#victor gaskin

[jazzplusplus]

Jazz Plus Plus: Cannonball Adderley Quintet (Oslo, 1969)

[czolgosz]

"put a song for every letter in your url and tag the amount of people in your url"

thank you @eeuwigestilte for tagging me in this ^_^

you will notice quite a bit of artist repetition:

violin concerto in a minor (kolja blacher & cologne chamber orchestra)

i'm simply crazy over you (sam ash & louise macmahon)

come josephine in my flying machine (ada jones & billy murray)

they start the victrola (billy murray)

oui oui marie (arthur fields)

rhapsody in blue (leonard bernstein & columbia symphony orchestra)

the honeysuckle and the bee (belle davis)

after the ball (george j gaskin)

les amants de paris (édith piaf)

k-k-k-katy (billy murray)

i'm afraid to come home in the dark (billy murray)

narcissus (victor concert orchestra)

glüwürmchen idyll (will kalinka & paul godwin orchestra)

margot coeur gros (édith piaf)

an der schönen blauen donau (andré rieu & johann strauss orchestra)

cri du coeur (édith piaf)

he'd have to get under—get out and get under (billy murray)

i'm goin' to settle down outside of london town (billy murray)

non, je ne regrette rien (édith piaf)

eden blues (édith piaf)

20 tags: @ahotjanuary @bumblingest-bee @busg @crescentmp3 @dilbobloggins @drinkthemlock @dualclock @freddiegoesmetal @koiketto @locomotivefan @magnoliae @orangegloom @porciaenjoyer @riddled-forensic @spring-heeledjack @strangestcase @thereddenedking @troyandabedsnewapartment @verae @wiredalienvampire

[wahwealth]

🎼Jane Frazee | Calendar Girl (1947) Light-Hearted Romance Musical | Full

Calendar Girl is a 1947 US historical romantic musical movie which was directed by Allan Dwan.  The film stars Jane Frazee, William Marshall, and Gail Patrick. The movie is about two best friends from Boston who move to Greenwich Village in 1900.  One of them became a famous artist, and the other became a famous composer. The composer falls in love with the girl next door, but she is intrigued by his friend, the artist, who has secrets he feels he doesn't need to share with her. Cast Jane Frazee as Patricia O'Neill William Marshall as Johnny Bennett Gail Patrick as Olivia Radford Kenny Baker as Byron Jones Victor McLaglen as Matthew O'Neill Irene Rich as Lulu Varden James Ellison as Steve Adams Janet Martin as Tessie Franklin Pangborn as 'Dilly' Dillingsworth Gus Schilling as Ed Gaskin Charles Arnt as Capt. Olsen Lou Nova as Clancy Emory Parnell as The Mayor Gino Corrado as Tony the Cook Ethelreda Leopold as Rosie O'Grady Never miss a video. Join the channel so that Mr. P can notify you when new videos are uploaded: https://www.youtube.com/@nrpsmovieclassics

[rich4a1]

CANNONBALL ADDERLEY BURNIN’ IN BORDEAUX: LIVE IN FRANCE 1969

CANNONBALL ADDERLEY BURNIN’ IN BORDEAUX: LIVE IN FRANCE 1969 Elemental Records Julian Cannonball Adderley, alto saxophone; Nat Adderley, cornet; Joe Zawinul, piano/electric piano; Victor Gaskin, bass; Roy McCurdy, drums. Ever since I first heard the soothing and sexy horn of Cannonball Adderley on Nancy Wilson’s debut album project with Cannonball’s group, I’ve been a fan!  I was quite excited to…

[jpbjazz]

LÉGENDES DU JAZZ

CANNONBALL ADDERLEY, SUR LES TRACES DE BIRD

Né le 15 septembre 1928 à Tampa, en Floride, Julian Edwin ‘’Cannonball’’ Adderley était le fils du conseiller et cornettiste Julian Carlyle Adderley et de l’institutrice Jessie Johnson. Ses camarades d’école l’avaient surnommé ‘’Cannonball’’ (une déformation du mot ‘’cannibale’’) pour souligner son immense appétit. Avec le temps, le surnom de Cannonball était également devenu synonyme de joie de vivre et de vivacité, deux qualités dont Adderley était particulièrement bien pourvu.

Cannonball était déménagé à Tallahassee lorsque ses parents avaient obtenu des postes d’enseignants à la A&M University. Avec son frère Nat, qui était trompettiste, Cannonball était entré dans le groupe du chanteur Ray Charles lorsque celui-ci avait vécu à Tallahassee au début des années 1940. Après avoir étudié à la U.S. Navy School of Music, Cannonball avait dirigé deux groupes de l’armée.

Après avoir obtenu son diplôme à l’Université Florida A&M, Cannonball s’éttait installé dans le comté de Broward, en Floride, où il était deveny le directeur du groupe de la Dillard High School de Fort Lauderdale, un poste qu’il avait continué d’occuper jusqu’en 1950.

UNE CARRIÈRE DIVERSIFIÉE

Cannonball avait quitté le sud-est de la Floride en 1955 pour s’installer à New York, dans le Queens. À l’origine, Cannonball avait quitté la Floride pour faire des études dans un des nombreux conservatoires de musique de New York. Un soir, Cannonball avait décidé d’apporter son saxophone au Café Bohémia, et sa destinée avait soudainement changé. Apercevant son saxophone, un des membres du groupe d’Oscar Pettiford avait demandé à Cannonball de prendre la place du saxophoniste de la formation, qui était en retard. La performance de Cannonball avait été si éblouissante qu’on l’avait immédiatement consacré comme l’héritier de Charlie Parker, qui venait de mourir.

En 1957, après avoir signé un contrat avec les disques Savoy, Cannonball avait formé son propre groupe avec son frère Nat. Impressionné par le jeu de Cannonball, Miles Davis l’avait invité à venir jouer avec son groupe.

Cannonball s’était joint au groupe de Davis en octobre 1957, trois mois avant le retour de John Coltrane dans la formation. Certaines des meilleures performances de Davis à la trompette peuvent d’ailleurs être entendues sur l’album solo de Cannonball intitulé ‘’Somethin’ Else’’, qui mettait également en vedette le batteur Art Blakey et le pianiste Hank Jones. L’album avait été enregistré peu après la première rencontre d’Adderley avec Davis. Cannonball avait retourné par la suite l’ascenseur à Davis en participant à l’enregistrement de ses albums ‘’Milestones’’ et ‘’Kind of Blue.’’ Cette période avait également coïncidé avec le séjour de Bill Evans dans le sextet de Davis. Evans avait participé plus tard à l’enregistrement de ‘’Portrait of Cannonball’’ et de ‘’Know What I Mean ?’’

Les préoccupations d’éducateur de Cannonball s’étaient aussi reflétées sur ses enregistrements. En 1961, Cannonball avait fait la narration de l’album ‘’The Child’s Introduction to Jazz’’, publié par les disques Riverside. L’année suivante, il avait épousé l’actrice Olga James.

En 1957, Cannonball avait formé un premier quintet avec son frère Nat, mais le groupe n’avait pas connu beaucoup de succès. Après avoir quitté le groupe de Davis, Cannonball avait décidé de former un nouveau groupe avec son frère en 1959. Le nouveau quintet, qui était éventuellement devenu le Cannonball Adderley Sextet, avait compris des musiciens chevronnés comme les saxophonistes Charles Lloyd et Yusef Lateef, les pianistes Bobby Timmons, Barry Harris, Victor Feldman, Joe Zawinul, Hal Galper, Michael Wolff et George Duke, les contrebassistes Ray Brown, Sam Jones, Walter Booker et Victor Gaskin, et les batteurs Louis Hayes et Roy McCurdy.

DERNIÈRES ANNÉES ET DÉCÈS

À la fin des années 1960, Cannonball avait tenté de se renouveler en effectuant un virage vers le jazz-fusion, le soul et le funk. Boudé par les amateurs de jazz, qui considéraient ce virage un peu trop commercial (il faut dire que les disques Riverside venaient de faire faillite et que les disques Capitol privilégiaient une approche beaucoup plus mercantile), Cannonball avait cependant obtenu un certain succès avec l’album ‘’Mercy, Mercy, Mercy.’’

Au cours de cette période, Adderley avait enregistré des albums comme ‘’Accent on Africa’’ (1968) et ‘’The Price You Get to Pay to Be Free’’ (1970). En 1970, Cannonball s’était produit avec son quintet au Festival de jazz de Monterey en Californie. Un extrait de cette performance a été reproduite dans le thriller psychologique ‘’Play Misty for Me’’, avec Clint Eastwood. En 1975, Cannonball avait continué de diversifier ses activités en jouant comme acteur aux côtés de José Feliciano et David Carradine dans l’épisode ‘’Battle Hymn’’, qui faisait partie de la troisième saison de la série télévisée ‘’Kung Fu.’’

Parmi les plus célèbres pièces interprétées par Adderley et ses diverses formations, on relavait ‘’This Here’’ (composée par Bobby Timmons), ‘’The Jive Samba’’, ‘’Work Song’’ (écrite par son frère Nat Adderley), ‘’Mercy, Mercy, Mercy’’ (composée par Joe Zawinul), sur laquelle Cannonball jouait du soprano et ‘’Walk Tall’’ (écrite par Zawinul, Marrow et Rein).

En 1975, Cannonball avait victime d’une attaque à la suite d’une hémorragie cérébrale. Il est mor quatre semaines plus tard, le 8 août, de congestion cérébrale, au St. Mary Methodist Hospital de Gary, en Indiana. Il avait seulement quarante-six ans. Adderley laissait dans le deuil sa femme Olga, ses parents Julian C. et Jessie L. Adderley, ainsi que son frère Nat Adderley. Il a été enterré au Southside Cemetery, à Tallahassee.

Peu après sa mort, Cannonball avait été intronisé au sein du DownBeat Jazz Hall of Fame. Son ancien collaborateur Joe Zawinul lui a rendu hommage sur la pièce ‘’Cannon Ball’’, qui figure sur l’album ‘’Black Market’’ du groupe Weather Report. Le saxophoniste Pepper Adams lui a également consacré sa composition ‘’Julian’’ sur son album du même nom en 1975.

De nombreux autres hommages ont été rendus à Cannonball. Il a notamment été nommé membre honoraire de la Phi Mu Alpha Sinfonia Fraternity.

Cannonball Adderley est considéré comme un des principaux héritiers de Charlie Parker avec les saxophonistes Art Pepper, Phil Woods, Lee Konitz, Jackie McLean, Sonny Stitt, Sonny Criss et Richie Cole, même si son jeu axé sur le blues avait aussi été influencé par  Benny Carter. Musicien gentil et très généreux, Cannonball a encouragé plusieurs jeunes musiciens au cours de sa carrière. Excellent orateur, ses présentations colorées étaient particulièrement appréciées du public. Adderley a également été membre plusieurs comités gouvernementaux et universitaires destinés à favoriser l’avancement du jazz.

Après la mort de son frère, Nat Adderley s’était retiré temporairement de la scène du jazz, avant de refaire surface l’année suivante avec ses propres groupes. Au cours de sa carrière, Nat a enregistré près de 100 albums, que ce soit comme leader ou accompagnateur. Atteint de diabète, il avait dû se faire amputer la jambe, ce qui avait mis fin à sa carrière.

C-2023-2024, tous droits réservés, Les Productions de l’Imaginaire historique  

SOURCES:

BONNELL, Emily. ‘’Cannonball Adderley popularized the merging of soul and jazz.’’ Jazz FM91, 29 janvier 2020.

‘’Cannonball Adderley.’’ Wikipedia, 2022

‘’Cannonball Adderley, American Musician.’’ Encyclopaedia Britannica, 2023.

‘’Nat Adderley, American Musician.’’ Encyclopaedia Britannica, 2023.

RODRIGUEZ, Christophe. Les grands noms du jazz. Montréal, Éd. De l’Homme, 2001.

YANOW, Scott. ‘’Cannonball Adderley Biography.’’ Blue Note Records, 2023.

[nakeddeparture]

Bridgetown, Barbados. What’s in your news for Wednesday, January 10, 2024.

https://youtu.be/b3tPPFJ2NIk

Devere Elon Tony Gittens and Victor Martin Hoyte, both accused of murder. Mitchell Nicholls. Anthony Nelson. Apex Predators. Hate Crimes. Judge Yara Lorenzo-Klukas. Raquan Gaskin. Jeremy Stephen. Justin Robinson. Patricia Benedict. Princess Welch. Ian Weekes. Some Obits. And more. Naked!!

Like/share/comment/subscribe (it costs you nothing). Press the notification bell 🔔.

[odk-2]

The Cannonball Adderley Quintet - Mercy, Mercy, Mercy (1966) Joe Zawinul from: “Mercy, Mercy, Mercy! Live at 'The Club’”

Jazz | Soul Jazz | Instrumental

JukehostUK (left click = play) (320kbps)  

Personnel: Cannonball Adderley: Alto Saxophone Nat Adderley: Cornet Joe Zawinul: Wurlitzer Electric Piano / Piano Victor Gaskin: Bass Roy McCurdy: Drums

Band Leader: Julian "Cannonball" Adderley Hugh Davies: Recording Engineer Produced by David Axelrod

Recorded: @ Capitol Records' Studio A on October 20, 1966 in Los Angeles, California USA

Single Released in 1966 Album Released in 1967

Capitol Records

Grammy Award for Best Instrumental Jazz Group Performance 1967 Grammy Hall of Fame 2021 Inductee

[heartodaygrowntomorrow]

‪The Song of the Day is: The Cannonball Adderley Quintet - “Mercy, Mercy, Mercy”(1966) ‬ ‪#SongoftheDay #musicblog #parenting #journal #Jazz #jazzmusic #cannonball #cannonballadderley #natadderley #souljazz #HearTodayGrownTomorrow Support the Blog - Click Below‬ The Song of the Day is: The Cannonball Adderley Quintet - "Mercy, Mercy, Mercy" From the album…

[gordsellar]

And while we’re on the topic of great vibey jazz tunes that start with “M,” we could all use a little Mercy Mercy Mercy right now, am I right?  (Pretty sure the personnel is right. This is the version from “Mercy Mercy Mercy! Live at the Club” right?)

[jazzplusplus]

1969 - Cannonball Adderley Quintet - Bruxelles

Cannonball Adderely (as), Nat Adderley (cnt), Joe Zawinul (p), Victor Gaskin (b), Roy McCurdy (dr)

[allmusic]

AllMusic Staff Pick: Cannonball Adderley 74 Miles Away/Walk Tall

With the hit "Mercy Mercy Mercy" still reverberating on the sales charts, Capitol simply had the Quintet crank out one live club date after another at this point, hoping for another smash. They never really got one, but Cannonball and Nat Adderley, in league with pianist Joe Zawinul, bassist Victor Gaskin and drummer Roy McCurdy, left a strong legacy like this vigorous live Hollywood gig.

- Richard S. Ginnell

[doomandgloomfromthetomb]

Cannonball Adderley Quintet - Théâtre de l’Alhambra, Bordeaux, France, March 14, 1969

Check out an extremely tasty radio broadcast showcasing Cannonball Adderley’s cracker-jack late 60s band — Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy. This era strikes the perfect balance of crowd-pleasing bop workouts, adventurous excursions and earthy funk. It’s all so nice. 

Cannonball sez: We are all different people, so there are times when cats feel less enthusiastic about it than others, that's to be sure. However, it doesn't bore me. Not in the least. It bores me more to play a tune that makes demands on your information rather than on your soul. Like, for instance, if we play a tune that takes a lot of skill in terms of one's dexterity and musical information, how much you know, training, what can you do to make this work. For me to play a really hip, far out tune, it bores me more to play that than it does to play "Mercy" because "Mercy" isn't intended to be anything other than a simple emotional statement. Where the other thing is another kind of involvement. No music really bores me, but I will tend to get bored more with an exercise than I would with a simple statement.

[projazznet]

Hal Galper – Wild Bird (Full Album)

Wild Bird is an album by American pianist Hal Galper released on the Mainstream label in 1972.

Hal Galper – electric piano Randy Brecker – trumpet, electric trumpet Michael Brecker – tenor saxophone, soprano saxophone Jonathan Graham – electric guitar Bob Mann – electric guitar Victor Gaskin – bass, electric bass Charles LaChappelle – bass, electric bass Bill Goodwin – drums Billy Hart – drums

[rosebowlupdates-blog]

Rose Bowl 2019: Latest Ohio State vs Washington TV Schedule, Odds and Predictions and More

The Rose Bowl still has a lot of brilliance to its name, and with regards to New Year's Day football, it's a respect to play in the Granddaddy of Them All.

This year, the Rose Bowl Game has its conventional Big Ten-Pac-12 matchup. Ohio State earned the Big Ten title by righteousness of its 62-39 triumph over Michigan in the last customary season game of the year, and after that won the meeting title game with a noteworthy 45-24 prevail upon Northwestern.

Washington pursued a comparable way in winning the Pac-12, as the Huskies crushed archrival Washington State 28-15 in the normal season finale and Utah by a 10-3 edge in the gathering title game.

Rose Bowl

Matchup: Ohio State (12-1) versus Washington (10-3)

Date: January 1

Time: 5 p.m.

Television: ESPN

Area: Pasadena, California

While the Rose Bowl conveys a lot of status, it isn't equivalent to taking an interest in the College Football Playoff. After Dwayne Haskins drove the Buckeyes to their previous two wins by tossing 11 touchdown passes, the Big Ten bosses were wanting to pick up section into the competition.

Notwithstanding, the board picked the Oklahoma Sooners, and that implies there will be some level of disillusionment on the Ohio State sideline.

Include the data that head mentor Urban Meyer is resigning after the Rose Bowl Game Live Stream, and it could prompt a roused group that needs to demonstrate the school football world that it merited a superior destiny and furthermore needs to convey its mentor a victor. Or on the other hand it could result in an unengaged and confounded group that has lost its core interest.

The full Ohio State picture isn't only the amazing triumphs over Michigan and Northwestern. The Buckeyes dropped a 49-20 middle of the season game at Purdue, and they had a troublesome time in triumphs over unremarkable groups like Nebraska and Maryland.

Ohio State has resembled a juggernaut now and again and conventional at others. That may not be something worth being thankful for when confronting a solid cautious group like the Huskies. Washington positions fifth in scoring protection, and it is additionally very restricting as far as yardage, positioning seventeenth in all out guard.

Haskins is the way to the Ohio State offense, with 4,580 passing yards and a 47-8 TD-capture attempt proportion. He has a sufficient arm, yet his best quality is his precision, pursued nearly by his basic leadership capacity.

He has a couple of fine recipients in Parris Campbell and K.J. Slope, both of whom are enormous play collectors. Campbell has 79 gatherings for 992 yards and 11 touchdowns, and Hill has gotten 67 goes for 836 yards and six TDs.

The running back team of J.K. Dobbins and Mike Weber are adequate to take a portion of the weight off of the passing games. Those two joined for 1,887 yards and 14 touchdowns.

Washington can't coordinate Ohio State's touchy hostile creation, however the Huskies have a strong offense that could have a magnificent day against the unremarkable Buckeyes guard.

Washington is averaging 26.6 focuses per game, while Ohio State is surrendering 25.7 focuses per trip.

Quarterback Jake Browning has 2,879 passing yards and has tossed 16 touchdown passes. His best recipient is Aaron Fuller, who has 51 gatherings for 794 yards and four touchdowns.

Running back Myles Gaskin is a ggame-breaking sprinter who has increased 1,147 yards and scored 10 touchdowns. The Ohio State protection must figure out how to hold Gaskin under wraps or it could demonstrate to a be a long game for the Buckeyes.

Expectation

This is one of the hardest bowl games to predicts on the grounds that it's hard to understand the Buckeyes' aggregate perspective.

That might be simpler to decide as the game draws nearer, and we will work under the supposition that whatever failure the group feels about not being a piece of the College Football Playoff will be relieved by an opportunity to play in one of the country's head bowl games.

Ohio State has a touchy offense and ought to have the capacity to score with some consistency, yet the protection is temperamental. The Huskies can't coordinate the Buckeyes' hostile abilities however are very solid protectively.

Washington wouldn't get outflanked, and this ought to be a generally even game for a hour.

We see the Huskies remaining inside the 6.5-point spread however falling three points short. Ohio State makes due by a 31-28 edge.

[vileurge-blog]

meta. On Barnaby Kelley, Victor’s fourth victim. Naturally, this contains mentions of murder, death, and violence, as well as descriptions of mutilation though it is not in great detail.

Barnaby Kelley, known as Kels by his close friends, was a serial killer. He was 40 to Victor’s 31 when he first encountered the man killing an unfortunate mugger who thought a knife would save him. Kelley, intrigued, stayed hidden, and watched as Victor dragged the body away and out of sight.

For the first time in his life, Kelley thought he had found a kindred spirit. He knew Manson, Bundy, Gaskins, of course, but never had he thought he would actually meet a man with his own ... predilections. So he followed Victor several blocks, but let off after mapping what seemed to be his route home. He knew enough.

Kelley liked to kill women. Sex workers, in his eyes, were the best targets, because in his opinion no one would miss them -- they were like tilapia at the fish market, cheap and hardly worth it. He would bring them into his car, or his apartment, offer them a drink. When they inevitably drank, or refused, he would strike. Even when they weren’t drugged he was fast, and strong, and he could take his time with killing them ; cutting off all the outer bits, before they inevitably died of blood loss. Sometimes, he kept the limbs before they started to rot. Mostly, he took Polaroids.

So, convinced he had found some he could share his collection with, Kelley began to stalk Victor. After several encounters in a coffee shop (that was out of the way to Kelley’s workplace, but across the street from the autobody shop), he managed to strike up a friendly relationship with the normally terse Victor. Victor, of course, had no idea Kelley knew of his murder ; he was simply glad someone had deigned to talk to him. One day, Kels invited Victor over for a beer at his place.

There was no Rohypnol in this drink. It was simply a friendly gesture. They sat in silence for a moment, drinking quietly in Kels’ living room, and he smiled. He asked if he could show Victor something. Curious, Victor nodded.

He took him into his room, and he reached deep into his closet, and he pulled out a lockbox. When he opened it, he smiled, and held a Polaroid picture out to Victor.

It was the body of a woman. Quite literally the body -- it was a headless, limbless torso, naked and covered in blood. A part of Victor was intrigued by the violence, the gore covering it. The rest of him was very, very disturbed.

“ Why do you have these? ” Victor said quietly, looking up at Kelley.

Kelley grinned, and it was wide and too mirthful. “ That one not your taste? Check this one out. ” He gave Victor another Polaroid, this one of another naked, dead woman, a long cut down her torso. Her organs were peeking out.

Victor said nothing. Kelley continued to grin. “ Well? ”

“ What else do you have? ” Victor said, and his voice was barely above a whisper.

Kelley roared with laughter, and he went to the door and gestured Victor come with him. They went into the kitchen. Kelley turned to the fridge and opened the freezer on top, and he reached in and pulled out something wrapped in plastic.

It was a head. A woman’s head, in a plastic bag, and her eyes were half - lidded and Victor could feel his hands shaking.

“ I might be a little ... out of the ordinary. Considering what I do with them, ” Kelley said casually, observing the head and not noticing how Victor was reaching in his pocket. “ But I saw what you were doing to that guy on the street. Did you, uh --- ”

“ Shut up. ”

“ What? ” Kelley frowned as he turned, and those were the last coherent words Barnaby Kelley ever spoke.

----

The police came on an anonymous tip that someone they wanted to catch was on floor 5, apartment 521. When they came in the unlocked door, they found the corpse of Barnaby Kelley lying on the floor. On top of his torso, covering the twenty - five stab wounds that had been inflicted on him, there was a severed head of a woman wrapped in plastic. In Kelley’s room they found a lockbox sitting on the bed, surrounded by Polaroids of women in various states of mutilation. On the inside of the open lockbox there was a note in permanent marker, evidently written with a left hand. It read ;

HE SHOWED ME THEM SO I SURE SHOWED HIM

SICK FUCK

[odk-2]

The Cannonball Adderley Quintet - Sack o' Woe (1966) Julian "Cannonball" Adderley from: "Mercy, Mercy, Mercy! Live at 'The Club'" LP

Jazz | Soul Jazz | Instrumental | Hard Bop

JukehostUK (left click = play) (320kbps)

Personnel: Cannonball Adderley: Alto Saxophone Nat Adderley: Cornet Joe Zawinul: Wurlitzer Electric Piano / Piano Victor Gaskin: Bass Roy McCurdy: Drums

Band Leader: Julian "Cannonball" Adderley Hugh Davies: Recording Engineer Produced by David Axelrod

Recorded: @ Capitol Records' Studio A on October 20, 1966 in Los Angeles, California USA

Album Released in 1967

Capitol Records

Grammy Award for Best Instrumental Jazz Group Performance 1967 Grammy Hall of Fame 2021 Inductee (Album)

The Cannonball Adderley Quintet @ The Jackie Robinson's Jazz Concert, June 30, 1968 in Stamford, Connecticut