#very pretty game with very neat lore

[arolesbianism]

Ok y'know what I'm going to be cringe and talk abt my nuggets more even tho I assume no one who follows me knows anything abt lob corp lol

Anyways first up look at my second ever nugget, Loki. He and Juliet are extremely close friends and were close since long before lob corp. The two went to college together and both took great interest in lob corp when it popped up, and he and Juliet are both deeply invested in their work there and fully believe in the cause. Loki primarily works with the information team, with him doing a lot of research work early on, and managing a lot of paperwork and general company information as he continued to work there. He and Juliet still interact fairly often as she is a head of the control team, and while they are very friendly with eachother they still very much use their time together seriously. Loki generally comes across as very grumpy and impatient, and he absolutely hates interacting with most of his coworkers. He values his time greatly, and sees most interactions outside of ones required for his work as a waste of time. He still values his time with Juliet greatly though, and while he will get very pissy when Juliet calls him her baby brother, he does indeed see her as a sister, and she might be the only thing he cares abt more than his work.

Next up is my 3rd nugget, London. He's a depressed middle aged woman man who forced himself to stop caring abt those around him after he was forced to give up his baby daughter in his youth. Nowadays he's mostly just trying to get by, and lob corp happened to pay well. He is generally not well liked by basically everyone, with lower ranking employees seeing him as cold and rude, and higher ranking ones seeing him as lazy and annoying. He is however really good at his job, which tends to catch most ppl off guard at first considering how little he seems to care abt everything. Underneath it all he's mostly just extremely depressed and going through the motions, he's just been balancing on thin margins for years now and has gotten the hang of surviving in a world that has been trying to tear him apart for years.

To continue going in chronological order despite my best instincts next we have my girl Yui. She's one of my less developed ones despite her being an oldie, but I still have some ideas for her. She's spent most of her time in the information team, and for most of time at lob corp she's actually had a much less hands on job and got very used to seeing the suffering around her as statistics and numbers. She eventually began to do more abnormality work and was moved to safety, but even as she came face to face with real death more she would still continue to fall back on seeing these events as numbers, and while she does do her best to try to help ppl where she can, she is generally rly distant and hard to connect to a lot of the time, especially as she tends to play devil's advocate for the higher ups, as trying to see the best in everyone won't come across well when those ppl are putting other ppl through hell every day.

Alright everyone we're back to the guy's I actually care abt cheer and clap for my girl Maxy right now. I've already talked abt her a lil bit, but she's another favorite child even though she's an absolute bastard in game who loves to suck at her job. Maxy is a generally very miserable person, with her feeling trapped in her circumstances and hating the feeling of being apathetic to the constant death surrounding her. When she first started working here however, she did have someone she somewhat cared abt. She had a mentor figure of sorts, a fairly anxious woman around her age, but still one that managed to bring some sense of comfort and guidance as she found her footing. Alas tho, this mentor of hers would end up dying on the job (I didn't feel like resetting the day so rip) and that was the beginning of Maxy's endless spiral. Pretty early on she was moved to safety, and she absolutely fucking hates it there, she hates how useless the department feels, and she hates that she feels more hatred at her stupid boss than she feels anything when her coworkers die. London actually used to work in security, and the two actually worked quite closely together for a long time. They had a very strained relationship however, as Maxy slowly began to start giving a shit abt London over time, a fact that she absolutely hated as she could tell London didn't give a shit abt her. Eventually London was transferred to records, and Maxy was left behind in safety to keep being sad all the time. She does have her terrible terrible girlfriend of course, and while Maxy doesn't feel she deserves Yuri's love, Yuri is also the main reason Maxy pushes forward despite everything, as just seeing Yuri smile makes it all feel worth it to her.

Ok ok last one for now because I need to sleep so say hi Daniel. He's another one that doesn't have a lot going on, he was simply a single dad who wanted a good job to support his adopted teenage daughter. He didn't exactly find that, but he does generally like his job. Now he is a leader in the training department, so it's not exactly like he has to deal with the worst of what this place has to offer, so his general complacency makes some amount of sense. He is also generally pretty good at helping out with morale in newer recruits, and he is generally seen as kind if a bit goofy at times. Most of those who've been around longer aren't as moved by his attempts to keep morale up however, as once you've been around long enough it becomes clear as day he's only made it this far out of pure luck. He can't truly help others get to where he is like he tries to because of that, and while part of him is aware of that, he also knows he can't afford to fully admit that to himself.

[tagidearte-spam-sb]

The Daycare Attendant and Their Dialogue

A little ramble on some of the things I've noticed about their ways of speaking. This post ended up being predominantly about how they refer to one another. Most of this is speculation mixed in with my own views on them and their relationship, without discarding some other possible alternatives (for instance, although I do view them as two AIs that heavily rely on each other to function properly, I do not cast aside the interpretation that they are the same person).

(note: although I have played SB and Ruin, I did not play HW2 myself. All I know about that game has been through let's plays).

Sun is, obviously, the chattier of the two. Not only are his sentences longer, he speaks more of them in a row than Moon does - in fact, we only see Moon going on and on in Ruin (which we will discuss later).

Both of them use a lot of repetitions when speaking. From their infamous "clean up, clean up" line, to Sun's panicked "you like glitter glue? I have glitter glue!" and "light's on! Light's on! Keep the generators on!", to Moon's "hidey hide, hide away" and "bad children must be punished. Bad children must be found", "knock knock", etc. One of the first things Eclipse says is also a repetition ("warning, warning"). They appear to occasionally rhyme their words too, or at the very least use similar sounds in their sentences. This is a robot that works with young children, so it's not surprising.

On that same vein, their main insult to misbehaving children (and employees... or at least Cassie's dad) is also a repetition: "naughty, naughty" (which turns into "naughty boy" for Gregory), "rulebreaker, rulebreaker", and "bad kid, bad kid". In fact, it appears they repeat words more often when they're mad/stressed (Sun's no no nos, Moon freaking out in Ruin). Taking into account they get mad pretty easily when things don't go their way, it's not surprising we hear it so often, but it's neat.

Although both of them speak in an almost song like manner, with Sun's run on sentences flowing well between one another, Moon is the one where this is more evident due to how much shorter his lines are.

Moon is also the one who speaks in a more childish manner. Not only are his phrases shorter, he doesn't articulate them as much as Sun does, and seems to prefer shorter words and sounds, especially giggles. This makes Sun appear more developed. Key word being appear.

Sun tends to speak as if he's entertaining a crowd, doing his best to keep the attention on himself while trying to keep it fun. This is most evident in his level explanation parts in HW2, but it's also clear in SB. In Ruin, this is absent for... obvious reasons.

Both of them are somehow direct in their way of giving orders/saying what they want to do. When they can't be direct, they find workaround truths in order to conceal what they truly want to say, while keeping the main order clear (such as Sun saying the player will hurt their eyes if they work in the dark and ordering them to keep the lights on, rather than saying Moon will kill them so keep that room bright. Direct, but nicer).

Not at all important to FNAF speech lore but I think it's funny: Sun says the infamous Vanny line during the daycare intro section. "Are you having fun yet? (Are ya, are ya?)". 0.5 seconds after Gregory just stands there, which coincidentally is what Vanny does 0.5 seconds after Gregory gets into a vent (numbers exaggerated). I don't know. I just think it's funny. Replaying the daycare section after hearing Vanny yapping that line non stop gave me flashbacks.

The way they refer to each other and the pronouns they use are an entire thing, so let me separate it in two parts.

So that this post doesn't become scrolling hell on the tags, I'll keep it below the read more line:

Sun

Sun is the one who refers to himself the most. He frequently uses "I" or "me" when talking about himself, and does it way more often than Moon. Examples of this are "I have glitter glue!", "I'm stuck in a nap", "it really speaks to me", "I feel dumber just looking at it" - you get the point by now. The reason I'm going hard on this point is to contrast his way of speaking to Moon's.

When it comes to him referring to Moon, we only ever hear it twice. In HW2 he says "He'll wake up if the lights go out!". In Ruin, he says "Not me, the other me!". Besides those two voice lines, he merely alludes to Moon without ever mentioning him by name or by pronouns (such as when he says he'll turn the lights off himself, implying he'll let Moon deal with you, or when he says you can't work in the dark and instead of saying the real reason as to why, he cuts himself and goes "You'll- hurt your eyes if you work in the dark").

This is interesting for two reasons: one, we only see him directly mention his counterpart when he's in a ruined state (the HW2 voice line comes from the mask off section, when they're broken down. At least I think so); two, he simultaneously views Moon as separate from himself ("he'll wake up") and as a part of himself/another side of himself ("the other me"). You can take that as them really being the same "person", or as a reflection of their complicated body sharing situation. Take it as you will.

As far as referring to himself and Moon at the same time, he only does it in Ruin when he states "We need to be whole".

Moon

The way Moon structures his sentences means that he seldomly actually refers to himself directly. For instance, he doesn't say "I will find you" or "I will punish you", putting himself as the subject of the sentence. Instead, he puts others as the subject, wording it as "Bad children must be found" and "Bad children must be punished". This is consistent across all of his voice lines except one... Well, technically two.

To get it out of the way: there's a deleted voice line where he says "I'm putting you in time out", a line he and Sun share and which worked the same way the clean up one does - them saying the same thing, a push towards them being the same person ordeal.

The only in-game time he refers to himself directly is in Ruin. This line is also the only time he refers to both himself and Sun as a duo. This line is also the longest line of dialogue Moon has.

"(groaning noises) Naughty! Naughty! Make it stop! The light makes us hurt! Grind Grind! Grinding gears inside my head! We can't move. Error! Error!"

This line, much like Sun's, is interesting for various reasons. Even though Sun is no longer with him (being stuck in the VR world and separate from Moon, shown by how Moon can't move because the lights are on but his body can't shift into Sun, so he's completely stuck), he first refers to himself as a "us" - adding Sun into the mix. Then he refers to himself alone, "my head" instead of "ours", before going right back to a plural.

We can assume one of three things here: one, Moon refers to himself as a we more often, adding Sun into the mix, a complete opposite of his counterpart who typically speaks in singulars; or two, Sun is not as absent as he appears and in that moment he is in fact with Moon, just stuck on the passenger sit, hurting alongside him; or three, this is merely an effect of this being in the Ruin DLC where the whole point of the daycare section is to fuse Sun and Moon into the Eclipse, so the writers decided to bring the point home further. If you have more options, feel free to add them.

Side note: This voiceline also shows Moon's speaking patterns pretty well. Putting "the light" as the subject instead of "we/I", the rhyming, the repetition, the clipped sentences compared to Sun's endless ones, the noises, the scratchiness, the vague childlike mannerism... All ending with "we can't move", way more straight to the point, said right before he freezes up, which deviates from the "other subject first then me" rule due to the pain tearing through him at the moment.

Moon does not call Sun "the other me" or anything similar in any of the games. He never refers to Sun as if he too was Sun. However, we can assume his view on their situation probably mirrors Sun's - being in the same body and all -, so take it as you will.

And as for Moon referring to Sun as a separate individual... He does not refer to him as a "he". Instead, he actually mentions his counterpart by name, saying "No more Sun". Meaning he's the only one of the the two that has canonically used his other side's name. I think it's interesting how the least chatty one is the one actually calling the other by name and not the other way around. And yes, you can say it's a way of speaking and he's referring to the concept of the sun rather than saying his name, but taking into consideration Sun never utters the word moon, I'd say it's still quite a big thing.

In my headcanon land, due to the happenings at the Pizzaplex, Sun is probably too embarrassed and mortified to even mention Moon. Moon, on the other hand, has no reason to have such troubles besides hating Sun for (in his perspective) keeping him locked in a prison of light. So for me, it makes sense we never see Sun saying Moon's name, and it makes it more impactful when he actually acknowledges Moon as the other me rather than a he.

Eclipse

I lied there's three parts.

Eclipse has very few voice lines. The only one that matters here is "We need to clean this place up before we can open in the morning." This is pretty straight to the point: Eclipse, unlike Sun and Moon, doesn't use an "I". They immediately speak in the plural. They do not view themselves as just Eclipse, but rather as both Sun and Moon combined, at the same time.

As for the DCA being two AIs or one... in Ruin, Sun thanks Cassie after Eclipse is activated. It's left ambiguous. You can say Sun speaking afterwards proves they're not one and the same, "with the Sun and Moon AIs still running separately somehow", or you can assume Eclipse existing doesn't mean Sun and Moon can't keep doing their thing under safe mode, albeit in a less chaotic manner, allowing Sun's voice to come through but not making him any less Moon - he is Moon, he is Sun, and they are complicated yet very simple.

I believe in whichever version is more convenient at any given time, with a preference for "two codependent AIs" given what the games show us. Although, going by everything I collected here, the only theory I believe to just not be supported by canon at all is the one with Eclipse as a separate thing all together. Eclipse refers to themselves as a "we', not an "I". Eclipse activates when you make Sun and Moon "whole". It canonically makes no sense for Eclipse to be a third thing. (Please remember this is a post about what's in the games, the canon of FNAF. AUs and fandom or whatever, you do you).

That's it. Hope you enjoyed my rambling. Uh artblog unpaid promotion @tagidearte thank you for making it this far.

[pachimation]

redrawing my very first chiscara comic/art i ever did for chscr day!!

old comic under the cut!!

lol a bunch of sappy semi serious stuff below bc i cant help but be a bit genuine about this ship today :’3

i cant possibly put into words how important this silly little ship and its community mean to me haha,,,, this comic was made in 2021 but i didnt really get serious about chscr until late 2022 after a bunch of pretty bad interpersonal stuff happened and i needed an outlet,, COINCIDENTALLY a certain someone was announced to be playable around then and i was already thought chscr was Pretty Neat™️ so i ended up diving headfirst into the ship. it also gave me a good excuse to work on more comics too!! i’d done a pretty big zhongven comic earlier that year in the summer, but in terms of lore there was only so much i could have worked with at the moment.

childe and scaramouche have that perfect combination of silliness and angst and violence that could be explored or expanded in so many ways and i love love love seeing other people’s interpretations of their dynamic and relationship. they’re so complex,,,,they’re narrative foils,,,they’re narrative parallels,,,they’re trans allegories,,,they’re flies in the spiderweb of the games lore,,,they’re my stupid little meow meows,,, they’re just two losers i want to see make out,,,

in a nutshell, they’re everything to me. well, i hope i get that kind of sentiment across in my own comics,,,,

and i cant get started on all the people ive met through chiscara or the way that having something i can call “my thing”, as in, the thing that i like and that i will spend a lot of time and effort (and money, but lets not talk about that) to surround myself with because it makes me smile. its stupid to say, but being a nerd about these two stupid guys who have never had a single canon onscreen interaction in some random game has made me a much happier and confident person that i could have ever imagined back in my freshman year of college,,, when i say i dont know who i’d be if i hadnt gotten into chiscara, i really do mean it lol

i’m actually surprised i’m making it to over a full year of regular-ishly making art, especially for the same game and ship! thats never happened before and my art has improved so much over this past year!! more than anything else, i’m happy! i get to be excited talking about these characters with my friends and i love to see art of them pop up on the tl. i make stickers of them and decorate my phonecase with them and have little figures of them in my room that i look at when im up late at night working on schoolwork. sometimes just the thought of finishing a comic or daydreaming about a scenario or seeing what my mutuals are up to are some of the few things getting me through a tough day.

,,,,so believe me when i say, to both childe and scara and to everyone else as obsessed with these pathic losers as i am, thank you! i’m having a lot of fun!!!

(also i just found out tumblrs copy/paste doesnt work on my ipad??? idk if this ends up legible i may or may not have deleted smth by accident and im not in a mood to proofread haha)

[summynatsuy]

Sims 4 Occult Matchmaking Legacy Challenge

You can also find the following information on TikTok @bbgsim.

Required packs: Vampires, Werewolves, Island Living, Get to Work, Realm of Magic, Eco-living, Get Famous, Etc.

Basic Rules:

No money cheats

You can add any other aspects of the sims life unless specifically prohibited

MC Command center is allowed but you cannot cheat up skills or career levels. You may cheat down bills up to 50 percent.

All heirs must complete their aspiration

All heirs must reach the highest level of their career and max their occult ranking (excluding aliens and mermaids since they do not have one

Note:

This legacy challenge is meant to be pretty flexible, meaning there is a lot of room for you to add your own preferred type of gameplay to many aspects of the sims life.

The main point of the story is to connect occults through certain shared interests, aesthetics and story lines to end up with a very versatile family tree.

I suggest having the first 8 sims that are immortal live in one house together, then have the rest of the non immortal sims live in a more stereotypical legacy style home to make things easier for you, you do not have to do this however.

Generation 1; Vampire

Founder: Female, young adult

Traits: Mean, erratic, evil

Aspiration: Master Vampire

Appearance: Cannot use a dark form, so they have to always look the same. All vampires must have either red/gold default eyes or one of the vampire eyes.

Required maxed skills:

Mixology

Mischief

Vampire Lore

Career: Criminal

Must move into Forgotten Hollow with only the simoleons given from the game. This sim must eventually slay Vlad and marry another vampire born sim. Must have only one child.

Must have the sleeping in coffin weakness.

Generation 2; Vampire

Traits: Romantic, creative and mean

Aspiration: Soulmate

Appearance: Cannot use a dark form, so they have to always look the same. All vampires must have either red/gold default eyes or one of the vampire eyes.

Required maxed skills:

Painting

Vampire Lore

Career: Artist

This sim must meet and marry a werewolf. They must start out with a negative relationship and work their way up. This were wolf must become immortal. They must have a werewolf heir.

Must have the day phobia vampire weakness.

Generation 3; Werewolf

Traits: Kleptomaniac, loyal and self-assured

Aspiration: Werewolf Initiate

Appearance: Must have gold/yellow eyes

Required maxed skills:

Mischief

Career: Conservationist

This sim must join the Wildfangs and become leader. They must marry another werewolf and have a werewolf heir.

Generation 4; Werewolf

Traits: Loves the outdoors, vegetarian and genius

Aspiration: Academic

Appearance: No set appearance

Required max skills:

Logic

Career: Scientist

This sim must excel in school and go to college. They must live on a lot with a green or neutral carbon footprint. They must go to Sixam and marry an alien sim, and have an alien heir.

Generation 5; Alien

Traits: Neat, insider and socially awkward

Aspiration: Friend of the world

Appearance: No set appearance

Required maxed skills:

Charisma

Career: Actor

This sim must join a high school club. They must achieve gold medals in atleast 3 part type events. They must reach max fame level. They must marry another alien and have an alien heir.

Generation 6; Alien

Traits: Cat lover, cheerful and animal enthusiast

Aspiration: Friends of the Animals

Appearance: No set appearance

Required maxed skills:

N/A

Career: Medicine or vet clinic

This sim must own a pet whether it be a dog, cat or a horse. This sim must marry a mermaid born sim and must have a mermaid heir.

Generation 7; Mermaid

Traits: Child of the oceans, family oriented and clumsy

Aspiration: Super Parent

Appearance: No set appearance

Required maxed skills:

Parenting

Fitness

Cooking

Career: Unemployed

This sim must be a stay at home parent and must marry another mermaid sim, and have a mermaid heir.

Generation 8; Mermaid

Traits: Bookworm, active and cheerful

Aspiration: Freelance Botanist

Appearance: No set appearance

Required maxed skills:

Gardening

Flower arranging

Career: Gardener

This sim must marry a spellcaster and have a spellcaster heir.

Generation 9; Spellcaster

Traits: Proper, foodie and art lover

Aspiration: The Curator

Appearance: No set appearance

Required maxed skills:

Gardening

Archeology

Career: Gardener

This sim must marry another spellcaster and have a spellcaster heir.

Generation 10; Spellcaster

Traits: Ambitious, perfectionist and overachiever

Aspiration: Spellcraft and Sorcery

Appearance: No set appearance

Required maxed skills:

Cooking

Medium

Career: Chef

This sim must work as a paranormal investigator for atleast one in game week before working as a chef. They must also befriend Bonehilda and become best friends with her. This sim must create a potion of immortality and then drink it. This sim does not have to marry but if they do it must be to a vampire.

[toskarin]

what warband mods would you rec? I only ever played vanilla warband years ago and that was probably on fairly low AI settings, but I'm definitely intrigued by getting the full feudal clusterfuck experience as well as indulging in some nostalgia.

there's a few qualifications to these, because I usually like them for different reasons and I have something wrong with me, but...

< ! PREEMPTIVE WARNING ! > you should be running modules in Warband Script Extender even if they don't say they need it! people have historically been really bad about clarifying when it's expected

Bannerpage - vanilla for people who want More of it, and then more after that. it reminds me of a spiritual successor to Floris Modpack. an enormous expansion that's also a bit of a tongue in cheek what-if for "Bannerlord, except as continued development of Warband" with increasing complexity. this one will probably spoil you a bit on other modules just because of how many little enhancements it pulls on the native systems lol

Prophesy of Pendor - the premier feudal fantasy rpg experience. this one is brutally difficult and throws some battles at you with genuinely bewildering enemy force sizes. I'd feel fairly confident in calling this the most difficult of the major total conversion modules that maintain core M&B gameplay

Touhou Gensokyo Warfare~the Castiron Flame - this is straight up glorious kusoge and I love it dearly. it often breaks so severely due to its own design decisions that it creates a unique high-skill gameplay expectation that exists in literally no other mods, but also it can't really be called "core" M&B gameplay anymore. this module actually consists of three chinese mods (Touhou Tinder, Touhou Origin, and Touhou Beat), one of which is derived from a fork that was extended by /jp/, another which was just translated by /jp/ (a shoddy translation but not distinctly a 4chan translation, if that's a concern), all of which were merged into one mod and managed by a passionate and cool chinese mod team. none of this comes to a consistent artistic vision. every single character looks like kigurumi cosplay and they all look like they're from different manufacturers. this is my favourite module. I could play it for years.

Perisno - a strange bird of a module that I don't see mentioned much anymore. a shame, honestly, because it's quite fun if you like higher fantasy settings. a bit overconfident with its own setting lore at times, but that really just makes it more authentic as a high fantasy setting, doesn't it? anyway they funnelled the mod development efforts away to a standalone game in the setting because of that, and I wish them well, but you know how it goes with that sort of thing

Gekokujo Daimyo Edition - a modification of an older warband module that was originally a touhou hijack that was originally a mod for the non-Warband game made by japanese players annoyed that nobody in the western playerbase was making mods with a japanese setting. it's buggy, it's incomplete, it will explode at you randomly, but it's still pretty neat. there's really no other mod out there that gives you such a thorough "I HATE THE TANEGASHIMA I HATE THE TANEGASHIMA" experience. Sengoku Era, a successor mod, will probably replace it on recommendation lists when it eventually releases.

Warsword Conquest - this is the Warhammer Fantasy mod. it has all the problems you'd expect from that. that being said, the sheer level of detail in this mod makes it more than worth dropping in to check it out. some of the environments are gorgeous enough to make Warband feel like an entirely different game, and with a surprising variety of firearms, the average campaign ends up being a pretty wild ride

Brytenwalda - I'm not recommending Brytenwalda as an experience, because it's actually not that good a very interesting moment in M&B modding history. Brytenwalda is the birthplace of a lot of mod tropes that became standard in mods going forward, namely most culture-related systems and the modern standard for module graphics. it also introduced tripping and represents the moment people started making really annoying attempts at jury-rigging balance into the game before Warband Script Extender came around and actually allowed them to modify the lower systems of the game. still kinda neat if you like historical settings, and definitely foundational enough to warrant a look

Last Days of the Third Age - infamously hard-headed in a way that only a mod for a feudal warfare simulator rpg made by Tolkien nerds who insist on book>movie aesthetics could pull off, this isn't really core M&B gameplay and is very rigid, but it's another case of something being so detailed and passionate that it's a fun experience anyway.

Solid and Shade - this is actually the best hardcore survival horror experience made for Warband, which is a bit like saying that Harvester is the best FMV game ever made about waking up in a town named Harvest. the Harvester comparison is more than surface level. the writing often feels like Harvester. this is one of the only modules (hell, one of the only games even!) I've ever seen that successfully pulls off the concept of corrupting players with the promise of immortality. it's a horror mystery where every single character creation option affects your longterm gameplay... but to provide a fair warning, reading the developer's commentary on this mod will sour you on it. the developer is an edgelord who just kinda kitchen-sinked horror elements in a way that reminds me a lot of Revolution of Terror (the old Well of Souls mod). the compelling esoterica and atmosphere seem to have been achieved largely on accident

[kawa-goat]

General Thoughts on Buried Secrets (Hello Neighbor)

Not sure if I'd classify this as a rant post or not. Spoilers ahead, obviously.

If some of my points don't make sense, we can discuss it in the comments. It's 1AM by the time I'm writing this post, so forgive me if the text feels all slammered and not cohesive.

Took me a decade to finish it, but the secrets were unburied (like Jay would say).

And holy crap, I have pretty strong feelings about this book.

Okay, it's not that bad, but comparing to the previous two... it felt flat. I don't know how the explain it in more cohesive terms, but it didn't hit the same way the previous two did.

First, I like the ending. Though it ended on a pretty sad note, this is exactly what the Nicky trilogy (it feels surreal to actually type that) was leading up to.

The very prologue of Missing Pieces is a warning for Nicky to stop wandering, else he'd not make home some day. Nicky's character in general is centered around that: wandering.

"Oh, but what happened after he got kidnapped? What about Nicky's friends? How did he escape?"

Questions like this come from a misunderstanding. The books aren't meant to be your introduction to the lore. They're meant to be an additional piece of information, for those that were curious about the world of Hello Neighbor and wanted to know more about the past.

The true story is told in the games. Make no mistake—Hello Neighbor is a gaming franchise. The story originates from the games.

The ending of Buried Secrets is one-to-one with Act 1 for a reason. You're meant to read these books with the knowledge from the games. So that when you read the trilogy, you went: "Oh, so that's how it happened."

At least, this should be in theory. The sad reality is that games just fucking suck in storytelling and gameplay, to the point where the actual plot is shoved aside for other matters. That's why, in most cases for fans, the books act as an introduction to the story of the games, instead of how it should be in the other way around.

This is why Buried Secrets ends in this cliffhanger way. It's a prequel of the games, but it isn't meant to be an introduction. It's meant to be an additional explanation. You can blame the games' lack of quality for this.

Anyway, I liked the ending because it tied up Nicky's wandering arc in a pretty neat way.

... And that's it. That's literally the only thing that I like about this book. Everything else feels forced just to reach this specific ending.

I'm not sure if Carly was forced to make this a trilogy, but either way this definitely harmed the pacing and plot. Every character is written in a specific way that feels a little unrealistic based on the previous books.

See, Nicky is supposed to break into Peterson's house alone, without the help of his friends. Their method of justifying this is by having literally everyone in town suspecting that Nicky was the one behind the weird activities. No matter how illogical that seems.

My biggest complaint is Maritza.

Like, I won't lie that she isn't reasonable at first glance. Maritza is tired of fighting. She wants to move on. She thinks Nicky is changing for worse because of his obsession with the case. This is all understandable.

The problem is, instead of trying to convince him to move on, she would rather believe he did all of this to frame Peterson specifically? Despite knowing what Theodore's capable of, she'd rather believe that her closest friend would lie to everyone just to convince them of something they were already certain (that Theodore is fucking dangerous)?

I get they tried to apologize to Nicky by the end of the book, but it's too little and too late. Yeah, Peterson framed Nicky in an ill-timing, but would Nicky's only friends believe he'd actually do all of this ALONE?

It just doesn't feel natural.

The beginning and middle part of the book is literally Nicky getting kicked around like an abused puppy and being lonely again. The latter chapters, as well as Jay and Lu, kinda hard carries the entire book. Earthpro is not as interesting as it was in Waking Nightmare. And Buried Secrets tries really hard to get you to hate Trinity and Maritza with the "we are changing clubs" thing.

Overall, I wouldn't say It's a bad book, but definitely the weakest and most surreal among the three.

[maxwell-grant]

Me, yesterday: Yeah you know, I like M.Bison but I'm really not a fan of him coming back, he's had his time already, he undermines a lot of current characters and storylines by coming back, we really don't need him again, it was always inevitable but I don't know man maybe oh my GOD is that the RAUL JULIA HORSE? 10/10 100/10 bring him back forever

Okay but more seriously: As one of the dead last characters I wanted to come back, the trailer had me totally flip on that stance. I mean yes it helps I'm a mark for the guy, it helps SF6 is infuriatingly good at character presentation even for characters I don't care for, but I actually think they found a very neat way to reintroduce Bison to the series this time around basically by doing to him what they did with Seth: Destroying and rebuilding him as a shell of his former self, with a whole new design, and thus a new personality and angle to approach him from, and in no position to be the Final Boss from the get-go (since it's not like they have much of a story to insert him in). But where as with Seth they leaned into the tragedy of it, Bison is now a ticking time bomb, a looming disaster waiting to happen, which fits him looking like a Horseman of Death.

It was pretty blatant even back in V that Bison was always going to come back, with Phantom Bison existing and Rose's prophecy and characters hallucinating him left and right and all the Shadaloo plot points in 6 spelling it outright. His iconic status aside, his return was telegraphed since forever, so I'm glad that they did it in a way that doesn't actually bring him back all the way to his usual self. Even putting him at the start of a new DLC Year, rather than building a big endgame show out of him like they did with Akuma, also goes a long way towards undercutting the idea that he's coming back to be the Final Boss again.

I'm really impressed with his new design because it is the perfected version of an idea they've been kicking around ever since the drafts for SFIV, that was Bison coming back all battered and torn and fucked-up. Much like older/bearded Ryu, it's an idea they saved into alternate costumes but now are finally willing to go through with as the direction for the character moving onwards. "From riches to rags" is the idea described, and they achieved it by flipping around the kind of old-school overlord he represents. Instead of General Washizaki/Yasunori Kato, he is now Raoh/Violence Jack, the ruler of the wastelands, galloping mightily onwards. (And given Ryu is based on Kenshiro, the biggest villain of this world being Raoh feels like a decision that was waiting to happen)

They've made it so they get to have it both ways: You can have M.Bison in the game looking like his old self with the classic costume, and he's here playable doing all the good Bison stuff and a bunch of new sick shit for you to love, but in the story/lore, he couldn't be further away from being like his old self, and now there is a big mystery box on what is gonna be his deal moving forward. Bison is so well-established to the playerbase that every little thing they do differently can mean something, not just in the design but also in smaller details like his light-blue flames that potentially indicate Soul Power (and that he uses to tame himself in his victory animation), or even the fact that he has visible pupils now.

I think a large part of the pushback against Bison has to do with him being so big in V's storyline and A Shadow Falls dissappointing, and the fear that they'll do it again now that he's back, but there isn't really a storyline for him. The World Tour story is set, the DLC characters add extra stuff to it but are mostly self-contained, I don't think Bison is set to bring another boring world domination plot with him this time around. It's unclear if he even wants it. I could be very wrong here, because I don't want another Bison Doomsday Plot either, I don't want another A Shadow Falls, but my interest is piqued because of how far he seems to be from doing that.

He doesn't know who or what he is, he is a homeless wanderer in Metro City, he is having a hard time keeping his power under control, and Shadaloo is currently warring between factions that want to bring him back and factions trying to ensure he stays dead, nevermind the fact that most if not all of the characters have moved past him (and Ryu still has the power to destroy him, and if Ryu isn't that much fessed up anymore about Akuma, he's definitely not gonna be that concerned about Bison), and the first thing he did when he came back was revive a horse from the dead.

I'm not gonna say this Bison is poised to turn a new leaf, but they did say he is "searching for an identity to make him smile".

Maybe the real world domination was the horses we befriended along the way.

[ashersbraincell]

Opinion on Sebastian from pressure

Had a fangirly phase(/not negative/gender neutral) for a while, but over time it has gradually faded along with my interest in the game tbh. I still casually enjoy some fanarts/comics tho!

On a more personal level, I think he’s a pretty cool character, both design and story-wise. I definitely like some of the more detailed re-designs/hcs that people draw him as but I understand that this level of detail is not very theasible in a Roblox game model ahaha. I like all the little characterisations of him behind the scenes on wiki’s and the such, too; I wish more of those neat little personal facts about him were somehow discoverable in-game. You mean to tell me you’ll flesh out a character THIS much and leave it all in outside sources? Shame :(

But yeah I like the way he’s so intricately woven into the narrative of the game, but in like a background type of way? To a first time player, he’s a mysterious snarky voice greeting them after death(already a hilarious and fun dynamic mind you) and then an equally snarky shopkeeper. But for a more experienced, curious player, there are various hints everywhere to show that he is truly at the core of the story and the game's events. and I like that aspect of him alot, especially when coupled with the game banner-it's super symbolic! Not only is he hovering greedily over the expendable, likely for their data, but also if you look closely, the crystal. The placement of him above the expendable with his hands almost hovering over/around/touching them also gives off puppeteer vibes, which, well, is fun considering he's the one in kahoots with most of the entities that attempt to stop you from getting said crystal!

(keep in mind this is all based on my knowledge of the game pre-halloween update. that's around when I stopped taking as much of an interest so I might not be aware of newer lore additions)

[tossawary]

I finally saw "Transformers: One" and I really liked it! If you like Transformers at all, it's a really fun and solid movie. Not, like, deeply sophisticated by any means, it got a little silly at times, though with the usual amount of on-screen robot death for the kiddos and everyone else to enjoy. But the movie was also compelling and colorful, visually striking and with pretty solid emotional beats, and it's perhaps the first time that I've actually really enjoyed Megatron as a character (as opposed to just being mostly neutral) out of what TF stuff I've seen. His voice actor really did a great job.

I wasn't sold on the animation, exactly, the first time that I saw the trailer. I do love stylized 3D generally, but I was still a little dubious with how shiny everything looked. Walked out of the movie at the end honestly loving the overall style choices: the still frames of the movie sometimes looked like really, REALLY well-done photographs of toys / photoshop edits of toys, and I liked it? Like if video game animation and stop-motion done with Transformers action figures had a really vibrant baby. Reminded me of an "I Spy" book for some reason. The backgrounds looked really great. It was different! And neat! I enjoy things that look a little unique.

It was fun to see what felt like really fresh takes on Optimus and Megatron. Like, I'm not married to any particular canon, so I don't really care about lore and characterization overhauls with new continuities, since TF has been doing that for a long time now anyway. I just want any given continuity to own its choices. It was funny to see Optimus as a "information and mobility and freedom of choice should be available for all! and I am going to pursue those things with the stupidest fucking stunts and schemes you've ever seen" guy and Megatron as a "believe wholeheartedly in suffering for the system until its deceptions are stripped away" guy. It felt almost like a role reversal sometimes, with certain lines, which was cool, but the conclusions felt very natural. Elita and Bee were also fun.

I liked how alien and scary the Quintessons looked compared to everything else. Cybertron as a constantly shifting planet was a fun and visually striking choice. Of course, the worldbuilding quickly starts to fall apart if you poke it too hard with a stick (intrigued as to what the hell was happening with Starscream and company's backstory), and I had some personal quibbles with the ending, but that's normal for TF stuff. I liked how fast-paced the movie was, I thought the humor worked better in context than it did in the trailer, and the action scenes were all a lot of fun. It was super cool to see them actually transforming and shifting between forms and into hybrid forms during fights.

Overall, it was entertaining! I'll probably go see it again for the visuals. I wouldn't mind seeing more of this continuity.

[nekropsii]

Hi I got Starbound bc it was on the Homestuck recommeded list, what mods would you recommend?

Hi! My general recommendation for Starbound is to mod the literal fuck out of it. I'll be posting some recommendations under the cut here, categorized, and presented as images so there's no chance for confusion. I'll also explain them somewhat. Know that you don't have to download all of these, just whichever ones catch your eye. Hope this helps!

Content Warning: Long.

QUALITY OF LIFE: Anything that greatly improves player experience, either by expanding the base game or providing clarity.

This one is absolutely necessary. This is the main mod for Starbound, and not only expands upon the game exponentially in a gameplay sense, but also in a plot sense. Search up other Frackin' mods - like Frackin' Interface, Frackin' Music, etc. - and pick which ones you like.

These make it way easier to fetch items.

Clothes time. Not at all necessary, but fun to fiddle with.

EXPANSIONS: Mods that iterate upon the game in ways that make the experience more interesting and diverse, while not necessarily qualifying as a QoL.

In my opinion, a necessary expansion. Absolutely huge, and very visually impressive. I believe it's still updating!

Plus, a corresponding QoL.

This adds even more planet types, races, buildings, et cetera. Pretty cool!

Adds more weather. Simple, yet very, very effective!

Adds more encounters.

Though technically on the cosmetic side of expansive, these add a little more diversity and immersion to the exploration.

Homestuck!

COSMETIC: Cosmetic tweaks to the game. Just makes things nicer to look at, or adds more decorative items, and nothing more.

These fix and/or add some visual flare. That's all.

These add furniture items, expanding upon the amount of things you can use to decorate buildings.

This one makes the aforementioned Troll race mod a little nicer to look at. While the base human sprite looks fine to me, the Trolls just looked... A little lacking. You cannot get any more purely cosmetic than this.

OTHER NOTES: There are many race mods. Find some you like and add them. They tend to add way more shit than just the race, too - like themed blocks, lore, and furniture.

For example, Cool Bugs. They're neat.

[the-real-rain-world-confessions]

I'm not really a vanilla purist I just think vanilla rain world was one of the greatest works of art to ever grace the medium of video games and has an incredible soul, while More Slugcats/Downpour is kindof like a really fun fanservice-y fanfiction thing full of neat headcanons and tells a nice story. Rivulet is very cute, I agree. I like that Moon calls them "Ruffles." Videogames can be all sorts of things, they can be a medium for self-reflection which challenges your emotions and develop your world-view through the richness of direct experience, but I also like New Super Mario Bros Wii and GTA5 and stuff. I dabble in some Project Diva Future Tone. It's very cool, and inspiring, and fun that a bunch of fans were inspired by something like Rain World and came together to make such a project as More Slugcats that can provide a lot of new stuff to play around with and explore, in all of the unique world-building that comes from the lore fans writing some headcanons and stuff, and the lighthearted fun of the artists adding goofy things like the hidden dating sim. What I'm kindof trying to say is, a lot of the people who say "downpour isn't canon" aren't actually being haters, they're just people who are actually engaging with art seriously and want to distinguish entirely different creative works from one another. And tangentially, it's also just a bit unfortunate how much a lot of the fandom absolutely loves Downpour but seemingly can't comprehend how anybody would care about Rain World before it existed. It's fine to not like vanilla, it's a pretty niche game, it's just a bit unfortunate. Especially because it's what Downpour was meant to celebrate in the first place. I'm sure a lot of its developers would be disheartened to see fans say the game was "bad" or "incomplete" before Downpour, it's the game they loved enough to dedicate years of work to.

.

[cassimothwin]

So you're looking for a system other than D&D...

Have you tried solo RPGs? Because it's not just "how can I play D&D alone" there's a whole world of cool stuff out there….And I want to tell you about it.

(I'm quite sick today so please forgive any incoherence or typos.)

First off, it's totally fine if you're more of a party person over a solo person. I just know a lot of people aren't aware of solo games, how they work, or the breadth of diversity you find among them.

If you ask about solo games, the first one mentioned is almost always Ironsworn. It's freeeee and comes with a lot of resources. The PDF is over 200 pages, so I understand if you don't want to dive in with Ironsworn quite yet.

Ironsworn has a large community, including support for Foundry and Roll20, along with many derivative works. It offers a gritty default fantasy setting, but encourages you to ignore that if you prefer another world… maybe one from another RPG you enjoy the lore from…?

BUT maybe you want something that isn't as much of a commitment (and maybe a little sad)?

Many Wretched and Alone games use a tumbling block tower to simulate a random ticking clock. It might represent your failing mental health, the barricade crumbling, the ship sinking…

One of the creators of the system has a great thread highlighting their favorite games. Just search Wretched an Alone on Itch.io to find even more.

And if you don't want to go buy a Jenga tower, there are some great random simulators out there. I've been able to play W&A games on road trips, using a deck simulator, a dice simulator, and a tumbling tower simulator. Here's tower replacement I like. It replicates the odds of a tumbling tower falling without being too complicated.

Carta is another cool system where you use a standard deck of playing cards to create a map that you explore. As you explore, you usually have to manage resourses to avoid something bad, but not always.

Here's a collection of several games made using Carta.

Dead Belt takes this concept and RUNS with it. You have a few things to track as you explore abandoned randomized ship decks, searching for a good payload. Upgrade your gear and do it again.

Does the thought of managing your character sound exciting? Do you enjoy soulslike games, like Elden Ring and Bloodborne?

Rune is a fresh release with a lot of third-party support already. It's pretty easy to pick up and play too.

Apothecaria and Apawthecaria have you making potions for the local village. Go out exploring, collect ingredients, and see if you can solve the greater mysteries of the land.

Interested in horror, but want a more narrative-driven experience? In Dwelling, you'll spend the night sleepless and alone in a haunted house. This is a very neat game.

Songs of the City is a delightful tarot game that you play once a day for a week. It's another narrative-driven game where you draw cards and cast magic to see small neat changes in the city you reside in.

Anamnesis, Anamnesis, Anamnesis. I talk about this game a lot because it's magical in its simplicity. There's nothing to track and it's an incredible way to generate character ideas or tell a story.

And now there are more Anamnesis games coming out (including mine) You don't need the original games to play any of the games you see here.

There are so many more games I want to talk about, but alas, this cold is making me stop there.

If you've written a solo game, streamed one, reviewed one, or have one you really like, I invite you to share it!

[werothegreat]

Azurite Sea

We're currently in the middle of a deluge of new cards, so what better time to stop and talk about the ones I didn't touch yet?

The only inkable card in the cycle of "when you ink" characters. Let's discuss him in tandem with:

More Amber Pooh Pirates! We've got a neat little curve here, and they all do something! Especially since we just got this bad boy

This is such a nutty card. Once you have enough ink you can just use this every turn. Oh you keep killing Pooh Pirate Piglet? He's back, baby. EVERY TURN. This is the card that is going to make an Amber/X Pirate deck WORK.

"Whenever one of your other characters is banished during an opponent's turn, gain 2 lore." Only triggering during an opponent's turn is quite a restriction, as you can't get immediate use out of him. Probably the best use for him is going to be as anti-Be Prepared tech. You have to get rid of Hades first, otherwise you're going to be giving your opponent a bunch of lore.

A Fairy lord! This card makes a Fairy kindred deck work. I imagine she'll be best in Amethyst/Steel, so you can use Giant Fairy.

Weeeeeeee more ways for Amethyst to gain lore without interaction. Guess we'll have to discard their hand for them because they can use this.

"Whenever you play a song, you may move 2 damage from a character to an opposing character." Not too bad! Since she triggers off songs, you can get immediate use out of her if you have someone to sing in play. She'll play well with the self-damaging Smee.

This is just an entirely different way to play the game. I have no idea how to even process this. However, if you have a Light on her Hooves in play, you can choose to have Genie trigger first, so you draw a bunch at the end of your turn.

Strictly better Freeze. This will see play.

"When you shift her, return all exerted characters to their players' hand." That's a pretty dope effect, really punishing an aggro deck.

Not sure how to feel about this one. Having Ward means he's very likely to survive, and we need more ink sinks, but the whole "damage to a damaged character" thing Emerald keeps trying to do just doesn't work outside of a pairing with Steel. If you see this across the table, you just don't leave an exerted character out while he's on the field.

"Ward, when he quests give another character Ward until your next turn." This seems very very good. Being able to quest for 3 and baton pass Ward to someone otherwise vulnerable will make a lot of decks actually work. Beast Relentless, anyone?

False flag sheep! "During your turn when you ink, give an opposing character Reckless until your next turn." Not the worst thing!

I like it! Gives you time to find an answer to a high lore quester, and turns off characters that do stuff when they quest. Not as good as full Reckless, but still nice.

Superb. Sure, she dies to Brawl, but in the deck that plays her you'll have other targets for that.

This makes the Pirate deck work. I'm making an Amber/Ruby Pirate deck. I'm doing it. A 2/2 2 lore evasive????? Sign me up.

"When he quests, you may deal 1 damage to one of your other characters to ready them. They can't quest this turn." PIRATES PIRATES PIRATES

Turn 1: Aladdin Turn 2: Aladdin Turn 3: Aladdin Turn 4: Aladdin Turn 5: Shift Heroic Outlaw Ruby/Steel oops all Aladdins! He's also just good in general, a smaller version of Cri-Kee.

"Rush, Evasive". I think this is good? There are very few Evasive characters with more than 5 willpower, and none of them see play. The main drawback is how late he comes out.

I have no idea how to feel about this card. This is either going to suck ass, or it's going to be the most broken thing in the Azurite Sea meta.

"When you play him, you may deal 2 damage to one of your characters to deal 2 damage to an another character." This seems... good? He's a 3 lore quester that's immune to Madame Medusa (assuming no Ice Block) that also deals damage when he enters. I think he'll see play.

This is going in every Ruby/Sapphire deck, 4 copies.

Will this see more play than Ariel Whoseit Collector? Maybe, at least she's inkable.

"While you have an item in play, he can't be challenged." Seems... fine? He only quests for 1, though, and dies to basically anything else.

Who wants to use their Lucky Dime twice in one turn?

"When he quests, you may draw a card. Then discard a card to deal 1 damage to a character or location. If you discarded a Pirate, deal 3 damage instead." Very strong effect, especially in a Pirate deck, he's just very very expensive. And uninkable. And does nothing when he's played. Big threat that will need to be answered, but there's a lot of answers out there.

"Characters with 2 strength or more can't challenge him." Thematically appropriate. Probably not playable in a meta that doesn't really care about challenges.

Dope as hell. I want a playset.

We're at the Finish Line! Translation: "When you move a character here from another location, you may banish this, to gain 3 lore and draw 3 cards." What a Timmy card, and I know people are going to build around this. I know I will! Also very first super rare location!

There are lots more but I'm out of images on this post!

[orrianreaper]

GW2 people - Pitch me YOUR idea for an Expansion!

What's the theme, where are we going, what lore threads are we picking up on, what's the story premise, what mechanics do you think it could have.

I love spitballing ideas when I'm talking with friends so I'm posing the question To Everyone because I know everyone has some pet concepts floating around. As self-indulgent as you'd like, as unrealistic as you like, just throw ideas around, I wanna hear them!

The One I think I have the most rounded ideas for would be an Underwater Expansion. Picking up on the threat of whatever is terrorising the deep oceans, having some exploration of the Largos and bringing back in the Quaggan and the Krait maybe!

I love the sort of depths we get in maps like Frostgorge sound, and underwater combat has badly needed a rework and a tune up - there's loads of skills which straight up don't work and break entire builds underwater, and this would be a perfect excuse to try bring it up to speed. Maybe even make the underwater weapon sets function on land, to satisfy those who're after more weapons. You could make the maps a mix of true underwater and perhaps giant air bubble caves so you still had some land exploration even in maps otherwise set deep under the ocean. A map meta split with land phases and water phases. Additionally as personal bias wish, I'd love map event/meta design more like HoT. A map-wide Story with a few chains with specifically Build into the actual true Meta. I also simply love the idea of having a bunch of enemy designs based of the ocean and the abyss, there's so much incredible inspiration and interesting marine life. and biomes too! Give me a hydrothermal vent section in one of the maps, hell underwater 'water' in the form of brine pool 'quicksand'.

The Turtle might get some more use out of it's underwater, and skimmer would absolutely get spotlight as a skyscale isn't going to get you too far here - hell maybe even some speedy new underwater mount could be a fun addition to the roster.

I can see a plot being around trying to work with the Largos, The 'Terror of the Deep' being a danger and learning from them about how to survive the hostile environment and also convince them work with you to Hunt the 'Terror'. Maybe you come to the area of the ocean with the Quaggans and it's convincing the Largos to take them seriously as allies against whatever you're fighting? A quaggan companion character would be really fun, and you could easily bring back Sayeh al' Rajihd from the personal story given Largos involvement. I think not only would it be something very different in terms of the maps, which granted quite a few people might not like (thalassophobia reasons, or general Dislike of Water Gameplay reasons), but I think a rework of the underwater mechanics would benefit a bunch of places and it's something that really doesn't get touched outside of base game and maybe like, the Leviathans in EoD. There's so much neat creature design inspiriation swimming around out there, and I know so many people love the largos and even if not playable getting to see more of them could be neat! Also - it'd finally make all those legendary full people happy. A Legendary Aquabreather :P.

And a new suite of legendary underwater weapons since the G1 set. (and not themed pretty please make them all Unique.)

[deadg0ds-pad]

miss the blue noise so much. they were a really cool mechanic and a neat sort of reward for exploring. they also have really cool designs but i wanna shoutout the progfox in particular. it’s more than just how it’s the most unique fight, plus one of the hardest in the game (and a really good example as to why the ds using both screens enhances twewy’s gameplay since it’s perfectly chaotic). i’m a sucker for folklore in general and god is progfox a perfect sort of representation for kitsune. so here’s a lil trivia revolving around this bastard.

(putting this under a cut since it’s pretty long)

first i’d like to give a bit of cultural background. yeah the progfox is a kitsune, a kind of yokai that’s definitely one of the most well known. foxes in general have been characterized throughout history as being tricksters, but some of the kitsune background are based on a certain divinity.

white foxes are most closely associated with inari okami, a very popular deity even to this day, likely due to representing agriculture and industry. of course he/she/they (gender is different depending on the context) represent a lot more, but rice is definitely incredibly important to japan’s agriculture. humans and foxes in ancient japan have a history which is likely part of their association. the yokai part also likely emerges from a popular folktale of a white kitsune named kuzunoha, one who was saved from a hunter by a man named abe no yasuna, turned into a beautiful woman and cared for him as thanks, and eventually became his lover.

as such, it’s no surprise that kitsune are highly represented in japanese media including video games, and the kuzunoha folktale is also represented in some ways + is part of the influence for the common white fox rep.

the progfox, also unsurprisingly, has the unique ability to transform into various noise, weird forms, and a neku doppelgänger. strangely, while a tail or other fox features is what gives away a kitsune, the neku form only has a slightly different color palette and has him wear a mask.

there’s also this weird skeleton form which is most likely based on another yokai, gashadokuro—a giant skeleton made of the collective grudges of people who passed on without a proper burial (oddly fitting considering twewy’s story and lore). gashadokuro is also unable to be killed, which is also likely why this form is invincible.

then of course there’s this infamous form. also deriving from folklore, depending on how many tails a kitsune has, the more powerful it is, with the most they can have often being nine. this is why the progfox (and other fox noise) gets progressively harder the more tails it gets, and also why this form is what launches the super move.

last bit here more so applies to fox noise in general like the multiple tails and transformation stuff (though the progfox is definitely closer to folklore than just the regulars). they all use fire attacks aka kitsunebi aka foxfire. kitsunebi is said to represent the magical power of a kitsune and are a lot like will o wisps. they’re also used for important events held by yokai, particularly weddings, so idk you can see all three fox noise as being in a polyamorous relationship if you want.

[mumblingsofanerd]

I've been playing some Total War: Warhammer again recently and I'll admit my knowledge of Warhammer fantasy is pretty much exclusively from that game but as presented in Total War, I really love Warhammer Dwarves. Not like mechanically in game but just like the vibe and lore. I'm not sure I can properly explain it but they are just so perfectly Dwarfy to me. They just feel like dwarves, no other depiction gives me such a simple yet profound sense of yes that is a dwarf. Like they got big beards and are proud of them, strong sense of honor, live in mountain holds, great smith's, traditionalist and yet innovative they are everything I expect a dwarf to be a very few things I don't and even the things that aren't super typical dwarf traits like grudges and Slayers just make sense to me. They fit the vibe in a way that almost feels inevitable. I guess this is really just my long winded Marge Simpson "I think they're neat" meme but I don't know a lot about Warhammer fantasy and in a lot of ways I don't really care to know that much about Warhammer Fantasy but they absolutely nailed dwarves 10/10 no notes