#very disorganized

[sparkly-caroline]

NEW AMOGUS EPISODE DROPPED LETS GOOOOOOOOO

So the new episode of Rodamrix Amogus came out today, and thus, I will post some screenshots while giving my unfiltered thoughts on each frame like a madwoman lmao

(SPOILERS ALRIGHT? OKAY, PROCEED WITH CAUTION)

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We good?

Okay, time to start fangirling.

Nightmare sequence, but ayo, Red looks dope like that! Kinda reminds me of Indigo's "i'm so pissed off" state.

POLYAMOROUS PEOPLE + THE CHILD THEY ADOPTED REUNION YAAAAAAY!

(Fyi the poly thing is just a headcanon, don't come at me)

I almost forget how expressive these animations are lol, even the mouthless crewmates can express personality lmao

Pink's hitting that rebelious state lol

To be fair, the bean hasn't eaten since they've been in outer space and nobody on Polus gave them Pizza. Pink's gotta be starving by now.

Go to jail /j

Are we gonna get a White and Purple arc like how we got a Green arc in the og? Yooo that'd be sick :D

Just the other day I was saying "say White doesn't get as much attention as Red or Blue", maybe that's gonna change soon, who knows!

Oh, yup. Everyone in Polus: DEAD (rip to everyone who hoped Tan lived)

O_O

Rodamrix plushie cameo wooooo-

[daisiesonafield-blog]

FITFWT NY

[tomano-03]

Sorry for not posting. This is a convoluted vent post.

I've felt like i lost myself. I've lost track of time for the last couple of days. I've just been wasting away as the people who are supposed to guide and help me just forget I exist. They've been told multiple times how mentally unwell I was getting. The lack of sleep I've been consistently getting has been met with ridicule. Which would be fine if this wasn't a long running problem that has happened time and time again. I've barely been reminded of dinner for since Christmas. I feel inadequate every time I leave my room, just feeling that I've done something wrong that bound to gain criticism. Both my mom and my aunt have been watching TV in the room next to me ever since my aunt visited.

And my mom thinks that since i'm [in my late teens] now, she could no longer assist me. She knows how much I suck at consistently being an adult and i feel left behind on my duties. Even when i was young, I wasn't able to do stuff that were integral, like riding a bike, or taking swimming lessons (kinda stretching integral. I know you have a job, but c'mon). The only time I've ever signed up for stuff over the summer were when i involuntarily signed up for summer school. I don't even feel like she respects my feelings and opinions sometimes...

[hyydraworks]

All the year of the dragon dragons that will be in this week's etsy drop!

[cigarettedolly13]

I feel like the reason Mello was labeled as “emotional” at Wammy’s isn’t necessarily because he was overly emotional, like some have suggested, but rather because he was emotional in the way most “normal” children are (ex. Crying when they get hurt, yelling when angry, laughing when happy, etc) and ofc I imagine a certain level of emotional detachment is not only expected, but pushed at Wammy’s, especially for someone like Mello who’s supposed to be one of L’s top choices for succeeding him.

[daenerysoftarth]

headcanon: Sam gets so frustrated with the lack of organization in the night watch’s libraries after coming back from the citadel, that he creates the Westerosi version of the dewey decimal system. The tarly decimal system

[sarshles-cheescake-li]

I wonder if Lu Guang and Cheng Xiaoshi's rule around past and future was about protecting the timeline and the future, or about protecting Cheng Xiaoshi?

After all, on a universal, metaphysical scale of things, physics shouldn't care about whether a change to its pathway is observable to humans or not. It shouldn't care whether someone changes the timeline enough to have noticeable changes on the human level, or just on the micro level -- one second late here, a few centimetres too far here.

Besides, I would presume that for the sake of the universe's peace of mind, it wouldn't give people reality-breaking powers for the fun of it.

But what we do know is that changing the past drains you. It tires you out, wrings the smile from your face and the crinkle from your eyes. After all, if someone got murdered, to you, it's a tragedy. If someone got murdered because of something you did or didn't do, then to you, it's sin. And if they weren't supposed to die in the first place, but you went back and changed something, and now they are? That's practically your crime, isn't it (to clarify, this is a literary hyperbole)?

But you can't just not change the past. Because if someone gets hurt and you could've saved them, then that's no different, really, from dooming them yourself. Does inaction not carry the same consequences as action? Does the crime of omission not weigh on the scale just as heavily as the crime of commission?

Cheng Xiaoshi learns. Cheng Xiaoshi cares, about everyone and everything, deeply. Whether it be because he dives in and inherits their emotions, or because he is too full of love for every single living thing, Cheng Xiaoshi is the type of person to see everyone whom he can reach as his responsibility. But that is a horrible, horrible mindset for a time-traveler, isn't it?

So -- imagine. Lu Guang, in the first few loops, without his rules, changing the past with his partner, watching Cheng Xiaoshi fall apart again and again, drowned by his own perceived sins. And we don't know who Lu Guang was, at this point. Was he perhaps more stilted, less able to be Cheng Xiaoshi's psychologist, as director Li once joked? What would've happened to a Cheng Xiaoshi who carried more burdens and whose Lu Guang was not yet practiced at bringing him back up from his lowest points?

So Lu Guang learns. The first rule is a time limit, and the second rule of obedience. Maybe this was their own rule to begin with, to make sure Cheng Xiaoshi remained within Lu Guang's reach. Maybe it was made later, so that Lu Guang could guide Cheng Xiaoshi and shoulder more responsibility. If he could make himself the gunman and Cheng Xiaoshi the gun, maybe the latter would not feel so guilty over whom gets caught in the crossfire.

Maybe later he learns that that doesn't work, that Cheng Xiaoshi still feels deeply guilty about the people hurt by the new histories they create. So then the third rule: Past or future, leave them be. I had always found it strange why this rule included the future, in addition to the past. If it's about timeline stability, wouldn't it just be about the past?

But maybe it's for Cheng Xiaoshi's sake. If Cheng Xiaoshi thinks that he isn't allowed to change the past for some higher, nobler reason, if it's Lu Guang making him follow the rules and not he himself, then the choice is out of his hands. It's not that he's "leaving someone to die." It's the timeline which demands they must die. He cannot change it, so he will not. And if it's for that same higher, nobler reason that he cannot try to track the changes that he created, then that choice is out of his hands, too. Then it's about him "not wanting to know what happens" it's that he "shouldn't know what happens."

Cheng Xiaoshi, left to its own devices, flies too high and burns himself out, trying to care for too many people too deeply, all at once. But what if Lu Guang chains him to the ground? Here are the rules, Cheng Xiaoshi. You must stay for only twelve hours (So I will know where you are and you will not lose yourself living infinitely in the past). You must listen to me (so you can punch me and blame me if things go wrong instead of yourself). You cannot change the past (So please don't try to, because once you do, it will suffocate you) and you cannot ask about the future (you don't need to know what your actions have wrought). And Cheng Xiaoshi remains, unburnt, unscathed. If anyone asks him why he won't fly higher, it's a simple answer -- Lu Guang asked me not to.

Lastly, this one is purely speculation, and I don't think it's true, but -- do we actually get confirmation, at any point in the story, that Cheng Xiaoshi can't dive into photos that he's already dove into? Did he ever actually try and have it fail, or did Lu Guang simply tell him that?

Maybe there is no diving limit. Maybe Cheng Xiaoshi can dive into the same photo as many times as he wants. But then why would Lu Guang tell he couldn't?

It's simple.

You must not get caught up trying to change a past that doesn't want to be changed.

After all, Lu Guang knows very well what happens if you do, doesn't he?

[chimaeray]

Mouthwashing thoughts assembled from my Discord messages with a friend while we both go apeshit about it

Spoilers this is your only warning because I will be getting RIGHT into it. Things are not organized super well it's all braindump baby. CW for game topics including sexual assault, torture, and general misery.

Jimmy's so certain everyone is or should be like him that he can't imagine anyone actually caring about other people. From Anya asking for any help and care whatsoever being a nuisance to him, to Swansea keeping watch at the utility room just trying to keep Daisuke safe and put him in that cryopod once everyone else was too far gone. This is unfathomable to Jimmy, who's first instinct upon learning they were all getting terminated was to belittle and shame everyone as a way to guilt Curly further. Of course including Curly himself, who was struggling (kind of having a midlife crisis) and putting on airs to keep everyone else calm and okay for this one last job. Jimmy is so sure of himself being able to fix things like Curly does, and figuring out how they can "both be heroes in this," that he makes a dying man eat his own flesh and then freezes him under the idea that this is GOOD and RIGHT. He doesn't care about the misery and pain Curly is in at this point. At first he seemed happy Curly was helpless and incapable. He seems to take satisfaction in volunteering to force-feed those painkillers, after he ridicules Anya first. He's so sure Curly should be grateful and thank him for all of this. He can't take responsibility even when he kills himself, all he does is reassure himself he did the best he could at every moment and fixed it all in the end. Curly will be miserable for the rest of the life he may or may not have. Jimmy got his, alright. Curly was feeling unsatisfied with his life, so isn't this better now? Curly says he doesn't want his life to feel like something he has to escape, but now his own mutilated body is the prison. While he watches and hears everyone else die, and he can't even try to fix it anymore. He missed his chance to do anything about Jimmy before it was too late. And when Jimmy says he can still fix this, make sure they survive and will be okay, Curly wheezes and laughs at him.

My take on Curly is that he did his best by and large, but he valued his relationship with Jimmy and trying to salvage it more than he should have especially when Anya told him she was raped. He is still a man in a place of power that didn't want to rock the boat too much, and that ended up enabling someone that would rather implode the whole fucking thing. After everything Anya still chose to die with him. She loved him(in the very least platonic but I know romantic was teased), still felt safest with him, and wanted to keep them both safe from Jimmy. So she locked them into a room together to die, quietly, away from him. Even if that made Curly witness as she overdosed and died. She had the gun hidden away with them, out of Jimmy's reach. Until Jimmy manipulates Daisuke into crawling up that vent, sentencing a young and hopeful man to a miserably painful death. Jimmy doesn't even respect Anya's authority and capability as the nurse (at all) enough to have listened when she said the mouthwash would be too sugary to use as an antiseptic. He still pours it onto Daisuke's wounds, because his short-sighted selfishness used up the entirety of the last bottle of antiseptic they had to poison Swansea.

(Daisuke is literally in an osha training video that's like "If you know it's dangerous don't do it! Even if a supervisor says so!")

By the end Jimmy only feels guilty for some of it. He knows he sentenced them all to a miserable death but he only feels guilty for Daisuke, and then Curly to a point. He doesn't really regret Swansea that much, it seems mostly like he's bothered he got caught (Swansea even tries leveling with him, to some extent--somewhere between a confessional and a final reach to see if he can be reached at all). He only worries about what having to deal with a baby might mean for him, but he doesn't give a shit about Anya at all. She's a non-issue in his mind, just some pathetic and poor girl that couldn't even get through schooling. He's only worried about the fact that a baby means he'd have to be responsible for it, and whatever discipline may come from the last remains of the company for sexually assaulting the nurse. Her suffering matters so little to him, if at all even considering he smears her entirely out of his perception while looking for antiseptic.

He's such an unreliable asshole he can't even confront himself, he has to use Curly and Polle as his conscience in his hallucinations.

The party scene is so intense. What a way to illustrate how off the deep end he is and it feels deserved. It's not just used to show he's insane and trying to cope by pretending they're all alive. It's everything he wanted. Praise, adoration, respect. Part of what I think is very interesting is he refuses to admit they're fully gone, but he doesn't necessarily deny their appearances. He isn't fixing them to look normal in his hallucinations, it's still their dead bodies he's propped up in chairs around him. Like a really weird coping mechanism to assure himself that its fine, he did it, he did a good job. Now he just needs to eat and celebrate with everyone! They just need to eat a little bit of Curly, get through one more meal, it'll be okay!

[collieii]

🏳️‍⚧️

[shannonsketches]

I noticed that the element of the triforce that the individual characters are supposed to represent, is also their weakness. Zelda's wisdom is being stifled by doubt and lack of experience; she's eager to learn, but her zeal is not enough and relies on faith and Link to save the day. I'm not implying that wisdom and faith cannot go hand in hand, but she needs to be able to represent her element more. Maybe her wisdom is knowing when to wait and allow someone else to bear the task? But it takes away too much initiative from her. Ganon's element is power but he's the one who ends up losing almost every time. And Ganondorf on his own, isn't powerless! He's a king, he knows magic, he can wield almost any weapon, he's patient, conniving and intelligent and knows how to make best with what he has. He isn't weak! And yet, the whole split happened, because he was feeling powerless.

They locked themselves in a self-sabotaging cycle that's powered by doubt.

Yeah! So one of the reasons I really love the Triforce lore is that it’s a three-way mirror that reflects both what the user has and also what they need (very wizard of oz).

Ganondorf is a very powerful man, physically, and magically.

Politically, though, he’s next to helpless, which is an awful thing for a king to be. He’s a king of thieves in OoT, because the Gerudo are not a wealthy or thriving nation there. In-Game they don’t have a local living area like the other regions (or even a store — just one floating bombchu salesman in the middle of the desert) — they’ve got a post-war fortress full of guards, and a temple that is being used as a secret base Hylians can’t get to.

Consider also, Ganondorf is the most highly decorated of the Gerudo, and he’s not decked out in gold. He’s wearing mostly iron and topaz. Nabooru and Twinrova are the only ones who have gold fixtures/jewelry along with the higher ranked guards for their protective elements (which is why I think it could arguably be pale bronze or yellow brass, which is a common and highly durable gold alternative).

The Gerudo are implicitly just surviving in OoT, and Hyrule speaks of them like they’re monsters (except for the one guy in town who has a fetish). More than that, WW establishes that his real grief comes from the weather, which any mortal is powerless to control.

So Ganondorf is powerful as a person, but powerless as a king, which is literally the only thing he was born to be.

Be that as it may, though, he is a well-loved king, and a survivor, and a thief, so he also has to embody both wisdom and courage too!

Zelda is the most obvious mirror to Ganondorf. She is a very powerful woman politically and magically, but physically-- compared to Ganondorf -- she's terribly meek. That's the obvious read, that they're 1:1 Parallels, but her real weakness lies in her courage.

Zelda (in OoT) leans on her massive political power -- In the child timeline, she literally sees a foreign dignitary executed before he does anything wrong, based on a recurring dream she has.

Do you know how insane that is? Do you realize how powerful she is?

Ganondorf is not just some guy -- he's a foreign KING. He's a KING that a TEN YEAR OLD had EXECUTED based on VIBES.

And we think she embodies wisdom because her vibes were (as we, the audience know) correct. But it's actually because as an adult, she understands that none of it needed to happen that way. That the only reason Ganondorf was able to pull off his stunt and get the Triforce at all was because she tried to control the situation, sending Link to gather everything Ganondorf couldn't get himself and put it all precisely where Ganondorf needed it to be.

Despite being a child at the time, by the end of the story, by the time she's Sheik, Zelda is taking full responsibility for what happened, and is doing everything in her now extremely limited power to fix it. She's so sorry to need Link, and at the end of it all is desperate to give him another chance to be a kid, and to be innocent, and to be happy, because she realized so quickly that she never should've involved him, visions be damned. She knows none of it was his fault or his business, and she's mortified that she dragged him into it in her own attempt to control the weather.

These other two items shift in other games -- WW and Twilight Princess show us a Zelda with tremendous courage and very little power, physical or political. And then the Wild's era, despite removing the Triforce narrative, shows us a Zelda with immense power and terrible guilt and insecurity -- her power locked behind her fear, and she is only able to access both when she embraces courage.

Which brings us to Link.

Link, on the surface, is a third wheel in a chess game between ancients. But the reality is that he's the base of the prism. He's the foundation that reflects both of the others.

There are MANY different personalities for Link, and personally my favorite gag is that Link is simply too stupid to be scared, but that's just a gag -- because something I've come to really enjoy and respect about him is that he consistently displays fear. Link embodies courage because he is full of fear and chooses to fight anyway. Link leads a good life. He is comfortable, he has family, he has friends, he knows peace. What makes Link courageous is that he is willing to give up his access to all of that if it means that everyone else keeps theirs.

Link will lock himself in a room with the apocalypse if it means he's the only one who gets hurt, and it's not because he believes this is his sacred duty, or his life's purpose -- he'd much rather be at home chasing chickens around or riding his pony through some pretty scenic route -- it's because he is so full of love for other people that he's willing to give up anything to keep them safe.

Link's not very powerful, but he is also unburdened by any desire to be powerful. Link's not very wise, but he is unburdened by any desire to be wise. Link is content in who he is, Link is happy to keep things simple. But Link is so brave that he becomes a leader, which actually makes him the most dangerous of the three.

Courage, unburdened, is fucking terrifying. To both Wisdom and Power. Because, unlike Wisdom and Power, Courage is contagious.

Link can empower and inspire and reveal truths others might not have been able to find on their own. Link doesn't need charisma or brutality. Link can build armies just by being observed.

"But Sketches, you haven't really said anything about how Link reflects the other two." It's subtle! But he does. I see it like this:

• Ganondorf reflects Link's relentless determination, refusing to stand down in the face of impossible odds. In this way, they're connected by their power and courage. • Zelda reflects Ganondorf's burden of being born in a crown, forcing them to learn leadership, and how to use their recklessness strategically, as children. In this way, they're connected by their power and wisdom. • Link reflects Zelda's sense of love for the faceless innocent, and her dedication to protecting all who can't protect themselves. In this way, they're connected by their courage and wisdom.

Because the inherent configuration of the triforce requires those connections to be balanced -- Separately they are overwhelmed by their traits. Ganondorf is willing to sacrifice everything he is in order to reach his goals, Zelda is so pre-occupied with preventing prophecy she ends up instigating it, and Link is so ready to step in and help that he never considers the consequences.

Every single one of them, left to their own devices, would rather see themselves destroyed than fail those who may or may not be relying on their success. They're all very similar, highly reflective characters who all represent compelling foils for each other and yes, display how their unfettered strengths are also the thing that damage them most.

[t-u-i-t-c]

"You're running on your own, and that makes you slow."

[gideonnavsenormousbiceps]

shang qinghua and shen qingqiu would be so funny as college roommates. because here's the thing, they would definitely both blame each other for basically everything and be like "he's the worst roommate ever!" to their respective boyfriends and then it turns out they're both actually just awful roommates. Like shen qingqiu probably sucks at domestic chores like loading the dishwasher and always does it wrong no matter how many times he's corrected, but shang qinghua is probably up all night typing abd playing music obnoxiously loud (he has one of those really clicky keyboards and also gets way too enthusiastic about typing) and leaves empty energy cans/Ramen cups everywhere. Will either of them move out, or learn communication skills? No, of course not they prefer to complain

[cambion-companion]

Oh, another Raphael thought (yes I'm back from the dead today it seems).

Why we all like him so much. Aside from the obvious magnetism of his appearance and demeanor.

At least for me, it's because of his dependability. He is a lawful evil character. Evil, yes. But also lawful. Doesn't he also have like...infernal books of law in his possession?

With Raphael, we can trust that he will keep his word. Despite him being calculating and conniving, there's still an element of trust that comes from the laws he's bound to.

And because of things both Korilla and Haarlep say, I believe Raphael is a lot more lenient than other devils. Who knows why that may be.

Super interesting. Maybe he's learned people are more willing to give of themselves if they feel valued.

[haysaca]

since semmelweis carries fat stacks of disks in her books, you ever wonder if in single combat, she just yeets them like a mini gun as she does in a Semmel-Windsong Disk combo?

(for context I'm referring to this build in the Series of Ducks minigame)

(and no these are 2 separate runs, one successful and one 😭)

[foxaoxarts]

BEE KISS TOMORR- *dead* /j

If anyone wants to watch me drawing this like a little victorian child then the timelapse is below the cut 🤣

(FLICKER WARNING. It's all through out so be careful!👍 )

[daz4i]

i swear the way ppl talk abt abusers ("abusers" being a term that stands for "anyone who had ever hurt another person", of course) is like they believe these people should wear a mark of cain or smth. spoiler alert, no matter how bad a person is, they will keep living and as such will be a part of society. it's perfectly understandable and valid to not want to directly interact with someone who's hurt you, or to want to keep someone out of an industry that allowed them to more easily harm others, but they're not just going to disappear and you're gonna have to learn to live with that, especially ESPECIALLY when talking about strangers like famous people or like. random tumblr users that had a callout post written about them. another spoiler alert, anyone who had ever regularly interacted with other people has hurt someone before. possibly in a way that traumatized them. that includes you. the older you get the more people you'll hurt, too, because it is simply inevitable with the way human interaction works. so you gotta learn to be able to at least move on from it and forgive if you can. you can't simply kick everyone out of society. that's... literally impossible. so you gotta find a way to face the facts and accept that everyone has the right for "redemption" (i really dislike this term but for a lack of a better word i'm using it here). you don't have to forgive someone who has hurt you personally but you do have to accept that they won't just evaporate as soon as they do something shitty because unfortunately we live in reality