#very old characters of mine

[sidver]

If I cut you down to a thing I can use I fear there will be nothing good left of you

[ratwithhands]

Read Right to Left (Manga Format)

I have returned to watching demon slayer after a year and it came up while I was having a serious late night talk with my big sister. I was talking about the relationship between Michikatsu/Kokushibo and Yoriichi and it turns out we both see each other in Yoriichi's shoes and ourselves in Michikatsu's place. Definitely surprising, but really relieving to know that we both worry too much and we are not so far apart in skill as we believe.

This is technically the first piece of fanart I've ever made for the characters in Demon Slayer, I have made OCs before but I never drew an actual character from the story. For context this is mostly just a fun "what if" scenario with them meeting in the afterlife. I like to think Yoriichi's love would reawaken Michikatsu's humanity.

[hazelnutnebula]

🌸💾 and she had the bubblegum hair with the angelic flair

[girlwiththegreenhat]

y'all need to see this ancient t-shirt my dad still had from the 90s

[silver-horse]

unfortunately I have opinions about the ascendant astarion ending and I have been holding back from saying it. but it's a problem that applies to the whole game and it's been annoying me

what's actually weird about the ascendant "romance" scene is that the writer considers it a tempting option for the player. They wrote it to be bad, but they also think it's a fun and sexy option. Same goes for the haarlep scene which they also wrote that way because they find it sexy. Except finding this sexually appealing entirely hinges on the idea that the player is a submissive. So RIP to a scene that the rest of us could have found sexy because the lead narrative designer was a submissive. lmao

In this game you can have a scene where you have to kneel for a male character. But you can never have a male character do the same for you. (Halsin doesn't count. It's a vanilla scene, he is not submissive there and we are not even asking/telling him to kneel down) You don't get such options, not even if you play a drow female! RIP the number one reason for playing drow female to be honest. lol You can kneel and fully submit to ascendant astarion or fully submit to mizora or fully submit to haarlep or submit to lae'zel or submit to minthara. you can get whipped by abdirak or you can tell him "touch me and lose a hand" he even responds positively to this remark and yet the possibility to flip the dynamic doesn't exist. There is never an option where a male character truly submits to the player. RIP to a scene that would have been the opposite of the traditional dynamic. the potential that existed but they never used the opportunity

By the way, how interesting that Lae'zel is dominant but she is a woman so ofc you get the option to tell her “no you will submit to me”. You never get such switch options with any of the male characters... Obviously it's not ascendant where they could have made that an option. My point is that it's NEVER an option among so many male characters.

It's a cool idea that the bad ending in a romance means "I saw this character as a sex object" except it falls apart when the scene is very sexually unappealing to anyone who is more dominant leaning. If I see a character as a sex object then I would place them in sexual situations which are appealing to me. so the message doesn't quite work. because there isn't anything that I can selfishly choose for myself just because I like it and I find it sexy.

[julfr]

Some more Dredge, fishing and other items

What’s what under the cut:

Custom Aberration fishing rod I don’t have a creepy and slightly disgusting name for

Necklace with shark teeth from Aberrations

Fishing tools or something idk. Also lockpicks

Fishing tackle box. Like hooks, line and bait and such

The Handkerchief, now with less dirt and grime of unknown origin!

The Ring, restored with more gems

The Book of the Deep

The Necklace, polished silver with emeralds

Blackstone Isle Key

The Music Box Key

The Music Box, it has been opened

Sinew Spindle. Idk how hand reels work but I added a handle and a spinning crank thing

The Pocket Watch

Knitted Wool Socks. To keep your feetsies warm :)

Damascus steel earrings

Tendon Rod. I love aberration stuff

Medicine. A pill bottle

Box of matches, light stuff on fire I guess

Journal/Notebook/Ships log?

Fish encyclopaedia

[pluviatrix]

takashi shirogane was stronger than me because if i was stuck in a spaceship with five teenagers and a middle aged uilf (uncle i'd like to fuck) and no one else for months and years on end i wouldve killed myself full stop. pour one out for the guy who suffered more than jesus because god knows that man hasn't cracked open a cold one in a WHILE

[calo-wav]

thinking abt old men kl… literally always…. bc what if they were old…and married…and if they didnt have to wear those fuckass belts…

my kl fic 🫣

[sivsii]

on watch

[arttsuka]

Drawing request?

Ur art is just sooooooo awesome and I was wondering if you could draw my Gravity falls oc lili, and dipper together?

Ur art is just so freaking awesome!!! :D

I didn't feel like drawing Dipper (he's hard to draw ok) but I doodled your oc.

[lord-squiggletits]

The thing about Prowl is I don't really think canon was ever trying to frame him as a "necessary evil" or anything along the lines of "he's a shitty person but his work was necessary" like mmm.... That feels very much like something Prowl wants to believe about himself, not something that's actually factually true in reality.

I can't really make a good argument about it because I only remember like a handful of standout Prowl Moments in IDW1 but like... Prowl dropping a bomb on a neutral city and blaming it on the Decepticons is not "a necessary evil," that's a war crime. Prowl trying to destroy the space bridge to Caminus to keep Starscream from getting power over it, dooming the entire planet and its inhabitants to extinction by starvation, is not "a necessary evil," it's a fucking war crime. I feel like trying to frame such drastic measures as him "doing the dirty work of the Autobots" feels way too much like an excuse for actions that actually aren't justifiable. Especially since Prowl himself is far from being the 100% rational guy he thinks he is, considering how often he bases his decisions on things like his anti-Decepticon bias and his general refusal to follow any orders that contradict what he thinks is The Right Thing To Do (TM).

But also I think this is kind of the fault of the narrative of IDW1, since very few Autobots besides Prowl are given the chance to actually be morally gray even when the worldbuilding implicates them in some very morally gray things. Like, for example, JRO adding in the existence of MTOs which implies that the normally squeaky-clean leader Optimus was willing to approve the creation of new soldiers just to throw them into combat (and even the attempts to humanize the MTOs by giving them "an education" were eventually cut down to nothing but combat optimizations). And there's also the fact that Optimus knows about the Wreckers and has been known to call them on missions at least once (Stormbringer), meaning he's very much aware of the Wreckers and their tactics and is willing to call them in for fights when it's necessary.

I don't think you need to use Prowl as a crutch to make the Autobots morally gray. I think the Autobot leadership (or at least, Optimus, since few people besides him or Prowl seem to have major tactical command over the army as a whole) is plenty morally gray enough on its own, because the nature of war is inherently morally gray no matter how righteous your cause is. Reducing the lives of your own people into numbers on maps, harvesting resources, bringing MTOs to life just to die in a war they practically have no stake in, those things are enough.

And tbh it kind of bothers me when people try to saddle Prowl with the "dirty work of the Autobots", not just because it frames Prowl's blatantly evil actions as some sort of savior act taking the blame from the rest of the Autobots (which isn't even accurate, because the blame for war crimes falls on the entire army as an institution rather than one person), but because it downplays the moral grayness of the Autobots and pretends that no Autobot BESIDES Prowl ever participated in morally gray actions, which simply isn't true.

TLDR: Prowl isn't as much of a hero as he thinks he is because committing atrocities in the name of your cause doesn't change the fact that they're atrocities (and may not have even been justified). However, painting Prowl as the "token evil teammate" of sorts also places too much blame for the atrocities of war on him in particular, when in reality that's a burden shared by Optimus Prime and any other members of the Autobot military command structure.

[millimauk]

Posting this WIP here as well with no other reason then wanting to start posting here again…

[ssruis]

“Tsukasa does whatever Rui wants” he does not. Normally he is trying to get Rui to NOT do what Rui wants to do. Unless you’re talking abt stunts/show stuff but that’s not him being whipped or whatever that’s just him being a show freak. Rui “I can’t say no when he looks at me like that” Kamishiro however…

[tvckerwash]

wash being ct's best and closest friend in freelancer is so so important to me. they're the kind of friends that can stay up all night together talking and sharing stories, but they can also spend hours together in complete silence just enjoying each other's company. they share things about themselves with each other that they don't share with anyone else. ct finds a solace in wash that she's never found in anyone else; because he feels just as deeply, openly, and honestly as she does. she admires his more subtle nature, and inversely wash admires her own bold defiance. ct gets so angry with him because she's angry at herself—angry that she can't be more like him, angry that she can't tell him all of what she's learned because it's no secret that they're close and she knows that price knows she knows and and and—

so ct takes a page from wash's book, she tries her hand at speaking his language. she let's him see her making calls because she knows that he'll never turn her in, because just like her wash puts protecting those he cares about above the rules. wash is smart, so she knows that he'll understand that she's trying to protect him—to protect all of them, just like he's protecting her.

leaving them, leaving him, is a painful but necessary decision. she fights to stay for as long as she can even though she can feel price and the director closing in. she wants nothing more than to bring him with her. every time she speaks with the leader she finds herself thinking about how well he'd get along with wash, he's cryptic, melodramatic, and just a little bit paranoid in all the same ways. maybe that's why she fell in love—because he reminds her of wash without being wash, who always kept a certain level of distance from the people around him. she'd seen his service record—he'd seen so many people die over the years that he learned how to love without getting to attached; otherwise, the guilt and grief would drive him insane. ct hoped that she wouldn't become another lost friend, but if she did, she found comfort in knowing that he would be able to move forward without her.

[captyns]

🌕✨constella ✨🌕

[mariocki]

The Brothers Rico (1957)

"Okay, okay, so nobody's blaming you! Let's just say something happened way back, huh? So maybe I am gonna die. But, Eddie, you've got even bigger troubles. You're gonna live."