#vienna secession
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shisasan · 8 months ago
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Medicine, Gustav Klimt, 1907 (print) The iconic Medicine painting by Gustav Klimt, created for the University of Vienna ceiling in 1907, was sadly destroyed by Nazi troops in 1945, along with two other related works from the same series.
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nobrashfestivity · 4 months ago
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Gustav Klimt, Trees, 1905-1912
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scavengedluxury · 7 months ago
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Apartment, 5 Nádor street, Budapest, 1909. From the Budapest Municipal Photography Company archive.
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kafkasapartment · 8 months ago
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Friends (Water serpants), 1904. Gustav Klimt. Tempera and gold leaf painting on parchment.
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thefugitivesaint · 3 months ago
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Franz Wacik (1883-1938), 'Female Figure with Shadow', Feb. 1922 Poster for the Silhouette Ball of the Secession Source
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the-evil-clergyman · 1 year ago
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Hekate by Maximilian Pirner (1901)
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icecreamwithjackdaniels · 1 year ago
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Gustav Klimt, "Water Serpents I", 1904–07
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canterai · 4 months ago
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Andare verso la natura con onestà di cuore e camminare con lei, laboriosamente e fiduciosamente.
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mote-historie · 1 year ago
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Gustav Klimt, The Dancer, 1916-17 (unfinished), oil on canvas.
Private Collection
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victusinveritas · 3 months ago
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Gustav Klimt
Garden Path with Chickens, 1916
oil on canvas
Destroyed May 1945, in a fire at Immendorf Castle
This painting reflects Klimt’s time in Weissenbach on Lake Attersee. It was owned by August and Serena Lederer. However, their art, along with other pieces confiscated from mostly Jewish owners, was seized by the Nazis after 1943. “Garden Path with Chickens", along with 13 other Klimt paintings and numerous artworks from the Lederer collection, was likely destroyed in the fire.
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geritsel · 9 months ago
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Leo Frank - Sea Eagle, color woodblock print
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anotherdayinbliss · 1 year ago
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Austrian fashion designer Emilie Flöge, 1900s She was Gustav Klimt’s muse, lover, and lifelong companion. The necklaces were gifts from Klimt.
Coco Chanel is often heralded as the sole designer to revolutionize modern womenswear, and it’s true that she popularized trousers and comfortable two-piece suits at a time when upper-class women had limited sartorial options. But by the time Chanel opened her salon at 31 Rue Cambon in Paris in 1910, Flöge had been producing cutting-edge designs in Vienna for several years, already carving out new roles for women in the industry with her empire-waist garments, wide sleeves and intricately-detailed panels inspired by Hungarian and Slavic embroidery, marking a departure from the restrictive, corseted dresses that were the mainstays for the time.
In 1904, Emilie and her two sisters opened the fashion house Schwestern Flöge on Vienna’s bustling Mariahilfer street—an unusual venture for three unmarried, thirty-something women to take on then. Klimt and Flöge’s relationship was also extremely unusual: they were romantic partners that never got married nor had children, and maintained a level of independence unprecedented for the time.
via
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nobrashfestivity · 1 month ago
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Gustav Klimt Beethoven Frieze; details 1902 casein paint, gold paint, black and colored chalk, graphite, applied plaster, applique materials Österreichische Galerie Belvedere, on loan to Secession (Vienna, Austria)
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scavengedluxury · 7 months ago
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Water tower, Margit Islands, Budapest, 1914. From the Budapest Municipal Photography Company archive.
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kafkasapartment · 9 months ago
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Miss Emilie Floege, 1902. Gustav Klimt Oil on canvas.
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thefugitivesaint · 2 months ago
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Wilhelm List (1864-1918), 'September', ''Ver Sacrum'', #1, 1901 Source
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