#veanne cox

[broadwaydivastournament]

BROADWAY DIVAS SUPERLATIVES: Sing, Sing, Sing

Video Clips Beneath the Cut: More Polls

[blackramhall]

The Stunt Man Only Murders in the Building | S04E04 created by Steve Martin and John Hoffman

Foul deeds will rise, Though all the earth o'erwhelm them, to men's eyes. WS, Ha Avatar pic by Mitchell Turek

[geekgalactic]

Happy 27th Anniversary of the Release of Whitney Houstons Production of Rodgers and Hammerstein Cinderella. With its Notable cast and entrancing music.

This is my first ever creating a series of pieces dedicated to a project. And constantly listening to the cast has been a treat while drawing these

[colorfulzombieconnoisseur]

Funny movie, “Summoning Slyvia”.

Watched it a second time. Funnier the third watching.

[camyfilms]

ERIN BROCKOVICH 2000

Well, um, seeing as how I have no brains or legal expertise, and Ed here was losing all faith in the system, I just went out there and performed sexual favors. Six hundred and thirty-four blow jobs in five days... I'm really quite tired.

[pacingmusings]

Seen (again) in 2023:

Henry Fool (Hal Hartley), 1997

[moviehealthcommunity]

Rogers & Hammerstein’s Cinderella (1997)

This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.

Rogers & Hammerstein’s Cinderella has sparkling glitter effects in all scenes involving magic, including the very opening of the film. There are brief close-ups of fire.

There are several uses of handheld camera work, but all of the camera work is very smooth.

Flashing Lights: 2/10. Motion Sickness: 2/10.

ADMIN NOTE: Our evaluation of the Whitney Houston biopic, I Wanna Dance with Somebody, is now available on our Patreon page at Patreon.com/MovieHealth and will be available on this page on Monday, Dec 26.

Image ID: A promotional poster for Rogers & Hammerstein’s Cinderella

[angelstills]

Erin Brockovich (2000)

[ozu-teapot]

Henry Fool | Hal Hartley | 1997

James Urbaniak, Veanne Cox

[beefin4beefinssake]

60-sec review is up: https://www.youtube.com/shorts/cC8sxgI1_sQ

for #flashbackfriday

Full Review coming soon too, so stay tuned

[broadwaydivastournament]

Broadway Divas Tournament: Round 1C Audios

It's what you've been waiting for. Once again, I have compiled a small collection of personally-recorded audio bootlegs pertaining to our next sixteen Divas. Unfortunately though my 55 GB folder of audios may be vast and varied, it is exhaustive, so apologies to those I have never seen (Tyne Daly, Dee Hoty, Anika Noni Rose, Linda Emond - they've all been away from New York for so long...)

See reblog for more.

[twittercomfrnklin2001-blog]

Summoning Sylvia

As a horror film, Wesley Taylor and Alex Wyse’s SUMMONING SYLVIA (2023, Shudder) would probably be considered something of a cheat by genre purists. As queer film, though it breaks no new ground and doesn’t go particularly deep as an exploration of gay lives, it has a utopian sweetness you may find hard to resist. And as comedy, it’s slick, with some actors whose timing is prettynear impeccable. Larry (Travis Coles) has been kidnapped by his best friends (Frankie Grande, Troy Iwata and Noah J. Ricketts) for a bachelor weekend in a remote, haunted house. That upsets Coles’ plans to get to know fiancé Michael J. Urie’s straight brother (Nicholas Logan), so Coles impulsively invites him to join the group. Only a) Logan is an uncommunicative military man who doesn’t know everyone there will be gay, and b) just before he arrives the friends hold a séance to summon the spirit of Sylvia (Veanne Cox), who was lynched for killing her son. Since this is horror comedy, and a queer one at that, expectations will be subverted. What starts as THE BOYS IN THE BAND becomes HOLD THAT GHOST. The gay men get into a little too much screaming when things start going wrong, but at least most it is well performed, particularly by Grande and, in a virtual cameo, Urie. I only wish they could have gotten the rights to Judy Garland’s recording of “After You’ve Gone,” which figures prominently in the action. Broadway star Carolee Carmello recorded an imitation that’s pitched uncomfortably between accurate and camp. It just needed to go further in one direction or the other.

[geekgalactic]

Why would a Prince want a girl like HER!!!

[onenakedfarmer]

Currently Watching [Hal Hartley Retrospective]

HENRY FOOL Hal Hartley USA, 1997

[unproduciblesmackdown]

summer stock posting....grabbing them like share all the pictures you have! an uncropped version of this one!

[nothingunrealistic]

Corbin Bleu and Stephanie Styles will headline a private industry reading of the Broadway-bound musical comedy, Get Happy. The invitation-only reading will be held on January 17 in New York City. Get Happy, which premiered under the title Summer Stock in 2023 at Connecticut’s esteemed Goodspeed Musicals, features book and additional lyrics by four-time Emmy Award winner Cheri Steinkellner, musical supervision, arrangements and orchestrations by three-time Tony Award winner Doug Besterman, and will be directed and choreographed by Donna Feore, making her long-awaited New York City debut after years of acclaimed work at Canada’s Stratford Festival. Read the reviews for the Goodspeed production here. The producers are Steve Peters and Michael Londra of VenuWorks Theatricals, Greg & Marissa Frankenfield of Excelsior Entertainment, and executive producers Carolyn Rossi Copeland and Nancy Nagel Gibbs. Get Happy is produced by special arrangement with Warner Bros. Theatre Ventures. Bleu and Styles, reuniting after starring opposite each other in the 2019 Broadway revival of Kiss Me, Kate, will play the roles of Joe Ross and Jane Falbury, originally played onscreen by Gene Kelly and Judy Garland. The reading will also feature Stephen Lee Anderson (Broadway: Bright Star, Fiddler on the Roof, Wicked) as Lt. Henry ‘Pop’ Falbury, Gilbert L. Bailey II (Broadway: The Book of Mormon, Beetlejuice) as Phil Filmore, Tony Award nominee Veanne Cox (Broadway: Company; Caroline, or Change; La Cage aux Folles) as Margaret Wingate, Zoe Jensen (Broadway: Six; The Heart of Rock and Roll) as Gloria Falbury, Will Roland (Broadway: Dear Evan Hansen; Be More Chill) as Orville Wingate, and Tony Award nominee Douglas Sills (Broadway: The Scarlet Pimpernel; Little Shop of Horrors; War Paint) as Montgomery Leach, with Nicholas Cunha, Francesca Mancuso, Corinne Munsch, Kaylee Olson, Aaron Patterson, Jack Sippel, and Cayel Tregeagle. When the company of a new Broadway show loses their rehearsal space, the gang hoofs it to a family farm in Connecticut where, in the best musical tradition, the show must go on. Along the way, there are unlikely romances, some of the greatest songs of the American songbook, show-stopping choreography, and a farm – and a musical – to save.