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utterlyazriel · 11 months ago

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an eternity, my love

eep! this is a bit longer than the last at just over 6k forgive me... but thank so much for all love on the first piece 🥹 and thank u for all your lovely ideas! i hope this does sum justice to the nonnie who asked for further miscommuncation... <3 part one here but u don’t need to read it to read this :)

How does one even begin to decide what to wear to dinner with a person, the person, who matched your soul perfectly?

When your friend had hunted her way through clothing stores of Velaris and stashed away a custom dress — far fancier than anything you owned — for the first date with her mate, you had laughed at her.

Now, staring at your closet in only your undergarments, you were beginning to envy her preparation.

Seriously, how are you supposed to choose?

You pick up your latest addition to your closet, a glossy dress the colour of red wine that reveals the length of your legs and planes of your collarbones— perfect for a night out dancing.

With a grimace, you place it back on the hanger. It was far more scandalous than you would want to be on a first date, even though — well, you’re sure that, being mates, Azriel would like anything you wore.

You heave a sigh. An uneasy prickle beneath your skin has you crossing your arms; it was almost alarming how badly you wanted to impress him. But… mating bonds were rare and powerful.

Almost as if you had summoned it — in fact, maybe you had — there’s a soft shimmer in your chest. Your beautiful glow, the bridge between you and Azriel humming to life. In a way you can’t explain, it’s as though you can feel him soothe across your mind, his soft touch full of assurances.

He’s comforting you. All your emotions must be shooting down the bond without your permission. Gods, that would take some getting used to. You wonder if he can feel your resounding pang of embarrassment as well.

You do your best to push back something less nervous, more of your excitement for the night to come — and you know, without even seeing him, he’s smiling.

After another moment of fussing, you decide on something simpler than your glossy night dress.

Comfortable black slacks with plenty of flow to them and a shirt you thought was one of your nicer ones. With the slightest touch ups to your makeup, you rush yourself out the door before you convince yourself to change all over again.

The Sidra keeps you company, a rush of water beside you as you wind through the streets of Velaris, eyes flicking up to take in the darkening sky. The sun was sinking below the mountain tops, rays tickling across the ridges.

And while you could admit that Velaris was very beautiful in the daytime, you were a true Night court citizen— and believed its true beauty came out at night.

Somehow, despite the lack of concrete plans made as you had ushered the male out of your office, you knew resolutely that you would be able to find him. You weren’t even worried about the timing of it all. It was… what was the word? Absurd. Insane. Utterly, breathtakingly incredible.

Sure enough, as you exit the alley and round the corner, your eyes falling on the sage green building you reside in for work, there he is; waiting for you.

You inhale a sharp breath. A thousand cells in your body fizz, hum, and glow, at the mere sight of him.

It's easy to understand just how he had garnered his dark reputation, the image of him every bit of the Spymaster of the Night Court — a title like Shadowsinger has never been so fitting for him.

He’s blurred at the edges, a thousand tiny wisps that blend him into the shadows of the nighttime. His wings stretch up behind, towering over his already tall frame, black as ink, and beneath his darkened attire, you can spot his tan skin. Your eyes drag up his neck, tracing his adam's apple, along the scruff of his sharp jaw until you reach his hazel eyes.

Your heart burns.

In the depth of it, you know, if he doesn't love you, he will undo you completely.

It's wholly terrifying to come face to face with — the intensity of the mating bond scorching through your mind like a fierce wind, burning embers left in its wake.

It's enough to make you pause, the definitive thought that doing this, offering him your heart and trusting him, could very well lead to your ruin.

Your chest squeezes tightly. You let your eyes drink in the Illyrian, the Male who waited so patiently for all those years and was prepared to wait years more, if you had asked.

Focusing, you pluck up that golden thread in your chest and hold it tightly. It heats and melts, hotter and hotter, and you know that any fear you have, you can conquer to be with him.

Ruination be damned.

—

Azriel notices you the moment your frame exits the alley, notices the moment you pause — has been able to feel you drawing nearer to him this whole time. Your every emotion is transparent to him through the bond between you, whether you’re aware of it or not.

You must not have the tightened mental shields he had come to be so familiar with over all his years. It makes sense; you are no warrior. Mental walls over your mind are not something you have ever had to concern yourself with.

Azriel vows it to be one of the things he teaches you. You deserved the privacy of your emotions, at the very least.

But... for now, Azriel can feel them all. It's why, as you round the corner, Azriel can feel your eyes on him and then, then he feels it.

The wash of fear that spills over your bond like icy water.

An old enemy rises within him. He grits his teeth, even as he feels the fear from you slide away and he tries to ignore the sting from an unhealed wound. But self-deprecation never seems to drown, no matter how much he tries to suffocate it within him.

He shifts his hands, relieved suddenly to have them covered up beneath gloves. His wings tuck in tighter, if possible, and he wills his shadows sternly to contain themselves. Something in the slightest baring of his teeth has them obeying. They shoot to his sides and make themselves scarce.

All this in time to greet you pleasantly as you bounce into view, sidling up before him with a shy grin. It's only been a few hours since he got his proper look at you and yet, you're every bit as breathtaking as you were earlier. More so, in fact.

It feels as though Azriel has never seen the sky before and you before him, are the first sunset of his life. You look so pretty that Azriel could probably gaze at you all evening if you so allowed him to.

And then, he remembers the pang of fear.

He doesn't waste time mulling over which detail of him had made you afraid — only that he would dim or change or hide any part of himself to stop it from happening again.

"Hello, again," You say, your lips pressed together to contain your smile. You have to tilt your head back to look up at his handsome face. His shadows swirl around him and despite his strict instructions, one still slips away to touch you.

You don't notice it circling your ankle, tentative and shy.

"Hello, again." Azriel echoes your words, unable to help his own glimmer of joy.

He wants to offer you his arm, his hand. Can feel it within him, down to the very marrow of his bones, the craving to be closer to you, to touch you, however he can.

Azriel swallows heavily and does what he has done over decades, over centuries; he takes the wanting and pushes it down, down, down.

The two of you begin to walk, side by side, with no destination in mind. Aimless and content at the same time.

Azriel doesn't need the bond to see the flittering of nerves hidden in your expression. The shadow still circulating around your ankle climbs higher, like it wants to comfort you too.

Azriel wills it to still, desperate to not scare you again. He drops his shoulders from his usual warrior posture in hopes of making himself a little smaller.

“You don’t need to be nervous.” He says reassuringly.

You steal a glimpse at him, your smile breaking into a grin. Your nerves are still potent but less so.

“Who says I’m nervous?”

Azriel smiles gently, his eyes dancing across your face as he reads your lie easily. “I do."

There's a scrunch between your eyebrows then, like he had seen during his time in your office earlier. Azriel places a hand on his chest, over the place where the glowing tug is strongest.

"I can feel it.”

Your eyes widen slightly as you stare at his gloved hand, the cogs in your brain spinning and turning at a rapid rate. Still strolling, your hand rises slowly and touches to the same spot on your own chest. Azriel can feel his heart stutter at the sight, you holding the spot that connected you to him undeniably.

"You can?" Your gaze lifts to his face, puzzlement adorning your features. You frown and focus for a moment, staring hard into the distance — and Azriel feels a sudden twinge of disgust through the thread.

"Did you feel that?" You ask, eyes wide and curious.

Azriel nods wordlessly and he can't help but ask. "What is it you were thinking of?"

You look embarrassed for a moment, eyes averting to the ground. You chuckle awkwardly and tuck your hair behind your ears, glancing back up at the Male with a sheepish smile.

"Brussels sprouts."

Azriel blinks once, twice, and then has to turn to hide his smile. He tries to cover his laugh with a cough. It doesn't work, given how you make a small noise of indignation. He turns back, his politest expression on.

"Don't laugh at me!" You whine, reaching out to poke him in the shoulder. Your touch radiates through his body like a drop of golden sun, blazing warm.

"You're right," Azriel hums, his lips twitching as he presses back his smile. "My apologies, my lady. This is important knowledge I should be filing away. I swear on my life I will feed you no brussels sprouts this evening, or any in the future."

He wants to nudge your shoulder with his own, just to touch you, wants to reach out as easily as you had. But his shadows slip before his self-control does, skittering out along onto your shoulder and giving you a small shock and Azriel remembers himself. His fists clench tightly at his sides.

You walk side by side all evening, like two planets in orbit — close, oh so close, but never quite touching.

—

The first date you share is nothing short of… wonderful.

Resolutely and overwhelming good, the entire date you can't help but feel as though your very soul is singing, a thousand particles blithesome at the nearness you get to share with Azriel. He's surprising in a manner of ways.

Firstly, he's terribly quiet.

Next to him, you look quite the blabber-mouth, no matter how much he insists he enjoys it. His dark eyes are intense as they watch you closely, soaking in every word that passes your lips, and yet, beneath it, his dry sense of humour comes out to play. There's the occasional tease, almost as if just to see if he could make you flustered. (He could, easily).

With a Male as beautiful as him, suited to your very being in every way, it's nearly unbearable how much you ache for him. How much his very attention creeps down your neck and makes every nerve along your spine tingle.

You know it will take some time to get used to his unwavering and devoted attention.

There’s… just one small, itty-bitty, tiny problem.

He doesn’t touch you.

Throughout that whole first evening, you had noticed it somewhat— a flex in his gloved hands, a moment where his wing strayed too close only to be pulled back in a flash, even his shadows, darting out to be near you but never quite touching you as they had on that first meeting.

His hands reach out but they do not find you.

At first, you believed it was a first date thing. Azriel was, first and foremost, a gentleman, and you thought perhaps, his skirting touch, like his hand lingering over the small of your back but not touching it, was to be polite. Courteous and gracious.

Then, you had seen him just two days after that date, all bundled up in your giddiness that it had managed to slip your mind.

The two of you had spent the day together, traversing through the market — before you quickly found a quieter space for your mate as it became clear that large bustling areas, such as the Palace of Threads and Jewels, were not so suited to his tastes.

As you had tugged him out of the crowd, laughing over your shoulder at how he fought to keep his broad wings from knocking into anyone else, the thought suddenly snapped back into you.

Though you yearned to link his arm with your own, to interlace your fingers with his, you remembered his hesitance. Remembered the hover of his gloved hand.

And so, you dropped his arm the moment you cleared the crowd.

A hurt warbled deep within you to so do and knowing you were not the deftest at schooling your expressions, you hid your face so you could contain your childish reactions. You huffed at your own upset. What matter is it if your mate has no affinity to touch?

Truly, it was a miracle to have found a mate at all, you tried to scold yourself. You would not take him for granted for a moment, not even if it was not quite the picture of perfection you had envisioned.

Rooted deep in you was a truth; you could abide by this, abstain to his level of comfort for years, for millennia, if it made him happier.

The fabric of the mating bond, connecting the two of you intrinsically, made it so you would not want it any other way.

It's a decidedly Azriel thing.

He always wears the gloves, he never touches you more than he has to, and he's got... this really specific look when you're doing a terrible job of hiding your emotions.

As he had vowed, Azriel had set about teaching you how to build the mental walls up within your mind, brick by brick by brick. While it would help you hold against daemati if that loathsome situation should ever arise, it would also shield you from your mate.

It would protect you from having your emotions ripped out for him to see, no matter how much you held back — if it was in your mind, it would travel down the bond.

So, the wall had to be built. It had been tedious, tricky, and tiring work. Yet every time you would feel yourself ready to throw in the towel, Azriel would lean in closer, his hazel eyes softened, and his hand resting upon your arm, thumb swatching up and down, to encourage you.

"I know it is tiresome," He had mused, that faint smile twitching at his lips as you scowled at the ground. His thumb was still moving, still drawing light circles on your bicep. The skin beneath it blazed with warmth. "But it is worth it, that I can promise. You deserve this privacy, my dear. I would never wish to take it from you."

My dear, my dear, my dear— the words had sunk into your sternum and bloomed, bright and golden.

It's enough to hold onto, his kind affections. The sweet shape of his mouth when it says your name. The way his lashes kiss in the corner when he can't hold back his smile.

It's enough to soothe yourself over. To take the lack of touch on the chin and swallow down your desire for more.

It's why— why you can't help yourself— why you couldn't tear your eyes away from Azriel's hand where it touches Cassian's arm.

You're meeting his family today, which you've quickly realised doesn't mean his mother or father but instead means... the literal Highlord of the Night Court.

There are several warriors crowded around the cramped entrance room to the River House. Each of them is taller than you, and two of them with the very same huge wingspans that you've come to revere on your own mate.

Your usual talkativeness has been dimmed in your shock, though, really, it shouldn't be such a surprise. Azriel is a force to be reckoned with, honed over decades, and the Spymaster of the Night Court. You know these things. The company he keeps makes sense.

Somehow... still, seeing them all together leaves you strikingly speechless. The legion that protects your home — a family.

Rhysand greets you first, dapper in his dark attire, his violet eyes equal parts calculating and welcoming as he steps forward and offers his hand.

Despite the fact you have never bowed to him before, you still have to repress the urge. His power is overwhelming, the very night lapping at his edges and you're suddenly very grateful to be meeting him as a friend and not as a foe.

"It's a pleasure to meet you," Rhysand's voice purrs out, soft as silk. When you place your hand in his, he brings it to his lips and presses a polite kiss to the back of your hand.

"Any friend of Azriel's is a friend of mine."

You can feel your own heart thundering in your chest. Azriel hovers behind you, his presence soothing in itself. You can't see it but his wings are outstretched towards you, cocooning around you ever so slightly. A shadow hovers behind your shoulder, just out of sight.

"I— the pleasure is mine, my Highlord." You manage to make yourself speak.

You almost wish you hadn't when your words inspire a burst of laughter from one of the others behind Rhysand, the other Illyrian. He's tall, his hair dark but longer than your mate's own.

As your hand is dropped, Rhysand turns to scowl at the Male laughing, and you only grow further perplexed when he gives a whack against the other's shoulder. They begin to squabble for a moment — and you don't even hear Azriel move until he's speaking, his lips right by your ear.

"You'll have to forgive Cassian." His voice is low, raspy in a way that sends a zing down your spine. You shiver lightly. "He can be well-mannered at the best of times. But I promise he isn't laughing at you."

The two Males seem to tune back into Azriel's words, even though they had been whispered for you specifically.

"It's true!" The Illyrian, Cassian you now know, pipes up. He brandishes a devilishly handsome grin at you, with his hands held up in defense. "I apologise. It just still makes me laugh to see someone address this one so formally."

You blink. "But... he is the Highlord."

Azriel speaks again, bent over still to talk in your ear, but much less of a whisper this time. "Rhys is our Highlord but he does not bother with such formalities."

"And," Cassian interjects, lugging a punch into Rhy's shoulder, much like the other had done to him not a moment before. "Before he was the o'mighty Highlord, he was our friend."

Cassian says the word o'mighty with such an air of sarcasm that you can't help but glance at Rhys, sure he wouldn't take such disrespect. But around you, there are only easy grins.

"Might we move to somewhere more comfortable than the doorway," Azriel speaks up from behind you, his voice dry. "Unless that is, you're all hoping to do one-on-one greetings with her?"

There it is, the dry sense of humour you've come to adore. The group before you seems to grumble, as if they were quite keen on the one-on-one meetings but begin to move through the house.

One of the group dips back to walk beside you and you do your best not to repeat your past mistakes, even as your eyes widen almost comically. Azriel chuckles silently to himself, feeling your polite astonishment down the bond.

"It's so great to finally meet you.” Feyre, your Highlady greets you, her pretty face rife with glee. She seems genuinely very happy to make your acquaintance. "Azriel has told me all about you."

You stumble in surprise, your eyes casting back to Azriel behind the pair of you. His eyes are fixed on Feyre, narrowed at her blatant betrayal, his shadows swirling around him. She sticks her tongue out at him playfully and you smother a laugh.

When his eyes shift over to you, you're positively delighted at how his cheeks have turned the lightest shade of ruby.

"Feyre is very persuasive when she wants to be." He murmurs, almost grumbling. You turn back to the Highlady and she grins at you, devious and captivating all at once.

It’s a whirlwind once you reach one of the many living rooms, each member of Azriel’s family all very eager to shake your hand.

Cassian grips it firm, his grin still on the side of wicked as he tells you he’s been waiting years to find the woman who could contain Azriel. Nesta, his mate as you find out, is a fierce kind of pretty with a grip as strong as Cassian’s. She tells you welcome to the family with the smile of a shark.

Morrigon is next, breathtakingly gorgeous, and every bit as charismatic as Azriel had described. You don't catch the glimpse between Mor and Cassian, not the beat of relief they both feel at your arrival in their lives— in Azriel's life.

It's swallowed up in her words, going a mile a minute. She jumps about, like popcorn in a pan, overly keen to finally speak to the one whom the Mother deemed worthy of Azriel’s heart. Where are you from? What do you do? How did you meet?

“Mor,” Azriel warns, after her twelfth consecutive question about your life. He hasn’t moved from his protective position behind you, close enough you can feel the heat of his body. His wings had brushed your shoulder just once.

“Yeah, Mor,” Rhys jeers. He nudges his cousin in the side playfully and Cassian snickers behind the group. “Give the girl some time to breathe.”

Even with all of Azriel's masterclass on who you would be meeting, it's still terribly overwhelming just trying to keep track of them all. They're each such strong spirits, each with seemingly a thousand battles in their past and far more years with Azriel.

On top of this is the fact you met both your Highlord and Highlady so casually in one single afternoon. It's difficult to not be daunted by the group that is so clearly intertwined with each other on a deeper level altogether— bonded by devastation and choosing each other through love.

Try as you might, you can feel the seed of doubt, of insecurity, make a home between your ribs.

You clamp down the shields you've spent the last few weeks learning, building the wall up and holding it tight. It's silly to feel dismayed because these Fae, these friends, know your mate better than you do.

Azriel had told you he had been waiting for you for five hundred years. For the first time since you've met him, you wonder if he was ever disappointed.

And then— then, you see it.

Azriel's hand on Cassian's arm. Then the half embrace they share, a hand on each other's neck as Cassian grins, wild and fierce, and presses his forehead against Azriel's own; brothers, sharing a moment of euphoria at the other finding his long-deserved happiness.

You should be soaking in the smile Azriel hides from you too often, showing his teeth and crinkling his eyes. But instead, you can't see past it, can't stop the loop in your own mind as it prints a fact over and over and over.

It isn't an Azriel thing; it's a you thing.

He doesn't touch you.

The mental walls in your mind feel paper-thin as a fresh kind of agony ripples through your chest. The soft rejection of a mate stings, a papercut on your very heart. You can feel it warble through you and know, terribly, the exact moment that Azriel feels it too.

His head whips around, his dark shadows that surround him suddenly spinning and flitting faster than before— a couple dive across the room to you.

You stand up and the chair scrapes noisily beneath you.

"I—" You say before you realise you haven't planned an exit or an excuse in the slightest. Azriel's gaze burns into you. You turn to Feyre instead, who had been talking across from you when you rudely stood up.

"I'm so sorry, I just—" Some excuse, any excuse! "I think I— left the stove on."

It's a lie. A complete utter lie that fools no one in the room as you retreat from it hastily. None of them try to stop you though, which you're thankful for. Each of them watches, every expression slightly concerned as you hurry out of the room, your feet walking backward rapidly until you bump into the door frame.

You pass through it with your eyes on the floor, knowing that all of the eyes are on you. You know the ones you can feel searing into your soul are Azriel's.

You leave the River House. You walk along the Sidra, your steps hurried and your chin tucked low. It hurts. It hurts the feeling inside you. A tear streaks down your cheek, unbidden, and collects on your jaw. You wipe it away meanly.

The sight of your apartment door is an overwhelming comfort, one that has you sighing aloud as you rush up to it, your fingers already digging around in your pockets for your key.

And like always, you never hear him coming.

"What happened?" Azriel asks, his voice almost pained.

You give a little yelp of surprise and whip around, remembering half a second later that there's still evidence on your face of your tears. Azriel grows characteristically still, his hazel eyes fixed on yours as you sniffle for a moment, aggravation beginning to creep in.

He could feel everything from you and you got... what? Whatever he deemed fit to offer? How is that fair?

His usually wispy shadows are inkier than usual, almost tornado-ing around his shoulders. They keep leaping out towards you before being caught in an invisible net, a barrier between you and them.

Even as Azriel remains motionless, his eyes are the opposite—they jump around, searching, hunting, begging to find the cause of your pain. Had it been one of his friends?

"Please," He tries his words again.

His heart throbs painfully when you finally find your key and turn your back on him without a word, unlocking your door and pressing your way inside. He follows quickly, wings tucked in tight, unable to keep his shadows at his side this time. They whiz to you, circling your ankles protectively.

"Please," Azriel says, an anguished growl to his words. "What hurt you? I will— my friends, if they said something— if it was someone, I hunt them down and make it right for you."

You inhale sharply and when you speak, your tone is cold in a way you have never used before with Azriel. You say the words without thinking.

"It would be impossible to hunt yourself, Azriel."

Regret howls through you like a hurricane the moment you say the words. You don't mean to be mean, jealous, or whatever unseemly emotion you can't stop from sprouting in your chest, growing in size, tangling into your heartstrings like twisted gnarled vines. It hurts.

You turn back to him, mouth open. No words come out.

Hurt is slashed across his face, his eyebrows furrowed tightly, his shadows tucked in tight. It's as though he's blended into the very air, the wispy edge of him threatening to retreat into his own shadows.

All his emotions on display just for a moment, before they're schooled away. Tucked away, hidden, not for you to see.

Inside, your hurricane howls again, this time in pain.

You can tell he feels it, even as you mentally gather your bricks. It isn't fair. How can he have every bit of you and you get what he pleases to return?

You want to know him completely, want to see every part of his rugged, weathered soul, and love him anyway. It's an untold type of agony to have him deny you.

"My love," His feet finally move, his wings almost dragging on the floor as he steps forward, slowly, as though he was afraid he might spook you.

"Tell me how to fix this pain." He pleads. His gloved hands are held out, palms up and suddenly, he looks nothing like a warrior. Just a Male, afraid of losing what is most dear to him. You shake your head, like a child, and keep building your brick wall.

"Please don’t keep this from me," He takes another step forward, his shadows sent awry as they dart across to you. You can feel them on your calves, on your arms, feel the tiny kisses they leave. Azriel speaks again, voice low. "My love, I can feel your pain.”

You can't help how you screw your eyes closed, the ache in your chest unbearable— made worse when you know he can feel it too.

"That is my problem." You utter the words quietly, eyes still clenched shut, knowing he can hear you. He takes another step, close enough now that you can feel the heat of his enormous frame, his wings bracketing around you. "I cannot hide anything from you."

Azriel makes a noise, a punched-out wounded sound that reverberates down the bond.

"My love," He murmurs for the third time. Down the bond, you can feel his sweet love, his golden gentle feelings travelling along to assure you. "I would not wish for you to hide anything from me."

“But you hide everything from me." You whine, eyes finally crinkling open. Azriel stares down at you, his eyes softer than they've ever been. You can see the hurt swimming in them, the hurt you've caused. Still, you speak.

"You hide your emotions. You hide your touch, yet you give it willingly to your friends." You share each ugly thought with him, whispered as you gaze into his face to search for your answers.

Lifting your hands, you curl your fingers around his wrists tentatively. Azriel swallows heavily, his eyes dancing down to where you're touching him. You slide your hands forward, dragging the pads of your fingers over his pulse, along his palm, til your hands are holding his gloved ones.

"Is there some test I don't know about?" You ask, your focus on your intertwined hands. "Is there— do I have to earn this?"

"No," Azriel chokes out the word suddenly. You look up at him. He clears his throat and you feel his hands grip yours back, surer and stronger than you had. "No, I'm sorry. There is no test, nothing to prove you deserving of this. I just..."

His words trail off and you watch as he closes his eyes, inhaling deeply, as if gathering his courage. His hands slide from yours, pulled backward and you nearly feel the urge to cry once more— before you realise he's removing his gloves.

The skin of them is warped, you realise acutely with horror. The skin of his hands is swirled and mottled, an injury long healed but scarred for eternity. Azriel is watching your face closely, holding his hands close to his chest as though he was prepared to hide them away at the first flicker of fear.

You're grateful for the link between and all your shoddy attempts at blocking him out. Your love and your unwavering devotion drifts along the bond.

Azriel shudders, his wings giving the tiniest shiver. Slowly, gently, he reaches out towards you. You feel his hands, the unruly scarred feel of his skin sliding along your jaw to hold it tenderly. He has never held you like this before.

He cradles your face gently — like his hands have never held weapons of war, like they aren't twisted and marred with a memory he can't forget, like they're worthy of holding something so precious.

Azriel holds you as if you're holy — and he's come to kneel at your altar.

"I was afraid of what you would think." He admits. His voice is hoarse, gravelly as he fights off the lump in his throat. "I— on the first day we met, I felt your fear along the bond and—"

"It was not of you." You interrupt him, your hands jumping up to cover his own where they hold you. Azriel inhales sharply, eyes darting to watch.

But you pay him no heed, the palm of your hand covering his like a lover would. You let your thumb soothe up at down the ridges of his skin. You let your love ripple along the bond.

"It was not fear of you, Azriel." You repeat, your voice soft. His eyes are still fixed on your joined hands. His wings have begun to pick up, no longer drooping behind his back— you're not sure if he even notices.

"It was fear for how strongly I already felt for you." You lean into his hand and Azriel lets you, lets the length of your nose nuzzle into the touch of his hands — something no one in all his years of living had ever done before.

"It was fear that you already could ruin me," The words are murmured. "And that I would let you."

You whisper his name to pull his wide-eyed gaze from where his hands touch you and his hazel eyes burn into yours. Every whitened scar on his skin, every eyelash, the adorable pinch between his eyebrows; you drink it all in and smile at him. Azriel, your mate.

"Azriel, I chose this despite that fear. I choose you.”

Azriel quivers at the words, at your unflinching tone and suddenly the world seems such a perfect place, time moving around you, untouching, with such a perfect grace.

“I choose you too,” He murmurs, an emotion so strong a fire of possessiveness streaks down the bond. This time, you can feel his wall melt away, allowing you access to all he feels — his mountain of fear and his melting relief.

“Forgive me—” He begins and you laugh without meaning to, cutting him off.

“Stop,” you say, the word light and as pretty as your grin. “We keep doing this to ourselves, tying ourselves in knots over and over.”

Azriel laughs, his lips twitching into a smile as he allows himself to stroke his thumb lovingly over your cheek. The way you melt beneath it, your lashes fluttering and heart burning so brightly he can feel it in his own chest too— Azriel knows this longing will long outlive his body.

“We do,” He agrees. He dips his head a little lower, probably the only apology you’ll let him have, and inhales shakily. His hands shift across your face, down to hold your chin, his fingers pressed together tightly to hide the way they quiver.

“Then let me apologise in another way,” He murmurs, his voice closer to playful. “In a way I’ve been selfishly depriving you of.”

And when he kisses you, it’s with a reverence that softens all your corners.

His lips are plush and sweet, and with the way he dedicates himself to your bottom lip, you can’t help how you sigh into his mouth. He finds home in the curve of your mouth.

It’s delirious the way he kisses once, twice, three times like he’s hungry for something found only in your lips.

Your hands stagger forward, leaving his own to wind over around his neck. Your fingers curl up, raking through the hair on the nape of his neck — feeling the shiver that travels up his spine, his wings giving a little flare out.

He kisses you breathless, one hand abandoning your jaw to wrap snugly around your waist, bringing you closer to him.

When he pulls back, something within you glows molten gold at the panting that leaves his lips. He’s gazing at you, his hazel eyes alight in a way you haven’t quite seen before. His wings shift behind his shoulders, curling forward to wrap the two of you together, not quite touching.

Your heart thrills. You grin, your lips still just an inch apart as Azriel nudges forward, his own twitching in that way when he fights his smile. His lips brush yours, his smile barely held back.

“Have you forgiven me yet?” He says, sweet and low, allowing the smile to finally pull his pretty mouth up at the corners.

“Or should I make it up to you a little more?”

He kisses the corner of your mouth, chaste and gentle.

“Mmm,” your eyes are bright as they peer up at him, full of playful mirth and adoring affection. “You're forgiven but... I think you should make it up to me, just a little more.”

Azriel willingly obliges, his smile as sweet as the moonlight.

—

some people i thought might want to be tagged :)

@strangerstilinski @astoriaviviane @lana08 @florence-end @lportes-22 @torrick17 @florencemtrash @sidthedollface2 @seafrost-fangirl @goldenmagnolias @jeweline16 @meshellexplosionmurder @michellexgriffey @susiekern @toobsessedsstuff @fxckmiup @littlebookbengal @elenapril0502 @glitterypirateduck @hnyclover @technoelfie @itsapunklife @coffeecares

#it got very long... i'm sorry!#we can't talk about bad miscommunication and then me not set up valid reasons for miscommunication tho #i can't DO IT #azriel a big softie in this one...#i mean he always is :)#azriel #azriel shadowsinger #azriel x reader #azriel shadowsinger x reader #azriel x you #azriel fanfic #azriel acotar #acotar #acotar fanfiction #azriel hurt/comfort #miscommunication #idiots in luv <3 #i need a writing tag.....

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factual-fantasy · 1 month ago

Text

Just a heads up to new artists who might not know this: tracing people's artwork and posting it as your own is not okay. With or without credit, its stolen if you don't have permission.

This is why I continue to stay out of the Octonauts fandom and now probably will not return. Even months after leaving the fandom I'm still getting new art tracers and thieves.

If you absolutely have to trace and post it, just ask the artist first. If they say no then don't trace their artwork.

#sorry if this post seems pretty salty #I had a really long day and I think I'm coming down with something #was going to unwind and check tumblr real fast before crashing #only to stumble upon yet another art tracer. And who would have thought. it was Octonauts #This might be the nail in the coffin for me #I don't have any confidence when it comes to returning to this fandom-#but I tried to give them the benefit of the doubt and maybe they really don't know that it's not okay to do that #So that's what this hastily made and very drowsy post is for-#for new artists that might know that tracing people's artwork and posting it as if it was your own is theft #And it also keeps artists like me out of fandoms.#So apologies #this is a slightly salty yet gentle reminder to not trace peoples art without permission #thank you for reading 💞#heres to hoping i don't wake up with a terrible cold tomorrow 💀

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teaboot · 4 months ago

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if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself- out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

#Murderbot #Please read murderbot #Also it's so naturally refreshing and funny #Oversharing #I guess #This is fine to reblog tho it's chill #Very much resonating with the othering sense of purpose #Like what do you mean dream job #I don't have to worry about that this is what I was made for #Or close enough to it #I don't have to worry about finding purpose #But also thinking about that kinda blanks me out #No you don't get it I'm not a person like you are I have to do what I was built for #I'm better than you at it anyway #And don't I have a responsibility to do what I'm best at since you can't #Idk #Wouldn't you be upset if your blender stopped blending and became an EZ bake oven #Like you already have an oven #You need a blender #And I'm the best blender there is #Long post #Lol #Sorry #Oh also I'm autistic and asexual and hgenderqueer so *fart noise*

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masonjarart · 7 months ago

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absolutely adored dead boy detectives but god did it make me miss when we got more than 8 ep long shows like i love what we got and they did the best with the time they were given but there are so many things that could have been explored if the show had more time to breath

#this could 100% just be a me problem i miss long shows so bad #i cry everytime i see a new show is just 8 or less eps #like theres only so much u can do in that time #it doesnt help im also very stressed it wont get enough seasons to fully tell its story #dead boy detectives #dead boy detective agency #(sorry i just finished rewatching black sails before watching this so now I'm cursed to think abt what streaming has done to story telling)

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silverwhittlingknife · 7 months ago

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How would you describe Tim's people skills? Especially when you compare them to Dick's?

Hi anon, this was a fun ask!! I picked out a few panels for each of them (comforting friends, a bit out of sync with friends, fighting with friends, and offering practical support to friends) just to get a quick look at their people skills in action, and then I rambled on about my thoughts on their strengths and their weaknesses.

(Caveat: I'm going to try to focus on my ideas about differences between the two of them, since we're comparing, but I do think they're socially more similar than not, so you might also want to check out @bitimdrake's post on Dick and Tim's similarities for the big picture!)

Short version: I think they've both got good people skills. Dick's are a bit better and more natural, whereas Tim's are more practiced and learned (in ways that sometimes show).

Let's start with Dick first, and then I'll get back to Tim.

Dick

Comforting friends in Titans Secret Files:

Dick: Will you go back in there and sit down? This is my house. You don't need to clean up after me! Donna: I know, I just... I just ... Dick: Hey, hey... what's the matter? Donna: Nothing. It's nothing. Dick (reaching out to supportively grip her shoulders): Donna, this is me here, remember?

A bit out of sync with friends (but still getting along well) in Titans 3:

Dick: The movie runs 98 minutes. So if we fast-forward past the coming attractions and watch only half the credits, I can still make it back to Blüdhaven in time to - Roy: Nightwing, chill. Team morale demands that you relax and enjoy yourself.

Fighting with friends in Titans 13:

Dick: We haven't used it much, Changeling. But that's gonna be different. Starting right now. Our performance against Tartarus and the HIVE was unacceptable. Each and every one of you should thank God you weren't killed. Kory: How dare you? How can you just stand there talking to us like we're a military detachment -

Giving support to relative strangers in Nightwing 87:

Neighbor 1: Oh, he - he's a true gentleman, you know? Always holds the door, or helps me up the stairs with my groceries if we both come in at the same time... Neighbor 2: ...used his motorcycle to jumpstart my car one morning and even got my brother-in-law a job with Wayne Enterprises when he got laid off... Neighbor 3: ...and he's very, very, very nice and doesn't talk down to me. Plus he lets me use his basketball.

Offering practical support (making dinner) in Prodigal:

Tim: I can't believe you can actually cook... Dick: I like to eat. Tim: So does Bruce - but he had to order Chinese last night. Dick: That's where I'm one up on him - I've lived on my own without an Alfred. Still miss him, though... He was good for a lot more than cooking and cleaning. Tim: Yeah. But at least we don't have to miss him on empty stomachs.

Strengths:

I think Dick's people skills are pretty simple: he has them! He's good at people! And I tend to think of Dick's people skills as so automatic they're mostly instinctive. It's not something he really has to think about because it's so ingrained in him. A combination of natural talent plus a childhood spent around sociable performers means Dick's just really highly attuned to the people around him.

And I don't think he's particularly obvious about it. So e.g. you could be having a conversation with Dick where he didn't seem like he was paying close attention, but if there was An Important Moment where you got anxious for a moment or let something important slip or let a bit of anger show through etc. - Dick will have picked up on it, even if it's unconsciously, and it'll stick with him and come back to him later.

And just generally - I think Dick has good instincts for who he can trust and who he shouldn't trust; when he's treading on conversational landmines he'll often pick up the unease even if he doesn't have the context to know why there's a problem; if he's trying to comfort and trusts his instincts he'll often do the right thing even if he can't justify in words why he felt like that was the right thing to do.

So I think for Dick, there's always the level of conscious awareness - the things he's aware he knows, if you will - and the level of unconscious awareness - things he senses, but maybe can't explain, or maybe doesn't want to know so he's suppressing the thoughts.

So he's good at leading, and he's good at comforting, and he's good at listening, and he's good at figuring out the right thing to say...

Like, he's good at all of it, so it's actually sort of difficult to elaborate because there's just not that much nuance? Given any particular interpersonal situation, Dick has an excellent chance of getting a quick read on some random guy he's just met and then getting the reaction he wants pretty fast, whether it's intimidating the guy or comforting him or getting him to cooperate or taunting him until he loses his temper, etc etc etc.

Obviously Dick's not a mind reader, and he can get things wrong, especially when he's in the throes of one of his own personal crises, but generally I think Dick's very very sure-footed with people, even with strangers.

Weaknesses:

This isn't a weakness precisely because Dick's usually doing it on purpose, but he'll sometimes have fights with his friends because they think he's acting overly professional/detached and he thinks they're not being professional enough. So e.g. in Titans 13, you can see Dick's set up the room almost like he's leading a business meeting, and he's the boss lecturing them, and they're reacting by getting mad at him. Part of this is basically a Traditional Bat Problem - Tim's friends also balk because they feel like Tim's keeping them at a distance - but Dick tends to lean especially hard on "I'm The Leader Here So Shut Up And Do What I Say" professionalism / distancing.

When things are going well, Dick's friends may grumble at his intense professionalism but basically appreciate it (this is basically how things go in their reunion in TT vol 2); when things are not going well, though, it becomes a point of tension. Generally, Dick gets extra-professional as a coping mechanism when under stress, as here in TT vol 2 12:

To the extent that Dick falters with social skills, it tends to be almost exclusively with people he knows well, not with strangers. Dick sometimes struggles with maintaining relationships, largely because he's often juggling multiple responsibilities; he'll sometimes get hyperfixated on something and deprioritize his more stable relationships (so e.g. when he gets fixated on trying to fix Blüdhaven and gets distracted from his relationship with Babs).

Somewhat relatedly, if things start going wrong in his own life, he tends to self-isolate out of shame and avoid everyone he thinks of as more put-together. So, for example, in the aftermath of Blockbuster, he's a self-destructive mess who's trying to dodge and/or drive away Clark and Roy and Tim (all people who care about him and would want to help), but Sophia Tevis and Rose are two messed-up young strangers in trouble and their obvious neediness trips his "urgency" meter, plus he may be a mess but they have no context to realize that so he doesn't feel so self-conscious, and he's able to be drive-by super-helpful to them and then dive right back into privately self-destructing.

Also not a weakness per se, but he tends to be a bit of an introvert in general - he and Wally are close, but they go long stretches of time without catching up; when he's spending time with friends, usually it's Donna / Wally / the Titans / Tim visiting Dick rather than the other way around; he's more likely to get cajoled into joining a team than the other way round - Wally talks him into rejoining the Titans and Roy talks him into joining the Outsiders. He likes people and likes spending time with friends, but he's usually not the one initiating a social gathering. He's self-aware about this; in Titans 9, he muses, "It's not the newness that's the problem. The problem is the old stuff. The ruts. You know someone long enough - well enough - and you fall into a rut with them... you completely take the relationship for granted..."

Relatedly, because Dick's pretty self-contained, he has a recurring problem where loved ones interpret him as distant or detached or indifferent even when he's still passionately attached - both Kory and Babs break up with Dick in part because they feel like he's not really that committed to them (also there are mmm Problematic Plotlines involved but I'm ignoring those for the purposes of this post), and in both cases IMO they're misreading him. He's deeply upset by both breakups and responds with big declarations of feeling and, uh, proposing marriage shortly afterward. (Okay, so he's not ALWAYS sure-footed sdfdsfs)

When Dick's getting something wrong, it's usually because he's upset and overcompensating - when things with Kory and Babs are tense, he tries to fix it with Big Gestures; when Vic's mad at him about spying, he missteps with an elaborate secret plan culminating in a big dramatic offering of a new body which Vic does want... but he's still understandably miffed at Dick for making a bunch of decisions behind his back instead of talking to him. Dick guesses right about something Vic will want, but because Dick when he's feeling guilty tends to slide into I-Am-The-Leader, I-Must-Fix-Everything-By-Myself, I-Am-Responsible-For-Everything mode, he forgets that the whole original problem is connected to not respecting Vic's autonomy / right to make decisions for himself, and that a better gesture would be asking Vic what he wants instead of once again making decisions on his behalf without consulting him. (I'm sympathetic to Dick's spying-on-Vic plan on account of how Vic did turn into an evil moon for a bit - comics are bonkers, you guys sdfdsfs - but I'm also very sympathetic to Vic feeling that he deserved fuller disclosure here.)

And you can see similar patterns in lower-key conflicts too: every time Dick gets accused of being just like Batman, it's usually because he's coming off as harsh or detached or uncaring (sometimes on purpose because he's pushing people away; sometimes just because Dick handles grief and fear by shutting down; sometimes because his the-buck-stops-here leadership style can come off as overly-detached), even though Dick actually cares SO SO MUCH, all the time, about everyone he knows.

But honestly... these weaknesses exist, but they're minor in comparison to his strengths?? Dick's a guy with a lot of very strong friendships for a reason. He's true as steel and once he cares about you, he cares about you forever. <3

OKAY! So that's Dick. Let's finally move on to...

Tim

Comforting friends in Joker's Last Laugh 3:

Tim: Babs? Is everything okay? (hugs her)

A bit out-of-sync with friends (but still getting along well) in Young Justice 7:

Cassie: A campout isn't a campout without a real fire. It's no fun at all. Tim: But the generator is far more efficient, Cassie. It's non-polluting, it poses no threat of forest fire, and it's... it's ... (taking in everybody else's expressions, sighing, reversing course) It's no fun at all. Impulse, can you...?

Fighting with friends in Adventure Comics 3 (stonewalling, avoidance, and lying!)

Conner: You weren't picking up. Tim: I didn't know it was you. Conner: I turned off my caller ID blocking. Tim: I was busy. I am busy. Conner: Too busy to talk to your best friend? Tim: Yes. No.

Giving emotional support to relative strangers in Robin 98 / 100 / 156:

Wesley: I just wanted to thank you. They tell us at the meetings that it's important to let people know how you feel. You did a lot for me - making me sober up. If you hadn't taken the time to notice - (Later) Tim: You're gonna stay strong, right? (Wesley: Right.) Tim: You're gonna stay sober, okay? (Wesley: Okay.) Tim: You're gonna do it 'cause - Wesley: 'Cause if I don't you'll come back and kick my butt all over campus. Tim: Uh huh.

(The redhaired guy was about to jump. Tim convinces him to sit down and talk first.) Tim: So, you're in college? Guy: Yeah, I'm a freshman. How'd you know? Tim: Just a hunch. I'm guessing you don't like it much. Guy: I always hated high school. Always felt like I was outside looking in, never part of any group or anything. I was on the diving team but even then I didn't feel like part of it. The only good thing was that was where I met Lori, my girlfriend.

Offering practical support (medical care and tea) in Batgirl 59:

Tim (treating her injury as she shares her traumatic past): Whoa. That's ... horrible. Cass: That's nothing. Stephanie and I used to laugh about - oh... uh... never mind. Wait, Tim. I... I'm so ... stupid, I don't - Tim: You're not stupid. Want some tea? Cass: I ... uh... yeah. Thank you.

Strengths:

Tim! I think Tim's also pretty decent at people - not as good as Dick, but hardly anyone is?

I tend to think of Dick as instinctively good at people, and Tim as more consciously good at people.

Tim spends a lot of time being intentionally watchful: observing, spying, psychoanalyzing people, paying careful attention to what they say, thinking about what makes them tick. (And Tim psychoanalyzes himself, too. Tim is studiously engaged in the study of Tim, and of Tim's friends, and of Tim's family. He's often playing a role, even when that role is "Tim Drake.")

So e.g. in Red Robin, at one point Tim has an elaborate domino-falling database where he's compiled a list of villains he wants to fight and how he wants to fight them, all leading up to a very careful takedown plan for Boomerang where he's thought through and anticipated Boomerang's every move ahead of time... and he's basically right! He gets it all right!

And this kind of intensely-studied logical chess-game of "he will do this for this reason, and then this for that reason, and the other people will respond in this way, like a series of dominos, and I've thought through all the possibilities" is Very Tim to me, and I feel like... this is just the sort of thing that Dick would never ever do?

And mostly Dick wouldn't do it because he wouldn't have to. When Dick's skeptical of James Gordon Jr., he goes to talk to the guy and feel him out, and he ethically feels obliged to give him the benefit of the doubt because there's no evidence against him, but he's got a bad feeling and doesn't trust him and secretly slaps a tracer on him because he's got an instinct he'll want it, and he's right: James Jr. is up to something, and that tracer is exactly the thing that Dick needs.

And similarly if Dick wanted to goad James Jr. into doing something, I think he'd go off and meet him and goad him into doing it, and he'd have an instinct for what to say to make that happen - I think the whole elaborate domino plan that Tim comes up with for Boomerang would feel unnecessarily complex to Dick. Not that Dick doesn't make complicated plans, because he absolutely does, but Dick doesn't usually overthink people.

Similarly, if Dick had been the little kid in Lonely Place of Dying, he'd have gotten worried and gone straight to Bruce and talked to him, not gotten worried and taken photos of Bruce from a distance and then come up with an elaborately overthought plan to go to New York and track down his estranged son and fix him that way. And, like. Kid!Tim's not entirely wrong! He's correctly picked up on a very real and very strong connection between Bruce and Dick even though he doesn't know either of them! And given how little actual information Tim has, this is actually an impressive plan (it's a bad plan, because Tim doesn't know about their fights, but it's an impressively solid plan given that his entire information basis is "watched them from a distance and collected news reports"). But this isn't how Dick thinks about people.

Backing up to a more general point: Tim values people skills really really really highly. I think "uses interpersonal skills to help and comfort other people" is one of Tim's highest values and arguably the highest value - he imprinted on Dick because he was kind, and then imprinted on Batman because he was comforting Dick. And he has six million After-School-Special-style plotlines where he tries to comfort / advise / rescue / etc. people in various stages of emotional distress and who are using bad coping mechanisms. His very first outing as Robin involves talking down a semi-suicidal shooter; the big finale of YJ has Tim talking Secret down from her rampage; he's very gentle when he's comforting his girlfriend after she confides in him about a maybe-attempted-rape; he talks down a suicidal college student in Robin; plus there's the entire concept of "Batman needs Robin" in the first place; not to mention his obsession with the importance of friends; and so forth.

So it's something that he's good at because it's something he values and works at. His people skills are conscious and learned. He does a fair bit of amateur psychoanalysis of other people's problems, and he's generally good at identifying the problems, even if he's not always great at fixing them. And he's often playing a role, or imitating other people, rather than being himself; he invests a lot of time constructing alternate identities; he's often more comfortable wearing a mask. (It is just so typical of Tim that his civilian friendship group is the DCU version of D&D players.)

So his practiced-people-skills work decently well, because he's diligent and he cares a lot, and he's better at people when he's older than when he's younger. And he's extremely good at things he's had a lot of practice with, like meeting new schoolmates, or making small talk, and he's friendly and he likes people, and he's good at learning scripts and following them, and he only tends to misstep when he's distracted or unusually anxious or when he's in a situation where normal social norms don't help. (Of course, since he's a vigilante and not an ordinary person, distracted / unusually anxious / weird situation are all things that happen more often than you might think!)

I also think Tim has a few caretaker instincts that have become automatic - generally he's hyperaware of when people are upset and usually tries to reach out or fix it, and even when he's trying to keep himself at a distance he'll slide into caretaking sometimes - so e.g. there's that moment in Batgirl with Cass when Tim's kinda upset with her for siding with Batman (and distancing himself from other people in general), so he's not intending to get close to her, but also what we see him doing is treating her wounds and then getting her tea. And meanwhile Cass actually wants to reach out, and she's intensely observing him and worrying and wanting to help, but what she actually does is... drink the tea. That Tim got her. While she stays firmly on her side of the couch.

(I tend to think of Cass as slightly similar to Tim but at the very very very beginning of her learn-to-people journey here? Like Tim, she cares!! A lot!! And she's successfully understood that Tim's upset, and she knows when she's put her foot in her mouth. But she's not sure what to do yet.)

Weaknesses:

Tactless! This is a tricky word because I think people sometimes hear 'tactless' and misunderstand it as 'generically rude,' but that's not quite the issue - Tim's quite polite most of the time; his problem is that his default mental monologue is very detached / psychoanalyzing / analytical, including about himself and things he's emotional about. He'll often be analyzing his own emotions even in the process of having them (I also talk about this a little here, though it's mostly a post about Dick and anger), and Tim's also constantly analyzing other people.

This means that if he doesn't edit his brain-to-mouth filter, he can come off as too detached or professional or calculating.

This is obviously similar to Dick's problem of coming off as too detached / professional - again, they're both Bats - but it's not quite the same thing, and I think this distinction is most obvious if you look at the places where they're doing it on purpose and picking fights:

Dick's most likely to pick fights by pulling rank: "I'm the boss, you all fucked up this mission and you better not do it again, shape up or shut up." This is a kind of distancing that's about Dick-the-impassive-boss and you-the-subordinate.

By contrast, Tim's more likely to pick fights via hostile psychoanalysis: "I notice you're being snide about Cass again, but we both know you're actually just mad that Bruce cares about her more than he cares about you." When he's miffed, both his inner monologue and the things he says tend toward 'uncharitable analysis of your emotional weaknesses,' and this is something he periodically directs at Bruce / Jason / Damian. This is a kind of distancing that's about Tim-the-hostile-analyst and you-the-unfortunate-target-of-analysis.

(Caveats: I don't think Tim's above trying to pull rank if he can, but he rarely has the opportunity; Dick's not above jabs at other people's weaknesses when he's very defensive and feeling attacked - junkie, elevator - but IMO he's more likely to pull rank, whereas Tim's jabs are more likely to be wrapped up in insulting psychoanalysis, so e.g. Jason's insecurity is his problem. The Jan Brady of the Batfamily.)

You can see related similar-sounding-but-different issues if you look at some of their respective breakups. So e.g. Dick has a breakup with Babs in which she thinks he doesn't care about her, and Tim has a breakup with Cassie in which she thinks he doesn't care about her. And these breakups are different for six million reasons (among other things, Dick and Babs have a pretty intense romance, whereas, uh, Tim and Cassie have had one date and IMO she's very right that they're better off as friends).

But you also get some useful character notes:

Babs is wrongly anxious that Dick's mostly in love with nostalgia for their past rather than the person she is now (he 100% does love the person she is now!) and she's being unfairly bitchy about Catalina, but she's also correctly noted that he's gotten into the habit of deprioritizing their relationship in favor of vigilante busywork & that he's been a bit pushy in swooping in protectively rather than letting her fight her own battles, so when she's accusing him of being a control freak it's not completely coming from thin air; Dick responds by getting hurt, upset, and direct (he gets furious and punches something, but then makes a big sweet sincere emotional speech to her about how much he cares and values her, albeit one that's so caught up in his own emotions like wanting to "protect" her that he's not slowing down enough to take in her insecurities).

Cassie has correctly realized that dating Tim is a bad coping mechanism and she really needs to just deal with her grief over Conner; when she starts crying, at first Tim moves to comfort her, but when she actually clarifies the breakup, an upset Tim responds by aggressively de-emotionalizing the conversation and pretending he's being totally logical and not emotional about it - he first wonders aloud if he's a bad detective for not seeing it coming and then attempts a bonkers guilt-trip suggestion that it's their duty to date in order to uhhh avoid turning evil in the bad future (sdfsfdsfdsfds sure tim nice try)

This isn't because Tim literally doesn't have feelings, because of course he does! But often, the more upset he is, the worse he gets at clearly expressing those feelings, and the more he intellectualizes them or avoids discussing them.

(Caveat: The trouble with any distinction is that it's easy to exaggerate it in ways that are oversimplified, and I want to emphasize that this doesn't reduce to "Dick always expresses emotions, Tim is never emotional," or anything like that. Dick has a bunch of complicated feelings about the intensity of his emotions because he values control and detachment and often is trying to be more detached (I talk more about this in the context of anger here and here); Tim often retreats to faux-analytical detachment when he's actually very emotional; and these are tendencies rather than one-note 24/7 truths - Dick is completely capable of intellectualizing away his emotions; Tim is completely capable of just getting straightforwardly and directly upset. But if you're looking for broad distinctions, I think it's fair to say that Dick's usually better at directly using his words and expressing his emotions, even if he sometimes feels self-conscious shame about it later, whereas Tim tends to self-sabotage and deflect and hide by producing intellectualized faux-logic instead of just being direct about what he wants or what he's feeling.)

An unrelated issue is that Tim also tends to get intrusive when he's anxious, and it gets worse the more he cares about you. Tim really really really wants to know what's going on and has an intense Need To Help, which generally works out for him - this is the entire reason he pushes his way into the Batfamily! - but it's easy to imagine Tim running into people who might not appreciate his busybody sneakiness; so e.g. secretly stalking your friend because he has a bruise, or running your friend's DNA, etc., is... stuff that all comes from how much Tim cares, but also it involves a very fuzzy relationship with other people's privacy, so Tim's friendships that stick around tend to be with people who find this kind of intense observation to be caring rather than pushy. Relatedly, Tim's version of "be protective" can overlap with "be condescending," which means he tends to get along best with confident people like Bruce, who could punt him into a wall and who thus finds Tim's 'disapproving medic' shtick endearing instead of insulting.

Tim also struggles to connect to people for whom he doesn't have an obvious "script" or who don't respond to his usual scripts. So e.g. offering Gar a "you don't like me but let's be friends" handshake worked; offering Cass a "let's be friends" handshake worked; offering the same thing to Damian did not go over so well; and I think this kind of "it usually works so this is my habit now?" thing is very Tim, and I don't think it's the sort of mistake that Dick would make.

More broadly, because Tim's people skills are conscious and learned - the effort sometimes shows! He stares at people. He secretly spies on them. He pokes around in their secrets. Dick can be paying close attention to you and seem like he's not, so that his awareness seems effortless and less intrusive. I think Tim's awareness tends to be a bit more effortful.

That said, though, I don't think that Tim's intensely-observing-you shtick is necessarily obvious except to people who are fairly socially-skilled themselves. When I write fanfic, I generally write from Dick's POV, and I tend to write Dick being hyperaware of when, say, Tim's observing him, or trying to figure out what's going on with him. But I think of that as more "Dick's good at reading Tim and really aware of being watched, so every attempt at subtlety stands out in neon lighting," and I think to someone who's less good at reading people than Dick is, Tim is a lot subtler.

And I think for e.g. someone like Cass, who really struggles with people skills, Tim seems impossibly and naturally good at interactions in the same way that to Tim, Dick seems incredibly good at it.

#ask tag #dick grayson #tim drake #hi anon this is SO OLD i'm so sorry sdfdsfds #i am very slow & this is very long because i kept adding things to it but this was a very fun ask thank you <3

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bertoyana · 3 months ago

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X-MEN: DAYS OF THE FUTURE PAST (2014)

#they should invent an iteration of cherik that doesn't make me want to kill myself #mine*#cherik #x-men #xmenedit #gifset #filmedit #erik lehnsherr #charles xavier #otp: i want you by my side #they never talk about this again btw #guys be honest do u think it blew up in their faces in genosha (it totally did. it 100% did)#i think its important to note that in most of the movies (esp. the prequels) erik is always very intently staring at charles without #blinking. and that the one avoiding eye contact or not being able to hold it for too long it's charles #charles does avoid erik's eyes a lot especially in dofp #while erik is always the one doing the intense staring into charles' soul thing BUUUT in this scene #you can see erik breaking eye contact for a brief second when he says 'for what happened. i truly am'#you don't get it he's so sad!! HE'S SO SORRY!!!! and yet he can't bring himself to look at charles in the eye because he gets too emotional #and also the second erik says 'for what happened' charles breaks eye contact too #they are hurting so bad and they can't look at each other in the eyes without getting emotional.................. i'm so normal about them

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omaano · 3 months ago

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Another comfy sleepy clone pile ^^

Oh wow, it's been so so many months, I hope you're still around Anon to see this! ❤️

Polyamorous/platonic poses

and the other drawings I’ve made for them

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starcurtain · 2 months ago

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Hello! I just saw your latest post and you might have been referring to my ask if it was the one about Ratiorine's differing philosophies or of what philosophies they abide by (existentialism, absurdism, etc) then that's me! If you weren't referring to that I apologize for the confusion. Sending it off anon this time so maybe it doesn't disappear 🥲

Sorry for the ask disappearing the first time; I'm not sure what happened, and I was so sad because I had been carefully holding on to it to answer it! I'm glad you were able to resend.

I do have to say first that philosophy is not my area of expertise, so there may be much more qualified philosophy buffs out there who can answer this more accurately than me, but I'll give it a go with my personal understandings of the characters:

First, Ratio is the easier of the two I think. As many people have said, he's a good fit for existentialism. His entire shtick is basically believing in the power of the individual to improve and enrich their own life, to fight valiantly regardless of the hardships imposed by their life's circumstances, and to make themself into a better person by their own choices.

It's important to underscore that this means Ratio believes in self-determination, in the idea that people's lives are not foreordained but are actually actively shaped each day by personal decisions. Therefore, people have inherent freedom to decide the course of their own lives by accepting what they approve of, refusing to accept what they disapprove of, and harnessing their own individual power to ultimately achieve self-actualization.

Essentially, Ratio works under the impression that life is not guided by something as intangible as destiny, and no matter where you start off in life, what ultimately happens to you is within your control (or at least within the control of whoever controls you). This is likely a small part of why it grates on him so badly that he wasn't recognized by Nous, because the fact that one can dedicate everything to a goal and still not achieve that goal runs contrary to his central philosophy.

If he believes that people have the power to determine the course of their own lives, then what does it say about him, who fought so hard to do exactly as he claims even idiots can do--seize control his own fate--and yet didn't succeed? Are there some things outside of man's power? It's enough to make even a renowned doctor question himself, and Ratio decided to come out on the side of "It's a personal failing, not a flaw in my philosophy." He literally said "Skill issue" to himself.

Changing tack a tiny bit here, I think it's also important to emphasize that there is a difference between existentialism and nihilism even though these philosophies dovetail. Again, I'm not an expert in philosophy, so my understanding is very limited, but the basic idea of existentialism is that "existence comes before essence"--that is, things start as a blank slate and gain nature and meaning after the fact. We are not created by some grand design, nor is there any inherent "purpose for living." Things just exist because they exist.

This is where existentialism intersects with nihilism, at the starting point that existence is inherently meaningless. But, in my personal opinion, nihilism as a philosophy fails to move beyond that. Pure nihilism is ultimately self-defeating because it leaves us with no motivation to commit to growth. It's a philosophy antithetical to the continuation of life as we know it. Existence is meaningless and any meaning you personally derive from existence is also meaningless, so why bother attempting to derive any meaning at all? This complete apathy is the Device IX that Star Rail paints as so dangerous.

And Ratio is not this way at all. His philosophy absolutely reaffirms that life can have meaning, so long as people create that meaning for themselves. He simultaneously asserts that anything that people create is not meaningless ...which basically means that meaning itself cannot be meaningless. (If that makes any sense to anyone.)

Frankly, I would argue that this philosophy may be a core part of why Ratio has not been recognized by Nous so far, rather than simply his "being a good person." (Nous is a robotic AI super-computer, why would THEY care about the presence or lack of human empathy?) Ultimately, Ratio's central philosophy about people being capable of determining their own fates and purposes also applies to his understanding of knowledge--knowledge is not something which is inherent in certain beings from birth or limited to the purview of the "special" (geniuses), but is attainable by all people. People are not "born talented" or "born untalented," they are simply "educated" or "uneducated," with the only barrier between these categories being one's own personal willingness to change. The mundane can become the divine--if they work hard enough at it.

Thus, knowledge is not wealth to be hoarded, but a currency to be spent to enrich other members of humanity.

(By the way, completely random aside--it also surprises me that everyone relates Ratio to Alhaitham from Genshin when they literally have such a glaring fundamental discrepancy in their understanding of the concept of wisdom... But anyway, back on topic!)

Ratio may (sort of) respect the members of the Genius Society, may recognize their incredible knowledge and abilities, but at the heart of the matter lies a single all-important question: Does Ratio even really believe in "genius" as a distinction (other than as a concept to insult himself)? Does he truly believe there is barrier between brilliance and idiocy that "ordinary people" can never cross?

He speaks convincingly about geniuses being different from "the ordinary," but if his core belief is that people have the power to pull themselves up out of despair and achieve greatness through effort and self-development, rather than some form of luck or god-given talent at birth, then... do born "geniuses" even really exist? Is there really an insurmountable difference between brilliant and mundane?

If knowledge is the equalizer of all sentient beings, do we not all have at least the initial capacity to become geniuses?

I personally think this central distinction about the capacity for knowledge among all humanity is the actual deciding factor in Ratio's rejection from the Genius Society, because, at the end of the day... how do you become a member of the "Genius Society" when you fundamentally reject the distinction of "genius" as an exclusive category from the start?

Ratio wants to share knowledge and uplift everyone (even if he thinks most people are starting off at the rock bottom known as idiocy).

His mission is diametrically opposed to the concept of a "Genius Society" in the first place.

He wanted in to the cool kids club because he desperately craves validation and acceptance, but the philosophical values of the Genius Society are ultimately incompatible with his own. In short, he would have to cease to be "Veritas Ratio" to succeed in joining the geniuses.

Okay, okay, back to the original point again, and just one more note about Ratio: Even though existentialism also goes hand-in-hand with absurdism, I don't think Ratio is far enough down the philosophical rabbit hole to believe in the wider definition of absurdism. Although I think he does agree with the inherent meaninglessness of existence, I don't think he views existence itself as truly irrational and the universe as as manifestation of unknowable chaos. I think he'd at least like to imagine that there are some ontological principles and inherent laws governing the operations of reality, and I think he does believe that certain things can be predicted with the application of enough thought... He certainly seems to believe in some form of "objective truth," at the very least.

I think he'd at least like to believe the universe is semi-orderly, even if he might deep down admit this is also wishful thinking.

So, to me he reads as a strong metaphor for pure existentialism, with deliberate rejections to both nihilism's apathy and absurdism's lean toward solely subjective reality.

PHEW, this is already long and I still have a whole other character to talk about... I had more to say about this topic than I thought. Sorry for the long read!

Anyway... Aventurine.

I've seen all sorts of things thrown around for Aventurine's philosophy, and while I think he does inherit a bit of Acheron's absurdism by the end of 2.1, I actually don't think Aventurine is an absurdist, an existentialist, or a nihilist.

I think Aventurine is a struggling fatalist.

He doesn't like it. We see him actively question it, but ultimately, he does come back to the concept of destiny over and over.

First, I think it's important to draw a clear distinction between Ratio and Aventurine: Ratio's existentialism is a philosophy that technically works even in a theological vacuum. Nous doesn't have to exist for Ratio's philosophy to function. Ratio's belief in the self-determination of humanity is, in fact, somewhat opposed to belief in aeons in the first place, and only works because technically the aeons of Star Rail used to be human (or were originally human creations). It's essentially an atheist viewpoint.

But Aventurine is a religious character. Like, he's just... religious. That's a fact about him. Even though we do hear his doubts, at the end of the day, he actually believes in Gaiathra, and believing in a omniscient supernatural being that is not human in origin (is from outside the aeon system) comes with a whole set of philosophical foundations that most aeon-worshipping characters just don't have in Star Rail. (Sunday is the obvious exception here, by the way.)

Kakavasha's like the one practicing pagan in the middle of an atheist convention. Awkward.

Being more serious: Religion requires faith. Faith requires the ability to believe in things you cannot verify with empirical facts. To believe in things you can only feel, never see. The belief that a goddess is watching over you, blessing you, and guiding you requires you to also accept the idea that events in your life are not always in your own control--that some of what occurs to you is decided by powers beyond your comprehension.

In essence, faith requires belief in fate. And that leads to fatalism.

No matter how much he doesn't like it, no matter how much we see him struggle with it, Aventurine does actually seem to believe in the concept of fate. He believes that some events in life are destined to occur, that some things are outside of individuals' control, and that ultimately not everything can be changed.

This is the dead opposite of Ratio's mindset: No matter how hard we fight, how far we push ourselves... in the end, sometimes people fail. Sometimes the only answer to our endless struggles is that we die, as we were destined to, before ever achieving the greatness we sought or the futures we were promised.

As an aside, I don't think faith or religion are necessarily the only factors connecting Aventurine to this particular philosophy either. Even removing theological aspects from the conversation, his extreme focus on the gambling aesthetic suggests a strong connection to fatalism too--if not a goddess, then one's fate may as well be in the hands of luck itself, of the whims of the rolling dice--or the push and pull of "powers that be," those figures of authority in the room where it happens, who make their shady deals according to preset rules and expectations, every bet resulting in an ultimately predictable outcome.

(He keeps gambling and gambling, hoping that he'll get a different result than the one he knows is inevitable...)

This is, of course, an inherently pessimistic mindset, a perfect dark-mirror to Ratio's deep-down optimism. Fatalism puts humanity into a position of powerlessness. All hopes and dreams are given over to the goddess, by whose judgment and whims the actual events of one's life are decided. Pain and poverty are inevitable trials. Suffering and death are foreordained.

And yet Aventurine has to cling to this, as much as he doubts it, as much as he hates the idea that things in his life are beyond his power to control.

Because if fate doesn't exist... If it wasn't destiny, if the tragedies of his life weren't trials from the goddess, if things weren't supposed to go this way... Then every single thing in his life really is meaningless. Everything he suffered, everyone he loved and loss, his mother's and sister's sacrifices, the torment he went through--just sheer bad luck. All of it, completely and utterly meaningless.

How can you convince yourself to keep living, in the face of such supreme and all-encompassing Nihility?

This is the central struggle of Aventurine's character, the actual mental and emotional journey we see him undertaking from 2.0 to 2.1. He is literally on the precipice, swinging between a viewpoint that he hates--his fatalistic belief in destiny--and an entirely self-defeating philosophy--nihilism--whose only possible final outcome is suicide.

This is what his talk with Acheron at the end of 2.1 is all about. This is how she saves him. In that final cutscene, we witness Aventurine reach a mental compromise, managing to finally reconcile his necessary faith in the concept of destiny with the reality that life may truly begin meaningless--but beginning meaningless does not mean staying meaningless, and believing in destiny does not bar you from making your own choices or finding your own purpose in life.

Later on in Penacony's story, we literally see Acheron use Ratio's philosophy to reject the same nihility that crept into Aventurine's:

Acheron wards off nihility's apathy through an absurdism all her own, but one which manages to enclose both Ratio's and Aventurine's otherwise incompatible mindsets: We have no way of ever knowing for certain whether the events of our lives are fated or mere nonsense. We have no way of knowing if our choices are our own or foreordained. But we don't need to know this to find meaning and value in them. Whether life is nothing more than unpredictable chaos or a predetermined pattern of cause and effect, what matters is what you make of it.

Ultimately, I think that this post has really helped me recognize just how well Aventurine and Ratio work as philosophical foils.

They really are perfect opposites.

Aventurine's fatalism is deterministic, while Ratio's existentialism is self-deterministic. Aventurine's philosophy is inherently pessimistic; Ratio's is inherently optimistic. Ratio's philosophy operates on a core belief in the freedom of humanity to decide their own paths in life, while Aventurine hates but does ultimately believe that people aren't really in control, that even if no gods are guiding us, we can't rise above our own natures. Ratio's philosophy makes meaning from growth; Aventurine's makes meaning from loss...

And they both struggle with fundamental doubts in their own philosophies, core questions that are directly tied to their own lives. Aventurine worries that his faith might be misplaced, that destiny might not exist, and that everything he suffered might have been in pointless, empty vain. Ratio faces the crisis of recognizing that his core belief in the power of humankind to determine their own paths and make their own meaning might not actually apply to everyone--because it doesn't seem to apply to himself.

It's literally only by bridging this philosophical binary with Acheron's anti-Nihility absurdist rhetoric that we can reach some sort of healthy outcome. That's why it takes both Ratio's note and Acheron's comments to finally lead Aventurine to acceptance. Ratio probably needs a little bit of Aventurine's "If you didn't make it into the Genius Society, there's got to be a reason" mindset to finally reach some peace with his situation too.

I'm not even a philosophy expert and even I can see that there's really only one takeaway here: These two characters were totally written with each other in mind.

Aventurine and Ratio need each other on core metaphysical levels! 😂

It's so good guys. You can't see it, but I'm making chef's kisses, I promise.

#honkai star rail #aventurine #dr. ratio #ratiorine #aventio #well the implication is there at least #character analysis #honkai star rail meta #philosophy #long post is long #this took so long oops I'm posting at 2am #entirely unrelated but innenofutari #you are very based for having a Princess Tutu quote in your bio #that's the most important thing I could tag this post with #actually #also if my philosophy understanding is all wrong I'm sorry #not gonna lie I dated a philosophy major in college soooo #that should tell you everything you need to know about my feelings toward philosophy

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