#vanessa jones

[dalekofchaos]

Friday The 13th Game map concept:Camp Hell

Savini Jason deserved a map of his own. so my suggestion is Camp Crystal Lake, but in hell

Like in the picture suggests, the camp is literally Crystal Lake in Hell.

The lake is on fire

Sulfer in the air and the woods on fire

The cabins are charred, the windows are burned down and the doors are broken

Replace the trees with spikes

Replace Pamela’s shrine with Satan’s throne with Satan impaled while holding Pamela’s head

There is no escape. Phones do not work and the vehicles are all burned down. 

Jason kills you over and over again  have to survive below a certain number of deaths I mean it's hell I'd think Jason gets to keep killing them over and over and over and over and they just keep getting back up more and more torn up like the mechanic can be like you must have x amount of your body(soul) intact to ascends to Heaven when times up

Imagine the match starting normally, up until the moment Savini would murk Rob Dier. Instead of the kill when he grabs him by the throat, he teleports everything, map and counselors down to hell. A version of Crystal Lake/Packinack/Higgins Haven/Pinehurst/Jarvis House with a Dante's Inferno look to it. Reskin on weapons, crafting parts, and more blood. If you survive with limited deaths, your soul ascends to heaven. 

[beep-beep-robin]

quinni gallagher-jones + common autism traits pt. 2

finally made part 2 to this :)

[castlesprincess]

[tedlassogif]

TED LASSO (2020 - 2023) 1x07 | 2x07 | 3x08

[filmreveries]

The Devils (1971) dir. Ken Russell

[thecrownnetflixuk]

Life of a Princess.

Beau Gadsdon, Vanessa Kirby, Helena Bonham Carter & Lesley Manville as Princess Margaret in The Crown.

[haveyouseenthismovie-poll]

[asgoodeasgold]

The gorgeous and sizzling Tony & Margaret promo clips from Netflix for season 2 of The Crown. 

With some explosive performances and insane on-screen chemistry from Matthew Goode and Vanessa Kirby 💥🔥. Love them 🩷 These two must work together again!

And I can't wait to see Netflix's incredible promo machine getting into gear for Department Q! Matthew deserves all the support and all the love for his hard work and incredible talent.

📷 All clips are property of Netflix The Crown from their Instagram, YouTube, and Facebook (last clip via The Crown Net on tumblr), my gifs.

📷 My edits from above clips + photographs by Jason Bell for Vanity Fair (2017)

[allgirlsareprincesses]

Love At First Sight (2023)

Okay, we’re going to talk about the new Netflix romance directed by Vanessa Caswill, Love At First Sight, because I’m seeing almost no chatter about it and that cannot stand. Full disclosure, I’ve never read the book on which this movie is based, The Statistical Probability of Love at First Sight, so I’m reacting only to the film (which I’ve now seen 4.5 times in 2 days).

The Surface Reading

It’s a perfect, tight, adorable little RomCom that’s heavy on the Rom and light on the Com, with a wrenching dash of angst and the most hair-twirling chemistry between two leads that has graced our screens in years. Truly, if all you want is 90 minutes of two actors being saccharine precious cinnamon rolls, look no further!

There are simple takeaways here, like that chance can only take you so far, but in the end you have to choose to love. Or that change and loss are part of life and you can’t run from them. Or that London is a massive labyrinth of eccentric people that probably looks 400% cooler onscreen than it is in reality (I wouldn’t know, I’ve never visited, so this and the 90s Parent Trap are the extent of my knowledge about the city, sorry).

Anyway, I adored how straightforward the story was - that the narrator (played brilliantly by Jameela Jamil) tells you directly in the first two minutes that it’s a story about love, fate, and statistics. She then repeatedly describes every development as it is happening, the characters’ histories and internal monologues, and all the context you need to follow the thin but fast-paced plot. The writing, performances, and production design are all solid, allowing the audience to get lost in the romance as it unfolds.

BUT if you’re slightly unhinged like I am and you’re always looking for more layers in your media, HAVE NO FEAR! There is in fact more going on in this little movie than you might expect.

Color Theory

For starters, the use of red and green in the film is fascinating. Yes, I realize the action of the story takes place a few days before Christmas, so you might assume it was just a seasonal aesthetic choice, but if you look closer, you can see very carefully selected shades of red and green repeating throughout the film. The red is a cool, deep rose color, sometimes pink, while the green is cool and dark, like oxidized bronze rather than emerald. Further, while they appear over and over, these hues are rarely used in a purely decorative or festive way. Instead, they play a role in the separation and coming together of the couple. On a color wheel, red and green are complements, perfect opposites that are never adjacent but always joined in the middle.

The title card during Hadley’s introduction is literally a green stripe over a red stripe, then the hallways of the airport are green, and of course Hadley’s ever-important backpack is a rosy red. As the couple grow closer on their flight, the light turns pink. Once in London, a green van takes Oliver one way while a red taxi takes Hadley the other. At her father’s wedding, Hadley is dressed in red (“the color of a bruise” she calls it), contrasting beautifully against her green jacket. Upon realizing Oliver’s true purpose, she chases after him on an iconic red double-decker bus. Meanwhile at the living memorial, Oliver’s father is dressed in red while his mother wears a faded green, as if to say she is already beginning to fade away. The event is decorated with green drapery and streamers, and there are even stacks of red and green chairs in the stairwell where Oliver begs his mother to receive treatment.

Hadley gifts her red and green bouquet to Tessa, and when she is driven away, a green-clad narrator returns the red backpack to Oliver. Wandering London alone, Hadley exchanges her painful red heels for a pair of green trainers (“sneakers!” she insists), and tries to call her dad first in a red phone booth and then on a phone from a stranger sitting in a cluster of red chairs. Finally, Oliver chooses to pursue Hadley to the wedding reception which is lit in pink, and where they finally share the long-awaited kiss.

There are many more examples, but in general we see that green indicates separation and loss, while red symbolizes joining, intimacy, and (what else?) love! It lends the film a gorgeous, subtle aesthetic without being garishly festive, and shows the lovers’ emotional journey from lonely childhood to vulnerable, loving adulthood.

Death and Rebirth

Speaking of which, there’s plenty of rebirth imagery too! When Hadley and Oliver meet, they are both still children, struggling with the impending loss of parental security through divorce and death. Thus, when they board the plane, it is as if they enter an underworld or womb, separated from their families and remade as new adults. They emerge on the other side into a hallway (read: birth canal), as each must still confront their own dying childhood before they can join as full and equal partners. Hadley journeys to a bright, red-strewn celebration of life, while Oliver must enter a dark green commemoration of death, his fear driving him deeper to hide in another hallway. Here his mother comes to find him, begging him to emerge into life, but Ollie still can’t confront her death alone.

Thankfully, Hadley travels to this underworld to find him, bursting into the memorial like a bright red flower. Even the bruise metaphor works, acknowledging the pain they are both experiencing at the changes in their lives. But Oliver still refuses to face his fears, trying to take a shortcut around death to life with Hadley. Still, she knows he’s not ready (likely because she’s not yet, either), and gently pushes back. And so, Oliver returns to the underworld, and Hadley walks off alone until she descends barefoot through a soggy riverside tunnel (birth canal again!). Finally, she calls her father and admits she is “lost.” When he arrives, Hadley at last gathers the courage to ask why he ended their old life, and to tell him how much it hurt her. But as Oliver predicted, she forgives her dad and even begins to accept his new bride.

Back at the memorial, Oliver is reminded by Hadley’s red backpack - his unaddressed emotional baggage - to be honest about his pain. In at last openly mourning his mother and his own childhood, Ollie takes a step into adulthood, just enough for his family to nudge him that extra bit to go after Hadley. And so, the family delivers him to his bride, who has meanwhile learned to dance again, even through her heartbreak. With one last confession, the two consummate their love with a kiss, bathed in pink light before an open door.

Happily Ever After

There’s so much more, with the hand-holding, numbers, Shakespeare, Dickens, the music, and beyond, but the point is that this cute, charming little romance is actually very deliberately constructed. It follows timeless patterns and motifs which we instinctively understand through visual and auditory language. And the narration plays a huge role in this as well, not unlike the prologues and epilogues of the Bard’s plays in that they state the story’s lessons plainly: that we cannot always be prepared for unwelcome surprises, but that we can make the choice to love every day.

Anyway, Vanessa Caswill deserves all the flowers and if you haven’t seen her gorgeous adaptation of Little Women (with all due respect to the marvelous Greta Gerwig and Gillian Armstrong), please do yourself a favor and watch that after you finish this!

[lem0nademouth]

my toxic trait is that i cannot give a simple answer to the question “what is your favorite book?”. do you mean book i enjoyed reading the most? book i have the fondest memories of? book i connected the most with? are we including childhood favorites? differentiating by genre? separating fiction and nonfiction? do not ask me what my favorite book is unless you have at least two hours to spare.

[comicbookddr]

"We saved the world..."

"And we looked pretty amazing while doing it."

[bettyweir]

My Babysitter's a vampire ❥ The date to end all dates ~ Part one

[beep-beep-robin]

quinni gallagher-jones + common autism traits

had to make gifs of her again, and felt the need to make a list (does anyone get that feeling?) - so, i combined both and more gifs are incoming soon-ish <3

[jugheads-choni]

Missing Riverdale something FIERCE today…

[tedlassogif]

"I don't wanna be just friends." TED LASSO (3x11)

[esqueletosgays]

THE DEVILS (1971)

Director: Ken Russell Cinematography: David Watkin