#very fun to analyze

[paimonial-rage]

Hello I have a character analysis ask for Aether, Number 9. If you are interested only. I love your blog. It actually help me in writing since I am a beginner writer. Thank you. Have a great day.

Thank you so much for the ask and kind words. I’m glad you find my blog helpful! ;v; <3

[Character Analysis Ask Meme]

What can’t you trust Aether with?

To stay - It’s easy to forget when he stays for so long that one day he will leave. It’s inevitable. Really, you should know better. He’s done it with every nation he’s visited. He remains for a year—exploring, taking quests, getting close to everyone—and then the winds call him on to continue his journey. And then after that, what is left for you? Those biannual visits when a special event was being held? Those few times he invites you to his teapot or to explore with him? How can he see that it’s simply not enough?

[poorly-drawn-mdzs]

I hope you take this as the compliment it is intended to be, but you strike the same chord of irreverence-as-love, jokes-to-showcase-sencerity that I get from Chuck Tingle, and I adore both of you.

You have bestowed the greatest honour upon me.

[cinnamon-flame]

Your art style is like.

Very rounded/you don’t have a lot of flat shapes, and also you use a lot of stripes and spots everywhere, but I think most people do so I don’t know if that counts.

Mostly the first part. Like round but not necessarily soft, though people often put them together I don’t think you usually do. Honestly most of you art looks like I’d reach out and feel leather or scales.

Sorry if this makes no sense but I saw the post about describing art styles and drawing without them and figured I’d give describing it a y ry

Here it is! Hailstorm and Pyrite for the evil style challenge. The total opposite of round and sharp! It's spiky and soft! Also since you made your piece with lineart I decided to draw mine completely lineless.

I thought that maybe doing with a soft shading would minimize the defined textures of scales on dragons? It kind of worked? Also instead of stripes and dots I gave them triangles

[vampzzz64]

These 2 panels stand out to me a lot not just because they are stylistically cool but because of the meaning in every detail of them. The violet and jade fighting for dominance in the background mirroring the way Kanaya and Eridan are fighting. Kanaya in black and Eridan in white, partly to represent his aspect of hope and having the villain in white which is generally a “heroic color”. Then the background turning black as he kills her representing the kind of finality in this blow. Both of them are now silhouetted in their blood colors. Could be interpreted as a larger commentary on how highbloods treat those loser than them on the hemospectrum, lowbloods don’t even get the dignity of a more sure (?) decision they are killed with no hesitation and no remorse. The white cutting through the darkness. The blood splatter. Kanaya’s hands going up in shock as she is killed whereas Eridan doesn’t move at all. It’s all insane. I’m insane about this webcomic.

[pyxehastoomanyinterests]

thinking of the damsel route where the princess turns into an anime girl. thinking about how the mere act of questioning her autonomy made her lose it. because viewing her as brainless made her so. because our perceptions shape who she is, and by not believing her simple want we are not believing her existence as an original person. thinking about how she's a person until we decide she's not being "person enough"

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[yuseirra]

**oshi no ko spoilers**

the more I look into it, the more I'm convinced that they understood each other very well. Ai knew exactly what words she could use that'd prove effective for Hikaru and let her achieve her desired results. Hikaru is one of the two people who suggests Ai is a normal girl with fantasies forced on her... That backfired in a really tragic way

[cerise-on-top]

hi<3 if you can, can you do valeria and laswell with a gothic s/o? like someone who likes darker/morbid things and things like that! love your blog by the way! it’s definitely my favorite blog to come look at after a long ass day <333

Hey there! Sorry, but I couldn't really find too much on what counts as dark and morbid in the goth scene, so I wrote more general HCs, I hope that's alright still ^^;

Valeria and Laswell with a Gothic!S/O

Valeria: She’d most definitely be intrigued, but not too much. In all honesty, she doesn’t know too much about the subculture, she’s never really met a goth who was clearly one. However, if it makes you happy, that’s all that matters to her. While she won’t really know too many bands, or any at all, she’d be more than happy to listen to a few if you want her to. Yes, she won’t always have the time, but when she isn’t too busy she could put on some songs by Joy Division or The Cure, she really doesn’t mind. She can vibe to that sort of music, even if it isn’t her favorite. You’re more than welcome to discuss the literature with her, though. She’s probably never read a single gothic literature book, but she can buy you some. Anything from poetry to a regular novel, it’s quite alright. While she won’t be the best person to go to when it comes to discussing those, she’ll support you either way. However, something she could definitely enjoy would be going clothes shopping with you. The fashion is kind of nice, she has to admit, so she’d be more than happy to buy you whatever garments you desire. Will go out of her way to find something you might like as well. I can’t see her being too much into the history of goth culture, though. It’s nice that you are a goth, if you want to tell her about it, then you can and she’ll listen to you, but she likely doesn’t have the time to research everything by herself. Tell her about its roots and she can definitely appreciate you going against what’s mainstream and how it all came to be. She’s a very defiant and rebellious woman herself, so she definitely gets it.

Laswell: She knows so many people, I wouldn’t be surprised if she has worked with goths before. And even if she hasn’t directly, she’s likely seen quite a few walking around the city. She usually grows worried for them in summer since their attire is black, which makes it quite hot. However, she’d be very intrigued by you and your subculture. It’s something very near and dear to you, so she would put in the effort to learn about your history. Will give some classic bands a listen as well. She just really wants to have something to talk about with you. Besides, she gets to learn more about you. While she may not be the biggest fan of your interest in death, considering she’s surrounded by it more often than not, she’d be more than happy to indulge anything else it has to offer. Laswell spent a good chunk of life left alone with her thoughts, so she definitely knows a thing or two about melancholy, the state of the world and introspection. Maybe not in the same way you do, but she can definitely keep up in a conversation. She’s likely also unintentionally read some of the more popular gothic novels out there and liked them, so she’d make for a good discussion partner as well. While she doesn’t particularly understand the need to make your face completely white, she doesn’t mind. In fact, she thinks it looks quite cool, even if it’s not for her. However, the fashion in and of itself looks really good to her. Again, she wouldn’t want to wear it, but something about Victorian and Edwardian fashion has a certain something to it that she can’t quite place. Like Valeria, she’ll definitely buy you things she thinks you might like. Anything from a suit or a corset to a book about poetry. Beware, though, she will read the books before you can.

[lesbianfakir]

Fakir's theme (Beethoven's Coriolan Overture) always struck me as funny because it stands apart from the other character's themes. Mytho has the delicate Dance of the Sugar Plum Fairy, Rue the somber Gymnopedie No 1, Duck the cheerful Nutcracker Oveture etc... while Fakir's theme is well... LOUD.

It characterizes his most aggressive moments, mainly playing in scenes where he antagonizes Mytho and Duck.

This always sat a little weird with me as it is a very surface-level character theme for such a complex character. In contrast, Rue's theme tells us something about her motivations under the Kraehe persona. Fakir's on the other hand tells us that he's mean and aggressive... something any viewer who's gotten to a scene where the song plays already knows.

On one of my rewatches, though, I noticed that he has another song that functions as a sort of secondary theme: an excerpt from Scheherazade.

This song plays most notably throughout most of episode 12, while he is bonding with Duck. It shows up a few times later in season 2, mainly in scenes concerning Fakir's struggle to write. As such, I view it as a complementary theme to the Coriolan Overture.

Listening to the song, it feels much more in line with Fakir we've come to know him. The song can be a little delicate and a little sad with gentle wind solos that lead into loud, grand orchestral sections. The repetitiveness, tempo, and use of dramatic brass and strings give these louder sections a gallant, almost desperate tone. It's super fitting that this is the song that plays throughout the episode where we get the best sense of Fakir's natural personality when he isn't putting on the cold persona.

I don't really have a deeper analysis here I just think it's really fun that as his character develops he gets an additional theme. If you think about it the music in Tutu functions as a sort of jukebox musical--the world and characters are built around the songs. Once we start to get to know who Fakir really is, the music that represents him changes to reflect him better.

[ksbbb]

I think we need to talk about teen wolf season 5 again. The lack of communication throughout season 5a is insane. It was done on purpose and it drives me crazy because if someone stopped and had an actual conversation to explain what was going on in their head, I don’t think Theo would have been able to manipulate the pack the way he did.

I love the season and it has its flaws, and it’s not perfect by any means, but it also makes me think about how people can become so caught up in their own world. They become lost in their own thoughts that they fail to realize they’re not seeing things from a clear perspective or vision.

It’s wonderful to use in writing because it’s something we all experience, but when it comes down to it, Theo wasn’t the only cause of the pack’s shift to being broken. The cracks that were being made in the McCall pack all throughout season 5 was complex and it was a multitude of factors that caused the pack to become disconnected from each other.

The miscommunication and lack of understanding caused a ripple effect that led to everyone’s inability to make clear and informed decisions.

That’s why you have the Stiles and Scott feud, Liam almost killing Scott, the Malia and Stiles break up, and Theo’s fight with Scott by himself in the library.

I love this show. That’s all.

[season1mac]

sometimes i’m like. i think we should all just watch this show the way it was intended to. brains off and laugh. and then they do shit like show mac being burned by his mom for not being quiet and dennis actually trying to be calm and charlie apologizing to his mom and taking care of her when he didn’t do anything and she did it to herself. and i’m just like. oh okay i’ll be insane

[transmascutena]

not to be a hater (except it's totally to be a hater) but i do not understand people who think utena and touga would make a good couple. even ignoring how terribly he treats her, she just does not give a shit about him. after the first arc i bet she doesn't even remember his existence unless he's right in front of her and annoying her. she has object impermanence but only for touga kiryuu

[poorly-drawn-mdzs]

Culture Shock

[First] Prev <–-> Next

[twentyfivemiceinatrenchcoat]

People acting surprised when a morally grey character is actually morally grey 😲

THIS ….. i feel like a LOT of people consume media under the assumption that morally gray characters are characters who always perfectly tiptoe the line between black and white, and not…… characters who do horrible horrible things but still treat one single person with all the care in the world. or characters who are on the ’good’ side of the story and do good things while also being fully willing to cross any line they’re told to cross. and etc. morally gray characters are complex and can be anywhere on the morality spectrum except right at the very end of either side. they’re not a perfect shade of gray, they just aren’t completely black or completely white. sigh…….

[lunalikestowriteanddraw]

The FCG-FRIDA goodbye at the end of episode 64 hits like a motherfucking TRUCK because I love them so much and I know that FCG is gonna die in like 30 episodes so they’ll never get to see each other again and I just

GUYS IM NOT OKAY

[anistarrae]

i feel bad for not really participating in art fight this year, had personal things going on in my life during July😭 ill try to attack back as many people as i can while it’s still going, every attack ive recieved means the world to me :')