#vane (producer)

[vsynthbday]

RECOMMENDATION OF THE WEEK:

"weathergirl" by FLAVOR FOLEY (Vane Lily, JamieP / Jamie Paige, ricedeity)! (Vo. Eleanor Forte)

MV by ippo.tsk | september 2nd - 8th, 2024.

[psychofreak-p]

(character in the bg belongs to team 6x111)

i can still remember the taste,, ew

[ashersbraincell]

I have this extremely specific visualisation of how to animate certain parts of “Distortionist” by Ghost and Pals but:

1. No character to make it with, I mean, I guess I could just do Crispy themselves but I prefer to usually do fandom yk?

And probably, more importantly, 2. I just don’t have the skill to pull off to what I envision in my mind

[vocaloidsongpoll]

do you like this vocaloid song?

(EXTREME FLASHING IMAGES WARNING, GORE WARNING)

(composed by Vane and R.I.P)

submitted by @orpheuslookingback! thank you so much!!!

[casawio]

GODDD THIS HAS GOT TO BE MY NEW FAV VOCAL SYNTH ENGLISH SONG OUHHH

[cr4shjay]

Suffering as a commodity

drawing/caption based on "Digital/Physical Heart" by Vane (https://www.youtube.com/watch?v=bFqihfho-0E)

[fwob]

mutuals who r ur fav vocaloid producers

[yumenosakiacademy]

I DIDNT EVEN REALIZE THIS WAS A SYNTHV SONG UNTIL I READ THE DESCRIPTION?????????????????????????????

[rainbowsky]

Has the competition for ranking in the domestic entertainment industry reached the Magnolia Awards?

Original Entertainment Management Studio 2024-06-01 06: 30 Beijing

On May 30, after the shortlist of the Magnolia Awards for the 29th Shanghai TV Festival was announced, not only "xx was nominated" but also "xxx was not nominated" caused heated discussion.

The controversy centered on the two awards of "TV King" and "TV Queen". Among them, among the nominations for best actor, there are Ding Yongdai of "South and North" and Wang Yang of "War of Faith". However, some netizens discovered that when the official lineup of "War of Faith" was announced, Wang Yang was ranked third as the leading star, while Wang Yibo, who was ranked first as the leading star, was not nominated. The topic #白Magnolia was nominated without Wang Yibo# became a hot search on Weibo.

The same situation happened in "South to North". When the official Weibo announced the cast, the first leading actor was Bai Jingting, and the second was Ding Yongdai. #Bai Jingting is not nominated for Magnolia Awards# also became a hot search.

In the eyes of some netizens, "No. 1" is equivalent to "protagonist", and "No. 2" and "No. 3" are supporting roles. So, is this "ranking" trend in the domestic entertainment industry really equivalent to the judging logic of Magnolia Awards?

How to apply for a Magnolia?

As one of the three major awards for Chinese TV dramas, the Magnolia Award has always been regarded as an "industry award" and represents the vane of the domestic TV industry. The annual Best Actor and Best Actress awards are the highest recognition of actors in the field of TV dramas, and have become the focus of attention of various actors and fans.

Under the official Weibo of the Shanghai TV Festival's announcement of the shortlist, you can see countless fans' Amway* copywriting. In addition to actors such as Hu Ge, Yang Zi, and Tang Yan who have been nominated, fans of artists whose related works have been nominated also want to "get involved" in this joyous occasion. For example, the variety show "The Heart-Stirring Offer 5" was nominated, and fans of He Junlin, one of the guests, also congratulated He Junlin in the comment section.

*RBS note - 'Amway' essentially means 'intense and over-the-top, cult-like'.

On the other hand, although "War of Faith" was nominated for multiple Magnolia Awards, fans of the lead actor Wang Yibo were not happy. In their view, when "War of Faith" was officially announced, Wang Yang was the "third" male supporting role, and Wang Yibo was the first male lead, but Wang Yang was submitted for "Best Actor" and was nominated. As a result, fans began to protest on a large scale under the relevant Weibo of Magnolia, the film company, and the producer.

The Yuli Studio read the "2024 29th Shanghai TV Festival Magnolia Award TV Series Category Regulations" and found that in principle, the male and female lead awards are filled in with 1 person each, that is, the first male and female lead. The first male and female lead must play a pivotal role in promoting the plot and have an indispensable and important role. If there are indeed multiple male or female leads, the maximum number of people to be filled in is 2, and both must occupy a relatively large part in the play.

2024 29th Shanghai TV Festival Magnolia Award TV Series Category Rules

A film producer told Yuli Studio that because the Magnolia Award has requirements for the role, the film producer will definitely nominate the two leading actors with the most roles, and will not select them according to the ranking, nor will there be a situation where the "second male lead" is not reported but the "first male lead". If there are really not enough places, supporting roles will be reported.

The case of "Flowers" can also prove this application logic. When the official Weibo of "Flowers" announced the lineup, the ranking of the three actresses was Ma Yili, Tang Yan and Xin Zhilei. But according to The Paper, when the "Flowers" film producer applied, he believed that the three actresses in the play were all heroines, and each of them was very outstanding, so he communicated with the organizing committee and registered all three. In the end, only Tang Yan was shortlisted for the best actress.

It can be inferred from this that Wang Yibo and Wang Yang are both the leading actors in "War of Faith" and are also the top two male actors with the most roles, so the film crew will also report these two actors when submitting. Similarly, the crew of "South to North" should also report the top two male actors with the most roles, Bai Jingting and Ding Yongdai.

On May 31, Nandu Entertainment reported that an insider said that the "War of Faith" crew did report Wang Yibo and Wang Yang for the best actor. Both Bai Jingting and Wang Yibo appeared in the second round of voting for the best actor of this year's Magnolia Award, but after the review vote, they did not enter the final shortlist.

At the same time, in terms of the submitter, the "2024 29th Shanghai TV Festival Magnolia Award TV Series Category Regulations" stipulate that the registration is by individuals or institutions that own the copyright of the program, and one party must be determined as the applicant. Generally speaking, the submitter is the first producer, that is, the video platform. So the submitter of "War of Faith" should be iQiyi.

However, even with the written rules and industry reports, fans don't seem to buy it.

Where did the controversy come from?

Judging from the protests of Wang Yibo's fans, the biggest controversy is that fans believe that Wei Ruolai, played by Wang Yibo in "War of Faith", is the absolute and only male lead. Whether it is investment promotion or popularity, it is all carried by Wang Yibo. Therefore, the film company should not submit the best actor for Wang Yang, who is the "third lead", and compete with the "first lead" Wang Yibo in the same award.

So, are the rankings recognized by fans consistent with the "leading role" recognized by the industry? In addition to the first leading actor on the official list, the "first lead" recognized by fans also includes whether the script content revolves around the only protagonist, whether the protagonist has the most scenes, whether the various trailers released spend the most time on the first lead, and whether the above recognition has been mentioned in the interview with the main creators, etc.

However, in the selection rules of the Magnolia Awards, it is mentioned that if there are indeed multiple male protagonists or multiple female protagonists, the maximum number of people to be reported is 2, and all must occupy a relatively large part in the play. It can be found that when the official Weibo of "War of Faith" announced the lineup, Wang Yang was one of the leading actors. Secondly, the plot synopsis of "War of Faith" also mentioned that Wei Ruolai's plot mainly unfolds after he meets Shen Tunan, and forms a control group with Shen Tunan. Therefore, whether it is the title or the plot, there is no problem for the film company to apply for the Magnolia Award for Wang Yang as the "leading actor". And since the Magnolia Awards officially announced the shortlist, it also means that Shen Tunan, played by Wang Yang, meets the Magnolia Award's "leading actor" standard.

War of Faith original casting announcement from 2023: Starring in the leading role: Wang Yibo, Starring in the leading role: Li Qin, Starring in the leading role: Wang Yang.

Judging from the list of winners of the Magnolia Award for Best Actor in previous years, Lei Jiayin, who won the 28th Shanghai TV Festival Magnolia Award for Best Actor for "The World", is not the only leading actor. Yu Hewei, who won the 27th Shanghai TV Festival Magnolia Award for Best Actor for "Awakening Age", is one of the protagonists, and was even ranked after Zhang Tong, who played Li Dazhao, when the official announcement was made.

The application of "Fang Hua" also proves that a drama can have multiple "protagonists". It can be seen that the "protagonist" standard recognized by the Magnolia Awards is not the same as the "ranking" standard in the minds of fans.

How do "the male protagonist" and "the female protagonist" influence creation ?

Therefore, the so-called "number one", absolute male protagonist and female protagonist are more of a self-entertainment statement of the fan circle, which is unprofessional and does not respect the rules of creation.

When the main creator is creating, if they are disturbed by the "male protagonist" and "female protagonist", the role will become to serve the actors rather than the plot and the characters. Under normal circumstances, the male and female protagonists and even the main supporting roles should have a complete growth line to show how their personalities are developed? What are the relationships between the characters around them? But if you blindly give way to the "male protagonist" and "female protagonist", other characters will lose their normal behavioral logic and become tools of "what the other party needs me to do, I will do", and the logic of the whole drama will collapse.

For example, "Changyue Jinming" was questioned by netizens that in order to set off the male protagonist, the female protagonist was arranged to fall in love with the male protagonist who had a "grudge against the extermination of the family", and the tragic female supporting role was also reduced to the "background board" of the love between the male and female protagonists, and was devalued by the protagonist as worthless; in order to make the male protagonist have a righteous aura, he, who was originally a villain and wanted to kill everyone, suddenly became a benevolent king in the middle of the series, and was criticized by the audience for his illogicality.

Secondly, the trend of "fighting for ranking" also forces the film producers to "perform" all kinds of fancy words when making official announcements in order not to offend artists and fans. For example, when Yu Zheng officially announced "Five Fortunes", in order to prevent all parties from tearing up the rankings, he designed a "Ferris wheel rotating ranking". This kind of effort that is not beneficial to creation is a practice of chasing "face" without looking at "inside" under helplessness.

It can be found that whether it is the past "Awakening Age", "The World", "Kuangbi", or 2024's "Flower" and "Celebrating Yu Nian 2", these hit dramas that have been authenticated by multiple data are not "big male lead" or "big female lead" dramas centered on one person, but "all members are on the table", triggering group portrait dramas that break the circle of discussion. At the New Wave Forum on "How to make a hit drama and a hit person", Sun Hongzhi, director of TV drama operations at Tencent Video, also mentioned that the industry's effective broadcast standards are user value, economic value and industry value. And these three types of value cannot be brought by "big male lead" or "big female lead" alone.

Essentially, the controversy is still the "disease" of the "rank cancer" in the domestic entertainment industry. People who are keen on "ranking" mistakenly equate the rank with the value of the actors, and regard the ranking as an important capital for business negotiations and rights protection. However, the rank is only the "face", and what is truly recognized by the industry or even passers-by is the "inside". The so-called "number one" and "only male and female protagonists" do not equal achievements, nor can they directly bring exposure, growth opportunities and business resources.

In this year's Magnolia Awards, Liu Lin, who was not nominated but was on the hot search, also "running with" for ten years. Under the entry #Liu Lin has been running with Baiyulan for ten years#, many netizens expressed their regret for her and mentioned her countless classic roles.

It can be found that although excellent actors have not been nominated, they have long been uncrowned kings in the hearts of the audience. As Liu Lin once said, "I am not in a hurry to be famous or popular, but I can still work diligently in the acting industry."

[8r14r-r0s3]

I adore madoka magica but when i think about it too hard the amount of inconsistencies that pop up from the soft magic system confuse the ever loving shit out of me

POINT ONE: what the fuck is all of the magic in episode one??? What are the purple light beams Homura is shooting??? What fucking gun is that Akemi??? Why can Mami heal Kyubey??? Can magical girls heal other people or just themselves??? Cause I thought healing other people was like a special thing only Sayaka (in this story) can do??? What’s up with the weird texture that pops up when Mami arrives??? It shows up when she makes the ribbon barrier to block Sayaka and Madoka from Gertrude in episode two, is that just like a force field she can set up??? That’s never explained, is that her magic power??? Cause

POINT TWO: what the actual fuck is going on with Mami??? Magical girls have a weapon and at least 1-2 magic powers. This is very consistent, Homura has a shield, time stop, and hammer space, Sayaka has a sword, healing powers, and speed boosts, Kyoko has a spear, barriers, and illusions, and this was seemingly true of Mami too, until fucking Portable happened. At first it seemed that her weapon was Guns and her magic powers were Ribbons and potentially the other weird shit she does that no one else does (Sayaka’s magic bat, seeming safety circles, healing Kyubey), but her guns are made of her ribbons, meaning she either doesn’t have a weapon or doesn’t have a clearly defined magic power. What the actual fuck is going on with her????

POINT THREE: All of Charlotte’s Labyrinth. Why is her grief seed outside of the hospital when according to her Magia Record story she witches inside the hospital? Why hasn’t it already hatched? Where’s the big witch explosion when it hatches? Where is her body? Why does the labyrinth form BEFORE the grief seed hatches??? On the topic of Nagisa, what’s HER magic power?? Is it the weird cake ritual thing?? The thing she does with the serving platters to homulily’s familiars? Cause I thought those were witch power things?

POINT FOUR: Why do Elly and Izabel pull people into their labyrinths when witches are supposed to gain power by people committing die? Or if they gain power by drawing people into labyrinths and eating them, why do the people the Witch Kiss not enter labyrinths? Also what are the exact effects of a witches kiss? Why does Gertrude’s make a woman try to jump off a building but Elly’s starts a death cult? Is it based on the strength of the witch? Cause Elly goes down in one hit to the weakest magical girl in the show so that can’t be it. Is it based on their nature/“curse”? Because then what does Izabel’s “vane” nature have to do with Homura’s relatively unspecific ideation in episode 10?

POINT FIVE: what the fuck happens when a familiar becomes a witch?? Why do they still drop grief seeds despite not having soul gems from which they hatched??? If they don’t produce energy from their conversion like magical girls do, why do the incubators allow this to happen??? Isn’t it wasteful??? Also will they be carbon copies of their witch??? Are there just TWO Albertines in Mitakihara????

POINT SIX: How did the cycle start?? What was the first magical girl fighting if there weren’t any witches that existed yet???? I understand this is nitpicky but were they fighting wraiths???

I have so many questions please help QwQ

[psychofreak-p]

(character in the bg belongs to team 6x111)

i'm so glad that i no longer go to school🔥🔥

[thatsrightice]

F-14 Tomcat Variants

A beginner’s guide to identifying and differentiating the different F-14 Tomcat variants using three distinctive, easy-to-spot features: Glove Vanes, Engine Exhaust Nozzle (aka “Turkey Feathers”), and Sensor Pods.

F-14A

NUMBER BUILT: 637 total

INTRODUCED: 22 September 1974

The F-14A’s were the first Tomcats ever produced. The TF30 engines were initially an interim engine used during testing but it was later decided they would be used in full production of the F-14A. A total of 478 F-14As were delivered to the US Navy and 79 were delivered to Iran with the TF30-P-412A engine. Iran was supposed to receive 80 aircraft but the last one was given to the US Navy. Later in production, the final 102 F-14A’s were delivered to the US Navy with Pratt & Whitney TF30-P-414A engine.

IDENTIFYING FEATURES:

✅ GLOVE VANES

The A-variant is the only variant of the Tomcat to have Glove Vanes. They were designed to automatically deploy when the aircraft was flying at speeds greater than Mach 1.4 and retract when below in order to correct the tendency for the Tomcat’s nose to pitch downwards at high speeds. They were notoriously difficult to maintain and the benefit was marginal at the speed they were designed for, so the glove vanes were disconnected entirely and welted shut. The glove vanes were not featured on new F-14 Tomcats, but the outline of the glove vane makes it easy to identify an F-14A or an F-14B/F-14D that was a rebuilt F-14A.

✅ SMALL NOZZLE EXHAUST FEATHERS

When compared to the F110 engines, it becomes pretty easy to tell the difference. When you look at the TF30 engine nozzle, you’ll see a lot of small metal plates, “Turkey Feathers,” that expand and contract when the nozzle opens and closes. It’ll be easier to tell the difference once you take a look at the General Electric F110 engine used on later F-14 Tomcat variants. This is the BEST way to identify an F-14A.

✅ SINGLE SENSOR POD BELOW CHIN

I recommend using the TF30 engine as the best way to identify an A-variant Tomcat as they are the only variant with those engines, however, I am choosing to include a section on the sensor pods for your reference as it is important for identifying the B and D-variants. The F-14A features a single sensor pod located below its chin but can come in a variety of configurations.

F-14A+ aka F-14B

NUMBER BUILT: 81 Aircraft (38 new builds, 43 upgraded F-14As)

UPGRADES BEGAN: March 1987

Initially designated the F-14A+, the upgrade is primarily characterized by the replacement of the Pratt & Whitney TF-30 engine with the General Electric F110-GE-400 engine due to being notoriously problematic. Many of the avionic systems and radars were retained, but the ALR-67 Radar Homing and Warning system was added. The A+was redesignated to the F-14B on 1 May 1891.

In the late 1990’s, the F-14Bs were upgraded again to extend its airframe life and upgrade the avionics system, but it was not given a variant designation due to the lack of major changes.

MAIN VARIANT FEATURES:

F110-GE-400 engines

ALR-67 Radar Homing and Warning system

IDENTIFYING FEATURES:

❌ NO GLOVE VANES

As stated in the section for the A-variant, the glove vanes were welded shut and completely disconnected on all existing Tomcats. On new builds, they weren’t even included in the design, however, if the aircraft is an upgraded F-14A, you might see the glove vane outline. This would be a way you can identify which aircraft were originally F-14As (Rebuild) and which were completely new builds.

✅ LARGE EXHAUST NOZZLE FEATHERS

Because most of the F-14B models were upgraded F-14As, it’s a little tricky to tell the difference sometimes. The easiest way is the F110 engine nozzle’s large turkey feathers. In comparison, the turkey feathers on the F110 engine are significantly larger and fewer in number, making it easily identifiable.

✅ SINGLE SENSOR POD BELOW CHIN

If you see a Tomcat with guide vanes and the F110 engine, then you can infer that it isn’t an F-14A. But to tell the difference between an F-14B and an F-14D, you’ll need to examine the sensors located below the chin.

Similar to the A-variant, the F-14B only has a single sensor pod located below its nose. The B model only had one true configuration with the Tactical Camera System (TCS), however, it may have an Aerodynamic Cover. This image from M.A.T.S. best shows the only possible sensor pod configurations for the F-14 A and B. The bottom two diagrams represent the B-variant.

F-14D Super Tomcat

NUMBER BUILT: 55 aircraft (37 new, 18 upgraded F-14As)

UPGRADES BEGAN: 1991

The F-14D, much like the F-14B, featured many avionics upgrades, including a new AN/APG-71 radar radar to replace the AWG-9 used in the A and B-variants and digital avionics systems. The D-variant, also called the Super Tomcat, featured the same F110-GE-400 engine used on the B-variant. There were many other upgrades to the F-14 Tomcat’s systems in this variant.

MAIN VARIANT FEATURES:

F110-GE-400 engine

AN/APG-71 radar

Glass cockpit

IDENTIFYING FEATURES:

❌ NO GLOVE VANES

As stated in the section for the A-variant and the B-variant, the glove vanes were welded shut and completely disconnected on all existing Tomcats. On new builds, however, they weren’t even included in the design. The rebuilds, however, might have the glove vanes if they were not removed during the rebuild process. F-14Ds upgraded from F-14As may also be designated F-14D(R)s, where R stands for rebuild.

✅ LARGE NOZZLE EHAUST FEATHERS

Many of the F-14Ds were rebuilt F-14As, so it’s a little tricky to tell the difference sometimes. The easiest way, similar to the F-14B, is the F110 engine nozzle’s large turkey feathers. In comparison to the TF30 engine, the turkey feathers are significantly larger and fewer in number.

✅ TWO SENSOR PODS BELOW CHIN

The main differentiating feature between the F-14B and D variants is the sensor pods located below the chin of the aircraft. This variant features two sensor pods as opposed to the one sensor pod of previous variants. This allows the aircraft to have both the Infra-Red Seeker pod and the Tactical Camera System (TCS). The F-14D is the only variant to have both, making it the easiest way to distinguish it from other variants.

[thejoyofseax]

Ormthing 2024 Feast

The feast for Ormthing is done, and having that last major SCA obligation for the year out of the way seems to have broken the dam on getting some writing up of stuff done too. Well, that, and being on a ferry for four hours on the way back with little enough to do; I was on the verge of feeling bored for a few minutes there.

The idea for Ormthing (a 4-5 day camping event at Caldicot Castle in South Wales) was to produce a Norman feast. Norman is not one of the cuisines from which I often cook, so a little research was in order first. Magnifica Magdelena Grace Vane helped with that, and indeed would have been my co-cook for the event had circumstances of modern life not gotten in her way. It would appear that there's very little out there about Norman food, though. There's more known about WHAT was eaten than there is about early Irish food, for example, but there aren't recipes or many coherent accounts. What's there is not massively different from the 14th-15th century English and French food I think of as "generic medieval", though it's argued in some places to be simpler, and in some to have more in the way of spices and bold tastes - the latter coming from Norman contact with the Arabic world via Sicily. The best guess at a feast menu would therefore be roast meats in plenty, bread, some strong tasting sauces, and - in August - quite a lot of fruit. I also guessed that fritters of some kind would have been available. So with these parameters, I went about constructing a three course feast.

Of course, account had to be taken of the actual circumstance of the feast (evening, after a day in which there were already two tournaments, including the Principality Coronet Tourney, and would be a third to follow, in the castle courtyard by torchlight) and the diners. So I went for having the "main food" of the feast in the first course, with stronger tastes and sweeter things to follow. I reckoned that five roast meats per course with fish to vary would be too much - and indeed, in the unavilability of things like swan, heron, and porpoise - it might be difficult enough to make it to fifteen different meats.

So the initial plan was:

Course the First: Roast Beast (Venison or Beef) Frumenty Chicken Pottage Vegetables

Course the Second: Fish in Aspic Chicken on Sops White Fish in a Fruit Sauce Vegetables

Course the Third: Roast Duck Baked Orchard Fruit Dates in Compost Cream & Honey Fritters

… with bread for all courses.

This did not entirely survive contact with reality. I have done fish in aspic before - indeed, I once did a beautifully clear aspic with a whole trout suspended in it - and nobody, including myself, would actually touch the thing. Aspic is one of those things which sound weird, and turn out to look alien. So I decided not to do that, and replaced that with little dishes of anchovies, which I reckoned would convey the strong taste, and not offend as many people. I was able to get pickled mussels as well, so they were added in.

The vegetables for the first course were buttered turnips and creamed leeks, and for the second, stewed cabbage and a bean pottage.

Master Richard of Salesberie was able to source excellent meat for me, about two-thirds venison and one-third beef. It did, however, arrive from the farm shop already diced, so the idea of roasting it went by the wayside. Instead, I decided to brown it in a pan, and then bake it "in gobbets".

Due to various happenings of availability and illness, I wasn't able to have any of my usual kitchen crew along, but there were volunteers from the big island: Lady Julian ferch Luned, Lady Milada von Schnecken, The Honourable Lady Amphelise de Wodeham, and Halvar Darylson, all good cooks in the their own right. We had a relaxed kitchen with no particular rush, and indeed we were able to take breaks to go see bits of the tourneys, check in on family, and so forth. Early in the day, I saw my lady, Master Agnes Boncuer, have her champion Master Alexander of Derlington take the Coronet for her, which made the high table rather more familiar in terms of tastes and needs.

The kitchen in Caldicot is a modern one, situated just off the banquet hall. It's not big, and with five people in there, it was full. It also came without pots and pans, and there were no trays that would fit the steam oven. We knew about the pots in advance, so Amphelise - who accompanied me shopping, doing the driving and money-handling - and I picked up some the day before. We discovered the lack of suitable trays about three hours before serving, but the baked fruit went into a (slow) gas oven, and disposable roasting trays were procured at speed from the village - by whom I don't know, but I'm very grateful to them! The gas hob and the steam oven were excellent, though, and there was a dishwasher in a separate room.

The menu looks somewhat deceptively simple; there was a LOT of peeling and chopping of fruit and vegetables. We were able to do quite a lot of that during the day and get things going, so we weren't rushed, but I'm taking note of that for future reference, and might consider either some degree of prepping stuff the day before, or buying pre-chopped ingredients where possible.

We had people eating in three places - in the banqueting hall, in a smaller hall down a corridor and some stairs, and then more outside (and down a steep stairs), under a sunshade in the courtyard. This meant that service pretty much had to be to the tables, rather than my usual preference for a buffet. And we hadn't suitable serving dishes for most of what was there, so it was largely a matter of sending out the pots. Master Robert of Canterbury, Lord Trygg of Eplaheimr, Dominic of Flintheath, Lord Etienne the Younger, Kit of Flintheath, Taliesin Denet, and Sidney of Flintheath did excellent work, coping admirably with heavy loads and much stair-climbing.

Everything seemed to be well received, in general. I heard good things about the venison, the turnips, the chicken pottage, the pickled mussels, the chicken on sops, the sweet-and-sour fruit sauce for the fish (but not necessarily the fish itself, I noted), the duck, the orchard fruits, and the fritters. By the time of the duck and the fritters, the torchlight pas d'armes was under way, so I was able to wander round with the dishes and hand them out to the crowd, which is one of my very favourite things to do. We had more than was necessary of pretty much everything after the first course, so if I'm doing something like this again, I'd cut back on the quantities in the second and third courses.

Almost all the feedback I've had was good (with a couple of comments on the blandness of some dishes, but that's countered by others saying they were grateful for the edibility of those). Overall, I'm happy with how things went, considering the limitations of the kitchen and the service - there are things I'd do differently if I'm cooking there again, but that's always the case for the first use of a kitchen. I'll write up a document for the next person using it, and I can at least say that nobody went hungry!

[communist-hatsunemiku]

Wait you just discovered maretu? I remember my first experience with them was a remix of a Kairikibear song (disappearance addiction maretu remix) and I've enjoyed a lot of their songs.

Also, by any chance do you know of Vane Lily? I like pretty much all of their music but I think there's a couple songs you should check out.

Digital/physical heart

And paparazzi murder party :)

Have fun :3

yeah ive been sleeping on Maretu this whole time so like, I know it seems like I know everything about Miku and Her most popular, talented producers but i really have huge blindspots.

If you know of a song/artist that is really good and want to share, please send them to me. Like a link to one of their songs in my dms or tagging me in a post! Even if I'm already aware of this or that artist, I like it when people share their favs with me