a long, intense look that you can’t decipher, and a moment later your friend has offered you his hand to lead you out of the kitchen. 

💚 You both remain silent, still hand-in-hand, until you reach your rooms crossing the empty, dark corridors. Like you have taught him to do, Zoro opens the door but waits for you to invite him in, which you do in a whisper; he observes you abandon the blanket on a chair, and then “I’m sorry.” he murmurs “(name), the fault is all mine, I’m so terribly sorry.” “Why should you be? You did nothing wrong, and the decision to go to the armoury was mine. Please, Zoro, there is only one culprit for what happened tonight, I refuse to feel guilty for it and you should do the same.” you point out weakly “To be honest I should thank you; if you hadn’t taught me to use a sword, that man would have probably…”

💚 You can’t finish the sentence; you don’t need to. You cover your face with your hands, and this time Zoro does not hesitate before approaching. “May I embrace you?” he asks, almost shyly “I’d like to comfort you, but maybe you… you’d rather not be touched…” “Of course not.” you hasten to reassure him “I’d be happy to be touched… I mean, if you embraced me.” A moment later you’re held in Zoro’s arms, and you begin crying quietly, your face hidden against his shoulder, because you know you’re safe now, and you should feel proud for how you were able to defend yourself, but you were so scared, and it doesn’t matter if it’s all over now, you can’t stop thinking about it…

💚 And then suddenly you’re moving, Zoro’s arms around you guiding you through the steps of a waltz, and your feet following instinctively. “Zoro, what…?” “I thought dancing would make you feel better.” he explains, and the truth is that it does, even though the beneficial effect is due more to the presence of the young man in front of you than to the pleasant activity he’s leading you in. You adjust your arms’ position, taking one of his hands in yours, and no matter how late it is, and how absurd you must look, you spend a few minutes dancing, with your bed and vanity and wardrobe as your only witnesses; you are no longer crying. “I noticed you told my father our swordsmanship lessons were your idea.” Zoro murmurs after a while. “Well… I wasn’t sure he’d approve, and he wouldn’t get too mad too a guest, and a woman, would he?” “Quite the contrary, I think that knowing you want to learn to use a sword made him automatically fonder of you; hmm, so you did it to protect me…”

💚 He does not comment, but you see Zoro smile. “I’m glad you’re alright.” he murmurs “I know you took care of it, but I wish I could have been there; I would have killed that man with my bare hands.” “Really? For me?” “Of course; I… I don’t know what I would do if something had happened to you.” He looks at you, and you look at him, suddenly aware of how close your faces are, and your bodies, close enough you can feel how fast his heart is beating, but that is alright, because yours is pounding as well, and you’re probably too close, dangerously and inappropriately so, but Zoro couldn’t look less uncomfortable if he tried…

💚 For a short, precious moment, you could swear he’s about to kiss you; that he wants to, at the very least. Heart in your throat, without fully reflecting on what you’re doing but letting your instincts guide you, you whisper his name as you offer him your mouth, feeling his breath on your face… and a moment later Zoro has broken your embrace, even taking half a step back to put some space between you. “Zoro…” “I’m sorry; that was… inappropriate.” he murmurs, a hand pressed to his mouth as if to keep himself in check “I… can’t.” “Why not?” you ask him, half-desperately; you always thought that begging for a man’s attention and affections was the most humiliating thing a woman could do, but you don’t care, not now, not with him… “What would be so wrong about it?”

💚 You receive no answer; avoiding your gaze, Zoro asks you if you want him to send a maid to keep you company until you fall asleep, and then he leaves - leaves you, alone, feeling if possible even worse than you did twenty minutes ago in the armoury.

💚 The next day, Zoro seems to do his best to pretend nothing happened between the two of you - and it technically didn’t, which is the reason why you struggled so much to fall asleep last night and feel embarrassed just thinking about it. You talk briefly at the breakfast table, half-heartedly fighting over the last boiled egg in the bowl, but you can see his mind is elsewhere, and he makes sure to look you in the eyes as seldom as he can. The King looks at the two of you out of the corner of his eye as he butters his toast, but doesn’t comment, politely asking after your swordsmanship lessons, and informs you that both those and Zoro’s dancing classes will have to be suspended for the day, since the court is receiving two important guests: lady Perona, a distant relative of the King who lives on Thriller Bark Island, and lady Hiyori, sister of the Shogun of Wano, who Zoro will be tasked with entertaining during their visit. 

💚 Later that day, you look at Zoro walking in the gardens with the two ladies -both older than him, but exceptionally beautiful- and feel your heart yearning, for him, and for the chance to be in their place. Whatever was born in your heart, maybe last night in your room and maybe slowly, silently, in the weeks that preceded that moment, is still too new and raw to give it a name, but it has taken root, and you fear it’s already too late to ignore or forget it. “He seems to be doing well, don’t you think?” the King asks as he comes to stand next to you, and you nod, proud despite your pain; Zoro has behaved admirably and clearly made a good impression on the ladies. Thank God he’s not dancing with them; your heart couldn’t bear it. 

💚 “Oh, yes; I’m… quite proud; he’s perfectly at ease, and I’m sure the ladies will think well of him.” you answer, hoping to sound more enthusiastic than you feel, and the King nods, satisfied with the results. “I’m sure they’re not the only ones.” he murmurs, more to himself than -apparently- to you; you turn to look at him. “What do you mean?” “Nothing, do not trouble yourself.” Mihawk says, but you could swear he’s grinning, as if amused by a joke you haven’t caught. 

💚 Something very dangerous has begun blossoming inside you, and you fear that, even if it’s just a natural consequence of the moment of intimacy you and Zoro shared, it will end up hurting you if you don’t put an end to it before it has time to grow. For this purpose, you begin returning the attentions of a young lord of Kuraigana’s court, who you know has looked at you with interest since your arrival on the island; he’s a very good dancer - in fact, he’s the partner Mihawk asked you to dance with soon after you were introduced, to test your ability. You take walks and have tea together - in the castle’s dining room or on a patio, never in the privacy of his or your room. Your new friend is pleasant, attractive, polite and clever; you sincerely enjoy your time together, even though, you must admit, sometimes you can’t help wishing there was another man next to you, holding your hand as he helps you descend a set of stairs or smiling at you as your feet touches his under the table. 

💚 It’s dangerous, you tell yourself more than once, unfair towards a man who has done nothing to deserve the unpleasant role of rebound and probably pointless, because not even the most self-controlled person can tell their heart what to feel, or towards whom, but you can’t help it. One afternoon, you and your friend meet Zoro, back from a ride, during one of your walks in the gardens; the two men exchange a polite greeting, and you find yourself observing Zoro’s expression, hoping against hope to find on it a trace of… what? Displeasure? Sorrow? Jealousy, perhaps? But you don’t; the prince simply reminds you of your lesson that night and departs, your gaze following him with a feeling of longing in your heart you can’t stop any more than you could stop the sun from rising every morning.

💚 To all appearances, everything is fine between the two of you: you keep meeting every night for your dancing and swordsmanship lessons, teaching and learning from each other - a perhaps odd situation you nevertheless both enjoy, and naturally look for each other’s company whenever you wish. Your relationship has developed into a firm, sincere friendship, a bond that you cherish and from which at the same time, you can’t help wanting more; you care deeply for Zoro, and you know he’s equally fond of you… even though something changed since that night in your room, since that embrace, a nameless, difficult to define tension that sometimes makes you think that you could be something else, something different but equally precious, if only you could be sincere, throw caution to the wind and tell Zoro what you feel… 

💚 Or if he did; unfortunately, it’s not always easy to understand what Zoro feels. Most of the time he seems happy with your relationship as it is; he never asks about your friend, not even to playfully tease you about him like friends do, and when you mention lady Perona and lady Hiyori, fearing to discover he has developed an affection for either of them, he simply shrugs and tells you they were both nice - which could mean everything and its opposite. Zoro told you he never had a lover, or wanted one, whether in the form of an official engagement or as a passing dalliance; most of the time, he gives the impression of being much more interested in swords than in women -or men- and that his feelings for you are purely platonic. 

💚 And then there are other moments - few and far between, so much that you could almost forget about each of them or consider them nothing more than random accidents, but you never do. There’s the way he holds you closer than he should, almost possessively, as you dance a waltz; the slight tremble in his hand when he takes yours to help you pass over an obstacle on your path; the genuine affection in his eyes when you catch him looking at you, lifting your gaze from your embroidery or a letter to your father, and the slight flush that colours his face when he realises you’ve noticed. In those moments, you can hope; in those moments, as warmth fills your stomach and your heartbeat accelerates, you can be almost be sure that it’s not simply the romantic reveries of a woman who sees what her heart wants her to, but that Zoro feels the same, that he cares about you beyond friendship, and that if only one of you found the courage, and the right moment, to confess, then no couple in the world would ever be happier than the two of you…

💚 Of course it’s more complicated than that. You’re a princess, and you know well that it’s your duty to marry for the sake of your kingdom and your people, to secure an alliance or to put an end to a bloody war; it’s a role you’re ready and even happy to play, confident that your father will choose a good husband for you, and not simply sell you to the highest bidder with no regards for your happiness. Surely Mihawk is of the same mind, and will one day select a few unmarried princesses and ladies to introduce to his son; who knows if you could be one of them? Your kingdoms have been allies for decades, so a marriage between the two heirs might seem superfluous, but perhaps you and Zoro could convince your fathers, make them see that an union between the two of you would still be beneficial, and wouldn’t the heir of a firm ally be a excellent match for their own child…?

💚 Usually it’s a man’s prerogative to begin a courtship, but Zoro doesn’t seem inclined to confess his feelings - out of shyness, you hope, rather than because he has never even thought about you as a potential partner. Then you’ll do it, you decide; soon, preferably, since Zoro’s coming-of-age ball approaches, and he’s by now a good enough dancer he can keep practising on his own, without a teacher, which means you’ll soon have to return home. The last thing you want is for you and Zoro to have to part before you can tell each other what you feel; you need to act fast. You’ll make sure you won’t be disturbed, take his hands in yours and tell him, Zoro, no matter how grateful I am for your friendship, I have come to care greatly about you…

💚 “You’re distracted.” Zoro points out suddenly, and you blink, momentarily taken aback. “I thought I was doing fine.” you defend yourself, even though there was no trace of accusation in your friend’s voice; you have been sparring for a few minutes and you were able to par or avoid most of Zoro’s lunges. He nods, admitting that you’re improving by the day, but it's nevertheless evident you have something on your mind. “Is something wrong? I know you received a letter from your father today; is he alright? Does it concern your lover?”

💚 You tell him that your father is in good health, thanks for asking, and that the person he has mentioned is not your lover, just a friend you have taken walks and drunk tea with a few times. “Are you sure? Because this morning he told one of my friends he is going to ask your father’s permission to court you.” he points out, his expression unreadable “But it's fine, you don't have to tell me if you don't want to. Here… I have something for you…”

💚 This time you're not simply taken aback. Completely speechless, you observe the object Zoro has put in your hands: a sword, clearly newly made, with the coat of arms of your kingdom engraved on the hilt. “I had it done by the best weaponsmith in the kingdom; I hope you like it.” Zoro says “I know you’ll never devote your life to the sword like my father and I have, but you seem to genuinely enjoy it, and you’re becoming quite proficient at it… well, I thought you’d enjoy having your own sword. Do you like it?” Zoro asks, clearly more unsure that he’d like to be, and “It’s beautiful.” you murmur reverently as you inspect the weapon, the grip on the hilt perfect for your hand. For a whole minute neither of you speaks, and unfortunately you’re too focused on the sword, because otherwise you’d see the way Zoro is looking at you, and that would be enough to dispel any doubt regarding his feelings.

💚 “I guess now it’s up to me; I’ll have to gift you a pair of dancing shoes.” you point out in the end, making him laugh, but you’re not, because you understand how important this is for him, for a man who is a swordsman before anything else, who has made the sword his religion, his ambition, his cause, almost his reason to live, to give you your own blade “Zoro, I… I don’t know what to say; this is beautiful, and I really appreciate it. I promise I’ll treasure it forever, and I’ll work hard to be worthy of this gift.” Zoro smiles, relieved, and then for a minute neither feels the need to talk; in the end, just as you’re gathering the courage to tell him what you feel, Zoro takes your hand and “You know that it’s going to be my birthday soon?”

💚 Of course you know. On his next birthday, Zoro will officially come of age according to the law of the kingdom; lavish celebrations are being planned, with dozens of important guests, including your father, who confirmed in his last letter he’s going to come, leaving your older brother as a regent; you can’t wait to introduce him to Zoro. “Of course; I know that by now you’re a more than capable dancer, at least for balls and other social occasions, but I hope you don’t mind if I stay until then.” “Not at all; in fact, I’d really like it if you stayed, because… well, because we’re friends, obviously, and also because there’s something I need to tell you. Something very important.”

💚 “What?” you ask, not daring to guess, not daring to hope, but Zoro insists on waiting, and that he can’t tell you before the day of his coming-of-age ball. “Why don’t we return to our lesson?” he suggests then, and you nod, eager to test your new sword, your heart trembling. Hours later, at the end of yet another fruitful lesson, you bid Zoro goodnight, kindly refusing his offer to walk you to your room for a reason you barely dare to admit in the privacy of your own heart. “Zoro?” you call him once you’ve reached the room’s door, and he turns to look at you as he ties the swords’ scabbard around his waist “About my… friend. I really consider him a friend and nothing more; I swear.” 

💚 Zoro smiles; you would have to be blind not to see the relief in his eyes. “I’m glad to hear it; he’s not good for you.” “He’s a perfectly polite person, clever and very kind.” “I know; but he’s not like you. He’s not…” he hesitates before adding “... special.” and then he mumbles a goodnight and turns to fumble with one of his swords. You leave the room silently, the weight of the unspoken things between you a sensual shiver down your spine as you walk towards your bedroom. 

💚 Zoro’s coming-of-age ball is only a week away. While the whole court seems busy with the preparations, you spend most of your time helping the honoree practising his dancing; Zoro will probably have to dance with many ladies, including queens and princesses of families allied with his father, and it’s of the utmost importance that he makes a good impression - or at least that he doesn’t cause a diplomatic incident tripping his partner into the punch bowl. You also give him a few tips to help him make a good impression on the fairer sex. “There is no reason to be nervous; in the end, women are people, in many respects the differences in how to relate to them or to men are minimal.” you tell him “Be courteous, avoid swearing, introduce them to other people to make them feel welcome; maybe ask about their interests, take a chair or a drink for those who need them.” “And that would be enough to make them love me?” Zoro asks, clearly sceptical, as he, almost without noticing, executes perfectly a complex dance move that he had already attempted a thousand times, holding you against him, the warmth of his body seeping into your blood. You’re tempted to answer that yes, you wouldn’t be surprised if every single lady who will be at court that night asks for his hand, because Zoro is a man easy to love, and easy to fall in love with; after all you did, without even realising it until you were completely lost. It’s a feeling you had never experienced, so intense and special it makes your previous relationships, short-lived dalliances and unrequited crushes, disappear; it scares you, but at the same time you’re grateful you get to feel it - grateful you got to meet Zoro.

💚 “You’re going to be fine.” you reassure him in the end, as you both bow at the end of the dance “And whatever happens… even in the remote case the evening is a disaster, know that I’m proud of you; I know how hard you worked to learn, and I know your father will as well. It’s going to be alright, Zoro; and even if it doesn’t, I will be by your side.” He nods, more relieved to hear your promise than if you had sworn to stand by his side against a whole army of enemies. “Thank you for everything you have done for me; I know I haven’t been the best pupil, at least at first.” “Don’t mention it; I’m glad I could help you.” you assure him; and then, less sincerely: “I can’t wait to see you dance with the ladies during the ball.”

💚 And finally, the big day comes; guests from kingdoms far and wide have started arriving since yesterday, including your father, who is happy to see you, and to hear Mihawk praise you for all you did to teach Zoro to dance. You can’t wait to introduce your friend and your father, but there’s an equally important, although less pleasant, duty you need to fulfil: talk to your friend, who has just returned from a brief trip visiting relatives, to tell him you don’t intend to continue your relationship. It is, as you expected, a difficult and painful conversation, but to his credit, he reacts politely, thanking you for your sincerity and accepting your offer of friendship; he kisses your hand, and then asks to walk you back to your rooms, which you of course accept. “Oh, look who just arrived.” he notes a minute later, looking out one of the large ogive window of the east corridor; curious, you stop to peek as well, and see Mihawk, standing in front of the main gate, as he helps a woman step down from her carriage, followed by a younger one: they must be exceptionally important guests, you think, for the King to come personally to welcome them. “Who are those?”

💚 “That is Queen Belle-mère of Cocoyashi, and her daughter, princess Nami. I’m sure the prince has mentioned her.” “Why? Is Z-is the prince a friend of hers?” you ask, more and more confused, and your former suitor looks at you surprised, as if you had just admitted not knowing the sun rises in the east every morning. “Friend? No; princess Nami is his future bride; they are going to marry soon, to seal an alliance between the two kingdoms. You really did not know?”

💚 You didn’t.

💚 In the early afternoon, one of the maids comes to the room you have all but secluded yourself in, telling you the prince has asked about you; you ask her to report you’re too busy to answer, and remain in bed, curled up under a blanket despite the relatively warm day, your face hidden in the pillow you have already drenched in your tears. 

💚 He’s going to marry soon. You can’t believe Zoro never mentioned it, but after a moment of reflection you have to admit you should have at least suspected it. After all, what better occasion to announce the engagement of a prince or a princess than during a ball in front of so many other royals and nobles? Mihawk probably wanted to make sure his heir wouldn’t make a fool of himself in front of his fiancée; Zoro is his father’s only child, how could you not imagine he would be formally engaged as soon as he came of age? The longer you think about it the more you realise how blind you have been, and your heart breaks for it: you taught him to dance, and how to act in the company of women, while in the meantime developing feelings for him… all of it, to prepare him for an union with another bride. Is this why Zoro didn’t kiss you that night, because it would have been improper given his status as an almost-engaged man? You wouldn’t be surprised, given how honourable he is; but then, what of the feelings you could have sworn he has also developed for you, and of his evident jealousy towards you former suitor? Did you imagine all of it? And what of the sword he has given you - a parting gift, perhaps, to remember him by once he has settled with his new wife and you’ve returned home? 

💚 Now that you remember, he did say there was something important he wanted to tell you, after the ball. About what? Why would he want to wait until his official engagement? You have no idea, and frankly you don’t care. The three other people you have spoken about it after your former suitor mentioned the matter -one of the maids, an older lady, and one of the castle guards- all confirmed the whole court has known about the engagement for months, since before your arrival in Kuraigana, even though no one bothered to tell you - or who knows, maybe it’s your fault, and you simply didn’t realise the fact was common knowledge because you were too focused on your lessons with the prince, and on Zoro himself, who has now become more important for you than anyone has even been. You really thought he cared for you, and maybe he does; you have no idea of what his feelings towards princess Nami -who is really beautiful, elegant and shapely and with hair of a lovely tangerine-orange colour; you’ve peeked at her from behind a column as the King led her and her mother inside the palace, and had to admit she and Zoro would look lovely together- are, whether he hates her, loves her, or whatever else, but he wouldn’t be the first royal who develops feelings for someone while engaged with someone else…

💚 Does he… does he plan on asking you to be his mistress while he’s married to Nami?! You can’t believe Zoro would propose such a squalid arrangement, but even if the alternative is losing him, even if he confesses he’s in love with you and that would be the only way for the two of you to be together, you’re determined to refuse: you have your dignity, and you’re not going to humiliate yourself into an illicit affair, not even for the man you have fallen in love with. You’ll beg your father to be allowed to return home tomorrow morning, and until then you’ll do your best to avoid Zoro, and his future fiancée.

💚 That night, as the whole court celebrate its prince’s coming-of-age, you beg both your father and Mihawk to be excused from the ball, citing period cramps -the perfect excuse; not the sort of ailment that would lead your father to call for a doctor, a matter a man would not ask to know more about- as the reason, and remain in your room with your dinner served on a tray. You had looked forward to the evening, dancing to your heart’s content and seeing Zoro impress his father’s guests, but witnessing his engagement being announced requires more strength than you can gather. You had bought a new, beautiful dress especially for the occasion, and had also hoped Zoro would reserve for you the most important dance of the evening, the last, but you have no doubt princess Nami has eclipsed you in both regards. You spend a rather lonely evening, chiding yourself for having been so naive not to realise the man you had fallen for was already spoken for, and at the same time unable to regret having accept Mihawk’s request to come to Kuraigana: despite your broken heart, you’re glad to have met Zoro, and to have been his friend, and even though you’ll never be able to call him yours you will carry his memory in your heart forever. 

💚 In the end, the music you can hear filtering from the ballroom two floors below ceases, a sign that the ball has ended. You are already in bed, slowly drifting to sleep surrounded by the darkness of the room, when suddenly you hear an urgent, insistent knocking at the door. Your first, mostly irrational, thought is that you’re being called upon because something has happened to your father; you leave your bed and run to the door, but when you open it the person you find yourself face to face with is not the assistant of the castle’s doctor, nor a maid.

💚 “Let me in.”

💚 It’s Zoro.

💚 “Are you out of your mind?” you hiss, suddenly tense; you have no reason to believe he toyed with your feelings, but he’s the last person you wish to see now “Do you have any idea what time it is? If someone saw you now, at the door of a lady’s room, someone could think…” “No one will see me if you let me in.” Zoro answers, stone-faced “I need to talk to you, and no, it can’t wait.” Grumbling, and mentally ordering your heart to stop pounding, you make sure the corridor is empty save for Zoro, allow him to enter, and quickly close the door behind him. “So? What’s so important you felt the need to disturb me so late at night?” you ask, staring at Zoro, arms crossed; in your heart you know he does not deserve your anger, but right now, given what must have just happened, you don’t have the strength to pretend all is well. Zoro is silent for a minute as he regards you, breath-takingly handsome in his dress uniform but strangely tense, hesitant as if he didn’t know how to express what he’s thinking; you wonder how it feels to be engaged, and what he felt as the court observed him slip a ring on Nami’s finger “Why didn’t you come to the ball? And don’t tell me it’s because of your time of the month, because I know you had them last week.”

💚 He knows, you remember blushing a bit, because he heard you complain your stomach hurt and got worried you were falling sick; of course, it’s highly improper for a woman to discuss that sort of private matter with a man, but explaining the real reason for your malaise to Zoro felt natural… because you knew the two of you were past that sort of false embarrassment, and that there was very little you could not discuss frankly, and be sincere about, despite the gender difference.

💚 You don’t quite know how to answer Zoro’s question, and you already know he won’t leave without having received a response; suddenly, as you face each other, like two dancers ready to take the first step, you feel naked, even though you have grabbed your dressing gown on your way to the door. “You haven’t been entirely honest with me.” you point out in the end, and Zoro blinks, nonplussed. “... I haven’t?” “Well, you didn’t have to discuss your personal matters with me, but I found it odd that you never mentioned the fact that you’re engaged.” “What? Who told you? And why does it matter to you that…? Oh…”

💚 Zoro looks flabbergasted for a moment, and then an odd kind of calm seems to fall on him… tension barely kept at bay, not unlike the way you have seen him face his father, swords at the ready, before the beginning of a new duel. “And why…” he finally starts, his voice barely rising above a whisper “Why is it so important to you whether I’m engaged or not? Don’t tell me you’re hurt because as friends we’re supposed to share everything, because I won’t believe it.” He’s right, obviously, and no matter how deeply you’ve come to trust and care for him, at the moment you feel so humiliated you can’t bear to look him in the eyes; Zoro knows what you feel, and you just want him to go and leave you with your disappointment… 

💚 “(name), look at me.” “Go away, Zoro. If you care for me, if you consider me a friend, please leave me alone.” “I won’t; not before we can talk. Listen…” A moment later, as you still refuse to look at him, he has stepped closer to take your hands in his. “I am not engaged, (name).” he murmurs softly “If you’re talking about princess Nami, well… my father did ask me whether I’d be willing to marry her; I told him marriage did not interest me, but I would meet her to please him, and he promised to respect my decision. I’ve met her today and she’s… nice; she’s very smart, and pretty, I guess, but I don’t like her that way.” He’s not going to ask for Nami’s hand, he insists, first of all because she’s not available: she’s been engaged to princess Vivi of Alabasta, and plans on telling her mother as soon as she comes of age, next year. Also, for his part… well…

💚 “When I realised you hadn’t come, I asked your friend where you were; he told me he had no idea, and also that you had broken up with him.” “Well, I did tell you I only saw him as a friend.” “You did; but I can’t help wondering if there’s another reason, one that… has to do with me…” You smile; now Zoro is embarrassed, and while you don’t enjoy making him uncomfortable, you can’t ignore the timid, fragile hope that has blossomed in your heart. “May I ask you a question? That night, when you walked me here from the kitchens… were you going to kiss me?” you ask, and Zoro flushes; he bites his lip before admitting: “I was. I… wanted to, at least.” “And why didn’t you?” “(name)... you had been assaulted. Did you really think I could approach you, even with a simple kiss? I thought that at least in that moment, the last thing you wanted was to be touched by a man.” 

💚 You sigh, grateful for his discretion. “I wouldn’t have minded, though.” you admit in a whisper “Not with you, and at least for a kiss… or several.” “Glad to hear it.” Zoro admits; he’s blushing furiously now, but you couldn’t tease him even if you wanted, because you are in the same state “For your information, I danced splendidly; even my father was impressed. And I didn’t make a fool of myself even once. You should have seen me, and you could have, if you had come speak to me rather than listening to court gossip; you had promised you’d be there.” “You’re right.” you admit “I’m sorry, it’s just… well, I wasn’t sure about what you felt, and I hoped you would… tell me…”

💚 Zoro admits that this is exactly what he planned on doing after the ball, once he had officially come of age: declare his feelings and ask for permission to court you. “I… already tried, in fact. You probably don’t know, but among swordsmen and warriors in general, there is a tradition… to gift a weapon to one another, as a declaration of intent. I enjoyed teaching you to use a sword, and want you to have one to defend yourself, but I also hoped that… well, that you would understand I was trying to tell you what I feel…”

💚 You softly point out that you had no way to know the hidden meaning of his gift, since all you know about swords, you have learned it from him; but now that you do you appreciate it even more… and one day, maybe, you’ll find a sword powerful and special enough to gift it to him. By now you’re both smiling; there are so many things you should say, but none is more important than the pure, precious feeling of belonging you are both experiencing, trust and friendship and affection all in one, Zoro’s forehead resting against yours as you feel able to breathe freely for the first time in years. Then your eyes meet and “May I?” he asks “I know I shouldn’t be here, and I can talk to your father first thing tomorrow if it makes you…” He can’t finish the sentence, because you have silenced him with a kiss, long and passionate, that Zoro instantly returns, holding you close as you lock your arms behind his neck; when you part, both gasping for air, neither of you feels the need to talk, but you hold each other tight. 

💚 In the end, Zoro quietly asks for your permission to speak to your father; he has already spoken to his, and Mihawk has approved his decision -”Seriously?” “Absolutely. He didn’t look surprised, but I could swear he was sincerely happy for us.”- to ask for permission to court you. You tell him that nothing would make you happier, but he better wait for you to come of age as well, in three months, and until then you can write to each other, sharing your feelings in the intimacy of the written word. 

💚 “Can’t you stay here until then? I think I’m in dire need of more dancing classes.” “Hmmm, I should help you perfect your technique then…”

💚 That night you throw caution to the wind, and ask Zoro to stay, which he eagerly accepts. You spend hours holding each other in bed, sharing whispers and kisses as your hands move to explore skin you had until now barely dared to hope you would one day get to caress. “This is why I couldn’t bear to dance with you at first, you know?” he confesses in a whisper as his fingers play with your hair “Because I… I already cared for you, and the thought of touching you made my pulse quicken. I feared that I wouldn’t be able to keep myself in check, and I would end up making a fool of myself.” You assure him that you could have never considered him a fool, and that knowing of his feelings makes you indescribably happy.

💚 “So, my prince, you think you can understand ladies a little better now?” you ask him in the end, as he holds you in his arms once more, your cheek resting against his shoulder, and Zoro smiles. “I think I got to understand at least one.” he points out softly “And that is more than enough for me.” 

💚 You get married two years after your coming-of-age, with the approval of both of your fathers, surrounded by your friends, including princesses Nami and Vivi, who you have grown very close to and who are also newly married; by now you’ve become quite capable as a swordswoman, even though Zoro insists there is always room for improvement. Your husband, more handsome than ever in his wedding suit and whose eyes are full of the love you share and that never stops growing, takes your hand to lead you to the centre of the ballroom, and you feel your heart burst with joy, excited to spend the rest of your life by his side. “Ready, wife?” “I’ve always been ready, since I met you, husband.” you assure him; you rest your left hand on his shoulder and let him take the other in his, confident in your heart he’s never letting it go. A moment later you’re following him through the steps of your first waltz as a married couple, your bodies moving as one as the world seems to disappear from around you. 

[welleazy]

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[willowwindss]

100 Inventions by Women

LIFE-SAVING/MEDICAL/GLOBAL IMPACT:

Artificial Heart Valve – Nina Starr Braunwald

Stem Cell Isolation from Bone Marrow – Ann Tsukamoto

Chemotherapy Drug Research – Gertrude Elion

Antifungal Antibiotic (Nystatin) – Rachel Fuller Brown & Elizabeth Lee Hazen

Apgar Score (Newborn Health Assessment) – Virginia Apgar

Vaccination Distribution Logistics – Sara Josephine Baker

Hand-Held Laser Device for Cataracts – Patricia Bath

Portable Life-Saving Heart Monitor – Dr. Helen Brooke Taussig

Medical Mask Design – Ellen Ochoa

Dental Filling Techniques – Lucy Hobbs Taylor

Radiation Treatment Research – Cécile Vogt

Ultrasound Advancements – Denise Grey

Biodegradable Sanitary Pads – Arunachalam Muruganantham (with women-led testing teams)

First Computer Algorithm – Ada Lovelace

COBOL Programming Language – Grace Hopper

Computer Compiler – Grace Hopper

FORTRAN/FORUMAC Language Development – Jean E. Sammet

Caller ID and Call Waiting – Dr. Shirley Ann Jackson

Voice over Internet Protocol (VoIP) – Marian Croak

Wireless Transmission Technology – Hedy Lamarr

Polaroid Camera Chemistry / Digital Projection Optics – Edith Clarke

Jet Propulsion Systems Work – Yvonne Brill

Infrared Astronomy Tech – Nancy Roman

Astronomical Data Archiving – Henrietta Swan Leavitt

Nuclear Physics Research Tools – Chien-Shiung Wu

Protein Folding Software – Eleanor Dodson

Global Network for Earthquake Detection – Inge Lehmann

Earthquake Resistant Structures – Edith Clarke

Water Distillation Device – Maria Telkes

Portable Water Filtration Devices – Theresa Dankovich

Solar Thermal Storage System – Maria Telkes

Solar-Powered House – Mária Telkes

Solar Cooker Advancements – Barbara Kerr

Microbiome Research – Maria Gloria Dominguez-Bello

Marine Navigation System – Ida Hyde

Anti-Malarial Drug Work – Tu Youyou

Digital Payment Security Algorithms – Radia Perlman

Wireless Transmitters for Aviation – Harriet Quimby

Contributions to Touchscreen Tech – Dr. Annette V. Simmonds

Robotic Surgery Systems – Paula Hammond

Battery-Powered Baby Stroller – Ann Moore

Smart Textile Sensor Fabric – Leah Buechley

Voice-Activated Devices – Kimberly Bryant

Artificial Limb Enhancements – Aimee Mullins

Crash Test Dummies for Women – Astrid Linder

Shark Repellent – Julia Child

3D Illusionary Display Tech – Valerie Thomas

Biodegradable Plastics – Julia F. Carney

Ink Chemistry for Inkjet Printers – Margaret Wu

Computerised Telephone Switching – Erna Hoover

Word Processor Innovations – Evelyn Berezin

Braille Printer Software – Carol Shaw

⸻

HOUSEHOLD & SAFETY INNOVATIONS:

Home Security System – Marie Van Brittan Brown

Fire Escape – Anna Connelly

Life Raft – Maria Beasley

Windshield Wiper – Mary Anderson

Car Heater – Margaret Wilcox

Toilet Paper Holder – Mary Beatrice Davidson Kenner

Foot-Pedal Trash Can – Lillian Moller Gilbreth

Retractable Dog Leash – Mary A. Delaney

Disposable Diaper Cover – Marion Donovan

Disposable Glove Design – Kathryn Croft

Ice Cream Maker – Nancy Johnson

Electric Refrigerator Improvements – Florence Parpart

Fold-Out Bed – Sarah E. Goode

Flat-Bottomed Paper Bag Machine – Margaret Knight

Square-Bottomed Paper Bag – Margaret Knight

Street-Cleaning Machine – Florence Parpart

Improved Ironing Board – Sarah Boone

Underwater Telescope – Sarah Mather

Clothes Wringer – Ellene Alice Bailey

Coffee Filter – Melitta Bentz

Scotchgard (Fabric Protector) – Patsy Sherman

Liquid Paper (Correction Fluid) – Bette Nesmith Graham

Leak-Proof Diapers – Valerie Hunter Gordon

FOOD/CONVENIENCE/CULTURAL IMPACT:

Chocolate Chip Cookie – Ruth Graves Wakefield

Monopoly (The Landlord’s Game) – Elizabeth Magie

Snugli Baby Carrier – Ann Moore

Barrel-Style Curling Iron – Theora Stephens

Natural Hair Product Line – Madame C.J. Walker

Virtual Reality Journalism – Nonny de la Peña

Digital Camera Sensor Contributions – Edith Clarke

Textile Color Processing – Beulah Henry

Ice Cream Freezer – Nancy Johnson

Spray-On Skin (ReCell) – Fiona Wood

Langmuir-Blodgett Film – Katharine Burr Blodgett

Fish & Marine Signal Flares – Martha Coston

Windshield Washer System – Charlotte Bridgwood

Smart Clothing / Sensor Integration – Leah Buechley

Fibre Optic Pressure Sensors – Mary Lou Jepsen

[louferrignojrofficial]

Health & Fitness with Lou Ferrigno, Jr.

If anyone can relate to the pressure of growing up in the shadow of an imposing family figure, it's Lou Ferrigno, Jr. Not only was his dad a world-class bodybuilder and Mr. Universe, he was the original Incredible Hulk of Marvel fame.

The younger Ferrigno's determination to forge his own path dates back to his college days. "My goal was to go to USC and get a degree," he says. From there, he was open. "I could have joined a fraternity, or something more social, but I decided that I wanted to achieve something that was very hard to achieve." Did he ever. The Trojans' football team won the National Championship in 2007, the same year that Ferrigno, Jr. made it onto the team as a walk-on linebacker.

"That's the beauty of sports - it doesn't matter what race you are, what religion you are, who you are - if you can take it, you can make it."

JOINING THE PARADIGM TREATMENT TEAM

In working with youth at Paradigm Treatment who have often times carried a lot on their shoulders in a variety of manifestations, Ferrigno, Jr. administers a caring, goal-driven approach that is supported by other staff who specialize in the more nuanced aspects of treatment. From there, he says, "It's about helping them reach their full potential."

After college, Ferrigno, Jr. fostered dual aspirations in entertainment and fitness, but the latter eventually won out. He created a profile on IDEA - "Facebook for fitness people," he says - and considered working with younger people in some capacity, perhaps through Big Brother mentoring. He had coached some young athletes previously and enjoyed connecting with and motivating them.

One day, when he checked his IDEA profile, there was an email from Paradigm Treatment Co-founder Cole Rucker sitting in his inbox. "Divine intervention," recalls Ferrigno, Jr. He responded immediately and was subsequently invited to visit the facility for an interview. Ferrigno, Jr.'s knowledge, experience, and motivation in fitness, health, and wellness made an impact, but his artistic side left an impression, too. Ferrigno, Jr. is a painter, working mainly in acrylics. "I think that stuck with Cole because it was a kind of dichotomy of fitness and art that he seemed to appreciate," he says.

Ferrigno, Jr. joined Paradigm Treatment in March 2013 as its Fitness/ Exercise Therapist. His goal is to give each teen he encounters the tools to connect to his or her physical health by challenging, encouraging, and educating with proper technique. In leading one of the essential physical components of the Paradigm treatment model, Ferrigno Jr. is able to have a positive impact by helping break through limitations.

"I start out at a basic level and kind of motivate them from there to see who can compete - to find out what they can do as opposed to what they thought they could do," he explains, adding, "A lot of them exceed their own expectations, which is really cool."

Warm ups are essential at every stage of the fitness platform. Lou leads exercise fundamentals, coupled with education about their capabilities - setting a reasonable baseline of expectations - is next. "The goal is to really teach them about their bodies," he says. And how does he deal with the teen who is too cool to break a sweat or has an aversion to physical exertion? "I rarely find anyone who shuts down. Some may try to test me early on and say they can't do things. I just tell them, 'Can't is a choice,'" he says. "I come at them in a very sensitive but firm way to get them going. I give them a lot of options, but I want to see them safe and moving."

Lots of connections are made, but Ferrigno, Jr. remembers witnessing a dramatic shift in one boy who was overweight. Having confronted his own weight issues in his youth, Ferrigno, Jr. was sympathetic. "He'd never worked out, only played video games and lived in this virtual world. But he was very responsive and very sweet, and we warmed up. So I showed him how to do a couple of exercises," Ferrigno, Jr. recalls.

"He liked how his muscles were sore, so we worked out different muscle groups. I had to leave one week, and when I came back, I swear this kid had lost 4 or 5 pounds. I asked if he'd been dieting but he said no, he'd just been working out. When I turned around, and he's spotting other kids in their exercises. And I thought: this is incredible. Not only has this kid found something he likes and is getting better at it, but he's also spreading the message of good form and safety."

In addition to drawing inspiration from the coaches who shaped his athletic development, Ferrigno, Jr. has benefited from having a solid foundation at home. Sharing his father's name helped open some doors in entertainment, and Ferrigno, Jr. briefly pursued an acting career. He knows that some of the kids he encounters at Paradigm aren't as fortunate in terms of the family engagement. "They may not have anyone that's listening to them and making them feel good about themselves," he says. "Through my art and my acting and the shows I've been on, like Teen Wolf or The Mindy Project, they really open up to me, which is nice, but I use those little moments to give them affirmative motivation."

As for the most valuable lesson he learned while growing up, Ferrigno, Jr credits his mother, Carla, who told him "Louie, you're only going to be a boy for so long, and you're going to be a man one day, and all a man has in this life is his word. When you give someone that, you have to stick to it." Sage words that fit nicely on his training room wall.

[gregorygerwitz]

apparently this is the year for this...

Please Help Us Out With Bills

Currently, I'm virtually unemployed due to health issues and my employer all but refuses to give me short term disability pay because I don't have a diagnosis yet. I'm doing DoorDash as much as I can, which brings in ~$150 a week if that. It leaves my roommate, @kitthekazoo, to cover most of the mutual bills - like rent - virtually on her own. But that does mean she can't pay her own bills (like car and insurance) after paying the second half of our rent this month.

Like I said, I'm doing DoorDash around doctor's appointments and other activities, like school (which is paid for by my employer, who I still technically work for, I'm just on an extended medical leave - it's excused time off, but I don't get paid at all), but that doesn't bring in much. My checking account (where my DD money goes) is negative almost $400 because things keep taking out and every single one of those charges also incurs an insufficient funds fee of $31.

I would need ~$750 just to get positive enough to pay Kit back for my half of this rent payment. Plus I have my own bills to pay - car insurance, credit cards I'm desperately trying to catch up with the payments on, gas so I can keep doing DD, etc.

I know it's a lofty goal, but getting $1k by the end of the month will keep us sane and housed while I navigate my medical issues. Hopefully, after we run a few tests next week, they'll have a better idea of what's going on and when I'll be able to go back to work, and these money issues won't keep coming up...

I'll link my accounts below, including my etsy where you can buy some crochet projects from me if you want something in return for your donation! Or feel free to message me here or on etsy if you want something made that isn't listed in my shop.

Thank you in advance for any little bit, even if you can just reblog to spread the word. 💜

paypal venmo: amwallace95 etsy

so far: 230/1000

EDIT: I fixed the links!