#very constructive use of my time

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[kiadanta]

Kia is staying with my partner while I'm abroad on holiday and she's not best pleased, poor baby. She's safe, she's well cared for, she's with someone she knows and likes, and she's getting attention, she's just,,, in a weird place without me, and not really impressed about it.

She's starting to chill out and settle in though! Slowly.

Ft @rinnaden

[faaun]

procrastination is starting to have its consequences finally

[druidshollow]

"what would your character be like without their trauma?" is such a hard question for me because it makes me feel like a massive asshole LMAO

(im attaching a picture of a tundra literally to add context to my ramble in the tags because my posts are structured by a sane person) (you should read the ramble in the tags i talk so much about rivers fsr)

[velvetvexations]

Here to support you. It’s understandable for you to be angry unfortunately. But you’ve got a handle on it I believe

someone I until a few minutes ago followed put a post on my dash and I went to OP's blog and they were like "I don't talk a lot about trans issues" and I was like "your post about it was really bad so maybe you should talk about it less" followed seconds later by instant regret and an apology for being too mean because telling trans people to not talk about transphobia is if nothing else a bad look

I've said this before but Fantasy High Junior Year was incredibly timed for me personally for being themed around rage (or at least attempting to be), because the discourse about it on Reddit prompted me to delete my account and come back to Tumblr where I've had to examine my anger issues a lot deeper than ever before

Kipperlilly Copperkettle may not be a kin but she turned out in a late-season twist to be more deeply relatable than I ever could have imagined and that was when my interest in her went from spiting the people that irrationally hated her to Queen of Velvet Blorbos

[mymp3]

because twt is broken i thought i could share off my doodle compilation to the world. silly doodles new and old that i made into my new header :)

+ bonus doodles

[softquietsteadylove]

We know that Gil once said to Thena: "If you love something, you protect it. It's the most natural thing in the world". Can we have a scenario when Thena says it back to Gil? Tysm!! P.S. you are a delight and a very talented writer, I love all of your fics!

"Feels like the good old days."

Thena chose to ignore him as he joined her on the roof atop their little home for two. The more he said that the more she felt like snapping at him that there was no such thing as good old days anymore.

But he would not deserve that.

Gilgamesh sat himself next to her, legs over the edge, leaning back on his palms despite the heat the roof absorbed from the relentless sun. He looked up at the sky, showing symptoms of dusk.

"You're not sleeping."

She was, she could argue. She slept briefly when he went out to forage for food, or find a human outpost with trade. She slept when he was not around to fall victim to her. "I am."

"Thena."

"If you are not here to witness it, then-"

"Thena," Gilgamesh persisted, turning to look at her. She maintained her resistance to looking at him. "Hey."

She finally did, taking him in under the soft light of evening. Australia had very brief evenings after very long days. It made the slim sliver of soft light feel elusive and precious.

"You're safe here," Gil whispered - pleaded - as he raised his hand to her cheek. He brushed his thumb over the bone of her cheek. "You know that, right?"

Thena resisted the urge to lean into his touch with everything she could muster.

"I need you to know that."

Gilgamesh had worked tirelessly since they arrived on the continent. From walking them all the way out here, hand in hand, to preparing this plot of land to laying the foundation for their house, he did everything.

Houses weren't built overnight. They had been out here for some time now. How much exactly, she couldn't know. Sometimes days passed in a blur, sometimes she passed out for days at a time.

"Do you know that, Thena?" Gil whispered to her, pulling her hand up to cradle his cheek in the same way. He leaned into it freely, leading her by example. He looked at her with those soft, brown eyes of his. "You know that you're safe with me, right?"

He was so concerned about her feeling safe with him, without so much as a thought to how unsafe he was with her.

Thena lifted her eyes to his. "When you love something, you protect it."

They were the clearest words she had spoken in days.

Gil's face contorted, both melting with affection and pained as he did so. He moved closer to her, letting out a sigh. "Protecting me, huh?"

He always understood what she was saying, no matter how few words she had to spare. She could no longer protect him in the way they once had done for each other. This was her coming to grips with however she could protect him now. And that included - and in many ways was limited to - only resting when he wasn't around to suffer any potential consequences.

Gilgamesh leaned in, pressing his forehead to hers, their breath mingling in the dry air. "You don't have to protect me from you."

"Gilgamesh."

"I don't want that."

"Gil."

"Thena," he pulled back to look at her, the same resolve in his eyes as when he declared to their family that he would go with her, safeguard her, for however long they had, wherever that may lead.

She shook her head at him--stubborn man.

Gil's eyes slipped closed as she kissed him. This still felt the same. He remained the same, no matter how many times her world shattered around her.

He held her cheeks as they parted, just far enough. He smiled faintly, "I'm lucky."

She was the lucky one; she pinched him.

He chuckled, "I mean it. I have the Goddess of War protecting me."

As he always would. If she were to find the day on which she drew her last breath, it would be in his defense.

"But y'know," he continued, in such an elated mood now from such a small thing as a kiss. "I'm sure I can protect myself sometimes. Say, if you need some sleep every once in a while."

Thena rolled her eyes.

Gil pulled them back, swinging his legs up and pulling her with him so they could lie down properly on the roof of their house--their home. He looked up at the stars with her tucked into his side. "You can rest, Thena. I promise nothing will happen."

He couldn't promise that.

"I promise I'll be here."

She tightened her fist around a handful of his shirt. Of all things in the immutable universe, this one thing had held true for her. And she lived in fear of the day when it wouldn't be.

"I'm here," he whispered, pressing his heavier hand over hers on his chest, flattening her lithe fingers out over his heart. "I'm right here."

He was right here with her. His heartbeat matched hers and his form was made for holding hers. Thena pressed her nose to his shirt, her eyes fluttering.

"I'll be right here," he whispered to her, pulling her into sleep with a low, rough whisper.

"Bed."

Gil chuckled again, tightening his arm around her waist, "oh, now you want the bed?--the bed I so painstakingly built and assembled and make every-"

"Gil."

"Bed it is," he promised her, standing with her secure in his arms. This was the first time she had asked to be taken to bed since leaving, and he was ready.

[sysig]

Did you expect Rescuing Rusty in 2023??? (RR is @zeejax‘s ♥) (Patreon)

Trick question! Even I wasn’t expecting Rescuing Rusty, but since it was up next on my fics to vet for construction, I had to give it a reread!

Didn’t it turn out lovely 💕 There’s not a lot of sky-related imagery in RR, but I couldn’t not go with this colour - it’s an even richer rust colour IRL :D

The spine ended up being big enough that I was able to sneak in two bookmarks! One for Zoom (the black) and one for Rusty (the red)

Even though they sit separately, Rusty’s still crosses over Zoom’s hehe ♥

[legionofpotatoes]

I played Season over the weekend, which if I had to condense "thematic meandering" into a videogame is probably what I would most closely end up with; but it was still a cozy chill time that targeted my very specific niche of robust cow petting mechanics. Followed by journaling the heck out of them.

I do think cute indies living and dying by their sincere desire to paint the human condition should never ever ever fall into the temptation of obtuse and nebulous worldbuilding that desperately needs to explain itself so it can function as an aesthetic blanket for their vignettes. Just keep it loose and metaphor-heavy, fellas.

Cause if you're not extremely, painfully specific about your intention with a story that centers ignorant tourism and historic preservation, you're gonna beef it, bud

[silvreflames]

young nesta who was groomed to use her beauty as a weapon vs nesta now who has never felt more ugly and undesirable in her life since she has failed the one thing she was raised to do

[goldenageofwireless]

i have to use copilot and midjourney for my homework this week. i feel like im betraying my values bro

[hauntedwoman]

anyways if i ever get killed in a mass shooting throw my dead body onto the steps of the capitol and let it rot there

[shivasdarknight]

Hi, sorry for this but you are a writer, so umm.. I was hoping you could give me some tips/advice on how to write?

tbh the way I got into writing is a bit insane, but I do have some advice that can help. gonna put it under a cut just because it got kinda long

honest to god, one of the best pieces of advice is something you're already doing because reading can genuinely help you with becoming a better writer. stepping outside of your usual genres or authors can help expand your viewpoint and introduce you to more narrative styles so you can play around and see what works for you. eg. if you mostly read first person, give second person a shot. or if you're an omniscient third person, try limited third person. or even retrospective first person, because i often see people complain about first person pov when it's married with a present tense story. if you have a first person narrator talking about events in the past as if talking to you, or a journal it often takes an entirely different angle and it's something I've played with in Homestuck fics because that fandom tends to be more open to narrative experimentation. Writing is honestly a lot of looking at stuff you like (much like art) and smooshing it all together. Personally, I've gotten a lot of my writing style from stuff like The Locked Tomb, admittedly Lovecraft was foundational (but this is a great example of why to always remain critical considering his bullshit), so was Homestuck and Rick Riordan's stuff. I'm never trying to copy them wholesale, but I am looking at aspects I like - such as Riordan's humor intertwining with the narrative and narration, or the deeply unreliable narrators that Muir writes, or even how Homestuck balances purple prose with gut wrenching conciseness when it counts. A lot of modern day fast food fiction takes out a lot of the stuff that actually builds a story - pacing, playing with narration and technical writing - so you need to be conscious of what you're looking for in things. Often more established authors get to do weirder stuff than new authors, but don't discredit new ones because that would be leaving out folks like Xiran Jay Zhao and their phenomenal prose.

Another thing that helps greatly is reading writing critique. Video essays on books or even more critical thought pieces on writing, tropes, etc. can help you learn more about why something works. Lots of different channels on YouTube dedicated to dissecting media, absolutely recommend stuff like Hello Future Me, Overly Sarcastic Productions (real world ties + mythology, great basis to build things on), Zoe Bee (writer + commentary), Nerdwriter1 (media analysis + commentary), Just Write, and Tale Foundry. For adjacent suggestions that can help build up alternate perspectives that aren't directly about writing but are about critical thinking with stories (which is frankly an important skill to have), I definitely recommend Princess Weekes, Accented Cinema, Now You See It, Dominic Noble, The Storyteller, and Pop Culture Detective. A lot of this is discussing film (save Dominic Noble, who also talks about books a Lot), but the core essence of storytelling is helpful regardless of what angle it comes in - be it video game, movie, tv, or book reviews and analyses.

Actual writing. Varies on the person on if they do outlines or not and how, but I still recommend trying to do an outline when you're first starting out. One habit to immediately knock yourself out of is writing things chronologically. If you're working on a big piece and have more energy to write something in the middle? Put that in a new doc and leave a placeholder for where you're at. Legitimately, getting words on the paper is more important than those words being good. Because you can always come back and edit things to make sense.

Always edit what you write. I hate the "no beta we die like real men" attitude because people will dunk on editing but then praise stories for having "firm and satisfying" connections which can only really be built through editing. Your first draft is your rough idea. Your second one is when you read through and have it make sense. Three is making that make sense, and maybe 4 is more just grammar and spelling errors. Edit as many times necessary to make sure you like it.

Always work in broad strokes, then move in finer like with anything. Do a general idea for a story, then your main story beats, then how you connect them together, and then the nitty gritty of each. Keep lots of notes - do not rely on your head solely for everything - and just also be willing to let things go if they change.

What I tend to do when I write is I want a good flow. I often get that from reading my writing out loud to hear how it sounds, but I'm looking for a good beat to read along. Because even if the sentence is grammatically correct and structurally sound, it may not be very interesting to read. Like you could say someone feigned a polite expression to not let the other person know that they didn't feel comfortable with a topic, or you could go the angle I went with recently of "she painted herself an interested expression to wear as dread began to gnaw at her gut." Sometimes the more colorful or out there the language is, the better it sounds when you read it. Like instead of saying "that's just how things go for them" you could say, "but Fate had a funny way of making her disdain known for (X character)". And this is where reading other peoples' work comes in real handy because you can get a lot of examples of how people write things.

I also try and reflect themes of the story into the writing itself, like this section of a draft:

Still nothing.  Seemed he wasn’t going to bother with a glass, instead just ripping the top off of some bottle of gin and tipping it back with little regard for himself. Still that chronometer ticked on; still that taught tension like another arrow had been drawn.  A million and more things flooded Ysayle’s mind, itching to loose them at Estinien, yet found herself stuck in indecision as she stared daggers into him - ever her opposite as he just seemed despondent.  The gin bottle hit the extended shelf loudly; one hand a fist around the bottle, the other balled up on the surface - knuckles as white as bone. Still, Estinien said naught. Still, the chronometer ticked on. Still, Ysayle’s heart roared in her ears - poisonous words damming up her throat.

The theme of this story is avoiding the mistakes of the past. How things often can wind up cyclical, and the goal is to break from those cycles and repeats. So naturally, several points of the narration itself repeat itself. This isn't standard writing style, but it gets that point across by repeating "Still" as the scene crawls on. I also use a lot of alliteration in my writing because I personally find it fun? So "a maddening matter made most malign", for example.

It also helps to change up how you write or what descriptors you use based on the character whose head you're in, even if it's third person. Third person can have a voice and I often use it to speak aloud a character's thoughts instead of relying on italicized dialogue-thoughts. It makes the dialogue-thoughts appearing hit more when they do instead of just having to be subjected to internal ramblings constantly. Like in this fic I just published:

“...Can we talk about it on the morn?” “What for?” You don’t know what it is you ask of me. “Tired,” Estinien said with a shrug. “We’ve morning patrol, remember?”

Compared to this fic:

“Yes, confusingly.”  Her tone was flat as she leaned once again on Surkukteni’s shoulder, thankfully on the uninjured side.  “I fear I may have been wrong, though I truly doubt it.  To deny me twice, then throw a fit?  I wonder — why didn’t you go through with it?” Not even Surkukteni had that answer.  For the umpteenth time during that conversation, she refused to look at Her Darkness.  That desire — twisted and poisoned as it was — was one that still surfaced from time to time, yet like clockwork made her ill and was banished from her thoughts.  Why was that?  She felt scorned back then, wishing the universe would correct this error in sparing him but taking Ysayle — but was she not the one who helped save him?  Who helped tear those eyes from his armor?  She easily could — and had previously — bluffed that it was to destroy the eyes and be rid of the threat, but given her hesitancy now? Why?

All of Surkukteni's thoughts are condensed into the narration so that I can separate out her thought dialogue from idle musings since she - specifically - has a connection with something that can talk telepathically. This thing comments on the literal narration of the story, so when she's directly addressing this thing it's thought-dialogue. But her actual thoughts become narration to avoid spending too much time with that, as I find it's better used sparingly.

Motivation for writing is probably the hardest thing, and best I can advise is to get really into critiquing the stuff you like because you wind up finding a lot of material in fix-it stuff, or just wanting to see more of stuff like you. It's part of what drives my xiv stuff due to how they treat female characters, and I really just wanna see more sapphic bi4bi. So considering it's something I've been stuck in for a very long time now and really like the ambient lore and wish it would do better, it's fueling my desire to write. And from there, there are so many other angles to take - like building ocs, building lore. Finding a sandbox is genuinely one of the best ways to do it. Again, like. You'd be surprised at how much is there because of spite. LOTR has Eowyn because Tolkien didn't like that the "can be killed by no man" thing in Macbeth was resolved with a character born by c-section, so he instead wrote Eowyn, the woman who killed the Witch-King of Angmar. C.S. Lewis didn't like the fact that Tolkien believed that modern technology - or slightly less modern technology - didn't believe in fantasy and he explicitly cited lampposts. And this is why there's just a random light post in the middle of nowhere in the Narnia books.

Critique is good and healthy. I'm critical with the stuff I like and my own things so I can work on them and myself. It's fine to like something that you don't wholly agree with, especially if you're using it to inform how you build on it or build your own things. Like I dunno, I looked at Dante from Devil May Cry and went "what if he was trans" and now I've got Rhombi, a character who has stepped really far away from the OG Dante mould, but you can still see hints of it as I used what I wanted to see out of DMC to build this bisexual disaster of a guy. I was disappointed by Elsword not really committing to some of their character concepts, so I kinda just took Eve (and admittedly Add) and made them into Celes and Neilos and took them to their logical conclusions. All three of them were originally fantrolls at some point, so most of the heavy lifting was done when I was back in Homestuck and all I had to do was scrub the barcodes off of them to build them up in an original verse.

Chemistry is also crucial. If characters aren't vibing, move on. Do not force it. Good chemistry can save a bad story (eg. FFXV) and bad chemistry can ruin a good story. Often it's the characters that drive a story so you need to do a lot of plotting and planning. Most writing is honestly just planning before putting the words down.

And I'm very much so rambling by now but my main points are these (+ others I'm realizing while typing):

Plot a Lot and keep lots of notes, and also organize those notes. The contents don't have to be pretty, but you'll thank yourself in advance if you at least sort them by core idea

Getting words down is more important than getting them down correctly. You can always come back and edit it when you have an idea of how to make it work

You can always place a [insert scene here] tag so you can keep your flow and don't get caught on something.

You also don't have to write chronologically - you wanna write the big confession scene before the intro? do it! just jump right into it!

also don't be afraid to delete stuff or remove it from your draft. save things for later to see if they work elsewhere, because maybe it could be a better spinoff.

dont listen to the advice of "if it really matters, you'll remember it in the morning" that advice was given by neurotypicals who don't have memory issues. make notes of EVERYTHING and then delete the ones that don't work

sometimes writing by hand vs computer can really make a difference in how you think. handwriting is slower and makes you think about stuff, so you may want to keep journals for random snippets or ideas like how doodling is good for building up your habit of drawing

Outlines can help but how you outline is up to you. Try a few styles out and go with what works best.

I cannot stress enough that having something like a marker board to write out your broad stroke story ideas is really really nice

Broad strokes first, then narrow it further and further down. Don't get wrapped up in the nitty gritty details

Chemistry is crucial and can often save a piece you're not fully feeling.

Read your stuff out loud while editing because it can help point out stuff that's not jiving! I find it helps a lot with dialogue

Read a lot. Listen to critique. Be more critical. Also don't limit your idea of stories to just books - expand the media you consume and you'll find really interesting stories that can help with yours

Don't be afraid to use tropes, but also don't super rely on them to where you're just checking off boxes instead of coming up with natural scenarios built on chemistry (eg. having the nerdy goth girl is fine, but the way the trope ends in most media ("fixing" her or just having her be a quirky cynical critic) may not fit with your story and it may be better to see how the story plays out rather than forcing it into something it's not)

Iron Widow is a good example here: the relationship between Zetian and Yizhi is pre-established and comes off as sort of "boy next door" vibes, or at least the very dedicated childhood friend. It quickly becomes apparent that he's as much a co-conspirator in her plans as Shimin is. The guy can be ruthless when given the chance, and that's how Yizhi goes beyond the initial trope and defines himself outside of it. Same with the contextualization of Shimin's seeming "aggression" as the "bad boy" and figuring out where that problem/persona actually stems from, and then the shift of viewing it as less aggression and more retaliation and self preservation.

Find something you do really want to write about, like filling a void in a piece of media you like or doing a take on media that made you mad or disappointed. Jane Eyre is technically fanfiction because the author wanted to see more of Jane and didn't get that. The Divine Comedy is self insert fanfiction of Dante Alighieri as he does worldbuilding with Christian mythos regarding heaven and hell. The Riordan verse is his interest in mythology crossed with a desire to give his son a protag that was like him (specifically ADHD and dyslexic), which then became wanting to let kids see themselves in the different halfbloods in the series.

There's a lot of ways you can get started writing, but the best way is to just write goofy stuff for yourself. Get out stuff that may look bad at first, but you go back and read it and critique it. Just getting yourself into the habit of writing helps a lot, because again: it matters less about the quality, and more getting it on the page and actually having something. You can always fine-tune writing, after all.

My first FFXIV fic isn't actually even published. It was just me writing something rambly about my Warrior of Light when I was starting to figure her character out. It looks nothing like what I'm doing now in part because that fanfiction became a launching point for me to work on others. I've got a lot of drafts that will never see the light of day because these were proto-concepts that became the stuff I wound up publishing. It's fine to have drafts that remain drafts because you can take that as practice, and practice is good. Anything that you write has value because you can use it to let your technical writing skills mature.

Also, don't be afraid to look for help. There are beta services on tumblr (or at least used to be when I was a teenager), plenty of writing guides or places set up to ask questions, plenty of youtubers that give prompts for you to work with. The hardest part is always getting started. But once you get past the awkwardness of the start, everything just falls into place and gets easier the longer you go at it.

You definitely have the desire for it because I've seen your very deep love of literature through the Bi-Library, so you can definitely become a strong writer if you put your mind to it 🫶 Find something to fix or address, and that usually is what gets the ball rolling. Worldbuilding is fun and can lead to something, but you can't have a well built world without a story to explore it.

Characters drive story, story is how you explore themes and the world itself, and the world itself is built on your experiences and interests. Embrace the fact that this is coming from your lens and experiences, because no media is truly void of the author and its other creators. Embrace that fact and use it as an extension of yourself. But really, just write. Literally anything. Just get into the habit of writing, and it'll progress from there!

[the-rose-owl]

Being bilingual is great bc I can justify watching the same 6 hours of content for the third time in 10 days to see how they translated the dialogue <3

[tetrisfr]

i hate working on Saturdays but at least i can be paid to be on FR for hours lmao

we just hired a new person though so cross your fingers that she can get trained onto Saturday shifts soon enough! i'm disabled, i really struggle with working more than the measly shifts i already work ;-;

[hamandeggbun]

Fanart of @unpretty 's incredible Squirrel Girl fic If This Kra-van's A-Rockin'...

The moment I read this bit the above image popped into my head fully-formed and would NOT leave me alone!! The entire thing is so so good and funny and hot please read the entire thing go go go