#verse: music
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heartorbit · 26 days ago
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figure skating set right now please. thanks
#project sekai#pjsk#prsk#emu otori#proseka#tsukasa tenma#nene kusanagi#rui kamishiro#wxs#wonderlands x showtime#GUYS I AM PUTTING OFF WORKING ON MY COSPLAY SOMETHING STUPID. im tireddddd i like sleeepingggff i want to play and drawwwww#after work ​I literally ate a giant bowl of mac n cheese and climbed into bed. lifestyle choices of a 9 year old#anyways i want figure skaitng set. bad. PJSK HAS A WEIRDLY LOW NUMBER OF ACTUALLY WINTERY SETS... like 3. kind of.#i have some thumbnail sketches but im kind of stumped on composition for them. my idea was a nene focus set#(IF HER NEXT FOCUS ISNT PHANTOM OF THE OPERA THEMED INWILL DIE. BADLY. THEYRE GOING TO AN OPER AHOUSE. PLEADBR)#originally my idea was for nene to be biting a medal i was very sold on it bc i love nenes competitive side#however her outfit is so nice i want it to also be part of the art .. its heavily inspired by that one iconic eunsoo lim dress#from her somewhere in time program iirc. im really undatisfied with emus dress tbh my origimal idea was to give it a phoenix look#but a lot of the firebird/phoenix skating programs have very sleek dresses and i want emus to be fluffy. the balance is hard ..#and since i want her program song to be once upon a dream from sleeping beauty i swerved to make it look a bit like auroras ? but again#it definitely feels like the weakest of everybodys ... maybe i just love her too much and want her to look the best. sorry wxs.#tsukasas outfit is supposed to look like a shooting star. easy. program music moonlight sonata 3rd movement like from dazzling light. easy.#actually i like takahashi daisukes moonlight sonata program its a medley of the 1st and 3rd movement.. i think the calm at the beginning#is best. maybe smth like that.. for his card inhad him doing a haircutter spin but again. the outfits good i want the outfit visible. damn.#ruis the one im very set on even now. girl why are you so phantom of the opera.#it has a lot of beautiful programs to reference but the outfit i didnt really have any solid reference i kind of just balled#my main idea was to make it look a bit like both christine and the phantom.... gender Fluid.#my yapfest... i should be SEWING!!!!!!!!#despite my yapping im not that well versed in figure skating i cant really distinguish jumps i just like it . and medalist#i only do normal skating. bc i played hockey for like 7 years LOLLLL inlove skating though Heart.
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soosoosoup · 6 months ago
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Funk branch au
Au and branch design by @bbc-trolls
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hollenka99 · 7 months ago
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"Odysseus when you come home, I'll be waiting. Even if you're the last thing I see, I'll be waiting."
"I'm right here, Mom. Can't you see I'm waiting? ...I took too long."
Jay, come here a second. I would like to have a word about why I'm silently bawling my eyes out at 1am because of Anticlea saying she will always love her son whom she died waiting for.
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i-ate-the-rats · 1 year ago
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just think about it.
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aueua · 1 year ago
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love these guys. the musical chairs
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vintake-ss · 2 months ago
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"Boy. When's your tramp of a mother gonna pick a new husband"
"Oowaooo"
Why is it giving High Schoolers going "ooooooh" after someone drops a yo mama joke 💀
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willthespy · 2 months ago
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rare traditional nico doodle (see also: tumblr user catching some vitamin d)
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shout out to the crickets that watched me post this
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cosmicquill · 1 year ago
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I'm always like "Oh yeah the Nightmare Times are some of my favourite content Starkid has ever put out, but they're fun additional stories and not necessarily essential for people to watch if they're into the Hatchetfield musicals." And then I think about CCRP's future or Homeless Man or Pete's brother or Miss Holloway and I'm like OH MY GOD THEY DON'T KNOW. THEY DON'T KNOW. THEY LACK CRITICAL INFORMATION. THEY DON'T--
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gorebonk · 4 months ago
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Ricky carriers around little printouts of comic sound effects and holds them up whenever something violent happens
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paintbrushnebula · 8 months ago
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"Gwen crashed in Hobie's dimension sometimes"
What Miles thought Gwen and Hobie were doing:
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What Gwen and Hobie were actually doing:
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anniebass · 5 months ago
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EGO
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10yrsyart · 5 months ago
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youtube
(alternate music only video)
i struggle recreating the beauty the Holy Spirit shows me musically, with the limitations of my art. He always surprises me though, and i'm humbled at how lovely it turns out, despite me. but even so, nothing can compare.. nothing can convey the beauty of the Lord.
the most beautiful Being in the universe, our Creator, came down to be one of us and shed His blood for us. He knew we couldn't pay our sin debt ourselves, and He loved us so much He became the payment in our place. but death couldn't defeat Him and He rose on the third day.
it's only through faith in Jesus Christ and His blood that we're set free. He promises eternal life to all who believe in Him, and He's coming very soon to take us home. He is the only one worthy of praise; the only one Just and Loving and True enough to trust your life with. He will never betray you or abandon you. He has loved you unto the ends of the earth. don't wait to accept Him, time is almost up! ✝🕊
"And this is the way to have eternal life- to know You, the only true God, and Jesus Christ, the one You sent to earth. I brought glory to You here on earth by completing the work You gave Me to do. Now, Father, bring Me into the glory We shared before the world began." (John 17:3-5)
transcript:
Holy, Holy, Holy God Almighty
Holy, Holy, Holy God Almighty
Praise the Exalted Holy God
Maker of all the earth and the sky
Holy, Holy, King of Glory
Worship the Son of God Jesus Christ
Glory to the Holy Spirit will rise
You deserve all the honor
You're the One we call the True Almighty God
You're the One we call the True Almighty God
You're the One we call the True Almighty God
You're the One we call the True Almighty God
Praise the Exalted Holy God
Maker of all the earth and the sky
Holy, Holy, King of Glory
Worship the Son of God Jesus Christ
Glory to the Holy Spirit will rise
You deserve all the honor
You're the One we call the True Almighty God
You're the One we call the True Almighty God
You're the One we call the True Almighty God
You're the One we call the True Almighty God
Holy, Holy, Holy, Holy, Holy
Holy, Holy, Holy, God Almighty
Holy, Holy, Holy, God Almighty
You're the One we call the True Almighty God
“I Am the Alpha and the Omega- the beginning and the end,” says the Lord God. “I Am the One Who is, Who was, and Who is still to come- the Almighty One.” -Revelation 1:8
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valtsv · 5 months ago
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silt verses theological arts and crafts corner
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6et0nblack · 1 month ago
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Artist: SVETHABEES
Song: BIG TALK
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leenfiend · 1 year ago
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sometimes good things take a while
(two slow dancers - mitski)
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gingermintpepper · 2 months ago
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Okay, let's finally talk about EPIC's Apollo
I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.
So really, what my problem with Epic's Apollo?
In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.
What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!
Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.
Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.
In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.
My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.
So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?
The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)
Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.
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