#very very silly fictional character :3

[nils-little-freakshow]

Interview With A...?

The camera feed crackles to life once more, after a long bout of silence. You're surprised to see this old show of death make a return, but Nil's smile is still toeing that familiar old line between mania and the façade of motherliness.

"Hello hello, darlings! It's been a while, hasn't it? But we'll ignore that for now, I have a little program I've organized for you all! I think you'll find it quite useful, for, ah... writing purposes, yes. Purely fictional things, just like this is, no?"

She sends you a playful wink, before lifting the camera off it's stand to walk your view over to her cabinets in that familiar old basement that's seen many a horrible thing. There's several bottles of chemicals, mostly cleaning products, and a few medical things as well.

She lifts a bottle of hydrogen peroxide up so it's easily visible in the camera, giving her audience beyond the screen a wide smile.

"The first thing you should always remember for your projects, is that this will destroy bloodstains in a way that makes them no longer reactive to UV light, making it harder for police to find evidence. You'll want to wipe up the majority of it first, of course, but after you've cleaned it up normally so it's no longer visible to the naked eye, go over it again with the peroxide, twice or even three times if it was sitting there a while."

She sets the bottle of peroxide down, then points the camera at a bottle of bleach.

"Now, everyone knows you shouldn't mix bleach and ammonia while cleaning, because you'll create mustard gas, but did you know mixing it with rubbing alcohol will create chloroform? Just a few tablespoons making it's way into only a cup of bleach could spell disaster for an unlucky soul, so definitely don't make that mistake, and especially don't mix them in glass jars that are easily breakable on impact, ok~?"

She giggles to herself, closing her cabinet and turning to the incinerator in the corner.

"Now, I know it might not be reasonable for you're, uh, main character to have one of these, but any especially hot fire will do, or one that burns long enough - if you're someone who burns trash anyways, the smell of that might even mask the scent of charring bone a little bit. Fire is great for getting rid of the teeth, especially if you crush them up a little bit first to be even smaller. If you can't do that, though, something known as 'piranha solution' - a mixture of sulfuric acid and, you guessed it, peroxide again! - will typically dissolve anything organic and porous enough with enough time. Makes a decent drain cleaner, too, if you've got something super backed-up... So long as your pipes are plastic and not metal. It'll eat that, too."

Next, she turns the camera to the countertop's end, and you can see a meat grinder hanging over the edge with a large bin positioned underneath the extrusion spout, surprisingly clean and in good condition. It looks well-maintained.

"Now, one of these will make disposal for your main character very easy, depending on how much they love stray animals or hate their neighbors. Free ground meat is typically welcomed by both, though, of course, one of those groups wouldn't be thrilled to find out what it really is. I have a hand crank grinder, but you might find electric to be easier and faster for your projects. Not everyone can live in a ghost town nobody remembers, after all! I have time that you might not."

She sends another playful wink to the camera, holding up her finger in front of her lips as if she was letting you in on a joke.

"Though, I don't need animals or neighbors to act as disposal for me, of course. I can do that myself."

She walks the camera back over to it's stand, setting it down and taking a seat in front of it, propping her chin up in one hand.

"Of course, you don't need to grind the whole body - organs have tons of market value, if you know what I mean, and there's people in this world desperate to save their loved ones who might not be able to otherwise. What a cruel world we live in, where innocents die to feed the rich, no?"

She gives you a smile, a knowing one. It doesn't quite reach her eyes, the fire behind them quiet but strong, keeping the smile from being read as genuine. A silent message - but do you understand it?

The moment passes, though, and she waves a hand as if to banish the tension that had gathered in the air, continuing to speak.

"Of course, one person can only do so much before raising suspicion and needing to step back, let time pass. A group though, especially a large one spread over a state or two, or five, or twenty... Well, now that would make for an interesting story to write, wouldn't it my little authors?"

She reaches out to the camera, hand hovering near the power button, but on your screen it almost gives the impression of her resting her hand on your head, or maybe shoulder.

"... Write the story you want to see in the world, ok my darlings? I look forward to hearing about them."

With that, the screen goes dark again as she shuts off the camera, and you're left with loads of information and subtext to absorb and think over. You could choose to ignore all this, of course. That was always an option from the very first time you stumbled upon her broadcast - she never made you stay. You were always free to leave, forget about it all.

... But you won't, will you?

[dykedvonte]

why do you hate Joshua Graham or Honest Hearts so much?

This DLC and character represents a bigger issue with fandom spaces I have but particularly fallout fandom in general.

Fallout tends to tackle a lot of topics controversial and not. The first two games it’s heavy cause they are the most satirical and direct with how anti-war, nationalism and etc… they are. 3 loses this as it’s very clear once you play or learn about all the games that Todd and a bunch of guys at Bethesda just liked the 50s post apocalyptic aesthetic and refuse to actually critique the ideals of the time period like the earlier titles.

New Vegas is the game that really gets back into it a degree it almost seems like it’s taking too much on. There are things done exceedingly well while other things are done horribly wrong . I’ve made posts about it before and plan to make a big series of posts (it’s a lot of writing) but my biggest gripe is with Honest Hearts and all the gross and white savior esque depictions it has of indigenous peoples. The entirety if FNV does not do the injustices faced by indigenous people correctly on any count. My two biggest complaints are with the Khans and the tribes in Zion but I’ll talk about the former on a different post.

Both characters of Daniel and Joshua are the most accurate depiction of white saviors I’ve seen and I hate how the DLC tries to justify and defend them. The DLC treats Joshua like this man who has repented for his past actions when he is just retracing his steps after his cruelty bit him in the ass. He was one of the worst parts of the Legion and it is all but explicitly stated that if you don’t force him to be non-violent he will turn the tribes of Zion into the legion 2.0. The Dead Horses and the Sorrows are horribly infantilized by both Daniel and Joshua who both use them for self serving purposes guised by religious duty. The White Legs are the horrible stereotype of violent and savage indigenous and I personally think a lot of their interlinking with Ulysses, his hair and Ulysses character in general are distasteful and very telling of how BIPOC or POC where involved.

But outside of the game it’s the weird obsession people have with these characters ideologies and trying to make them seem more interesting/philosophical than they are. Tumblr is an echo chamber and many fans of Fallout are not the people on this site. Many people are not educated in the issues these characters convey and how poorly they do or used these characters as a poor introduction for their takes. Contrary to what a lot of people believe in, fallout has a prediomeny white cis male fanbase. More importantly a large portion of the fanbase is white.

You can joke how FNV made you trans or see the numbers on post/fics or diverse headcanons but these are kiddy numbers compared to the millions that consume the franchise and aren’t in those more aware spaces or don’t engage in the spaces the same way someone like me does/has to. Their views shape a lot more than people realize and it’s exhausting to be in a space where people don’t correct the more subtle yet toxic aspects of it but also adopt them into some weird quirky view point on the characters or issues. Some people don’t realize and some people don’t care.

My main issue is just the idolizing of these sort of thing in this fandom space and people try to acts like a game like fallout whose tagline is “War never changes” and has never had a game not revolve around political or militaristic factions issues isn’t that deep or doesn’t relate to real issues. I think it’s mainly caused by how over powered you can become and how you can strong arm your way past these learning moments as majority of people who play this game do play it as a power fantasy where they can do so as they please (which of course, go ahead it’s fun) but never take in parallels or lessons in the story as if it was just another first person shooter.

Also like another personal gripe is Cazadores spawn like hell whenever I’m there and I have not found a mod that works to mod them out so I have to play Indigenous Racism the DLC while getting jumped by giant wasps WHILE helping Mormons. Like I cannot catch a break.

[corviiids]

THANKS @kimdokjafan you are so kind and generous. ok im cashing in the first of three blank checks to talk about faith trust and pixie dust (most recent chatfic) because the last two directors commentaries were too serious so let's do a silly one.

some p5r spoilers, and this is mostly about sumire, and it's long again. do i need to keep disclaiming that these are long? you should know me by now.

i had this written for a while before i started formatting it because i wasn't really sure if i should post it? i feel like silly chatfic is something people go to for predominantly lighthearted nonsense so i was like, maybe there's too much plot and dramatic misunderstanding and i should just keep this one for myself. but then i was like well nothing matters and maybe someone will have fun with it. it's kind of terrible how much fully or mostly completed fic there is my docs that just doesn't see the light of day lol. write for yourself etc but i like sharing! too bad it comes with the mortifying ordeal etc. anyway that was a tangent

potato counter is a neopets game. there's no deep lore i just like neopets. i guess in this universe ryuji doesn't play neopets? or maybe he's just never played potato counter specifically. i also have a different fic where ryuji DOES play neopets. it's about neopets and ryuji and goro talking on neopets.

i think this might literally be the first time ive written sumi in a fic because i haven't actually written that much fic for royal, like, now that im looking, literally almost none? and none that had a group dynamic. so it was kind of fun to find her voice for the first time in a silly groupchat like this. i was worried people would find her exclamation marks annoying but i personally thought it was endearing so i added it in there.

every time i do a gag where a character corrects their own typo i have to code more stupid little bubbles to make it happen but i think it's worth it. all the effort that goes into making tgis look as much like a real chat as possible

this obviously doesnt take place in the canon p5/r universe, but im imagining sort of a postcanon sumi personality where she's more comfortable being herself and isn't borrowing kasumi's brand of confidence, but she's visibly a really anxious person without that kasumi veneer. i also think in this universe sumire is a fairly recent addition to the friend group, and while everyone likes her a lot and she really likes them, i kind of wanted to emphasise that feeling of being in a friend group where everyone's established and you're sort of a plus-one? you don't really fit yet. part of that is her being new, part of it is her anxiety, part of it is just the kind of person sumi is where she's so polite and self-conscious she ends up taking herself out of things with her own good intentions. stuff like her interrupting the flow of an existing conversation by greeting everyone instead of jumping straight in because she doesn't feel comfortable inserting herself, which means everyone else stops to greet her even though that doesn't normally happen in a friend group, or making a point of thanking everyone for being invited to events while the others take it as a given.

idk i love that she feels a bit out of place with the phantom thieves in p5r. and part of that is a natural consequence of being a new addition in royal who can't be naturally integrated with an existing dynamic but i honestly feel like the writing team realised that and acknowledged it, and really leaned into it, and that made it work incredibly well for me. like, it's part of her character that she's sort of an outsider. it's not like p4g's incredibly clumsy integration of marie and subsequent attempt to shove her down everyone's throat as the canon love interest in p4ga (knife). sumi has that outsider vibe on purpose and it makes me really like her dynamic with the thieves as an individual

goro also feels slightly out of place in these chats, but his conversational style blends more naturally with the other thieves at this point and he even uses their codenames sometimes. i keep saying my chatfic series isn't a real Series because the lore keeps changing, but if we accept that they're all kind of following a General Continuity, assume this takes place some time after the last fic in which ren added goro to the groupchat and they made an effort to integrate him into their friend group. he's kind of there now and has settled into being the weird boyfriend. that's his role.

every time goro says something like "ren and i" assume it's the text equivalent of him talking to the group with his arm around ren's waist.

ok i got really fond of this silly running joke where sumi brings up the weather when she's feeling uncomfortable. she's so polite. i like this thread because setting it up meant i got to tie it off like this:

this just made me happy lol i liked writing this. i tried to use it to demonstrate that despite goro's abrasiveness he obviously knows sumire pretty well, he's attuned to her quirks and knows how to tell when she's having a bad time with her anxiety, so he uses her little weather habit to ground her.

i honestly dont think goro and sumire could be considered close in p5r and as much as i like the "royal trio" in canon they're not really... like... friends? with each other? they're both attached to ren, so it' more a V shape than anything else. but that said, i really LIKE goro and sumi's canon dynamic. he takes a really grouchy but politely attentive supervisory role to her during their few forays into the palace as a trio where he doesn't really know her well but clearly identifies her as a harmless little tryhard who needs some guidance and steps into that role grudgingly, and she immediately looks up to him despite being very wrong footed by his ruthlessness, which i find incredibly charming. i think given time they could be good friends, they just didn't get much chance to know each other very well in canon. so i tried to kinda do that here.

once goro stops being evil and joins the group they all kind of tiredly accept that his role is to occasionally push a cup off a bench while smirking and refuse to clean it up. emotionally, i mean.

wait i need to backtrack chronologically to talk about akeshu.

in this scene they're in the same room lol talking and snickering while typing. im trying to get at that vibe of the annoying couple who is flirting with each other, via you. you know? like ostensibly they're talking to you (sumire) but everything they say to you is part of their stupid game. sumi is incidental to goro and ren teasing each other about flirting with someone else, goro is reporting everything ren says because his boyfriend is so eye-rollingly foolish in a cute way. they're very tickled by how amusing and charming they are. gross. disgusting. sumire im so sorry for putting you through this

anyway here are too many of my favourite jokes from the fic

[sly-fin]

Its he! Pokemon Black was the first Pokemon game i completed when i was around 7-8 and I absolutely adored N. Still do. If I think too long he will immediately make me spiral back into pokemon obsession. The only reason i want BW/BW2 remakes is to see him rendered in the wonderful art style almost painted cutscenes of the og but without the screen split. Man… BW is so cool i should repla-💥🔫

My gf called him a lesbian

N is my favorite lesbian

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[spotlightstudios]

This post goes out to my Father for regularly giving my heart attacks.

Context: I am a sfw artist. I completed that Rouge piece today. I am living with my parents, and regularly show them my personal artwork because I'm a little prideful alright? My father is super excited to see this drawing of my dnd character, and he excitedly asks to take a picture and yeah, that's fine. I leave him unattended and go talk to my mom in another room.

I return, and this man has my sketchbook flipped open looking through it like a kid at the candy shop, and I am desperately trying to roll through my head to figure out if I somehow had nsfw art or a rude gesture or smth that'd make him judge me. I do not. I decide it's safe. I have forgotten about Baddie, my Helluvaboss oc. Pros: My father likes his design and asks about him. Cons: I almost instinctively, casually, referred to him as a 'manwhore' when questioned. I kept that thought inside, but instead got very flustered. He did not notice.

I am very lucky my father supports me and loves what I draw, but I am also very afraid because this guy has also seen my laptop open and started reading a (fairly embarrassing) oc/self insert fic I was writing about Voltron (it was not ship stuff, just me digging into worldbuilding) but I was like 14 and he'd gotten almost a full page or two in before I returned to the room and panicked.

So, half a decade and nothing's changed 🙏.

[andro-dino]

Hi sorry for the ask jumpscare. I've been craving some Nile angst recently and may you could provide some of that Nile angst. (bc I randomly remembered the unrequited love Nile/Kyouya clip a while back. But it doesn't have to be about that.)

oooouhhh Nile angst,,, I haven’t had any angst thoughts in a while.

I think Nile’s interesting bc despite what he goes through, he’s actually very levelheaded and calm about it most of the time. I think he’s a very logical person and able to kinda see a lot of situations two steps ahead already, so he’s able to keep cool (for the most part) in the present. I think there’s a lot you could do with that there. I think the most obvious one is the emotional repression angle, where he’s almost too far ahead to the point where he’s not really letting himself feel in the moment. Like, he’s surprisingly chill about Kyoya’s outburst and split off from the group in fury considering how close they are, and he justifies that knowing that that’s just the kind of person Kyoya is and he wouldn’t expect him to stay tied down to something for long, and yet there’s still something about it that makes his stomach turn. He knows Kyoya’s a free spirit and not necessarily the friendliest person, so this isn’t really that out of character for him, yet part of him still wanted Kyoya to consider him a little more. For how close he thought the two were, they weren’t really getting much time together, and now with this, it only made him feel less secure about their bond. It’s kind of a feeling of his rationalism clashing with his own feelings and attachments, yk?

Another route I actually remembered I have thought a bit about before is how much Nile worries over Kyoya. Nile cares for Kyoya a ton, more than Kyoya probably even realizes, but he also knows that Kyoya has NO sense of self preservation and just wishes he would stop being so goddamn stubborn and reckless all the time. This thought is kinda inspired by wild fang vs gan gan galaxy, where Kyoya is super beat up and in no shape to battle after his battle with Gingka, yet still insists on going out there, despite Nile’s protests. Again, Nile kinda just accepts this as part of Kyoya’s character, but it worries him so much. I can definitely see and argument breaking out about that, and I think it could be interesting if Nile argued in this case that it’s selfish of Kyoya to be so reckless because of how much it disregards everyone else around him. It’s selfish because every time he does it, Nile is worried sick about what might happen to him, and he doesn’t even take the time to think about how his actions are causing that and considering anyone’s feelings besides his own. Like, not to pull out the “Why can’t you take care of yourself, if not for yourself then for me?” right now but like basically that. I’ve thought about this idea more lightheartedly before (I have an old ass doodle somewhere of Nile bandaging Kyoya up while the two yell at each other, ala “THIS IS STUPID IM FINE CHRIST THAT HURTS” “WELL MAYBE IF YOU WERENT GOING AROUND OVEREXERTING YOURSELF AND THROWING YOURSELF INTO TORNADOES, NEITHER OF US WOULD BE IN THIS SITUATION”) but I think it’s a very easy concept to make more angsty if you add more heartache into it.

Nile in general strikes me as the kind of independent but lonely type. In my head at least, he has a kind of duality between being fine on his own, and even preferring it at most points, but so desperately craving human connection and care. I think that’s part of what lets he and Kyoya get along so well in the first place, both are very free spirited and independent, but are able to understand each other and mesh more comfortably because of that. And with that, since there is a degree of yearning and relishing in that connection once he gets it, it’s only all the more confusing and painful once it’s called into question. Him kinda being under the impression that their relationship was something they both enjoyed more than being complete loners most of the time, yet he’s so willing to separate and say he doesn’t need anyone at all. Nile kinda figured they both needed each other a bit, so it’s strange realizing that may have been more one sided than he initially realized.

[fitzselfships]

I know I say this a lot but I really do think a lot about how much self shipping with Zooble has made my life so much better <:]

[dandyshucks]

g.uzma..... 🫶

[stuck-in-the-ghost-zone]

as much as i am mentally unwell over tristamp rn... i think i will always prefer 98. this is weird coming from me because i am the guy whos favorite part of the entire series is weird plant biology and there is exactly 0 of that in trigun98 but at the same time like........ it just makes me so much happier to watch.

obviously the manga is objectively the best version of the story and i would kill for a beat by beat animated adaption of the manga (<<something i know is impossible) but i also have a hard time reading comics and cannot readily consume the manga as well as i can the animes

[cowardlychimera]

no normal omori thoughts for now I'm being extra insane <3

[mothslimes]

honestly do not get comfort characters any character is a discomfort character to me i look at them and get really uneasy and it physically hurts and i wanna hide in a cave curled around them like a dog for the rest of my life and never see sunlight again. is that a thought you guys find comforting?

[15000bugs]

😢😆😆

[bethanydelleman]

One criticism of Jane Austen is that she ignored the lower classes. I find this kind of dumb on multiple levels, primarily because not every work of fiction or social criticism needs to include every single social ill, but also because she does talk about servants/the lower classes quite a bit more than people realize and what she says is important.

The overall theme: kindness to servants/the lower classes/the poor is a very important mark of character.

We all know that Elizabeth Bennet changed her mind about Mr. Darcy after hearing a positive character reference from his housekeeper, but that is just one example of many. The Dashwood girls are better employers than John & Fanny since they easily find servants to move across the country with them: Her wisdom too limited the number of their servants to three; two maids and a man, with whom they were speedily provided from amongst those who had formed their establishment at Norland. Also, servants tended to brag about having wealthy employers, these three servants wanted both a far away and a less prestigious job. John & Fanny were really that bad!

Another mark against General Tilney's character is that he gets irrationally angry at/scares servants:

To such anxious attention was the General’s civility carried, that not aware of her extraordinary swiftness in entering the house, he was quite angry with the servant whose neglect had reduced her to open the door of the apartment herself. “What did William mean by it? He should make a point of inquiring into the matter.” And if Catherine had not most warmly asserted his innocence, it seemed likely that William would lose the favour of his master forever, if not his place, by her rapidity.

“Why! How can you ask the question? Because no time is to be lost in frightening my old housekeeper out of her wits, because I must go and prepare a dinner for you, to be sure.” (Henry, on his father coming to his house for a visit. This may be half a joke, but General Tilney is very critical of the meal)

Mrs. Ferrars's character is made quite plain in this complaint about paying annuities (basically a pension here) to some of her husband's old servants:

I have known a great deal of the trouble of annuities; for my mother was clogged with the payment of three to old superannuated servants by my father’s will, and it is amazing how disagreeable she found it. Twice every year these annuities were to be paid; and then there was the trouble of getting it to them; and then one of them was said to have died, and afterwards it turned out to be no such thing. My mother was quite sick of it. Her income was not her own, she said, with such perpetual claims on it; and it was the more unkind in my father, because, otherwise, the money would have been entirely at my mother’s disposal, without any restriction whatever.

Mrs. Ferrars is loaded, and she begrudges paying a few pounds to 3 servants. She is greedy and ungrateful.

Mrs. Norris's treatment of the servants is similar to her treatment of Fanny. It shows the depth of her miserliness (how much could one boy really eat?) and also cruelty:

"I had been looking about me in the poultry-yard, and was just coming out, when who should I see but Dick Jackson making up to the servants’ hall-door with two bits of deal board in his hand, bringing them to father, you may be sure; mother had chanced to send him of a message to father, and then father had bid him bring up them two bits of board, for he could not no how do without them. I knew what all this meant, for the servants’ dinner-bell was ringing at the very moment over our heads; and as I hate such encroaching people (the Jacksons are very encroaching, I have always said so: just the sort of people to get all they can), I said to the boy directly (a great lubberly fellow of ten years old, you know, who ought to be ashamed of himself), ‘I’ll take the boards to your father, Dick, so get you home again as fast as you can.’ The boy looked very silly, and turned away without offering a word, for I believe I might speak pretty sharp; and I dare say it will cure him of coming marauding about the house for one while. I hate such greediness—so good as your father is to the family, employing the man all the year round!”

It also highlights her hypocrisy, as Mrs. Norris has moved in during the play to help with the preparations, so she is getting free meals all week but she won't let this kid eat when he's helping his father (who is building the stage for the play)

Mr. Knightley considers the common people of Highbury before moving a path, even though he likely owns all of the land and can do whatever he wants:

"But John, as to what I was telling you of my idea of moving the path to Langham, of turning it more to the right that it may not cut through the home meadows, I cannot conceive any difficulty. I should not attempt it, if it were to be the means of inconvenience to the Highbury people, but if you call to mind exactly the present line of the path"

The kind Musgroves, who have given their nursemaid a retirement plan instead of turning her out:

A chaise was sent for from Crewkherne, and Charles conveyed back a far more useful person in the old nursery-maid of the family, one who having brought up all the children, and seen the very last, the lingering and long-petted Master Harry, sent to school after his brothers, was now living in her deserted nursery to mend stockings and dress all the blains and bruises she could get near her, and who, consequently, was only too happy in being allowed to go and help nurse dear Miss Louisa.

And who clearly are rewarded for this kindness.

Anne Elliot showing kindness to Mrs. Smith, who has nearly fallen right out of the gentry, vs. her fathers disdain for charity:

“Westgate Buildings!” said he, “and who is Miss Anne Elliot to be visiting in Westgate Buildings? A Mrs Smith. A widow Mrs Smith; and who was her husband? One of five thousand Mr Smiths whose names are to be met with everywhere. And what is her attraction? That she is old and sickly. Upon my word, Miss Anne Elliot, you have the most extraordinary taste! Everything that revolts other people, low company, paltry rooms, foul air, disgusting associations are inviting to you. But surely you may put off this old lady till to-morrow: she is not so near her end, I presume, but that she may hope to see another day. What is her age? Forty?”

Added to Sir Walter and Elizabeth's idea to cut expenses:

“Can we retrench? Does it occur to you that there is any one article in which we can retrench?” and Elizabeth, to do her justice, had, in the first ardour of female alarm, set seriously to think what could be done, and had finally proposed these two branches of economy, to cut off some unnecessary charities, and to refrain from new furnishing the drawing-room; to which expedients she afterwards added the happy thought of their taking no present down to Anne, as had been the usual yearly custom."

Vs. how the Crofts treat the poor:

She could have said more on the subject; for she had in fact so high an opinion of the Crofts, and considered her father so very fortunate in his tenants, felt the parish to be so sure of a good example, and the poor of the best attention and relief, that however sorry and ashamed for the necessity of the removal, she could not but in conscience feel that they were gone who deserved not to stay, and that Kellynch Hall had passed into better hands than its owners’.

Henry Crawford's moral fall begins with ignoring the needs of his tenants:

"I have half an idea of going into Norfolk again soon. I am not satisfied about Maddison. I am sure he still means to impose on me if possible, and get a cousin of his own into a certain mill, which I design for somebody else. I must come to an understanding with him. I must make him know that I will not be tricked on the south side of Everingham, any more than on the north: that I will be master of my own property... I have a great mind to go back into Norfolk directly, and put everything at once on such a footing as cannot be afterwards swerved from. Maddison is a clever fellow; I do not wish to displace him, provided he does not try to displace me; but it would be simple to be duped by a man who has no right of creditor to dupe me, and worse than simple to let him give me a hard-hearted, griping fellow for a tenant, instead of an honest man, to whom I have given half a promise already. Would it not be worse than simple? Shall I go? Do you advise it?”

Of course, Henry does not go to Everginham, as he knows is right, but instead goes to the party in London, where he again runs into Maria...

Yes, Austen didn't write servants/the lower classes as full characters in general, they are in the background and around the edges of the scenes, but over and over, we can sort characters into moral and immoral by their treatment of those less fortunate around them.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[ily-sunghoon]

The Omen of Sterling | ENHYPEN

Pairing : vampire!enhypen x fem!oc

Genre : vampire, kingdom, reverse harem <3, fluff, angst, smut on some chapters

Summary : The name Sterling hits like thunder for the royal bloodlines. Sterling is the most dangerous vampire family throughout the ages. After they left Krashoviel due to their sweet human daughter, twenty-one years later the same daughter came back for help... or the omen that Cairneyes warned the others about.

WARNINGS : mdni, heavy content, deep world building (i went kinda crazy), blood, murder, manipulation, gaslighting, toxic behavior, curses, religious theme mentioned sometimes, obsessive, (more to add later). DO NOT PROCEED if uncomfortable

Disclaimer : THIS IS PURE FICTION, ALL THE BEHAVIORS OF MY CHARACTERS ARE NOT RELATED TO ENHYPEN REAL MEMBERS AT ALL!

Note : hi, guys. i finally contribute to the enhablr community by publishing this old draft that i wrote years ago. it was inspired by one of my loooong dream that i had on christmas eve night back then in 2020. i decided to stick on the original names that i have for them. all the fem characters doesn't have any face claims, i leave them to your imaginations. some random male idols might appear in the future as relatives/enemy/friends. without further do, meet the characters and i hope you guys enjoy!

CHAPTERS — PROLOGUE CHAPTER I CHAPTER II CHAPTER III CHAPTER IV

Introduction to our vampires:

Jestel Sinflame

/jé-ssel/ 299 years old — The rightful crown prince of Krashoviel. Choosing peace over war right now (living under the same roof as his brother-like best friends rather than in the sucking dry and toxic castle). A little bit classist like his family, Sinflame, except towards Ricardo, who he saw the potential of that kid himself. His parents died during the Red War and now he’s trying his hardest to contact his brother, Holstein, who also got lost in the war.

Sarco Phelanflame

/sár-ko/ 288 years old — Phelanflame has always been the first row at wars. They’re the leader of the soldiers. Very strong since birth with a little sadistic tendency. Their personality is cold, much colder than the other vampires around Krashoviel. If not cold, they’re always a little bit of an oddball. All the elders in his family were deceased during the last war. Now, Phelanflame only has three members, including Sarco and his two other cousins.

Ricardo Nikolai

/ree-kár-do/ 20 years old — Came from an orphanage, Ricardo is a third-class vampire in Krashoviel. He got lucky because Jestel and Sarco saw his potential while visiting his orphanage, they took him home and gave him all the facilities he needed. Ricardo likes to play fight with almost everybody, but his favorite activity to do is disturbing Jusarlie’s peace.

Jasper

/jæs-per/ approximately 23 years old — A new vamp who was found in the woods during their monthly patrolling. No one knows about his background, he lost his memory, so they named him Jasper.

Saine Cairneye

/sāin/ 201 years old — Grandson of the current Queen on the throne. His mother died during the war. The Cairneye bloodline is in charge of magick, witchcraft, astrology, omen, and so on. Their current job is reading people intentions and possible-futures with their crazy personality tests. They are blessed with good physical appearance, and all of them look like elves. They have a silly little hobby, which is accidentally having a vision that scares the royal family a.k.a Sinflame!

Jusarlie Grieffang

/jou-sār-lee/ 297 years old — Grieffang, the fang of Krashoviel. They are the greatest strategists and professors, Grieffang is one of the keys of Krashoviel’s endless winning of wars. They’re still relatives with Sinflame. Jusarlie is Jestel’s distant nephew, though their age gap is not far. Rival kingdoms tried to kidnap and use Grieffangs against Krashoviel during their wars, but it was no use, Grieffangs are loyal and far smarter than them. Plenty of them are still alive after the wars along with Sinflames.

Hiael Von Ruden

/heeæl/ 314 years old — His original nation is Slevado, Hiael was a crown prince. He turned his back after the Red War, and it creates a huge controversy. He is now working under Jestel’s command and is currently busy training Jasper. He’s reserved, calm, to the point where it becomes scary rather than comforting for his surroundings. No one knows what is on his mind, but for Jestel, as long as he has made a blood pact then he’s good.

© ily-sunghoon, 2024 DO NOT COPY, STEAL, PLAGIARIZE, OR REPOST ON OTHER PLATFORM DO NOT TRANSLATE WITHOUT PERMISSION