#video game history foundation

[catastrophic-crisis]

The Video Game History Foundation just launched early access to its (digital) library, which contains development materials, artwork, press kits, promotional materials, and more relating to video games - some of which has never been public before - as well as "Over 1500 full-text searchable out-of-print video game magazines—including game industry trade magazines rarely available to the public."

More magazines ranging from Game Informer to Girl Gamer (the short-lived official Nintendo magazine) linked here.

Some highlights of the digitized library are the Cyan collection (the developer of the Myst adventure game series), which boasts over 200 videotapes and audio recordings including original FMV filming footage and "never-before-seen" interviews with the development team, Fromsoft promotional materials (given with a blessing from Fromsoft to be donated and including materials from Bloodborne to Kuon), and guidebooks and emphemera from video game events like the Electronic Entertainment Expo.

The library collections contain notes that designate whether materials are reproducible (for use in books, videos, etc) or restricted use, if that is a concern.

[hardcore-gaming-101]

The Video Game History Foundation recently put together an absolutely fascinating video on the lost stages of the Sega classic Sonic the Hedgehog 2. It includes partial recreations of some of those cut levels, which have never been seen before. Definitely worth a look!

[tlatollotl]

I haven't put this up on Academia.edu or ResearchGate.net yet because the Internet in Teuchitlan is being really slow. But here's a Google Drive link to the text followed by the slides.

Enjoy!

[grrlmusic]

Nintendo Advanced Video System

[krissiefox]

Wonderful news for video game history preservation, especially after the internet archive got attacked by greedy copyright holders over all the books they were archiving. I hope this library will thrive. :)

[kuronell]

[xboxlr]

Unless you have the hardware and can get ahold of the original media, the only way to access the vast majority of older games is through piracy.

This is a topic to watch.

[tetsufierro]

Companies Don't Want You Playing Classic Games

[cherokeestarfish]

Thanks to the Video Game History Foundation for this sweet gift!

Y'all helped us raise over $1600 for the Foundation back on June 25th, and SpecificPixel and I are already looking forward to doing it again in the future. In the meantime, please consider supporting VGHF and their work—you can join their Patreon, make a direct donation, shop at their merch store for loot like this, or find other ways to help preserve video game history.

And of course, you can watch the whole charity stream and all the following donation incentive content on our special events playlist, in case you missed any of it.

[soft-lily]

also very very important is the Video Game History Foundation. Set up by Frank Cifaldi, they attempt to gather as much material as possible from games when archiving them (source code, manuals, box art, promo materials, publications, etc). Due to the work of the foundation, they have more material and games archived than the Library of Congress. Let that sink in.

Unlike the film industry, which has a large portion of films and prints at the LoC, the games industry still hasn't seen the value or importance of archiving; which gets more difficult in a mostly digital era. (Check out the documentary 'Not for Resale: a game store documentary' for a more in-depth look about this) Lots of games being online only or playable only in a certain context provides difficulty for archivists. Like how do you go about preserving the game and experience of Pokemon Go? It doesn't come in a box and the context of the game is defined by the social interactions you make while playing.

[gamesatwork]

e456 — Not a Bot

The most recent spatial computing experiences, new innovations in AI from Google’s Genie, content badges signaling human created material, and a lively discussion on skill disintermediation.

Photo by Ochir-Erdene Oyunmedeg on Unsplash Published 4 March 2024 Andy, Michael and Michael are back in (virtual) studio together to talk tech.  They check in on the latest spatial computing experiences with Michael R, discuss new AI announcements & trends and wrap up with several games.  The co-hosts start off the show with a roundup of the recent news articles on the Apple Vision Pro along…

[tailschannel]

Unseen Sonic the Hedgehog 2 concept art emerges, lost level conceptualized

A new video documenting lost levels from the 1992 video game Sonic the Hedgehog 2 was published by The Video Game History Foundation.

It featured level mock-ups by Brenda Cook, featuring a new look at the scrapped Sand Shower and Winter zones. It originated from a demo reel of her work on a VHS tape.

The team also created a partial conceptualization of Cyber City Zone from newly-discovered prototype scans from artist Tom Payne, and maps from designer Hirokazu Yasuhara.

[weiss-royal-schnee]

Learning how this past week on how to better archive digital media does bring me to remind people that it is always good to support physical media and financially artists when you can. As much as do believe pirating is absolutely a valid way of archiving, legally buying media when possible is also important.

[burntoutdaydreamer]

Things That May Be Causing Your Writer's Block- and How to Beat Them

I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.

In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:

(note that any case of writer's block is usually a mix of two or more)

Perfectionism (most common)

What it looks like:

You write one sentence and spend the next hour googling "synonyms for ___"

Write. Erase. Write. Rewrite. Erase.

Should I even start writing this scene when I haven't figured out this one specific detail yet?

I hate everything I write

Cringing while writing

My first draft must be perfect, or else I'm a terrible writer

Things that can help:

Give yourself permission to suck

Keep in mind that nothing you write is going to be perfect, especially your first draft

Think of writing your first/early drafts not as writing, but sketching out a loose foundation to build upon later

People write multiple drafts for a reason: write now, edit later

Stop googling synonyms and save that for editing

Write with a pen to reduce temptation to erase

Embrace leaving blank spaces in your writing when you can't think of the right word, name, or detail

It's okay if your writing sucks. We all suck at some point. Embrace the growth mindset, and focus on getting words on a page

Lack of inspiration (easiest to fix)

What it looks like:

Head empty, no ideas

What do I even write about???

I don't have a plot, I just have an image

Want to write but no story to write

Things that can help:

Google writing prompts

If writing prompts aren't your thing, instead try thinking about what kind of tropes/genres/story elements you would like to try out

Instead of thinking about the story you would like to write, think about the story you would like to read, and write that

It's okay if you don't have a fully fleshed out story idea. Even if it's just an image or a line of dialogue, it's okay to write that. A story may or may not come out of it, but at least you got the creative juices flowing

Stop writing. Step away from your desk and let yourself naturally get inspired. Go for a walk, read a book, travel, play video games, research history, etc. Don't force ideas, but do open up your mind to them

If you're like me, world-building may come more naturally than plotting. Design the world first and let the story come later

Boredom/Understimulation (lost the flow)

What it looks like:

I know I should be writing but uugggghhhh I just can'tttttt

Writing words feels like pulling teeth

I started writing, but then I got bored/distracted

I enjoy the idea of writing, but the actual process makes me want to throw my laptop out the window

Things that can help:

Introduce stimulation: snacks, beverages, gum, music such as lo-fi, blankets, decorate your writing space, get a clickity-clackity keyboard, etc.

Add variety: write in a new location, try a new idea/different story for a day or so, switch up how you write (pen and paper vs. computer) or try voice recording or speech-to-text

Gamify writing: create an arbitrary challenge, such as trying to see how many words you can write in a set time and try to beat your high score

Find a writing buddy or join a writer's group

Give yourself a reward for every writing milestone, even if it's just writing a paragraph

Ask yourself whether this project you're working on is something you really want to be doing, and be honest with your answer

Intimidation/Procrastination (often related to perfectionism, but not always)

What it looks like:

I was feeling really motivated to write, but then I opened my laptop

I don't even know where to start

I love writing, but I can never seem to get started

I'll write tomorrow. I mean next week. Next month? Next month, I swear (doesn't write next month)

Can't find the time or energy

Unreasonable expectations (I should be able to write 10,000 words a day, right????)

Feeling discouraged and wondering why I'm even trying

Things that can help:

Follow the 2 min rule (or the 1 paragraph rule, which works better for me): whenever you sit down to write, tell yourself that you are only going to write for 2 minutes. If you feel like continuing once the 2 mins are up, go for it! Otherwise, stop. Force yourself to start but DO NOT force yourself to continue unless you feel like it. The more often you do this, the easier it will be to get started

Make getting started as easy as possible (i.e. minimize barriers: if getting up to get a notebook is stopping you from getting started, then write in the notes app of your phone)

Commit to a routine that will work for you. Baby steps are important here. Go with something that feels reasonable: every day, every other day, once a week, twice a week, and use cues to help you remember to start. If you chose a set time to write, just make sure that it's a time that feels natural to you- i.e. don't force yourself to writing at 9am every morning if you're not a morning person

Find a friend or a writing buddy you can trust and talk it out or share a piece of work you're proud of. Sometimes we just get a bit bogged down by criticism- either internal or external- and need a few words of encouragement

The Problem's Not You, It's Your Story (or Outline (or Process))

What it looks like:

I have no problems writing other scenes, it's just this scene

I started writing, but now I have no idea where I'm going

I don't think I'm doing this right

What's an outline?

Drowning in documents

This. Doesn't. Make. Sense. How do I get from this plot point to this one?!?!?! (this ColeyDoesThings quote lives in my head rent free cause BOY have I been there)

Things That Can Help:

Go back to the drawing board. Really try to get at the root of why a scene or story isn't working

A part of growing as a writer is learning when to kill your darlings. Sometimes you're trying to force an idea or scene that just doesn't work and you need to let it go

If you don't have an outline, write one

If you have an outline and it isn't working, rewrite it, or look up different ways to structure it

You may be trying to write as a pantser when you're really a plotter or vice versa. Experiment with different writing processes and see what feels most natural

Study story structures, starting with the three act structure. Even if you don't use them, you should know them

Check out Ellen Brock on YouTube. She's a professional novel editor who has a lot of advice on writing strategies for different types of writers

Also check out Savage Books on YouTube (another professional story editor) for advice on story structure and dialogue. Seriously, I cannot recommend this guy enough

Executive Dysfunction, Usually From ADHD/Autism

What it looks like:

Everything in boredom/understimulation

Everything in intimidation/procrastination

You have been diagnosed with and/or have symptoms of ADHD/Autism

Things that can help:

If you haven't already, seek a diagnosis or professional treatment

Hire an ADHD coach or other specialist that can help you work with your brain (I use Shimmer; feel free to DM me for a referral)

Seek out neurodiverse communities for advice and support

Try body doubling! There's lot's of free online body doubling websites out there for you to try. If social anxiety is a barrier, start out with writing streams such as katecavanaughwrites on Twitch

Be aware of any sensory barriers that may be getting in the way of you writing (such as an uncomfortable desk chair, harsh lighting, bad sounds)

And Lastly, Burnout, Depression, or Other Mental Illness

What it looks like:

You have symptoms of burnout or depression

Struggling with all things, not just writing

It's more than a lack of inspiration- the spark is just dead

Things that can help:

Forget writing for now. Focus on healing first.

Seek professional help

If you feel like it, use writing as a way to explore your feelings. It can take the form of journaling, poetry, an abstract reflection of your thoughts, narrative essays, or exploring what you're feeling through your fictional characters. The last two helped me rediscover my love of writing after I thought years of depression had killed it for good. Just don't force yourself to do so, and stop if it takes you to a darker place instead of feeling cathartic

[onsomenewsht]

Silencio en la biblioteca, los ángeles también pecan

About when people slide in Alexia's DMs, she forgets about it, and you find it way too funny

》 Alexia Putellas x Reader

》 words count: 2k

》 to slide into someone DMs [Internet slang]: to confidently send a direct message to someone via social media, mostly with romantic or sexual intentions

“Most famous person on your phone?”

Alexia’s cheeks redden slightly under the studio’s lights and the playful tone of the host’s voice.

It’s predictable enough, part of the game of rapid-fire questions. It’s innocent enough, intended to tease the interview on social media later on. It’s not bad, but she is.

She thinks of you immediately, her heart skipping a beat.

It’s not strange for her, you crossing her mind unprompted at the most inappropriate times. But Alexia can blame Vicky for this one.

The younger girl sent her a TikTok edit yesterday.

Footage of you with a sparkling toy microphone, dressed in a princess gown as a kid, or you writing and recording in a tiny studio, meeting people and doing press tours. A voice-over, some dude on a podcast, saying that you will never make it, that singers like you don’t fill stadiums. The video cuts, with impressive editing skills, to clips of your last tour.

A tour that sold out the Bernabeu.

Twice.

She blocks Vicky after the third teasing text, and if the video gets saved in a dedicated gallery is just for her to know.

“I don’t know, probably some other athlete”, Alexia lies, more worried of saying your name out of instinct than giving a proper answer.

“Messi? The Queen of Spain, maybe?”

“The Queen? Do they even have a phone?”

“You could probably have their number if they do”, he says with a grin.

“I don’t think so”

Moving on to the next question turns out to be nothing more than wishful thinking, as the host decides this is a topic interesting enough to keep exploring.

“I bet you’ve got big names in there somewhere”

“I really don’t”, Alexia dismisses, trying to downplay the whole thing, “It mostly happens on Instagram nowadays, doesn’t it?”

“You mean people slide on your DMs”

“That’s not what I said”, she retorts, her cheeks turning a shade of red that could rival the flush she gets after an exhausting game.

There’s not a real reason for her to be so embarrassed. She faced way more uncomfortable conversation and way better than this.

It’s your fault, actually.

The Catalan can’t stop thinking about the way you smoothly added your contact on her phone after you had met just a handful of times.

Your first encounter was at a Barça’s victory party. You’d been invited to sing, genuinely excited to celebrate yet another award with the women’s team. Jana had dragged her captain along to congratulate you on the album you’d released just a couple of weeks earlier. The blonde didn’t say much, but when she did, her words were always spot-on, carefully considered.

The second time was at a charity event for her foundation. Alexia made sure to thank you for your generous donation, and you joked that it was for a good cause – helping young girls and adding an invaluable piece to your wardrobe. But Alexia saw the sincerity in your eyes and knew you meant every word.

The third time was the lucky one. You both talked for what felt like hours, ignoring the demands of others, hidden away in a secluded corner of the obnoxious rooftop terrace, crowded with music and laughter, that a mutual friend had rented for their birthday party. Just before leaving, far later than you both had intended, you asked for her phone to save your number under a silly nickname. That same night, the footballer texted you as soon as she got home.

The rest, as they say, is history.

Three years later, your contact’s still saved under the same nickname.

“So, no A-list celeb likes your old pics?”

Apparently, the host isn’t going to save her from herself. Alexia realizes she has to dig herself out of this hole without making it worse.

“I mean we all comment people’s posts or text on Instagram now, you know, it’s just easier”

“Nice save”, he remarks, clearly amused, finally moving on to the next question.

~

The weeks after the interview pass in such an erratic blur that Alexia forgets about it entirely.

You are in London to co-produce an album and her schedule is getting a bit more intense now that the Champions League is in full swing. It’s not easy juggling the endless work trips, media days, and the demanding commitments that clutter your shared calendar, but it’s worth it.

The nights hidden in a studio are worth the way you alway get inspired when talking the days away, curled into the footballer’s side. The dates you take each other on, planned in advantage of months or improvised last minute, are worth every single time you have to delay your reunion. The long video calls, the flowers sent from different countries, the red-eye flights, the supportive texts that never quite compare to a comforting hug. It’s all worth it.

After a month apart, you finally have a couple of quiet days to spend together, free from distractions. Alexia doesn’t think about that interview, and that’s a mistake.

She has a session with the team’s physio when they release it, a session that Vicky interrupts abruptly. As soon as the younger girl storms into the room, with a shit-eating smirk on her face, the blonde knows it is not going to be pleasant for her.

“Oh, you’re so done”, she teases, her grin widening as she waves the phone in front of Alexia’s face, “You’re not going to like this”

She doesn’t show her a clip from the damn interview.

Oh, no. It’s much worse.

Vicky’s already saved dozens of video edits, all of them capturing the awkward moment when Alexia tries, and fails miserably, to dodge the question about her phonebook.

“What was I supposed to say?”, the midfielder complains, dropping her head onto the massage bed, while even the physio can’t hold back a smile.

“Anything else? You basically bragged about people sliding in your DMs, you idiot”

“I didn’t say that– and I wasn’t bragging!”

Vicky raises an eyebrow at the older woman’s defense, always surprised by the genuine self-consciousness of a two-time Ballon d’Or winner, “Sometimes I wonder if you know they call you Reina for more than just your football skills”

“What does that have to do with anything?”, Alexia asks, her voice dripping with resignation.

The physio pats her shoulder, offering support and signaling she can go home. Tomorrow is a day off and, suddenly, the idea of spending it rotting in bed sounds so appealing.

“Just wait until your girlfriend sees this”, Vicky murmurs, her grin widening as she bolts from the pissed captain.

~

You have seen the interview.

Of course you have.

Alexia may not keep up with her media appearances, but you do. First and foremost because you truly love her, and second, because you adore that dorky side of her that shows up in the most unexpected moments

Like in her latest commercial. She’s posing for the camera, drenched in water to look badass, but blushing, almost embarrassed, as a list of her career accomplishments is given to her. Or in that sponsored video, where she’s in the background, annoyed and teased by her younger teammates for her most listened songs of the year to be all by the same artist.

Barcelona’s media team had to cut most of it out, but you know the whole story. And you absolutely love it.

The loudest sign of her coming home is the soft thud of her kit bag hitting the floor as soon as the door opens. You’ve given her endless shit for leaving her sport gear all over the shared apartment.

Her big hands and warm arms wrapping you from behind come second, “What are you doing here?”

Alexia kisses your shoulder, burying her face in the crook of your neck. Wet hair drips down your shirt, almost enough to annoy you into pushing her away. Almost.

“Oh, it’s so good to see you too”, you reply, smiling as you stir the sauce you've been working on for the past hour.

“Idiot”, she giggles, not moving an inch, “You had dinner with that producer tonight, no?”

“Yeah, but he had an ‘enlightening revelation’ about a track he’s working on, so he’s stuck in studio and couldn’t make it”

“You artists are wired”

“You missed a date once ‘cus you lost track of time working on a drill you ‘absolutely had to master’ that day”

The older woman doesn’t argue, knowing she wouldn’t win this one, so she just turns you around to gently, but firmly, kiss you.

It feels like the comfort of a safe space, like the certainty of a kept promise.

It may be too soon for other kinds of promises, you know that, but the future ahead looks a lot like an older, even more in-love version of the two of you. If a carefully picked ring is tucked away in an otherwise-empty guitar case, she doesn’t need to know. Not yet, at least.

“What?”, she asks, taking in your wandering gaze.

“Just thinking”

“About?”

You hesitate, just for a moment, “That I love you”

“I love you too”

“And you better clean the mess you left at the doorway before dinner’s ready”

Alexia laughs, playfully rolling her eyes, but retreating her steps back to do exactly that.

She knows something is flipping back and forth in your mind, but she also knows when to press and when to let you tidy up your own thoughts before opening up.

The sauce cooks perfectly, creamy and spiced up enough to make the footballer forget the planned dish for the day consisted of plain rice and vegetables. When the pasta is presented on the table and you sit in front of her, it truly looks like a perfect dinner.

You two talk between bites, forgetting manners as the story of a songwriter arriving at the studio with too-personal lyrics about cheating hits its peak. She’s not above good gossip, you know that, and teasing about not revealing names of the people involved is too much fun.

“Speaking of cheating”, you grin as Alexia nearly chokes on the food, shaking your head, “Your football-daughter send me a video”

“Which one?”

“Which daughter, or which video?”

She can’t hide a smile, heading to the kitchen with the empty dishes. You follow, sitting on the counter to keep enjoying each other’s company and the playful banter while she cleans up.

“Vicky sent–”

“I told you to block her”

“Don’t be mean, the videos she share are cute”, you retort, “Most of the times, at least”

“Amor–”

“You have to worry about Jana, actually. She’s ruthless”

“What does that even mean?”

The pure disbelief in her eyes almost makes you second-guess the teasing.

Almost.

“Let’s get back to the point”

“Is there a point?”

“Yes, this video of you– wait, no! Alexia!”

Before you can even finish the sentence, the midfielder decides the dishes can wait. She lifts you off the counter, cutting your words short as she tosses you onto the couch with ease.

The unexpected display of strength overshadows how her soapy hands soak your shirt. It’s an old oversized tee she used to train in, not really something that will be irremediably ruined by the gesture, but it’s the principle of it.

“You watched the interview”, she states, towering above without weighing on you.

“What interview?”

Alexia raises an eyebrow, the corner of her lips quirking up. One of her hands moving under your shirt. It’s a warning, her fingers trailing across your hip.

“I watch all you interviews”, you admit, shifting slightly to caress her cheek, “It was a good video, you’re cute when you get embarrassed”

“I panicked!”, she complains, dropping her body on top of yours to hide her face.

“I bet, with all those people sliding in your DMs–”

The room fills with laughter as she starts tickling you, and your chuckles become too infectious to hold back herself.

[ultrace]

A Reminder About the Moral Imperative of Pirating Games

Today -- or rather, two days from now in an extraordinary feat of time travel -- the United States Copyright Office ruled (among other things) to uphold the ban against the digital lending of antiquated and abandoned video games by digital library structures; e.g., archive.org or other sites in association with the Video Game History Foundation. This was, no surprise, at the urging of lobbyists from the ESA and other groups who are not in favor of the digital sharing of their works with anyone who has not paid appropriate purchase or licensing fees. The fact that the vast majority of video games ever produced are no longer available for initial purchase from an authorized publisher is not a mitigating consideration.

The sad reality is that regardless of what individual programmers, composers, graphic artists, voice actors or other contributors to a game may feel, most publishers of those games do not view the games as artistic achievements to be shared for posterity so much as competition against their latest offerings. Part of that perception might lie with gamers themselves, who depreciate games rapidly based upon their age, a devaluation that is greatly accelerated over other entertainment media such as movies, television, music and books. It often isn't economically feasible for publishers with the rights to games (for those games whose chain of custody can even be tracked anymore) to port the game to a modern system, as the target audience would be small and what those players will pay is a pittance. Despite its considerable technical achievements and overall coolness, personal favorite Scarabaeus simply isn't going to sell to enough persons to make up the cost of business efforts.

But the alternative shouldn't be to let unused properties rot, either. I have advocated emulation of older games before; indeed, I spent four and a half years doing exactly that to make about 1700 posts about classic arcade, computer and console video games. Generally, I advocate this because as gamers we deserve the breadth of experiences available to us and the only way to achieve that can be the legally dubious route. Now, however, it is clear that without the intervention of gamers as a population, the appreciation of old games will be lost -- as some publishers would like them to be, and that would be a shame.

Though I can't directly link to any site that provides ROMs or disk or tape images of older systems, such things can be very easy to find on Google. The difficulty of emulation varies with the system; many older cartridge-based consoles such as the Atari 2600, NES, SNES and Sega Genesis, are amazingly easy. MAME for arcade games may take a little adjustment for its interface depending on which version you go with. All of these are based on long-since obsolete chip-based ROM storage which was incredibly small. Games of the Fifth Generation of video game consoles (PS1, Sega Saturn, et al) have CDs or larger storage mediums which take a little longer to download and more storage space on your drive. The Commodore 64, Amiga, Apple II and other computer systems have tens of thousands of games -- some of astounding quality -- but most require you to operate the system within the emulator, so that may be a bridge too far. Whatever road you decide to take, good luck and enjoy.