#vier Ellen

[microposter]

2. Mose 36. Kapitel 15-16

15 - Die Länge eines jeden Teppichs betrug dreißig Ellen und vier Ellen Breite, wobei alle elf Teppiche die gleiche Größe hatten.

16 - Danach fügte er fünf dieser Teppiche zu einem Stück zusammen für sich und in gleicher Weise die sechs anderen Teppiche ebenso für sich.

[do-you-ship-it-polls]

Do you ship it?

reason: Guarded swordsman who's never learnt to read and expelled scholar with no survival instinct fall in love. The rest is history (read the fucking book)

[slimemanagement]

My beloved Richard St. Vier from Swordspoint

[queer-book-character-tournament]

Character, book, and author names under the cut

Frances Janvier- Radio Silence by Alice Oseman

Jude St. Francis- A Little Life by Hanya Yanagihara

Nick Nelson- Heartstopper by Alice Oseman

Richard St Vier- Swordspoint by Ellen Kushner

[badass-queer-couples-battle]

Sword gays showdown, round 1 of bracket one

Propaganda:

For Richard:

Context : Swordspoint was published in 1987. Several characters are explicitely gay/bisexual, including... the main character (well, Ellen Kushner is part of the community. I met her once at a signing and I was so awkward and she and her wife (who cowrote the third volume of the series) were so nice. She's also on tumblr. What a wonderful world)

So, let's go back to Richard, who lived in the country with his mother and learnt his trade for a weird guy who eventually died. Richard is a sword prodigy (he also started quite young and trains constantly - natural talent is a thing, hard training is another)

He lives in the "poor" part of the city, where prostitutes, thieves, innkeepers and seamstresses prolifer

Richard does learn the blade and eventually goes into the city. Where he becomes a swordman for hire. Famous, respected and feared, Richard isn't exactly the chatty signing-autographs type. People with good sense leave him alone because the ones stupid enough to challenge him didn't live to tell the tale

But one day... Alec happens. Alec's a penniless ex scholar with a feud with the University, a sharp tongue and absolutely not the means to defend it in ill famed places, which is the ones he prefers since he's always looking for trouble dur to his self-destructive tendencies. The first time they met, Alec tries to get on Richaed's ndrves so the other man would kill him. However, Richard finds this man unafraid of him quite amusing. Word's eventually gegs around ghat the gwo are lovers and people din't get on Alec's bad side if they can prevent it (not easy, Alec has Issues. Capital I.) to avoid having todeal with Richard's protectiveness. I mean, I wouldn't want to anger a professional swordman either

Alec teaches Richard how to read because he never knew how to m. He's the perfect damsel in distress until he isn't because his help is needed [mod note: end of propaganda- part one . Didn't leave it as a wall of text since it'd be harder to read]

The archetypal gay (bi) swordsman: he was one of the few queer characters in fantasy fiction back in the 70s when the first book was published, yet he's in an explicitly romantic and sexual relationship with a man, and he is The terrifying swordsman, infamous, terrifying, and frequently hired for his skills. Also the plot of the book revolves around him using his sword skills to rescue his lover and getting rescued back. So. Y'know.

For Dominique:

This traumatized mess of a vampire is So. She's SO. She's bi and fights with a sword and has a dead twin and a fwb relationship with her childhood friend and a badass girlfriend and a "bonding over their mutual feelings for her childhood friend" thing going on with another guy. 

she's gay she's a vampire she has a sword and I love her 

[do-you-know-this-queer-character]

Do you know this queer character?

Richard is MLM and uses He/Him pronouns!

[impishtubist]

Okay but in all honesty, is there a Swordspoint fandom active anywhere???? It's pretty quiet here on Tumblr. Have you all moved to Discord? Are you still clinging to the LJ community? Dreamwidth? Do you not exist at all and I am shouting into the void????

[fengtianshi]

Oh come on, tell him! He won't care a single word of your angsty reasons!!!

Alec and Richard from "Swordspoint" by Ellen Kushner

[nothwell]

Did you enjoy Jane Austen or Jonathan Strange & Mr Norrell but wished for more murderhusbands?

Do you think any book could be improved with swords?

Do you prefer your characters queer until proven otherwise?

Some have called Swordspoint by Ellen Kushner a "cult classic," which is a fun way to say a book is criminally underappreciated. It's a perfect blend of fantasy, intrigue, romance, and edge-of-your-seat action. This forerunner of the mannerpunk (or fantasy-of-manners) subgenre is a marvelous balance of Austenesque social ritual with bloody consequences. A wealth of worldbuilding-through-implication is packed into this shockingly slender volume that leaves the reader ravenous for more.

While it contains far more grit and gore than your average romance, it is still at its core a romance, and a queer one at that - almost every twist of the ever-coiling plot is a direct result of romantic desire either thwarted or indulged. Our heroes, the low-born master swordsman Richard St. Vier and his mysterious academic lover Alec, form the core of this Gordian knot. Though I prefer a Happily-Ever-After over a Happy-For-Now, I concede that Swordspoint's conclusion puts the punk in mannerpunk and thus feels wholly appropriate for this one-of-a-kind story.

tl;dr - read Swordspoint and come scream with me, pls.

[squeeneyart]

cw suicide mention

[Image description: Series of digital greyscale drawings of characters from Ellen Kushner's Riverside series, including Richard St. Vier, a slightly short man with curly black hair and some scarring and stubble in a plain cloak, Alec Campion, a tall skinny man with long hair tied back loosely with a ribbon in long student's robes, and Katherine Talbert, a young woman with wavy hair tied into a ponytail wearing a swordsman's jacket.

Top left text: Whoops I read Ellen Kishner's Swordboy Yaoi

Top left to right: Richard looks to the side as Alec talks to someone off-camera with a hand on his hip. Text by Richard: This gary stu bitch has purple eyes.

Katherine writing a letter determinedly. Text near with an arrow: Swearing to defend an innocent lady's honor while rp'ing her favorite book's leading man.

Bottom left to right: Alec looking over his shoulder in disgust. Alec and Katherine in t-shirts that say, respectively: "If you mention my ex I'll kill you and then myself" and "I tolerate my gay uncle but just barely".

End ID]

i say swordboy yaoi but dont worry katherine is working out her swordgirl yuri as well

anyway i read swordspoint and the privilege of the sword by ellen kushner. im just. im just gonna be like this for a minute dont mind me and please do not look at how much ive drawn alec specifically its fine im gonna punt him into the sky

[ceciliatan]

Are we in a Golden Age of Queer & Trans SF/F?

Hello and welcome to another ctan monthly update! It’s Pride Month, so today let’s talk about queer science fiction and fantasy. First some housekeeping: Mailchimp has been driving me nuts, with the newsletter sometimes displaying so tiny on mobile devices it was illegible. I’m trying on a new template today, with new fonts. Please let me know if this one looks better to you (or worse!) than before so I can keep improving it. Second, my apology this is a bit later than I intended, but I had knee surgery on Wednesday and as you can imagine it’s put a bit of a cramp into my schedule. I’ve discovered I would rather have my knee hurt and my brain work than be “pain free” but feel seasick from narcotics. Apparently opioids are not my friends! Bleah. And now to my slightly linkbait-y topic: are we in a “Golden Age” of queer and trans SF/F? Yes, yes we are, end of essay. Just kidding, of course I’m going to explain WHY my answer is yes. For the SFWA Nebulas Conference this month, I had proposed this question as a panel topic and was highly gratified it got chosen—even better, they let me moderate the panel, and SFWA populated it with a terrific slate that included Jordan Kurella, Charlie Jane Anders, Zabé Ellor, and L.P. Kindred. (I had also proposed “are we in a golden age of Asian SF/F?” which I also believe has a yes answer, but that one didn’t make the slate, so I’m trying to arrange it as a Zoom panel for later this summer for Capricon’s online programming. Stay tuned.) Jordan unfortunately had to miss the Nebs, so the other four of us soldiered on without him. One terrific thing about the slate of panelists is we had basically three generations represented. (If only we’d had a Boomer, we could have had four generations!) We each had different entry points to SF/F. So when I asked “Who was the first character in SF/F you read who you knew was queer?” we had four drastically different answers. Illustrating how far we’ve come: I, the Gen X “elder” on the panel, was the only one whose answer was a villain. Back when, it was a common trope to make a villain “extra evil” by slapping a coating of sexual deviance on them. Baron Harkonnen in DUNE was the first “gay” character I encountered. If only I’d stumbled upon Samuel R. Delany before Frank Herbert, eh? I didn’t get to Delany until I was in college. The first positive depiction of a gay character I could think of I read around 1990, in Ellen Kushner’s lovely book Swordspoint (Amazon, Bookshop), but the gay relationship between Alec and St. Vier is so delicately written there’s a kind of plausible deniability about it. But at least they’re both main characters—heroes, even! That book remains one of my faves to this day. Swordspoint was published in 1987, and right after I read it, another important book was published, Uranian Worlds, a bibliography compiled by Eric Garber and Lyn Paleo. Billed as “A Guide to Alternative Sexuality in Science Fiction, Fantasy, and Horror,” the book had first been published in 1980, and by 1990 needed a new edition because so many examples had to be added. Uranian Worlds was a complete bibliography of EVERY short story, book, or novella that included EVERY bit of representation of LGBTQ characters in sf/f/h for nearly fifty years… and it was only 280 pages long. Think about that. The editors of Uranian Worlds had scoured literature for every possible inclusion, small presses as well as large ones, queer lit mags as well as Asimov’s, for decades. And what they came up with just barely filled one not-that-big book. Nowadays, we have that much queer sf/f/h being published every year. If that ain’t a Golden Age, what is? The panel also talked about who the first SF/F writers were who we knew were queer or trans: for me it was Samuel R. Delany and Rachel Pollack (Rest in Peace, Rachel!) Now, I know more than I can count just from among my Twitter mutuals—and that’s not even counting the hundred-or-so queer writers I edited at Circlet Press! But speaking of writers being out. We discussed whether an author “owes” it to the audience to come out. Short answer: no. If you missed the discourse a few years back about “the helicopter story,” I won’t recap it here, but suffice to say it was just one high-profile example of an author being attacked online for apparently either being insufficiently “out” or not “visibly” conforming to audience notions of queerness, resulting in the author being treated like some kind of interloper or exploitative outsider…. which they might not have been. At this panel was the first time I felt there was consensus in the room that harm has been been done to queer and trans writers (by members of our own communities!) with the incessant questioning of “authenticity” and the demands on the public baring of identity. We’ve sharpened our knives to attack the systems that oppress us, but we can all too easily turn them on each other if/when we judge someone is “part of the problem.” As LP succinctly put it: we have to allow writers some grace. Zabé made an excellent point: you can’t treat sexual identity marginalizations exactly the same way you treat other marginalizations. Sexuality and gender are fluid, complex, and changing. There’s a huge difference between a white author pretending to be an author of color “for clout,” and an author who is in the closet or in transition writing about queer characters as a way to figure out their own sexuality or explore their identity. Charlie Jane mentioned that she and I know multiple writers who started out looking like “straight women getting off on writing about gay men” who are living as gay men now. Give people grace. Not everyone has the same safety, opportunity, or self-awareness to be “out.” In the late 80s and early 1990s, right after Swordspoint we had a small spate of queer flowering in SF/F, with Melissa Scott and Tanya Huff and Mercedes Lackey (Vanyel is the ultimate “bury your gays” trope, though…!) and others. Book publishing in the 1990s also went through a pro-diversity spasm, self-castigating about being too white, and SF/F being too male-dominated, as well. There was much talk about trying to diversify the writers being seen in anthologies, in best-of lists, and on award nomination slates. But the writers couldn’t just appear out of thin air. Not then. But they can now. We literally conjure them out of the aether—the Internet. What’s different now that has led to such increased numbers of queer and trans writers, but also the vastly increased representation of authors of color? It’s the Internet. The same Internet that is problematic as described above, nonetheless allows marginalized writers a visibility we wouldn’t have otherwise. It means that, for example, Hugo awards nominators can discover writers somewhere other than on a bookstore retail shelf. Editors can find and “meet” writers somewhere other than within New York publishing’s white-dominated cocktail circuit. This time when 21st century diversity initiatives have been launched, thanks to the power of the Internet, the writers and editors who emerged have been able to network and build a privilege structure of our own. Some of that happens with the help of SFWA, with things like the AAPI or BIPOC meetups at the Nebulas, and sometimes it happens with us building our own email lists, Discords, online magazines, anthologies, you name it. Instead of backsliding when the industry loses interest in the latest diversity “fad”, we’ve been able to keep expanding the opportunities for each other, to keep pulling each other up the ladder. It’s still not as strong or wide-reaching as some “old boy networks” out there, but SFWA itself is a far more diverse and welcoming place than it was in the 20th century, and the Nebulas conference really demonstrated that. There was much more said on the panel, of course, including what the four of us would consider a Platinum Age to be. (Btw, if you register as a Nebulas online attendee, btw, you can see the archived videos of all the panels from this year’s conference, including ours, and also participate in SFWA online programming all year round.) One final thought: it’s worth remembering that not only is this proliferation of queer and trans voices in the sf/f genres a massive improvement over 35, 25, or even 15 years ago, it’s also happening at the same time as a ton of book banning and book burning all across the USA. In fact, I believe book banning is so hot right now BECAUSE there are so many books coming out that don’t conform to the heterosexual conservative norms. SF/F has always been a place to dream of being different, and the genre is finally realizing its subversive potential. In the 1980s and ’90s we used to march through the streets chanting “We’re here, we’re queer, get used to it.” It feels to me like within the SF/F world, people finally have. DGC Vol 4 is live! Another month, another new edition! Volume 4 (of 13) is now live in Kindle Unlimited. In book 4, Moondog 3 hits the road for a major cross country tour and Daron must contend with a homophobic opening act, a budding friendship/attraction with a rock journalist, and the inexorable magnetism of Ziggy pulling him into his orbit every night on stage. READ IT NOW IN KU: https://amzn.to/3VuJvxN AND DGC VOL 1 is now WIDE! Book one is now on sale at various other outlets besides Amazon, although check out the “A+ content” I’ve added to the Amazon page, snazzy, no? Find vol one on Bookshop.org, Barnes & Noble paperback, Barnes & Noble Nook, and request the ebook to libraries through Overdrive. OR ADD IT TO YOUR GOODREADS TBR: https://www.goodreads.com/book/show/9447189-daron-s-guitar-chronicles WIP Report I’m excited to report that one of the short stories I wrote while trying to get my brain back in gear after I had COVID in September has sold to Julia Rios for Worlds of Possibility! The title is “This Goodly Frame, The Earth,” which is a Shakespeare quote because I failed to think of anything else and Shakespeare is a good plan B. It’s about intergenerational diaspora trauma among the women of a filipina-american family, eldest daughter syndrome, and what happens when a ship full of humans that can bend space and time returns to an Earth in climate crisis far sooner than expected. It’s kind of hopepunk, I guess? Meanwhile, Windmark, a.k.a. “the unexpected dragon book,” has passed 50,000 words, but I feel like I’ve barely gotten out of act one? But I’m notorious for misjudging how far into a book I actually am. Until I’m actually done I really can’t tell you where the act breaks or beats are. I just know when it is done, then it will be obvious. A wisecracking nonbinary power bottom just showed up to boss around the hero (from the bottom, of course) and is in danger of taking over the story. I think I’m having the problem that both my main characters are suppressing their emotions so much because of the past trauma that made them hate each other, that they are coming across kind of flat and all the secondary characters seem much more colorful and interesting! Clearly something has to crack soon… I’m also having the problem that I’ve set up a really misogynistic culture, which means our heroine and all the female characters are very much living under a constant threat of sexual violence. I know we’re in the post-Game of Thrones era, which was rapey as all get out, but I really did not set out to write what is essentially female body horror with this book. I sidestepped the issue in The Prince’s Boy by having no female characters… except in the end there is the body horror once the villain comes into physical contact with our heroes. I have to figure out where this one is going to land and how exactly my heroine is going to come into her power. It’s funny, I had half convinced myself to just write another all-male cast book… and then this female-bodied character put her foot down and demanded to be written. So I just have to figure out how to do her justice. AND NOW PHOTOS FROM THE NEBULAS CONFERENCE Met Nghi Vo in real life for the first time! Many Circlet Press alums were at the Nebs (and Moniquill won one!) Caught up with David D. Levine (another Circlet alum), here with Vela Roth and Amy Young-Leith (and me)  With Kate Pennington. Who knows a lot about whales!  And SB Divya. And I have way more photos than this but this is enough picspam, don'tcha think? Tour Dates & Upcoming Appearances 2024: - July 11-14: Readercon, Boston area - August 7-11: SABR National Convention, Minneapolis - October 16-20: World Fantasy Con, Niagara Falls 2025: - January 17-20: Arisia, Cambridge, MA (new hotel: Hyatt Cambridge) - March 12-15: ICFA, Orlando, FL - August 13-17: Worldcon in Seattle, WA Upcoming Cons Readercon last year was a really great time, with a very good outdoor hangout area that turned into a nonstop literary green room party. I just got my schedule and it looks like tremendous fun. July 11-13 in Quincy, Massachusetts (just a few miles south of Boston proper). My reading will be on Thursday night. Should I read from the unexpected dragon book? Or the hopepunk story? Or something smuttier? Hmmm......  Parting Thoughts Okay, no book recs this time, but I will leave you with a link to one recipe, because it is strawberry season here in New England, and that means it is strawberry PIE season, as well. It’s also the season when fresh basil starts showing up in the farmer’s market. Some years ago I took the idea for a dessert we often see: a sort of dessert salad of strawberries served cut up with chopped basil, with a dressing made of balsamic vinegar and maple syrup, but I made it a pie instead. Find the whole recipe at my blog: https://blog.ceciliatan.com/archives/2412 By next month maybe I’ll have read some of the books in my pile and will have some recommendations… I have to finish the proofs and edits on Daron’s books 11, 12, and 13 first, though! Until then! -ctan Read the full article

[microposter]

2. Mose 36. Kapitel 9-10

9 - Die Länge eines jeden Teppichs betrug achtundzwanzig Ellen und die Breite vier Ellen: Sämtliche Teppiche hatten die gleiche Größe.

10 - Jeweils fünf Teppiche fügte er dann zu einem Stück zusammen, einen an den anderen.

[gollancz]

Ides of March (Gollancz Edition)

[einzilpik]

Von Philosophen und Dichtern

Wem in kurzer Zeit zehn Strophen

Locker aus der Feder quellen

Záhlt vielleicht zu den Philosophen

Denn die schreiben gern "in Ellen"

Wer jedoch den langen Weg beschreiten mag

Und sich mùht und ernsthaft plagt,

bis in nur vier Zeilen alles ist gesagt,

Und reimen tut sich's obendrein:

Der kônnt' vielleicht ein Dichter sein!

[queer-book-character-tournament]

Characters, book, and author names under the cut

Walt Stone/Anubis/Sadie Kane - The Kane Chronicles by Rick Riordan

Alec Campion/Richard St Vier - Swordspoint by Ellen Kushner

Delilah Green/Claire Sutherland - Delilah Green Doesn’t Care by Ashley Herring Blake

Zach Glasser/Eugenio Morales - Unwritten Rules by KD Casey

[slowthinkingreader]

Swordspoint - Ellen Kushner

What a fun book to start off this blog with. My first review! Wow. I'll try to keep these relatively structured. I will be-- mosty likely-- spoiling things as I write these reviews. I'm not especially interested in trying to convince people to read any of these books more than I want to write down my thoughts and maybe start a conversation. I'll try to keep my reviews limited mostly to personal observations, unless I find something that might be worth bringing up outside of the scope of the book I'm reading. Anyway I won't meander.

(Started April 21, finished May 12th, 2024)

Brief summary: Swordspoint is a book belonging to the 'fantasy of manners' subgenre. It centers around St Vier, a swordsman-- which is a profession similar to a hired assassin, only sicker-- and the nobles of a nameless capital city whose dirty politics he keeps getting pulled into. There's romance and betrayal and basically everything you can possibly expect getting out of the genre. There's also gay sex. A lot of it!

I have to note this, because I think it's very funny: I didn't expect this book to be so gay. I'm usually seeking gay books like this out on purpose; this snuck up on me. I have a habit of browsing bookstores without any real aim, and I picked this one out of the shelves on a random good impression. I hadn't heard of the book before. I read the first page and the blurb on the back and, as you may have seen by looking at the cover pictured above, noted that it was well received-- by George R. R. Martin? I like his tastes enough, and I have a running obsession with 80's fantasy novels, so I bought it. Now I'm deeply curious about how well received it was at the time. I'd love to know what George R. R. Martin liked about this book. Really.

I read through this one pretty quickly; if I hadn't put it down for such a long time in between I'd say I could've finished it in a weekend. The prose was easy and sometimes very sharp. It's fast-paced-- it's a Manners book, so of course there's a lot of dialogue-- and the drama does what it needs to. The romance works, it got to me, I loved the dynamic between St Vier and his rude-ass, scholarly, suicidal paramour. That's a romance that will stick in my brain for some time: Alec siccing his swordsman on people that are rude to him just because he finds it entertaining? That's real gay antics. That was good. I feel sometimes that the characters were a little detached from reality, in the sense that their reactions to things felt very out of place or disproportionate at times, but it manages just fine with the momentum of the rest of the book. I was able to roll with it.

The characters were fun. Aside from that... I have to be honest, the plot was OK. It carried itself forward on the premises that it sets out. I felt like I could see every machination in this book laid out perfectly from beginning to end, it didn't exactly try to deviate from its trajectory, so nothing was particularly surprising, but it worked. It did what it had to. It's far from the primary appeal of this book and I don't really care to get into it. It had nothing especially interesting to say about its own politics because they basically don't exist. I couldn't tell you what Halliday's or Ferris' politics were. In the end, I didn't really feel like I got anything especially interesting out of this book in terms of what it had to say about, for example, literature as a whole, or queerness, or rulership. It's just really good, trashy entertainment. Really good entertainment!

If I were to make one serious critique, it would be that Ellen Kushner decided to leave the short story "the swordsman whose name was not death" as a short story, rather than working it into the novel somehow. I don't care how she'd do it. It just frustrates me that it's a side thing. This is main course business. It brought some real depth to Alec that I would have liked to see in the novel, and some real depth that was honestly lacking in every character-- despair and regret that felt real and believable. And it also stopped pretending that women didn't exist. It was so good. Damn you!!!!

Wait actually one more serious critique. Why is everyone so pale in this book? I get that it's winter, whatever, but ghostly pale? Every single one? And bright-eyed?

I'm very interested in seeing where the second book in the series could possibly go. I really have no idea. I hope it gets nastier. I deeply enjoyed the little noble drama in this, but it could've been a lot nastier. Trying to get someone killed is dramatic, but there needs to be more despair. More stakes!!!!

And finally-- my rating. 6/10. I like Swordspoint. It was a lot of fun. Not enough books out there that commit to their premise like this and do it well. Being trash and worth reading is an art.